Leonard Bernstein Songtexte
West Side Story: America
I Feel Pretty
West Side Story: I Feel Pretty
Somewhere (from West Side Story)
Tonight (From West Side Story)
Geboren am 25. August 1918, Gestorben am 14. Oktober 1990
Leonard Bernstein: The Remastered Edition (Compilation)
Early Recordings - Stravinsky: Histoire du soldat / Octet for Wind Instruments / Milhaud: La Création du monde / Bernstein: Afterthought
- Histoire du soldat: The Soldier's March (von Boston Symphony Orchestra, Leonard Bernstein)
- Histoire du soldat: Music to Scene I (von Boston Symphony Orchestra, Leonard Bernstein)
- Histoire du soldat: The Royal March (von Boston Symphony Orchestra, Leonard Bernstein)
- Histoire du soldat: Music to Scene II (von Boston Symphony Orchestra, Leonard Bernstein)
- Histoire du soldat: The Little Concert (von Boston Symphony Orchestra, Leonard Bernstein)
- Histoire du soldat: 3 Dances: Tango - Waltz - Ragtime (von Igor Stravinsky)
- Histoire du soldat: Little Chorale (von Boston Symphony Orchestra, Leonard Bernstein)
- Histoire du soldat: The Devil's Dance (von Boston Symphony Orchestra, Leonard Bernstein)
- Histoire du soldat: Great Chorale (von Boston Symphony Orchestra, Leonard Bernstein)
- Histoire du soldat: Triumphal March of the Devil (von Boston Symphony Orchestra, Leonard Bernstein)
- Octet for Wind Instruments: I. Sinfonia
- Octet for Wind Instruments: II. Tema con variazioni
- Octet for Wind Instruments: III. Finale
- La Création di monde, Ballet, op. 81 (von Darius Milhaud)
- Afterthought
Bernstein: The Age of Anxiety (Symphony no. 2 for Piano and Orchestra)
- The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part I. The Prologue. Lento moderato
- The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part I. The Seven Ages. Variations 1-7
- The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part I. The Seven Stages. Variations 8-14
- The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part II. The Dirge. Largo
- The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part II. The Masque. Extremely fast
- The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part II. The Epilogue. L'istesso tempo - Adagio - Con moto
- Serenade for Solo Violin, Strings, Hard and Percussion: I. Phaedrus - Pausanias. Lento - Allegro marcato
- Serenade for Solo Violin, Strings, Hard and Percussion: II. Aristophanes. Allegretto
- Serenade for Solo Violin, Strings, Hard and Percussion: III. Eryximachus. Presto
- Serenade for Solo Violin, Strings, Hard and Percussion: IV. Agathon. Adagio
- Serenade for Solo Violin, Strings, Hard and Percussion: V. Socrates - Alcibiades. Molto tenuto - Adagio - Allegro molto vivace - Molto giocoso
Harold Shapero: Symphony for Classical Orchestra
- Symphony for Classical Orchestra: I. Adagio - Allegro (von Columbia Symphony Orchestra, Leonard Bernstein)
- Symphony for Classical Orchestra: II. Adagietto (von Columbia Symphony Orchestra, Leonard Bernstein)
- Symphony for Classical Orchestra: III. Scherzo (von Columbia Symphony Orchestra, Leonard Bernstein)
- Symphony for Classical Orchestra: IV. Finale. Allegro Con Spirito (von Columbia Symphony Orchestra, Leonard Bernstein)
Mozart: Concerto no. 17 in G major for Piano and Orchestra, K. 453 / Concerto no. 15 in B-flat major for Piano and Orchestra, K. 450
- Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro (von Leonard Bernstein, Columbia Symphony Orchestra)
- Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante (von Leonard Bernstein, Columbia Symphony Orchestra)
- Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto - Presto (von Leonard Bernstein, Columbia Symphony Orchestra)
- Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro (von Leonard Bernstein, Columbia Symphony Orchestra)
- Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] (von Leonard Bernstein, Columbia Symphony Orchestra)
- Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro (von Leonard Bernstein, Columbia Symphony Orchestra)
Stravinsky: Firebird Suite / Tchaikovsky: Romeo and Juliet Overture-Fantasy
- L'Oiseau de feu, Suite (1919 version): Introduction (von New York Philharmonic, Leonard Bernstein)
- L'Oiseau de feu, Suite (1919 version): L'Oiseau de feu et sa danse (von New York Philharmonic, Leonard Bernstein)
- L'Oiseau de feu, Suite (1919 version): Variation de l'Oiseau de feu (von New York Philharmonic, Leonard Bernstein)
- L'Oiseau de feu, Suite (1919 version): Ronde des princesses (von New York Philharmonic, Leonard Bernstein)
- L'Oiseau de feu, Suite (1919 version): Danse infernale du roi Kachtcheï (von New York Philharmonic, Leonard Bernstein)
- L'Oiseau de feu, Suite (1919 version): Berceuse (von New York Philharmonic, Leonard Bernstein)
- L'Oiseau de feu, Suite (1919 version): Finale (von New York Philharmonic, Leonard Bernstein)
- Romeo and Juliet: Fantasy Overture after Shakespeare (von New York Philharmonic, Leonard Bernstein)
Bartok: Concerto for Violin
- Concerto for Violin and Orchestra no. 2, Sz 112: I. Allegro non troppo (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra no. 2, Sz 112: II. Andante tranquillo - Allegro scherzando - Tempo I (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra no. 2, Sz 112: III. Allegro molto (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
Stravinsky: Le Sacre du printemps
- Le Sacre du printemps: Part I: L'Adoration de la terre. Introduction (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part I: L'Adoration de la terre. Les Augures printaniers (Danses des adolescentes) (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part I: L'Adoration de la terre. Jeu du rapt (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part I: L'Adoration de la terre. Rondes printanières (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part I: L'Adoration de la terre. Jeux des cités rivales (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part I: L'Adoration de la terre. Cortège du Sage (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part I: L'Adoration de la terre. Adoration de la terre (Le Sage) (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part I: L'Adoration de la terre. Danse de la terre (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part II: Le Sacrifice. Introduction (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part II: Le Sacrifice. Cercles mystérieux des adolescentes (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part II: Le Sacrifice. Glorification de l'Élue (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part II: Le Sacrifice. Évocation des ancêtres (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part II: Le Sacrifice. Action rituelle des ancêtres (von New York Philharmonic, Leonard Bernstein)
- Le Sacre du printemps: Part II: Le Sacrifice. Danse sacrale (L'Élue) (von New York Philharmonic, Leonard Bernstein)
Beethoven: Violin Concerto in D major, op. 61
- Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (von New York Philharmonic, Leonard Bernstein, Isaac Stern)
- Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto
- Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
Shostakovitch: Symphony no. 5, op. 47
- Symphony no. 5 in D minor, op. 47: I. Moderato (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 5 in D minor, op. 47: II. Allegretto (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 5 in D minor, op. 47: III. Largo (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo (von New York Philharmonic, Leonard Bernstein)
Gershwin: Rhapsody in Blue / An American in Paris
- Rhapsody in Blue (von Leonard Bernstein, Columbia Symphony Orchestra)
- An American in Paris (von New York Philharmonic, Leonard Bernstein)
- Grand Canyon Suite: I. Sunrise (von New York Philharmonic, Leonard Bernstein)
- Grand Canyon Suite: II. Painted Desert (von New York Philharmonic, Leonard Bernstein)
- Grand Canyon Suite: IV. Sunset (von New York Philharmonic, Leonard Bernstein)
- Grand Canyon Suite: V. Cloudburst (von New York Philharmonic, Leonard Bernstein)
Debussy: Images for Orchestra
- Images pour orchestre: I. Gigues (von New York Philharmonic, Leonard Bernstein)
- Images pour orchestre: II. Ibéria: Par les rues et par les chemins (von New York Philharmonic, Leonard Bernstein)
- Images pour orchestre: II. Ibéria: Les Parfums de la (von New York Philharmonic, Leonard Bernstein)
- Images pour orchestre: II. Ibéria: Le Matin d'un jour de fête (von New York Philharmonic, Leonard Bernstein)
- Images pour orchestre: III. Rondes de printemps (von New York Philharmonic, Leonard Bernstein)
Vivaldi: Concerto in C major for Diverse Instruments (with Mandolins) / Concerto in D minor for Oboe, Strings and Cembalo / Concerto in C minor for Flute, Strings and Cembalo / Concerto in C major for Piccolo, Strings and Cembalo
- Concerto for Diverse Instruments in C major, RV 558: I. Allegro molto (von Leonard Bernstein, New York Philharmonic)
- Concerto for Diverse Instruments in C major, RV 558: II. Andante molto (von Leonard Bernstein, New York Philharmonic)
- Concerto for Diverse Instruments in C major, RV 558: III. Allegro (von Leonard Bernstein, New York Philharmonic)
- Concerto for Oboe, Strings and Basso continuo in D minor, RV 454: I. Allegro
- Concerto for Oboe, Strings and Basso continuo in D minor, RV 454: II. Largo
- Concerto for Oboe, Strings and Basso continuo in D minor, RV 454: III. Allegro
- Concerto for Flute, Strings and Basso continuo in C minor, RV 441: I. Allegro non molto (von Leonard Bernstein, New York Philharmonic)
- Concerto for Flute, Strings and Basso continuo in C minor, RV 441: II. Largo
- Concerto for Flute, Strings and Basso continuo in C minor, RV 441: III. [Allegro]
- Concerto for Piccolo (Flautino), Strings and Basso continuo in C major, RV 443: I. [Allegro]
- Concerto for Piccolo (Flautino), Strings and Basso continuo in C major, RV 443: II. Largo
- Concerto for Piccolo (Flautino), Strings and Basso continuo in C major, RV 443: III. Allegro molto
Charles Ives: Symphony no. 2
- Symphony no. 2: I. Andante moderato (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2: II. Allegro (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2: III. Adagio cantabile (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2: IV. Lento (Maestoso) (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2: V. Allegro molto vivace (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 3 “The Camp Meeting”: III. Communion. Largo (von New York Philharmonic, Leonard Bernstein)
- The Unanswered Question (von New York Philharmonic, Leonard Bernstein)
- Central Park in the Dark (von Charles Ives)
Copland: Rodeo / Billy the Kid
- 4 Dance Episodes from Rodeo: Buckaroo Holiday. Allegro con spirito (von New York Philharmonic, Leonard Bernstein)
- 4 Dance Episodes from Rodeo: Saturday Night Waltz. Introduction - Slow Waltz (von New York Philharmonic, Leonard Bernstein)
- 4 Dance Episodes from Rodeo: Hoe-Down. Allegro (von New York Philharmonic, Leonard Bernstein)
- Billy the Kid: Introduction. The Open Prairie (von New York Philharmonic, Leonard Bernstein)
- Billy the Kid: Street in a Frontier Town (von New York Philharmonic, Leonard Bernstein)
- Billy the Kid: Mexican Dance and Finale (von New York Philharmonic, Leonard Bernstein)
- Billy the Kid: Prairie Night (Card Game at Night) (von New York Philharmonic, Leonard Bernstein)
- Billy the Kid: Gun Battle (von New York Philharmonic, Leonard Bernstein)
- Billy the Kid: Celebration (after Billy's Capture) (von New York Philharmonic, Leonard Bernstein)
- Billy the Kid: Billy's Death (von New York Philharmonic, Leonard Bernstein)
- Billy the Kid: The Open Prairie Again (von New York Philharmonic, Leonard Bernstein)
Prokofiev: Peter and the Wolf / Tchaikovsky: Nutcracker Suite
Mahler: Kindertotenlieder / Four Songs
- Kindertotenlieder: “Nun will die Sonn’ so hell aufgehn” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- Kindertotenlieder: “Nun seh ich wohl, warum so dunkle Flammen” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- Kindertotenlieder: “Wenn dein Mütterlein” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- Kindertotenlieder: “Oft denk ich, sie sind nur ausgegangen” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- Kindertotenlieder: “In diesem Wetter, in diesem Braus” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- 5 Lieder nach Texten von Friedrich Rückert: “Ich atmet’ einen linden Duft” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- 5 Lieder nach Texten von Friedrich Rückert: “Ich bin der Welt abhanden gekommen” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- Lieder nach Gedichten aus »Des Knaben Wunderhorn«: “Das irdische Leben” (von Gustav Mahler)
- 5 Lieder nach Texten von Friedrich Rückert: “Um Mitternacht” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
Bernstein: On the Town
- On the Town: Act I. Opening: New York, New York - Gabey's Comin' - Dance: Miss Turnstiles (Variations) (Gabey, Chip, Ozzie, ensemble, announcer)
- On the Town: Act I. Taxi Number: Come Up to My Place (Hildy, Chip)
- On the Town: Act I. Carried Away (Claire, Ozzie)
- On the Town: Act I. Lonely Town - High School Girls - Pas de deux (ballet music) (Gabey)
- On the Town: Act I. Carnegie Hall Pavane (Do-Do-Re-Do) (ensemble)
- On the Town: Act I. I Can Cook, Too (Hildy)
- On the Town: Act I. Lucky to Be Me (Gabey, ensemble)
- On the Town: Act I. Times Square Ballet: Finale, Act I
- On the Town: Act II. Nightclub Sequence: a) So Long, Baby - b) I'm Blue - c) Ya Got Me (ensemble, nightclub singer, Hildy, Claire, Chip, Ozzie)
- On the Town: Act II. I Understand (Pitkin)
- On the Town: Act II. Ballet: The Imaginary Coney Island: a) Subway Ride - b) The Great Lover Displays Himself - c) Pas de deux
- On the Town: Act II. Some Other Time (Claire, Hildy, Chip, Ozzie)
- On the Town: Act II. Dance: The Real Coney Island - Finale (Coney Island barker, ensemble)
Ode for St. Cecilia's Day
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: Overture
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: Recitative: “From harmony” (tenor)
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 1 Accompanied Recitative: “When Nature” (tenor)
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 2: “From harmony, from heav'nly harmony” (chorus)
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 3 Aria: “What passion cannot Music raise” (soprano)
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 4: “The trumpet's loud clangour” (tenor, chorus)
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 5: March
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 6a Aria: “The soft complaining flute” (soprano)
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 7 Aria: “Sharp violins proclaim their jealous pangs” (tenor)
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 8 Aria: “But oh! what art can teach” (soprano, organ obbligato)
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 9 Aria: “Orpheus could lead the savage race” (soprano)
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 10 Accompanied Recitative: “But bright Cecilia” (soprano)
- Ode for St. Cecilia's Day, HWV 76 “From Harmony, from Heav'nly Harmony”: No. 11: “As from the pow'r of sacred lays” (soprano, chorus)
Humor in Music
- Danse macabre, op. 40
- Leonard Bernstein: Humor in Music
- Till Eulenspiegels lustige Streiche, op. 28 (von New York Philharmonic, Leonard Bernstein)
Symphonic Dances from “West Side Story” / Symphonic Suite from “On the Waterfront”
- Symphonic Dances from “West Side Story”: Prologue. Allegro moderato - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Dances from “West Side Story”: “Somewhere”. Adagio - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Dances from “West Side Story”: Scherzo. Vivace e leggiero - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Dances from “West Side Story”: Mambo. Meno presto - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Dances from “West Side Story”: Cha-Cha (“Maria”). Andantino con grazia - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Dances from “West Side Story”: Meeting Scene. Meno mosso - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Dances from “West Side Story”: “Cool” Fugue. Allegretto - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Dances from “West Side Story”: Rumble. Molto allegro - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Dances from “West Side Story”: Finale. Adagio (von New York Philharmonic, Leonard Bernstein)
- Symphonic Suite from “On the Waterfront”: Andante (with dignity) - Presto barbaro - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Suite from “On the Waterfront”: Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Suite from “On the Waterfront”: Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Suite from “On the Waterfront”: Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Suite from “On the Waterfront”: Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso - (von New York Philharmonic, Leonard Bernstein)
- Symphonic Suite from “On the Waterfront”: A tempo (von New York Philharmonic, Leonard Bernstein)
Beethoven: Concerto no. 4 in G major
- Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato (von Glenn Gould, New York Philharmonic, Leonard Bernstein)
- Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (von Glenn Gould, New York Philharmonic, Leonard Bernstein)
- Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace (von Glenn Gould, New York Philharmonic, Leonard Bernstein)
Tchaikovsky: Francesca da Rimini / Capriccio italien / Marche slave / 1812 Overture
- Francesca da Rimini, op. 32 (Symphonic Fantasia after Dante) (von New York Philharmonic, Leonard Bernstein)
- Capriccio italien, op. 45 (von New York Philharmonic, Leonard Bernstein)
- Marche slave, op. 31 (von New York Philharmonic, Leonard Bernstein)
- The Year 1812, Overture, op. 49 (von New York Philharmonic, Leonard Bernstein)
Debussy: Prelude - Afternoon of a Faun / Nocturnes - Nuages and Fêtes / Jeux - Poème Dansé
- Prélude à l'apres-midi d'un faune. Très modéré (von New York Philharmonic, Leonard Bernstein)
- Nocturnes, Tryptique symphonique: I. Nuages. Modéré - Un peu animé (von New York Philharmonic, Leonard Bernstein)
- Nocturnes, Tryptique symphonique: II. Fêtes. Animé et très rythmé - De plus en plus sonore et en serrant le mouvement (von New York Philharmonic, Leonard Bernstein)
- Jeux , Poème dansé. Très lent - Scherzando (Tempo initial) (von New York Philharmonic, Leonard Bernstein)
Leonard Bernstein: Jeremiah Symphony / Roy Harris: Third Symphony
Mahler: Symphony no. 3 in D minor (Mvt. I)
Mahler: Symphony no. 3 in D minor (Mvts. II-VI)
- Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!”
- Symphony no. 3 in D minor: Part II. V. Lustig im Tempo und keck im Ausdruck “Es sungen drei Engel”
- Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden (von New York Philharmonic, Leonard Bernstein)
Stravinsky: Pulcinella Suite / Concerto for Piano & Wind Orchestra
- Concerto for Piano and Wind Instruments (1950 version): I. Lento - Allegro - Lento
- Concerto for Piano and Wind Instruments (1950 version): II. Largo
- Concerto for Piano and Wind Instruments (1950 version): III. Finale. Allegro
- Pulcinella Suite (1947 version): I. Sinfonia (Ouverture). Allegro moderato (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): II. Serenata. Larghetto (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): III a. Scherzino (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): III b. Allegro (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): III c. Andantino (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): IV. Tarantella (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): V. Toccata. Allegro (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): VI. Gavotta con due variazioni. Allegro moderato - (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): VI. Var. I. Allegretto (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): VI. Var. II. Allegro più tosto moderato (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): VII. Vivo (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): VIII. a. Minuetto. Molto moderato (von New York Philharmonic, Leonard Bernstein)
- Pulcinella Suite (1947 version): VIII. b. Finale. Allegro assai (von New York Philharmonic, Leonard Bernstein)
Wagner: Brünnhilde's Immolation Scene from Götterdämmerung / Wesendonck Songs
- Götterdämmerung: Brünnhilde's Immolation Scene
- Wesendonck-Lieder: I. Der Engel
- Wesendonck-Lieder: II. Stehe still!
- Wesendonck-Lieder: III. Im Treibhaus
- Wesendonck-Lieder: IV. Schmerzen
- Wesendonck-Lieder: V. Träume
Copland: El salón México / Applachian Spring / Music for the Theatre
- Appalachian Spring: Very Slowly (von New York Philharmonic, Leonard Bernstein)
- Appalachian Spring: Allegro (von New York Philharmonic, Leonard Bernstein)
- Appalachian Spring: Moderato (von New York Philharmonic, Leonard Bernstein)
- Appalachian Spring: Fast - Molto Moderato (von New York Philharmonic, Leonard Bernstein)
- Appalachian Spring: Subito Allegro - Presto (von New York Philharmonic, Leonard Bernstein)
- Appalachian Spring: As at first (slowly) (von New York Philharmonic, Leonard Bernstein)
- Appalachian Spring: Doppio movimento (von New York Philharmonic, Leonard Bernstein)
- Appalachian Spring: Moderato - Andante (very calm) (von New York Philharmonic, Leonard Bernstein)
- El Salón México (von New York Philharmonic, Leonard Bernstein)
- Music for the Theatre: I. Prologue (von New York Philharmonic, Leonard Bernstein)
- Music for the Theatre: II. Dance (von New York Philharmonic, Leonard Bernstein)
- Music for the Theatre: III. Interlude (von New York Philharmonic, Leonard Bernstein)
- Music for the Theatre: IV. Burlesque (von New York Philharmonic, Leonard Bernstein)
- Music for the Theatre: V. Epilogue (von New York Philharmonic, Leonard Bernstein)
Berlioz: Harold in Italy, op. 16
- Harold en Italie, op. 16: I. Harold aux montagnes
- Harold en Italie, op. 16: II. Marche des pèlerins
- Harold en Italie, op. 16: III. Sérénade
- Harold en Italie, op. 16: IV. Orgie des brigands
Tchaikovsky: Piano Concerto no. 1
- Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
- Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
- Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
Bartók: Two Rhapsodies for Violin and Orchestra / Berg: Violin Concerto
- Rhapsody no. 1 (Folk Dances) for Violin and Orchestra, Sz. 87: I. “Lassú”. Moderato
- Rhapsody no. 1 (Folk Dances) for Violin and Orchestra, Sz. 87: II. “Friss”. Allegretto moderato
- Rhapsody no. 2 (Folk Dances) for Violin and Orchestra, Sz. 90: I. “Lassú”. Moderato (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Rhapsody no. 2 (Folk Dances) for Violin and Orchestra, Sz. 90: II. “Friss”. Allegro moderato (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra: I. Andante – Allegro (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra: II. Allegro (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
Dvořák: New World Symphony
Saint-Saëns: The Carnival of the Animals / Britten: The Young Person's Guide to the Orchestra
- Le Carnaval des animaux: I. Introduction et Marche royale du Lion (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: II. Poules et Coqs (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: III. Hémiones (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: IV. Tortues (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: V. L'Éléphant (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: VI. Kangourous (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: VII. Aquarium (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: VIII. Personnages à longues oreilles (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: IX. Le Coucou au fond des bois (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: X. Volière (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: XI. Pianistes (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: XII. Fossiles (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: XIII. Le Cygne (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- Le Carnaval des animaux: XIV. Final (von Leonard Bernstein, Naomi Segal, Ruth Segal, New York Philharmonic)
- The Young Person's Guide to the Orchestra: I. Theme A (tutti)
- The Young Person's Guide to the Orchestra: I. Theme B (Woodwinds)
- The Young Person's Guide to the Orchestra: I. Theme C (Brass)
- The Young Person's Guide to the Orchestra: I. Theme D (Strings)
- The Young Person's Guide to the Orchestra: I. Theme E (Percussion)
- The Young Person's Guide to the Orchestra: I. Theme F (tutti)
- The Young Person's Guide to the Orchestra: II. Variation A (Flutes & Piccolo)
- The Young Person's Guide to the Orchestra: III. Variation B (Oboes)
- The Young Person's Guide to the Orchestra: IV. Variation C (Clarinets)
- The Young Person's Guide to the Orchestra: V. Variation D (Bassoons)
- The Young Person's Guide to the Orchestra: VI. Variation E (Violins)
- The Young Person's Guide to the Orchestra: VII. Variation F (Violas)
- The Young Person's Guide to the Orchestra: VIII. Variation G (Cellos)
- The Young Person's Guide to the Orchestra: IX. Variation H (Double Basses)
- The Young Person's Guide to the Orchestra: X. Variation I (Harp)
- The Young Person's Guide to the Orchestra: XI. Variation J (French Horns)
- The Young Person's Guide to the Orchestra: XII. Variation K (Trumpets)
- The Young Person's Guide to the Orchestra: XIII. Variation L (Trombones & Tuba)
- The Young Person's Guide to the Orchestra: XIV. Variation M (Percussion)
- The Young Person's Guide to the Orchestra: XV. Fugue (tutti)
Bernstein Plays and Conducts Beethoven Piano Concerto no. 1 in C / Rachmaninoff: Concerto no. 2
- Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (von Leonard Bernstein, New York Philharmonic)
- Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo (von Leonard Bernstein, New York Philharmonic)
- Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando (von Leonard Bernstein, New York Philharmonic)
- Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato - Più vivo - Allegro - Maestoso (Alla marcia) - Moderato (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
- Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
- Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando - Moderato - Allegro scherzando - Presto - Moderato - Allegro scherzando - Alla breve - Presto - Maestoso - Risoluto (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
Ravel: Shéhérazade / Berlioz: Cléopâtre
- Shéhérazade: I. Asie (von New York Philharmonic, Leonard Bernstein)
- Shéhérazade: II. La Flûte enchantée (von New York Philharmonic, Leonard Bernstein)
- Shéhérazade: III. L'Indifférent (von New York Philharmonic, Leonard Bernstein)
- La Mort de Cléopâtre, H 36: Allegro vivace con impeto - (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- La Mort de Cléopâtre, H 36: Recitativo: “C'en est done fait!” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- La Mort de Cléopâtre, H 36: Lento cantabile - “Ah! qu'ils sont loin ces jours” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- La Mort de Cléopâtre, H 36: Recitativo: “Au comble des revers” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- La Mort de Cléopâtre, H 36: Méditation: – Largo misterioso - “Grands Pharaons” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- La Mort de Cléopâtre, H 36: Allegro assai agitato: “Non!... non, de vos demeures” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- La Mort de Cléopâtre, H 36: Allegro non troppo - Recitativo misurato: “Dieux du Nil” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
Schumann: Symphony no. 2 in C (Original Orchestration)
- Symphony no. 2 in C major, op. 61: III. Adagio espressivo (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace (von New York Philharmonic, Leonard Bernstein)
Liszt: Piano Concerto no. 1 in E-flat / Les Préludes (Symphonic Poem)
- Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: I. Allegro maestoso. Tempo giusto
- Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: II. Quasi adagio - Allegretto vivace - Allegro animato
- Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: III. Allegro marziale animato - Presto
- Les Préludes , S 97 (von New York Philharmonic, Leonard Bernstein)
Beethoven: Symphony no. 5 / Bernstein: How a Great Symphony Was Written
- Symphony no. 5 in C minor, op. 67: I. Allegro con brio (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 5 in C minor, op. 67: II. Andante con moto (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 5 in C minor, op. 67: IV. Allegro (von New York Philharmonic, Leonard Bernstein)
- How a Great Symphony Was Written (Leonard Bernstein talks about the first movement of Beethoven's Fifth Symphony)
Brahms: Symphony no. 4
- Symphony no. 4 in E minor, op. 98: I. Allegro non troppo (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 4 in E minor, op. 98: II. Andante moderato (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I (von New York Philharmonic, Leonard Bernstein)
Bernstein Conducts Favorite Rossini Overtures
- L'italiana in Algeri: Overture (von New York Philharmonic, Leonard Bernstein)
- Il barbiere di Siviglia: Overture (von New York Philharmonic, Leonard Bernstein)
- La scala di seta: Overture (von New York Philharmonic, Leonard Bernstein)
- La scazza ladra: Overture (von New York Philharmonic, Leonard Bernstein)
- Semiramide: Overture (von New York Philharmonic, Leonard Bernstein)
- Guillaume Tell: Overture
Hindemith: Concert Music for Strings and Brass / Bartók: Music for Strings, Percussion and Celesta
- Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo (von New York Philharmonic, Leonard Bernstein)
- Music for Strings, Percussion and Celesta, Sz 106: II. Allegro (von New York Philharmonic, Leonard Bernstein)
- Music for Strings, Percussion and Celesta, Sz 106: III. Adagio (von New York Philharmonic, Leonard Bernstein)
- Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto (von New York Philharmonic, Leonard Bernstein)
- Concert Music for String Orchestra and Brass, op. 50: Part I. Mäßig schnell, mit Kraft - (von New York Philharmonic, Leonard Bernstein)
- Concert Music for String Orchestra and Brass, op. 50: Part I. Sehr breit, aber stets fließend (von New York Philharmonic, Leonard Bernstein)
- Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft - (von New York Philharmonic, Leonard Bernstein)
- Concert Music for String Orchestra and Brass, op. 50: Part II. Langsam - (von New York Philharmonic, Leonard Bernstein)
- Concert Music for String Orchestra and Brass, op. 50: Part II. Im ersten Zeitmaß (von New York Philharmonic, Leonard Bernstein)
- Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft (von New York Philharmonic, Leonard Bernstein)
Schumann: Spring Symphony no. 1 in B-flat - Original Orchestration / Overture to Genoveva
Franz Liszt: A Faust Symphony
- A Faust Symphony, S 108: I. Faust. Lento assai - Allegro
- A Faust Symphony, S 108: II. Gretchen. Andante soave
- A Faust Symphony, S 108: III. Mephistopheles. Allegro vivace, ironico -
- A Faust Symphony, S 108: III. Andante mistico: “Alles Vergängliche ist nur ein Glechnis”
Bernstein: Kaddish - Symphony no. 3
- Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto
- Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza
- Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia
Haydn: Symphony no. 82 “The Bear” / Symphony no. 83 “The Hen”
Beethoven: Third Piano Concerto / Choral Fantasy
- Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio (von Rudolf Serkin, New York Philharmonic, Leonard Bernstein)
- Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (von Rudolf Serkin, New York Philharmonic, Leonard Bernstein)
- Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro (von Rudolf Serkin, New York Philharmonic, Leonard Bernstein)
- Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio - (von Rudolf Serkin, New York Philharmonic, Leonard Bernstein)
- Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Finale. Allegro - Meno Allegro - Allegro molto - Adagio, ma non troppo - Marcia, assai vivace - Allegro - Allegretto, ma non troppo (quasi Andante con moto): “Schmeichelnd ho ...
Mahler: Symphony no. 2 in C minor “Resurrection” (Mvts. I-II)
- Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich (von New York Philharmonic, Leonard Bernstein)
Mahler: Symphony no. 2 in C minor “Resurrection” (Mvts. III-V)
- Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!” (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube”
Bernstein: Fancy Free / Overture to Candide / On the Town (Three Dance Episodes) / Prelude, Fugue and Riffs
- Fancy Free: I. Enter Three Sailors (von New York Philharmonic, Leonard Bernstein)
- Fancy Free: II. Scene at the Bar (von New York Philharmonic, Leonard Bernstein)
- Fancy Free: III. Enter Two Girls (von New York Philharmonic, Leonard Bernstein)
- Fancy Free: IV. Pas de deux (von New York Philharmonic, Leonard Bernstein)
- Fancy Free: V. Competition Scene (von New York Philharmonic, Leonard Bernstein)
- Fancy Free: VI. 3 Dance Variations: Variation 1 (Galop) (von New York Philharmonic, Leonard Bernstein)
- Fancy Free: VI. 3 Dance Variations: Variation 2 (Waltz) (von New York Philharmonic, Leonard Bernstein)
- Fancy Free: VI. 3 Dance Variations: Variation 3 (Danzon) (von New York Philharmonic, Leonard Bernstein)
- Fancy Free: VII. Finale (von New York Philharmonic, Leonard Bernstein)
- Candide: Overture. Allegro molto con brio (von New York Philharmonic, Leonard Bernstein)
- Prelude, Fugue and Riffs: I. Prelude for the Brass (von Columbia Jazz Combo, Leonard Bernstein, Benny Goodman)
- Prelude, Fugue and Riffs: II. Fugue for the Saxes (von Columbia Jazz Combo, Leonard Bernstein, Benny Goodman)
- Prelude, Fugue and Riffs: III. Riffs for Everyone (von Columbia Jazz Combo, Leonard Bernstein, Benny Goodman)
Two Twentieth Century Masterpieces: Barber / Hindemith: Violin Concertos
- Concerto for Violin and Orchestra, op. 14: I. Allegro (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra, op. 14: II. Andante (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra: I. Mäßig bewegte Halbe (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra: II. Langsam (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra: III. Lebhaft (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
Sibelius: Symphony no. 5 / Pohjola's Daughter / Violin Concerto
- Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato - Presto (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente - Largamente assai (von New York Philharmonic, Leonard Bernstein)
- Pohjola's Daughter, op. 49 (von New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato
- Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto
- Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto
Nielsen: Symphony no. 3 / Symphony no. 5
- Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo (von Det Kongelige Kapel, Leonard Bernstein)
- Symphony no. 3 “Sinfonia espansiva”, op. 27: II. Andante pastorale (von Det Kongelige Kapel, Leonard Bernstein)
- Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco (von Det Kongelige Kapel, Leonard Bernstein)
- Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro (von Det Kongelige Kapel, Leonard Bernstein)
- Symphony no. 5, op. 50: I. Tempo giusto - Adagio non troppo (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 5, op. 50: II. Allegro - Andante un poco tranquillo (von New York Philharmonic, Leonard Bernstein)
Bernstein: Chichester Psalms for Chorus and Orchestra / Facsimile - A Choreographic Essay
- Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete)
- Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1-4)
- Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1)
- Facsimile: Part I. Molto Adagio - Più Andante - Moderate Waltz tempo - Sostenuto assai - Adagio (von New York Philharmonic, Leonard Bernstein)
- Facsimile: Part II. Allegretto - Subito Allegro - Più mosso - Andante - Adagio - Molto rallentando - Adagio, come prima (von New York Philharmonic, Leonard Bernstein)
Mendelssohn: Italian Symphony / Schubert: Unfinished Symphony
- Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato (von Franz Schubert)
- Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto (von Franz Schubert)
Beethoven: Symphony no. 3 “Eroica”
Dvořák: Two Slavonic Dances / Carnival Overture / Smetana: Overture and Three Dances from “The Bartered Bride” / The Moldau
- Carnival, Concert Overture, op. 92: Allegro - Andante con moto - Allegro (von New York Philharmonic, Leonard Bernstein)
- Slavonic Dances, op. 46: No. 1 in C major. Presto (von New York Philharmonic, Leonard Bernstein)
- Slavonic Dances, op. 46: No. 3 in A-flat major. Poco allegro (von New York Philharmonic, Leonard Bernstein)
- The Bartered Bride: Overture . Vivacissimo (von New York Philharmonic, Leonard Bernstein)
- The Bartered Bride: Polka. Moderato (von New York Philharmonic, Leonard Bernstein)
- The Bartered Bride: Furiant. Allegro energico (von New York Philharmonic, Leonard Bernstein)
- The Moldau (Vltava) (von New York Philharmonic, Leonard Bernstein)
Somewhere (Compilation)
- West Side Story: Symphonic Dances: Prologue (von Los Angeles Philharmonic, Leonard Bernstein)
- West Side Story: Symphonic Dances: Introduction ("Somewhere") And Scherzo (von Los Angeles Philharmonic, Leonard Bernstein)
- West Side Story: Symphonic Dances: Mambo (von Los Angeles Philharmonic, Leonard Bernstein)
- West Side Story: Symphonic Dances: Finale (von Los Angeles Philharmonic, Leonard Bernstein)
- West Side Story: Maria
- West Side Story: Tonight
- West Side Story: America
- West Side Story: I Feel Pretty
- Mass: Meditation No.1 (von Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein)
- Trouble in Tahiti: What a Movie
- Candide: Overture (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Oh, Happy We
- Candide: I Am Easily Assimilated
- Candide: Glitter and Be Gay
- The Age of Anxiety: The Masque
- On the Town: Luck to Be Me (von London Symphony Orchestra, Michael Tilson Thomas)
- On the Town: Ya Got Me (von London Symphony Orchestra, Michael Tilson Thomas)
- Serenade: Aristophanes (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- West Side Story: Somewhere (von Jessye Norman)
The 1953 American Decca Recordings (Compilation)
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
- Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement)
- Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement)
- Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement)
- Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement)
- Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..."
- Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto
- Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
- Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace
- Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco
- Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement)
- Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement)
- Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement)
- Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement)
- Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued)
- Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
- Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivace
- Symphony No. 2 in C major, Op. 61: III. Adagio espressivo
- Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace
- Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme)
- Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..."
- Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement)
- Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued)
- Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement)
- Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement)
- Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement)
- Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
- Symphony No. 4 in E minor, Op. 98: II. Andante moderato
- Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
- Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro
- Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme)
- Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement)
- Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement)
- Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement)
- Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement)
- Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement)
- Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement)
- Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement)
- Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement)
- Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo
- Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia
- Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace
- Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante
- Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement)
- Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued)
- Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement)
- Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement)
- Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement)
- Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work"
The Leonard Bernstein Collection, Volume One (Compilation)
Beethoven: Symphony No.1 In C, Op.21 / Symphony No.3 In E Flat, Op.55 -"Eroica"
- Symphony No.1 In C Major, Op.21: 1. Adagio molto - Allegro con brio 9:25 2. (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.1 In C Major, Op.21: 2. Andante cantabile con moto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.1 In C Major, Op.21: 3. Menuetto (Allegro molto e vivace) (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.1 In C Major, Op.21: 4. Finale (Adagio - Allegro molto e vivace) (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.3 In E-Flat Major, Op.55 - "Eroica": 1. Allegro con brio (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.3 In E-Flat Major, Op.55 - "Eroica": 2. Marcia funèbre (Adagio assai) (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.3 In E-Flat Major, Op.55 - "Eroica": 3. Scherzo (Allegro vivace) (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.3 In E-Flat Major, Op.55 - "Eroica": 4. Finale (Allegro molto) (von Wiener Philharmoniker, Leonard Bernstein)
Beethoven: Symphony No.2 In D, Op.36 / Symphony No.4 In B Flat, Op.60
- Symphony No.2 In D Major, Op.36: 1. Adagio molto - Allegro con brio (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.2 In D Major, Op.36: 2. Larghetto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.2 In D Major, Op.36: 3. Scherzo (Allegro) (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.2 In D Major, Op.36: 4. Allegro molto (von Wiener Philharmoniker, Leonard Bernstein)
- ymphony No.4 In B Flat Major, Op.60 : 1. Adagio - Allegro vivace (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.4 In B Flat Major, Op.60 : 2. Adagio (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.4 In B Flat Major, Op.60 : 3. Allegro vivace (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.4 In B Flat Major, Op.60 : 4. Allegro ma non troppo (von Wiener Philharmoniker, Leonard Bernstein)
Beethoven: Symphony No.5 In C Minor, Op.67 / Symphony No.6 In F, Op.68 - "Pastoral"
- Symphony No.5 In C Minor, Op.67: 1. Allegro con brio (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.5 In C Minor, Op.67: 2. Andante con moto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.5 In C Minor, Op.67: 3. Allegro (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.5 In C Minor, Op.67: 4. Allegro (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.6 In F Major, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.6 In F Major, Op.68 -"Pastoral": 2. Szene am Bach: (Andante molto mosso) (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.6 In F Major, Op.68 -"Pastoral": 3. Lustiges Zusammensein der Landleute (Allegro) (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.6 In F Major, Op.68 -"Pastoral": 4. Gewitter, Sturm (Allegro) (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.6 In F Major, Op.68 -"Pastoral": 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto (von Wiener Philharmoniker, Leonard Bernstein)
Beethoven: Symphony No.7 In A, Op.92 / Symphony No.8 In F, Op.93
- Symphony No.7 in A Major, Op.92: 1. Poco sostenuto - Vivace (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.7 in A Major, Op.92: 2. Allegretto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.7 in A Major, Op.92: 3. Presto - Assai meno presto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.7 in A Major, Op.92: 4. Allegro con brio (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.8 in F Major, Op.93: 1. Allegro vivace e con brio (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.8 in F Major, Op.93: 2. Allegretto scherzando (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.8 in F Major, Op.93: 3. Tempo di menuetto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.8 in F Major, Op.93: 4. Allegro vivace (von Wiener Philharmoniker, Leonard Bernstein)
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral"
- Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 9 in D minor, Op. 125: II. Molto vivace (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 9 in D minor, Op. 125: IV. Presto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 9 in D minor, Op. 125: V. Presto "O Freunde, nicht diese Töne!" - Allegro assai
Beethoven: Ouvertures From "The Creatures Of Prometheus" Op.43, "Egmont" Op.84, "Coriolan" Op.62, "King Stephen" Op.117, "Fidelio" Op.72, "Leonore No.3" Op. 72a
- 1. Overture The Creatures Of Prometheus, Op.43: (von Wiener Philharmoniker, Leonard Bernstein)
- 2. Ouverture Music To Goethe's Tragedy "Egmont" Op.84: Sostenuto, ma non troppo - Allegro (von Wiener Philharmoniker, Leonard Bernstein)
- 3. Overture "Coriolan", Op.62 (von Wiener Philharmoniker, Leonard Bernstein)
- 4. Overture. "King Stephen Or Hungary's First Benefactor", Op.117: Andante con moto - Presto (von Wiener Philharmoniker, Leonard Bernstein)
- 5. Overture Fidelio, Op. (von Wiener Philharmoniker, Leonard Bernstein)
- 6. Overture "Leonore No.2", Op. 72a (von Wiener Philharmoniker, Leonard Bernstein)
Beethoven: Piano Concertos No.3 Op.37 & No.4 Op.58
- Piano Concerto no. 3 in D minor, op. 37: I. Allegro con brio
- Piano Concerto no. 3 in D minor, op. 37: II. Largo
- Piano Concerto no. 3 in D minor, op. 37: III. Rondo. Allegro
- Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
- Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
- Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace
Beethoven: Piano Concerto No.5 In E Flat Major Op.73 - "Emperor"
- Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro (von Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman)
- Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto - attacca (von Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman)
- Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro (von Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman)
Beethoven: String Quartet No.14 In C Sharp Minor, Op.131 - Version For String Orchestra By Dimitri Mitropoulos / String Quartet No.16 In F, Op.135 - Version For String Orchestra
- Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto (von Wiener Philharmoniker, Leonard Bernstein)
- Quartet for Strings No. 16 in F major, Op. 135: II. Vivace (von Wiener Philharmoniker, Leonard Bernstein)
- Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo (von Wiener Philharmoniker, Leonard Bernstein)
- Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)... (von Wiener Philharmoniker, Leonard Bernstein)
- Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo (von Wiener Philharmoniker, Leonard Bernstein)
- Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto (von Wiener Philharmoniker, Leonard Bernstein)
- Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato (von Wiener Philharmoniker, Leonard Bernstein)
- Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile... (von Wiener Philharmoniker, Leonard Bernstein)
- Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto (von Wiener Philharmoniker, Leonard Bernstein)
- Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante (von Wiener Philharmoniker, Leonard Bernstein)
- Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro (von Wiener Philharmoniker, Leonard Bernstein)
Beethoven: Mass In D, Op.123 "Missa Solemnis"
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi (von Koninklijk Concertgebouworkest, Leonard Bernstein)
- Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem (von Koninklijk Concertgebouworkest, Leonard Bernstein)
Beethoven: Fidelio Op.72 / Act 1
- Fidelio, op. 72: Act I. Ouverture (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Jetzt, Schätzchen, jetzt sind wir allein” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Armer Jaquino, ich war ihm sonst recht gut” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “O wär ich schon mit dir vereint” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Jaquino!” - “Ja, Meister Rocco?” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Mir ist so wunderbar” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Höre, Fidelio!” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Hat man nicht auch Gold beineben” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Ihr habt recht, Vater Rocco” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Gut Söhnchen, gut, hab immer Mut” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. March (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Drei Mann Schildwachen auf den Wall” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Ha! Welch ein Augenblick!” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Hauptmann! Besteigen Sie mit einem Trompeter…” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Jetzt, Alter, jetzt hat es Eile!” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Abscheulicher! Wo eilst du hin?” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Marzelline!” - “Nein, ich will nicht…” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “O welche Lust, in freier Luft den Atem leicht zu heben!” (von Chor der Wiener Staatsoper, Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Nun sprecht, wie ging’s?” - “Ach Vater, Vater, eilt!” - “Verwegner Alter!” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act I. “Leb wohl, du warmes Sonnenlicht” (von Wiener Philharmoniker, Leonard Bernstein)
Beethoven: Fidelio Op.72 / Act 2
- Fidelio, op. 72: Act II. “Gott! Welch Dundel hier!” - “In des Lebens Frühlingstagen”
- Fidelio, op. 72: Act II. “Wie kalt ist es in diesem unterirdischen Gewölbe!” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act II. “Er erwacht” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act II. “Euch werde Lohn in bessern Welten” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act II. “Alles ist bereit” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act II. “Er sterbe! Doch er soll erst wissen” - “Es schlägt der Rache Stunde” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act II. “O namenlose Freude!” (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act II. Ouverture “Leonore III”, op. 72a (von Wiener Philharmoniker, Leonard Bernstein)
- Fidelio, op. 72: Act II. “Heil sei dem Tag” (von Wiener Philharmoniker, Leonard Bernstein)
Beethoven: Overture "Leonore No.3", Op.72a; Piano Concerto No.4 In G, Op.58
- Overture "Leonore no. 3", op. 72a (von Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein)
- Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato
- Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto
- Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace)
Beethoven: Symphony No.5 In C Minor Op.67
- Symphony No.5 In C Minor, Op.67: 1. Allegro con brio (von Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein)
- Symphony No.5 In C Minor, Op.67: 2. Andante con moto (von Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein)
- Symphony No.5 In C Minor, Op.67: 3. Allegro (von Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein)
- Symphony No.5 In C Minor, Op.67: 4. Allegro (von Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein)
Beethoven: Symphony No.9 In D Minor, Op.125 - "Choral" (Berlin Wall Concert)
- Symphonie Nr. 9 d-moll, op. 125: I. Allegro ma non troppo, un poco maestoso (von Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein)
- Symphonie Nr. 9 d-moll, op. 125: II. Molto vivace (von Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein)
- Symphonie Nr. 9 d-moll, op. 125: III. Adagio molto e cantabile (von Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein)
- Symphonie Nr. 9 d-moll, op. 125: IV. Presto - Allegro assai (von Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein)
Britten: Four Sea Interludes From "Peter Grimes", Op.33a / Beethoven: Symphony No.7 In A, Op.92 (The Final Concert)
- 4 Sea Interludes: I. Dawn: Lento e tranquillo (von Boston Symphony Orchestra, Leonard Bernstein)
- 4 Sea Interludes: II. Sunday Morning: Allegro spiritoso (von Boston Symphony Orchestra, Leonard Bernstein)
- 4 Sea Interludes: III. Moonlight: Andante comodo e rubato (von Boston Symphony Orchestra, Leonard Bernstein)
- 4 Sea Interludes: IV. Storm: Presto con fuoco (von Boston Symphony Orchestra, Leonard Bernstein)
- Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace (von Boston Symphony Orchestra, Leonard Bernstein)
- Symphony no. 7 in A major, op. 92: II. Allegretto (von Boston Symphony Orchestra, Leonard Bernstein)
- Symphony no. 7 in A major, op. 92: III. Presto (von Boston Symphony Orchestra, Leonard Bernstein)
- Symphony no. 7 in A major, op. 92: IV. Allegro con brio (von Boston Symphony Orchestra, Leonard Bernstein)
Bernstein: Symphony No.1 "Jeremiah"; Chichester Psalms / Foss: Song Of Songs
- Symphony No.1 "Jeremiah": 1. Prophecy: Largamente (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphony No.1 "Jeremiah": 2. Profanation: Vivace con brio (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphony No.1 "Jeremiah": 3. Lamentation: Lento
- Chichester Psalms: 1. Psalm 108, 2 / Psalm 100
- Chichester Psalms: 2. Psalm 23 / Psalm 2, 1-4
- Chichester Psalms: 3. Psalm 131 / Psalm 133, 1
- Song Of Songs: 1. Awake, O north wind
- Song Of Songs: 2. Come my beloved
- Song Of Songs: 3. By night on my bed
- Song Of Songs: 4. Set me as a seal
Bernstein: Symphonies No.2 "The Age Of Anxiety" & No.3 "Kaddish"
- Symphony No.2 "The Age of Anxiety", Part 1: 1. The Prologue. Lento moderato
- Symphony No.2 "The Age of Anxiety", Part 1: 2. The Seven Ages. Var. I-VII
- Symphony No.2 "The Age of Anxiety", Part 1: 3. The Seven Stages. Var. VIII-XIV
- Symphony No.2 "The Age of Anxiety", Part 2: 1. The Dirge. Largo
- Symphony No.2 "The Age of Anxiety", Part 2: 2. The Masque. Extremely fast
- Symphony No.2 "The Age of Anxiety", Part 2: 3. The Epilogue. L'istesso tempo - Adagio - Andante - Con moto
- Symphony No.3 "Kaddish": 1. "Invocation": Adagio
- Symphony No.3 "Kaddish": "Kaddish 1": L'istesso tempo - Allegro molto
- Symphony No.3 "Kaddish": "Kaddish": 2. "Din - Torah": Di nuovo adagio
- Symphony No.3 "Kaddish": "Kaddish 2": Andante con tenerezza
- Symphony No.3 "Kaddish": "Kaddish 3": Scherzo - Presto scherzando, sempre pianissimo
- Symphony No.3 "Kaddish": "Kaddish 3": Finale - Adagio come nel Din-Torah
- Symphony No.3 "Kaddish": "Kaddish 3": Finale - Allegro vivo, con gioia
Bernstein: Serenade (1954); Fancy Free
- Serenade: Phaedrus - Pausanias (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- Serenade: Aristophanes (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- Serenade: Eryximachus (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- Serenade: Agathon (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- Serenade: Socrates - Alcibiades (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free: Big Stuff (Blues)
- Fancy Free: I. Opening Dance (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free: II. Scene at the Bar (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free: III. Enter Two Girls (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free: IV. Pas de Deux (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free: V. Competition Scene (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free: VI. Variation I: Galop (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free: VI. Variation II: Waltz (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free: VI. Variation III: Danzon (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free: VII. Finale (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free: Big Stuff (Blues)
Bernstein: Dybbuk Suites No.1 & No.2
- Dybbuk Suite No.1: 1. Invocation and Trance (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.1: 2. The Pledge (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.1: 3. Kabbalah (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.1: 4. Possession (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.1: 5. Pas de deux (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.1: 6. Exorcism (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.2: 1. The Messengers (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.2: 2. Leah (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.2: 3. 5 Kabbalah Variations (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.2: 4. Dream (von New York Philharmonic, Leonard Bernstein)
Bernstein: Songfest
- 1. "To the Poem"
- 2. "The Pennycandystore Beyond the El"
- 3. "A Julia de Burgos"
- 4. "To What You Said ..."
- 5. "I, Too, Sing America" / Okay "Negroes"
- 6. "To My Dear and Loving Husband"
- 7. "Storyette H.M."
- 8. "If you can't eat you got to" (von National Symphony Orchestra, Leonard Bernstein)
- 9. "Music I Heard With You" (von National Symphony Orchestra, Leonard Bernstein)
- 10. "Zizi's Lament" (von National Symphony Orchestra, Leonard Bernstein)
- 11. "What lips my lips have kissed ..." (von National Symphony Orchestra, Leonard Bernstein)
- 12. "Israfel" (von National Symphony Orchestra, Leonard Bernstein)
Bernstein: 8 Divertimentos For Orchestra; A Musical Toast; Slava!; On The Town: 3 Dance Episodes; Facsimile
- 8 Divertimentos for Orchestra: 1. Sennets and Tuckets (Allegro non troppo, ma con brio) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- 8 Divertimentos for Orchestra: 2. Waltz (Allegretto, con grazia) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- 8 Divertimentos for Orchestra: 3. Mazurka (Mesto (Molto moderato)) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- 8 Divertimentos for Orchestra: 4. Samba (Allegro giusto) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- 8 Divertimentos for Orchestra: 5. Turkey Trot (Allegretto, ben misurato) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- 8 Divertimentos for Orchestra: 6. Sphinxes (Adagio lugubre) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- 8 Divertimentos for Orchestra: 7. Blues (Slow blues tempo) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- 8 Divertimentos for Orchestra: 8. March: "The BSO Forever" (Andante (In memoriam)) - Doppio movimento (Alla marcia) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- A Musical Toast: Allegro con brio (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Slava! - A Political Overture: Fast and flamboyant (von Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Town: Three Dance Episodes: 1. The great lover (Allegro pesante) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Town: Three Dance Episodes: 2. Lonely town: Pas de deux (Andante sostenuto) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Town: Three Dance Episodes: 3. Times Square: 1944 (Allegro) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Facsimile - Choreographic Essay for Orchestra: Molto Adagio - Più Andante - Moderate Waltz tempo - Sostenuto assai - Allegretto - Subito Allegro - Andante - Adagio (von Israel Philharmonic Orchestra, Leonard Bernstein)
Bernstein: Halil; Three Meditations From "Mass"; Symphonic Suite From "On The Waterfront"; Prelude, Fugue & Riffs
- 1. Halil, Nocturne for Solo Flute, String Orchestra and Percussion (von Jean‐Pierre Rampal, Israel Philharmonic Orchestra, Leonard Bernstein)
- Three Meditations from "Mass": 1. Lento assai, molto sostenuto (von Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein)
- Three Meditations from "Mass": 2. Andante sostenuto - Var. I-IV - Coda (von Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein)
- Three Meditations from "Mass": 3. Presto - Fast and primitive - Molto adagio (von Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Waterfront (Symphonic Suite from the Film): Andante (with dignity) - Presto barbaro (von Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Waterfront (Symphonic Suite from the Film): Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima (von Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Waterfront (Symphonic Suite from the Film): Andante largamente - More flowing - Lento (von Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Waterfront (Symphonic Suite from the Film): Moving forward - Largamente - Andante come prima (von Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Waterfront (Symphonic Suite from the Film): Allegro non troppo, molto marcato - Poco più sostenuto (von Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Waterfront (Symphonic Suite from the Film): a tempo (Poco più sostenuto) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Prelude, Fugue and Riffs for Clarinet and Jazz Ensemble: Prelude (for the Brass) Fast and exact (von Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein)
- Prelude, Fugue and Riffs for Clarinet and Jazz Ensemble: Fugue (for the Saxes) Exactly the same beat (von Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein)
- Prelude, Fugue and Riffs for Clarinet and Jazz Ensemble: Riffs (for Everyone) (von Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein)
Gershwin: Rhapsody In Blue; Prelude / Bernstein: Westside Story: Symphonic Dances
- Rhapsody in Blue (von Los Angeles Philharmonic, Leonard Bernstein)
- Prelude for Piano No. 2 (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from "West Side Story": Prologue (Allegro moderato) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from "West Side Story": "Somewhere" (Adagio) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from "West Side Story": Scherzo (Vivace leggiero) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from "West Side Story": Mambo (Presto) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from "West Side Story": Cha-Cha (Andantino con grazia) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from "West Side Story": Meeting Scene (Meno mosso) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from "West Side Story": Cool Fugue (Allegretto) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from "West Side Story": Rumble (Molto allegro) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from "West Side Story": Finale (Adagio) (von Los Angeles Philharmonic, Leonard Bernstein)
Del Tredici: Tattoo (1986) / Rorem: Violin Concerto (1984) / Bernstein: Concerto For Orchestra "Jubilee Games"
- Tattoo: 1. Moderato Maestoso (von New York Philharmonic, Leonard Bernstein)
- Tattoo: 2. Moderato Maestoso - Omaggio a Nicolò Paganini (von New York Philharmonic, Leonard Bernstein)
- Violin Concerto (1984): 1. Twilight: Free and Spacious - attacca
- Violin Concerto (1984): 2. Toccata-Chaconne: Very Fast
- Violin Concerto (1984):3. Romance without Words: Hardly moving
- Violin Concerto (1984):4. Midnight: Slow
- Violin Concerto (1984):5. Toccata-Rondo: Very Fast
- Violin Concerto (1984):6. Dawn: Wistful
- Concerto for Orchestra "Jubilee Games": 1. Free-Style Events: Allegro con brio, giocoso (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Concerto for Orchestra "Jubilee Games": 2. Mixed Doubles: Theme and Seven Variations (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Concerto for Orchestra "Jubilee Games": 3. Diaspora Dances: Vivace (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Concerto for Orchestra "Jubilee Games": 4. Benediction: Moderato, invocando (von Israel Philharmonic Orchestra, Leonard Bernstein)
Bernstein: On The Town
- I Feel Like I'm Not Out of Bed Yet (von London Symphony Orchestra, Michael Tilson Thomas)
- New York, New York (von London Symphony Orchestra, Michael Tilson Thomas)
- Presentation of Miss Turnstiles (von London Symphony Orchestra, Michael Tilson Thomas)
- Gabey's Comin', Pickup Song (von London Symphony Orchestra, Michael Tilson Thomas)
- Taxi Number: Come Up to My Place (von London Symphony Orchestra, Michael Tilson Thomas)
- Carried Away (von London Symphony Orchestra, Michael Tilson Thomas)
- Lonely Town (von London Symphony Orchestra, Michael Tilson Thomas)
- High School Girls (von London Symphony Orchestra, Michael Tilson Thomas)
- Lonely Town, Pas de deux (von London Symphony Orchestra, Michael Tilson Thomas)
- Carnegie Hall Pavane (von London Symphony Orchestra, Michael Tilson Thomas)
- I Can Cook Too
- Lucky to Be Me (von London Symphony Orchestra, Michael Tilson Thomas)
- Times Square: Finale, Act 1 (von London Symphony Orchestra, Michael Tilson Thomas)
- So Long, Baby (von London Symphony Orchestra, Michael Tilson Thomas)
- I Wish I Was Dead (von London Symphony Orchestra, Michael Tilson Thomas)
- Ya Got Me (von London Symphony Orchestra, Michael Tilson Thomas)
- Ain't Got No Tears Left (von London Symphony Orchestra, Michael Tilson Thomas)
- Pitkin's Song (von London Symphony Orchestra, Michael Tilson Thomas)
- Subway Ride and Imaginary Coney Island (von London Symphony Orchestra, Michael Tilson Thomas)
- The Great Lover Displays Himself (von London Symphony Orchestra, Michael Tilson Thomas)
- Pas de deux (von London Symphony Orchestra, Michael Tilson Thomas)
- Some Other Time (von London Symphony Orchestra, Michael Tilson Thomas)
- The Real Coney Island (von London Symphony Orchestra, Michael Tilson Thomas)
- Finale (von London Symphony Orchestra, Michael Tilson Thomas)
- Appendix: The Intermission's Great (von London Symphony Orchestra, Michael Tilson Thomas)
Bernstein: Candide I
- Candide: Act I, No. 1. Overture (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 1a. Westphalia Chorale (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 2. Life Is Happiness Indeed (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 3. The Best of All Possible Worlds (von Della Jones, London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 3a. Universal Good (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 4. Oh, Happy We
- Candide: Act I, No. 5. It Must Be So (Candide's Meditation) (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 6. Westphalia (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 6a. Battle Music (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 7. Candide's Lament (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 8. Dear Boy (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 9. Auto-da-fé (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 10. Candide Begins His Travels / Act I, No. 10a. It Must Be Me (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 11. The Paris Waltz (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 12. Glitter and Be Gay
- Candide: Act I, No. 13. You Were Dead, You Know (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act I, No. 14. I Am Easily Assimilated (Old Lady's Tango)
- Candide: Act I, No. 15. Quartet Finale (von London Symphony Orchestra, Leonard Bernstein)
Bernstein: Candide II
- Candide: Act II, No. 16. Universal Good (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 17. My Love (Governor's Serenade) (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 18. We Are Women (Polka) (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 19. The Pilgrims' Procession - Alleluia (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 20. Quiet (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 21. Introduction to Eldorado (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 22. The Ballad of Eldorado (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 23. Words, Words, Words (Martin's Laughing Song) (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 24. Bon Voyage (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 25. The Kings' Barcarolle (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 26. Money, Money, Money (Venice Gambling Scene) (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 27. What's the Use (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 28. The Venice Gavotte (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 29. Nothing More Than This (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 30. Universal Good (Life Is Neither) (von London Symphony Orchestra, Leonard Bernstein)
- Candide: Act II, No. 31. Make Our Garden Grow (Finale) (von Della Jones, London Symphony Orchestra, Leonard Bernstein)
Bernstein: West Side Story
- West Side Story: Prologue
- West Side Story: Jet Song
- West Side Story: Something's Coming (von José Carreras)
- West Side Story: The Dance at the Gym: Blues
- West Side Story: The Dance at the Gym: Promenade
- West Side Story: The Dance at the Gym: Mambo
- West Side Story: The Dance at the Gym: Cha-Cha
- West Side Story: The Dance at the Gym: Meeting Scene
- West Side Story: The Dance at the Gym: Jump
- West Side Story: Maria
- West Side Story: Balcony Scene (Tonight)
- West Side Story: America
- West Side Story: Cool (von Kurt Ollmann)
- West Side Story: One Hand, One Heart
- West Side Story: Tonight (Ensemble)
- West Side Story: The Rumble
- West Side Story: I Feel Pretty
- West Side Story: Ballet Sequence: Beginning
- West Side Story: Ballet Sequence: Transition to Scherzo
- West Side Story: Ballet Sequence: Scherzo
- West Side Story: Ballet Sequence: Procession and Nightmare
- West Side Story: Gee, Officer Krupke!
- West Side Story: A Boy Like That
- West Side Story: I Have a Love
- West Side Story: Taunting Scene
- West Side Story: Finale
Bernstein: A Quite Place (Part I)
- A Quiet Place: Act 1: Prolog
- A Quiet Place: Act 1: Dialogues "I'm sorry Bill"
- A Quiet Place: Act 1: Readings, Chorale
- A Quiet Place: Act 1: Aria "You're Late"
- A Quiet Place: Act 1: Trio "Dear Daddy"
- A Quiet Place: Act 1: Finale "Merry Christmas"
- A Quiet Place: Act 1: Postlude
- A Quiet Place: Act 2: Scene1 "I Wish I Could Sleep"
- A Quiet Place: Act 2: Scene2 Trouble in Tahiti (I) "Dop-Daa-Day-Day-"
- A Quiet Place: Act 2: Trouble in Tahiti (I) "How Could You Say"
- A Quiet Place: Act 2: Trouble in Tahiti (I) "Yes? Oh, Mr. Partridge!"
- A Quiet Place: Act 2: Trouble in Tahiti (I) "I Was Standing In A Garden"
- A Quiet Place: Act 2: Trouble in Tahiti (I) "Well, Of All People"
Bernstein: A Quiet Place (Part II)
- A Quiet Place: Act 2, Scene 3: June twelfth
- A Quiet Place: Act 2, Scene 3: But first I'd like to sing you a little song
- A Quiet Place: Act 2, Scene 3: Quartett "My God Dinah"
- A Quiet Place: Act 2, Scene 3: Love Scene "There is so much. Too much"
- A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) "Skid a lit day"
- A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) There's a law
- A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) What a movie!
- A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) There's a law"
- A Quiet Place: Act 3: Prelude
- A Quiet Place: Act 3, Scene: Morning! Good morning
- A Quiet Place: Act 3, Scene: The one and only cereal
- A Quiet Place: Act 3, Scene: You're...it!
- A Quiet Place: Act 3, Scene: Hmm. Bye bye
- A Quiet Place: Act 3, Scene: My heart shall be... thy...garden
Bernstein: A White House Cantata
- A White House Cantata: Part 1: Prelude (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: Ten Square Miles by the Potomac River (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: If I was a Dove (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: Welcome Home, Miz Adams (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: Take Care of This House (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: The President Jefferson Sunday Luncheon March (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: Seena (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: Sonatina (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: Lud's Wedding (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: The Monroviad (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: This Time (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 1: We Must Have a Ball (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 2: Bright and Black (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 2: Duet for One (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 2: Minstrel Parade (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 2: Pity the Poor (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 2: The Grand Old Party (von London Symphony Orchestra, Kent Nagano)
- A White House Cantata: Part 2: To Make Us Proud (von London Symphony Orchestra, Kent Nagano)
Bizet: Carmen (Part 1)
- Carmen: Prélude (von Georges Bizet)
- Carmen: Act One; No. 1 Introduction: "Sur La Place Chacun Passe" (von Georges Bizet)
- Carmen: Act One; No. 2 Marche Et Choeur Des Gamins: "Allez, Dépêchez-vous!... Avec La Garde Montant" (von Georges Bizet)
- Carmen: Act One; "Dites-moi, Brigadier?" (von Georges Bizet)
- Carmen: Act One; No. 3 Choeur Et Scène: "Voici La Cloche Qui Sonne... La Cloche A Sonné" (von Georges Bizet)
- Carmen: Act One; "Mais Nous Ne Voyons Pas La Carmencita" (von Georges Bizet)
- Carmen: Act One; No. 4 Havanaise: "L'amour Est Un Oiseau Rebelle" (von Georges Bizet)
- Carmen: Act One; No. 5 Scène: "Carmen, Sur Tes Pas Nous Nous Pressons Tous" (von Georges Bizet)
- Carmen: Act One; "Monsieur Le Brigadier?", No 6 Duo: "Parle-moi de ma mère!" (von Georges Bizet)
- Carmen: Act One; "Attends Un Peu Maintenant" (von Georges Bizet)
- Carmen: Act One; No. 7 Choeur: "Eh Bien! Qu'est-ce Qui Arrive? ... Au Secours! Au Secours! (von Georges Bizet)
- Carmen: Act One; "Eh Bien, Brigadier?"; No. 8 Chanson Et Melodrame: "Tra La La La..." (von Georges Bizet)
- Carmen: Act One; No. 9 Chanson Et Duo: "Près Des Remparts De Seville" (von Georges Bizet)
- Carmen: Act One; No. 10 Finale: "Le Lieutenant! Prenez Garde! ... L'amour Est Enfant De Bohème" (von Georges Bizet)
- Carmen: Act One; Entr'acte (von Georges Bizet)
- Carmen: Act Two; No. 11 Chanson: "Les Tringles Des Sistres Tintaient" (von Georges Bizet)
- Carmen: Act Two; "Mon Dieu, Messieurs, Il Commence À Se Faire Tard" (von Georges Bizet)
- Carmen: Act Two; No. 12 Choeur Et Ensemble: "Vivat! Vivat Le Toréro!" (von Georges Bizet)
- Carmen: Act Two; No. 13 Couplet: "Votre Toast... Je Peux Vous Le Rendre" (von Georges Bizet)
- Carmen: Act Two; "Dis-moi Ton Nom" (von Georges Bizet)
- Carmen: Act Two; No. 13 Bis Choeur: "Toréador, En Garde" (von Georges Bizet)
- Carmen: Act Two; "Eh Bien, Les Nouvelles?" (von Georges Bizet)
- Carmen: Act Two; No. 14 Quintette: "Nous Avons Et Tête Une Affaire" (von Georges Bizet)
- Carmen: Act Two; "Amoureuse... Ce N'est Pas Une Raison, Cela"; No. 15 Chanson: "Halte Là! Qui Va Là?"; "Ecoutez, Le Voilà" (von Georges Bizet)
Bizet: Carmen (Part 2)
- Carmen: Act Two; No. 16 Duo: "Ja Vais Danser En Votre Honneur" (von Georges Bizet)
- Carmen: Act Two; "La Fleur Que Tu M'avais Jetée" (von Georges Bizet)
- Carmen: Act Two; "Non, Tu Ne M'aimes pas!" (von Georges Bizet)
- Carmen: Act Two; No. 17 Finale: "Holà! Carmen! (von Georges Bizet)
- Carmen: Act Two; Entr'acte (von Georges Bizet)
- Carmen: Act Three, First Tableau; No. 18 Introduction: "Ecoute, Compagnon, Écoute... Notre Metier Est Bon" (von Georges Bizet)
- Carmen: Act Three, First Tableau; "Voyons, Carmen... Faisons La Paix" (von Georges Bizet)
- Carmen: Act Three, First Tableau; No. 19 Trio: "Mêlons! Coupons! (von Georges Bizet)
- Carmen: Act Three, First Tableau; "Carreau, Pique... La Mort! ... En Vain, Pour Éviter Les Résponses Amères" (von Georges Bizet)
- Carmen: Act Three, First Tableau; "Parlez Encore, Parlez, Mes Belles" (von Georges Bizet)
- Carmen: Act Three, First Tableau; "Holà, Les Belles" (von Georges Bizet)
- Carmen: Act Three, First Tableau; No. 20 Morceau D'Ensemble: "Quant Au Douanier, C'est Notre Affaire" (von Georges Bizet)
- Carmen: Act Three, First Tableau; No. 21 Air: "Je Dis Qui Rien Ne M'épouvante" (von Georges Bizet)
- Carmen: Act Three, First Tableau; "Qui Va Là", No. 22 Duo: "Je Suis Escamillo" (von Georges Bizet)
- Carmen: Act Three, First Tableau; No. 23 Finale: "Holà, Holà, José!" (von Georges Bizet)
- Carmen: Act Three, First Tableau; "Moi? Je Viens Te Chercher" (von Georges Bizet)
- Carmen: Act Three, First Tableau; Entr'acte (von Georges Bizet)
- Carmen: Act Three, Second Tableau; No. 24 Choeur: "A Deux Cuartos" (von Georges Bizet)
- Carmen: Act Three, Second Tableau; No. 25 Choeur Et Scène: "Les Voici! Voici La Quadrille" (von Georges Bizet)
- Carmen: Act Three, Second Tableau; "Si Tu M'aimes, Carmen" (von Georges Bizet)
- Carmen: Act Three, Second Tableau; "Carmen, Un Bon Conseil" (von Georges Bizet)
- Carmen: Act Three, Second Tableau; No. 26 Duo Final: "C'est Toi? C'est Moi!" (von Georges Bizet)
Brahms: Symphony No. 1
- Symphony No. 1: 1. Un poco sostenuto - Allegro - Meno allegro (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 1: 2. Andante sostenuto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 1: 3. Un poco allegretto e grazioso (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 1: 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro (von Wiener Philharmoniker, Leonard Bernstein)
Brahms: Symphony No. 2, Academic Festival Overture
- Symphony No. 2 In D Major, Op. 73: 1. Allegro non troppo (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 2 In D Major, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 2 In D Major, Op. 73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 2 In D Major, Op. 73: 4. Allegro con spirito (von Wiener Philharmoniker, Leonard Bernstein)
- Academic Festival Overture, Op.80
Brahms: Symphony No. 3 In F Major, Op. 90
- Symphony No. 3 In F Major, Op. 90: 1. Allegro con brio - Un poco sostenuto - Tempo I (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 3 In F Major, Op. 90: 2. Andante (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 3 In F Major, Op. 90: 3. Poco allegretto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 3 In F Major, Op. 90: 4. Allegro (von Wiener Philharmoniker, Leonard Bernstein)
- Variations on a Theme by Haydn, Op.56a (von Wiener Philharmoniker, Leonard Bernstein)
Brahms: Symphony No. 4, Tragic Overture
- Symphony No. 4 In E Minor, Op. 98: 1. Allegro non troppo (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 4 In E Minor, Op. 98: 2. Andante moderato (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 4 In E Minor, Op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No. 4 In E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro (von Wiener Philharmoniker, Leonard Bernstein)
- Tragic Overture, Op.81 (von Wiener Philharmoniker, Leonard Bernstein)
Brahms: Piano Concerto No. 1
- Piano Concerto no. 1 in D minor, op. 15: I. Maestoso
- Piano Concerto no. 1 in D minor, op. 15: II. Adagio
- Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo
Brahms: Piano Concerto No. 2
- Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo (von Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman)
- Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato (von Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman)
- Piano Concerto no. 2 in B-flat major, op. 83: III. Andante (von Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman)
- Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso (von Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman)
Brahms: Violin Concerto In D Major Op. 77, Double Concerto In A Minor Op. 102
- Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo (von Gidon Kremer, Wiener Philharmoniker, Leonard Bernstein)
- Concerto for Violin and Orchestra in D major, op. 77: II. Adagio (von Gidon Kremer, Wiener Philharmoniker, Leonard Bernstein)
- Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace (von Gidon Kremer, Wiener Philharmoniker, Leonard Bernstein)
- Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro
- Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante
- Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo
Bruckner: Symphony No. 9
- Symphony no. 9 in D minor: I. Feierlich, misterioso (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich (von Wiener Philharmoniker, Leonard Bernstein)
Copland: Appalachian Spring, Barber: Adagio For Strings, Bernstein: Candide Overture, Schumann: American Festival Overture
- Appalachian Spring : Concert Suite (von Los Angeles Philharmonic, Leonard Bernstein)
- American Festival Overture (von Los Angeles Philharmonic, Leonard Bernstein)
- Adagio for Strings, Op. 11 (von Los Angeles Philharmonic Orchestra, Leonard Bernstein)
- Candide: Operetta Overture (von Los Angeles Philharmonic, Leonard Bernstein)
Copland: Symphony No. 3
- Symphony No. 3: I. Molto moderato (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 3: II. Allegro molto (von New York Philharmonic, Leonard Bernstein)
- Symphony No. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto (von New York Philharmonic, Leonard Bernstein)
- Quiet City for Cor Anglais, Trumpet and Strings
Copland: El Salon Mexico, Connotations, Music For The Theatre, Clarinet Concerto
- El Salón México (von New York Philharmonic, Leonard Bernstein)
- Concerto for Clarinet - Slowly & Expressively
- Concerto for Clarinet - Rather fast
- Music for the Theatre: I. Prologue (von New York Philharmonic, Leonard Bernstein)
- Music for the Theatre: II. Dance: Allegro molto (von New York Philharmonic, Leonard Bernstein)
- Music for the Theatre: III. Interlude: Lento moderato (von New York Philharmonic, Leonard Bernstein)
- Music for the Theatre: IV. Burlesque: Allegro vivo (von New York Philharmonic, Leonard Bernstein)
- Music for the Theatre: V. Epilogue: Moderato - Molto moderato - Lento molto (von New York Philharmonic, Leonard Bernstein)
- Connotations for Orchestra (von New York Philharmonic, Leonard Bernstein)
Debussy: La Mer, Prélude à L´Après-midi dún Faune, Images pour Orchestre
- Images pour orchestre: I. Gigues (von Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein)
- Images pour orchestre: III. Rondes de printemps (von Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein)
- Images pour orchestre: IIa. Ibéria: Par les rues et par les chemins (von Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein)
- Images pour orchestre: IIb. Ibéria: Les parfums de la nuit (von Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein)
- Images pour orchestre: IIc Ibéria: Le matin d'un jour de fête (von Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein)
- Prélude à l'après-midi d'un faune (von Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein)
- La mer: I. De l'aube à midi sur la mer (von Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein)
- La mer: II. Jeux de vagues (von Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein)
- La Mer: III. Dialogue du vent et de la mer (von Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein)
Dvorák: Symphony No. 9 "New World", Slavonic Dances Op. 46 No. 1, 3, 8
- Symphony No.9 in E Minor, Op.95, B.178 - "From The New World": 1. Adagio - Allegro molto (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphony No.9 in E Minor, Op.95, B.178 - "From The New World": 2. Largo
- Symphony No.9 in E Minor, Op.95, B.178 - "From The New World": 3. Scherzo (Molto vivace) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphony No.9 in E Minor, Op.95, B.178 - "From The New World": 4. Allegro con fuoco (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Slavonic Dances, Op.46, B.83 Original Version, B.83: No.1 In C (Presto) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Slavonic Dances, Op.46, B.83 Original Version, B.83: No.3 In A-Flat (Poco allegro) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Slavonic Dances, Op.46, B.83 Original Version, B.83: No.8 In G Minor (Presto) (von Israel Philharmonic Orchestra, Leonard Bernstein)
Elgar: Enigma Variations, Pomp And Circumstances Marches 1 & 2, Crown Of India Suite "March Of The Mogul Emperors"
- Variations On An Original Theme, Op.36 "Enigma": 1. Theme (Andante) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 2. Variation 1. C.A.E. (L'istesso tempo) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 3. Variation 2. H.D.S-P. (Allegro) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 4. Variation 3. R.B.T. (Allegretto) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 5. Variation 4. W.M.B. (Allegro di molto) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 6. Variation 5. R.P.A. (Moderato) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 7. Variation 6. Ysobel (Andantino) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 8. Variation 7. Troyte (Presto) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 9. Variation 8. W.N. (Allegretto) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 10. Variation 9. Nimrod (Adagio) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 11. Variation 10. Intermezzo: Dorabella (Allegretto) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 12. Variation 11. G.R.S. (Allegro di molto) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 13. Variation 12. B.G.N. (Andante) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 14. Variation 13. Romanza *** (Moderato) (von BBC Symphony Orchestra, Leonard Bernstein)
- Variations On An Original Theme, Op.36 "Enigma": 15. Variation 14. Finale: E.D.U. (Allegro - Presto) (von BBC Symphony Orchestra, Leonard Bernstein)
- Pomp and Circumstance March no. 1 in D, op. 39, no. 1 (von BBC Symphony Orchestra, Leonard Bernstein)
- Pomp and Circumstance March no. 2 in A minor, op. 39 no. 2 (von BBC Symphony Orchestra, Leonard Bernstein)
- The Crown of India: March of the Mogul Emperors (von BBC Symphony Orchestra, Leonard Bernstein)
Franck: Symphony In D Minor / Saint-Saens: Le Rouet d'Omphale / Roussel: Symphony No.3 In G Minor, Op.42
- Symphony in D minor, FWV 48: 1. Lento - Allegro ma non troppo - Allegro (von Orchestre National de France, Leonard Bernstein)
- Symphony in D minor, FWV 48: 2. Allegretto (von Orchestre National de France, Leonard Bernstein)
- Symphony in D minor, FWV 48: 3. Allegro non troppo (von Orchestre National de France, Leonard Bernstein)
- Le Rouet d'Omphale, Op.31 (von Orchestre National de France, Leonard Bernstein)
- Symphony No.3 in G minor, Op.42: 1. Allegro vivo (von Orchestre National de France, Leonard Bernstein)
- Symphony No.3 in G minor, Op.42: 2. Adagio (von Orchestre National de France, Leonard Bernstein)
- Symphony No.3 in G minor, Op.42: 3. Vivace (von Orchestre National de France, Leonard Bernstein)
- Symphony No.3 in G minor, Op.42: 4. Allegro con spirito (von Orchestre National de France, Leonard Bernstein)
Harris: Symphony No. 3 / Schumann: Symphony No. 3
- Symphony no. 3 (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 3, Part I: Passacaglia (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 3, Part I: Fugue (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 3, Part II: Chorale (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 3, Part II: Toccata (von New York Philharmonic, Leonard Bernstein)
Haydn: Symphonies No.88 In G & No.92 In G "Oxford"
- Symphony in G major, Hob. I: 88: I. Adagio - Allegro (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony in G major, Hob. I: 88: II. Largo (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony in G major, Hob. I: 88: III. Menuetto. Allegretto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony in G major, Hob. I: 88: IV. Finale. Allegro con spirito (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony in G major, Hob. I: 92 "Oxford": I. Adagio - Allegro spiritoso (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony in G major, Hob. I: 92 "Oxford": II. Adagio (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony in G major, Hob. I: 92 "Oxford": III. Menuet. Allegretto (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony in G major, Hob. I: 92 "Oxford": IV. Finale. Presto (von Wiener Philharmoniker, Leonard Bernstein)
Haydn: Symphony No.94 In G, H.I "Surprise"; Sinfonia Concertante In B Flat H.I 105
- Symphony No.94 In G Major, Hob.I:94 - "Surprise": 1. Adagio - Vivace assai (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.94 In G Major, Hob.I:94 - "Surprise": 2. Andante (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.94 In G Major, Hob.I:94 - "Surprise": 3. Menuet (Allegro molto) (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.94 In G Major, Hob.I:94 - "Surprise": 4. Finale (Allegro di molto) (von Wiener Philharmoniker, Leonard Bernstein)
- Sinfonia concertante in B flat, H.I No.105: 1. Allegro (von Wiener Philharmoniker, Leonard Bernstein)
- Sinfonia concertante in B flat, H.I No.105: 2. Andante (von Wiener Philharmoniker, Leonard Bernstein)
- Sinfonia concertante in B flat, H.I No.105: 3. Allegro con spirito (von Wiener Philharmoniker, Leonard Bernstein)
Haydn: Die Schöpfung (Part I)
- Die Schöpfung: Erster Teil: Der Erste Tag: I. Die Vorstellung des Chaos (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Erste Tag: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Erste Tag: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Zweite Tag: IV. Accompagnato-Rezitativ: Und Gott machte das Firmament (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Zweite Tag: V. Solo mit Chor: Mit staunen sieht das Wunderwerk (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Dritte Tag: VI. Rezitativ: Und Gott sprach: Es sammle sich das Wasser (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Dritte Tag: VII. Rollend in schäumenden Wellen (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Dritte Tag: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Dritte Tag: IX. Arie: Nun beut die Flur das frische Grun (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Dritte Tag: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Dritte Tag: XI. Chor: Stimmt an die Saiten (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Vierte Tag: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Vierte Tag: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Erster Teil: Der Vierte Tag: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XIX. Terzett und Chor: In holder Anmut stehn (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
Haydn: Die Schöpfung (Part II)
- Die Schöpfung: Zweiter Teil: Der Sechste Tag: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXII. Arie: Nun scheint in vollem Glanze der Himmel (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIII. Rezitativ: Und Gott schuf den Menschen (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIV. Arie: Mit Würd' und Hoheit angetan (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXV. Rezitativ: Und Gott sah jedes Ding (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Dritter Teil: XXVII. Accompagnato-Rezitativ: Aus Rosenwolken bricht (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Dritter Teil: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Dritter Teil: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Dritter Teil: XXX. Duett: Holde Gattin, dir zur Seite (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Dritter Teil: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Die Schöpfung: Dritter Teil: XXXII. Chor: Singt dem Herren alle Stimmen (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
Haydn: Symphony In B Flat H.I No.102; Missa in tempore belli H.XXII,9
- Symphony no. 102 in B-flat major, Hob. I:102: 1. Largo - Vivace (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony no. 102 in B-flat major, Hob. I:102: 2. Adagio (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony no. 102 in B-flat major, Hob. I:102: 3. Menuetto (Allegro) (von Wiener Philharmoniker, Leonard Bernstein)
- Symphony no. 102 in B-flat major, Hob. I:102: 4. Finale. Presto (von Wiener Philharmoniker, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: I. Kyrie (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: II. Gloria: Gloria in excelsis Deo (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: II. Gloria: Qui tollis peccata mundi (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: II. Gloria: Quoniam tu solus sanctus (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: III. Credo: Credo in unum Deum (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: III. Credo: Et incarnatus est (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: III. Credo: Et ressurexit tertia die (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: III. Credo: Et vitam venturi saeculi (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: IV. Sanctus (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: V: Benedictus (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
- Missa in tempore belli, Hob. XXII:9: VI: Agnus Dei (von Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein)
Hindemith: Concert Musik Op. 50, Symphonic Metamorphosis On Themes Of Carl Maria von Weber, Symphony: Mathis der Maler
- Symphonie "Mathis der Maler": I. Engelskonzert (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonie "Mathis der Maler": II. Grablegung (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonie "Mathis der Maler": III. Versuchung des Heiligen Antonius (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Konzertmusik für Streichorchester und Blechbläser, op. 50 - Erster Teil: I. Mäßig schnell, mit Kraft (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Konzertmusik für Streichorchester und Blechbläser, op. 50 - Erster Teil: II. Sehr breit, aber stets fließend (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Konzertmusik für Streichorchester und Blechbläser, op. 50 - Zweiter Teil: III. Lebhaft (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Konzertmusik für Streichorchester und Blechbläser, op. 50 - Zweiter Tei: IV. Langsam (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Konzertmusik für Streichorchester und Blechbläser, op. 50 - Zweiter Tei: V. Im ersten Zeitmaß - Lebhaft (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I.Allegro (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. 'Turandot-Scherzo': Moderato - Lebhaft (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch (von Israel Philharmonic Orchestra, Leonard Bernstein)
Ives: Symphony No. 2 / Central Park In The Dark / Hymn For Strings
- Symphony no. 2: I. Andante moderato (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2: II. Allegro (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2: III. Adagio cantabile (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2: IV. Lento maestoso (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 2: V. Allegro molto vivace (von New York Philharmonic, Leonard Bernstein)
- The Gong on the Hook and Ladder or Fireman's Parade on Main Street (von New York Philharmonic, Leonard Bernstein)
- Tone Roads no. 1 (von New York Philharmonic, Leonard Bernstein)
- Hymn: Largo Cantabile (von New York Philharmonic, Leonard Bernstein)
- Hallowe'en (von New York Philharmonic, Leonard Bernstein)
- Central Park in the Dark (von New York Philharmonic, Leonard Bernstein)
- The Unanswered Question (von New York Philharmonic, Leonard Bernstein)
Liszt: A Faust Symphony
- Eine Faust-Symphonie: I. Faust (von Boston Symphony Orchestra, Leonard Bernstein)
- Eine Faust-Symphonie: II. Gretchen (von Boston Symphony Orchestra, Leonard Bernstein)
- Eine Faust-Symphonie: III. Mephistopheles / Schlußchor "Alles Vergängliche ist nur ein Gleichnis"
Boito: Mefistofele - Prologue
- Mefistofele (Prologue): 1. Preludio (von Arrigo Boito)
- Mefistofele (Prologue): 2. Ave, Signor degli angeli e dei santi! (von Arrigo Boito)
- Mefistofele (Prologue): 3. T'è noto Faust? (von Arrigo Boito)
- Mefistofele (Prologue): 4. Siam nimbi volanti dai limbi (von Arrigo Boito)
- Mefistofele (Prologue): 5. Salve Regina! (von Arrigo Boito)
Bernstein: The Making Of West Side Story
- "I feel Pretty" (Piano rehearsal)
- First session: introduction of the principals
- Tonight
- "Jet Song" (recording)
- "Cool" (recording)
- "Tonight" (Piano rehearsal)
- "Something's Coming" (recording: take, playback, retakes)
- Troyanos on working with Bernstein "Tonight (Ensemble)" (recording)
- "Tonight (Ensemble)" (recording- contd.)
- "I Feel Pretty"
- Te Kanawa on working with Bernstein
- Problem passages, "Dance at the Gym" (recording & playbacks)
- Bernstein talks to the press "Dance at the Gym" (recording-contd.)
- "Meeting Scene"
- Te Kanawa on West Side Story, "Somewhere" (recording)
- Troyanos on recording, "America" (rehearsal and recording)
- "One Hand, One Heart" (recording)
- Te Kanawa on singing Bernstein's music
- "Maria" (piano rehearsal)
- "Maria" (recording)
- Carreras on the Interruption, "Maria" (recording- contd.)
- Te Kanawa on working with Berstein
- "A Boy like that" "I have love" (recording)
- "Gee, Officer Krupke" (recording)
- "Balcony Scene" (recording)
- Berstein on recording West side Story, "Balcony Scene" (recording)
- End titles