Benjamin Britten Songtexte
A Ceremony of Carols : This little Babe
Songs From "Friday Afternoons", op. 7: Cuckoo!
Psalm 150 for voices & orchestra, op. 67
A.M.D.G.: Rosa Mystica
The Birds
Geboren am 22. November 1913, Gestorben am 04. Dezember 1976
The Turn of the Screw
- The Turn of the Screw, op. 54: Prologue
- The Turn of the Screw, op. 54: Act 1: Theme
- The Turn of the Screw, op. 54: Act 1: Scene 1. The Journey
- The Turn of the Screw, op. 54: Act 1: Variation I
- The Turn of the Screw, op. 54: Act 1: Scene 2. The Welcome
- The Turn of the Screw, op. 54: Act 1: Variation II
- The Turn of the Screw, op. 54: Act 1: Scene 3. The Letter
- The Turn of the Screw, op. 54: Act 1: Variation III
- The Turn of the Screw, op. 54: Act 1: Scene 4. The Tower
- The Turn of the Screw, op. 54: Act 1: Variation IV
- The Turn of the Screw, op. 54: Act 1: Scene 5. The Window
- The Turn of the Screw, op. 54: Act 1: Variation V
- The Turn of the Screw, op. 54: Act 1: Scene 6. The Lesson
- The Turn of the Screw, op. 54: Act 1: Variation VI
- The Turn of the Screw, op. 54: Act 1: Scene 7. The Lake
- The Turn of the Screw, op. 54: Act 1: Variation VII
- The Turn of the Screw, op. 54: Act 1: Scene 8. At Night
- The Turn of the Screw, op. 54: Act 2: Variation VIII
- The Turn of the Screw, op. 54: Act 2: Scene 1. Colloquy and Soliloquy
- The Turn of the Screw, op. 54: Act 2: Variation IX
- The Turn of the Screw, op. 54: Act 2: Scene 2. The Bells
- The Turn of the Screw, op. 54: Act 2: Variation X
- The Turn of the Screw, op. 54: Act 2: Scene 3. Miss Jessel
- The Turn of the Screw, op. 54: Act 2: Variation XI
- The Turn of the Screw, op. 54: Act 2: Scene 4. The Bedroom
- The Turn of the Screw, op. 54: Act 2: Variation XII
- The Turn of the Screw, op. 54: Act 2: Scene 5. Quint
- The Turn of the Screw, op. 54: Act 2: Variation XIII
- The Turn of the Screw, op. 54: Act 2: Scene 6. The Piano
- The Turn of the Screw, op. 54: Act 2: Variation XIV
- The Turn of the Screw, op. 54: Act 2: Scene 7. Flora
- The Turn of the Screw, op. 54: Act 2: Variation XV
- The Turn of the Screw, op. 54: Act 2: Scene 8. Miles
The Performer: Complete Decca Recordings (Compilation)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 1 Sire, Lord and Master (chorus)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 2 Jesus went with his disciples
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 7 O generous love! (chorale)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 8 So that the word might be fulfilled
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 9 Thy will be done, O God of love (chorale)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 10 The band then, together with the captain (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 11 To release me from the prison (contralto aria)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 12 Simon Peter also followed Jesus from afar (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 13 I'll follow thee also (soprano aria) (von Heather Harper, English Chamber Orchestra, Benjamin Britten)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 14 Now that same disciple was known unto the high priest
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 15 Ah, who would dare to smite thee?
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 16 Now Annas sent him bound unto the high priest
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 19 Ah! take flight (tenor aria)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part One: 20 Peter, who denied his Lord (chorale)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 21 Christ, who gave us life and light (chorale)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 22 Then led they Jesus from Caiaphas to the judgement
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 27 Ah, King of Heaven (chorale)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 28 And Pilate said unto him
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 31 Look yonder, o my soul (bass arioso) (von John Shirley‐Quirk, English Chamber Orchestra, Benjamin Britten)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 32 Consider, how his body (tenor aria)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 33 And when the soldiers had plaited a crown of thorns
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 40 Thy bonds, O Christ, have set us free
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 41 But the Jews cried out and said
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 48 Haste, ye souls forlorn and weary (bass aria & ch.)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 49 And there crucified they him
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 52 Within my heart, O Saviour (chorale)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 53 And then did the soldiers
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 56 When his life had reached its end (chorale)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 57 And from that hour he took her unto his own home
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 58 The end is nigh (contralto aria)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 60 My dearest Saviour, wilt thou answer? (bass & ch.)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 61 And then behold, the veil of the temple was rent (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 62 My heart, behold how all the world (tenor arioso)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 63 With torrents of weeping (soprano only) (von Heather Harper, English Chamber Orchestra, Benjamin Britten)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 64 The Jews therefore, because it was the preparation (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 65 Help us, Son of God most high (chorale)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 66 And after this, Joseph of Arimethea (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 67 Farewell, O weary, broken body (chorus)
- Johannes-Passion, BWV 245, ed. Britten, trans. Pears & I. Holst, Part Two: 68 Lord Jesus, when we come to die (chorale)
- Süßer Trost, mein Jesus kommt, Cantata BWV 151: I. Aria: Süßer Trost, mein Jesu kommt (von Heather Harper, English Chamber Orchestra, Benjamin Britten)
- Süßer Trost, mein Jesus kommt, Cantata BWV 151: II. Recitativo: Erfreue dich, mein Herz (von John Shirley‐Quirk, English Chamber Orchestra, Benjamin Britten)
- Süßer Trost, mein Jesus kommt, Cantata BWV 151: III. Aria: in Jesu Demut kann ich Trost
- Süßer Trost, mein Jesus kommt, Cantata BWV 151: IV. Recitativo: Du teurer Gottessohn, nun hast du mir den Himmel aufgemacht (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Süßer Trost, mein Jesus kommt, Cantata BWV 151: V. Choral: Heut' schleusst er wieder auf die Tür
- Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: I. "Herr, deine Augen sehen nach dem Glauben"
- Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: II. "Wo ist das Ebenbild"
- Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: III. "Weh, der Seele"
- Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: IV. "Verachtest du den Reichtum seiner Gnade"
- Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: V. "Erschrecke doch" (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: VI. "Beim Warten ist Gefahr"
- Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: VII. "Heut lebst du, heut bekehre dich"
- Brandenburg Concerto no. 1 in F major, BWV 1046: I. (Allegro) (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto: Trio I (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 1 in F major, BWV 1046: V. Polacca; Trio II (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro) (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 3 in G major, BWV 1048: I. (Allegro) (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affetuoso (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: I. -- (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: II. Adagio ma non tanto (von English Chamber Orchestra, Benjamin Britten)
- Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: III. Allegro (von English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Symphony (von English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Now the night is chas'd away (von Jennifer Vyvyan, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Let the fifes and the clarions....Dance (von James Bowman, Charles Brett, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: When a cruel long winter (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Hail! great parent of us all (von Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Thus the ever grateful Spring (von Mary Wells, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Here's the Summer, sprightly gay (von James Bowman, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: See, my many-coloured fields (von Ian Partridge, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Next, Winter comes slowly, pale (von John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 1: Hail! great parent of us all (von Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: Prelude...Come, all ye songsters of the sky (von Charles Brett, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: The songsters...May the god of wit inspire (von Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: Echo...Now join your warbling voices all (von Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: Fill up the bowl (von Owen Brannigan, Jennifer Vyvyan, Mary Wells, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: See, even Night herself is here (von Norma Burrowes, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: "I am come to lock all fast" (von Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: "One charming night" (von James Bowman, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: no. 17 "Hush, no more" (von John Shirley-Quirk, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 2: no. 18 Dance for the followers of night (von English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Part 3: The Sweet Passion: Overture (von English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Part 3: The Sweet Passion: If love's a sweet passion...I press her hand (von Peter Pears, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Part 3: The Sweet Passion: O let me weep, for ever weep (von Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Part 3: The Sweet Passion: Now the maids and the men are making of hay (von Alfreda Hodgson, Peter Pears, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Part 3: The Sweet Passion: A Dance of Haymakers (von English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Part 3: The Sweet Passion: A thousand, thousand ways (von James Bowman, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Part 3: The Sweet Passion: Hornpipe and rondeau (von English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 4: Symphony (von English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 4: Hark! Hark the echoing air (von Jennifer Vyvyan, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 4: Sure the dull God of Marriage (von Mary Wells, Alfreda Hodgson, Alfreda Hodgson, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 4: See, I obey (von Owen Brannigan, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 4: Turn then thine eyes (von Jennifer Vyvyan, Mary Wells, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 4: My torch indeed...They shall be as happy (von Jennifer Vyvyan, Mary Wells, James Bowman, Peter Pears, John Shirley-Quirk, Owen Brannigan, Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 4: Chaconne (von English Chamber Orchestra, Benjamin Britten)
- The Fairy Queen, Z.629, Ed. Britten, Holst, Pears, Act 4: They shall be as happy (von Ambrosian Opera Chorus, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Symphony: Canzona (von English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Celebrate this festival (von Heather Harper, Josephine Veasey, James Bowman, Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Britain now thy cares beguile (von Heather Harper, Josephine Veasey, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Celebrate this festival (von Ambrosian Singers, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): 'Tis sacred, bid the trumpet cease (von Peter Pears, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Let sullen discord smile (von Josephine Veasey, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Crown the altar, deck the shrine (von Josephine Veasey, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Expected spring at last is come (von John Shirley-Quirk, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): April who till now has mourn'd (von James Bowman, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Departing thus you'll hear him say (von James Bowman, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Happy realm beyond expressing (von James Bowman, Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): While for a righteous cause he arms (von John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Return fond Muse, the thoughts of war (von James Bowman, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten)
- Celebrate this Festival, Z 321 (Birthday Ode for Queen Mary): Kindly treat Maria's Day (von Heather Harper, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten)
- Ciacona in G minor, Z.730 (Arr. Benjamin Britten) (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 45 in F-Sharp minor, Hob.I:45 -"Farewell": I. Allegro assai (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Symphony no. 45 in F-Sharp minor, Hob.I:45 -"Farewell": II. Adagio (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Symphony no. 45 in F-Sharp minor, Hob.I:45 -"Farewell": III. Menuet (Allegretto) (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Symphony no. 45 in F-Sharp minor, Hob.I:45 -"Farewell": IV. Finale (Presto: Adagio) (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Symphony no. 55 in E-flat major, Hob.I:55: "The Schoolmaster": I. Allegro di molto (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Symphony no. 55 in E-flat major, Hob.I:55: "The Schoolmaster": II. Adagio, ma semplicemente (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Symphony no. 55 in E-flat major, Hob.I:55: "The Schoolmaster": III. Menuetto (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Symphony no. 55 in E-flat major, Hob.I:55: "The Schoolmaster": IV. Finale (Presto) (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Cello Concerto in C major, Hob. VIIb:1: I. Moderato (von Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten)
- Cello Concerto in C major, Hob. VIIb:1: II. Adagio (von Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten)
- Cello Concerto in C major, Hob. VIIb:1: III. Finale (Allegro molto) (von Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten)
- Symphony no. 25 in G minor, K. 183: I. Allegro con brio (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 25 in G minor, K. 183: II. Andante (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 25 in G minor, K. 183: III. Menuetto (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 25 in G minor, K. 183: IV. Allegro (von English Chamber Orchestra, Benjamin Britten)
- Serenata notturna in D major, K. 239: I. Marcia (Maestoso) (von English Chamber Orchestra, Benjamin Britten)
- Serenata notturna in D major, K. 239: II. Menuetto: Trio (von English Chamber Orchestra, Benjamin Britten)
- Serenata notturna in D major, K. 239: III. Rondeau (Allegretto: Adagio (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 29 in A major, K. 201: I. Allegro moderato (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 29 in A major, K. 201: II. Andante (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 29 in A major, K. 201: III. Menuetto (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 29 in A major, K. 201: IV. Allegro con spirito (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 40 in G minor, K. 550: I. Molto allegro (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 40 in G minor, K. 550: II. Andante (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 40 in G minor, K. 550: III. Menuetto (Allegretto): Trio (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 40 in G minor, K. 550: IV. Finale (Allegro assai) (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 38 in D major, K. 504 "Prague": I. Adagio: Allegro (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 38 in D major, K. 504 "Prague": II. Andante (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 38 in D major, K. 504 "Prague": III. Finale (Presto) (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 41 in C major, K. 551: "Jupiter": I. Allegro vivace (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 41 in C major, K. 551: "Jupiter": II. Andante cantabile (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 41 in C major, K. 551: "Jupiter": III. Menuetto (Allegretto) (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 41 in C major, K. 551: "Jupiter": IV. Molto allegro (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 39 in E-Flat major, K. 543: I. Adagio: Allegro (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 39 in E-Flat major, K. 543: II. Andante con moto (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 39 in E-Flat major, K. 543: III. Menuetto (Allegretto) (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 39 in E-Flat major, K. 543: IV. Finale (Allegro) (von English Chamber Orchestra, Benjamin Britten)
- Si mostra la sorte, K. 209 (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Per pietà, non ricercate, K. 420 (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto no. 12 in A major, K. 414: I. Allegro
- Piano Concerto no. 12 in A major, K. 414: II. Andante
- Piano Concerto no. 12 in A major, K. 414: III. Rondeau (Allegretto)
- Sonata For Piano Four-Hands in C major, K. 521: I. Allegro (von Benjamin Britten, Sviatoslav Richter)
- Sonata For Piano Four-Hands in C major, K. 521: II. Andante (von Benjamin Britten, Sviatoslav Richter)
- Sonata For Piano Four-Hands in C major, K. 521: III. Allegretto (von Benjamin Britten, Sviatoslav Richter)
- Sonata in D major For Two Pianos, K. 448: I. Allegro con spirito (von Benjamin Britten, Sviatoslav Richter)
- Sonata in D major For Two Pianos, K. 448: II. Andante (von Benjamin Britten, Sviatoslav Richter)
- Sonata in D major For Two Pianos, K. 448: III. Allegro molto (von Benjamin Britten, Sviatoslav Richter)
- Piano Concerto no. 20 in D minor, K. 466: I. Allegro (von Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto no. 20 in D minor, K. 466: II. Romance (von Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto no. 20 in D minor, K. 466: III. Rondo (Allegro assai) (von Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro (von Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto (von Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro (von Sir Clifford Curzon, English Chamber Orchestra, Benjamin Britten)
- Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato (von English Chamber Orchestra, Benjamin Britten)
- Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto (von English Chamber Orchestra, Benjamin Britten)
- Sonata for Arpeggione and Piano in A minor, D. 821: I. Allegro moderato (von Mstislav Rostropovich, Benjamin Britten)
- Sonata for Arpeggione and Piano in A minor, D. 821: II. Adagio (von Mstislav Rostropovich, Benjamin Britten)
- Sonata for Arpeggione and Piano in A minor, D. 821: III. Allegretto (von Mstislav Rostropovich, Benjamin Britten)
- Divertissement sur des motifs originaux français, in E minor, D.823, Andantino varié: Thema (von Benjamin Britten, Sviatoslav Richter)
- Divertissement sur des motifs originaux français, in E minor, D.823, Andantino varié: Variation 1 (von Benjamin Britten, Sviatoslav Richter)
- Divertissement sur des motifs originaux français, in E minor, D.823, Andantino varié: Variation 2 (von Benjamin Britten, Sviatoslav Richter)
- Divertissement sur des motifs originaux français, in E minor, D.823, Andantino varié: Variation 3 (von Benjamin Britten, Sviatoslav Richter)
- Divertissement sur des motifs originaux français, in E minor, D.823, Andantino varié: Variation 4 (von Benjamin Britten, Sviatoslav Richter)
- En blanc et noir, L.134, for 2 pianos: I. Avec emportement (von Benjamin Britten, Sviatoslav Richter)
- En blanc et noir, L.134, for 2 pianos: II. Lent. Sombre (von Benjamin Britten, Sviatoslav Richter)
- En blanc et noir, L.134, for 2 pianos: III. Scherzando (von Benjamin Britten, Sviatoslav Richter)
- Fantasy For Piano Four-Hands in F minor, D. 940: I. Allegro molto moderato (von Benjamin Britten, Sviatoslav Richter)
- Fantasy For Piano Four-Hands in F minor, D. 940: II. Largo (von Benjamin Britten, Sviatoslav Richter)
- Fantasy For Piano Four-Hands in F minor, D. 940: III. Allegro vivace (von Benjamin Britten, Sviatoslav Richter)
- Fantasy For Piano Four-Hands in F minor, D. 940: IV. Tempo I (von Benjamin Britten, Sviatoslav Richter)
- Variations on a original theme, in A-flat, D.813: Tema (von Benjamin Britten, Sviatoslav Richter)
- Variations on a original theme, in A-flat, D.813: Variation 1 (von Benjamin Britten, Sviatoslav Richter)
- Variations on a original theme, in A-flat, D.813: Variation 2 (von Benjamin Britten, Sviatoslav Richter)
- Variations on a original theme, in A-flat, D.813: Variation 3 (von Benjamin Britten, Sviatoslav Richter)
- Variations on a original theme, in A-flat, D.813: Variation 4 (von Benjamin Britten, Sviatoslav Richter)
- Variations on a original theme, in A-flat, D.813: Variation 5 (von Benjamin Britten, Sviatoslav Richter)
- Variations on a original theme, in A-flat, D.813: Variation 6 (von Benjamin Britten, Sviatoslav Richter)
- Variations on a original theme, in A-flat, D.813: Variation 7 (von Benjamin Britten, Sviatoslav Richter)
- Variations on a original theme, in A-flat, D.813: Variation 8 (von Benjamin Britten, Sviatoslav Richter)
- Grand Duo Sonata in C major, D.812 (op. posth.140): I. Allegro moderato (von Benjamin Britten, Sviatoslav Richter)
- Grand Duo Sonata in C major, D.812 (op. posth.140): II. Andante (von Benjamin Britten, Sviatoslav Richter)
- Grand Duo Sonata in C major, D.812 (op. posth.140): III. Scherzo & Trio: Allegro vivace (von Benjamin Britten, Sviatoslav Richter)
- Grand Duo Sonata in C major, D.812 (op. posth.140): IV. Allegro vivace (von Benjamin Britten, Sviatoslav Richter)
- Winterreise, D. 911: I. Gute Nacht (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: II. Die Wetterfahne (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: III. Gefrorne Tränen (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: IV. Erstarrung (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: V. Der Lindenbaum (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: VI. Wasserflut (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: VII. Auf dem Flusse (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: VIII. Rückblick (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: IX. Irrlicht (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: X. Rast (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 1I. Frühlingstraum (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 1II. Einsamkeit (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 1III. Die Post (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 1IV. Der greise Kopf (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 1V. Die Krähe (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 1VI. Letzte Hoffnung (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 1VII. Im Dorfe (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 1VIII. Der stürmische Morgen (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 1IX. Täuschung (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 20. Der Wegweiser (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 2I. Das Wirtshaus (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 2II. Mut (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 2III. Die Nebensonnen (von Peter Pears, Benjamin Britten)
- Winterreise, D. 911: 2IV. Der Leiermann (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: I. Das Wandern (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: II. Wohin? (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: III. Halt! (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: IV. Danksagung an den Bach (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: V. Am Feierabend (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: VI. Der Neugierige (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: VII. Ungeduld (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: VIII. Morgengruß (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: IX. Des Müllers Blumen (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: X. Tränenregen (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: 1I. Mein! (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: 1II. Pause (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: 1III. Mit dem grünen Lautenbande (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: 1IV. Der Jäger (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: 1V. Eifersucht und Stolz (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: 1VI. Die liebe Farbe (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: 1VII. Die böse Farbe (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: 1VIII. Trockne Blumen (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: 1IX. Der Müller und der Bach (von Peter Pears, Benjamin Britten)
- Die schöne Müllerin, op. 25, D.795: 20. Des Baches Wiegenlied (von Peter Pears, Benjamin Britten)
- Schwanengesang, D. 957: Die Taubenpost, D. 965a (von Peter Pears, Benjamin Britten)
- Der Einsame, op. 41, D.800 (von Peter Pears, Benjamin Britten)
- An die Laute, D. 905 (op. 81/2) (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: I. Im wunderschönen Monat Mai (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: II. Aus meinen Tränen sprießen (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: III. Die Rose, die Lilie, die Taube, die Sonne (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh' (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: V. Ich will meine Seele tauchen (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: VII. Ich grolle nicht (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: VIII. Und wüßten's die Blumen, die kleinen (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: 1I. Ein Jüngling liebt ein Mädchen (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: 1II. Am leuchtenden Sommermorgen (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: 1III. Ich hab' im Traum geweinet (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: 1IV. Allnächtlich im Traume seh' ich dich (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: 1V. Aus alten Märchen winkt es (von Peter Pears, Benjamin Britten)
- Dichterliebe, op. 48: 1VI. Die alten, bösen Lieder (von Peter Pears, Benjamin Britten)
- Im Frühling, op. 101/1, D.882 (von Peter Pears, Benjamin Britten)
- Auf dem Wasser zu singen, op. 72, D.774 (von Peter Pears, Benjamin Britten)
- Nachtstück, D.672 (von Peter Pears, Benjamin Britten)
- An die Entfernte, D.765 (von Peter Pears, Benjamin Britten)
- Lachen und Weinen, D.777, op. 59/4 (von Peter Pears, Benjamin Britten)
- Abendstern, D806 (von Peter Pears, Benjamin Britten)
- Schwanengesang, D. 957: Das Fischermädchen (von Peter Pears, Benjamin Britten)
- Sprache der Liebe, D. 410 (von Peter Pears, Benjamin Britten)
- Der Einsame, op. 41, D.800 (von Peter Pears, Benjamin Britten)
- Der Geistertanz, D. 116 (von Peter Pears, Benjamin Britten)
- Atys, D585 (von Peter Pears, Benjamin Britten)
- Auflösung, D.807 (von Peter Pears, Benjamin Britten)
- Nacht und Träume, op. 43 no. 2, D. 827 (von Peter Pears, Benjamin Britten)
- Szenen aus Goethes 'Faust': Ouvertüre (von English Chamber Orchestra, Benjamin Britten)
- Szenen aus Goethes 'Faust', Erste Abteilung (Part One): Du kanntest mich, O kleiner Engel
- Szenen aus Goethes 'Faust', Erste Abteilung (Part One): Ach neige, du Schmerzenreiche
- Szenen aus Goethes 'Faust', Erste Abteilung (Part One): Wie anders, Gretchen, war dir's
- Szenen aus Goethes 'Faust', Zweite Abteilung (Part Two): Die ihr dies Haupt umschwebt im luft'gem Kreise
- Szenen aus Goethes 'Faust', Zweite Abteilung (Part Two): Des Lebens Pulse schlagen frisch-lebendig
- Szenen aus Goethes 'Faust', Zweite Abteilung (Part Two): Ich heiße der Mangel
- Szenen aus Goethes 'Faust', Zweite Abteilung (Part Two): Vier sah ich kommen
- Szenen aus Goethes 'Faust', Zweite Abteilung (Part Two): Die Nacht scheint tiefer tief hereinzudringen
- Szenen aus Goethes 'Faust', Zweite Abteilung (Part Two): Herbei! herbei! Herein! herein!
- Szenen aus Goethes 'Faust', Zweite Abteilung (Part Two): Ein Sumpf zieht am Gebirge hin
- Szenen aus Goethes 'Faust', Zweite Abteilung (Part Two): Ihn sättigt keine Lust
- Szenen aus Goethes 'Faust', Dritte Abteilung (Part Three): Waldung, sie schwankt heran
- Szenen aus Goethes 'Faust', Dritte Abteilung (Part Three): Ewiger Wonnebrand (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Szenen aus Goethes 'Faust', Dritte Abteilung (Part Three): Wie Felsenabgrund mir zu Füßen
- Szenen aus Goethes 'Faust', Dritte Abteilung (Part Three): Gerettet ist das edle Glied
- Szenen aus Goethes 'Faust', Dritte Abteilung (Part Three): Hier ist die Aussicht frei
- Szenen aus Goethes 'Faust', Dritte Abteilung (Part Three): Dir, der Unberührbaren
- Szenen aus Goethes 'Faust', Dritte Abteilung (Part Three): Alles Vergängliche ist nur ein Gleichnis
- 5 Stücke Im Volkston, op. 102: I. Vanitas vanitatum (Mit Humor) (von Mstislav Rostropovich, Benjamin Britten)
- 5 Stücke Im Volkston, op. 102: II. Langsam (von Mstislav Rostropovich, Benjamin Britten)
- 5 Stücke Im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen (von Mstislav Rostropovich, Benjamin Britten)
- 5 Stücke Im Volkston, op. 102: IV. Nicht zu rasch (von Mstislav Rostropovich, Benjamin Britten)
- 5 Stücke Im Volkston, op. 102: V. Stark und markiert (von Mstislav Rostropovich, Benjamin Britten)
- Summer Night On The River (von English Chamber Orchestra, Benjamin Britten)
- Two Aquarelles, Orch. Eric Fenby: Lento, ma non troppo (von English Chamber Orchestra, Benjamin Britten)
- Two Aquarelles, Orch. Eric Fenby: Gaily, but not too quick (von English Chamber Orchestra, Benjamin Britten)
- Christmas Dance "Sir Roger de Coverley" (von English Chamber Orchestra, Benjamin Britten)
- Introduction and Allegro for Strings, op. 47 (von English Chamber Orchestra, Benjamin Britten)
- The Dream of Gerontius, op. 38, Pt. 1: Prelude (von London Symphony Orchestra, Benjamin Britten)
- The Dream of Gerontius, op. 38, Pt. 1: Jesu, Maria, I am near to death (von Choir of King’s College, Cambridge, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten)
- The Dream of Gerontius, op. 38, Pt. 1: Rouse thee, my fainting soul (von Choir of King’s College, Cambridge, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten)
- The Dream of Gerontius, op. 38, Pt. 1: Sanctus fortis, Sanctus Deus (von Choir of King’s College, Cambridge, London Symphony Chorus, Peter Pears, London Symphony Orchestra, Benjamin Britten)
- The Dream of Gerontius, op. 38, Pt. 1: Proficiscere, anima Christiana
- The Dream of Gerontius, op. 38, Pt. 2: I went to sleep
- The Dream of Gerontius, op. 38, Pt. 2: It is a member of that family of wondrous beings
- The Dream of Gerontius, op. 38, Pt. 2: But hark! Upon my senses comes a fierce hubbub
- The Dream of Gerontius, op. 38, Pt. 2: I see not those false spirits
- The Dream of Gerontius, op. 38, Pt. 2: But hark! A grand mysterious harmony
- The Dream of Gerontius, op. 38, Pt. 2: Thy judgement now is near
- The Dream of Gerontius, op. 38, Pt. 2: I go before my judge
- The Dream of Gerontius, op. 38, Pt. 2: Softly and gently, dearly ransomed soul
- Cello Sonata, op. 40: I. Allegro non troppo (von Benjamin Britten, Mstislav Rostropovich)
- Cello Sonata, op. 40: II. Allegro (von Benjamin Britten, Mstislav Rostropovich)
- Cello Sonata, op. 40: III. Largo (von Benjamin Britten, Mstislav Rostropovich)
- Cello Sonata, op. 40: IV. Allegro (von Benjamin Britten, Mstislav Rostropovich)
- 7 Poems of Alexander Blok, op. 127: I. Pesnya Ofelii (Ophelia's Song) (von Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich)
- 7 Poems of Alexander Blok, op. 127: II. Gamayun, ptitsa veshchaya (Hamayun, the Prophetic Bird) (von Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich)
- 7 Poems of Alexander Blok, op. 127: III. My byli vmeste (We were together) (von Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich)
- 7 Poems of Alexander Blok, op. 127: IV. Gorod spit (The City is Asleep) (von Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich)
- 7 Poems of Alexander Blok, op. 127: V. Burya (The Storm) (von Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich)
- 7 Poems of Alexander Blok, op. 127: VI. Tayniye znaki (Secret Signs) (von Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich)
- 7 Poems of Alexander Blok, op. 127: VII. Muzyka (Music) (von Galina Vishnevskaya, Benjamin Britten, Emanuel Hurwitz, Mstislav Rostropovich)
- Pohádka, JW 7/5: I. Con moto (von Benjamin Britten, Mstislav Rostropovich)
- Pohádka, JW 7/5: II. Con moto (von Benjamin Britten, Mstislav Rostropovich)
- Pohádka, JW 7/5: III. Allegro (von Benjamin Britten, Mstislav Rostropovich)
- On Wenlock Edge: On Wenlock Edge
- On Wenlock Edge: From far, from eve and morning
- On Wenlock Edge: Is my team ploughing?
- On Wenlock Edge: Oh, when I was in love with you
- On Wenlock Edge: Bredon Hill
- On Wenlock Edge: Clun
- Phantasie in F-sharp minor, for Piano Quartet
- Sonata For Cello And Piano: I. Allegro ben moderato (von Benjamin Britten, Mstislav Rostropovich)
- Sonata For Cello And Piano: II. Allegro ma non troppo: Molto allegro e agitato (von Benjamin Britten, Mstislav Rostropovich)
- Sonata in D minor For Cello & Piano, L.135: I. Prologue (lent) (von Benjamin Britten, Mstislav Rostropovich)
- Sonata in D minor For Cello & Piano, L.135: II. Sérénade (Modérément animé) (von Benjamin Britten, Mstislav Rostropovich)
- Sonata in D minor For Cello & Piano, L.135: III. Finale (Animé) (von Benjamin Britten, Mstislav Rostropovich)
- Shepherd's Hey (von English Chamber Orchestra, Benjamin Britten)
- Willow Willow (von Peter Pears, English Chamber Orchestra, Members, Benjamin Britten)
- I'm Seventeen Come Sunday (von Ambrosian Singers, English Chamber Orchestra, Benjamin Britten)
- Bold William Taylor (von John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten)
- There was a pig went out to dig (von Ambrosian Singers)
- My Robin is to the Greenwood Gone (von English Chamber Orchestra, Members, Benjamin Britten)
- Lord Maxwell's Goodnight (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- The Duke of Marlborough: Fanfare (von English Chamber Orchestra, Members, Benjamin Britten)
- Let's dance gay in green meadow (von Viola Tunnard, Benjamin Britten)
- Scotch Strathspey and Reel (von Ambrosian Singers, English Chamber Orchestra, Benjamin Britten)
- The Pretty Maid milkin' her cow (von Peter Pears, Benjamin Britten)
- Lisbon (von English Chamber Orchestra, Members, Benjamin Britten)
- The Lost Lady Found (von Ambrosian Singers, English Chamber Orchestra, Benjamin Britten)
- Shallow Brown (von John Shirley-Quirk, Ambrosian Singers, English Chamber Orchestra, Benjamin Britten)
- Sweeter than roses: Ed. Britten (von James Bowman, Benjamin Britten)
- Sailor's Song: Hob.XXVIa:31 (1794/95) (von Peter Pears, Benjamin Britten)
- The Wanderer (von Peter Pears, Benjamin Britten)
- Sympathy, H.XXVIa:33 (von Peter Pears, Benjamin Britten)
- She Never Told her Love: Hob.XXVIa:34 (1794/95) (von Peter Pears, Benjamin Britten)
- Piercing Eyes, H.XXVIa:35 (von Peter Pears, Benjamin Britten)
- Content, H.XXVIa:36 (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: Persephone (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: Things Lovelier (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: Now in these Fairylands (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: A Little Music (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: The Thought (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: The Floral Bandit (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: Envoi (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: The Dream City (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: Journey End (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: In the Street of Lost Time (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: Rhyme (von Peter Pears, Benjamin Britten)
- Humbert Wolfe Songs: Betelgeuse (von Peter Pears, Benjamin Britten)
- 'Tis but a week (von Peter Pears, Benjamin Britten)
- Goldenhair (von Peter Pears, Benjamin Britten)
- When you are old (von Peter Pears, Benjamin Britten)
- So perverse (von Peter Pears, Benjamin Britten)
- Journey's end (von Peter Pears, Benjamin Britten)
- Go not, happy day (von Peter Pears, Benjamin Britten)
- Love went a-riding (von Peter Pears, Benjamin Britten)
- A Shropshire Lad: Is my team ploughing? (von Peter Pears, Benjamin Britten)
- In youth is pleasure (von Peter Pears, Benjamin Britten)
- Yarmouth Fair (von Peter Pears, Benjamin Britten)
- The Land of Lost Content: The Lent lily (von Peter Pears, Benjamin Britten)
- The Land of Lost Content: Ladslove (von Peter Pears, Benjamin Britten)
- The Land of Lost Content: Goal & Wicket (von Peter Pears, Benjamin Britten)
- The Land of Lost Content: The vain desire (von Peter Pears, Benjamin Britten)
- The Land of Lost Content: The encounter (von Peter Pears, Benjamin Britten)
- The Land of Lost Content: Epilogue (von Peter Pears, Benjamin Britten)
- The Trellis (von Peter Pears, Benjamin Britten)
- Love and Friendship (von Peter Pears, Benjamin Britten)
- Friendship in Misfortune (von Peter Pears, Benjamin Britten)
- The One Hope (von Peter Pears, Benjamin Britten)
- I have twelve oxen (von Peter Pears, Benjamin Britten)
- How love came in (von Peter Pears, Benjamin Britten)
- Three Chinese Lyrics: Herd Boy's song (von Peter Pears, Benjamin Britten)
- Three Chinese Lyrics: Fishing (von Peter Pears, Benjamin Britten)
- Three Chinese Lyrics: Pedlar of spells (von Peter Pears, Benjamin Britten)
- Songs for Ariel: Come unto these yellow sands (von Peter Pears, Benjamin Britten)
- Songs for Ariel: Full fathom five (von Peter Pears, Benjamin Britten)
- Songs for Ariel: Where the bee sucks (von Peter Pears, Benjamin Britten)
- Ganymed, D. 544 (op. 19/3) (von Peter Pears, Benjamin Britten)
- Du liebst mich nicht, op. 59/1, D.756 (von Peter Pears, Benjamin Britten)
- Lachen und Weinen, D.777, op. 59/4 (von Peter Pears, Benjamin Britten)
- Der Einsame, op. 41, D.800 (von Peter Pears, Benjamin Britten)
- Du bist die Ruh, D776 (von Peter Pears, Benjamin Britten)
- Der Musensohn, D.764 (op. 92/1) (von Peter Pears, Benjamin Britten)
- Der zürnenden Diana, D 707 (von Peter Pears, Benjamin Britten)
- Sprache der Liebe, D. 410 (von Peter Pears, Benjamin Britten)
- Gesange Des Harfners 1: Wer Sich Der Einsamkeit Ergibt D478 (von Peter Pears, Benjamin Britten)
- Der Musensohn, D.764 (op. 92/1) (von Peter Pears, Benjamin Britten)
- Du bist die Ruh, D776 (von Peter Pears, Benjamin Britten)
- Geheimes, D.719 (von Peter Pears, Benjamin Britten)
- Schwanengesang, D. 957: Die Stadt (von Peter Pears, Benjamin Britten)
- Harfenspieler 3, D. 480: Wer nie sein Brot mit Tränen aß (von Peter Pears, Benjamin Britten)
- Dass sie hier gewesen D 775 (von Peter Pears, Benjamin Britten)
- Der zürnenden Diana, D 707 (von Peter Pears, Benjamin Britten)
- Ganymed, D. 544 (op. 19/3) (von Peter Pears, Benjamin Britten)
- Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Theme (Byrd) (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 1 (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 2 (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 3 (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 4 (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 5 (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 6 (von Aldeburgh Festival Orchestra, Benjamin Britten)
- Gloriana, op. 53, Act 1 Scene 1: Fanfare (von English Chamber Orchestra, Benjamin Britten)
- God Save The Queen: Arr. Benjamin Britten (von Chorus of East Anglian Choirs, English Chamber Orchestra, Benjamin Britten)
- Ode for Saint Cecilia's Day, HWV76: Overture (von English Chamber Orchestra, Benjamin Britten)
- Ode for Saint Cecilia's Day, HWV76: "From Harmony, From Heav'nly Harmony...When Nature Underneath A Heap" (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Ode for Saint Cecilia's Day, HWV76: "From Harmony, From Heav'nly Harmony" (von Chorus of East Anglian Choirs, English Chamber Orchestra, Benjamin Britten)
- Ode for Saint Cecilia's Day, HWV76: "What Passion Cannot Music Raise and Quell" (von Heather Harper, Keith Harvey, English Chamber Orchestra, Benjamin Britten)
- Ode for Saint Cecilia's Day, HWV76: "The Trumpet's Loud Clangour" (von Peter Pears, Philip Jones, English Chamber Orchestra, Benjamin Britten)
- Ode for Saint Cecilia's Day, HWV76: March (von English Chamber Orchestra, Benjamin Britten)
- Ode for Saint Cecilia's Day, HWV76: "But Bright Cecilia" (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Ode for Saint Cecilia's Day, HWV76: "As From Pow'r of Sacred Lays" (von Heather Harper, Keith Harvey, Richard Adeney, Philip Jones, Julian Bream, Philip Ledger, Chorus of East Anglian Choirs, English Chamber Orchestra, Benjamin Britten)
- Così fan tutte, K. 588: Overture (von London Symphony Orchestra, Benjamin Britten)
- Si mostra la sorte, K. 209 (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Per pietà, non ricercate, K. 420 (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Maurerische Trauermusik in C minor, 'Masonic Funeral Music' K477/K479a (von London Symphony Orchestra, Benjamin Britten)
- Symphony no. 40 in G minor, K. 550: I. Molto allegro (von London Symphony Orchestra, Benjamin Britten)
- Symphony no. 40 in G minor, K. 550: II. Andante (von London Symphony Orchestra, Benjamin Britten)
- Symphony no. 40 in G minor, K. 550: III. Menuetto (Allegretto): Trio (von London Symphony Orchestra, Benjamin Britten)
- Symphony no. 40 in G minor, K. 550: IV. Finale (Allegro assai) (von London Symphony Orchestra, Benjamin Britten)
Vocal Works
- Les Illuminations, op. 18: Fanfare
- Les Illuminations, op. 18: Villes
- Les Illuminations, op. 18: Phrase
- Les Illuminations, op. 18: Antique
- Les Illuminations, op. 18: Royauté
- Les Illuminations, op. 18: Marine
- Les Illuminations, op. 18: Interlude
- Les Illuminations, op. 18: Being Beauteous
- Les Illuminations, op. 18: Parade
- Les Illuminations, op. 18: Départ
- Serenade for Tenor, Horn & Strings, op. 31: Prologue (von Barry Tuckwell)
- Serenade for Tenor, Horn & Strings, op. 31: Pastoral (Cotton)
- Serenade for Tenor, Horn & Strings, op. 31: Nocturne (Tennyson)
- Serenade for Tenor, Horn & Strings, op. 31: Elegy (Blake)
- Serenade for Tenor, Horn & Strings, op. 31: Dirge (Anon)
- Serenade for Tenor, Horn & Strings, op. 31: Hymn (Jonson)
- Serenade for Tenor, Horn & Strings, op. 31: Sonnet (Keats)
- Serenade for Tenor, Horn & Strings, op. 31: Epilogue (von Barry Tuckwell)
- Now sleeps the crimson petal
- Nocturne, op. 60: On a poet's lips I slept
- Nocturne, op. 60: Below the thunders of the upper deep
- Nocturne, op. 60: Encinctured with a twine of leaves
- Nocturne, op. 60: Midnight's bell goes ting, ting, ting, ting, ting
- Nocturne, op. 60: But that night when on my bed I lay
- Nocturne, op. 60: She sleeps on soft, last breaths
- Nocturne, op. 60: What is more gentle than a wind in summer
- Nocturne, op. 60: When most I wink, then do my eyes best see
- Quatre Chansons françaises : 1. Les Nuits de juin (Victor Hugo) (von Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle)
- Quatre Chansons françaises : 2. Sagesse (Paul Verlaine) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Quatre Chansons françaises : 3. L'Enfance (Victor Hugo) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Quatre Chansons françaises : 4. Chansons d'automne (Paul Verlaine) (von Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle)
- Our Hunting Fathers Op.8 : Prologue (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers Op.8 : A. Rats Away! (Anon) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers Op.8 : B. Messalina (Anon) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers Op.8 : C. Dance of Death (T. Ravenscroft) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers Op.8 : Epilogue and Funeral March (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Folksong arrangements : Little Sir William (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Folksong arrangements : Come ye not from Newcastle? (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Folksong arrangements : Bonny Earl Moray (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Folksong arrangements : Oliver Cromwell (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Phaedra Op.93 : In May, in brilliant Athens
- Phaedra Op.93 : O Gods of wrath
- Phaedra Op.93 : My time's too short, your highness
- Five French folksong arrangements : La belle est au jardin d'amour (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Five French folksong arrangements : Eho! Eho! (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Five French folksong arrangements : Fileuse (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Five French folksong arrangements : Quand j'etais chez mon père (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Five French folksong arrangements : Le roi s'en va-t'en chasse (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Seven Sonnets of Michelangelo Op.22 : 1. Sì come nella penna (XVI) (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo Op.22 : 2. A che più debb'io mai (XXXI) (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo Op.22 : 3. Veggio co' bei vostri occhi (XXX) (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo Op.22 : 4. Tu sa' ch'io so (LV) (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo Op.22 : 5. Rendete a gli occhi miei (XXXVIII) (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo Op.22 : 6. S'un casto amor (XXXII) (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo Op.22 : 7. Spirito ben nato (XXIV) (von Peter Pears, Benjamin Britten)
- Holy Sonnets of John Donne Op.35 : 1. Oh my blacke soule (von Peter Pears, Benjamin Britten)
- Holy Sonnets of John Donne Op.35 : 2. Batter my heart (von Peter Pears, Benjamin Britten)
- Holy Sonnets of John Donne Op.35 : 3. O might those sighes and teares (von Peter Pears, Benjamin Britten)
- Holy Sonnets of John Donne Op.35 : 4. Oh, to vex me (von Peter Pears, Benjamin Britten)
- Holy Sonnets of John Donne Op.35 : 5. What if this present (von Peter Pears, Benjamin Britten)
- Holy Sonnets of John Donne Op.35 : 6. Since she whom I loved (von Peter Pears, Benjamin Britten)
- Holy Sonnets of John Donne Op.35 : 7. At the round earth's imagined corners (von Peter Pears, Benjamin Britten)
- Holy Sonnets of John Donne Op.35 : 8. Thou hast made me (von Peter Pears, Benjamin Britten)
- Holy Sonnets of John Donne Op.35 : 9. Death, be not proud (von Peter Pears, Benjamin Britten)
- On This Island Op.11 : 1. Let the florid music praise! (von Robert Tear, Philip Ledger)
- On This Island Op.11 : 2. Now the leaves are falling fast (von Robert Tear, Philip Ledger)
- On This Island Op.11 : 3. Seascape (von Robert Tear, Philip Ledger)
- On This Island Op.11 : 4. Nocturne (von Robert Tear, Philip Ledger)
- On This Island Op.11 : 5. As it is; plenty (von Robert Tear, Philip Ledger)
- Winter Words Op.52 : 1. At day-close in November (von Robert Tear, Philip Ledger)
- Winter Words Op.52 : 2. Midnight on the Great Western (von Robert Tear, Philip Ledger)
- Winter Words Op.52 : 3. Wagtail and Baby (von Robert Tear, Philip Ledger)
- Winter Words Op.52 : 4. The Little Old Table (von Robert Tear, Philip Ledger)
- Winter Words Op.52 : 5. The Choirmaster's Burial (von Robert Tear, Philip Ledger)
- Winter Words Op.52 : 6. Proud Songsters (von Robert Tear, Philip Ledger)
- Winter Words Op.52 : At the Railway Station, Upway (von Robert Tear, Philip Ledger)
- Winter Words Op.52 : Before Life and After (von Robert Tear, Philip Ledger)
- Canticle 1: My Beloved is Mine, op.40 (von Ian Bostridge, Julius Drake)
- Canticle 2: Abraham and Isaac, op.51
- Canticle 3: Still Falls the Rain, op.55
- Canticle 4: Journey of the Magi, op.86
- Canticle 5: The Death of Saint Narcissus, op.89
- The Plough Boy
- The Salley Gardens
- The foggy, foggy dew
- There's none to soothe
- O Waly, Waly
- The Ash Grove (von Ian Bostridge, Julius Drake)
- Greensleeves (von Ian Bostridge, Julius Drake)
- Two Songs by Thomas Hardy : 1. The Childrfen and Sir Nameless
- Two Songs by Thomas Hardy : 2. If it's ever spring again
- Beware! - Three Early Songs : 1. Beware! (Longfellow, from the German)
- Beware! - Three Early Songs : 2. O that I had ne'er been married (Burns)
- Beware! - Three Early Songs : 3. Epitaph: The Clerk (Asquith)
- Not even summer yet (Burns)
- Two songs by W.H. Auden : To lie flat on the back
- Two songs by W.H. Auden : Night covers up the rigid land
- The Oxen
- Three rhymes by William Soutar : Dawlie's Devotion
- Three rhymes by William Soutar : Tradition
- Three rhymes by William Soutar : The Gully
- Tit for Tat : 1. A Song Echantment
- Tit for Tat : 3. Silver
- Tit for Tat : 5. Tit for Tat
- Two Ballads for voices and piano : 1. Mother Comfort
- Two Ballads for voices and piano : 2. Underneath the Abject Willow
- Folksong arrangements : Sweet Polly Oliver (von Robert Tear, Philip Ledger)
- Folksong arrangements : The Minstrel Boy (von Robert Tear, Philip Ledger)
- Folksong arrangements : The Brisk Young Widow (von Robert Tear, Philip Ledger)
- Folksong arrangements : Ca' the Yowes (von Robert Tear, Philip Ledger)
- Folksong arrangements : The Lincolnshire Poacher (von Robert Tear, Philip Ledger)
- Folksong arrangements : O can ye sew cushions? (von Robert Tear, Philip Ledger)
- Folksong arrangements : The trees they grow so high (von Robert Tear, Philip Ledger)
- Folk songs : Early one morning (von Sarah Brightman, Geoffrey Parsons)
- Folk songs : How sweet the answer (von Sarah Brightman, Geoffrey Parsons)
- Folk songs : Voici le printemps (von Sarah Brightman, Geoffrey Parsons)
- Folk songs : The last rose of Summer (von Sarah Brightman, Geoffrey Parsons)
- Folk songs : Dear Harp of my Country! (von Sarah Brightman, Geoffrey Parsons)
- Folk songs : Oft in the stilly night (von Sarah Brightman, Geoffrey Parsons)
- Realisations of music by Henry Purcell : The Queen's Epicedium
- from Orpheus Britannicus : Sound the Trumpet (von Felicity Lott, Ann Murray, Graham Johnson)
- from Orpheus Britannicus : I attempt from love's sickness to fly
- from Orpheus Britannicus : Lost is my quiet for ever
- from Orpheus Britannicus : Fairest Isle
- from Orpheus Britannicus : What can we poor females do?
- from Orpheus Britannicus : I'll sail upon the Dog-star
- from Orpheus Britannicus : The Knotting Song
- from Orpheus Britannicus : Man is for the woman made
- Suite of Songs : 1. Let sullen discord smile
- Suite of Songs : 2. Why should men quarrel?
- Suite of Songs : 3. So when the glittering Queen of Night
- Suite of Songs : 4. Thou tun'st this world
- Suite of Songs : 5a. 'Tis holiday , 5b. Sound Fame thy brazen trumpet
- Schubert Die Forelle D550
- Schumann: Frühlingsnacht (No.12 from Liederkreis Op.39)
The Complete Works (Compilation)
Paul Bunyan, Op.17
- Paul Bunyan, op. 17: Introduction
- Paul Bunyan, op. 17, Prologue: "Since the Birth Of the Earth"
- Paul Bunyan, op. 17, Prologue: "no. No. We Do Not Want Life To Be Slow"
- Paul Bunyan, op. 17, Prologue: "Ooh! Ooh! O How Terrible To Be As Old Fashioned As a Tree"
- Paul Bunyan, op. 17, Prologue: "You Are All To Leave Here"
- Paul Bunyan, op. 17, Prologue: "It Isn't Very Often the Conservatives Are Wrong"
- Paul Bunyan, op. 17, Prologue: First Ballad Interlude: "The Cold Wind Blew Through the Crooked Thorn"
- Paul Bunyan, op. 17, Act 1: Bunyan's Greeting
- Paul Bunyan, op. 17, Act 1: Call Of Lumberjacks
- Paul Bunyan, op. 17, Act 1: Lumberjacks' Chorus: "My Birthplace Was in Sweden"
- Paul Bunyan, op. 17, Act 1: Bunyan's Welcome
- Paul Bunyan, op. 17, Act 1: Quartet Of Swedes: "Swedish Born and Swedish Bred"
- Paul Bunyan, op. 17, Act 1: Western Union Boy's Song: "A Telegram From Oversea"
- Paul Bunyan, op. 17, Act 1: Cooks' Duet: "Sam For Soups. Ben For Beans"
- Paul Bunyan, op. 17, Act 1: Animal Trio: "Ah! Miaou! The Single Creature Lives a Partial Life"
- Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (1)
- Paul Bunyan, op. 17, Act 1: Exit Of Lumberjacks: "Down the Line...Timberrr"
- Paul Bunyan, op. 17, Act 1: The Blues: "Gold in the North Came the Blizzard To Say"
- Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (2)
- Paul Bunyan, op. 17, Act 1: Second Ballad Interlude: "The Spring Came and the Summer and Fall"
- Paul Bunyan, op. 17, Act 1: Food Chorus: "Do I Look the Sort Of Fellow"
- Paul Bunyan, op. 17, Act 1: Chorus Accusation: "There Now Look What You Have Done"
- Paul Bunyan, op. 17, Act 1: Slim's Song: "In Fair Days and Foul...I Come From Open Spaces"
- Paul Bunyan, op. 17, Act 1: Bunyan's Return: "Look, the Chief Is Back"
- Paul Bunyan, op. 17, Act 1: Inkslinger's Song: "It Was Out in the Stick"
- Paul Bunyan, op. 17, Act 1: Entrance Of Chorus
- Paul Bunyan, op. 17, Act 1: Tiny's Entrance
- Paul Bunyan, op. 17, Act 1: Tiny's Song: "Ah!...Whether the Sun Shine Upon Children Playing"
- Paul Bunyan, op. 17, Act 1: Inkslinger's Regret: "All the Little Brooks Of Love"
- Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (3)
Paul Bunyan, Op.17
- Paul Bunyan, op. 17, Act 2: Bunyan's Good Morning
- Paul Bunyan, op. 17, Act 2: Shears' Song: "It Has Always Been My Dream"
- Paul Bunyan, op. 17, Act 2: Bunyan's Warning
- Paul Bunyan, op. 17, Act 2: Farmers' Song: "The Shanty
- Paul Bunyan, op. 17, Act 2: Farmers' Exit
- Paul Bunyan, op. 17, Act 2: The Mocking Of Hel Helson: "Heron, Heron Winging By"
- Paul Bunyan, op. 17, Act 2: Fido's Sympathy: "Won't You Tell Me What's the Matter?"
- Paul Bunyan, op. 17, Act 2: Cats' Creed: "Let Man the Romantic in Vision Espy"
- Paul Bunyan, op. 17, Act 2: The Fight: "What Is It? What's Happening?"
- Paul Bunyan, op. 17, Act 2: Love Duet: "Move, Move From the Trysting Stone"
- Paul Bunyan, op. 17, Act 2: Mock Funeral March: "Take Away the Body and Lay It On the Ice"
- Paul Bunyan, op. 17, Act 2: Hymn: "O Great Day Of Discovery!"
- Paul Bunyan, op. 17, Act 2: Third Ballad Interlude: "So Helson Smiled and Bunyan Smiled"
- Paul Bunyan, op. 17, Act 2: The Christmas Party: "Rah! Another Slice Of Turkey"
- Paul Bunyan, op. 17, Act 2: "Dear Friends, With Your Leave"
- Paul Bunyan, op. 17, Act 2: "Carry Her Over the Water"
- Paul Bunyan, op. 17, Act 2: "Where We Are Is Not Very Far"
- Paul Bunyan, op. 17, Act 2: "A Telegram From Hollywood"
- Paul Bunyan, op. 17, Act 2: "We Always Knew That One Day You"
- Paul Bunyan, op. 17, Act 2: Bunyan's Farewell
- Paul Bunyan, op. 17, Act 2: Litany: "The Campfire Embers Are Black and Cold"
- Paul Bunyan, op. 17, Appendix: Overture
- Paul Bunyan, op. 17, Appendix: Inkslinger's Love Song
- Paul Bunyan, op. 17, Appendix: Lullaby Of Dream Shadows
Peter Grimes, Op.33
- Peter Grimes, op. 33, Prologue: "Peter Grimes!"
- Peter Grimes, op. 33, Prologue: "You sailed your boat"
- Peter Grimes, op. 33, Prologue: "Peter Grimes, I here advise you!"
- Peter Grimes, op. 33, Prologue: "The truth...the pity..."
- Peter Grimes, op. 33, Prologue: Interlude I: On the beach
- Peter Grimes, op. 33, Act 1: "Oh, hang at open doors"
- Peter Grimes, op. 33, Act 1: "Hi! give us a hand"
- Peter Grimes, op. 33, Act 1: "I have to go from pub to pub"
- Peter Grimes, op. 33, Act 1: "Let her among you"
- Peter Grimes, op. 33, Act 1: "Look, the storm cone!"
- Peter Grimes, op. 33, Act 1: "And do you prefer the storm"
- Peter Grimes, op. 33, Act 1: "What harbour shelters peace"
- Peter Grimes, op. 33, Act 1: Interlude II: The Storm
- Peter Grimes, op. 33, Act 1: "Past time to close!"
- Peter Grimes, op. 33, Act 1: "We live and let live"
- Peter Grimes, op. 33, Act 1: "Have you heard?"
- Peter Grimes, op. 33, Act 1: "Now the Great Bear and Pleiades"
- Peter Grimes, op. 33, Act 1: "Old Joe has gone fishing"
- Peter Grimes, op. 33, Act 1: "The bridge is down, we half swam over"
- Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach
- Peter Grimes, op. 33, Act 2: "Glitter of waves"
- Peter Grimes, op. 33, Act 2: "Let this be a holiday"
- Peter Grimes, op. 33, Act 2: "This unrelenting work"
- Peter Grimes, op. 33, Act 2: "Fool to let it come to this!"
- Peter Grimes, op. 33, Act 2: "What is it?"
- Peter Grimes, op. 33, Act 2: "People!...No! I will speak!"
Peter Grimes, Op.33
- Peter Grimes, op. 33, Act 2: "We planned that their lives"
- Peter Grimes, op. 33, Act 2: "Swallow! Shall we go"
- Peter Grimes, op. 33, Act 2: "Now is gossip put on trial"
- Peter Grimes, op. 33, Act 2: "From the gutter"
- Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33, Act 2: "Go there!"
- Peter Grimes, op. 33, Act 2: "Now!...Now!"
- Peter Grimes, op. 33, Act 2: "Peter Grimes! Nobody here?"
- Peter Grimes, op. 33, Act 3: Interlude V: Evening (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33, Act 3: "Assign your prettiness to me"
- Peter Grimes, op. 33, Act 3: "Pah!"
- Peter Grimes, op. 33, Act 3: "Come along, Doctor!"
- Peter Grimes, op. 33, Act 3: "Embroidery in childhood"
- Peter Grimes, op. 33, Act 3: "Mr.Swallow!"
- Peter Grimes, op. 33, Act 3: "Who holds himself apart"
- Peter Grimes, op. 33, Act 3: Interlude VI: Fog (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33, Act 3: "Grimes! Grimes!"
- Peter Grimes, op. 33, Act 3: "Peter, we've come to take you home"
- Peter Grimes, op. 33, Act 3: "To those who pass the Borough"
The Rape of Lucretia, Op.37
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Rome is now ruled by the Etruscan upstart (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: It is an axiom among kings
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Here the thirsty evening (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Who reaches heaven first
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Maria was unmasked at a masked ball
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Collatinus is politically astute
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: There goes a happy man!
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Tarquinius does not dare (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: My horse! My horse! tarquinius does not wait
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Their spinning
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Listen! I heard a knock
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Time treads upon the hands of women
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: The oatmeal slippers of sleep
The Rape of Lucretia, Op.37
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: The prosperity of the Etruscans
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: She sleeps as a rose
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Within this frail crucible of light
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Lucretia!...What do you want?
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Interlude: Here in this scene
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Oh! What a lovely day!
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: We'll leave the orchids for Lucretia
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Flowers bring to every year
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: You were right
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Lucretia! Lucretia!
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Last night Tarquinius ravished me
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: This dead hand lets fall
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Epilogue: Is it all?
Albert Herring, Op.39
- Albert Herring, op. 39, Act 1: Flor
- Albert Herring, op. 39, Act 1: Doctor Jessop's midwife (von Johanna Peters, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 1: I hope we're not too early, Florence?
- Albert Herring, op. 39, Act 1: Stuffy!
- Albert Herring, op. 39, Act 1: Now then! Notebook, Florence! (von Sylvia Fisher, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 1: The first suggestion on my list
- Albert Herring, op. 39, Act 1: Is this all you can bring?
- Albert Herring, op. 39, Act 1: Beggin' your pardon
- Albert Herring, op. 39, Act 1: Right! We'll have him!
- Albert Herring, op. 39, Act 1: Interlude (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 1: Bounce me high
- Albert Herring, op. 39, Act 1: Shop! Hi! Albert!
- Albert Herring, op. 39, Act 1: Tickling a trout
- Albert Herring, op. 39, Act 1: Meet me at a quarter past eight
- Albert Herring, op. 39, Act 1: He's much too busy
- Albert Herring, op. 39, Act 1: Good morning, young man
- Albert Herring, op. 39, Act 1: We bring great news to you
- Albert Herring, op. 39, Act 2: Isn't he here?
- Albert Herring, op. 39, Act 2: For three precious weeks
- Albert Herring, op. 39, Act 2: Quickly! Quickly, come along!
- Albert Herring, op. 39, Act 2: Here they are, dears!
- Albert Herring, op. 39, Act 2: My flowers are few
Albert Herring, Op.39
- Albert Herring, op. 39, Act 2: I'm full of happiness
- Albert Herring, op. 39, Act 2: As representing the local Council
- Albert Herring, op. 39, Act 2: My heart leaps up with joy
- Albert Herring, op. 39, Act 2: Er
- Albert Herring, op. 39, Act 2: Well tried, Albert!
- Albert Herring, op. 39, Act 2: Interlude (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 2: Albert the Good! (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 2: You oughtn't to whistle!
- Albert Herring, op. 39, Act 2: Heaven helps those who help themselves!
- Albert Herring, op. 39, Act 3: Introduction (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 3: Is she asleep?
- Albert Herring, op. 39, Act 3: I'm hungry, I'm tired
- Albert Herring, op. 39, Act 3: Give me a decent murder with a corpse!
- Albert Herring, op. 39, Act 3: Have you found him?
- Albert Herring, op. 39, Act 3: Fools! Fools! Blundering fools!
- Albert Herring, op. 39, Act 3: In the midst of life is death
- Albert Herring, op. 39, Act 3: Albert!
- Albert Herring, op. 39, Act 3: I'm sorry about that
- Albert Herring, op. 39, Act 3: I can't remember everything
- Albert Herring, op. 39, Act 3: Albert's come back to stay
Billy Budd, Op.50
- Billy Budd, op. 50, Act 1: I am an old man who has experienced much (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50, Act 1: Pull, my bantams!
- Billy Budd, op. 50, Act 1: Guard boat! Indomitable!
- Billy Budd, op. 50, Act 1: First man forward!
- Billy Budd, op. 50, Act 1: Your name? Billy Budd, sir
- Billy Budd, op. 50, Act 1: Billy Budd, king of the birds!
- Billy Budd, op. 50, Act 1: I heard, your honour!
- Billy Budd, op. 50, Act 1: Come along kid! Come along!
- Billy Budd, op. 50, Act 1: Christ, the poor chap!
- Billy Budd, op. 50, Act 1: What's that? What's those whistles?
- Billy Budd, op. 50, Act 1: Starry Vere we call him
- Billy Budd, op. 50, Act 1: Boy! My compliments to Mr. Redburn
- Billy Budd, op. 50, Act 1: Gentlemen, the King!
- Billy Budd, op. 50, Act 1: Ay, at Spithead the men may have had their grievances (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50, Act 1: We are, sir. Claggart is an able one
- Billy Budd, op. 50, Act 1: Blow, blow, blow
- Billy Budd, op. 50, Act 1: We're off to Samoa by way of Genoa
- Billy Budd, op. 50, Act 1: Hi! You a... a... a...
- Billy Budd, op. 50, Act 1: Over the water...Handsomely done
- Billy Budd, op. 50, Act 1: Come here. Remember your promise
- Billy Budd, op. 50, Act 1: Billy! Hist! Billy Budd!
- Billy Budd, op. 50, Act 1: Dansker, old friend, glad to see you
Billy Budd, Op.50
- Billy Budd, op. 50, Act 2: I don't like the look of the mist, Mr. Redburn
- Billy Budd, op. 50, Act 2: With great regret I must disturb your honour
- Billy Budd, op. 50, Act 2: Deck ahoy! Enemy sail on starboard bow
- Billy Budd, op. 50, Act 2: Who'll volunteer to board 'em
- Billy Budd, op. 50, Act 2: There you are again, Master
- Billy Budd, op. 50, Act 2: O this cursed mist
- Billy Budd, op. 50, Act 2: Claggart, John Claggart, beware!
- Billy Budd, op. 50, Act 2: Master
- Billy Budd, op. 50, Act 2: God o' mercy! Here, help me!
- Billy Budd, op. 50, Act 2: Gentlemen, William Budd here has killed
- Billy Budd, op. 50, Act 2: William Budd, you are accused by Captain Vere
- Billy Budd, op. 50, Act 2: Poor fellow, who could save him?
- Billy Budd, op. 50, Act 2: I accept their verdict (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50, Act 2: Look! Through the port
- Billy Budd, op. 50, Act 2: Here! Baby! Dansker, old friend
- Billy Budd, op. 50, Act 2: And farewell to ye
- Billy Budd, op. 50, Act 2: Interlude (von London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50, Act 2: According to the articles of War
- Billy Budd, op. 50, Act 2: Down all hands! And see that they do
- Billy Budd, op. 50, Act 2: We committed his body to the deep (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
Gloriana, Op.53
- Gloriana, op. 53, Act 1 Scene 1: I. Prelude
- Gloriana, op. 53, Act 1 Scene 1: II. The Tornament
- Gloriana, op. 53, Act 1 Scene 1: III. Recitative & Fight
- Gloriana, op. 53, Act 1 Scene 1: IV. Entrance of the Queen
- Gloriana, op. 53, Act 1 Scene 1: V. Recitative
- Gloriana, op. 53, Act 1 Scene 1: VI. The two Lords' Explanation
- Gloriana, op. 53, Act 1 Scene 1: VII. Raleigh's Song
- Gloriana, op. 53, Act 1 Scene 1: VIII. Ensemble of Reconciliation
- Gloriana, op. 53, Act 1 Scene 1: IX. Recitative & Final March
- Gloriana, op. 53, Act 1 Scene 2: X. Prelude & Dialogue
- Gloriana, op. 53, Act 1 Scene 2: 1I. The Queen's Song
- Gloriana, op. 53, Act 1 Scene 2: 1II. Cecil's Song of Government
- Gloriana, op. 53, Act 1 Scene 2: 1III. Recitative & Essex's Entry
- Gloriana, op. 53, Act 1 Scene 2: 1IV. First Lute Song
- Gloriana, op. 53, Act 1 Scene 2: 1V. Second Lute Song
- Gloriana, op. 53, Act 1 Scene 2: 1VI. The First Duet for the Queen & Essex
- Gloriana, op. 53, Act 1 Scene 2: 1VII. Soliloquy & Prayer
- Gloriana, op. 53, Act 2 Scene 1: 1VIII. Prelude & Welcome
- Gloriana, op. 53, Act 2 Scene 1: 1IX. The Masque
- Gloriana, op. 53, Act 2 Scene 1: 20. Finale
- Gloriana, op. 53, Act 2 Scene 2: 2I. Prelude & Song
- Gloriana, op. 53, Act 2 Scene 2: 2II. Duet
- Gloriana, op. 53, Act 2 Scene 2: 2III. Double Duet
- Gloriana, op. 53, Act 2 Scene 2: 2IV. Quartet
Gloriana, Op.53
- Gloriana, op. 53, Act 2 Scene 3: 2V. Pavane (von Orchestra of the Welsh National Opera, Charles Mackerras)
- Gloriana, op. 53, Act 2 Scene 3: 2VI. Conversation
- Gloriana, op. 53, Act 2 Scene 3: 2VII. Galliard (von Orchestra of the Welsh National Opera, Charles Mackerras)
- Gloriana, op. 53, Act 2 Scene 3: 2VIII. Conversation & the Queen's Entrance
- Gloriana, op. 53, Act 2 Scene 3: 2IX. Lavolta (von Orchestra of the Welsh National Opera, Charles Mackerras)
- Gloriana, op. 53, Act 2 Scene 3: 30. Conversation
- Gloriana, op. 53, Act 2 Scene 3: 3I. Morris dance (von Orchestra of the Welsh National Opera, Charles Mackerras)
- Gloriana, op. 53, Act 2 Scene 3: 3II. Recitative
- Gloriana, op. 53, Act 2 Scene 3: 3III. The Queen's Burlesque
- Gloriana, op. 53, Act 2 Scene 3: 3IV. Quartet
- Gloriana, op. 53, Act 2 Scene 3: 3V. March (von Orchestra of the Welsh National Opera, Charles Mackerras)
- Gloriana, op. 53, Act 2 Scene 3: 3VI. The Queen's Announcement
- Gloriana, op. 53, Act 2 Scene 3: 3VII. Ensemble
- Gloriana, op. 53, Act 2 Scene 3: 3VIII. Coranto (von Orchestra of the Welsh National Opera, Charles Mackerras)
- Gloriana, op. 53, Act 3 Scene 1: 3IX. Prelude & Chatter
- Gloriana, op. 53, Act 3 Scene 1: 40. Essex's Intrusion
- Gloriana, op. 53, Act 3 Scene 1: 4I. The Second Duet of the Queen & Essex
- Gloriana, op. 53, Act 3 Scene 1: 4II. The Dressing-Table Song
- Gloriana, op. 53, Act 3 Scene 1: 4III. The Entrance of Cecil
- Gloriana, op. 53, Act 3 Scene 1: 4IV. Cecil's Report
- Gloriana, op. 53, Act 3 Scene 1: 4V. Discussion
- Gloriana, op. 53, Act 3 Scene 1: 4VI. The Queen's Decision
- Gloriana, op. 53, Act 3 Scene 2: 4VII. Ballad: Rondo
- Gloriana, op. 53, Act 3 Scene 3: 4VIII. Prelude & Verdict
- Gloriana, op. 53, Act 3 Scene 3: 4IX. Cecil's Warning
- Gloriana, op. 53, Act 3 Scene 3: 50. The Queen's Dilemma
- Gloriana, op. 53, Act 3 Scene 3: 5I. Trio
- Gloriana, op. 53, Act 3 Scene 3: 5II. Lady Essex's Pleading
- Gloriana, op. 53, Act 3 Scene 3: 5III. Penepole Rich's Pleading
- Gloriana, op. 53, Act 3 Scene 3: 5IV. Epilogue
The Turn of the Screw, Op.54
- The Turn of the Screw, op. 54, Act One: Prologue
- The Turn of the Screw, op. 54, Act One: Theme: Scene 1: The Journey
- The Turn of the Screw, op. 54, Act One: Interlude: Variation I: Scene 2: The Welcome
- The Turn of the Screw, op. 54, Act One: Interlude: Variation II: Scene 3: The Letter
- The Turn of the Screw, op. 54, Act One: Interlude: Variation III: Scene 4: The Tower
- The Turn of the Screw, op. 54, Act One: Interlude: Variation IV: Scene 5: The Window
- The Turn of the Screw, op. 54, Act One: Interlude: Variation V: Scene 6: The Lesson
- The Turn of the Screw, op. 54, Act One: Interlude: Variation VI: Scene 7: The Lake
- The Turn of the Screw, op. 54, Act One: Interlude: Variation VII: Scene 8: At Night
The Turn of the Screw, Op.54
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation VIII: Scene 1: Colloquy and So- lioquy
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation IX: Scene 2: The Bells
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation X: Scene 3: Miss Jessel
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XI: Scene 4: The Bedroom
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XII: Scene 5: Quint
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIII: Scene 6: The Piano
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIV: Scene 7: Flora
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XV: Scene 8: Miles
A Midsummer Night's Dream, Op.64
- A Midsummer Night's Dream, op. 64, Act 1: "Over hill, over dale"
- A Midsummer Night's Dream, op. 64, Act 1: "Oberon is passing fell and wrath"
- A Midsummer Night's Dream, op. 64, Act 1: "Well, go thy way"
- A Midsummer Night's Dream, op. 64, Act 1: "How now my love?"
- A Midsummer Night's Dream, op. 64, Act 1: "Be it on lion, bear, or wolf, or bull"
- A Midsummer Night's Dream, op. 64, Act 1: "Welcome wanderer!"
- A Midsummer Night's Dream, op. 64, Act 1: "Is all our company her?"
- A Midsummer Night's Dream, op. 64, Act 1: "Fair love, you faint with wand'ring in the wood"
- A Midsummer Night's Dream, op. 64, Act 1: "Through the forest have I gone"
- A Midsummer Night's Dream, op. 64, Act 1: "Stay, though thou kill me, sweet Demetrius"
- A Midsummer Night's Dream, op. 64, Act 1: "Come, now a roundel and a fairy song"
- A Midsummer Night's Dream, op. 64, Act 1: "You spotted snakes with double tongue"
- A Midsummer Night's Dream, op. 64, Act 1: "What thou seest when thou dost wake"
- A Midsummer Night's Dream, op. 64, Act 2: Introduction: The wood (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "Are we all met?"
- A Midsummer Night's Dream, op. 64, Act 2: "I see their knavery"
- A Midsummer Night's Dream, op. 64, Act 2: "Be kind and courteous to this gentleman"
- A Midsummer Night's Dream, op. 64, Act 2: "Hail, mortal, hail!"
- A Midsummer Night's Dream, op. 64, Act 2: "I have a reas'nable good ear in music"
- A Midsummer Night's Dream, op. 64, Act 2: "How now, mad spirit?"
A Midsummer Night's Dream, Op.64
- A Midsummer Night's Dream, op. 64, Act 2: "Flower of this purple dye"
- A Midsummer Night's Dream, op. 64, Act 2: "Puppet? Why so?"
- A Midsummer Night's Dream, op. 64, Act 2: "This is thy negligence"
- A Midsummer Night's Dream, op. 64, Act 2: "Up and down, up and down"
- A Midsummer Night's Dream, op. 64, Act 2: "On the ground, sleep sound"
- A Midsummer Night's Dream, op. 64, Act 3: "My gentle Robin, see'st thou this sweet sight?"
- A Midsummer Night's Dream, op. 64, Act 3: "Helena! Hermi! Demetrius! Lysander!"
- A Midsummer Night's Dream, op. 64, Act 3: "When my cue comes, call me"
- A Midsummer Night's Dream, op. 64, Act 3: "Have you sent to Bottom's house?"
- A Midsummer Night's Dream, op. 64, Act 3: "Now, fair Hippolyta"
- A Midsummer Night's Dream, op. 64, Act 3: "If we offend, it is with our good will"
- A Midsummer Night's Dream, op. 64, Act 3: "Gentles, perchance you wonder at this show"
- A Midsummer Night's Dream, op. 64, Act 3: "In this same interlude it doth befall"
- A Midsummer Night's Dream, op. 64, Act 3: "O grim-look'd night, O night with hue so black"
- A Midsummer Night's Dream, op. 64, Act 3: "O wall, full often hast thou heard my moans"
- A Midsummer Night's Dream, op. 64, Act 3: "You ladies, you whose gentle hearts do fear"
- A Midsummer Night's Dream, op. 64, Act 3: "This lanthorn doth the horned moon present"
- A Midsummer Night's Dream, op. 64, Act 3: "Sweet moon, I thank thee for thy sunny beams"
- A Midsummer Night's Dream, op. 64, Act 3: "Asleep, my love?"
- A Midsummer Night's Dream, op. 64, Act 3: "Come, your Bergomask"
- A Midsummer Night's Dream, op. 64, Act 3: "Now the hungry lion roars"
Owen Wingrave, Op. 85
- Owen Wingrave, op. 85, Act 1: Prelude (von English Chamber Orchestra, Benjamin Britten)
- Owen Wingrave, op. 85, Act 1: You've got your maps there?
- Owen Wingrave, op. 85, Act 1: At last it's out
- Owen Wingrave, op. 85, Act 1: Your sherry, Mrs. Coyle
- Owen Wingrave, op. 85, Act 1: Oh, how unforeseen
- Owen Wingrave, op. 85, Act 1: Sirrah! How dare you!
- Owen Wingrave, op. 85, Act 1: Coyle, I wish I had not come
- Owen Wingrave, op. 85, Act 1: May God bless the Queen
Owen Wingrave, Op. 85
- Owen Wingrave, op. 85, Act 2: There was a boy, a Wingrave born
- Owen Wingrave, op. 85, Act 2: I envy you, this fine old house
- Owen Wingrave, op. 85, Act 2: Paramore shall welcome woe!
- Owen Wingrave, op. 85, Act 2: And with his friend young Lechmere played
- Owen Wingrave, op. 85, Act 2: Now you may save your scornful looks
- Owen Wingrave, op. 85, Act 2: Ah, Owen, what shall I do?
- Owen Wingrave, op. 85, Act 2: Is that you, Coyle?
- Owen Wingrave, op. 85, Act 2: Come in...It's me, Lechmere
Death in Venice, Op.88
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: My mind beats on
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Who's that? A foreigner, a traveller no doubt (von Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford)
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Hey there, hey there, you!
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Serenissima...Low-lying clouds, unending grey (von Peter Pears, John Shirley-Quirk, English Chamber Orchestra, Steuart Bedford)
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Overture: Venice (von English Chamber Orchestra, Steuart Bedford)
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Ah, Serenissima!
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Mysterious gondola
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: We are delighted to greet the signore
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Was I wrong to come?
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: There is indeed in every artist's nature
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Children's games: Adziu, Adziu
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Aou'! Stagando, aou'
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Naturally, Signore, I understand
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Here will I stay, here dedicate my days
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: First, the race!
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: The boy, Tadzio, shall inspire me
Death in Venice, Op.88
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: So, it has come to this
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Guardate, Signore! (von John Shirley-Quirk, Peter Pears, English Chamber Orchestra & Steuart Bedford)
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Do I detect a scent?
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Careful search now leads me to them
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: This way for the players, Signori
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Fiorir rose in mezo al giasso
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: One moment, if you please
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: In these last years
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: So it is true
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Receive the stranger god
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: The empty beach: Do what you will with me
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Yes! A very wise decision
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Hurrah for the Piazza
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Chaos, chaos and sickness
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: The wind still blows from the land
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Interlude: Ah, no!
The Beggar's Opera Realised Britten, Op. 43
- The Beggar's Opera, Realised Britten, op. 43, Prologue: If poverty be a title to poetry
- The Beggar's Opera, Realised Britten, op. 43, Prologue: Overture
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Through all the employments of life
- The Beggar's Opera, Realised Britten, op. 43, Act 1: 'Tis woman seduces all mankind
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Women are bitter bad judges...If any wench Venus' girdle wear
- The Beggar's Opera, Realised Britten, op. 43, Act 1: If Love the virgin's heart invade
- The Beggar's Opera, Realised Britten, op. 43, Act 1: A maid is like the golden ore
- The Beggar's Opera, Realised Britten, op. 43, Act 1: I know as well...Virgins are like the fair flower in its lustre
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Our Polly is a sad slut
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Can love be controll'd by advice
- The Beggar's Opera, Realised Britten, op. 43, Act 1: The girl shows...O Polly, you might have toyed...
- The Beggar's Opera, Realised Britten, op. 43, Act 1: I, like a ship in storms, was tossed
- The Beggar's Opera, Realised Britten, op. 43, Act 1: A fox may steal your hens, sir
- The Beggar's Opera, Realised Britten, op. 43, Act 1: O ponder well...The turtle thus with plaintive cryingbe not severe
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Now I am a wretch indeed...Pretty Polly say
- The Beggar's Opera, Realised Britten, op. 43, Act 1: My heart was so free
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Were I laid on Greenland's coast
- The Beggar's Opera, Realised Britten, op. 43, Act 1: O! what pain it is to part!
- The Beggar's Opera, Realised Britten, op. 43, Act 1: The miser thus a shilling sees
- The Beggar's Opera, Realised Britten, op. 43, Act 1: "And Now Our Scene Changes...Fill Ev'ry Glass"
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Success attend you...Let us take the road
- The Beggar's Opera, Realised Britten, op. 43, Act 2: If the heart of a man is depressed with cares
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Dear Mrs Coaxer, you're welcome...Youth's the season
- The Beggar's Opera, Realised Britten, op. 43, Act 2: It is your own choice...Before the barn door crowing
- The Beggar's Opera, Realised Britten, op. 43, Act 2: But to be sure...The gamesters...At the tree I shall
The Beggar's Opera Realised Britten, Op. 43
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Noble Captain...Man may escape from rope and gun gunwelcome once more
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Thus when a good housewife sees a rat
- The Beggar's Opera, Realised Britten, op. 43, Act 2: It is the pleasure...How cruel are the traitors
- The Beggar's Opera, Realised Britten, op. 43, Act 2: The first time at the looking-glass
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Fortune be with you, Lucy
- The Beggar's Opera, Realised Britten, op. 43, Act 2: When you censure the age
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Is then his fate decreed, sir?
- The Beggar's Opera, Realised Britten, op. 43, Act 2: O Macheath!...Thus when the swallow
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Shall I not claim my own?...How happy could I be...
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Really, Miss Peachum, you expose yourself...Cease...
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Why how now, Madam Flirt?
- The Beggar's Opera, Realised Britten, op. 43, Act 2: No pow'r on earth can e'er divide
- The Beggar's Opera, Realised Britten, op. 43, Act 3: But all scores have a reckoning
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, sir, mention not my education...When young at the bar...
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Ungrateful Macheath!
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus gamesters united in friendship
- The Beggar's Opera, Realised Britten, op. 43, Act 3: And Macheath, at liberty and at large...The modes...
- The Beggar's Opera, Realised Britten, op. 43, Act 3: And those two good old friends
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Bring us then more liquor!...What Gudgeons are we...
- The Beggar's Opera, Realised Britten, op. 43, Act 3: In the days of my youth
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Jealousy, rage, love and fear...I'm like a skiff
- The Beggar's Opera, Realised Britten, op. 43, Act 3: A curse attends a woman's love
- The Beggar's Opera, Realised Britten, op. 43, Act 3: But perhaps he hath a heart...Among the men coquets
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Come, sweet lass, let's banish sorrow
- The Beggar's Opera, Realised Britten, op. 43, Act 3: What do I see! Oh! Macheath...Hither, dear husband
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Which way shall I turn me
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, dear father...When my hero in court appears
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Oh sir, if Peachum's heart...When he holds up
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Ourselves, like the great
- The Beggar's Opera, Realised Britten, op. 43, Act 3: We are ready, sir...The charge is prepared
- The Beggar's Opera, Realised Britten, op. 43, Act 3: O cruel, cruel case
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Would I might be hanged!
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus I stand like the Turk
Noye's Fludde, Op.59 / The Golden Vanity - A Vaudeville for boys & piano, Op.78
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, Noye, take thou thy company (von Trevor Anthony, Owen Brannigan, David Pinto, Darien Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus of Animals, Merlin Channon, English Opera Group Orchestra, Norman Del Mar)
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their?
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: There was a ship came from the North Country
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Then up spake the cabin-boy
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Casting his clothes off, he dived into the sea
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: They laid him on the deck
Curlew River, Op.71
- Curlew River, op. 71: "Te lúcis ante términum"
- Curlew River, op. 71: "I am the ferryman"
- Curlew River, op. 71: "I come from the Westland"
- Curlew River, op. 71: "But first may I ask you"
- Curlew River, op. 71: "Clear as a sky without a cloud"
- Curlew River, op. 71: "Near the Black Mountains there I dwelt"
- Curlew River, op. 71: "A thousand leagues may sunder"
- Curlew River, op. 71: "Ignorant man!"
- Curlew River, op. 71: "I beg your pardon, living in this famous place"
- Curlew River, op. 71: "Curlew River, smoothly flowing"
- Curlew River, op. 71: "Today is an important day"
- Curlew River, op. 71: "Look! While you were listening to my story"
- Curlew River, op. 71: "Ferryman, tell me, when did it happen"
- Curlew River, op. 71: "Hoping, I wander'd on"
- Curlew River, op. 71: "He whose life was full of promise"
- Curlew River, op. 71: "The moon has risen"
- Curlew River, op. 71: "Go your way in peace, mother"
- Curlew River, op. 71: "Good souls, we have shown you here"
The Burning Fiery Furnace, Op.77
- The Burning Fiery Furnace, op. 77: Salus aeterna
- The Burning Fiery Furnace, op. 77: Good people, in His holy name
- The Burning Fiery Furnace, op. 77: By the Royal Command
- The Burning Fiery Furnace, op. 77: Adept in magic
- The Burning Fiery Furnace, op. 77: The waters of Babylon
- The Burning Fiery Furnace, op. 77: Sirs, what is this?
- The Burning Fiery Furnace, op. 77: We do not lack enemies
- The Burning Fiery Furnace, op. 77: By the Royal Decree
- The Burning Fiery Furnace, op. 77: Procession
- The Burning Fiery Furnace, op. 77: Merodak! Lord of creation
- The Burning Fiery Furnace, op. 77: Bring them here before my Majesty
- The Burning Fiery Furnace, op. 77: O King, Nebuchadnezzar
- The Burning Fiery Furnace, op. 77: O all ye works of the Lord
- The Burning Fiery Furnace, op. 77: Shadrach, Meshach, Abednego
- The Burning Fiery Furnace, op. 77: O ye Winter and Summer
- The Burning Fiery Furnace, op. 77: Good people, we have shown you here
The Prodigal Son - Third Parable for Church Performance
- The Prodigal Son: Third Parable for Church Performance: Jam lucis orto sidere
- The Prodigal Son: Third Parable for Church Performance: Ah you people
- The Prodigal Son: Third Parable for Church Performance: The ceremony
- The Prodigal Son: Third Parable for Church Performance: I am father to you all
- The Prodigal Son: Third Parable for Church Performance: Forgive my asking you
- The Prodigal Son: Third Parable for Church Performance: Father, may I speak to you?
- The Prodigal Son: Third Parable for Church Performance: Take your due portion
- The Prodigal Son: Third Parable for Church Performance: Go, if you must go
- The Prodigal Son: Third Parable for Church Performance: Welcome, welcome stranger!
- The Prodigal Son: Third Parable for Church Performance: You are tired from a long journey
- The Prodigal Son: Third Parable for Church Performance: Nights are days
- The Prodigal Son: Third Parable for Church Performance: You have gambled and lost
- The Prodigal Son: Third Parable for Church Performance: Now
- The Prodigal Son: Third Parable for Church Performance: With joy I sowed
- The Prodigal Son: Third Parable for Church Performance: My son
- The Prodigal Son: Third Parable for Church Performance: O sing unto the Lord
- The Prodigal Son: Third Parable for Church Performance: My children, you have seen
The Little Sweep (Let's make an opera), Op.45 / The Children's Crusade, Op.82
- The Little Sweep (Let's make an opera), op. 45: Sweep! Sweep!
- The Little Sweep (Let's make an opera), op. 45: Sweep this chimney
- The Little Sweep (Let's make an opera), op. 45: Now, little white boy!
- The Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free!
- The Little Sweep (Let's make an opera), op. 45: Is he wounded?
- The Little Sweep (Let's make an opera), op. 45: Sooty tracks
- The Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy
- The Little Sweep (Let's make an opera), op. 45: The kettles are singing
- The Little Sweep (Let's make an opera), op. 45: O why do you weep
- The Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards!
- The Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed!
- The Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky
- The Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away
- The Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather
- The Little Sweep (Let's make an opera), op. 45: Ready, Alfred?
- The Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing
- The Children's Crusade, op. 82
The Prince of the Pagodas, Op.57
- The Prince of the Pagodas, op. 57, Act 1: Prelude (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The Fool and the Dwarf (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The Emperor: March (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: Gavotte (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The Four Kings (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The King of the North (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The King of the East (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The King of the West (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The King of the South (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: Belle Epine (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: Belle Rose (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The Kings and Belle Rose (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: Triumph of Belle Epine (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: Rage of the Kings (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The Four Frogs (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 1: Air (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 1: Water (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 1: Fire (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: Belle Rose in Pagoda-Land (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Pagodas (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Salamander (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Prince and Belle Rose (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
The Prince of the Pagodas, Op.57 / Plymouth Town
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Epine as Empress (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: The Old Emperor (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Rose and the Salamander (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: Transition (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: The Pagoda Palace (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Six (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 1 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 2 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 3 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Trois (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Deux (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 4 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 5 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Finale (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Plymouth Town
Night Mail / The Tocher (Rossini Suite) / The King's Stamp / Negroes - Music from GPO Film / The Way To The Sea / Telegrams / Peace Of Britain / Men Behind The Meters / Coal Face / When You're Feeling Like Expressing Your Affection
- Night Mail: Title Music
- Night Mail: Percussion Sequence
- Night Mail: End Sequence
- The Tocher (Rossini Suite): I. Allegro Brillante
- The Tocher (Rossini Suite): II. Allegretto
- The Tocher (Rossini Suite): III. Allegretto
- The Tocher (Rossini Suite): IV. Bolero: Allegro Moderato
- The Tocher (Rossini Suite): V. Allegro Con Brio
- The King's Stamp, Part 1: Allegro Molto Alla Marcia
- The King's Stamp, Part 1: Allegro: Opening Door
- The King's Stamp, Part 1: Allegretto: Messenger Boy
- The King's Stamp, Part 1: Lento ma non troppo: Entry To Lithograph Works
- The King's Stamp, Part 1: Allegro Moderato: Stamp Factory: Machine Starts
- The King's Stamp, Part 2: Minuet: Andante Lento
- The King's Stamp, Part 2: Allegretto: Train Sequence
- The King's Stamp, Part 2: Allegretto: Parliament: The Stamp Bill
- The King's Stamp, Part 2: Allegro
- The King's Stamp, Part 2: Allegro Moderato alla Marcia
- Negroes: Music from GPO Film: Allegro appassionato
- Negroes: Music from GPO Film: II. Allegro
- Negroes: Music from GPO Film: III. Allegro ritmico
- Negroes: Music from GPO Film: IV. Andante con moto
- Negroes: Music from GPO Film: "The Slaves Were the Absolute Property Of Their Masters"
- Negroes: Music from GPO Film: V. Andante lento -"The More Advanced Thinkers in Europe"
- Negroes: Music from GPO Film: VI. Andante con molto moto
- Negroes: Music from GPO Film: VII. Allegro ritmico
- The Way To The Sea: Introduction
- The Way To The Sea: Romans
- The Way To The Sea: Alfred
- The Way To The Sea: "There Is, At This Point Of The Haven"
- The Way To The Sea: "The Eighteenth Century"
- The Way To The Sea: "Nelson Has Gone"
- The Way To The Sea: "169 Trains A Week"
- The Way To The Sea: "The Line Waits"
- The Way To The Sea: "Here Is A Harbour"
- The Way To The Sea: "We Seek A Spectacle"
- The Way To The Sea: Allegro molto: alla marcia
- Telegrams
- Peace Of Britain
- Men Behind The Meters: Title Music
- Men Behind The Meters: Andantino: "I Dreamt That I Dwelt in Marble Halls"
- Men Behind The Meters: Allegro Moderato: 1935 Sequence
- Coal Face: I. Andante: "A Sterile Landscape"
- Coal Face: II. "Coal Mining Is the Basic Industry Of Britain"
- Coal Face: III. Andante: "The Chief Coal-Producing Centres"
- Coal Face: IV. "Yorkshire and Lancashire"
- Coal Face: V. Moderato: "The Temp'rature Often Reaches"
- Coal Face: VI. Andante: "The Seven and a Half Hour Shift"
- Coal Face: VII. Ad Libitum Sempre: "One Thirty A.M."
- Coal Face: VIII. Allegro ma non troppo: "In Many Pits"
- Coal Face: IX. Allegro molto: "The Shift Is Finished"
- Coal Face: X. "Making Up Coal Trains"
- Coal Face: 1I. Allegro: "Coal Mining Is the Basic Industry"
- Coal Face: 1II. Andante: "There Are the Miners"
- When You're Feeling Like Expressing Your Affection
Love From A Stranger / Johnson Over Jordan (Suite) / The Rescue Of Penelope
- Love From A Stranger, Love From A tranger: I. Title Music
- Love From A Stranger, Love From A tranger: II. Traffic Music
- Love From A Stranger, Love From A tranger: III. Brighton
- Love From A Stranger, Love From A tranger: IV. Love Music
- Love From A Stranger, Love From A tranger: V. Channel Crossing
- Love From A Stranger, Love From A tranger: VI. End Titles
- Johnson Over Jordan (Suite): Overture (von English Chamber Orchestra, Steuart Bedford)
- Johnson Over Jordan (Suite): Introduction (von English Chamber Orchestra, Steuart Bedford)
- Johnson Over Jordan (Suite): Incinerators' Ballet (von English Chamber Orchestra, Steuart Bedford)
- Johnson Over Jordan (Suite): The Spider and the Fly (von English Chamber Orchestra, Steuart Bedford)
- Johnson Over Jordan (Suite): Approach of Death (von English Chamber Orchestra, Steuart Bedford)
- Johnson Over Jordan (Suite): End Music (von English Chamber Orchestra, Steuart Bedford)
- The Rescue Of Penelope, Part 1: Eight Years Have Passed
- The Rescue Of Penelope, Part 1: Yet Not All Reached Their Homes
- The Rescue Of Penelope, Part 1: Worse Still, The Island
- The Rescue Of Penelope, Part 1: Children Have Died Of Want
- The Rescue Of Penelope, Part 1: Yet Some Trust in An End
- The Rescue Of Penelope, Part 1: Your Prayer Is Answered, Penelope
- The Rescue Of Penelope, Part 1: Long Suffering Odysseus
- The Rescue Of Penelope, Part 1: Listen. The Voices Of The Gods
- The Rescue Of Penelope, Part 2: I, Athene, Rise To The Edge Of Night
- The Rescue Of Penelope, Part 2: When I See The Sorrow Of Mortal Odysseus
- The Rescue Of Penelope, Part 2: How Loud The Spring Sounds All Of A Sudden
- The Rescue Of Penelope, Part 2: Bold: Telemachus, Watch The Shadow On The Wall!
- The Rescue Of Penelope, Part 2: There It Is Before You
- The Rescue Of Penelope, Part 2: Listen, Lords Of Ithaca
- The Rescue Of Penelope, Part 2: Telemachus, Be Swift!
- The Rescue Of Penelope, Part 2: Now There Is Silence
The Company Of Heaven / The Sword In The Stone / Russian Funeral - march for brass and percussion (1936) / / Fanfare: 'The Eagle has Two Heads' / / On The Frontier / This Way To The Tomb
- The Company Of Heaven: I. Chaos
- The Company Of Heaven: II. The Morning Stars
- The Company Of Heaven: III. Angels Appear To Jacob, Elisha and Mary
- The Company Of Heaven: IV. Christ, The Fair Glory
- The Company Of Heaven: V. War in Heaven
- The Company Of Heaven: VI. Heaven Is Here
- The Company Of Heaven: VII. A Thousand, Thousand Gleaming Fires
- The Company Of Heaven: VIII. Funeral March For A Boy
- The Company Of Heaven: IX. Whoso Dwelleth Under The Defence Of The Most High
- The Company Of Heaven: X. There Came Out Also At This Time
- The Company Of Heaven: 1I. Ye Watchers And Ye Holy Ones
- The Sword in The Stone
- Russian Funeral: march for brass and percussion (1936)
- Fanfare: 'The Eagle has Two Heads'
- On The Frontier: The Clock On The Wall (Instrumental Arrangement by Daryl Runswick)
- This Way To The Tomb: Boogie-Woogie (Instrumental Arrangement by Daryl Runswick)
War Requiem, Op.66
- War Requiem, op. 66, Requiem aeternam: Requiem aeternam
- War Requiem, op. 66, Requiem aeternam: What passing bells for these who die as cattle?
- War Requiem, op. 66, Dies Irae: Dies irae
- War Requiem, op. 66, Dies Irae: Bugles sang, saddening the evening air
- War Requiem, op. 66, Dies Irae: Liber scriptus proferetur
- War Requiem, op. 66, Dies Irae: Out there, we've walked quite friendly up to Death
- War Requiem, op. 66, Dies Irae: Recordare Jesu pie
- War Requiem, op. 66, Dies Irae: Be slowly lifted up
- War Requiem, op. 66, Dies Irae: Dies irae
- War Requiem, op. 66, Dies Irae: Lacrimosa dies illa
- War Requiem, op. 66, Offertorium: Move him into the sun
- War Requiem, op. 66, Offertorium: Domine Jesu Christe
- War Requiem, op. 66, Offertorium: So Abraham rose, and clave the wood
- War Requiem, op. 66, Sanctus: Sanctus, sanctus, sanctus
- War Requiem, op. 66, Sanctus: After the blast of lightning from the East
- War Requiem, op. 66, Agnus Dei: One ever hangs where shelled roads part
- War Requiem, op. 66, Libera me: Libera me, Domine
- War Requiem, op. 66, Libera me: It seemed that out of battle I escaped
- War Requiem, op. 66, Libera me: Let us sleep now...In paradisum
Spring Symphony, Op.44 / Cantata Academica, (Carmen basiliense) Op.62 / / Hymn to St. Cecilia (1942), Op.27
- Spring Symphony, op. 44: I. Introduction: Shine out (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: II. The merry cuckoo (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: III. Spring, the sweet Spring (von Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: IV. The driving boy (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: V. The morning star (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: VI. Welcome Maids of Honour (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: VII. Waters above! (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: IX. When will my May come (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: X. Fair and fair (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 1I. Sound the flute! (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 1II. Finale: London, to thee I do present (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Cantata Academica, (Carmen basiliense) op. 62: I. Bonorum summun omnium II: Quae bene beateque (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Cantata Academica, (Carmen basiliense) op. 62: III. At huius caelestis...V: Tum vero Aeneas Sylvius virtus
- Cantata Academica, (Carmen basiliense) op. 62: VI: Et gubernacula. VII: Ut ad longaeva tempora
- Cantata Academica, (Carmen basiliense) op. 62: VIII: Docendi ac discendi (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Cantata Academica, (Carmen basiliense) op. 62: IX. Rhenana erga omnes. X: Ut instissime XI: O cives..
- Cantata Academica, (Carmen basiliense) op. 62: XII. Nos autem cuncti. XIII. Vigeatque academia libera (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: In a garden shady (von London Symphony Chorus, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: I cannot grow (von London Symphony Chorus, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: O ear whose creatures (von London Symphony Chorus, George Malcolm)
Saint Nicolas, Op.42 / 5 Flower Songs, Op. 47 / Cantata Misericordium, Op.69
- Saint Nicolas, op. 42: Introduction
- Saint Nicolas, op. 42: The birth of Nicolas
- Saint Nicolas, op. 42: Nicolas devotes himself to God
- Saint Nicolas, op. 42: He journeys to Palestine
- Saint Nicolas, op. 42: He comes to Myra and is chosen Bishop
- Saint Nicolas, op. 42: Nicolas from prison
- Saint Nicolas, op. 42: Nicolas and the Pickled Boys
- Saint Nicolas, op. 42: His piety and marvellous works
- Saint Nicolas, op. 42: The death of Nicolas
- 5 Flower Songs, op. 47: I. To Daffodils
- 5 Flower Songs, op. 47: II. The Succession of the Four Sweet Months
- 5 Flower Songs, op. 47: III. Marsh Flowers
- 5 Flower Songs, op. 47: IV. The Evening Primrose
- 5 Flower Songs, op. 47: V. Ballad of Green Broom
- Cantata Misericordium, op. 69 (von London Symphony Orchestra, Benjamin Britten)
A boy was born, Op.3 / Corpus Christi Carol / A Wealden Trio - Christmas Song of the Women / The Sycamore Tree / A Shepherd's Carol (1944) / Christ's Nativity - Christmas Suite For Chorus / Ceremony of Carols, Op.28 / The Holly and the Ivy
- A boy was born, op. 3: A Boy Was Born (theme)
- A boy was born, op. 3: Variation 1: Lullay, Jesu
- A boy was born, op. 3: Variation 2: Herod
- A boy was born, op. 3: Variation 3: Jesu As Thou Art Our Saviour
- A boy was born, op. 3: Variation 4: The Three Kings
- A boy was born, op. 3: Variation 5: in the Bleak Mid-Winter
- A boy was born, op. 3: Variation 6: Finale: Noel!
- Corpus Christi Carol
- A Wealden Trio: Christmas Song of the Women
- The Sycamore Tree
- A Shepherd's Carol (1944)
- Christ's Nativity: Christmas Suite For Chorus: Christ's Nativity
- Christ's Nativity: Christmas Suite For Chorus: Sweet Was The Song
- Christ's Nativity: Christmas Suite For Chorus: Preparations
- Christ's Nativity: Christmas Suite For Chorus: New Prince, New Pomp
- Christ's Nativity: Christmas Suite For Chorus: Carol Of King Cnut
- Ceremony of Carols, op. 28: Procession
- Ceremony of Carols, op. 28: Wolcom Yule!
- Ceremony of Carols, op. 28: There is no rose
- Ceremony of Carols, op. 28: That yongë child
- Ceremony of Carols, op. 28: Balulalow
- Ceremony of Carols, op. 28: As dew in Aprille
- Ceremony of Carols, op. 28: This little Babe
- Ceremony of Carols, op. 28: Interlude
- Ceremony of Carols, op. 28: In freezing winter night
- Ceremony of Carols, op. 28: Spring Carol
- Ceremony of Carols, op. 28: Deo Gracias
- Ceremony of Carols, op. 28: Recession
- The Holly and the Ivy: Coll.-sharp, arr. Britten
- Songs From "Friday Afternoons", op. 7: Begone, dull care (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: A tragic story (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Cuckoo! (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: A New Year carol (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: I mun be married on Sunday (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: There was a man of Newington (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Fishing song (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: The useful plough (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Jazz-man (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: There was a monkey (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Old Abram Brown (von Downside School Choir, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Ee-Oh! (Anon) (von Gernot Fuhrmann, Wiener Sängerknaben, Andrei Gavrilov, Jaume Miranda)
- Psalm 150 for voices & orchestra, op. 67 (von Boys of Downside School, Purley, Benjamin Britten)
- Three Two-Part Songs (1932): I. The Ride-by-Nights
- Three Two-Part Songs (1932): 2 The Rainbow
- Three Two-Part Songs (1932): III. The Ship Of Rio
- 2 Two-Part Songs: I. I Lov'd a Lass (von The Elizabethan Singers of London, Wilfrid Parry, Louis Halsey)
- 2 Two-Part Songs: II. Lift Boy (von The Elizabethan Singers of London, Wilfrid Parry, Louis Halsey)
- The Birds (von John Hahessy, Benjamin Britten)
- A Hymn to the Virgin (von The Choir of St John’s College, Cambridge, George Guest)
- Jubilate Deo in E-flat (von Truro Cathedral Choir, Luke Bond)
- Te Deum in C (1934) (von Choir of King’s College, Cambridge, Rory Phillips, James Lancelot)
- Advance Democracy (von The Sixteen, Harry Christophers)
- Deus in Adjutorium Meum (Psalm 70) (von Choir of Trinity College, Cambridge)
- AMDG: Heaven-Haven (von London Sinfonietta Chorus)
- AMDG: O deus, ego amo te (von London Sinfonietta Chorus)
- AMDG: Rosa Mystica (von London Sinfonietta Chorus)
- AMDG: The Soldier (von London Sinfonietta Chorus)
- AMDG: Prayer II (von London Sinfonietta Chorus)
- AMDG: God's Grandeur (von London Sinfonietta Chorus)
- AMDG: Prayer I (von London Sinfonietta Chorus)
- Rejoice in the Lamb, op. 30: Rejoice in God, O ye Tongues
- Rejoice in the Lamb, op. 30: For I will consider my cat Jeoffrey
- Rejoice in the Lamb, op. 30: For the mouse is a creature of great personal valour
- Rejoice in the Lamb, op. 30: For the flowers are great blessings
- Rejoice in the Lamb, op. 30: For I am under the same accusation
- Rejoice in the Lamb, op. 30: For H is a spirit
- The ballad of little Musgrave and Lady Barnard
- Chorale (after an old French carol)
- Festival Te Deum, op. 32 (1944)
- A Wedding Anthem, op. 46
- A Hymn to St. Peter op. 56a (von Choir of St John’s College, Cambridge, George Guest)
- Antiphon, op. 56b
- Missa brevis, op. 63: I. Kyrie eleison (von Choir of St John’s College, Cambridge, Brian Runnett, George Guest)
- Missa brevis, op. 63: II. Gloria in excelsis Deo (von Choir of St John’s College, Cambridge, Brian Runnett, George Guest)
- Missa brevis, op. 63: III. Sanctus...Benedictus
- Missa brevis, op. 63: IV. Agnus Dei (von Choir of St John’s College, Cambridge, Brian Runnett, George Guest)
- Jubilate Deo in C (1961)
- Venite Exultemus Domino
- A Hymn of St. Columba, 'Regis regum rectissimi'
- God Save The Queen: Arr. Benjamin Britten
- Voices For Today
- Sacred and Profane: Eight Medieval Lyrics, op. 91: I. St. Godric's Hymn (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: II. I Mon Waxe Wod (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: III. Lenten is come (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: IV. The Long Night (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: V. Yif Ic of Luve Can (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: VI. Carol (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: VII. Ye that Pasen By (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: VIII. A Death (von The Wilbye Consort)
- Welcome Ode, op. 95
- Praise We Great Men: "Praise We Great Men"
- Praise We Great Men: "Praise We The Just"
- Praise We Great Men: Coda
- Quatre Chansons Françaises: I. Les Nuits de Juin
- Quatre Chansons Françaises: II. Sagesse
- Quatre Chansons Françaises: III. L'Enfance
- Quatre Chansons Françaises: IV. Chanson d'Automne
- Now Sleeps the Crimson Petal
- Our Hunting Fathers, op. 8: I. Prologue (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, op. 8: II. Rats Away! (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, op. 8: III. Messalina (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, op. 8: V. Epilogue & Funeral March (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Ballad Of Heroes, op. 14: I. Funeral March
- Ballad Of Heroes, op. 14: II. Scherzo
- Ballad Of Heroes, op. 14: III. Recitative & Choral
- Serenade for tenor, horn & strings, op. 31: Prologue (von Barry Tuckwell)
- Serenade for tenor, horn & strings, op. 31: Pastoral: The Day's Grown Old (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Nocturne: The Splendour Falls on Castle Walls (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Elegy: O Rose, Thou Art Sick (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Dirge: This Ae Night (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Hymn: Queen and Huntress Chaste and Fair (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Sonnet: O Soft Embalmer of the Still Midnight (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Epilogue (von Barry Tuckwell)
- Les Illuminations, op. 18: I. Fanfare (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: II. Villes (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IIIa. Phrase (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IIIb. Antique (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IV. Royauté (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: V. Marine (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: VI. Interlude (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: VII. Being beauteous (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: VIII. Parade (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IX. Départ (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: Phrase
- Les Illuminations, op. 18: Aube
- Les Illuminations, op. 18: A Une Raison
- Nocturne, op. 60: I. "On A Poet's Lips I Slept"
- Nocturne, op. 60: II. "Below The Thunders Of The Upper Deep"
- Nocturne, op. 60: III. "Encintured With A Twine Of Leaves"
- Nocturne, op. 60: IV. "Midnight's Bell Goes Ting, Ting, Ting"
- Nocturne, op. 60: V. "But That Night When On My Bed I Lay"
- Nocturne, op. 60: VI. "She Sleeps On Soft, Last Breaths"
- Nocturne, op. 60: VII. "What Is More Gentle Than A Wind in Summer?"
- Nocturne, op. 60: VIII. "When Most I Wink, Then Do Mine Eyes Best See"
- Phaedra, op. 93: In May, in brilliant Athens (von Janet Baker, English Chamber Orchestra, Steuart Bedford)
- Phaedra, op. 93: Oh Gods of wrath (von Janet Baker, English Chamber Orchestra, Steuart Bedford)
- Phaedra, op. 93: My time's too short, your highness (von Janet Baker, English Chamber Orchestra, Steuart Bedford)
- Canticle I, My beloved is mine op. 40 (von Peter Pears, Benjamin Britten)
- Canticle II, Abraham and Isaac, op. 51
- Canticle III, Still falls the rain, op. 55
- Canticle IV: Journey of the Magi , op. 86
- Canticle V: The Death of Saint Narcissus , op. 89: Words by T.S. Eliot (von Peter Pears, Osian Ellis)
- A Birthday Hansel, op. 89 (von Peter Pears, Osian Ellis)
- Sweeter than roses: Ed. Britten (von James Bowman, Benjamin Britten)
- The Heart Of The Matter: I. Prologue: Fanfare: Song: "Where Are the Seeds Of Universal Fire"
- The Heart Of The Matter: II. Reading: "The Earth Of My Heart Was Broken: Fanfare
- The Heart Of The Matter: III. Song: "We Are the Darkness"
- The Heart Of The Matter: IV. Reading: "In Such a Heat Of the Earth"
- The Heart Of The Matter: V. Canticle III: "Still Falls the Rain"
- The Heart Of The Matter: VI. Reading: "I See Christ's Wounds Weep in the Rose On the Wall"
- The Heart Of The Matter: VII. Epilogue: Fanfare: Song: "So, Out Of the Dark"
- Tit For Tat: I. A song of enchantment
- Tit For Tat: II. Autumn
- Tit For Tat: III. Silver
- Tit For Tat: IV. Vigil
- Tit For Tat: V. Tit for tat
- On this island, op. 11: I. Let the Florid Music Praise!
- On this island, op. 11: II. Now the Leaves Are Falling Fast
- On this island, op. 11: III. Seascape
- On this island, op. 11: IV. Nocturne
- On this island, op. 11: V. As It Is, Plenty
- Four Cabaret Songs: Calypso
- Four Cabaret Songs: O Tell Me the Truth About Love
- Four Cabaret Songs: Johnny
- Four Cabaret Songs: Funeral Blues
- Seven Sonnets of Michelangelo, op. 22: Sonetto XVI (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXX (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto LV (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: I. Oh, my blacke Soule! (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: II. Batter my heart (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: III. Oh might those sighes and teares (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: IV. Oh, to vex me (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: V. What if this present (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: VI. Since she whom I loved (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: VII. At the round earth's imagined corners (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: VIII. Thou hast made me (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: IX. Death, be not proud (von Peter Pears, Benjamin Britten)
- A Charm of Lullabies, op. 41: I. Cradle Song (von Pamela Bowden, Peter Gellhorn)
- A Charm of Lullabies, op. 41: II. The Highland Bales (von Pamela Bowden, Peter Gellhorn)
- A Charm of Lullabies, op. 41: III. Sephestia's Lullaby (von Pamela Bowden, Peter Gellhorn)
- A Charm of Lullabies, op. 41: IV. A Charm (von Pamela Bowden, Peter Gellhorn)
- A Charm of Lullabies, op. 41: V. The Nurse's Song (von Pamela Bowden, Peter Gellhorn)
- Winter Words, op. 52: At day-close in November (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: Midnight on the Great Western (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: Wagtail and baby (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: The little old table (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: The choirmaster's burial (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: Proud songsters (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: At the railway station, Upway (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: Before life and after (von Peter Pears, Benjamin Britten)
- If It's Ever Spring Again
- The Children and Sir Nameless
- Songs From The Chinese, op. 58: I. The Big Chariot
- Songs From The Chinese, op. 58: II. The Old Lute
- Songs From The Chinese, op. 58: III. The Autumn Wind
- Songs From The Chinese, op. 58: IV. The Herd-Boy
- Songs From The Chinese, op. 58: V. Depression
- Songs From The Chinese, op. 58: VI. Dance Song
- 6 Hölderlin Fragments, op. 61: I. Menschenbeifall (von Peter Pears, Benjamin Britten)
- 6 Hölderlin Fragments, op. 61: II. Die Heimat (von Peter Pears, Benjamin Britten)
- 6 Hölderlin Fragments, op. 61: III. Sokrates und Alcibiades (von Peter Pears, Benjamin Britten)
- 6 Hölderlin Fragments, op. 61: IV. Die Jugend (von Peter Pears, Benjamin Britten)
- 6 Hölderlin Fragments, op. 61: V. Hälfte des Lebens (von Peter Pears, Benjamin Britten)
- 6 Hölderlin Fragments, op. 61: VI. Die Linien des Lebens (von Peter Pears, Benjamin Britten)
- Songs & Proverbs of William Blake, op. 74: The Pride of the Peacock...London
- Songs & Proverbs of William Blake, op. 74: Prisons are built...The Chimney Sweeper
- Songs & Proverbs of William Blake, op. 74: The Bird anest...A Poison Tree
- Songs & Proverbs of William Blake, op. 74: Think in the morning...The Tyger
- Songs & Proverbs of William Blake, op. 74: The Tygers of wrath...The Fly
- Songs & Proverbs of William Blake, op. 74: The hours of folly...Ah, Sun Flower
- Songs & Proverbs of William Blake, op. 74: To see a world...Every night and every morn
- The Poet's Echo, op. 76: I. Echo ("Ekho") (von Galina Vishnevskaya, Mstislav Rostropovich)
- The Poet's Echo, op. 76: II. My Heart ("Ya dumal, serdtse pozabilo") (von Galina Vishnevskaya, Mstislav Rostropovich)
- The Poet's Echo, op. 76: III. Angel ("Angel") (von Galina Vishnevskaya, Mstislav Rostropovich)
- The Poet's Echo, op. 76: IV. The Nightingale and the Rose ("Solovyei i roza") (von Galina Vishnevskaya, Mstislav Rostropovich)
- The Poet's Echo, op. 76: V. Epigram (Epigramma) (von Galina Vishnevskaya, Mstislav Rostropovich)
- The Poet's Echo, op. 76: VI. Lines Written During a Sleepless Night ("Stikhi sochinyonniye nochyu vo vremya bessonnitsi") (von Galina Vishnevskaya, Mstislav Rostropovich)
- Who Are These Children?, op. 84: I. A Riddle (The Earth) (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: II. A Laddie's Sang (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: III. Nightmare (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: IV. Black Day (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: V. Bed-time (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: VI. Slaughter (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: VII. Riddle (The Child You Were) (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: VIII. The Larky Lad (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: IX. Who are these children? (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: X. Supper (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: 1I. The Children (von Peter Pears, Benjamin Britten)
- Who Are These Children?, op. 84: 1II. The Auld Aik (von Peter Pears, Benjamin Britten)
- Dawtie's Devotion
- The Gully
- Tradition
- Beware!
- O That I Had Ne'er Been Married
- Epitaph: The Clerk
- Of A' the Airts the Wind Can Blaw
- A Dirge
- Prithee
- The Joy Of Grief
- Virtue in Deeds Not Words
- From "Lucy"
- Dans les Bois
- Lilian
- Diaphenia
- The Owl
- Witches' Song
- O Why Did E're My Thought Aspire
- Chamber Music V
- Song: Take O Take Those Lips Away
- Two Ballads For Two Voices & Piano: I. Mother Comfort
- Two Ballads For Two Voices & Piano: II. Underneath the Abject Willow
- A Poison Tree
- Not Even Summer Yet
- The Red Cockatoo
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: To Lie-flat On the Back
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Night Covers Up the Rigid Land
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: The Sun Shines Down
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Fish In the Unruffled Lakes
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: What's In Your Mind?
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Underneath the Abject Willow
- Wild With Passion
- If Thou Wilt Ease Thine Heart
- Cradle Song ("Sleep, My Darling, Sleep")
- Birthday Song For Erwin
- Um Mitternacht
- The Bitter Withy
- King Herod and the Cock
- Fancie
- The oxen
- May
- The Twelve Apostles
- The Foggy Foggy Dew: Arr. Benjamin Britten (von Peter Pears, Benjamin Britten)
- Sally in Our Alley (von Peter Pears, Benjamin Britten)
- Tom Bowling: Arr. Britten (von Peter Pears, Benjamin Britten)
- The Lincolnshire Poacher (von Peter Pears, Benjamin Britten)
- A Brisk Young Widow: Arr. Britten (von Peter Pears, Benjamin Britten)
- O Waly Waly (von Peter Pears, Benjamin Britten)
- Sweet Polly Oliver (von Peter Pears, Benjamin Britten)
- Early One Morning: Arr. Benjamin Britten (von Peter Pears, Benjamin Britten)
- The Bonny Earl o'Moray: arr. Benjamin Britten (von Peter Pears, Benjamin Britten)
- The Ash Grove (von Peter Pears, Benjamin Britten)
- Come You Not From Newcastle (von Peter Pears, Benjamin Britten)
- Le Roi S En Va-T En Chasse (von Peter Pears, Benjamin Britten)
- La Belle est au jardin d'amour (von Peter Pears, Benjamin Britten)
- The Minstrel Boy (von Peter Pears, Benjamin Britten)
- How Sweet The Answer (von Peter Pears, Benjamin Britten)
- The Last Rose Of Summer (von Peter Pears, Benjamin Britten)
- Avenging and Bright (von Peter Pears, Benjamin Britten)
- Oft in The Stilly Night (von Peter Pears, Benjamin Britten)
- The Miller Of Dee (von Peter Pears, Benjamin Britten)
- Ca The Yowes (von Peter Pears, Benjamin Britten)
- The Plough Boy (von Peter Pears, Benjamin Britten)
- The Sally Gardens: Arr. Britten
- Little Sir William: Arr. Britten
- Oliver Cromwell
- Heigh Ho! Heigh Ho!: Trans. Rogers, Arr. Britten
- There's None To Soothe: Arr. Britten
- Il est quelqu'un sur terre: Arr. Britten
- Folk Song Arrangemens (British Isles): O can ye sew cushions?
- The Trees They Grow So High: arr. Britten
- Voici le Printemps
- Fileuse
- Quand j'étais chez mon pere
- I Will Give My Love An Apple
- The Sailor-Boy
- Master Kilby
- The Soldier and The Sailor
- The Shooting Of His Dear
- Bonny At Morn
- Greensleeves
- I Wonder As I Wander
- The Crocodile
- Pray Goody
- At The Mid Hour Of Night
- Dear Harp Of My Country! (Kate Tyrrel)
- O The Sight Entrancing
- Sail On, Sail On
- Rich And Rare
- La Noel Passée
- Eho! Eho!
- The Holly And The Ivy
- Soldier, Won't You Marry Me?
- The Deaf Woman's Courtship
- The Stream in The Valley
- Unidentified Folk Song Setting
- Lord! I Married Me a Wife
- She's Like The Swallow
- Lemady
- Bugeilio'r Gwenith Gwyn ("I Was Lonely and Forlorn")
- Dafyd Y Garreg Wen (David Of The White Rock)
- The False Knight Upon The Road
- Bird Scarer's Song
- Sinfonietta, op. 1: I. Poco presto ed agitato
- Sinfonietta, op. 1: II. Variations, Andante lento
- Sinfonietta, op. 1: III. Tarantella, Presto vivace
- Simple Symphony, op. 4: I. Boisterous Bourrée (von English Chamber Orchestra, Benjamin Britten)
- Simple Symphony, op. 4: II. Playful Pizzicato (von English Chamber Orchestra, Benjamin Britten)
- Simple Symphony, op. 4: III. Sentimental Saraband (von English Chamber Orchestra, Benjamin Britten)
- Simple Symphony, op. 4: IV. Frolicsome Finale (von English Chamber Orchestra, Benjamin Britten)
- Variations on a theme of Frank Bridge, op. 10: I. Introduction & Theme (von English Chamber Orchestra, Benjamin Britten)
- Variations on a theme of Frank Bridge, op. 10: II. Adagio (von English Chamber Orchestra, Benjamin Britten)
- Variations on a theme of Frank Bridge, op. 10: III. March (von English Chamber Orchestra, Benjamin Britten)
- Variations on a theme of Frank Bridge, op. 10: IV. Romance (von English Chamber Orchestra, Benjamin Britten)
- Variations on a theme of Frank Bridge, op. 10: V. Aria Italiana (von English Chamber Orchestra, Benjamin Britten)
- Variations on a theme of Frank Bridge, op. 10: VI. Bourrée Classique (von English Chamber Orchestra, Benjamin Britten)
- Variations on a theme of Frank Bridge, op. 10: VII. Wiener Waltzer (von English Chamber Orchestra, Benjamin Britten)
- Variations on a theme of Frank Bridge, op. 10: VIII. Moto Perpetuo (von English Chamber Orchestra, Benjamin Britten)
- Variations on a theme of Frank Bridge, op. 10: IX. Funeral March
- Variations on a theme of Frank Bridge, op. 10: X. Chant (von English Chamber Orchestra, Benjamin Britten)
- Variations on a theme of Frank Bridge, op. 10: 1I. Fugue & Finale (von English Chamber Orchestra, Benjamin Britten)
- Soirées musicales, op. 9: I. March
- Soirées musicales, op. 9: II. Canzonetta
- Soirées musicales, op. 9: III. Tirolese
- Soirées musicales, op. 9: IV. Bolero
- Soirées musicales, op. 9: V. Tarantella
- Matinées musicales, op. 24: I. March (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées musicales, op. 24: II. Nocturne (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées musicales, op. 24: III. Waltz (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées musicales, op. 24: IV. Pantomime (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées musicales, op. 24: V. Moto Perpetuo (von National Philharmonic Orchestra, Richard Bonynge)
- Rondo Concertante (1930): I. Allegro Molto
- Rondo Concertante (1930): II. Lento
- Untitled Fragment (1930) for Strings
- Two Portraits For String Orchestra: I. D. Layton: Poco Presto
- Two Portraits For String Orchestra: II. E.B.B.: Poco Lento
- Double Concerto For Violin, Viola & Orchestra: I. Allegro Ma Non Troppo
- Double Concerto For Violin, Viola & Orchestra: II. Rhapsody. Poco Lento
- Double Concerto For Violin, Viola & Orchestra: III. Allegro Scherzando. Allegro Non Troppo
- Movements For a Clarinet Concerto (c1942): 1.
- Movements For a Clarinet Concerto (c1942): 2.
- Movements For a Clarinet Concerto (c1942): 3.
- Piano Concerto, op. 13: I. Toccata (von Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto, op. 13: II. Waltz (von Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto, op. 13: III. Impromptu (von Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto, op. 13: IV. March (von Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten)
- Violin Concerto, op. 15: I. Moderato con moto (von Mark Lubotsky, English Chamber Orchestra, Benjamin Britten)
- Violin Concerto, op. 15: II. Vivace (von Mark Lubotsky, English Chamber Orchestra, Benjamin Britten)
- Violin Concerto, op. 15: III. Passacaglia; Andante lento (von Mark Lubotsky, English Chamber Orchestra, Benjamin Britten)
- Mont Juic: Suite of Catalan Dances, op. 12: I. Lament: Andante Moderato
- Mont Juic: Suite of Catalan Dances, op. 12: II. Allegro Molto
- Young Apollo, op. 16
- Canadian Carnival, op. 19
- Sinfonia da Requiem, op. 20: Lacrymosa
- Sinfonia da Requiem, op. 20: Dies Irae
- Sinfonia da Requiem, op. 20: Requiem aeternam
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Theme (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation I: Recitative (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation II: Romance (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation III: March (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation IV: Arabesque (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation V: Chant (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation VI: Nocturne (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation VII: Badinerie (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation VIII: Burlesque (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation IXa -Toccata I (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation IXb: Toccata II (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation X: Adagio (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for piano (left hand) & orchestra, op. 21: Variation XI: Tarantella (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Scottish Ballad, op. 26, for two pianos and orchestra
- An American Overture, op. 27 (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Prelude and Fugue for 18-part string orchestra, op. 29
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Theme: Allegro maestoso e largamente (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation A: Flutes & Piccolo: Presto (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation B: Oboes: Lento (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation C: Clarinets: Moderato (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation D: Bassoons: Allegro alla marcia (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation E: Violins: Brillante (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation F: Violas: Meno mosso (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation G: Cellos (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation H: Double Basses: Cominciando lento ma poco a poco accelerando (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation I: Harp: Maestoso (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation J: Horns: L'istesso tempo (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation K: Trumpets: Vivace (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation L: Trombones & Bass Tuba: Allegro pomposo (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation M: Percussion: Moderato (von London Symphony Orchestra, Benjamin Britten)
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Fugue: Allegro molto (von London Symphony Orchestra, Benjamin Britten)
- Men Of Goodwill: Variations On A Christmas Carol
- Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 4
- Occasional Overture, op. 38
- Symphony For Cello And Orchestra, op. 68: Allegro maestoso
- Symphony For Cello And Orchestra, op. 68: Presto inquieto
- Symphony For Cello And Orchestra, op. 68: Adagio
- Symphony For Cello And Orchestra, op. 68: Passacaglia
- In Memoriam Dennis Brain (c1958), In Memorium Dennis Brain (c1958): Introduction
- In Memoriam Dennis Brain (c1958), In Memorium Dennis Brain (c1958): Allegro
- The Building Of The House: Overture, op. 79
- Suite On English Folk Tunes: "A Time There Was...", op. 90: I. Cakes And Ale
- Suite On English Folk Tunes: "A Time There Was...", op. 90: II. The Bitter Withy
- Suite On English Folk Tunes: "A Time There Was...", op. 90: III. Hankin Booby
- Suite On English Folk Tunes: "A Time There Was...", op. 90: IV. Hunt The Squirrel
- Suite On English Folk Tunes: "A Time There Was...", op. 90: V. Lord Melbourne
- Lachrymae, op. 48a (Reflections On A Song Of John Dowland)
- Reflection (1930)
- Elegy
- Lachrymae, op. 48 (Reflections on a song of Dowland)
- Suite, op. 6 for Violin & Piano: Introduction: Andante Maestoso
- Suite, op. 6 for Violin & Piano: I. March: Allegro alla Marcia
- Suite, op. 6 for Violin & Piano: II. Moto Perpetuo: Allegro Molto e Con Fuoco
- Suite, op. 6 for Violin & Piano: III. Lullaby: Lento Tranquillo
- Suite, op. 6 for Violin & Piano: IV. Waltz: Alla Valse: Vivace e Rubato
- Reveille (1937)
- 2 Insect Pieces: I. The Grasshopper (von Heinz Holliger, András Schiff)
- 2 Insect Pieces: II. The Wasp (von Heinz Holliger, András Schiff)
- Temporal Variations (von Heinz Holliger, András Schiff)
- 6 Metamorphoses after Ovid, op. 49: I. Pan (von Janet Craxton)
- 6 Metamorphoses after Ovid, op. 49: II. Phaeton (von Janet Craxton)
- 6 Metamorphoses after Ovid, op. 49: III. Niobe (von Janet Craxton)
- 6 Metamorphoses after Ovid, op. 49: IV. Bacchus (von Janet Craxton)
- 6 Metamorphoses after Ovid, op. 49: V. Narcissus (von Janet Craxton)
- 6 Metamorphoses after Ovid, op. 49: VI. Arethusa (von Janet Craxton)
- Suite For Cello no. 1, op. 72: I. Canto primo (sostenuto e largamente) (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Fuga: Andante moderato (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Lamento: Lento rubato (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: II. Canto secondo (Sostenuto) (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Serenata: Allegretto: pizzicato (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Marcia: Alla marcia moderato (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: III. Canto terzo (Sostenuto) (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Bordone: Moderato quasi recitativo (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Moto perpetuo e canto quarto: Presto (von Mstislav Rostropovich)
- Suite For Cello no. 2, op. 80: Declamato: Largo (von Mstislav Rostropovich)
- Suite For Cello no. 2, op. 80: Fuga: Andante (von Mstislav Rostropovich)
- Suite For Cello no. 2, op. 80: Scherzo: Allegro molto (von Mstislav Rostropovich)
- Suite For Cello no. 2, op. 80: Andante lento (von Mstislav Rostropovich)
- Suite For Cello no. 2, op. 80: Ciaconna: Allegro (von Mstislav Rostropovich)
- Sonata in C For Cello And Piano op. 65: I. Dialogo (von Mstislav Rostropovich, Benjamin Britten)
- Sonata in C For Cello And Piano op. 65: II. Scherzo: pizzicato (von Mstislav Rostropovich, Benjamin Britten)
- Sonata in C For Cello And Piano op. 65: III. Elegia (von Mstislav Rostropovich, Benjamin Britten)
- Sonata in C For Cello And Piano op. 65: IV. Marcia (von Mstislav Rostropovich, Benjamin Britten)
- Sonata in C For Cello And Piano op. 65: V. Moto perpetuo (von Mstislav Rostropovich, Benjamin Britten)
- Third Suite for Cello, op. 87: I. Introduzione: Lento (von Robert Cohen)
- Third Suite for Cello, op. 87: II. Marcia: Allegro (von Robert Cohen)
- Third Suite for Cello, op. 87: III. Canto: Con moto (von Robert Cohen)
- Third Suite for Cello, op. 87: IV. Barcarola: Lento (von Robert Cohen)
- Third Suite for Cello, op. 87: V. Dialogo: Allegretto (von Robert Cohen)
- Third Suite for Cello, op. 87: VI. Fuga: Andante espressivo (von Robert Cohen)
- Third Suite for Cello, op. 87: VII. Recitativo: Fantastico (von Robert Cohen)
- Third Suite for Cello, op. 87: VIII. Moto perpetuo: Presto (von Robert Cohen)
- Third Suite for Cello, op. 87: IX. Passacaglia: Lento solenne (von Robert Cohen)
- Nocturnal after John Dowland, op. 70: I. Musingly (Meditativo) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: II. Agitated (Molto agitativo) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: III. Restless (Inquieto) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: IV. Uneasy (Ansioso) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: V. March-like (Quasi una marcia) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: VI. Dreaming (Sognanti) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: VII. Gently Rocking (Cullante) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: VIII. Passacaglia (Misurato) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: IX. Slow and Quiet (Tranquillo) (von Eduardo Fernández)
- Suite for harp, op. 83: I. Overture (von Osian Ellis)
- Suite for harp, op. 83: II. Toccata (von Osian Ellis)
- Suite for harp, op. 83: III. Nocturne (von Osian Ellis)
- Suite for harp, op. 83: IV. Fugue (von Osian Ellis)
- Suite for harp, op. 83: V. Hymn (von Osian Ellis)
- String Quartet no. 3, op. 94: I. Duets (von Amadeus Quartet)
- String Quartet no. 3, op. 94: II. Ostinato (von Amadeus Quartet)
- String Quartet no. 3, op. 94: III. Solo (von Amadeus Quartet)
- String Quartet no. 3, op. 94: IV. Burlesque (von Amadeus Quartet)
- String Quartet no. 3, op. 94: V. Recitative & Passacaglia (von Amadeus Quartet)
- Tema "Sacher" for Cello Solo Lento maestoso: Largament (von Alisa Weilerstein)
- String Quartet in F (1928): I. Allegro vivace e con brio (von Utrecht String Quartet)
- String Quartet in F (1928): II. Andante (von Utrecht String Quartet)
- String Quartet in F (1928): III. Allegro vivace (von Utrecht String Quartet)
- String Quartet in F (1928): IV. Allegro molto (von Utrecht String Quartet)
- Miniature Suite (1929): I. Novelette (von Emperor Quartet)
- Miniature Suite (1929): II. Menuetto (von Emperor Quartet)
- Miniature Suite (1929): III. Romanza (von Emperor Quartet)
- Miniature Suite (1929): IV. Gavotte (von Emperor Quartet)
- Rhapsody (1929) for String Quartet (von Endellion Quartet)
- Quartettino (1930): I. Andante: Allegro Molto e Con Fuoco (von Endellion Quartet)
- Quartettino (1930): II. Poco Adagio Ma Con Moto (von Endellion Quartet)
- Quartettino (1930): III. Allegro Molto Vivace (von Endellion Quartet)
- Phantasy in F minor (1932) for String Quintet
- Alla Marcia for String Quartet (von Endellion Quartet)
- Three Divertimenti for String Quartet: I. March: Allegro Maestoso (von Endellion Quartet)
- Three Divertimenti for String Quartet: II. Waltz: Allegretto (von Endellion Quartet)
- Three Divertimenti for String Quartet: III. Burlesque: Presto (von Endellion Quartet)
- String Quartet in D major (1931): I. Allegro maestoso (von Gabrieli String Quartet)
- String Quartet in D major (1931): II. Lento ed espressivo (von Gabrieli String Quartet)
- String Quartet in D major (1931): III. Allegro giocoso (von Gabrieli String Quartet)
- String Quartet no. 1 in D, op. 25: I. Andante sostenuto (von Allegri String Quartet)
- String Quartet no. 1 in D, op. 25: II. Allegretto con slancio (von Allegri String Quartet)
- String Quartet no. 1 in D, op. 25: III. Andante calmo (von Allegri String Quartet)
- String Quartet no. 1 in D, op. 25: IV. Molto vivace (von Allegri String Quartet)
- String Quartet no. 2 in C, op. 36: I. Allegro calmo senza rigore (von Amadeus Quartet)
- String Quartet no. 2 in C, op. 36: II. Vivace (von Amadeus Quartet)
- String Quartet no. 2 in C, op. 36: III. Chacony: Sostenuto (von Amadeus Quartet)
- Phantasy, (Quartet for Oboe, violin, viola and cello)
- Alpine Suite for Recorder Trio: I. Arrival At Zermatt
- Alpine Suite for Recorder Trio: II. Swiss Clock (Romance)
- Alpine Suite for Recorder Trio: III. Nursery Slopes
- Alpine Suite for Recorder Trio: IV. Alpine Scene
- Alpine Suite for Recorder Trio: V. Moto Perpetuo: Down the Piste
- Alpine Suite for Recorder Trio: VI. Farewell to Zermatt
- Scherzo for Recorder Quartet (1954)
- Timpani Piece For Jimmy
- Fanfare for St. Edmundsbury (1959) for three trumpets
- Voluntary on "Tallis' Lamentations" (c 1940) (von Timothy Bond)
- Prelude On "They Walk Alone" (1938) (von Timothy Bond)
- Village Organist's Piece (c 1940) (von Timothy Bond)
- Prelude & Fugue on a theme of Vittoria (von Simon Preston)
- Gemini Variations (Quartet for 2 players), op. 73: Theme (von Gabriel Jeney, Zoltán Jeney)
- Gemini Variations (Quartet for 2 players), op. 73: Variations 1-12 (von Gabriel Jeney, Zoltán Jeney)
- Gemini Variations (Quartet for 2 players), op. 73: Fugue (von Gabriel Jeney, Zoltán Jeney)
- Introduction And Rondo Alla Burlesca Opus 23 no. 1 (von Bracha Eden, Alexander Tamir)
- Mazurka Elegiaca Opus 23 no. 2 (von Bracha Eden, Alexander Tamir)
- Five Waltzes (1923-5): I. Rather Fast and Nervous (von Stephen Hough)
- Five Waltzes (1923-5): II. Quick, With Wit (von Stephen Hough)
- Five Waltzes (1923-5): III. Dramatic (von Stephen Hough)
- Five Waltzes (1923-5): IV. Rhythmic, Not Fast (von Stephen Hough)
- Five Waltzes (1923-5): V. Variations: Quiet and Simple (von Stephen Hough)
- A Little Idyll (von Anthony Goldstone)
- Three Character Pieces (1930): I. John (Poco Allegro Vivace) (von Stephen Hough)
- Three Character Pieces (1930): II. Daphne (Poco Andante Grazioso) (von Stephen Hough)
- Three Character Pieces (1930): III. Michael (Poco Presto e Molto Capriccioso) (von Stephen Hough)
- Twelve Variations On A Theme (1931) (von Stephen Hough)
- Two Lullabies For Piano Duo (1936): I. Lullaby (von Stephen Hough, Ronan O’Hora)
- Two Lullabies For Piano Duo (1936): II. Lullaby For A Retired Colonel (von Stephen Hough, Ronan O’Hora)
- Holiday Diary, op. 5: I. Early Morning Bathe (von Stephen Hough)
- Holiday Diary, op. 5: II. Sailing (von Stephen Hough)
- Holiday Diary, op. 5: III. Fun-fair (von Stephen Hough)
- Holiday Diary, op. 5: IV. Night (von Stephen Hough)
- Sonatina Romantica (1940), Sonatina Romantica: Moderato (von Stephen Hough)
- Sonatina Romantica (1940), Sonatina Romantica: Nocturne (von Stephen Hough)
- Night Piece (Notturno) (von Stephen Hough)
- Variations For Piano Solo (1965): I. Like an Improvisation (von Rolf Hind)
- Variations For Piano Solo (1965): 2. (von Rolf Hind)
- Variations For Piano Solo (1965): III. Quick and Light (von Rolf Hind)
- Variations For Piano Solo (1965): 4. (von Rolf Hind)
- Variations For Piano Solo (1965): V. Quietly (von Rolf Hind)
- Variations For Piano Solo (1965): VI. Quick (von Rolf Hind)
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- War Requiem, Op. 66: Requiem Aeternam
- War Requiem, op. 66: Dies Irae
- War Requiem, op. 66: Dies Irae
- War Requiem, op. 66: Dies Irae
- War Requiem, op. 66: Offertorium
- War Requiem, Op. 66: Sanctus
- War Requiem, op. 66: Sanctus (von Galina Vishnevskaya, Benjamin Britten)
- War Requiem, Op. 66: Agnus Dei
- War Requiem, op. 66: Libera me
- War Requiem, op. 66: Libera me
- War Requiem, op. 66: Libera me
- Serenade for tenor, horn & strings, op. 31: Prologue (von Dennis Brain)
- Serenade for tenor, horn & strings, op. 31: Pastoral: The Day's Grown Old (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Nocturne: The Splendour Falls on Castle Walls (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Elegy: O Rose, Thou Art Sick (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Dirge: This Ae Night (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Hymn: Queen and Huntress Chaste and Fair (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Sonnet: O Soft Embalmer of the Still Midnight (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Epilogue (von Dennis Brain)
- Introduction and Rondo alla burlesca, op. 23, no. 1
- Mazurka elegiaca, op. 23, no. 2
- Sinfonia da Requiem, op. 20: Lacrymosa
- Sinfonia da Requiem, op. 20: Dies Irae
- Sinfonia da Requiem, op. 20: Requiem aeternam
- Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn (von Concertgebouw Orchestra of Amsterdam, Eduard van Beinum)
- Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning (von Concertgebouw Orchestra of Amsterdam, Eduard van Beinum)
- Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight (von Concertgebouw Orchestra of Amsterdam, Eduard van Beinum)
- Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm (von Concertgebouw Orchestra of Amsterdam, Eduard van Beinum)
- Passacaglia, from "Peter Grimes", op. 33b (von Concertgebouw Orchestra of Amsterdam, Eduard van Beinum)
Canticle II, Abraham and Isaac, Op.51 / Songs From "Friday Afternoons", Op.7 / On this island, Op.11 / Four Cabaret Songs / Sweet Was The Song / Missa brevis, Op.63 / Piano Concerto, Op.13 / Our Hunting Fathers, Op.8
- Canticle II, Abraham and Isaac, op. 51
- Songs From "Friday Afternoons", op. 7: I mun be married on Sunday (von John Hahessy, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Cuckoo!
- Songs From "Friday Afternoons", op. 7: Fishing song (von John Hahessy, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: There was a monkey (von John Hahessy, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: A New Year carol (von John Hahessy, Benjamin Britten)
- On this island, op. 11: I. Let the Florid Music Praise! (von Peter Pears, Benjamin Britten)
- Four Cabaret Songs: Funeral Blues (von Peter Pears, Benjamin Britten)
- Four Cabaret Songs: O Tell Me the Truth About Love (von Peter Pears, Benjamin Britten)
- Sweet Was The Song (von The Wilbye Consort)
- Missa brevis, op. 63: I. Kyrie eleison (von Westminster Cathedral Choir, George Malcolm)
- Missa brevis, op. 63: II. Gloria in excelsis Deo (von Westminster Cathedral Choir, George Malcolm)
- Missa brevis, op. 63: III. Sanctus...Benedictus (von Westminster Cathedral Choir, George Malcolm)
- Missa brevis, op. 63: IV. Agnus Dei (von Westminster Cathedral Choir, George Malcolm)
- Piano Concerto, op. 13, 1938 Version: III. Recitative & Aria (original 3rd movement) (von Joanna MacGregor, English Chamber Orchestra, Steuart Bedford)
- Our Hunting Fathers, op. 8: I. Prologue (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Our Hunting Fathers, op. 8: II. Rats Away! (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Our Hunting Fathers, op. 8: III. Messalina (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge) (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Our Hunting Fathers, op. 8: V. Epilogue & Funeral March (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
The 1967 Recording Of "The Burning Fiery Furnace"
- The Burning Fiery Furnace, op. 77: Procession
- The 1967 Recording Of "The Burning Fiery Furnace": II. The Opening Procession
- The Burning Fiery Furnace, op. 77: By the Royal Command
- The Burning Fiery Furnace, op. 77: Great King Of Babylon!
- The 1967 Recording Of "The Burning Fiery Furnace": V. The Village Speaks
- The Burning Fiery Furnace, op. 77: The Stars Are Against Me!
- The Burning Fiery Furnace, op. 77: Procession
- The 1967 Recording Of "The Burning Fiery Furnace": VIII. James Blades & The Percussion
- The 1967 Recording Of "The Burning Fiery Furnace": IX. The Instrumental Procession Re-Take & James Blades Re-Visited
- The 1967 Recording Of "The Burning Fiery Furnace": X. The God Of Gold
- The 1967 Recording Of "The Burning Fiery Furnace": 1I. Culshaw Reflects On Recording Techniques
- The 1967 Recording Of "The Burning Fiery Furnace": 1II. The Burning Fiery Furnace & The Angel
- The 1967 Recording Of "The Burning Fiery Furnace": 1III. End Credits