Benjamin Britten Songtexte
A Ceremony of Carols : This little Babe
Songs From "Friday Afternoons", op. 7: Cuckoo!
Psalm 150 for voices & orchestra, op. 67
A.M.D.G.: Rosa Mystica
The Birds
Geboren am 22. November 1913, Gestorben am 04. Dezember 1976
Britten Conducts Britten (Compilation)
The Burning Fiery Furnace, Op.77
- The Burning Fiery Furnace: Salus Aeterna
- The Burning Fiery Furnace: Good People, In His Holy Name
- The Burning Fiery Furnace: By The Royal Command
- The Burning Fiery Furnace: Adept In Magic
- The Burning Fiery Furnace: The Waters Of Babylon
- The Burning Fiery Furnace: Sirs, What Is This?
- The Burning Fiery Furnace: We Do Not Lack Enemies
- The Burning Fiery Furnace: By The Royal Decree
- The Burning Fiery Furnace: Procession
- The Burning Fiery Furnace: Merodak! Lord Of Creation!
- The Burning Fiery Furnace: Bring Them Here Before My Majesty
- The Burning Fiery Furnace: O King, Nebuchadnezzar
- The Burning Fiery Furnace: O All Ye Works Of The Lord
- The Burning Fiery Furnace: Shadrach, Meshach, Abednego
- The Burning Fiery Furnace: O Ye Winter And Summer
- The Burning Fiery Furnace: Good People, We Have Shown You
Curlew River, Op.71
- Curlew River, church parable, Op. 71 "Te lucis ante terminum"
- Curlew River, church parable, Op. 71 "I am the ferryman"
- Curlew River, church parable, Op. 71 "I come from the Westland"
- Curlew River, church parable, Op. 71 "But first may I ask you what is that strange noise?"
- Curlew River, church parable, Op. 71 "Clear as a sky without a cloud"
- Curlew River, church parable, Op. 71 "Near the Black Mountains there I dwelt"
- Curlew River, church parable, Op. 71 "A thousand leagues may sunder a mother and her son"
- Curlew River, church parable, Op. 71 "Ignorant man! You refuse a passage to me ..."
- Curlew River, church parable, Op. 71 "I beg your pardon"
- Curlew River, church parable, Op. 71 "Curlew River, smoothly flowing ..."
- Curlew River, church parable, Op. 71 "Today is an important day"
- Curlew River, church parable, Op. 71 "Look! While you were listening to my story ..."
- Curlew River, church parable, Op. 71 "Ferryman, tell me, when did it happen?"
- Curlew River, church parable, Op. 71 "Hoping, I wandered on"
- Curlew River, church parable, Op. 71 "He whose life was full of promise"
- Curlew River, church parable, Op. 71 "The moon has risen"
- Curlew River, church parable, Op. 71 "Go your way in peace, mother"
- Curlew River, church parable, Op. 71 "Good souls, we have shown you..."
The Prodigal Son, Op.81
- The Prodigal Son: Jam Lucis Orto Sidero (All Voices)
- The Prodigal Son: Ah - You People (Tempter)
- The Prodigal Son: The Ceremony
- The Prodigal Son: I Am Father To You All (Father)
- The Prodigal Son: Forgive My Asking You (Tempter)
- The Prodigal Son: Father, May I Speak To You? (Younger Son)
- The Prodigal Son: Take Your Due Portion (Father)
- The Prodigal Son: Go, If You Must Go (Servants)
- The Prodigal Son: Welcome, Welcome, Stranger! (Parasites)
- The Prodigal Son: You Are Tired From A Long Journey (Tempter)
- The Prodigal Son: Nights Are Days (Parasites)
- The Prodigal Son: You Have Gambled And Lost (Tempter)
- The Prodigal Son: Now - I Have Done What I Said (Tempter)
- The Prodigal Son: With Joy I Sowed (Younger Son)
- The Prodigal Son: My Son (Father)
- The Prodigal Son: O Sing Unto The Lord (Servants)
- The Prodigal Son: My Children, You Have Seen (Abbot)
Noye's Fludd, Op.59 / The Golden Vanity, Op.78
- Noye's Fludde, Op. 59: I. Lord Jesus, think on me
- Noye's Fludde, Op. 59: II. I God, that all this worlde hath wroughte
- Noye's Fludde, Op. 59: III. Have done, you men and wemen all
- Noye's Fludde, Op. 59: IV. Now in the name of God I will begyne
- Noye's Fludde, Op. 59: V. Noye, Noye, take thou thy company
- Noye's Fludde, Op. 59: VI. Wiffe, come in! why standes thou their?
- Noye's Fludde, Op. 59: VII. Ha! Children, me thinkes my botte removes
- Noye's Fludde, Op. 59: VIII. Now forty dayes are fullie gone
- Noye's Fludde, Op. 59: IX. Noye, take thy wife anone
- Noye's Fludde, Op. 59: X. Noye, heare I behette thee a heste
- Noye's Fludde, Op. 59: XI. The spacious firmament on high
- The Golden Vanity, Op. 78: I. There was a ship came from the North Country
- The Golden Vanity, Op. 78: II. Then up spake the cabin-boy
- The Golden Vanity, Op. 78: III. Casting his clothes off, he dived into the sea
- The Golden Vanity, Op. 78: IV. They laid him on the deck
The Little Sweep (Let's Make An Opera), Op.45 / Gemini Variations, Op.73 (Quartet For Two Players) & Children's Crusade, Op.82
- The Little Sweep (Let's make an opera), op. 45: Sweep! Sweep!
- The Little Sweep (Let's make an opera), op. 45: Sweep this chimney
- The Little Sweep (Let's make an opera), op. 45: Now, little white boy!
- The Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free!
- The Little Sweep (Let's make an opera), op. 45: Is he wounded?
- The Little Sweep (Let's make an opera), op. 45: Sooty tracks
- The Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy
- The Little Sweep (Let's make an opera), op. 45: The kettles are singing
- The Little Sweep (Let's make an opera), op. 45: O why do you weep
- The Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards!
- The Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed!
- The Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky
- The Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away
- The Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather
- The Little Sweep (Let's make an opera), op. 45: Ready, Alfred?
- The Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing
- Gemini Variations, op. 73 (Quartet for Two Players) (von Gabriel Jeney, Zoltán Jeney)
- The Children's Crusade, op. 82
Saint Nicolas, Op.42 / Rejoice In The Lamb, Op.30
- Saint Nicolas: Introduction
- Saint Nicolas: The Birth of Nicolas
- Saint Nicolas: Nicolas Devotes Himself to God
- Saint Nicolas: He journeys to Palestine
- Saint Nicolas: Nicolas Comes to Myra and Is Chosen Bishop
- Saint Nicolas: Nicolas From Prison
- Saint Nicolas: Nicolas and the Pickled Boys
- Saint Nicolas: His Piety and Marvellous Works
- Saint Nicolas: The Death of Nicolas
- Rejoice in the Lamb: Rejoice in God, O ye Tongues
- Rejoice in the Lamb: For I will consider my Cat Jeoffrey
- Rejoice in the Lamb: For the Mouse is a creature of great personal valour
- Rejoice in the Lamb: For the flowers are great blessings
- Rejoice in the Lamb: For I am under the same accusation
- Rejoice in the Lamb: For H is a spirit
A Ceremony Of Carols, Op.28 / A Boy Was Born, Op.3 / Songs From "Friday Afternoon", Op.7 & Psalm 150, Op.67
- A Ceremony of Carols, op. 28: Procession
- A Ceremony of Carols, op. 28: Wolcum Yole!
- A Ceremony of Carols, op. 28: There Is No Rose
- A Ceremony of Carols, op. 28: That Yonge Child
- A Ceremony of Carols, op. 28: Balulalow
- A Ceremony of Carols, op. 28: As Dew in Aprille
- A Ceremony of Carols, op. 28: This Little Babe
- A Ceremony of Carols, op. 28: Interlude
- A Ceremony of Carols, op. 28: In the Freezing Winter Night
- A Ceremony of Carols, op. 28: Spring Carol
- A Ceremony of Carols, op. 28: Deo Gracias - Adam Lay Ibounden
- A Ceremony of Carols, op. 28: Recession
- A Boy Was Born, op. 3: Theme
- A Boy Was Born, op. 3: Variation I: Lullay, Jesu
- A Boy Was Born, op. 3: Variation II: Herod
- A Boy Was Born, op. 3: Variation III: Jesu, as Thou Art Our Saviour
- A Boy Was Born, op. 3: Variation IV: The Three Kings
- A Boy Was Born, op. 3: Variation V: In the Bleak Mid-Winter
- A Boy Was Born, op. 3: Variation VI: Finale - Noel!
- Songs from "Friday Afternoons", op. 7: Begone Dull Care! (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: A Tragic Story (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: Cuckoo! (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: A New Year Carol (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: I Mun Be Married on Sunday (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: There Was a Man of Newington (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: Fishing Song (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: The Useful Plough (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: Jazz-Man (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: There Was a Monkey (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: Old Abram Brown (von Downside School Choir, Viola Tunnard, Benjamin Britten)
- Psalm 150 (von Boys of Downside School, Purley, Benjamin Britten)
Spring Symphony, Op.44 / Cantata Academica (Carmen Basiliense), Op.62 / Hymn To St. Cecilia, Op.27
- Spring Symphony, op. 44: 1. Introduction: Shine out (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 2. The merry cuckoo (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 3. Spring: the sweet Spring (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 4. The driving boy (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 5. The morning star (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 6. Welcome Maids of Honour (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 7. Waters above! (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 8. Out on the lawn I lie in bed (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 9. When will my May come (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 10. Fair and fair (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 11. Sound the flute! (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 12. Finale: London: to thee I do present (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Cantata Academica: (Carmen basiliense), op. 62: I. Bonorum summun omnium / II. Quae bene beateque (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Cantata Academica: (Carmen basiliense), op. 62: III. At huius caelestis... / V. Tum vero Aeneas Sylvius virtus
- Cantata Academica: (Carmen basiliense), op. 62: VI. Et gubernacula. / VII. Ut ad longaeva tempora
- Cantata Academica: (Carmen basiliense), op. 62: VIII. Docendi ac discendi (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Cantata Academica: (Carmen basiliense), op. 62: IX. Rhenana erga omnes. / X. Ut instissime / XI. O cives..
- Cantata Academica: (Carmen basiliense), op. 62: XII. Nos autem cuncti. / XIII. Vigeatque academia libera (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: In a garden shady (von London Symphony Chorus, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: I cannot grow (von London Symphony Chorus, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: O ear whose creatures (von London Symphony Chorus, George Malcolm)
War Requiem, Op.66
- War Requiem, op. 66: I. Requiem aeternam: Requiem Aeternam
- War Requiem, op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?
- War Requiem, op. 66: II. Dies irae: Dies Irae
- War Requiem, op. 66: II. Dies irae: Bugles Sang
- War Requiem, op. 66: II. Dies irae: Liber Scriptus Proferetur
- War Requiem, op. 66: II. Dies irae: Out There
- War Requiem, op. 66: II. Dies irae: Recordare Jesu Pie
- War Requiem, op. 66: II. Dies irae: Be Slowly Lifted Up
- War Requiem, op. 66: II. Dies irae: Dies Irae
- War Requiem, op. 66: II. Dies irae: Lacrimosa Dies Illa
- War Requiem, op. 66: II. Dies irae: Move Him Into the Sun
- War Requiem, op. 66: III. Domine Jesu Christe
- War Requiem, op. 66: III. So Abram Rose
- War Requiem, op. 66: IV. Sanctus, Sanctus, Sanctus
- War Requiem, op. 66: IV. After the Blast of Lightning
War Requiem, Op.66 / Rehearsing "War Requiem"
- War Requiem, op. 66: V. Agnus dei: One Ever Hangs
- War Requiem, op. 66: VI. Libera me: Libera Me, Domine
- War Requiem, op. 66: VI. Libera me: It Seemed That Out of Battle I Escaped
- War Requiem, op. 66: VI. Libera me: Let Us Sleep Now... In Paradisum
- Rehearsing War Requiem: Requiem Aeternam (rehearsal)
- Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section
- Rehearsing War Requiem: Dies Irae: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya
- Rehearsing War Requiem: Dies Irae: Rehearsal of end of movement
- Rehearsing War Requiem: Offertorium (rehearsal)
- Rehearsing War Requiem: Sanctus (rehearsal)
- Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter)
- Rehearsing War Requiem: Agnus Dei: Discussion in the control room between Britten, Peter Pears and John Culshaw
- Rehearsing War Requiem: Libera Me: Discussion in the control room between Britten and John Culshaw
- Rehearsing War Requiem: Libera Me (rehearsal)
- Rehearsing War Requiem: Libera Me: Rehearsal of closing page
Britten Conducts Britten, Vol. IV
- Piano Concerto, op. 13: I. Toccata (von Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto, op. 13: II. Waltz (von Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto, op. 13: III. Impromptu (von Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten)
- Piano Concerto, op. 13: IV. March (von Sviatoslav Richter, English Chamber Orchestra, Benjamin Britten)
- Violin Concerto, op. 15: I. Moderato con moto (von Mark Lubotsky, English Chamber Orchestra, Benjamin Britten)
- Violin Concerto, op. 15: II. Vivace (von Mark Lubotsky, English Chamber Orchestra, Benjamin Britten)
- Violin Concerto, op. 15: III. Passacaglia. Andante lento (von Mark Lubotsky, English Chamber Orchestra, Benjamin Britten)
- Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso (von Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten)
- Symphony for Cello and Orchestra, op. 68: II. Presto inquieto (von Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten)
- Symphony for Cello and Orchestra, op. 68: III. Adagio – Cadenza (von Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten)
- Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro (von Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten)
- Sinfonia da Requiem, op. 20: I. Lacrymosa (von New Philharmonia Orchestra, Benjamin Britten)
- Sinfonia da Requiem, op. 20: II. Dies irae (von New Philharmonia Orchestra, Benjamin Britten)
- Sinfonia da Requiem, op. 20: III. Requiem aeternam (von New Philharmonia Orchestra, Benjamin Britten)
- Cantata misericordium, op. 69 (von Peter Pears, Dietrich Fischer‐Dieskau, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento (von English Chamber Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: Adagio (von English Chamber Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia (von English Chamber Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso (von English Chamber Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante (von English Chamber Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante (von English Chamber Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace (von English Chamber Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto (von English Chamber Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: Funeral March. Andante ritmico (von English Chamber Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: Chant. Lento (von English Chamber Orchestra, Benjamin Britten)
- Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne (von English Chamber Orchestra, Benjamin Britten)
- The Young Person’s Guide to the Orchestra, op. 34: Variations and Fugue on a Theme of Purcell (von London Symphony Orchestra, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. Prelude (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. The Emperor – March (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. Gavotte (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. The Four Kings (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. The King of the North (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. The King of the East (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. The King of the West (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. The King of the South (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. Belle Epine (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. Belle Rose (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. The Kings and Belle Rose (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. Triumph of Belle Epine (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. Rage of the Kings (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 1. The Four Frogs (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 2, Scene 1. Air (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 2, Scene 1. Water (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 2, Scene 1. Fire (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 2, Scene 2. Belle Rose in Pagoda-Land (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Pagodas (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Salamander (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 2, Scene 2. The Prince and Belle Rose (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Epine as Empress (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 1. The Old Emperor (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Rose and the Salamander (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 1. Transition (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 2. The Pagoda Palace (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de six (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 1 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 2 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 3 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de trois (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de deux (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 4 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 5 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57: Act 3, Scene 2. Finale and Apotheosis (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Theme (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation I – Recitative (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation II – Romance (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation III – March (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation IV – Arabesque (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation V – Chant (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation VI – Nocturne (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation VII – Badinerie (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation VIII – Burlesque (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation IXa –Toccata I (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation IXb – Toccata II (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation X – Adagio (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Diversions for Piano (Left Hand) & Orchestra, op. 21: Variation XI – Tarantella (von Julius Katchen, London Symphony Orchestra, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XVI (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXX (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto LV (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII (von Peter Pears, Benjamin Britten)
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: 1. Oh, my blacke Soule! (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: 2. Batter my heart (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: 3. Oh might those sighes and teares (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: 4. Oh, to vex me (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: 5. What if this present (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: 6. Since she whom I loved (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: 7. At the round earth’s imagined corners (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: 8. Thou hast made me (von Peter Pears, Benjamin Britten)
- The Holy Sonnets of John Donne, op. 35: 9. Death, be not proud (von Peter Pears, Benjamin Britten)
- Songs & Proverbs of William Blake, op. 74: The Pride of the Peacock…London (von Dietrich Fischer‐Dieskau, Benjamin Britten)
- Songs & Proverbs of William Blake, op. 74: Prisons are built…The Chimney Sweeper (von Dietrich Fischer‐Dieskau, Benjamin Britten)
- Songs & Proverbs of William Blake, op. 74: The Bird anest…A Poison Tree (von Dietrich Fischer‐Dieskau, Benjamin Britten)
- Songs & Proverbs of William Blake, op. 74: Think in the morning…The Tyger (von Dietrich Fischer‐Dieskau, Benjamin Britten)
- Songs & Proverbs of William Blake, op. 74: The Tygers of wrath…The Fly (von Dietrich Fischer‐Dieskau, Benjamin Britten)
- Songs & Proverbs of William Blake, op. 74: The hours of folly…Ah, Sun Flower (von Dietrich Fischer‐Dieskau, Benjamin Britten)
- Songs & Proverbs of William Blake, op. 74: To see a world…Every night and every morn (von Dietrich Fischer‐Dieskau, Benjamin Britten)
- Winter Words, op. 52: At day‐close in November (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: Midnight on the Great Western (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: Wagtail and baby (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: The little old table (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: The choirmaster’s burial (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: Proud songsters (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: At the railway station, Upway (von Peter Pears, Benjamin Britten)
- Winter Words, op. 52: Before life and after (von Peter Pears, Benjamin Britten)
- Tit for Tat: A song of enchantment (von John Shirley‐Quirk, Benjamin Britten)
- Tit for Tat: Autumn (von John Shirley‐Quirk, Benjamin Britten)
- Tit for Tat: Silver (von John Shirley‐Quirk, Benjamin Britten)
- Tit for Tat: Vigil (von John Shirley‐Quirk, Benjamin Britten)
- Tit for Tat: Tit for tat (von John Shirley‐Quirk, Benjamin Britten)
- Serenade for Tenor, Horn & Strings, op. 31: Prologue (von Barry Tuckwell)
- Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old” (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for Tenor, Horn & Strings, op. 31: Nocturne “The splendour falls on castle walls” (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick” (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte” (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair” (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight” (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for Tenor, Horn & Strings, op. 31: Epilogue (von Barry Tuckwell)
- Les Illuminations, op. 18: I. Fanfare (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: II. Villes (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IIIa. Phrase (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IIIb. Antique (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IV. Royauté (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: V. Marine (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: VI. Interlude (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: VII. Being beauteous (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: VIII. Parade (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IX. Départ (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “On a poet’s lips I slept” (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Below the thunders of the upper deep”
- Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Encintured with a twine of leaves”
- Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Midnight’s bell goes ting, ting, ting” (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “But that night when on my bed I lay”
- Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “She sleeps on soft, last breaths”
- Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “What is more gentle than a wind in summer?”
- Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “When most I wink, then do mine eyes best see”
Britten Conducts Britten: Operas I: Albert Herring · Billy Budd · Owen Wingrave · Peter Grimes
Albert Herring, Op.39
- Albert Herring, op. 39: Act I, Scene I. “Flor–ence!… Tell the midwife!” (Lady Billows)
- Albert Herring, op. 39: Act I, Scene I. “Doctor Jessop’s midwife” (Florence) (von Johanna Peters, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act I, Scene I. “I hope we’re not too early, Florence?” (Miss Wordsworth)
- Albert Herring, op. 39: Act I, Scene I. “Stuffy!” (Lady Billows)
- Albert Herring, op. 39: Act I, Scene I. “Now then! Notebook, Florence!” (Lady Billows) (von Sylvia Fisher, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act I, Scene I. “The first suggestion on my list” (Vicar)
- Albert Herring, op. 39: Act I, Scene I. “Is this all you can bring?” (Lady Billows)
- Albert Herring, op. 39: Act I, Scene I. “Beggin’ your pardon” (Superintendent Budd)
- Albert Herring, op. 39: Act I, Scene I. “Right! We’ll have him!” (Lady Billows)
- Albert Herring, op. 39: Act I, Scene I. Interlude (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act I, Scene II. “Bounce me high” (Kids)
- Albert Herring, op. 39: Act I, Scene II. “Shop! Hi! Albert!” (Sid)
- Albert Herring, op. 39: Act I, Scene II. “Tickling a trout” (Sid)
- Albert Herring, op. 39: Act I, Scene II. “Meet me at a quarter past eight” (Sid)
- Albert Herring, op. 39: Act I, Scene II. “He’s much too busy” (Albert)
- Albert Herring, op. 39: Act I, Scene II. “Good morning, young man” (Florence)
- Albert Herring, op. 39: Act I, Scene II. “We bring great news to you” (Lady Billows)
- Albert Herring, op. 39: Act II, Scene I. “Isn’t he here?” (Florence)
- Albert Herring, op. 39: Act II, Scene I. “For three precious weeks” (Florence)
- Albert Herring, op. 39: Act II, Scene I. “Quickly, quickly, come along!” (Miss Wordsworth)
- Albert Herring, op. 39: Act II, Scene I. “Here they are, dears!” (Miss Wordsworth)
- Albert Herring, op. 39: Act II, Scene I. “My flowers are few” (Harry)
Albert Herring, Op.39
- Albert Herring, op. 39: Act II, Scene I. “I’m full of happiness” (Lady Billows)
- Albert Herring, op. 39: Act II, Scene I. “As representing the local Council” (Mayor)
- Albert Herring, op. 39: Act II, Scene I. “My heart leaps up with joy” (Miss Wordsworth)
- Albert Herring, op. 39: Act II, Scene I. “Er–humph! Er–humph! I’m no great shakes” (Superintendent Budd)
- Albert Herring, op. 39: Act II, Scene I. “Well tried, Albert!” (Vicar)
- Albert Herring, op. 39: Act II, Scene I. Interlude (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act II, Scene II. “Albert the Good!” (Albert) (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act II, Scene II. “You oughtn’t to whistle!” (Nancy)
- Albert Herring, op. 39: Act II, Scene II. “Heaven helps those who help themselves!” (Albert)
- Albert Herring, op. 39: Act III. Introduction (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act III. “Is she asleep?” (Emmie)
- Albert Herring, op. 39: Act III. “I’m hungry, I’m tired” (Sid)
- Albert Herring, op. 39: Act III. “Give me a decent murder with a corpse!” (Superintendent Budd)
- Albert Herring, op. 39: Act III. “Have you found him?” (Mum)
- Albert Herring, op. 39: Act III. “Fools! Fools! Blundering fools!” (Lady Billows)
- Albert Herring, op. 39: Act III. “In the midst of life is death” (All)
- Albert Herring, op. 39: Act III. “Albert…!” (All)
- Albert Herring, op. 39: Act III. “I’m sorry about that” (Albert)
- Albert Herring, op. 39: Act III. “I can’t remember everything” (Albert)
- Albert Herring, op. 39: Act III. “Albert’s come back to stay” (Nancy, Sid, Emmie, Cis, Harry)
Owen Wingrave, Op. 85
- Owen Wingrave, op. 85: Act 1. Prelude
- Owen Wingrave, op. 85: Act 1. You've got your maps there?
- Owen Wingrave, op. 85: Act 1. At last it's out
- Owen Wingrave, op. 85: Act 1. Your sherry, Mrs. Coyle
- Owen Wingrave, op. 85: Act 1. Oh, how unforeseen
- Owen Wingrave, op. 85: Act 1. Sirrah! How dare you!
- Owen Wingrave, op. 85: Act 1. Coyle, I wish I had not come
- Owen Wingrave, op. 85: Act 1. May God bless the Queen
Owen Wingrave, Op. 85
- Owen Wingrave, op. 85: Act 2. There was a boy, a Wingrave born
- Owen Wingrave, op. 85: Act 2. I envy you, this fine old house
- Owen Wingrave, op. 85: Act 2. Paramore shall welcome woe!
- Owen Wingrave, op. 85: Act 2. And with his friend young Lechmere played
- Owen Wingrave, op. 85: Act 2. Now you may save your scornful looks
- Owen Wingrave, op. 85: Act 2. Ah, Owen, what shall I do?
- Owen Wingrave, op. 85: Act 2. Is that you, Coyle?
- Owen Wingrave, op. 85: Act 2. Come in...It's me, Lechmere
- Billy Budd, op. 50: Prologue. "I am an old man" (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50: Act I, Scene I. "Pull, my bantams!"
- Billy Budd, op. 50: Act I, Scene I. "Guard boat! Indomitable!"
- Billy Budd, op. 50: Act I, Scene I. "First man forward!"
- Billy Budd, op. 50: Act I, Scene I. "Your name?"
- Billy Budd, op. 50: Act I, Scene I. "Billy Budd, king of the birds!"
Billy Budd, Op.50
- Billy Budd, op. 50: Act I, Scene I. "I heard, your honour!"
- Billy Budd, op. 50: Act I, Scene I. "Come along kid! Come along!"
- Billy Budd, op. 50: Act I, Scene I. "Christ! the poor chap"
- Billy Budd, op. 50: Act I, Scene I. "What's that? What's those whistles?"
- Billy Budd, op. 50: Act I, Scene I. "Starry Vere we call him"
- Billy Budd, op. 50: Act I, Scene II. "Boy!"
- Billy Budd, op. 50: Act I, Scene II. "Gentlemen, the King!"
- Billy Budd, op. 50: Act I, Scene II. "Ay, at Spithead" (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50: Act I, Scene II. "We are, sir. Claggart is an able one"
- Billy Budd, op. 50: Act I, Scene III. "Blow her away"
- Billy Budd, op. 50: Act I, Scene III. "We're off to Samoa"
- Billy Budd, op. 50: Act I, Scene III. "Hi! You...a...a..."
- Billy Budd, op. 50: Act I, Scene III. "Over the water"
- Billy Budd, op. 50: Act I, Scene III. "Come here. Remember your promise"
- Billy Budd, op. 50: Act I, Scene III. "Billy!... Hist! Billy Budd!"
- Billy Budd, op. 50: Act I, Scene III. "Dansker, old friend, glad to see you"
Billy Budd, Op.50
- Billy Budd, op. 50: Act II, Scene I. "I don't like the look of the mist"
- Billy Budd, op. 50: Act II, Scene I. "With great regret I must disturb your honour"
- Billy Budd, op. 50: Act II, Scene I. "Deck ahoy!"
- Billy Budd, op. 50: Act II, Scene I. "Who'll volunteer to board 'em"
- Billy Budd, op. 50: Act II, Scene I. "There you are again, Master-at-arms"
- Billy Budd, op. 50: Act II, Scene I. "O this cursed mist!"
- Billy Budd, op. 50: Act II, Scene II. "Claggart, John Claggart, beware!"
- Billy Budd, op. 50: Act II, Scene II. "Master-at-arms and foretopman"
- Billy Budd, op. 50: Act II, Scene II. "God o' mercy!"
- Billy Budd, op. 50: Act II, Scene II. "Gentlemen, William Budd here"
- Billy Budd, op. 50: Act II, Scene II. "William Budd, you are accused"
- Billy Budd, op. 50: Act II, Scene II. "Poor fellow, who could save him?"
- Billy Budd, op. 50: Act II, Scene II. "I accept their verdict" (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50: Act II, Scene III. "Look!"
- Billy Budd, op. 50: Act II, Scene III. "Here! Baby!"
- Billy Budd, op. 50: Act II, Scene III. "And farewell to ye, old Rights o' Man!"
- Billy Budd, op. 50: Act II, Scene III. Interlude (von London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50: Act II, Scene IV. "According to the Articles of War"
- Billy Budd, op. 50: Act II, Scene IV. "Down all hands!"
- Billy Budd, op. 50: Epilogue. "We committed his body to the deep." (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
Peter Grimes, Op.33
- Peter Grimes, op. 33: Prologue. "Peter Grimes!" (Hobson)
- Peter Grimes, op. 33: Prologue. "You sailed your boat round the coast" (Swallow)
- Peter Grimes, op. 33: Prologue. "Peter Grimes, I here advise you!" (Swallow)
- Peter Grimes, op. 33: Prologue. "The truth...the pity...and the truth" (Peter)
- Peter Grimes, op. 33: Prologue. Interlude I
- Peter Grimes, op. 33: Act I, Scene I. "Oh! hang at open doors the net, the cork," (Women and Fishermen)
- Peter Grimes, op. 33: Act I, Scene I. "Hi! Give us a hand!" (Peter)
- Peter Grimes, op. 33: Act I, Scene I. "I have to go from pub to pub" (Hobson)
- Peter Grimes, op. 33: Act I, Scene I. "Let her among you without fault cast the first stone" (Ellen)
- Peter Grimes, op. 33: Act I, Scene I. "Look, the storm cone!" (Balstrode)
- Peter Grimes, op. 33: Act I, Scene I. "And do you prefer the storm" (Balstrode)
- Peter Grimes, op. 33: Act I, Scene I. "What harbour shelters peace" (Peter)
- Peter Grimes, op. 33: Act I, Scene II. Interlude II
- Peter Grimes, op. 33: Act I, Scene II. "Past time to close!" (Auntie)
- Peter Grimes, op. 33: Act I, Scene II. "We live and let live" (Balstrode)
- Peter Grimes, op. 33: Act I, Scene II. "Have you heard? The cliff is down" (Keene)
- Peter Grimes, op. 33: Act I, Scene II. "Now the Great Bear and Pleiades" (Peter)
- Peter Grimes, op. 33: Act I, Scene II. "Old Joe has gone fishing" (Keene)
- Peter Grimes, op. 33: Act I, Scene II. "The bridge is down, we half swam over" (Hobson)
- Peter Grimes, op. 33: Act II. Interlude III
- Peter Grimes, op. 33: Act II, Scene I. "Glitter of waves and glitter of sunlight" (Ellen)
- Peter Grimes, op. 33: Act II, Scene I. "Let this be a holiday" (Ellen)
- Peter Grimes, op. 33: Act II, Scene I. "This unrelenting work" (Ellen)
- Peter Grimes, op. 33: Act II, Scene I. "Fool to let it come to this!" (Auntie)
- Peter Grimes, op. 33: Act II, Scene I. "What is it?" (Chorus)
- Peter Grimes, op. 33: Act II, Scene I. "People!... No! I will speak!" (Boles)
Peter Grimes, Op.33
- Peter Grimes, op. 33: Act II, Scene I. "We planned that their lives should have a new start" (Ellen)
- Peter Grimes, op. 33: Act II, Scene I. "Swallow! Shall we go and see Grimes in his hut?" (Rector)
- Peter Grimes, op. 33: Act II, Scene I. "Now is gossip put on trial," (Mrs Sedley, Boles, Rector, Keene, Swallow and Chorus)
- Peter Grimes, op. 33: Act II, Scene I. "From the gutter, why should we trouble at their ribaldries?" (Nieces)
- Peter Grimes, op. 33: Act II, Scene I. Interlude IV, Passacaglia (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33: Act II, Scene II. "Go there!" (Peter)
- Peter Grimes, op. 33: Act II, Scene II. "Now!... Now!..." (Boles, Rector, Swallow, Keene and Chorus)
- Peter Grimes, op. 33: Act II, Scene II. "Peter Grimes! Nobody here?" (Rector)
- Peter Grimes, op. 33: Act III. Interlude V (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33: Act III, Scene I. "Assign your prettiness to me" (Swallow)
- Peter Grimes, op. 33: Act III, Scene I. "Pah! Ahoy!" (Swallow and Keene)
- Peter Grimes, op. 33: Act III, Scene I. "Come along, Doctor!" (First Burgess)
- Peter Grimes, op. 33: Act III, Scene I. "Embroidery in childhood was a luxury of idleness" (Ellen)
- Peter Grimes, op. 33: Act III, Scene I. "Mister Swallow! Mister Swallow!" (Mrs Sedley)
- Peter Grimes, op. 33: Act III, Scene I. "Who holds himself apart, lets his pride rise" (Chorus)
- Peter Grimes, op. 33: Act III, Scene I. Interlude VI (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33: Act III, Scene II. "Grimes! Grimes!" (Chorus)
- Peter Grimes, op. 33: Act III, Scene II. "Peter, we've come to take you home" (Ellen)
- Peter Grimes, op. 33: Act III, Scene II. "To those who pass the Borough" (Chorus)
Britten on Film
- Night Mail: Title Music
- Night Mail: Percussion Sequence
- Night Mail: End Sequence
- The Tocher (Rossini Suite): 1. Allegro brillante
- The Tocher (Rossini Suite): 2. Allegretto
- The Tocher (Rossini Suite): 3. Allegretto
- The Tocher (Rossini Suite): 4. Bolero: Allegro moderato
- The Tocher (Rossini Suite): 5. Allegro con brio
- The King's Stamp: Part 1, Allegro molto alla marcia
- The King's Stamp: Part 1, Allegro: Opening Door
- The King's Stamp: Part 1, Allegretto: Messenger Boy
- The King's Stamp: Part 1, Lento ma non troppo: Entry To Lithograph Works
- The King's Stamp: Part 1, Allegro moderato: Stamp Factory - Machine Starts
- The King's Stamp: Part 2, Minuet: Andante Lento
- The King's Stamp: Part 2, Allegretto: Train Sequence
- The King's Stamp: Part 2, Allegretto: Parliament - The Stamp Bill
- The King's Stamp: Part 2, Allegro
- The King's Stamp: Part 2, Allegro moderato alla marcia
- Negroes - Music from GPO Film: Allegro appassionato - Title Music - 1. Allegro - "In the Middle Ages"
- Negroes - Music from GPO Film: 2. Allegro - "Then the Portuguese and Spaniards"
- Negroes - Music from GPO Film: 3. Allegro ritmico - "At the Mouth of the Senegal"
- Negroes - Music from GPO Film: 4. Andante con moto - "To Sail From Africa to Jamaica"
- Negroes - Music from GPO Film: "The Slaves Were the Absolute Property of Their Masters"
- Negroes - Music from GPO Film: 5. Andante lento -"The More Advanced Thinkers in Europe"
- Negroes - Music from GPO Film: 6. Andante con molto moto - "Still at Their Accustomed Hour"
- Negroes - Music from GPO Film: 7. Allegro ritmico - "Coffee From the Blue Mountains"
- The Way to the Sea: Introduction
- The Way to the Sea: Romans
- The Way to the Sea: Alfred
- The Way to the Sea: "There Is, at This Point of the Haven"
- The Way to the Sea: "The Eighteenth Century"
- The Way to the Sea: "Nelson Has Gone"
- The Way to the Sea: "169 Trains a Week"
- The Way to the Sea: "The Line Waits"
- The Way to the Sea: "Here Is a Harbour"
- The Way to the Sea: "We Seek a Spectacle"
- The Way to the Sea: Allegro molto - alla marcia
- Telegrams
- Peace of Britain
- Men Behind the Meters: Title Music
- Men Behind the Meters: Andantino: "I Dreamt That I Dwelt in Marble Halls"
- Men Behind the Meters: Allegro moderato: 1935 Sequence
- Coal Face: 1. Andante: "A Sterile Landscape"
- Coal Face: 2. "Coal Mining Is the Basic Industry of Britain"
- Coal Face: 3. Andante: "The Chief Coal-Producing Centres"
- Coal Face: 4. "Yorkshire and Lancashire"
- Coal Face: 5. Moderato: "The Temp'rature Often Reaches"
- Coal Face: 6. Andante: "The Seven and a Half Hour Shift"
- Coal Face: 7. Ad Libitum Sempre: "One Thirty A.M."
- Coal Face: 8. Allegro ma non troppo: "In Many Pits"
- Coal Face: 9. Allegro molto: "The Shift Is Finished"
- Coal Face: 10. "Making Up Coal Trains"
- Coal Face: 11. Allegro: "Coal Mining Is the Basic Industry"
- Coal Face: 12. Andante: "There Are the Miners"
- When You're Feeling Like Expressing Your Affection