Benjamin Britten Songtexte
A Ceremony of Carols : This little Babe
Songs From "Friday Afternoons", op. 7: Cuckoo!
Psalm 150 for voices & orchestra, op. 67
A.M.D.G.: Rosa Mystica
The Birds
Geboren am 22. November 1913, Gestorben am 04. Dezember 1976
Young Person's Guide to the Orchestra / Sea Interludes (Compilation)
- The Young Person's Guide to the Orchestra (von London Symphony Orchestra, Benjamin Britten)
- Four Sea Interludes and Passacaglia: Dawn (Act I) (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Four Sea Interludes and Passacaglia: Sunday Morning (Act II) (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Four Sea Interludes and Passacaglia: Moonlight (Act III) (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Four Sea Interludes and Passacaglia: Storm (Act I) (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Four Sea Interludes and Passacaglia: Passacaglia (Act II) (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Soirées Musicales: I. March (von National Philharmonic Orchestra, Richard Bonynge)
- Soirées Musicales: II. Canzonetta (von National Philharmonic Orchestra, Richard Bonynge)
- Soirées Musicales: III. Tirolese (von National Philharmonic Orchestra, Richard Bonynge)
- Soirées Musicales: IV. Bolero (von National Philharmonic Orchestra, Richard Bonynge)
- Soirées Musicales: V. Tarantella (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées Musicales: I. March (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées Musicales: II. Nocturne (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées Musicales: III. Waltz (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées Musicales: IV. Pantomime (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées Musicales: V. Moto perpetuo (von National Philharmonic Orchestra, Richard Bonynge)
Mehr Songtexte
- Spring Symphony, Op. 44: Part I: Introduction: "Shine out, fair sun" (Chorus)
- Spring Symphony, Op. 44: Part I: The Merry Cuckoo (Tenor)
- Spring Symphony, Op. 44: Part I: Spring, the Sweet Spring (Soprano, Contralto, Tenor, Chorus)
- Spring Symphony, Op. 44: Part I: The Driving Boy (Children's Chorus)
- Spring Symphony, Op. 44: Part I: The Morning Star (Chorus)
- Spring Symphony, Op. 44: Part II: Welcome Maids of Honour (Contralto)
- Spring Symphony, Op. 44: Part II: Waters above! (Tenor)
- Spring Symphony, Op. 44: Part II: Out on the lawn I lie in bed (Alto, Chorus)
- Spring Symphony, Op. 44: Part III: When will my May come (Tenor)
- Spring Symphony, Op.44: Part III: Fair and fair (Soprano, Tenor)
- Spring Symphony, Op. 44: Part III: Sound the flute! (Chorus, Children's Chorus)
- Spring Symphony, Op. 44: Part IV: Finale: "London, to thee I do present" (Tenor, Contralto, Soprano, Chorus, Children's Chorus)
- Hymn to St. Cecilia, Op. 27: I. In a garden shady
- Hymn to St. Cecilia, Op. 27: II. I cannot grow
- Hymn to St. Cecilia, Op. 27: II. O ear whose creatures
- Five Flower Songs Op. 47: 1. To Daffodils
- Five Flower Songs Op. 47: 2. The Succession of the Four Sweet Months
- Five Flower Songs Op. 47: 3. Marsh Flowers
- Five Flower Songs Op. 47: 4. The Evening Primrose
- Five Flower Songs Op. 47: 5. Ballad of Green Broom
- War Requiem, Op. 66: I. Requiem aeternam: Requiem aeternam (Chorus)
- War Requiem, Op. 66: I. Requiem aeternam: "What passing bells for these who die as cattle?" (Tenor)
- War Requiem, Op.66: II. Dies Irae: Dies irae, dies illa (Chorus)
- War Requiem, Op.66: II. Dies Irae: "Bugles sang, saddening the evening air" (Baritone)
- War Requiem, Op.66: II. Dies Irae: Liber scriptus proferetur (Soprano, Chorus)
- War Requiem, Op.66: II. Dies Irae: "Out there, we've walked quite friendly up to Death" (Tenor, Baritone)
- War Requiem, Op.66: II. Dies Irae: Recordare Jesu pie (Chorus)
- War Requiem, Op.66: II. Dies Irae: "Be slowly lifted up, thou long black arm" (Baritone)
- War Requiem, Op.66: II. Dies Irae: Lacrimosa dies illa (Soprano, Chorus)
- War Requiem, Op.66: II. Dies Irae: "Move him into the sun" / Lacrimosa (Tenor/Soprano, Chorus)
- War Requiem, Op.66: III. Offertorium: Domine Jesu Christe (Boys' Choir)
- War Requiem, Op.66: III. Offertorium: "So Abram rose, and clave the wood" / Hostias (Baritone, Tenor/Boys' Choir)
- War Requiem, Op.66: IV. Sanctus: Sanctus, sanctus, sanctus, Dominus Deus Sabaoth (Soprano, Chorus)
- War Requiem, Op.66: IV. Sanctus: "After the blast of lightning from the East" (Baritone)
- War Requiem, Op.66: V. Agnus Dei: "One ever hangs where shelled roads part" / Agnus Dei (Tenor / Chorus)
- War Requiem, Op.66: VI. Libera me: Libera me, Domine (Chorus, Soprano)
- War Requiem, Op.66: VI. Libera me: "It seemed that out of battle I escaped" (Tenor, Baritone)
- War Requiem, Op.66: VI. Libera me: "Let us sleep now" / In paradisum (Baritone, Tenor/Boys' Choir, Chorus, Soprano)
- Billy Budd, Prologue: I am an old man...
- Billy Budd, Act I Scene I: Pull, me bantams!
- Billy Budd, Act I Scene I: Boat Ahoy!
- Billy Budd, Act I Scene I: First man forward!
- Billy Budd, Act I Scene I: Your name?
- Billy Budd, Act I Scene I: Billy Budd, king of the birds!
- Billy Budd, Act I Scene I: I hear, your honour!
- Billy Budd, Act I Scene I: Come along, kid!
- Billy Budd, Act I Scene I: Christ! The poor chap...
- Billy Budd, Act I Scene I: What's that? What's those whistles?
- Billy Budd, Act I Scene I: Starry Vere we call him
- Billy Budd, Act I Scene II: Boy!
- Billy Budd, Act I Scene II: Gentlemen, the King!
- Billy Budd, Act I Scene II: Ay, at Spithead...
- Billy Budd, Act I Scene II: We are, Sir. Claggart is an able one.
- Billy Budd, Act I Scene III: Blow her away.
- Billy Budd, Act I Scene III: We're off to Samoa...
- Billy Budd, Act I Scene III: Hi! You ... a... a...!
- Billy Budd, Act I Scene III: Over the water...
- Billy Budd, Act I Scene III: Come here
- Billy Budd, Act I Scene III: Billy!... Hist! Billy Budd!
- Billy Budd, Act I Scene III: Dansker, old friend...
- Billy Budd, Act II Scene I: I don't like the look of the mist...
- Billy Budd, Act II Scene I: With great regret I must disturb your honour.
- Billy Budd, Act II Scene I: Deck ahoy!
- Billy Budd, Act II Scene I: Volunteers! Call for boarding volunteers!
- Billy Budd, Act II Scene I: There you are again, Master-at-Arms.
- Billy Budd, Act II Scene I: Oh, this cursèd mist!
- Billy Budd, Act II Scene II: Claggart, John Claggart, beware!
- Billy Budd, Act II Scene II: Master-at-Armas and foretopman...
- Billy Budd, Act II Scene II: God o' mercy!
- Billy Budd, Act II Scene II: Gentlemen, William Budd here...
- Billy Budd, Act II Scene II: William Budd, you are accused...
- Billy Budd, Act II Scene II: Poor fellow, who could save him?
- Billy Budd, Act II Scene II: I accept their verdict.
- Billy Budd, Act II Scene III: Look!
- Billy Budd, Act II Scene III: Here! Baby!
- Billy Budd, Act II Scene III: And farewell to ye...
- Billy Budd, Act II Scene IV: Interlude
- Billy Budd, Act II Scene IV: According to the Articles of War...
- Billy Budd, Act II Scene IV: Down all hands!
- Billy Budd, Epilogue: We committed his body to the deep
- Rejoice in the Lamb: Festival Cantata, Op. 30
- A Ceremony of Carols, op. 28: Procession
- A Ceremony of Carols, Op. 28: Wolcom Yole!
- A Ceremony of Carols, op. 28: There Is No Rose
- A Ceremony of Carols, op. 28: That Yonge Child
- A Ceremony of Carols, op. 28: Balulalow
- A Ceremony of Carols, op. 28: As Dew in Aprille
- A Ceremony of Carols, op. 28: This Little Babe
- A Ceremony of Carols, op. 28: Interlude
- A Ceremony of Carols, Op. 28: In Freezing Winter Night
- A Ceremony of Carols, op. 28: Spring Carol
- A Ceremony of Carols, Op. 28: Deo Gracias
- A Ceremony of Carols, op. 28: Recession
- Occasional Overture
- Variations on a Theme of Frank Bridge, Op. 10: Introduction and Theme
- Variations on a Theme of Frank Bridge, Op. 10: Variation 1: Adagio
- Variations on a Theme of Frank Bridge, Op. 10: Variation 2: March
- Variations on a Theme of Frank Bridge, Op. 10: Variation 3: Romance
- Variations on a Theme of Frank Bridge, Op. 10: Variation 4: Aria Italiana
- Variations on a Theme of Frank Bridge, Op. 10: Variation 5: Bourrée Classique
- Variations on a Theme of Frank Bridge, Op. 10: Variation 6: Wiener Waltzer
- Variations on a Theme of Frank Bridge, Op. 10: Variation 7: Moto Perpetuo
- Variations on a Theme of Frank Bridge, Op. 10: Variation 8: Funeral March
- Variations on a Theme of Frank Bridge, Op. 10: Variation 9: Chant
- Variations on a Theme of Frank Bridge, Op. 10: Variation 10: Fugue and Finale
- Prelude and Fugue for 18-part String Orchestra, Op. 29: I. Prelude: Grave
- Prelude and Fugue for 18-part String Orchestra, Op. 29: II. Fugue: Allegro energico
- Prelude and Fugue for 18-part String Orchestra, Op. 29: III. Coda: Grave coma prima
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Theme
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation A - The Flutes
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation B - The Oboes
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation C - The Clarinets
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation D - The Bassoons
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation E - The Violins
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation F - The Violas
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation G - The Cellos
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation H - The Double Bass
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation I - The Harp
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation J - The Horns
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation K - The Trumpets
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation L - The Trombones and Bass Tuba
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Variation M - The Percussion
- The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a theme of Henry Purcell): Fugue - Allegro molto
- Rejoice in the Lamb: For I Am Under the Same Accusation With My Saviour
- Rejoice in the Lamb: For H Is a Spirit and Therefore He is God
- Rejoice in the Lamb: For the instruments are by their rhimes
- Rejoice in the Lamb: Hallelujah from the heart of God
- Te Deum in C
- Jubilate Deo
- Antiphon
- Festival Te Deum
- Missa Brevis in D: Kyrie
- Missa Brevis in D: Gloria
- Missa Brevis in D: Sanctus
- Missa Brevis in D: Benedictus
- Missa Brevis in D: Agnus Dei
- Hymn to St Peter
- A Hymn of Saint Colombia
- Prelude and Fugue on a Theme of Vittoria
- Hymn to St Cecilia
- Suite for solo Cello, Op. 72: Canto Primo: Sostenuto e largamente
- Suite for solo Cello, Op. 72: I. Fuga: Andante moderato
- Suite for solo Cello, Op. 72: II. Lamento: Lento rubato
- Suite for solo Cello, Op. 72: Canto Secondo: Sostenuto
- Suite for solo Cello, Op. 72: III. Serenata: Allegretto; pizzicato
- Suite for solo Cello, Op. 72: IV. Marcia: Alla marcia moderato
- Suite for solo Cello, Op. 72: Canto Terzo: Sostenuto
- Suite for solo Cello, Op. 72: V. Bordone: Moderato quasi recitativo
- Suite for Solo Cello, Op. 72: VI. Moto Perpetuo e Canto Quarto: Presto
- Second Suite for solo Cello, Op. 80: I. Declamato: Largo
- Second Suite for solo Cello, Op. 80: II. Fuga: Andante
- Second Suite for solo Cello, Op. 80: III. Scherzo: Allegro molto
- Second Suite for solo Cello, Op. 80: IV. Andante lento
- Second Suite for solo Cello, Op. 80: V. Ciaccona: Allegro
- Symphony for Cello and Orchestra, Op. 68: I. Allegro maestoso
- Symphony for Cello and Orchestra, Op. 68: II. Presto inquieto
- Symphony for Cello and Orchestra, Op. 68: III. Adagio - cadenza
- Symphony for Cello and Orchestra, Op. 68: IV. Passacaglia: Andante allegro
- Gloriana, Op. 53a (Symphonic Suite): The Tournament
- Gloriana, Op. 53a (Symphonic Suite): The Lute Song
- Gloriana, Op. 53a (Symphonic Suite): Courtly Dance No. 1: March
- Gloriana, Op. 53a (Symphonic Suite): Courtly Dance No. 2: Coranto
- Gloriana, Op. 53a (Symphonic Suite): Courtly Dance No. 3: Pavane
- Gloriana, Op. 53a (Symphonic Suite): Courtly Dance No. 4: Morris Dance
- Gloriana, Op. 53a (Symphonic Suite): Courtly Dance No. 5: Galliard
- Gloriana, Op. 53a (Symphonic Suite): Courtly Dance No. 6: Lavolta
- Gloriana, Op. 53a (Symphonic Suite): Courtly Dance No. 7: March
- Four Sea Interludes, Op. 33A: I. Dawn
- Four Sea Interludes, Op. 33a: II. Sunday Morning
- Four Sea Interludes, Op. 33a: III. Moonlight
- Four Sea Interludes, Op. 33a: IV. Storm
- Passacaglia, Op. 33b
- Sinfonia da Requiem, Op. 20: II. Dies irae
- Sinfonia da Requiem, Op. 20: III. Requiem Aeternam
- Cello Suite No. 1, Op. 72: I. Canto primo
- Cello Suite No. 1, Op. 72: I. Fuga
- Cello Suite No. 1, Op. 72: II. Lamento
- Cello Suite No. 1, Op. 72: Canto secondo
- Cello Suite No. 1, Op. 72: III. Serenata
- Cello Suite No. 1, Op. 72: IV. Marcia
- Cello Suite No. 1, Op. 72: Canto terzo
- Cello Suite No. 1, Op. 72: V. Bordone
- Cello Suite No. 1, Op. 72: VI. Moto perpetuo e Canto quarto
- Cello Suite No. 2, Op. 80: I. Declamato
- Cello Suite No. 2, Op. 80: II. Fuga
- Cello Suite No. 2, Op. 80: III. Scherzo
- Cello Suite No. 2, Op. 80: IV. Andante lento
- Cello Suite No. 2, Op. 80: V. Ciaccona
- Cello Suite No. 3, Op. 87: I. Introduzione
- Cello Suite No. 3, Op. 87: II. Marcia
- Cello Suite No. 3, Op. 87: III. Canto
- Cello Suite No. 3, Op. 87: IV. Barcarola
- Cello Suite No. 3, Op. 87: V. Dialogo
- Cello Suite No. 3, Op. 87: VI. Fuga / VII. Recitativo
- Cello Suite No. 3, Op. 87: VII. Moto perpetuo
- Cello Suite No. 3, Op. 87: IX. Passacaglia
- Cello Suite No. 3, Op. 87: Mournful song
- Act 1, Scene 1 - Florence!
- I hope we're not too early
- Stuffy! Tobacco stink!
- Now then! Notebook, Florence!
- The first suggestion on my list
- Is this all you can bring?
- Beggin' your pardon
- Right! We'll have him!
- Scene 2 - Bounce me high, bounce me low
- Shop! Hi, Albert!
- Sid, I'm sorry
- Hi Sid! You forget to pay for the herbs
- Good morning, young man
- We bring great news to you
- Well! Think of that, my lad
- Act 2, Scene 1 - Interlude, Isn't he here?
- For three precious weeks
- That's a fine sight for sore eyes
- Quickly, quickly, come along
- The Rape of Lucretia, Act I Scene 1: Rome is now ruled by the Etruscan upstart
- The Rape of Lucretia, Act I Scene 1: It is axiom among kings
- The Rape of Lucretia, Act I Scene 1: Here the thirsty evening
- The Rape of Lucretia, Act I Scene 1: Who reaches Heaven first
- The Rape of Lucretia, Act I Scene 1: Maria was unmasked at a masked ball
- The Rape of Lucretia, Act I Scene 1: Collatinus is politically astute
- The Rape of Lucretia, Act I Scene 1: There goes a happy man!
- The Rape of Lucretia, Act I Scene 1: Tarquinius does not dare
- The Rape of Lucretia, Act I Scene 1: My horse! My horse! / Tarquinius does not wait
- The Rape of Lucretia, Act I Scene 2: Their spinning-wheel unwinds
- The Rape of Lucretia, Act I Scene 2: Listen! I heard a knock
- The Rape of Lucretia, Act I Scene 2: Time treads upon the hand of women
- The Rape of Lucretia, Act I Scene 2: The oatmeal slippers of sleep
- The Rape of Lucretia, Act II Scene 1: The prosperity of the Etruscans
- The Rape of Lucretia, Act II Scene 1: She sleeps as a rose
- The Rape of Lucretia, Act II Scene 1: Within this frail crublicle of light
- The Rape of Lucretia, Act II Scene 1: Lucretia! / What do you want?
- The Rape of Lucretia, Act II Scene 1: Interlude: Here in this scene
- The Rape of Lucretia, Act II Scene 2: Oh what a lovely day!
- The Rape of Lucretia, Act II Scene 2: We'll leave the orchids for Lucretia
- The Rape of Lucretia, Act II Scene 2: Flowers bring to every year
- The Rape of Lucretia, Act II Scene 2: You were right
- The Rape of Lucretia, Act II Scene 2: Lucretia! Lucretia!
- The Rape of Lucretia, Act II Scene 2: Last night Tarquinius ravished me
- The Rape of Lucretia, Act II Scene 2: This dead hand lets fall
- The Rape of Lucretia, Act II Scene 2: Epilogue: Is that all?
- A Ceremony of Carols: Procession
- A Ceremony of Carols: Wolcum Yole!
- A Ceremony of Carols: There Is No Rose
- A Ceremony of Carols: That Yonge Child
- A Ceremony of Carols: Balulalow
- A Ceremony of Carols: As Dew in Aprille
- A Ceremony of Carols: This Little Babe
- A Ceremony of Carols: Interlude
- A Ceremony of Carols: In Freezing Winter Night
- A Ceremony of Carols: Spring Carol
- A Ceremony of Carols: Deo gracias - Adam lay ibounden
- A Ceremony of Carols: Recession
- Rejoice in the Lamb: For I will consider my Cat Jeoffry
- Rejoice in the Lamb: For the Mouse...
- Rejoice in the Lamb: Hallelujah
- A Boy was Born: Theme. A boy was born
- A Boy was Born: Variation I. Lullay, Jesu
- A Boy was Born: Variation II. Herod
- A Boy was Born: Variation III. Jesu, as Thou art our Saviour
- A Boy was Born: Variation IV. The three kings
- A Boy was Born: Variation V. In the bleak mid-winter
- A Boy was Born: Variation VI (Finale). Noel!
- The Young Person's Guide To The Orchestra, Op. 34: Variations and Fugue on a Theme by Purcell
- Variations on a Theme by Frank Bridge, Op. 10: Adagio
- Variations on a Theme by Frank Bridge, Op. 10: March
- Variations on a Theme by Frank Bridge, Op. 10: Romance
- Variations on a Theme by Frank Bridge, Op. 10: Aria Italiana
- Variations on a Theme by Frank Bridge, Op. 10: Bourrée Classique
- Variations on a Theme by Frank Bridge, Op. 10: Wiener Walzer
- Variations on a Theme by Frank Bridge, Op. 10: Moto Perpetuo
- Variations on a Theme by Frank Bridge, Op. 10: Funeral March
- Variations on a Theme by Frank Bridge, Op. 10: Chant
- Variations on a Theme by Frank Bridge, Op. 10: Fugue and Finale
- Four Sea Interludes from "Peter Grimes", Op.33a: Dawn
- Four Sea Interludes from "Peter Grimes", Op.33a: Sunday Morning
- Four Sea Interludes from "Peter Grimes", Op.33a: Moonlight
- Four Sea Interludes from "Peter Grimes", Op.33a: Storm
- Passacaglia from "Peter Grimes", Op. 33b
- Spoken introduction
- Theme
- Wood Wind
- Brass
- Strings
- Percussion
- Full orchestra
- A. Flutes and piccolo
- B. Oboes
- C. Clarinets
- D. Bassoons
- E. Violins
- F. Violas
- G. Cellos
- H. Double basses
- I. Harp
- J. Horns
- K. Trumpets
- L. Trombones and bass ruba
- M. Percussion
- Fugue
- Matinées musicales: March
- Matinées musicales: Nocturne
- Matinées musicales: Waltz
- Matinées musicales: Pantomime
- Matinées musicales: Moto perpetuo
- Four Sea Interludes from 'Peter Grimes': Dawn
- Four Sea Interludes from 'Peter Grimes': Sunday Morning
- Four Sea Interludes from 'Peter Grimes': Moonlight
- Four Sea Interludes from 'Peter Grimes': Storm
- Passacaglia from 'Peter Grimes': Passacaglia
- Soirées musicales: March
- Soirées musicales: Canzonetta
- Soirées musicales: Tirolese
- Soirées musicales: Bolero
- Soirées musicales: Tarantella
- Albert Herring, Act I Scene 1: The morning room at Lady Billows' house in Loxford
- Albert Herring, Act I Scene 1: Doctor Jessop's midwife...
- Albert Herring, Act I Scene 1: I hope we're not too early
- Albert Herring, Act I Scene 1: Stuffy! Tobacco stink!
- Albert Herring, Act I Scene 1: Now then! Notebook, Florence!
- Albert Herring, Act I Scene 1: The first suggestion on my list
- Albert Herring, Act I Scene 1: Is this all you can bring?
- Albert Herring, Act I Scene 1: Begging your pardon
- Albert Herring, Act I Scene 1: Virtue, says Holy Writ
- Albert Herring, Act I Scene 1: Right! We'll have him!
- Albert Herring, Act I Scene 1: Interlude
- Albert Herring, Act I Scene 2: Bounce me high
- Albert Herring, Act I Scene 2: Shop! Hi! Albert!
- Albert Herring, Act I Scene 2: Did you ever have a pint at the local?
- Albert Herring, Act I Scene 2: Sid I'm sorry but...
- Albert Herring, Act I Scene 2: We'll walk to the spinney
- Albert Herring, Act I Scene 2: He's much too busy
- Albert Herring, Act I Scene 2: Mum wants two penn'oth of potherbs
- Albert Herring, Act I Scene 2: Good morning, young man!
- Albert Herring, Act I Scene 2: We bring great news to you
- Albert Herring, Act I Scene 2: Well, think of that, my lad
- Albert Herring, Act II Scene 1: Inside a marquee...
- Albert Herring, Act II Scene 1: For three precious weeks
- Albert Herring, Act II Scene 1: That's a fine sight for sore eyes!
- Albert Herring, Act II Scene 1: Quickly, quickly
- Albert Herring, Act II Scene 1: I don't think you ought!
- Albert Herring, Act II Scene 1: Quick, here they are!
- Albert Herring, Act II Scene 1: Husssh!... Harold Wood!
- Albert Herring, Act II Scene 1: Come, let's sit down
- Albert Herring, Act II Scene 1: I'm full of happiness
- Albert Herring, Act II Scene 1: As representing our local Council
- Albert Herring, Act II Scene 1: My heart leaps up with joy to see
- Albert Herring, Act II Scene 1: Erhumph...
- Albert Herring, Act II Scene 1: Go on, Albert!
- Albert Herring, Act II Scene 1: Albert the Good!
- Albert Herring, Act II Scene 1: Bring the plates! Quickly now!
- Albert Herring, Act II Scene 2: Albert the Good!
- Albert Herring, Act II Scene 2: Why did she stare...?
- Albert Herring, Act II Scene 2: You oughtn't to whistle
- Albert Herring, Act II Scene 2: Come along, darling
- Albert Herring, Act II Scene 2: Heaven helps those who help themselves
- Albert Herring, Act II Scene 2: Albert! Albert? Fast asleep, poor kid!
- Albert Herring, Act III: The following afternoon...
- Albert Herring, Act III: Is she asleep?
- Albert Herring, Act III: What the hell d'you think I am?
- Albert Herring, Act III: How's the manhunt?
- Albert Herring, Act III: Have you found him?
- Albert Herring, Act III: All that I did!
- Albert Herring, Act III: Fools!
- Albert Herring, Act III: In the midst of life is death
- Albert Herring, Act III: Albert...?
- Albert Herring, Act III: I can't remember everything
- Albert Herring, Act III: Hi! That's my girl
- Prelude and Fugue, Op. 29
- Lachrymae, Op. 48a
- Variations on a Theme of Frank Bridge, Op. 10: Variation 6: Wiener Walzer
- Ballad of Heroes, Op. 14: III. Recitative and Choral
- Diversions for piano (left hand) & orchestra, Op. 21: Variation I. Recitative
- Diversions for piano (left hand) & orchestra, Op. 21: Variation II. Romance
- Diversions for piano (left hand) & orchestra, Op. 21: Variation III. March
- Diversions for piano (left hand) & orchestra, Op. 21: Variation IV. Arabesque
- Diversions for piano (left hand) & orchestra, Op. 21: Variation V. Chant
- Diversions for piano (left hand) & orchestra, Op. 21: Variation VI. Nocturne
- Diversions for piano (left hand) & orchestra, Op. 21: Variation VII. Badinerie
- Diversions for piano (left hand) & orchestra, Op. 21: Variation VIII. Burlesque
- Diversions for piano (left hand) & orchestra, Op. 21: Variation IX. Toccata I - Toccata II
- Diversions for piano (left hand) & orchestra, Op. 21: Variation X. Adagio
- Diversions for piano (left hand) & orchestra, Op. 21: Variation XI. Tarantella
- The Building of the House, Op. 79: Overture
- Praise We Great Men (1976): "Praise We Great Men"
- Praise We Great Men (1976): "Praise We the Just"
- (Coda)
- Suite on English Folk Tunes, Op. 90 "A time there was...": I. Cakes and Ale
- Suite on English Folk Tunes, Op. 90 "A time there was...": II. The Bitter Withy
- Suite on English Folk Tunes, Op. 90 "A time there was...": III. Hankin Booby
- Suite on English Folk Tunes, Op. 90 "A time there was...": IV. Hunt the Squirrel
- Suite on English Folk Tunes, Op. 90 "A time there was...": V. Lord Melbourne
- Friday Afternoons, Op. 7 No. 1: Begone, dull care!
- Friday Afternoons, Op. 7 No. 2: A tragic story
- Friday Afternoons, Op. 7 No. 3: Cuckoo!
- Friday Afternoons, Op. 7 No. 4: "Ee-oh!"
- Friday Afternoons, Op. 7 No. 5: A New Year Carol
- Friday Afternoons, Op. 7 No. 6: I mun be married on Sunday
- Friday Afternoons, Op. 7 No. 7: There was a man of Newington
- Friday Afternoons, Op. 7 No. 8: Fishing song
- Friday Afternoons, Op. 7 No. 9: The useful plough
- Friday Afternoons, Op. 7 No. 10: Jazz-Man
- Friday Afternoons, Op. 7 No. 11: There was a monkey
- Friday Afternoons, Op. 7 No. 12: Old Abram Brown
- Sweet Was the Song
- Francie
- The Birds
- Two-part Song No. 1: The Ride-by-nights
- Two-part Song No. 2: The Rainbow
- Two-part Song No. 3: The Ship of Rio
- A Ceremony of Carols, op. 28: Wolcum Yole!
- A Ceremony of Carols, Op. 28: Interlude: andante pastorale
- A Ceremony of Carols, Op. 28: Adam lay i-bounden
- Saint Nicolas, Op. 42: I. Introduction
- Saint Nicolas, Op. 42: II. The Birth of Nicolas
- Saint Nicolas, Op. 42: III. Nicolas Devotes Himself to God
- Saint Nicolas, Op. 42: IV. He Journeys to Palestine
- Saint Nicolas, Op. 42: V. Nicolas Comes to Myra and Is Chosen Bishop
- Saint Nicolas, Op. 42: VI. Nicolas from Prison
- Saint Nicolas, Op. 42: VII. Nicolas and the Pickled Boys
- Saint Nicolas, Op. 42: VIII. His Piety and Marvellous Works
- Saint Nicolas, Op. 42: IX. The Death of Nicolas
- Hymn to Saint Cecilia, Op. 27
- The Foggy Foggy Dew
- Tom Bowling
- A Brisk Young Widow
- Early One Morning
- The Bonny Earl O'Moray
- Le roi s'en va-t'en chasse
- Ca' the Yowes
- War Requiem, Op. 66: I. Requiem aeternam: "Requiem aeternam dona eis Domine"
- War Requiem, Op. 66: I. Requiem aeternam: "What passing-bells for these who die as cattle?"
- War Requiem, Op. 66: II. Dies irae: "Dies irae, dies illa"
- War Requiem, Op. 66: II. Dies irae: "Bugles sang, saddening the evening air"
- War Requiem, Op. 66: II. Dies irae: "Liber scriptus proferetur"
- War Requiem, Op. 66: II. Dies irae: "Out there, we've walked quite friendly up to Death"
- War Requiem, Op. 66: II. Dies irae: "Recordare, Jesu pie"
- War Requiem, Op. 66: II. Dies irae: "Be slowly lifted up, thou long black arm"
- War Requiem, Op. 66: II. Dies irae: "Lacrimosa dies illa"
- War Requiem, Op. 66: II. Dies irae: "Move him into the sun"
- War Requiem, Op. 66: III. Offertorium: "Domine Jesu Christe, Rex gloriae"
- War Requiem, Op. 66: III. Offertorium: "So Abram rose, and clave the wood, and went"
- War Requiem, Op. 66: IV. Sanctus: "Sanctus, sanctus, sanctus"
- War Requiem, Op. 66: IV. Sanctus: "After the blast of lightning from the East"
- War Requiem, Op. 66: V. Agnus Dei: "One ever hangs where shelled roads part"
- War Requiem, Op. 66: VI. Libera me: "Libera me, Domine, de morte aeterna"
- War Requiem, Op. 66: VI. Libera me: "It seemed that out of battle I escaped"
- War Requiem, Op. 66: VI. Libera me: "Let us sleep now"
- Death in Venice, Act I Scene 1 (Munich): My mind beats on
- Death in Venice, Act I Scene 1 (Munich): Who's that?
- Death in Venice, Act I Scene 1 (Munich): I have always kept a close watch on my development
- Death in Venice, Act I Scene 2 (On the Boat to Venice): Hey there, hey there, you!
- Death in Venice, Act I Scene 2 (On the Boat to Venice): Overture: Venice
- Death in Venice, Act I Scene 3 (The Journey to the Lido): Ah Serenissima!
- Death in Venice, Act I Scene 3 (The Journey to the Lido): Mysterious gondola
- Death in Venice, Act I Scene 4 (The First Evening at the Hotel): We are delighted to greet the Signore
- Death in Venice, Act I Scene 4 (The First Evening at the Hotel): So I am led to Venice once again
- Death in Venice, Act I Scene 4 (The First Evening at the Hotel): The Lido is so charming, is it not?
- Death in Venice, Act I Scene 4 (The First Evening at the Hotel): How does such beauty come about?
- Death in Venice, Act I Scene 5 (On the Beach): The wind is from the West
- Death in Venice, Act I Scene 5 (On the Beach): Le bele fragole
- Death in Venice, Act I Scene 5 (On the Beach): Ah, how peaceful to contemplate the sea
- Death in Venice, Act I Scene 5 (On the Beach): Adziù! Adziù!
- Death in Venice, Act I Scene 5 (On the Beach): As one who strives to create beauty
- Death in Venice, Act I Scene 6 (The Foiled Departure): Aou! Stagando, aou!
- Death in Venice, Act I Scene 6 (The Foiled Departure): Naturally, Signore, I understand
- Death in Venice, Act I Scene 6 (The Foiled Departure): There you are, Signore, just in time
- Death in Venice, Act I Scene 6 (The Foiled Departure): I am become like one of my early heroes
- Death in Venice, Act I Scene 6 (The Foiled Departure): A thousand apologies to Signore
- Death in Venice, Act I Scene 7 (The Games of Apollo): Beneath a dazzling sky the sea
- Death in Venice, Act I Scene 7 (The Games of Apollo): No boy, but Phoebus of the golden hair
- Death in Venice, Act I Scene 7 (The Games of Apollo): See where Hyacinthus plays
- Death in Venice, Act I Scene 7 (The Games of Apollo): Phaedrus learned what beauty is
- Death in Venice, Act I Scene 7 (The Games of Apollo): First, the race!
- Death in Venice, Act I Scene 7 (The Games of Apollo): Try your skill
- Death in Venice, Act I Scene 7 (The Games of Apollo): Young discobolus
- Death in Venice, Act I Scene 7 (The Games of Apollo): Up and over
- Death in Venice, Act I Scene 7 (The Games of Apollo): Measure to fight
- Death in Venice, Act I Scene 7 (The Games of Apollo): The boy, Tadzio, shall inspire me
- Death in Venice, Act II Scene 7 (The Games of Apollo): [Orchestral Introduction]
- Death in Venice, Act II Scene 7 (The Games of Apollo): So it has come to this
- Death in Venice, Act II Scene 8 (The Hotel Barber's Shop): Guardate, Signore!
- Death in Venice, Act II Scene 9 (The Pursuit): Do I detect a scent?
- Death in Venice, Act II Scene 9 (The Pursuit): And now I cannot let them out of sight
- Death in Venice, Act II Scene 9 (The Pursuit): Kyrie eleison
- Death in Venice, Act II Scene 9 (The Pursuit): Gustav von Aschenbach, what is this path you have taken?
- Death in Venice, Act II Scene 10 (The Strolling Players): This way for the players, Signori!
- Death in Venice, Act II Scene 10 (The Strolling Players): La mia nonna always used to tell me
- Death in Venice, Act II Scene 10 (The Strolling Players): Fiorir rose in mezo al giasso
- Death in Venice, Act II Scene 10 (The Strolling Players): One moment, if you please / Scene 11 (The Travel Bureau)
- Death in Venice, Act II Scene 12 (The Lady of the Pearls): So it is true, true, more fearful than I thought
- Death in Venice, Act II Scene 12 (The Lady of the Pearls): So - I didn't speak!
- Death in Venice, Act II Scene 13 (The Dream): Receive the stranger god
- Death in Venice, Act II Scene 14 (The Empty Beach): Do what you will with me!
- Death in Venice, Act II Scene 15 (The Hotel Barber's Shop): Yes! A very wise decision, if I may say so
- Death in Venice, Act II Scene 16 (The Last Visit to Venice): Hurrah for the Piazza
- Death in Venice, Act II Scene 16 (The Last Visit to Venice): Does beauty lead to wisdom, Phaedrus?
- Death in Venice, Act II Scene 17 (The Departure): The wind still blows from the land
- Death in Venice, Act II Scene 17 (The Departure): Ah, no!
- I. Requiem aeternam - Requiem aeternam
- I. Requiem aeternam - What passing-bells, Tenor
- I. Requiem aeternam - Kyrie eleison, Chorus
- II. Dies irae - Dies irae, dies illa, Chorus
- II. Dies irae - Dugles sang, Baritone
- II. Dies irae - Liber scriptus proferetur, Soprano, Chorus
- II. Dies irae - Out there, Tenor, Baritone
- II. Dies irae - Recordare Jesu pie, Chorus
- II. Dies irae - De slowly lifted up, Baritone
- II. Dies irae - Dies irae, dies illa, Chorus, Soprano
- II. Dies irae - Lacrimosa, Chorus
- II. Dies irae - Pie Jesu Domine, Chorus
- III. Offertorium - Domine Jesu Christe, Boy's Choir
- III. Offertorium - Sed signifer sanctus Michael, Chorus
- III. Offertorium - So Abraham rose, Baritone, Tenor
- III. Offertorium - Quam olim Abrahae promisisti, Chorus
- IV. Sanctus - Sanctus, Soprano, Chorus
- IV. Sanctus - Hosanna - Benedictus - Hosanna, Chorus, Soprano
- IV. Sanctus - After the blast, Baritone
- Requiem aeternam: Requiem aeternam (chorus)
- Requiem aeternam: What passing-bells for these who die as cattle? (tenor)
- Dies irae: Dies irae (chorus)
- Dies irae: Bugles sang (baritone)
- Dies irae: Liber scriptus proferetur (soprano)
- Dies irae: Out there (tenor and baritone)
- Dies irae: Recordare Jesu pie (chorus)
- Dies irae: Be slowly lifted up (baritone)
- Dies irae: Lacrimosa dies illa (soprano and chorus)
- Dies irae: Move him into the sun (tenor)
- Offertorium: Domine Jesu Christe (boys)
- Offertorium: So Abram rose (tenor and baritone)
- Sanctus: Sanctus, sanctus, sanctus (soprano and chorus)
- Sanctus: After the blast of lightning (baritone)
- Agnus Dei: One ever hangs (tenor and chorus)
- Libera me: Libera me, Domine (chorus)
- Libera me: It seemed that out of battle I escaped (tenor)
- Libera me: Let us sleep now ... In paradisum (baritone, tenor, boys, soprano and chorus)
- Rehearsing War Requiem: Dies irae
- Rehearsing War Requiem: Dies irae (Discussion between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya)
- Rehearsing War Requiem: Sanctus (Discussion in the control room between Britten and Galina Vishnevskaya)
- Rehearsing War Requiem: Agnus Dei (Discussion in the control room between Britten, Peter Pears and John Culshaw)
- Rehearsing War Requiem: Libera me (Discussion in the control room between Britten and John Culshaw)
- A Midsummer Night's Dream, Act I: Introduction / Over hill, over dale
- A Midsummer Night's Dream, Act I: Oberon is passing / Ill met by moonlight
- A Midsummer Night's Dream, Act I: Well, go thy way
- A Midsummer Night's Dream, Act I: How now, my love?
- A Midsummer Night's Dream, Act I: (Be it on Lion...) / I love thee not
- A Midsummer Night's Dream, Act I: Welcome, wanderer! / I know a bank
- A Midsummer Night's Dream, Act I: Is all our company here?
- A Midsummer Night's Dream, Act I: Fair love, you faint with wand'ring
- A Midsummer Night's Dream, Act I: Through the forest have I gone
- A Midsummer Night's Dream, Act I: Stay, tho' thou kill me, sweet Demetrius
- A Midsummer Night's Dream, Act I: Come, now a roundel, and a fairy song
- A Midsummer Night's Dream, Act I: You spotted snakes
- A Midsummer Night's Dream, Act I: What thou seest when thou dost wake
- A Midsummer Night's Dream, Act II: Introduction
- A Midsummer Night's Dream, Act II: Are we all met?
- A Midsummer Night's Dream, Act II: I see their knavery
- A Midsummer Night's Dream, Act II: Be kind and courteous
- A Midsummer Night's Dream, Act II: Hail, mortal, hail!
- A Midsummer Night's Dream, Act II: I have a reas'nable good ear in music
- A Midsummer Night's Dream, Act II: How now, mad spirit
- A Midsummer Night's Dream, Act II: Flower of this purple dye
- A Midsummer Night's Dream, Act II: Puppet? why so?
- A Midsummer Night's Dream, Act II: This is thy negligence...
- A Midsummer Night's Dream, Act II: Up & Down
- A Midsummer Night's Dream, Act II: On the ground, sleep sound
- A Midsummer Night's Dream, Act III Scene 1: Introduction - My gentle Robin
- A Midsummer Night's Dream, Act III Scene 1: Helena! - Hermia!
- A Midsummer Night's Dream, Act III Scene 1: When my cue comes, call me
- A Midsummer Night's Dream, Act III Scene 1: Have you sent to Bottom's house?
- A Midsummer Night's Dream, Act III Scene 2: Orchestral march - Now, fair Hippolyta
- A Midsummer Night's Dream, Act III Scene 2: If we offend, it is with our good will
- A Midsummer Night's Dream, Act III Scene 2: Gentles, perchance you wonder at this show
- A Midsummer Night's Dream, Act III Scene 2: In the same interlude
- A Midsummer Night's Dream, Act III Scene 2: O grim-look'd night
- A Midsummer Night's Dream, Act III Scene 2: O Wall, full often hast thou heard my moans
- A Midsummer Night's Dream, Act III Scene 2: You Ladies, you
- A Midsummer Night's Dream, Act III Scene 2: This lanthorn doth the horned Moon present
- A Midsummer Night's Dream, Act III Scene 2: Sweet moon, I thank thee for thy sunny beams...
- A Midsummer Night's Dream, Act III Scene 2: Asleep, my Love? What, dead my dove?
- A Midsummer Night's Dream, Act III Scene 2: Come, your Bergomask
- A Midsummer Night's Dream, Act III Scene 2: Now the hungry lion roars
- Canadian Carnival Overture Op 19
- Serenade for tenor, horn & strings Op 31: 01 Prologue
- Serenade for tenor, horn & strings Op 31: 08 Epilogue
- Peter Grimes Four Sea Interludes Op 33a: 01 Dawn
- Peter Grimes Four Sea Interludes Op 33a: 02 Sunday Morning
- Peter Grimes Four Sea Interludes Op 33a: 03 Moonlight
- Peter Grimes Four Sea Interludes Op 33a: 04 Storm
- Simple Symphony Op 4: 01 Boisterous Bourrée
- Simple Symphony Op 4: 02 Playful Pizzicato
- Simple Symphony Op 4: 03 Sentimental Sarabande
- Simple Symphony Op 4: 04 Frolicsome Finale
- The Queen's Epicedium (1946)
- The Blessed Virgin's Expostulation (1947)
- Saul and the Witch at Endor (1947)
- Three Divine Hymms (1947): Lord, what is man?
- Three Divine Hymms (1947): We sing to him
- Three Divine Hymms (1947): Evening Hymm
- Job's Curse (1950)
- Two Divine Hymms and Alleluia (1960): A Morning Hymm
- Two Divine Hymms and Alleluia (1960): Alleluia
- Two Divine Hymms and Alleluia (1960): In the black dismal dungeon of despair
- from A Miscellany of Songs (1971, pub 1994): Dulcibella
- from A Miscellany of Songs (1971, pub 1994): When Myra sings
- Let the dreadful engines of eternal will
- War Requiem, op. 66: II. Dies irae: Dies irae, dies illa
- War Requiem, Op. 66: II. Dies irae: Be slowly lifted up, thou long black arm
- War Requiem, Op. 66: II. Dies irae: Move him into the sun/Lacrimosa
- War Requiem, Op. 66: III. Offertorium: Domine Jesu Christe/Sed signifer sanctus Michael... Quam olim Abrahae promisisti
- War Requiem, Op. 66: III. Offertorium: So Abram rose, and clave the wood/Hostias
- Cello symphony, Op. 68: I. Allegro maestoso
- Cello symphony, Op. 68: II. Presto inquieto
- Cello symphony, Op. 68: III. Adagio - cadenza
- Cello symphony, Op. 68: IV. Passagaclia: Andante allegro
- Sinfonia da Requiem: I. Lacrymosa
- Sinfonia da Requiem: II. Dies irae
- Sinfonia da Requiem: III. Requiem aeternam
- Cantata misericordium, op. 69
- Suite for Solo Cello No. 1 in G major, Op. 72: Canto primo: Sostenuto e largamente
- Suite for Solo Cello No. 1 in G major, Op. 72: I. Fuga: Andante moderato
- Suite for Solo Cello No. 1 in G major, Op. 72: II. Lamento: Lento rubato
- Suite for Solo Cello No. 1 in G major, Op. 72: Canto secondo: Sostenuto
- Suite for Solo Cello No. 1 in G major, Op. 72: III. Serenata: Allegretto (pizzicato)
- Suite for Solo Cello No. 1 in G major, Op. 72: IV. Marcia: Alla marcia moderato
- Suite for Solo Cello No. 1 in G major, Op. 72: Canto terzo: Sostenuto
- Suite for Solo Cello No. 1 in G major, Op. 72: V. Bordone: Moderato quasi recitativo
- Suite for Solo Cello No. 1 in G major, Op. 72: VI. Moto perpetuo e Canto quarto: Presto
- Suite for Solo Cello No. 2 in D major, Op. 80: I. Declamato: Largo
- Suite for Solo Cello No. 2 in D major, Op. 80: II. Fuga: Andante
- Suite for Solo Cello No. 2 in D major, Op. 80: III. Scherzo: Allegro molto
- Suite for Solo Cello No. 2 in D major, Op. 80: IV. Andante lento
- Suite for Solo Cello No. 2 in D major, Op. 80: V. Ciaccona: Allegro
- Suite for Solo Cello No. 3, Op. 87: I. Introduzione: Lento
- Suite for Solo Cello No. 3, Op. 87: II. Marcia: Allegro
- Suite for Solo Cello No. 3, Op. 87: III. Canto: Con moto
- Suite for Solo Cello No. 3, Op. 87: IV. Barcarola: Lento
- Suite for Solo Cello No. 3, Op. 87: V. Dialogo: Allegretto
- Suite for Solo Cello No. 3, Op. 87: VI. Fuga: Andante espressivo
- Suite for Solo Cello No. 3, Op. 87: VII. Recitativo: Fantastico
- Suite for Solo Cello No. 3, Op. 87: VIII. Moto perpetuo: Presto
- Suite for Solo Cello No. 3, Op. 87: IX. Passacaglia: Lento solenne
- Peter Grimes, Prologue: Peter Grimes!
- Peter Grimes, Prologue: You sailed your boat round the coast
- Peter Grimes, Prologue: Peter Grimes, I here advise you!
- Peter Grimes, Prologue: The truth...the pity...and the truth
- Peter Grimes, Prologue: Interlude I
- Peter Grimes, Act 1 Scene 1: Oh! hang at open doors the net, the cork,
- Peter Grimes, Act 1 Scene 1: Hi! Give us a hand!
- Peter Grimes, Act 1 Scene 1: I have to go from pub to pub
- Peter Grimes, Act 1 Scene 1: Let her among you without fault cast the first stone
- Peter Grimes, Act 1 Scene 1: Look, the storm cone!
- Peter Grimes, Act 1 Scene 1: And do you prefer the storm
- Peter Grimes, Act 1 Scene 1: What harbour shelters peace
- Peter Grimes, Act 1 Scene 1: Interlude II
- Peter Grimes, Act 1 Scene 2: Past time to close!
- Peter Grimes, Act 1 Scene 2: We live and let live
- Peter Grimes, Act 1 Scene 2: Have you heard? The cliff is down
- Peter Grimes, Act 1 Scene 2: Now the Great Bear and Pleiades
- Peter Grimes, Act 1 Scene 2: Old Joe has gone fishing
- Peter Grimes, Act 1 Scene 2: The bridge is down, we half swam over
- Peter Grimes, Act 2: Interlude III
- Peter Grimes, Act 2 Scene 1: Glitter of waves and glitter of sunlight
- Peter Grimes, Act 2 Scene 1: Let this be a holiday
- Peter Grimes, Act 2 Scene 1: This unrelenting work
- Peter Grimes, Act 2 Scene 1: Fool to let it come to this!
- Peter Grimes, Act 2 Scene 1: What is it?
- Peter Grimes, Act 2 Scene 1: People!... No! I will speak!
- Peter Grimes, Act 2 Scene 1: We planned that their lives should have a new start
- Peter Grimes, Act 2 Scene 1: Swallow! Shall we go and see Grimmes in his hut?
- Peter Grimes, Act 2 Scene 1: Now is gossip put on trial,
- Peter Grimes, Act 2 Scene 1: From the gutter, why should we trouble at their ribaldries?
- Peter Grimes, Act 2 Scene 1: Interlude IV: Passacaglia
- Peter Grimes, Act 2 Scene 2: Go there!
- Peter Grimes, Act 2 Scene 2: Now!... Now!...
- Peter Grimes, Act 2 Scene 2: Peter Grimes! Nobody here?
- Peter Grimes, Act 3: Interlude V
- Peter Grimes, Act 3 Scene 1: Assign your prettiness to me
- Peter Grimes, Act 3 Scene 1: Pah! Ahoy!
- Peter Grimes, Act 3 Scene 1: Come along, Doctor!
- Peter Grimes, Act 3 Scene 1: Embroidery in childhood was a luxury of idleness
- Peter Grimes, Act 3 Scene 1: Mister Swallow! Mister Swallow!
- Peter Grimes, Act 3 Scene 1: Who holds himself apart, lets his pride rise
- Peter Grimes, Act 3 Scene 1: Interlude VI
- Peter Grimes, Act 3 Scene 2: Grimes! Grimes!
- Peter Grimes, Act 3 Scene 2: Peter, we've come to take you home
- Peter Grimes, Act 3 Scene 2: To those who pass the Borough
- 4 Chansons Francaises, Op. posth.: Nuits de Juin
- 4 Chansons Francaises, Op. posth.: Sagesse
- 4 Chansons Francaises, Op. posth.: L'Enface
- 4 Chansons Francaises, Op. posth.: Chanson d'Automne
- Our hunting fathers, op. 8: Prologue
- Our hunting fathers, op. 8: Rats away!
- Our hunting fathers, op. 8: Messalina
- Our Hunting Fathers, Op. 8: Dance of Death (Hawking for the Partridge)
- Epilogue and a Funeral March
- Les Illuminations, op. 18: I. Fanfare
- Les Illuminations, op. 18: II. Villes
- Les Illuminations, op. 18: IIIa. Phrase
- Les Illuminations, op. 18: IIIb. Antique
- Les Illuminations, op. 18: IV. Royauté
- Les Illuminations, op. 18: V. Marine
- Les Illuminations, op. 18: VI. Interlude
- Les Illuminations, op. 18: VII. Being beauteous
- Les Illuminations, op. 18: VIII. Parade
- Les Illuminations, op. 18: IX. Départ
- Canticle I, Op. 40: My Beloved is Mine
- Canticle II, Op. 51: Abraham and Isaac
- The Heart of the Matter: Prologue, Fanfare, Song
- The Heart of the Matter: Reading 1, Fanfare
- The Heart of the Matter: Reading 2
- The Heart of the Matter: Song
- The Heart of the Matter: Reading 3
- Canticle III, Op. 55: Still Falls the Rain
- The Heart of the Matter: Reading 4
- The Heart of the Matter: Epilogue, Fanfare, Song
- Canticle IV, Op. 86: Journey of the Magi
- Canticle V, Op. 89: The Death of St Narcissus
- Peter Grimes, Op. 33, Prologue: "The truth... the pity..."
- Peter Grimes, Op. 33: Interlude I
- Peter Grimes, Op. 33, Act I, Scene 1: "Oh, hang at open doors"
- Peter Grimes, Op. 33, Act I, Scene 1: "Hi! Give us a hand"
- Peter Grimes, Op. 33, Act I, Scene 1: "I have to go from pub to pub"
- Peter Grimes, Op. 33, Act I, Scene 1: "Let her among you"
- Peter Grimes, Op. 33, Act I, Scene 1: "Look, the storm come!"
- Peter Grimes, Op. 33, Act I, Scene 1: "And do you prefer the storm"
- Peter Grimes, Op. 33, Act I, Scene 1: "What harbour shelters peace"
- Peter Grimes, Op. 33: Interlude II
- Peter Grimes, Op. 33, Act I, Scene 2: "Past time to close!"
- Peter Grimes, Op. 33, Act I, Scene 2: "We live and let live"
- Peter Grimes, Op. 33, Act I, Scene 2: "Have you heard?"
- Peter Grimes, Op. 33, Act I, Scene 2: "Now the Great Bear and Pleiades"
- Peter Grimes, Op. 33, Act I, Scene 2: "Old Joe has gone fishing"
- Peter Grimes, Op. 33: Interlude III
- Peter Grimes, Op. 33, Act II, Scene 1: "Glitter of waves"
- Peter Grimes, Op. 33, Act II, Scene 1: "Let this be a holiday"
- Peter Grimes, Op. 33, Act II, Scene 1: "This unrelenting work"
- Peter Grimes, Op. 33, Act II, Scene 1: "Fool to let it come to this!"
- Peter Grimes, Op. 33, Act II, Scene 1: "What is it?"
- Peter Grimes, Op. 33, Act II, Scene 1: "People!...No! I will speak!"
- Peter Grimes, Op. 33, Act II, Scene 1: "We planned that their lives"
- Peter Grimes, Op. 33, Act II, Scene 1: "Swallow! Shall we go"
- Peter Grimes, Op. 33, Act II, Scene 1: "Now is gossip put on trial"
- Peter Grimes, Op. 33, Act II, Scene 1: "From the gutter"
- Peter Grimes, Op. 33: Interlude IV
- Peter Grimes, Op. 33, Act II, Scene 2: "Go there!"
- Peter Grimes, Op. 33, Act II, Scene 2: "Now!...Now!"
- Peter Grimes, Op. 33, Act II, Scene 2: "Peter Grimes! Nobody here?"
- Peter Grimes, Op. 33: Interlude V
- Peter Grimes, Op. 33, Act III, Scene 1: "Assign your prettiness to me"
- Peter Grimes, Op. 33, Act III, Scene 1: "Pah!"
- Peter Grimes, Op. 33, Act III, Scene 1: "Come along, Doctor!"
- Peter Grimes, Op. 33, Act III, Scene 1: "Embroidery in childhood"
- Peter Grimes, Op. 33, Act III, Scene 1: "Mr. Swallow!"
- Peter Grimes, Op. 33, Act III, Scene 1: "Who holds himself apart"
- Peter Grimes, Op. 33: Interlude VI
- Peter Grimes, Op. 33, Act III, Scene 2: "Grimes! Grimes!"
- Peter Grimes, Op. 33, Act III, Scene 2: "Peter, we've come to take you home"
- Peter Grimes, Op. 33, Act III, Scene 2: "To those who pass the Borough"
- Quatre chansons françaises: Nuit de juin
- Quatre chansons françaises: Sagesse
- Quatre chansons françaises: L'Enfance
- Quatre chansons françaises: Chanson d'automne
- Scottish Ballad, Op. 26
- The Young Person's Guide to the Orchestra
- Simple Symphony: I. Boisterous Bourree
- Simple Symphony: II. Playful Pizzicato
- Simple Symphony: III. Sentimental Saraband
- Simple Symphony: IV. Frolicsome Finale
- Variation on Frank Bridge: I. Introduction and Theme
- Variation on Frank Bridge: II. Adagio
- Variation on Frank Bridge: III. March
- Variation on Frank Bridge: IV. Romance
- Variation on Frank Bridge: V. Aria italiana
- Variation on Frank Bridge: VI. Bourree Classique
- Variation on Frank Bridge: VII. Wiener Walzer
- Variation on Frank Bridge: VIII. Moto Perpetuo
- Variation on Frank Bridge: IX. Funeral March
- Variation on Frank Bridge: X. Chant
- Variation on Frank Bridge: XI. Fugue and Finale
- The Young Person's Guide to the Orchestra, Op. 34, Variations and Fugue on a Theme of Purcell: I. Theme: Allegro maestoso e largamente
- The Young Person's Guide to the Orchestra, Op. 34: II. Variation 1 (Flutes and piccolo)
- The Young Person's Guide to the Orchestra, Op. 34: III. Variation 2 (Oboes): Lento
- The Young Person's Guide to the Orchestra, Op. 34: IV. Variation 3 (Clarinets): Moderato
- The Young Person's Guide to the Orchestra, Op. 34: V. Variation 4 (Bassoons): Allegro alla marcia
- The Young Person's Guide to the Orchestra, Op. 34: VI. Variation 5 (Violins): Brillante, alla polacca
- The Young Person's Guide to the Orchestra, Op. 34: VII. Variation 6 (Violas): Meno mosso
- The Young Person's Guide to the Orchestra, Op. 34: VIII. Variation 7 (Cellos)
- The Young Person's Guide to the Orchestra, Op. 34: IX. Variation 8 (Double basses): Comminciando lento ma poco a poco accel. al Allegro
- The Young Person's Guide to the Orchestra, Op. 34: X. Variation 9 (Harp): Maestoso
- The Young Person's Guide to the Orchestra, Op. 34: XI. Variation 10 (Horns): L'istesso tempo
- The Young Person's Guide to the Orchestra, Op. 34: XII. Variation 11 (Trumpets): Vivace
- The Young Person's Guide to the Orchestra, Op. 34: XIII. Variation 12 (Trombones and bass tuba): Allegro pomposo
- The Young Person's Guide to the Orchestra, Op. 34: XIV. Variation 13 (Percussion): Moderato
- The Young Person's Guide to the Orchestra, Op. 34: XV. Fugue: Allegro moderato
- Sinfonia da Requiem, Op. 20: I. Lacrymosa: Andante ben misurato -
- Sinfonia da Requiem, Op. 20: II. Dies irae: Allegro con fuoco -
- Sinfonia da Requiem, Op. 20: III. Requiem aeternam: Andante molto tranquillo
- Sinfonia da Requiem, Op. 20: II. Requiem aeternam
- Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: I. Dawn
- Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: II. Sunday Morning
- Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: III. Moonlight
- Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: IV. Passacaglia
- Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: V. Storm
- The Young Person's Guide to the Orchestra, Op. 34: I. Theme: Allegro maestoso e largamente
- The Young Person's Guide to the Orchestra, Op. 34: II. The Woodwind Var. A, B, C, D (Presto, Lento, Moderato, Allegrao alla marcia)
- The Young Person's Guide to the Orchestra, Op. 34: III. The Strings Var. E, F, G, H, I (Brillante, Meno mosso, [L'istesso tempo], Accel, Maestoso
- The Young Person's Guide to the Orchestra, Op. 34: IV, The Brass Var. J, K, L (L'istesso tempo, Vivace, Allegro pomposo)
- The Young Person's Guide to the Orchestra, Op. 34: V. The Percussion Var. M (Moderato)
- The Young Person's Guide to the Orchestra, Op. 34: VI. Fugue: Allegro molto - Con slancio
- A Ceremony of Carols, op.28 - Procession
- - Wolcum Yole!
- - There is no Rose
- - That yonge child
- - Balulalow
- - As dew in Aprille
- - This little Babe
- - In freezing winter night
- - Spring Carol
- - Deo Gracias
- - Recession
- Rejoice in the Lamb, op.30 - Rejoice in God, O ye Tongues
- - For I will consider my cat jeoffry
- - For the mouse is a creature of great personal valour
- - For the flowers are great blessings
- - For I am under the same accusation
- - For H is a spirit
- Missa Brevis in D major, op.63 - Kyrie eleison
- - Gloria in excelsis Deo
- - Sanctus...Benedictus
- - Agnus Dei
- Hymn to St Peter, op.56a
- A Hymn of St Colomba
- Festival Te Deum, op.32
- The Little Sweep, Let's Make an Opera, Op. 45: I. "Sweep! Sweep!" (Audience)
- The Little Sweep, Let's Make an Opera, Op. 45: II. "Sweep this chimney" (Miss Baggott)
- The Little Sweep, Let's Make an Opera, Op. 45: III. "Now, little white boy!" (Black Bob, Clem)
- The Little Sweep, Let's Make an Opera, Op. 45: IV. "Pull the rope gently until he is free!" (Children)
- The Little Sweep, Let's Make an Opera, Op. 45: V. "Is he wounded?" (Children)
- The Little Sweep, Let's Make an Opera, Op. 45: VI. "Sooty tracks..." (Children) / VII. "Wait until..." (Miss Baggott, Black Bob, Clem)
- The Little Sweep, Let's Make an Opera, Op. 45: VIII. "Run... poor sweepboy" (Rowan)
- The Little Sweep, Let's Make an Opera, Op. 45: IX. "The kettles are singing" (Audience)
- The Little Sweep, Let's Make an Opera, Op. 45: X. "O why do you weep through the working day?" (Children, Rowan, Sam)
- The Little Sweep, Let's Make an Opera, Op. 45: XI. Pantomime / XII. "Ah!... Blackguards!" (Miss Baggott)
- The Little Sweep, Let's Make an Opera, Op. 45: XIII. "Help! help! she's collapsed!" (Miss Baggott)
- The Little Sweep, Let's Make an Opera, Op. 45: XIV. "The owl, wide-winging through the sky" (Audience)
- The Little Sweep, Let's Make an Opera, Op. 45: XV. "Soon the coach will carry you away" (Juliet)
- The Little Sweep, Let's Make an Opera, Op. 45: XVI. "'Morning Sammy! Lovely weather" (Johnnie)
- The Little Sweep, Let's Make an Opera, Op. 45: XVII. "Ready Alfred?" (Tom, Alfred)
- The Little Sweep, Let's Make an Opera, Op. 45: XVIII. Finale "Coaching song" (All)
- Quartettino: I. Andante
- Quartettino: II. Poco adagio ma con moto
- Quartettino: III. Allegro molto vivace
- Alla Marcia
- String Quartet No. 3, Op. 94: I. Duets: With Moderate Movement
- String Quartet No. 3, Op. 94: II. Ostinato: Very Fast
- String Quartet No. 3, Op. 94: III. Solo: Very Calm
- String Quartet No. 3, Op. 94: IV. Burlesque: Fast - con fuoco
- String Quartet No. 3, Op. 94: V. Recitative and Passacaglia (La serenissima)
- Act 2, Scene 1 - I don't think you ought
- Quick, here they are
- Hush! Harold Wood!
- I'm full of happiness
- Magnificent, your Ladyship
- Fascinating, Mr Mayor
- To make our thanks complete
- Go on, Albert!
- Well tried Albert!
- Albert the Good
- Sounds like Sid serenading
- Heaven help those
- Albert! Fast asleep, poor kid
- Is she asleep?
- What the hell d'you think I am?
- How's the manhunt?
- Hi! Heard the news?
- Threnody - In the midst of life is death
- Albert?
- I can't remember everything
- I didn't lay it on too thick, did I?
- Missa Brevis in D: 1 - Kyrie
- Missa Brevis in D: 2 - Gloria
- Missa Brevis in D: 3 - Sanctus-Benedictus
- Missa Brevis in D: 4 - Agnus Dei
- Hymn to Saint Peter
- Hymn to The Virgin
- A Hymn of Saint Columba
- A Shepherd's Carol
- A Ceremony of Carols: 1 - Procession
- A Ceremony of Carols: 2 - Wolcum Yole!
- A Ceremony of Carols: 3 - There is no Rose
- A Ceremony of Carols: 4 - That yönge child
- A Ceremony of Carols: 5 - Balulalow
- A Ceremony of Carols: 6 - As dew in Aprille
- A Ceremony of Carols: 7 - This little Babe
- A Ceremony of Carols: 8 - Interlude
- A Ceremony of Carols: 9 - In freezing winter night
- A Ceremony of Carols: 10 - Spring Carol
- A Ceremony of Carols: 11 - Deo Gracias!
- A Ceremony of Carols: 12 - Recession
- Variations on a Theme of Frank Bridge for String Orchestra: Introduction and Theme
- Variations on a Theme of Frank Bridge for String Orchestra: Adagio
- Variations on a Theme of Frank Bridge for String Orchestra: March
- Variations on a Theme of Frank Bridge for String Orchestra: Romance
- Variations on a Theme of Frank Bridge for String Orchestra: Aria Italiana
- Variations on a Theme of Frank Bridge for String Orchestra: Bourrée classique
- Variations on a Theme of Frank Bridge for String Orchestra: Wiener Waltzer
- Variations on a Theme of Frank Bridge for String Orchestra: Moto perpetuo
- Variations on a Theme of Frank Bridge for String Orchestra: Funeral March
- Variations on a Theme of Frank Bridge for String Orchestra: Chant
- Variations on a Theme of Frank Bridge for String Orchestra: Fugue and Finale
- Les Illuminations pour soprano et orchestre à cordes: Fanfare
- Les Illuminations pour soprano et orchestre à cordes: Villes
- Les Illuminations pour soprano et orchestre à cordes: Phrase
- Les Illuminations pour soprano et orchestre à cordes: Antique
- Les Illuminations pour soprano et orchestre à cordes: Royaut
- Les Illuminations pour soprano et orchestre à cordes: Marine
- Les Illuminations pour soprano et orchestre à cordes: Interlude
- Les Illuminations pour soprano et orchestre à cordes: Being Beauteous
- Les Illuminations pour soprano et orchestre à cordes: Parade
- Les Illuminations pour soprano et orchestre à cordes: Départ
- Lachrymae, Reflections on a Song of Downland for Viola and String Orchestra
- Procession
- Adam Lay Ibounden
- Une Cantate De Noel
- Stabat Mater Dolorosa
- Cujus Animam Gementem
- O Quam Tristis
- Quae Maerebat
- Quis Est Homo
- Vidit Suum
- Eja Mater
- Fac Au Ardeat
- Sancta Mater
- Fac Ut Portem
- Inflammatus Et Accensus
- Quando Corpus
- Ceremony of Carols -I- Procession
- Ceremony of Carols -II- Wolcum Yole!
- Ceremony of Carols -III- There is no Rose
- Ceremony of Carols -IV- That Yonge Child
- Ceremony of Carols -V- Balulalow
- Ceremony of Carols -VI- As Dew in Aprille
- Ceremony of Carols -VII- This Little Babe
- Ceremony of Carols -VIII- Interlude (harp solo)
- Ceremony of Carols -VIIII- In Freezing Winter Night
- Ceremony of Carols -X- Spring Carol
- Ceremony of Carols -XI- Deo Gracias
- Ceremony of Carols -XII- Recession
- Hymn to St. Cecilia Op.27
- Rejoice in the Lamb Op.30
- Missa Brevis in D -I- Kyrie
- Missa Brevis in D -II- Gloria
- Missa Brevis in D -III- Sanctus
- Missa Brevis in D -IV- Benedictus
- Missa Brevis in D -V- Agnus Dei
- War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam Te decet hymnus
- War Requiem, op. 66: I. Requiem aeternam: What passing-bells for these who die as cattle? Kyrie eleison
- War Requiem, op. 66: II. Dies irae: Liber scriptus profertur
- War Requiem, op. 66: II. Dies irae: Recordae, Jesu pie
- War Requiem, op. 66: II. Dies irae: Move him into the sun, Pie Jesu, Domine
- War Requiem, op. 66: III. Offertorium: Domine Jesu Christe Sed signifer scantus Michael
- War Requiem, op. 66: III. Offertorium: So Abram rose, Hostais et preces tibi, Quam olim Abrahae promisisti
- War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus. Pleni sunt coeli et terra. Benedictus
- War Requiem, op. 66: IV. Sanctus: After the blast of lightening from the East
- War Requiem, op. 66: V. Agnus dei: One ever hangs where shelled roads part/Agnus dei Agnus Dei/Dona nobis pacem
- War Requiem, op. 66: VI. Libera me: It seemed that out of the battle I escaped
- Les Illuminations, Op.18: Fanfare
- Les Illuminations, Op.18: Villes
- Les Illuminations, Op.18: Phrase
- Les Illuminations, Op.18: Antique
- Les Illuminations, Op.18: Royaute
- Les Illuminations, Op.18: Marine
- Les Illuminations, Op.18: Interlude
- Les Illuminations, Op.18: Being Beauteous
- Les Illuminations, Op.18: Parade
- Les Illuminations, Op.18: Départ
- Variations on a Theme of Frank Bridge: Introduction and Theme
- Variations on a Theme of Frank Bridge: Adagio
- Variations on a Theme of Frank Bridge: March
- Variations on a Theme of Frank Bridge: Romance
- Variations on a Theme of Frank Bridge: Aria Italiana
- Variations on a Theme of Frank Bridge: Bourrée Classique
- Variations on a Theme of Frank Bridge: Wiener Walzer
- Variations on a Theme of Frank Bridge: Moto Perpetuo
- Variations on a Theme of Frank Bridge: Funeral March
- Variations on a Theme of Frank Bridge: Chant
- Variations on a Theme of Frank Bridge: Fugue and Finale
- Serenade for tenor, horn & strings, Op.31: Prologue
- Serenade for Tenor, Horn & Strings, Op.31: 'Pastoral
- Serenade for Tenor, Horn & Strings, Op.31: 'Nocturne
- Serenade for Tenor, Horn & Strings, Op.31: 'Elegy
- Serenade for Tenor, Horn & Strings, Op.31: 'Dirge
- Serenade for Tenor, Horn & Strings, Op.31: 'Hymn
- Serenade for Tenor, Horn & Strings, Op.31: 'Sonnet
- Serenade for Tenor, Horn & Strings, Op.31: 'Epilogue
- Fanfare for St. Edmundsbury
- Folksongs, Vol. 1: I. The Salley Gardens
- Folksongs, Vol 1: VII. Oliver Cromwell
- Folksongs, Vol 3: V. The Foggy, Foggy Dew
- A Boy was Born in Bethlehem
- As dew in April
- Three Divertimenti: I. March
- Three Divertimenti: II. Waltz
- Three Divertimenti: III. Burlesque
- String Quartet No. 1 in D major, Op. 25: I. Andante sostenuto - Allegro vivo
- String Quartet No. 1 in D major, Op. 25: II. Allegretto con slancio
- String Quartet No. 1 in D major, Op. 25: III. Andante calmo
- String Quartet No. 1 in D major, Op. 25: Iv. Molto vivace
- Folksong Arrangements
- Ceremony of Carols, op. 28: In Freezing Winter Night
- The Turn of the Screw: Act II, Variation X / Act II, Scene 3: Miss Jessel
- Fourth Movement Frolicsome Finale
- Look, the Storm Cone!
- Ceremony of Carols, op. 28: There Is No Rose
- We Live and Let Live
- Les Illuminations pour soprano et orchestre à cordes: Royauté
- Dies irae
- What Harbour Shelters Peace
- The Turn of the Screw: Act II, Variation XII / Act II, Scene 5: Quint
- Diversions for Piano Left-hand and Orchestra, Op.21: III. Variation 2: Romance
- Ceremony of Carols, op. 28: Spring Carol
- Variations for piano: V.
- Purcell Realizations: Man Is for the Woman Made
- Diversions for Piano Left-hand and Orchestra, Op.21: V. Variation 4: Arabesque
- Our Hunting Fathers, Op. 8: Epilogue and a Funeral March
- Interrlude III: Sunday Morning by the Beach
- Les Illuminations: VIII. Parade
- Sinfonia da Requiem, Op.20: I. Lacrymosa
- Interlude V: Evening
- War Requiem, op. 66: VI. Libera me: Let us sleep now/ In paradisum
- Who Holds Himself Apart
- À une raison (arr. Colin Matthews)
- Missa Brevis in D, Op. 63: Agnus Dei
- Variations for piano: II.
- War Requiem, Op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?
- First Movement Boisterous Bouree
- The Truth... The Pity...
- March
- Prelude and Fugue
- Thrid Movement Sentimental Saraband
- Suite on English Folk Tunes (A Time There Was), Op.90. IV. Hunt the Squirrel
- Go There!
- Romance
- Diversions for Piano Left-hand and Orchestra, Op.21: VII. Variation 6: Nocturne
- Les Illuminations: I. Fanfare
- Peter Grimes, I Here Advise You!
- Suite on English Folk Tunes (A Time There Was), Op.90. I. Cakes and Ale
- The Turn of the Screw: Act I, Variation II / Act I, Scene 3: The Letter
- "Praise We Great Men" for Voices, Chorus and Orchestra: I.
- Rondo Concertante: I. Allegro molto
- Moto Perpetuo
- Peter Grimes! Nobody Here?
- The Turn of the Screw: Act I, Variation VI / Act I, Scene 7: The Lake
- Purcell Realizations: Evening Hymn
- Variations for piano: I. Like an improvisation
- The Turn of the Screw: Act I, Theme / Act I, Scene 1: The Journey
- Ceremony of Carols, op. 28: Wolcum Yole!
- War Requiem, Op. 66: IV. Sanctus: Sanctus, sanctus, sanctus, Dominus Deus Sabaoth
- Introduction and Theme
- 4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato)
- Scottish Ballad for 2 Pianos and Orchestra, Op.26
- Chant
- Mr. Swallow!
- Have You Heard?
- Variations for piano: IV.
- 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce)
- An American Overture
- Les Illuminations: IIIa. Phrase
- Diversions for Piano Left-hand and Orchestra, Op.21: II. Variation 1: Recitative
- Suite on English Folk Tunes (A Time There Was), Op.90. II. The Bitter Withy
- Occasional Overture in C major, Op.38
- Second Movement Playful Pizzicato
- Oh, Hang at Open Doors
- Ballad of Heroes for High Voice, Chorus and Orchestra, Op.14: III.
- Libera me
- This Unrelenting Work
- The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6: The Piano
- Grimes! Grimes!
- Missa Brevis in D, Op. 63: Gloria
- Diversions for Piano Left-hand and Orchestra, Op.21: XI. Variation 10: Adagio
- Sinfonia da Requiem, Op.20: II. Dies irae
- Ceremony of Carols, op. 28: Recession
- Ceremony of Carols, op. 28: (interlude)
- Let Her Among You
- Peter, We've Come to Take You Home
- Spring Carol
- Ceremony of Carols, op. 28: That Yonge Child
- Variations for piano: VI.
- The Turn of the Screw: Act I, Variation I / Act I, Scene 2: The Welcome
- We Planned That Their Lives
- Now!... Now!
- Old Joe Has Gone Fishing
- Come Along, Doctor!
- Diversions for Piano Left-hand and Orchestra, Op.21: XII. Finale: Tarantella
- People!... No! I Will Speak!
- Bouree
- Peter Grimes!
- Suite on English Folk Tunes (A Time There Was), Op.90. V. Lord Melbourne
- That Yonge Child
- And Do You Prefer the Storm
- Les Illuminations: VII. Being Beauteous
- 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato)
- Requiem aeternam
- The Turn of the Screw: Act I, Variation III / Act I, Scene 4: The Tower
- Rondo Concertante: II. Lento
- Swallow! Shall We Go
- Purcell Realizations: I'll Sail Upon the Dog-Star
- The Turn of the Screw: Act II, Variation XI / Act II, Scene 4: The Bedroom
- Fool to Let It Come to This!
- "Praise We Great Men" for Voices, Chorus and Orchestra: II.
- Missa Brevis in D, Op. 63: Kyrie
- Purcell Realizations: In the Black Dismal Dungeon of Despair
- I Have to Go from Pub to Pub
- The Turn of the Screw: Act II, Variation IX / Act II, Scene 2: The Bells
- The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7: Flora
- Ballad of Heroes for High Voice, Chorus and Orchestra, Op.14: II.
- Embroidery in Childhood
- Hi! Give Us a Hand
- Funeral March
- Suite on English Folk Tunes (A Time There Was), Op.90. III. Hankin Booby
- Diversions for Piano Left-hand and Orchestra, Op.21: VI. Variation 5: Chant
- Diversions for Piano Left-hand and Orchestra, Op.21: X. Variation 9a: Toccata 1 - Variation 9b: Toccata 2
- To Those Who Pass the Borough
- Wolcum Yole!
- Winter Words, Op. 52
- Ceremony of Carols, op. 28: This Little Babe
- From the Gutter
- What Is It?
- Ceremony of Carols, op. 28: Procession
- The Turn of the Screw: Act II, Variation XV / Act II, Scene 8: Miles
- Interlude VI: Fog
- Ballad of Heroes for High Voice, Chorus and Orchestra, Op.14: I.
- Purcell Realizations: Knotting Song
- Movements for a Clarinet Concerto: III.
- Agnus Dei
- Les Illuminations: IIIb. Antique
- Sanctus
- In Memoriam Dennis Brain: Allegro
- The Turn of the Screw: Act I, Variation VII / Act I, Scene 8: At Night
- Diversions for Piano Left-hand and Orchestra, Op.21: I. Theme
- Aube (arr. Colin Matthews)
- In Memoriam Dennis Brain: Introduction
- Movements for a Clarinet Concerto: II.
- Les Illuminations: V. Marine
- Les Illuminations: II. Villes
- Overture for Chorus and Orchestra, Op.79 "The Building of the House"
- Les Illuminations: IX. Depart
- Canadian Carnival, Op.19
- Purcell Realizations: Let the Dreadful Engines
- Variations for piano: III.
- Les Illuminations: VI. Interlude
- Aria Italiana
- Interlude I: On the Beach
- Phrase (arr. Colin Matthews)
- Wiener Walzer
- The Turn of the Screw: Act I, Variation IV / Act I, Scene 5: The Window
- In Freezing Winter Night
- Diversions for Piano Left-hand and Orchestra, Op.21: IX. Variation 8: Burlesque
- Past Time to Close!
- Holy Sonnets of John Donne, Op. 35
- Glitter of Waves
- Ceremony of Carols, op. 28: Balulalow
- The Turn of the Screw: Act I, Variation V / Act I, Scene 6: The Lesson
- Interlude II: The Storm
- Offertorium
- Interlude IV: Passacaglia
- Now the Great Bear and Pleiades
- Sinfonia da Requiem, Op.20: III. Requiem aeternam
- Diversions for Piano Left-hand and Orchestra, Op.21: IV. Variation 3: March
- The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1: Colloquy and Soliloquy
- A Hymn of St Columba
- 4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo)
- Fugue and Finale
- As Dew in Aprille
- Movements for a Clarinet Concerto: I.
- Pah!
- Assign Your Prettiness to Me
- Deus in Adjutorium Meum
- Ceremony of Carols, op. 28: As Dew in Aprille
- "Praise We Great Men" for Voices, Chorus and Orchestra: III.
- Now Is Gossip Put on Trial
- Missa Brevis in D, Op. 63: Sanctus and Benedictus
- Diversions for Piano Left-hand and Orchestra, Op.21: VIII. Variation 7: Badinerie
- Recession
- Ceremony of Carols, op. 28: Adam Lay I-Bounden
- Les Illuminations: IV. Royaute
- Let This Be a Holiday
- You Sailed Your Boat
- Cello Suite No.1: 2. Lamento: Lento rubato
- Cello Suite No.1: I Canto Primo (sostenuto e largamente)
- Cello Suite No.2: IV Andante lento
- Sonata for Cello and Piano: II Scherzo-pizzicato
- Cello Suite No.1: 5. Bordone: Moderato quasi recitativo
- Sonata for Cello and Piano: V Moto perpetuo
- Cello Suite No.1: III Canto terzo (sostenuto)
- Cello Suite No.2: III Scherzo Allegro molto
- Cello Suite No.1: 1. Fuga: Andante moderato
- Cello Suite No.2: II Fuga Andante
- Cello Suite No.2: I Declamato Largo
- Sonata for Cello and Piano: IV Marcia
- Cello Suite No.1: 6. Moto perpetuo e canto quarto: Presto
- Cello Suite No.1: II Canto secondo (sostenuto)
- Cello Suite No.1: 3. Serenata: Allegretto pizzicato
- Cello Suite No.1: 4. Marcia: Alla marcia moderato
- Sonata for Cello and Piano: III Elegia
- Sonata for Cello and Piano: I Dialogo
- Cello Suite No.2: V Ciaccona Allegro
- The Young Person's Guide to the Orchestra, Op. 34: Fugue
- Gloriana, Op. 53a: X. Gloriana Moritura
- Cabaret Songs, No. 1: "Tell me the truth about love"
- Variations on a Theme of Frank Bridge, Op. 10: Variation 10. Fugue and Finale
- Rejoice in the Lamb, Op. 30: I. Rejoice in God, O ye Tongues
- Serenade for Tenor, Horn, and Strings, Op. 31: IV. Elegy
- The Young Person's Guide to the Orchestra, Op. 34
- Concerto for Piano and Orchestra, Op. 13: IV. March
- Lachrymae, op.48, Reflections on a Song of Dowland
- Who are these Children?, op.84: IV. Black Day
- Suite No. 3, op 87: VI. Fuga - VII. Recitativo
- Suite No. 1, op 72: VI. IV. Marcia
- Our Hunting Fathers, op.8: V. Epilogue and Funeral March (London Symphony Orchestra, feat. conductor: Benjamin Britten, tenor: Peter Pears)
- Suite No.2, Op. 80 (1967) - III. Scherzo. Allegro molto
- Canticle III: Still Falls the Rain, op.55
- Suite No.1, Op. 72 (1964) - IV. Canto secondo. Sostenuto
- Suite No. 1, op 72: III. II. Lamento
- Suite No. 1, op 72: VII. V. Bordone
- Who are these Children?, op.84: XI. The Children
- Suite No.1, Op. 72 (1964) - VI. Marcia. Alla marcia moderato
- Suite No.3, Op.87 (1972) - II. Marcia. Allegro
- Our Hunting Fathers, op.8: I. Prologue (London Symphony Orchestra, feat. conductor: Benjamin Britten, tenor: Peter Pears)
- Canticle II: Abraham and Isaac, op.51
- Suite No. 1, op 72: II. I. Fuga
- Suite No. 3, op 87: Mournful song (Under the Apple Tree). Molto semplice - Autumn. Vivace - Street song (The Grey Eagle). Pesante - Grant Repose Together With the Saints. Lento
- Suite No.3, Op.87 (1972) - V. Dialogo. Allegretto
- Suite No.1, Op. 72 (1964) - II. Fuga. Andante moderato
- Suite No. 3, op 87: III. Canto
- Who are these Children?, op.84: II. A Laddie's Sang
- Who are these Children?, op.84: VIII. The Larky Lad
- Suite No.3, Op.87 (1972) - VIII. Moto perpetuo. Presto
- Suite No.1, Op. 72 (1964) - IX. Moto perpetuo e canto quatro. Presto
- Suite No. 1, op 72: VIII. VI. Moto perpetuo e Canto quarto
- Suite No. 1, op 72: V. III. Serenata
- Suite No. 3, op 87: VIII. Moto perpetuo
- Suite No.1, Op. 72 (1964) - VII. Canto terzo. Sostenuto
- Suite No.3, Op.87 (1972) - IX. Passacaglia. Lento solenne - Three Russian Folk Songs and Requiem Melody
- Our Hunting Fathers, op.8: IV. Dance of Death (London Symphony Orchestra, feat. conductor: Benjamin Britten, tenor: Peter Pears)
- Suite No. 1, op 72: VII. Canto terzo
- Suite No.3, Op.87 (1972) - I. Introduzione. Lento
- Concerto for Piano and Orchestra, Op. 13: III. Impromptu
- Suite No.2, Op. 80 (1967) - II. Fuga. Andante
- Suite No. 3, op 87: IX. Passacaglia
- Who are these Children?, op.84: I. A Riddle (The Earth)
- Suite No. 2, op 80: IV. Andante lento
- Suite No.2, Op. 80 (1967) - V. Ciaconna. Allegro
- Suite No.2, Op. 80 (1967) - I. Declamato. Largo
- Suite No. 3, op 87: I. Introduzione
- Suite No.1, Op. 72 (1964) - I. Canto primo - Sostenuto e largamente
- Concerto for Piano and Orchestra, Op. 13: I. Toccata
- Who are these Children?, op.84: VII. A Riddle (The Child You Were)
- Suite No. 1, op 72: IV. Canto secundo
- Suite No.3, Op.87 (1972) - VII. Recitativo. Fantastico
- Suite No.2, Op. 80 (1967) - IV. Andante lento
- Concerto for Piano and Orchestra, Op. 13: II. Waltz
- Suite No. 2, op 80: II. Fuga
- Simple Symphony for String Orchestra, Op. 4: IV. Frolicsome Finale - Prestissimo con fuoco
- Simple Symphony for String Orchestra, Op. 4: I. Boisterous Bourrée - Allegro ritmico
- Suite No. 3, op 87: IV. Barcarola
- Our Hunting Fathers, op.8: II. Rats Away! (London Symphony Orchestra, feat. conductor: Benjamin Britten, tenor: Peter Pears)
- Suite No. 3, op 87: V. Dialogo
- Suite No.1, Op. 72 (1964) - V. Serenata. Allegretto: pizzacato
- Simple Symphony for String Orchestra, Op. 4: III. Sentimental Saraband - Poco lento e pesante
- Suite No.3, Op.87 (1972) - IV. Barcarola. Lento
- Who are these Children?, op.84: XII. The Auld Aik
- Suite No. 3, op 87: II. Marcia
- Suite No.3, Op.87 (1972) - III. Canto. Con moto
- Suite No.3, Op.87 (1972) - VI. Fuga. Andante espressivo
- Suite No. 1, op 72: I. Canto primo
- Who are these Children?, op.84: VI. Slaughter
- Suite No. 2, op 80: III. Scherzo
- Suite No. 2, op 80: V. Ciaccona
- Canticle I: My Beloved is Mine, op.40
- Simple Symphony for String Orchestra, Op. 4: II. Playful Pizzicato - Presto possibile pizzicato sempre
- Who are these Children?, op.84: X. Supper
- Suite No.1, Op. 72 (1964) - III. Lamento. Lento rubato
- Canticle IV: Journey of the Magi, op.86
- Suite No.1, Op. 72 (1964) - VIII. Bordone. Moderato quasi recitativo
- Canticle V: The Death of Saint Narcissus, op.89
- Who are these Children?, op.84: IX. Who are these Children?
- Who are these Children?, op.84: III. Nightmare
- Our Hunting Fathers, op.8: III. Messalina (London Symphony Orchestra, feat. conductor: Benjamin Britten, tenor: Peter Pears)
- Who are these Children?, op.84: V. Bed-time
- Suite No. 2, op 80: I. Declamato
- Peter Grimes, Op. 33: Four Sea Interludes II Sunday Morning
- Soirées Musicales - Ballet Suite, Op. 9 V Tarantella
- Peter Grimes, Op. 33: Four Sea Interludes III Moonlight
- Soirées Musicales - Ballet Suite, Op. 9 IV Bolero
- Soirées Musicales - Ballet Suite, Op. 9 II Canzonetta
- Matinées Musicales - Ballet Suite, Op. 24 I March
- Matinées Musicales - Ballet Suite, Op. 24 III Waltz
- Matinées Musicales - Ballet Suite, Op. 24 II Nocturne
- Simple Symphony, Op. 4 I. Boisterous Bourrée
- Simple Symphony, Op. 4 III Sentimental Sarabande
- Peter Grimes, Op. 33: Four Sea Interludes IV Storm
- Simple Symphony, Op. 4 IV Frolicsome Finale
- Matinées Musicales - Ballet Suite, Op. 24 IV Pantomime
- Soirées Musicales - Ballet Suite, Op. 9 III Tirolese
- Peter Grimes, Op. 33: Four Sea Interludes I Dawn
- Matinées Musicales - Ballet Suite, Op. 24 V Moto Perpetuo
- The Young Person's Guide to the Orchestra - Variations on Theme by Purcell, Op. 34
- Soirées Musicales - Ballet Suite, Op. 9 I March
- Simple Symphony, Op. 4 II Playful Pizzicato
- Seven Songs (1947): Pious Celinda
- Seven Songs (1947): I'll sail upon the Dog-star
- Five Songs (1960): Hark the ech'ing air
- Seven Songs (1947): Fairest Isle
- Six Songs (1948): Not all my torments
- Six Duets (1961): I spy Celia
- Six Songs (1948): Man is for the Woman made
- The Knotting Song (1939)
- Six Songs (1948): Madd Bess
- Seven Songs (1947): On the brow of Richmond Hill
- Five Songs (1960): I take no pleasure
- Seven Songs (1947): Music for a while
- O Solitude (1955)
- Five Songs (1960): Take not a woman's anger ill
- Six Songs (1948): There's not a swain of the plain
- Seven Songs (1947): If music be the food of love
- Five Songs (1960): I attempt from Love's sickness to fly
- Six Songs (1948): If music be the food of love
- Six Duets (1961): What can we poor females do
- Seven Songs (1947): Turn then thine eyes
- Celemene (1946)
- Six Duets (1961): Shepherd, leave decoying
- Six Duets (1961): No, resistance is but vain
- Six Duets (1961): Lost is my quiet
- Six Songs (1948): Sweeter than roses
- Six Duets (1961): Sound the Trumpet
- Five Songs (1960): How blest are Shepherds
- Noye's Fludde, Op. 59: II. I God, that all this worlde hath wroughte
- Noye's Fludde, Op. 59: IX. Noye, take thy wife anone
- Noye's Fludde, Op. 59: V. Noye, Noye, take thou thy company
- The Golden Vanity, Op.78: I. There was a ship came from the North Country
- Noye's Fludde, Op. 59: X. Noye, heare I behette thee a heste
- Noye's Fludde, Op. 59: III. Have done, you men and wemen all
- The Golden Vanity, Op.78: II. Then up spake the cabin-boy
- Noye's Fludde, Op. 59: IV. Now in the name of God I will begyne
- The Golden Vanity, Op.78: III. Casting his clothes off, he dived into the sea
- The Golden Vanity, Op.78: IV. They laid him on the deck
- Noye's Fludde, Op. 59: I. Lord Jesus, think on me
- Noye's Fludde, Op. 59: VI. Wiffe, come in! why standes thou their?
- Noye's Fludde, Op. 59: XI. The spacious firmament on high
- Noye's Fludde, Op. 59: VII. Ha! Children, me thinkes my botte removes
- Noye's Fludde, Op. 59: VIII. Now forty dayes are fullie gone
- Three Divertimenti (1933-36): III. Burlesque
- String Quartet no 2 in C, Op. 36 (1945): I. Allegro calmo, senza rigore
- String Quartet no 3, Op. 94 (1975): III. Solo: Very calm
- String Quartet no 2 in C, Op. 36 (1945): III. Chacony: Sostenuto
- String Quartet no 3, Op. 94 (1975): I. Duets: With moderate movement
- Three Divertimenti (1933-36): II. Waltz
- String Quartet no 3, Op. 94 (1975): IV. Burlesque: Fast, Con fuoco
- String Quartet no 3, Op. 94 (1975): II. Ostinato: Very fast
- String Quartet no 3, Op. 94 (1975): V. Recitative and Passacaglia (La Serenissima): Slow - Slowly moving
- Three Divertimenti (1933-36): I. March
- String Quartet no 2 in C, Op. 36 (1945): II. Vivace
- Phaedra, Op. 63: VII. Death to the unhappy's no catastrophe
- Nocturne, op. 60: II. Below the thunders of the upper deep
- Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue
- Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge
- Phaedra, Op. 63: IV. Phaedra in all her madness stands before you
- Serenade for Tenor, Horn and Strings, Op. 31: VI. Hymn
- Nocturne, Op. 60: VI. She sleeps on soft, last breaths; but no ghost looms
- Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral
- Phaedra, Op. 63: VIII. My time's too short, your highness
- Phaedra, Op. 63: V. The wife of Theseus loves Hippolytus
- Serenade for Tenor, Horn and Strings, Op. 31: III. Nocturne
- Serenade for Tenor, Horn and Strings, Op. 31: IV. Elegy
- Serenade for Tenor, Horn and Strings, Op. 31: VIII. Epilogue
- Nocturne, Op. 60: VIII. When most I wink, then do mine eyes best see
- Nocturne, Op. 60: III. Encinctured with a twine of leaves
- Phaedra, Op. 63: VI. Oh Gods of wrath
- Nocturne, Op. 60: V. But that night when on my bed I lay
- Phaedra, Op. 63: IX. Chills already dart along my boiling veins
- Nocturne, Op. 60: IV. Midnight's bell goes ting, ting, ting, ting
- Phaedra, Op. 63: II. My lost and dazzled eyes
- Serenade for Tenor, Horn and Strings, Op. 31: VII. Sonnet
- Nocturne, op. 60: I. On a poet's lips I slept
- Phaedra, Op. 63: I. Prologue - In May, in brilliant Athens
- Phaedra, Op. 63: III. Venus resigned her altar to my new Lord
- Nocturne, Op. 60: VII. What is more gentle than a wind in summer
- Lachrymae, Op. 48a: Variation 1. Allegretto, andante molto
- Temporal Variations: IX. Resolution
- A Charm of Lullabies, Op. 41: I. A Cradle Song
- A Charm of Lullabies, Op. 41: II. The Highland Balou
- Lachrymae, Op. 48a: Variation 2. Animato
- Lachrymae, Op. 48a: Variation 6. Appasionato
- Lachrymae, Op. 48a: Variation 3. Tranquillo
- Lachrymae, Op. 48a: Variation 7. Alla valse moderato
- Lachrymae, Op. 48a: Variation 4. Allegro con moto
- Temporal Variations: IV. Exercise
- Temporal Variations: III. March
- Temporal Variations: II. Oration
- Lachrymae, Op. 48a: Variation 5. Largamente
- Temporal Variations: V. Commination
- Lachrymae, Op. 48a: Variation 10. L'istesso tempo
- Temporal Variations: VIII. Polka
- A Charm of Lullabies, op. 41: V. The Nurse's Song
- A Charm of Lullabies, op. 41: IV. A Charm
- A Charm of Lullabies, op. 41: III. Sephestia's Lullaby
- Temporal Variations: VI. Chorale
- Lachrymae, Op. 48a: I. Theme
- Temporal Variations: VII. Waltz
- Lachrymae, Op. 48a: Variation 9. Lento
- Temporal Variations: I. Theme
- Lachrymae, Op. 48a: Variation 8. Allegro marcia
- On This Island: Nocturne
- On This Island: Seascape
- A Charm of Lullabies: 4. A Charm
- Our Hunting Fathers: Rats Away!
- On This Island: As It Is, Plenty
- Our Hunting Fathers: Dance of Death
- Our Hunting Fathers: Prologue
- Our Hunting Fathers: Epilogue and Funeral March
- On This Island: Let the Florid Music Praise
- On This Island: Now the Leaves Are Falling Fast
- A Charm of Lullabies: 1. Cradle Song
- Our Hunting Fathers: Messalina
- A Charm of Lullabies: 5. The Nurse's Song
- A Charm of Lullabies: 3. Sephestia's Lullaby
- A Charm of Lullabies: 2. The Highland Balou
- Symphonic Suite: Gloriana, Op 53a III The Courtly Dances
- Prelude and Dances from the Prince of the Pagoda, Op. 57b 3a. The Four Kings - The King of the North
- Prelude and Dances from the Prince of the Pagoda, Op. 57b 3c. The Four Kings - The King of the West
- Prelude and Dances from the Prince of the Pagoda, Op. 57b 4. Belle Epine and Belle Rose
- Prelude and Dances from the Prince of the Pagoda, Op. 57b 6. Finale
- Prelude and Dances from the Prince of the Pagoda, Op. 57b 3d. The Four Kings - The King of the South
- Prelude and Dances from the Prince of the Pagoda, Op. 57b 1. Prelude
- Prelude and Dances from the Prince of the Pagoda, Op. 57b 5. Variations of the Prince and Belle Rose
- Symphonic Suite: Gloriana, Op 53a I The Tournament
- Prelude and Dances from the Prince of the Pagoda, Op. 57b 3b. The Four Kings - The King of the East
- Symphonic Suite: Gloriana, Op 53a II The Lute Song
- Prelude and Dances from the Prince of the Pagoda, Op. 57b 2. March and Gavotte
- Symphonic Suite: Gloriana, Op 53a IV Gloriana Moritura
- Lachrymae, Op. 48a: Theme
- Concerto for Violin, Op. 15: III. Passacaglia: Andante lento
- Symphonic Suite: Gloriana, Op 53a: IV. Gloriana Moritura
- Prelude and Dances from the Prince of the Pagoda, op. 57b: 3b. The Four Kings - The King of the East
- Cello Symphony op.68: I. Allegro maestoso
- Cello Suite No.1 op.72: V. Serenata
- Concerto for Violin, Op. 15: II. Vivace
- Cello Symphony op.68: Adagio - cadenza ad lib
- Symphonic Suite: Gloriana, Op 53a: II. The Lute Song
- Prelude and Dances from the Prince of the Pagoda, op. 57b: 3d. The Four Kings - The King of the South
- Cello Suite No.1 op.72: VI. Marcia
- Cello Symphony op.68: II. Presto inquieto
- Cello Suite No.1 op.72: IX. Monto perpetuo e Canto quarto
- Cello Suite No.1 op.72: II. Fuga
- Prelude and Dances from the Prince of the Pagoda, op. 57b: 6. Finale
- Cello Symphony op.68: Passacaglia: Andante allegro
- Symphonic Suite: Gloriana, Op 53a: III. The Courtly Dances
- Concerto for Violin, Op. 15: I. Moderato con moto
- Concerto for Piano, Op. 13: IV. March
- Prelude and Dances from the Prince of the Pagoda, op. 57b: 4. Belle Epine and Belle Rose
- Prelude and Dances from the Prince of the Pagoda, op. 57b: 3c. The Four Kings - The King of the West
- Cello Suite No.1 op.72: VIII. Bordone
- Concerto for Piano, Op. 13: III. Impromptu
- Hymn to St. Cecilia, Op. 27
- Concerto for Piano, Op. 13: II. Waltz
- Prelude and Dances from the Prince of the Pagoda, op. 57b: 2. March and Gavotte
- Symphonic Suite: Gloriana, Op 53a: I. The Tournament
- Concerto for Piano, Op. 13: I. Toccata
- Cello Suite No.1 op.72: IV. Canto secondo
- Prelude and Dances from the Prince of the Pagoda, op. 57b: 1. Prelude
- Cello Suite No.1 op.72: VII. Canto terzo
- Cello Suite No.1 op.72: III. Lamento
- Prelude and Dances from the Prince of the Pagoda, op. 57b: 5. Variations of the Prince and Belle Rose
- Cello Suite No.1 op.72: I. Canto primo
- Prelude and Dances from the Prince of the Pagoda, op. 57b: 3a. The Four Kings - The King of the North
- Cello Suite No. 1, Op. 72: VIII. Bordone
- Cello Suite No. 1, Op. 72: VII. Canto terzo
- Cello Suite No. 1, Op. 72: IV. Canto secondo
- Cello Symphony, Op. 68: IV. Passacaglia. Andante allegro
- Cello Suite No. 1, Op. 72: III. Lamento
- Cello Suite No. 1, Op. 72: IX. Monto perpetuo e Canto quarto
- Cello Symphony, Op. 68: III. Adagio - Cadenza ad lib
- Cello Suite No. 1, Op. 72: V. Serenata
- Cello Suite No. 1, Op. 72: II. Fuga
- Cello Suite No. 1, Op. 72: VI. Marcia
- Serenade for tenor, horn and strings, Op. 31: Epilogue
- Serenade for Tenor, Horn and Strings, Op. 31: V. Hymn (Jonson)
- Serenade for tenor, horn and strings, Op. 31: Prologue
- Serenade for Tenor, Horn and Strings, Op. 31: I. Pastoral (Cotton)
- Serenade for Tenor, Horn and Strings, Op. 31: III. Elegy (Blake)
- Serenade for Tenor, Horn and Strings, Op. 31: VI. Sonnet (Keats)
- Serenade for Tenor, Horn and Strings, Op. 31: IV. Dirge (Anonymous)
- Serenade for Tenor, Horn and Strings, Op. 31: II. Nocturne (Tennyson)
- Festival Te Deum in E
- Serenade for Tenor, Horn and Strings, Op. 31: IV. Dirge
- A Ceremony of Carols, Op. 28: XI. Recession
- Peter Grimes: Interlude I: On the beach (Dawn)
- Billy Budd: Act II, Scene I. "Who'll volunteer to board 'em"
- Spring Symphony, Part 1: The Merry Cuckoo
- Gloriana, op. 53a: III. The Courtly Dances
- Billy Budd: Act I, Scene I. "Christ! the poor chap"
- The Holy Sonnets of John Donne, Op. 35: Batter my heart
- A Midsummer Night's Dream, Op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena)
- Peter Grimes, Act II Scene II: "Now!... Now!..." (Boles, Rector, Swallow, Keene and Chorus)
- Peter Grimes, Act III Scene II: "To those who pass the Borough" (Chorus)
- Cello Suite No. 1: 3. Serenata. Allegretto pizzicato
- Spring Symphony Op. 44 - 9
- A Midsummer Night's Dream, Op. 64: Act I. "Is all our company here?" (Rustics)
- A Midsummer Night's Dream, Op. 64: Act I. "How now, my love" (Lysanda, Hermia)
- Symphonic Suite from 'Gloriana', Op. 53a: III. The Courtly Dances
- Billy Budd: Act I, Scene I. "I heard, your honour!"
- Serenade Op. 31: 4. Dirge: This Ae Nighte
- A Charm of Lullabies, Op. 41 No. 2: The Highland Balou
- Serenade for Tenor, Horn and Strings, Op. 31: V. Hymn
- Peter Grimes, Act I Scene II: "Past time to close!" (Auntie)
- Albert Herring, Op. 39: Act II, Scene I. "My heart leaps up with joy" (Miss Wordsworth)
- Act I Scene 1: "Pull, my bantams"
- The Ash Grove (Welsh Tune)
- String Quartet in D major: I. Allegro maestoso
- Albert Herring, Op. 39: Act I, Scene I. "The first suggestion on my list" (Vicar)
- Spring Symphony, op. 44: IX. When will my May come
- Peter Grimes: Act II, Scene I. "Fool to let it come to this!" (Auntie)
- A Ceremony of Carols, Op.28: VII. Interlude
- Rejoice in the Lamb - 1
- Serenade Op. 31: Prologue
- A Ceremony of Carols: Wolcum Yole
- Cello Suite No. 1: I Canto Primo. Sostenuto e largamente
- A Midsummer Night's Dream, Op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia)
- Spring Symphony Op. 44 - 2
- A Ceremony of Carols, Op.28: VI. This Little Babe
- Peter Grimes, Act III Scene I: Interlude VI
- A Boy was Born: Variation VI: Noel!
- Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Arethusa - Largamente
- A Midsummer Night's Dream, Op. 64: Act II. "This is thy negligence" (Oberon, Puck)
- Cello Suite No. 1: III Canto terzo. Sostenuto
- A Midsummer Night's Dream, Op. 64: Act I. "Well, go thy way" (Oberon, Puck)
- Spring Symphony, Part II: Out on the lawn I lie in bed
- Albert Herring, Op. 39: Act I, Scene II. "Bounce me high" (Kids)
- Hymn to St. Cecilia, II: "I cannot grow"
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Fugue: Allegro molto
- Sonnet
- She sleeps
- A Ceremony of Carols, Op. 28: V. As dew in Aprille
- Four Sea Interludes (from Peter Grimes) Op. 33a: IV. Storm (Presto con fuoco)
- St Nicolas, Op. 42: IV. He journeys to Palestine
- Suite on English folk tunes, "A time there was...", Op. 90: III. "Hankin Booby"
- Albert Herring, Op. 39: Act II, Scene I. Interlude
- A Boy Was Born - 6 In the Bleak Mid-winter
- Serenade for Tenor, Horn and Strings, Op. 31: I. Pastoral
- Billy Budd: Epilogue. "We committed his body to the deep."
- Spring Symphony, Part 1: Introduction: "Shine out, fair sun"
- Suite on English folk tunes, "A time there was...", Op. 90: II. "The Bitter Withy"
- Rejoice in the Lamb - 2
- Rejoice in the Lamb - 3
- Rejoice in the Lamb - 4
- The Young Person's Guide to the Orchestra, Op. 34: Variation F (Meno mosso)
- Rejoice in the Lamb - 5
- Rejoice in the Lamb - 6
- St Nicolas, Op. 42: V. He comes to Myra and is chosen Bishop
- Rejoice in the Lamb - 7
- Rejoice in the Lamb - 8
- A Boy Was Born: Theme
- Prologue
- Christ’s Nativity: V. Carol of King Cnut
- Act I Scene 1: "I heard, your honour!"
- The Holy Sonnets of John Donne, Op. 35: Thou hast made me
- Hymn to St. Cecilia, Op. 27: I. In a garden shady this holy lady
- Spring Symphony, Op. 44, Part II: Out on the Lawn I Lie in Bed (Alto, Chorus)
- Peter Grimes, Act I Scene I: "Hi! Give us a hand!" (Peter)
- Act I: Prologue
- Act IV, Scene 1: "Starry Vere"
- Johnson over Jordan Suite: IV. Approach of Death and Finale: a. (Poco lento)
- Jubliate Deo (1961)
- Act I Scene 1: "Christ, the poor chap, the poor little runt!"
- A Midsummer Night's Dream, Op. 64: Act I. "Through the forest I have gone" (Puck)
- St Nicolas, Op. 42: II. The Birth of Nicolas
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Theme
- Peter Grimes, Act II Scene I: "Now is gossip put on trial," (Mrs Sedley, Boles, Rector, Keene, Swallow and Chorus)
- Albert Herring, Op. 39: Act I, Scene I. Interlude
- Our Hunting Fathers Op. 8: Epilogue and Funeral March
- Songs and Proverbs of William Blake, Op. 74: The tygers of wrath... TheFly
- What passing-bells for these who die as cattle?
- Albert Herring, Op. 39: Act I, Scene I. "I hope, we're not too carly, Florence?" (Miss Wordsworth)
- A Midsummer Night's Dream, Op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia)
- Spring Symphony, Part 1: Spring, the Sweet Spring
- Five Flower Songs, 2: The Succession of the Four Sweet Months
- Billy Budd: Act I, Scene III. "Dansker, old friend, glad to see you"
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 4. Belle Rose
- Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!"
- Soirées musicales: (V) Tarantella
- Four Sea Interludes from Peter Grimes, Op. 33a: II. Allegro spiritoso. "Sunday Morning"
- Suite for Harp Solo, Op. 83: I. Overture - Majestic
- Come You Not From Newcastle? (Hullah's Song-Book)
- Playful pizzicato
- The Holy Sonnets of John Donne, Op. 35: Oh my blacke Soule!
- Sonata for Cello and Piano: V. Moto perpetuo
- Five Flower Songs, I: To Daffodils
- Four Sea Interludes - Storm
- Sonata in C major for cello and piano, Op.65: I. Dialogo
- Gloriana, op. 53a: IV. Gloriana moritura
- Spring Symphony, Op. 44, Part I: The Merry Cuckoo (Tenor)
- Four Sea Interludes (from Peter Grimes) Op. 33a: III. Moonlight (Andante comodo e rubato)
- Peter Grimes, Act I Scene I: "What harbour shelters peace" (Peter)
- A Midsummer Night's Dream, Op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania)
- Peter Grimes: Act I, Scene II. "Now the Great Bear and Pleiades" (Peter)
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 5. Variation of the Prince
- A Ceremony of Carols, Op.28: II. Wolcum Yole!
- Peter Grimes, Act I Scene II: "The bridge is down, we half swam over" (Hobson)
- Spring Symphony Op. 44 - 1
- A Midsummer Night's Dream, Op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus)
- The Young Person's Guide to the Orchestra, Op. 34: Theme E
- The Young Person's Guide to the Orchestra, Op. 34: Theme D
- The Young Person's Guide to the Orchestra, Op. 34: Theme C
- The Young Person's Guide to the Orchestra, Op. 34: Theme B
- Matinées musicales: (V) Moto pepetuo
- Peter Grimes: Interlude II: The Storm
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 3. The King of the East
- Peter Grimes, Act II Scene II: "Go there!" (Peter)
- Spring Symphony Op. 44 - 10
- Spring Symphony Op. 44 - 12
- Suite for Harp Solo, Op. 83: II. Toccata - Fast and gay
- Spring Symphony Op. 44 - 11
- Sonata for Cello and Piano: II. Scherzo-pizzicato
- Serenade Op. 31: 5. Hymn: Queen and Huntress
- Villes
- Albert Herring, Op. 39: Act II, Scene I. "I'm full of happiness" (Lady Billows)
- Five Flower Songs, 3: Marsh Flowers
- Four Sea Interludes from Peter Grimes, Op. 33a: IV. Presto con fuoco - molto animato - largamente - tempo I. "Storm"
- Bugles sang
- Soirées musicales: (III) Tirolese
- Songs and Proverbs of William Blake, Op. 74: The pride of the peacock...London
- Psalm 150, op. 67
- A Midsummer Night's Dream, Op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue)
- Symphony for Cello and Orchestra, Op. 68: IV. Passacaglia. Andante allegro
- A Charm of Lullabies, Op. 41 No. 1: A Cradle Song
- Soirées musicales: (I) March
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 3. The King of the West
- Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Niobe - Andante
- Suite on English Folk Tunes "A time there was", Op. 90: Lord Melbourne (Slow and Languid)
- Albert Herring, Op. 39: Act II, Scene I. "Well tried, Albert!" (Vicar)
- Spring Symphony, Op. 44: III. Spring
- String Quartet in D major: II. Lento ed espressivo
- Peter Grimes: Act I, Scene II. "The bridge is down, we half swam over" (Hobson)
- Peter Grimes, Act II Scene I: "People!... No! I will speak!" (Boles)
- The Young Person's Guide to the Orchestra, Op. 34: Variation L (Allegro pomposo)
- Missa Brevis in D Major: Gloria
- The Holy Sonnets of John Donne, Op. 35: Oh might those sighes and teares
- Froliscome finale
- Spring Symphony, Op. 44: XI. Sound the flute
- Symphonic Suite from 'Gloriana', Op. 53a: IV. Gloriana Moritura
- Te Deum in C major (1934)
- Albert Herring, Op. 39: Act III. "In the midst of life is death" (All)
- Christ’s Nativity: II. Sweet was the Song
- Spring Symphony Op. 44 - 7
- Recordare
- A Boy Was Born - 1
- Peter Grimes, Prologue: "Peter Grimes, I here advise you!" (Swallow)
- Peter Grimes: Act II, Scene I. "Swallow! Shall we go and see Grimes in his hut?" (Rector)
- Cello Suite No. 1: 6. Moto perpetuo e canto quarto. Presto
- Midnight's bell
- Four Burns Songs, Op. 92 No. 3 "A Birthday Hansel": Wee Willie
- Billy Budd: Act I, Scene II. "Boy!"
- Serenade Op. 31: 6. Sonnet: O Soft Embalmer of the Still Midnight
- Encinctured
- A Boy was Born: Variation IV: The Three Kings
- A Boy Was Born - 2 Lullay, Jesu
- Peter Grimes, Act I Scene II: "We live and let live" (Balstrode)
- 'Let us sleep now...'
- The Minstrel Boy (The Moreen)
- Suite on English folk tunes, "A time there was...", Op. 90: V. Slow and languid. "Lord Melbourne"
- Act III, Scene 2: "God o'mercy!"
- Billy Budd: Act I, Scene I. "What's that? What's those whistles?"
- A Midsummer Night's Dream, Op. 64: Act II. Introduction: the Wood
- Peter Grimes: Act III, Scene I. "Mister Swallow! Mister Swallow!" (Mrs. Sedley)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Variations: A. Presto / B. Lento / C. Moderato / D. Allegro alla marcia
- Suite on English Folk Tunes "A time there was", Op. 90: The Bitter Withy (Allegretto)
- Albert Herring, Op. 39: Act III. "I'm hungry, I'm tired" (Sid)
- St Nicolas, Op. 42: VI. Nicolas from Prison
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 4. Belle Epine
- Peter Grimes: Act I, Scene I. "Oh! hang at open doors the net, the cork" (Women, Fishermen)
- Out there, we've walked quite friendly up to Death
- Suite on English Folk Tunes "A time there was", Op. 90: Hanin Booby (Heavily)
- Act III, Scene 1: "Nay, nay, you're mistaken"
- Hymn
- Peter Grimes, Act I Scene II: "Old Joe has gone fishing" (Keene)
- St Nicolas, Op. 42: III. Nicolas devotes himself to God
- Albert Herring, Op. 39: Act III. "Albert's come back to stay" (Nancy, Sid, Emmie, Cis, Harry)
- The Holy Sonnets of John Donne, Op. 35: At the round earth's imagin'd corners
- Spring Symphony, Op. 44, Part I: Introduction: "Shine out, fair sun" (Chorus)
- Act II Scene 1: "Don't like the French!"
- Peter Grimes: Act II, Scene I. "From the gutter, why should we trouble at their ribaldries?" (Nieces)
- Cello Suite No. 2: I. Declamato. Largo
- Albert Herring, Op. 39: Act I, Scene I. "Is this all you can bring?" (Lady Billows)
- A Midsummer Night's Dream, Op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies)
- Peter Grimes, Act II Scene I: "We planned that their lives should have a new start" (Ellen)
- Suite for Harp Solo, Op. 83: V. Hymn (St. Denio) - Slow and solemn
- Our Hunting Fathers Op. 8: A. Rats Away!
- Albert Herring, Op. 39: Act I, Scene II. "Meet me at a quarter past eight" (Sid)
- Peter Grimes, Act III Scene I: "Pah! Ahoy!" (Swallow and Keene)
- A Midsummer Night's Dream, Op. 64: Act II. "On the ground, sleep sound" (Fairies)
- A Ceremony of Carols: That Younge Child
- Gloriana, op. 53a: II. The Lute Song
- Albert Herring, Op. 39: Act I, Scene II. "Good morning, young man" (Florence)
- Peter Grimes: Act II, Scene II. "Go there!" (Peter)
- A Midsummer Night's Dream, Op. 64: Act I. "You spotted snakes with double toungue" (Yaogd;)
- A Midsummer Night's Dream, Op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia)
- Peter Grimes: Act II, Scene II. "Peter Grimes! Nobody here?" (Rector)
- Act II Scene 2: "Come here! Remember your promise"
- Peter Grimes: Interlude IV (Passacaglia)
- Peter Grimes: Act I, Scene II. "Have you heard? The cliff is down" (Keene)
- Liber scriptus proferetur
- Billy Budd: Prologue. "I am an old man"
- Songs and Proverbs of William Blake, Op. 74: To see a World... Every night & every morn
- It seemed that out of battle I escaped
- Peter Grimes, Act II: Interlude III
- Albert Herring, Op. 39: Act III. "I can't remember everything" (Albert)
- Spring Symphony, Part II: Welcome Maids of Honour
- Peter Grimes: Act III, Scene II. "Grimes! Grimes!" (Chorus (off))
- A Wedding Anthem (Amo Ergo Sum)
- A Midsummer Night's Dream, Op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia)
- Matinées musicales: (IV) Pantomime
- Peter Grimes: Interlude V: Evening
- Suite No.3, Op.87 (1972) - IX. Passacaglia. Lento solenne
- Spring Symphony, Op. 44: IV. The driving boy (When as rye)
- Serenade for Tenor, Horn and Strings, Op. 31: VI. Sonnet
- ?
- A Boy Was Born - 5 The Three Kings
- Missa brevis in D major, Op. 63: V. Agnus Dei
- A Ceremony of Carols, Op. 28: X. Deo gracias!
- Peter Grimes, Act II Scene I: Interlude IV. Passacaglia
- Serenade for Tenor, Horn and Strings, Op. 31: III. Elegy
- Act I Scene 1: "Billy Budd, king of the birds!"
- Peter Grimes, Act II Scene I: "Let this be a holiday" (Ellen)
- A Ceremony of Carols, Op. 28: III. There is no rose
- Spring Symphony Op. 44 - 8
- Peter Grimes: Act III, Scene II. "Peter, we've come to take you home" (Ellen)
- Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Bacchus - Allegro paesante
- Billy Budd: Act II, Scene II. "Gentlemen, William Budd here"
- The Young Person's Guide to the Orchestra, Op. 34: Variation M (Moderato)
- Billy Budd: Act II, Scene I. "There you are again, Master-at-arms"
- Peter Grimes: Act II, Scene I. "Let this be a holiday" (Ellen)
- Spring Symphony, Op. 44: I. Introduction: "Shine out"
- Peter Grimes, Act I Scene II: Interlude II
- A Midsummer Night's Dream, Op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion)
- A Boy Was Born - 4 Jesu, as Thou Art Our Saviour
- A Midsummer Night's Dream, Op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall)
- A Midsummer Night's Dream, Op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus)
- The Salley Gardens (Irish Tune)
- Billy Budd: Act II, Scene II. "William Budd, you are accused"
- Dirge
- A Ceremony of Carols, Op. 28: II. Wolcum Yole!
- Billy Budd: Act I, Scene I. "Guard boat! Indomitable!"
- Johnson over Jordan Suite: II. Introduction and Incinerator's Dance: b. Single Clerk (Allegro)
- Four Burns Songs, Op. 92 No. 4 "A Birthday Hansel": My Hoggie
- A Midsummer Night's Dream, Op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius)
- Spring Symphony, op. 44: II. The merry cuckoo
- The Last Rose of Summer (Groves of Blarney)
- A Midsummer Night's Dream, Op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania)
- A Ceremony of Carols, Op.28: XI. Recession
- Billy Budd: Act I, Scene I. "Starry Vere we call him"
- Peter Grimes, Act III Scene II: "Grimes! Grimes!" (Chorus)
- The Holy Sonnets of John Donne, Op. 35: What if this present
- Act III, Scene 1: "I don't like the look of the mist"
- Billy Budd: Act I, Scene I. "Come along kid! Come along!"
- Four Sea Interludes (from Peter Grimes) Op. 33a: II. Sunday Morning (Allegro spiritoso)
- Antique
- Peter Grimes: Act I, Scene I. "Let her among you without fault cast the first stone" (Ellen)
- Albert Herring, Op. 39: Act III. "Is she asleep?" (Emmie)
- Albert Herring, Op. 39: Act III. Introduction
- Cello Suite No. 2: IV. Andante lento
- Billy Budd: Act II, Scene I. "I don't like the look of the mist"
- St Nicolas, Op. 42: IX. The Death of Nicolas
- Peter Grimes, Act I Scene I: "I have to go from pub to pub" (Hobson)
- St Nicolas, Op. 42: VIII. His Piety and Marvellous Works
- Peter Grimes, Act I Scene II: "Now the Great Bear and Pleiades" (Peter)
- Matinées musicales: (III) Walz
- A Midsummer Night's Dream, Op. 64: Act II. "Are we all met?" (Rustics, Puck)
- O Can Ye Sew Cushions? (Scottish Tune)
- Albert Herring, Op. 39: Act II, Scene II. "Heaven helps those who help themselves!" (Albert)
- The Young Person's Guide to the Orchestra, Op. 34: Variation D (Allegro alla marcia)
- Christ’s Nativity: III. Preparations
- Albert Herring, Op. 39: Act I, Scene II. "Shop! Hi! Albert!" (Sid)
- St Nicolas, Op. 42: VII. Nicolas and the Pickled Boys
- Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!"
- Marine
- Peter Grimes, Op. 33b: Passacaglia
- Peter Grimes: Act I, Scene I. "What harbour shelters peace" (Peter)
- Act III, Scene 2: "Claggart, John Claggart, beware!"
- Suite for Harp Solo, Op. 83: III. Nocturne - Slow and quiet
- Peter Grimes: Act I, Scene I. "And do you prefer the storm" (Balstrode)
- A Charm of Lullabies, Op. 41 No. 5: The Nurse's Song
- A Midsummer Night's Dream, Op. 64: Act I. "Over hill, over dale" (Fairies, Puck)
- Peter Grimes: Act I, Scene II. "Past time to close!" (Auntie)
- Billy Budd: Act II, Scene IV. "Down all hands!"
- A Midsummer Night's Dream, Op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia)
- Symphonic Suite from 'Gloriana', Op. 53a: I. The Tournament
- St Nicolas, Op. 42: I. Introduction
- Our Hunting Fathers Op. 8: Prologue
- Albert Herring, Op. 39: Act II, Scene II. "Albert the Good!" (Albert)
- Hymn to St. Cecilia, IIII: "O ear whose creatures"
- Albert Herring, Op. 39: Act I, Scene II. "He's much too busy" (Albert)
- A Boy was Born: Variation V: In the Bleak Mid-Winter
- A Midsummer Night's Dream, Op. 64: Act I. "What thou seest when thou dost awake" (Oberon)
- Christ’s Nativity: I. Christ’s Nativity
- Albert Herring, Op. 39: Act II, Scene II. "You oughtn't to whistle!" (Nancy)
- Spring Symphony, Part 1: The Driving Boy
- Peter Grimes, Act II Scene I: "This unrelenting work" (Ellen)
- Peter Grimes, Act I Scene I: "Look, the storm cone!" (Balstrode)
- The Young Person's Guide to the Orchestra, Op. 34: Variation J (L'istesso tempo)
- Suite on English folk tunes, "A time there was...", Op. 90: IV. Fast and gay. "Hunt the Squirrel"
- Being Beauteous
- Peter Grimes, Act III Scene I: "Embroidery in childhood was a luxury of idleness" (Ellen)
- Fanfare
- Act II Scene 2: "Come out of that!"
- A Ceremony of Carols, Op.28: V. As dew in Aprille
- So Abram rose, and clave the wood
- Spring Symphony, Op. 44: VII. Waters above
- Billy Budd: Act I, Scene II. "We are, sir. Claggart is an able one"
- Billy Budd: Act II, Scene III. "Look!"
- Cello Suite No. 1: II Canto secondo. Sostenuto
- Spring Symphony, op. 44: X. Fair and fair
- A Ceremony of Carols, Op.28: VIII. In Freezing Winter Night
- Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Phaeton - Vivace ritmico
- Four Sea Interludes - Moonlight
- Serenade Op. 31: Epilogue
- Our Hunting Fathers Op. 8: C. Dance of Death
- The Holy Sonnets of John Donne, Op. 35: Oh, to vex me
- Spring Symphony, Op. 44, Part III: Fair and Fair (Soprano, Tenor)
- Spring Symphony, Part III: Fair and fair
- Billy Budd: Act I, Scene III. "Blow her away"
- A Midsummer Night's Dream, Op. 64: Act III. "When my cue comes, call me" (Bottom)
- A Ceremony of Carols, Op. 28: VI. This little babe
- Billy Budd: Act II, Scene III. "Here! Baby!"
- Billy Budd: Act II, Scene II. "Master-at-arms and foretopman"
- A Ceremony of Carols, Op. 28: I. Procession
- Peter Grimes, Act I Scene II: "Have you heard? The cliff is down" (Keene)
- - Interlude
- Sonata for Cello and Piano: III. Elegia
- A Ceremony of Carols: Interlude (Andante Pastorale)
- The Young Person's Guide to the Orchestra, Op. 34: Theme F (Presto)
- String Quartet in D major: III. Allegro giocoso
- Christ’s Nativity: IV. New Prince, New Pomp
- Nocturne
- Cello Suite No. 1: 2. Lamento. Lento rubato
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 6. Finale
- Peter Grimes, Act II Scene II: "Peter Grimes! Nobody here?" (Rector)
- A Midsummer Night's Dream, Op. 64: Act I. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania)
- A Midsummer Night's Dream, Op. 64: Act II. "I have a reas'nable good ear in music" (Bottom, Tytania)
- A Ceremony of Carols, Op. 28: IV. (b) Balulalow
- Soirées musicales: (II) Canzonetta
- Peter Grimes, Act III Scene I: "Who holds himself apart, lets his pride rise" (Chorus)
- Songs and Proverbs of William Blake, Op. 74: The bird a nest... A poison tree
- Johnson over Jordan Suite: IV. Approach of Death and Finale: b. Funeral Music
- Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Narcissus - Lento piacevole
- Serenade Op. 31: 2. Nocturne: The Splendour Falls on Castle Walls
- Billy Budd: Act II, Scene I. "O this cursed mist!"
- Gloriana, op. 53a: I. The Tournament
- Songs and Proverbs of William Blake, Op. 74: The hours of folly... Ah, Sun-flower
- Spring Symphony, Op. 44, Part I: The Morning Star (Chorus)
- Albert Herring, Op. 39: Act I, Scene I. "Right! We'll have him!" (Lady Billows)
- A Midsummer Night's Dream, Op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania)
- Billy Budd: Act I, Scene I. "Your name?"
- A Ceremony of Carols, Op.28: I. Procession
- Five Flower Songs, 5: Ballad of Green Broom
- A Ceremony of Carols, Op.28: III. There is no Rose
- Peter Grimes: Interlude III: Sunday morning by the beach
- Suite on English Folk Tunes "A time there was", Op. 90: Cakes and Ale (Fast and Rough)
- Missa brevis in D major, Op. 63: II. Gloria
- Spring Symphony, Part III: When will my May come
- Spring Symphony Op. 44 - 6
- Peter Grimes, Op. 33, Act II, Scene 1: "Swallow! Shall we go"
- Albert Herring, Op. 39: Act II, Scene I. "Here they are dears!" (Miss Wordsworth)
- Peter Grimes, Act I Scene I: "Let her among you without fault cast the first stone" (Ellen)
- Peter Grimes, Act III Scene I: "Come along, Doctor!" (First Burgess)
- Albert Herring, Op. 39: Act II, Scene I. "Quickly, quickly, come along!" (Miss Wordsworth)
- A Midsummer Night's Dream, Op. 64: Act III. "If we offend, it is with our good will" (Rustics)
- Cello Suite No. 1: 5. Bordone. Moderato quasi recitativo
- Lacrimosa
- Spring Symphony, Op. 44, Part III: When Will My May Come (Tenor)
- Billy Budd: Act II, Scene III. "And farewell to ye, old Rights o' Man!"
- Missa Brevis in D Major: Kyrie
- Parade
- Missa brevis in D major, Op. 63: III. Sanctus
- Cello Suite No. 2: III. Scherzo. Allegro molto
- Act II Scene 1: "Oh, that's nothing"
- Boisterous bourrée
- A Boy Was Born: Variation III: Jesu, as Thou Art
- The Young Person's Guide to the Orchestra, Op. 34: Variation K (Vivace)
- Peter Grimes, Prologue: "Peter Grimes!" (Hobson)
- Serenade Op. 31: 3. Elegy: O Rose, Thou Art Sick
- Albert Herring, Op. 39: Act II, Scene I. "As representing the local Council" (Mayor)
- Peter Grimes, Act III Scene I: "Mister Swallow! Mister Swallow!" (Mrs Sedley)
- Four Sea Interludes from 'Peter Grimes', Op. 33a: III. Moonlight
- Albert Herring, Op. 39: Act III. "Fools! Fools! Blundering fools!" (Lady Billows)
- Four sea interludes and Passacaglia: Sunday morning (Act II)
- Peter Grimes: Act I, Scene I. "Look, the storm cone!" (Balstrode)
- Act II Scene 2: "Dansker, old friend"
- Peter Grimes: Act II, Scene I. "People!... No! I will speak!" (Boles)
- Act III, Scene 1: "Deck ahoy!"
- A Charm of Lullabies, Op. 41 No. 3: Sephestia's Lullaby
- Benedictus
- Sonata for Cello and Piano: I. Dialogo
- Cello Suite No. 2: II. Fuga. Andante
- The Young Person's Guide to the Orchestra, Op. 34: Variation B (Lento)
- Missa brevis in D major, Op. 63: IV. Benedictus
- Matinées musicales: (I) March
- Spring Symphony, Op. 44, Part III: Sound the Flute! (Chorus, Children's Chorus)
- Peter Grimes, Prologue: "The truth...the pity...and the truth" (Peter)
- Peter Grimes, Act I Scene I: "Oh! hang at open doors the net, the cork," (Women and Fishermen)
- Serenade Op. 31: 1. Pastoral: The Day's Grown Old
- A Midsummer Night's Dream, Op. 64: Act I. "Welcome, wanderer!" (Oberon)
- Act III, Scene 1: "All guns ready, Sir!"
- Albert Herring, Op. 39: Act I, Scene I. "Beggin' your pardon" (Superintendent Budd)
- Billy Budd: Act II, Scene III. Interlude
- The Trees They Grow So High (Somerset)
- A Midsummer Night's Dream, Op. 64: Act III. "Come, your Bergomask" (Theseus)
- Four Sea Interludes from 'Peter Grimes', Op. 33a: IV. Storm
- A Ceremony of Carols (interlude)
- Suite for Harp Solo, Op. 83: IV. Fugue - Lively
- Peter Grimes, Op. 33, Act III, Scene 2: "Grimes! Grimes!"
- Royauté
- How Sweet the Answer (The Wren)
- A Ceremony of Carols, Op.28: IVb. Balulalow
- Billy Budd: Act I, Scene III. "Hi! You...a...a..."
- Spring Symphony, Op. 44: VI. Welcome maids of honor
- Peter Grimes, Act I Scene I: "And do you prefer the storm" (Balstrode)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Variations: E. Brillante / F. Meno mosso / G. [no tempo marking] / H. Cominciando lento ma poco a poco accel. al Allegro
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 2. March and Gavotte
- Peter Grimes: Act II, Scene I. "Now is gossip put on trial" (Mrs. Sedley, Boles, Rector, Keene, Swallow, Chorus)
- When most I wink
- Albert Herring, Op. 39: Act II, Scene I. "Isn't he here?" (Florence)
- A Ceremony of Carols, Op. 28: IV. (a) That yongë child
- What is more gentle
- The Young Person's Guide to the Orchestra, Op. 34: Variation I (Maestoso)
- Peter Grimes, Act II Scene I: "What is it?" (Chorus)
- Suite on English Folk Tunes "A time there was", Op. 90: Hunt the Squirrel (Fast and Gay)
- Missa brevis in D major, Op. 63: I. Kyrie
- Suite on English folk tunes, "A time there was...", Op. 90: I. "Cakes and Ale"
- Sonata in C major for cello and piano, Op.65: II. Scherzo. Pizzicato
- Spring Symphony, Op. 44, Part II: Welcome Maids of Honour (Contralto)
- Spring Symphony Op. 44 - 5
- Act III, Scene 1: "There are you again, Master-at-Arms"
- A Ceremony of Carols, Op.28: IVa. That Yonge Child
- Billy Budd: Act II, Scene IV. "According to the Articles of War"
- Peter Grimes, Act III Scene II: "Peter, we've come to take you home" (Ellen)
- Peter Grimes, Act II Scene I: "Glitter of waves and glitter of sunlight" (Ellen)
- Johnson over Jordan Suite: IV. Approach of Death and Finale: c. End Music (Andante poco lento)
- The Young Person's Guide to the Orchestra, Op. 34: Variation C (Moderato)
- Spring Symphony, op. 44: V. The morning star
- Peter Grimes: Act II, Scene I. "This unrelenting work" (Ellen)
- Six Metamorphoses after Ovid for Oboe Solo, Op. 49: Pan - Senza misura
- Four Sea Interludes - Dawn
- A Midsummer Night's Dream, Op. 64: Act III. "Asleep, my love?" (Flute/Thisby)
- Songs and Proverbs of William Blake, Op. 74: Think in the morning... The Tyger
- Act IV, Scene 1: "And farewell to ye"
- Symphonic Suite from 'Gloriana', Op. 53a: II. The Lute Song
- Albert Herring, Op. 39: Act I, Scene I. "Now then! Notebook, Florence!" (Lady Billows)
- Spring Symphony, Part 1: The Morning Star
- A Midsummer Night's Dream, Op. 64: Act III. "O grim-look'd night, o night with hue so black" (Bottom/Pyramus)
- A Charm of Lullabies, Op. 41 No. 4: A Charm
- Billy Budd: Act I, Scene I. "First man forward!"
- Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!"
- Sonata in C major for cello and piano, Op.65: III. Elegia
- Cello Suite No. 1: 4. Marcia. Alla marcia moderato
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 3. The King of the North
- Johnson over Jordan Suite: III. Spider Dance, Spider and the Fly (Lento quasi Blues)
- Act IV, Scene 1: "According to the Articles of War"
- A Midsummer Night's Dream, Op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania)
- Albert Herring, Op. 39: Act III. "Give me a decent murder with a corpse!" (Superintendent Budd)
- Albert Herring, Op. 39: Act III. "Albert...!" (All)
- Songs and Proverbs of William Blake, Op. 74: Prisons are built... The Chimney sweeper
- Hymn to St. Cecilia, I: "In a garden shady"
- The Young Person's Guide to the Orchestra, Op. 34: Variation G
- The Young Person's Guide to the Orchestra, Op. 34: Variation A
- Serenade for Tenor, Horn and Strings, Op. 31: II. Nocturne
- Festival Te Deum, op. 32
- Act II Scene 1: "My compliments..."
- Billy Budd: Act I, Scene III. "Over the water"
- Albert Herring, Op. 39: Act II, Scene I. "For three precious weeks" (Florence)
- Four Sea Interludes (from Peter Grimes) Op. 33a: I. Dawnn (Lento e tranquillo)
- O Waly, Waly (Somerset)
- Albert Herring, Op. 39: Act II, Scene I. "My flowers are few" (Harry)
- Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed
- Peter Grimes: Act III, Scene I. "Assign your prettiness to me" (Swallow)
- A Ceremony of Carols, Op.28: IX. Spring Carol
- Sentimental saraband
- Act IV, Scene 1: "Look!... Through the port comes the moonshine astray!"
- Four Sea Interludes from Peter Grimes, Op. 33a: III. Andante comodo e rubato. "Moonlight"
- Suite No.3, Op.87 (1972) - X. Molto semplice
- Albert Herring, Op. 39: Act II, Scene I. "Er-humph! Er-humph! I'm no great shakes" (Superintendent Budd)
- A Boy Was Born - 7 Noel!
- A Ceremony of Carols, Op. 28: IX. Spring Carol
- Confutatis maledictis
- A Midsummer Night's Dream, Op. 64: Act III. "My gentle Robin, see'st thou this sweet sight?" (Oberon, Puck, Tytania)
- Albert Herring, Op. 39: Act I, Scene II. "We bring great news to you" (Lady Billows)
- Spring Symphony, Op. 44, Part I: The Driving Boy (Children's Chorus)
- The Young Person's Guide to the Orchestra, Op. 34: Theme A (Allegro maestoso e largamente)
- Act III, Scene 2: "William Budd, you are accused"
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34: Variations: I. Maestoso / J. L'istesso tempo / K. Vivace / L. Allegro pomposo / M. Moderato
- Johnson over Jordan Suite: I. Ouverture (Andante maestoso)
- Albert Herring, Op. 39: Act III. "I'm sorry about that" (Albert)
- Johnson over Jordan Suite: II. Introduction and Incinerator's Dance: c. Incinerator's Dance
- Billy Budd: Act I, Scene I. "Pull, my bantams!"
- Billy Budd: Act I, Scene II. "Ay, at Spithead"
- Phrase
- Four Burns Songs, Op. 92 No. 5 "A Birthday Hansel": Afton Water
- Four sea interludes and Passacaglia: Dawn (Act I)
- After the blast of lightning from the East
- Billy Budd: Act I, Scene III. "We're off to Samoa"
- But that night
- Albert Herring, Op. 39: Act III. "Have you found him?" (Mum)
- Peter Grimes: Interlude VI: Fog
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 5. Variation of Belle Rose
- Peter Grimes, Act III Scene I: "Assign your prettiness to me" (Swallow)
- Act IV, Scene 1: "We committed his body to the deep"
- Billy Budd: Act II, Scene I. "Deck ahoy!"
- Act I Scene 1: "Vere! Vere! - Officers and men..."
- Four Sea Interludes - Sunday Morning
- Peter Grimes: Act II, Scene II. "Now!... Now!..." (Boles, Rector, Swallow, Keene, Chorus (off))
- A Midsummer Night's Dream, Op. 64: Act III. "Have you sent to Bottom's house?" (Rustics)
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 3. The King of the South
- A Midsummer Night's Dream, Op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion)
- Peter Grimes, Prologue: "You sailed your boat round the coast" (Swallow)
- The Holy Sonnets of John Donne, Op. 35: Death be not proud
- Peter Grimes: Act III, Scene II. "To those who pass the Borough" (Chorus)
- Act III, Scene 2: "You wanted to see me"
- Four sea interludes and Passacaglia: Moonlight (Act III)
- Matinées musicales: (II) Nocturne
- A Midsummer Night's Dream, Op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia)
- Billy Budd: Act II, Scene II. "God o' mercy!"
- Spring Symphony Op. 44 - 4
- Soirées musicales: (IV) Bolero
- Spring Symphony, Op. 44, Part IV: Finale: "London, to Thee I Do Present" (Tenor, Contralto, Soprano, Chorus, Children's Chorus)
- The Young Person's Guide to the Orchestra, Op. 34: Fugue (Allegro molto)
- Act I Scene 1: "Send for John Claggart!"
- Peter Grimes, Op. 33, Act I, Scene 1: "Hi! Give us a hand"
- The Young Person's Guide to the Orchestra, Op. 34: Variation H (Comminciando lento ma poco a poco accelerando)
- Act II Scene 2: "Blow her away..."
- Act II Scene 2: "Billy! Hist, Billy Budd!"
- Albert Herring, Op. 39: Act I, Scene I. "Flor-ence!...tell the midwife!" (Lady Billows)
- Peter Grimes, Op. 33, Act II, Scene 1: "People!...No! I will speak!"
- Départ
- Sonata for Cello and Piano: IV. Marcia
- A Midsummer Night's Dream, Op. 64: Act I. "Fair love, you faint with wand'ring in the wood" (Lysander, Hermia)
- A Boy was Born: Variation II: Herod
- Albert Herring, Op. 39: Act I, Scene I. "Doctor Jessop's midwife" (Florence)
- Move him into the sun
- Peter Grimes: Act III, Scene I. "Pah!... Ahoy!" (Swallow, Keene)
- Spring Symphony, Part IV: Finale: "London, to thee I do present"
- Four sea interludes and Passacaglia: Passacaglia (Act II)
- Missa Brevis in D Major: Sanctus/Benedictus
- Ballad of Heroes, Op. 14: II. Scherzo: Dance of Death
- Peter Grimes: Act II, Scene I. "What is it?" (Chorus)
- Five Flower Songs, 4: The Evening Primrose
- Spring Symphony, Part III: Sound the flute
- Peter Grimes: Act III, Scene I. "Come along, Doctor!" (First Burgess)
- Peter Grimes, Act II Scene I: "Swallow! Shall we go and see Grimmes in his hut?" (Rector)
- Cello Suite No. 2: V. Ciaccona. Allegro
- Be slowly lifted up, thou long black arm
- Cello Suite No. 1: 1. Fuga. Andante moderato
- Billy Budd: Act I, Scene II. "Gentlemen, the King!"
- Four sea interludes and Passacaglia: Storm (Act I)
- Peter Grimes, Act II Scene I: "Fool to let it come to this!" (Auntie)
- A Ceremony of Carols: Deo Gracias!
- A Ceremony of Carols, Op. 28: VIII. In freezing winter night
- Peter Grimes, Act III: Interlude V
- Albert Herring, Op. 39: Act I, Scene I. "Stuffy!" (Lady Billows)
- Peter Grimes: Prologue. "Peter Grimes!" (Hobson)
- Spring Symphony, Op. 44: XII. Finale: "London, to thee I do present"
- Peter Grimes, Act II Scene I: "From the gutter, why should we trouble at their ribaldries?" (Nieces)
- Our Hunting Fathers Op. 8: B. Messalina
- Johnson over Jordan Suite: II. Introduction and Incinerator's Dance: a. (Lento)
- A Ceremony of Carols, Op.28: X. Deo Gracias!
- Spring Symphony, Op. 44, Part II: Waters Above! (Tenor)
- Four Burns Songs, Op. 92 No. 6 "A Birthday Hansel": The Winter
- A Boy was Born: Variation I: Lullay, Jesu
- Symphony for Cello and Orchestra, Op. 68: III. Adagio – Cadenza ad lib
- Billy Budd: Act I, Scene III. "Come here. Remember your promise"
- Act I Scene 1: "Come along, kid!"
- On a poet's lips
- Below
- Act III, Scene 2: "Poor fellow, who could save him?"
- Sonata in C major for cello and piano, Op.65: V. Moto perpetuo
- Four Sea Interludes from Peter Grimes, Op. 33a: I. Lento e tranquillo. "Dawn"
- The Holy Sonnets of John Donne, Op. 35: Since she whom I loved
- A Boy Was Born - 3 Herod
- Act III, Scene 2: "I accept their verdict"
- Act II Scene 2: "Here lads!"
- Epilogue
- Pastoral
- The Prince of the Pagodas: Prelude and Dances, Op.57b: 1. Prelude
- Four Sea Interludes from 'Peter Grimes', Op. 33a: I. Dawn
- Albert Herring, Op. 39: Act I, Scene II. "Tickling a trout" (Sid)
- Billy Budd: Act II, Scene II. "I accept their verdict"
- A Ceremony of Carols, Op. 28: VII. Interlude (Andante pastorale)
- Act II Scene 2: "O beauty, o handsomeness"
- Peter Grimes, Op. 33, Act II, Scene 2: "Peter Grimes! Nobody here?"
- Billy Budd: Act II, Scene I. "With great regret I must disturb your honour"
- The Young Person's Guide to the Orchestra, Op. 34: Variation E (Brillante - alla polacca)
- Spring Symphony Op. 44 - 3
- Sonata in C major for cello and piano, Op.65: IV. Marcia
- Billy Budd: Act II, Scene II. "Poor fellow, who could save him?"
- Spring Symphony, Op. 44, Part I: Spring, the Sweet Spring (Soprano, Contralto, Tenor, Chorus)
- Spring Symphony, Part II: Waters above
- Four Sea Interludes from 'Peter Grimes', Op. 33a: II. Sunday Morning
- Missa Brevis in D Major: Agnus Dei
- 4 Sea Interludes: I. Dawn: Lento e tranquillo
- 4 Sea Interludes: IV. Storm: Presto con fuoco
- 4 Sea Interludes: III. Moonlight: Andante comodo e rubato
- 4 Sea Interludes: II. Sunday Morning: Allegro spiritoso
- Sacred and Profane Op.91 -VIII- A Death
- The Prodigal Son: Jam lucis orto sidere
- Choral Dances from 'Gloriana' -V- Rustics and Fishermen
- Choral Dances from 'Gloriana' -VI- Final Dance of Homage
- The Prodigal Son: You it was taught me (Son)
- Choral Dances from 'Gloriana' -I- Time
- Sacred and Profane Op.91 -III- Lenten is Come
- Choral after an Old French Carol
- Sacred and Profane Op.91 -I- St Gordic's Hymn
- Choral Dances from 'Gloriana' -IV- Country Girls
- Sacred and Profane Op.91 -VII- Ye that Pasen by
- A.M.D.G. -III- God's Grandeur
- A.M.D.G. -IV- Prayer II
- A.M.D.G. -I- Prayer I
- Five Flower Songs Op.47 -III- Marsh Flowers
- Five Flower Songs Op.47 -I- To Daffodils
- A.M.D.G. -II- Rose Mystica
- A.M.D.G. -V- O Deus, ego amo te
- Sacred and Profane Op.91 -II- I Mon Waxe Wod
- A.M.D.G. -VII- Heaven-Haven
- Sacred and Profane Op.91 -IV- The Long Night
- Sacred and Profane Op.91 -VI- Carol
- Five Flower Songs Op.47 -IV- The Evening Primrose
- Choral Dances from 'Gloriana' -III- Time and Concord
- Choral Dances from 'Gloriana' -II- Concord
- A.M.D.G. -VI- The Soldier
- Five Flower Songs Op.47 -V- Ballad of Green Broom
- Sacred and Profane Op.91 -V- Yif Ic of Luve Can
- Five Flower Songs Op.47 -II- The succession of the four sweet months
- Cello Sonata in C Op.65: II. Scherzo: Pizzicato
- Cello Sonata in C, Op. 65: IV. Marcia
- Cello Sonata in C Op.65: IV. Marcia
- Cello Sonata in C, Op. 65: II. Scherzo (Pizzicato)
- Young Person´s Guide to the Orchestra: Fugue (Allegro molto)
- A Ceremony of Carols : Wolkum Yole
- A Ceremony of Carols : There is no Rose
- A Ceremony of Carols : Deo Gracias
- A Ceremony of Carols : Spring Carol
- Concord
- Down by the Salley Garden
- A Ceremony of Carols : Balulalow
- A Ceremony of Carols : This little Babe
- Violin Concerto, Op. 15: III. Passacaglia - Andante lento
- Violin Concerto, Op. 15: II. Vivace - Cadenza
- Symphony for Cello and Orchestra, Op. 68: III. Adagio
- Symphony for Cello and Orchestra, Op. 68: IV. Passacaglia
- Lachrymae, Op. 48a: Variation 6. Appassionato
- Simple Symphony for string orchestra (Op. 4): III. Sentimental Saraband - Poco lento e pesante
- Simple Symphony for string orchestra (Op. 4): IV. Frolicsome Finale - Prestissimo con fuoco
- Simple Symphony for string orchestra (Op. 4): I. Boisterous Bourree - Allegro ritmico
- Simple Symphony for string orchestra (Op. 4): II. Playful Pizzicato - Presto Possibile pozzicato
- The Young Person's Guide to the Orchestra, Op.34
- Peter Grimes: 4 Sea-Interludes, Op. 33a: I. Dawn
- Peter Grimes: 4 Sea-Interludes, Op. 33a: II. Sunday morning
- Peter Grimes: 4 Sea-Interludes, Op. 33a: III. Moonlight
- Peter Grimes: 4 Sea-Interludes, Op. 33a: IV. Storm
- Symphony for Cello and Orchestra, Op. 68: III. Adagio - (attacca)
- Symphony for Cello and Orchestra, Op. 68: II. Presto inquito
- Deo Gracias
- Nocturnal after John Dowland, Op. 70, IV: Uneasy (Ansioso)
- Nocturnal after John Dowland, Op. 70, I: Musingly (Meditativo)
- Nocturnal after John Dowland, Op. 70, V: March-like (Quasi una marcia)
- Nocturnal after John Dowland, Op. 70, IX: Slow and quiet (Molto tranqquillo)
- Nocturnal after John Dowland, Op. 70, II: Agitated (Molto agitativo)
- Nocturnal after John Dowland, Op. 70, VI: Dreaming (Sognanti)
- Nocturnal after John Dowland, Op. 70, III: Restless (Inquieto)
- Nocturnal after John Dowland, Op. 70, VIII: Passacaglia (Misurato)
- Nocturnal after John Dowland, Op. 70, VII: Gently rocking (Cullante)
- Serenade for Tenor, Horn, and Strings, Op. 31: Hymn
- Serenade for Tenor, Horn, and Strings, Op. 31: Sonnet
- Serenade for Tenor, Horn, and Strings, Op. 31: Epilogue
- Serenade for Tenor, Horn, and Strings, Op. 31: Prolog
- Serenade for Tenor, Horn, and Strings, Op. 31: Pastoral
- Serenade for Tenor, Horn, and Strings, Op. 31: Dirge
- Serenade for Tenor, Horn, and Strings, Op. 31: Nocturne
- Serenade for Tenor, Horn, and Strings, Op. 31, Elegy
- Death in Venice: Act II, Scene 8 (The Hotel Barber's Shop). "Guardate, Signore!"
- A Midsummer Night's Dream: Act II. "How now, mad spirit"
- Death in Venice: Act I, Scene 7 (The Games of Apollo). "Phaedrus learned what beauty is"
- A Midsummer Night's Dream: Act III, Scene 2. "O grim-look'd night"
- Albert Herring: Act I, Scene 2. "Shop! Hi! Albert!"
- Albert Herring: Act I, Scene 2. "Sid I'm sorry but..."
- Albert Herring: Act I, Scene 2. "Well, think of that, my lad"
- Death in Venice: Act II, Scene 16 (The Last Visit to Venice). "Does beauty lead to wisdom, Phaedrus?"
- Albert Herring: Act II Scene 1. "Albert the Good!"
- A Midsummer Night's Dream: Act III, Scene 2. "Come, your Bergomask"
- Albert Herring: Act II Scene 1. "I'm full of happiness"
- Death in Venice: Act I, Scene 5 (On the Beach). "Le bele fragole"
- A Midsummer Night's Dream: Act I. "Stay, tho' thou kill me, sweet Demetrius"
- Billy Budd: Act II, Scene III. "And farewell to ye..."
- Death in Venice: Act II, Scene 9 (The Pursuit). "Do I detect a scent?"
- Albert Herring: Act I, Scene 1. "Doctor Jessop's midwife..."
- A Midsummer Night's Dream: Act I. "Is all our company here?"
- Albert Herring: Act I, Scene 1. "Right! We'll have him!"
- Albert Herring: Act III. "What the hell d'you think I am?"
- Billy Budd: Act I, Scene II. "Ay, at Spithead..."
- Death in Venice: Act I, Scene 3 (The Journey to the Lido). "Ah Serenissima!"
- A Midsummer Night's Dream: Act II. "I have a reas'nable good ear in music"
- A Midsummer Night's Dream: Act III, Scene 2. "Gentles, perchance you wonder at this show"
- A Midsummer Night's Dream: Act II. "This is thy negligence..."
- Albert Herring: Act II, Scene 1. "Husssh!... Harold Wood!"
- Death in Venice: Act I, Scene 7 (The Games of Apollo). "Young discobolus"
- A Midsummer Night's Dream: Act I. "Well, go thy way"
- Albert Herring: Act I, Scene 2. "Good morning, young man!"
- A Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will"
- Death in Venice: Act II, Scene 10 (The Strolling Players). "La mia nonna always used to tell me"
- Death in Venice: Act I, Scene 4 (The First Evening at the Hotel). "So I am led to Venice once again"
- Death in Venice: Act II, Scene 9 (The Pursuit). "Gustav von Aschenbach, what is this path you have taken?"
- Death in Venice: Act I, Scene 2 (On the Boat to Venice). Overture "Venice"
- Albert Herring: Act III. "Albert...?"
- A Midsummer Night's Dream: Act II. "Hail, mortal, hail!"
- Death in Venice: Act II, Scene 17 (The Departure). "Ah, no!"
- Death in Venice: Act I, Scene 7 (The Games of Apollo). "First, the race!"
- Billy Budd: Act I, Scene III. "Hi! You ... a... a...!"
- A Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!"
- Death in Venice: Act I, Scene 1 (Munich). "Who's that?"
- Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman..."
- A Midsummer Night's Dream: Act II. "Be kind and courteous"
- Albert Herring: Act II Scene 2. "You oughtn't to whistle"
- Albert Herring: Act I, Scene 1. "Is this all you can bring?"
- Albert Herring: Act II Scene 1. "Bring the plates! Quickly now!"
- Death in Venice: Act I, Scene 2 (On the Boat to Venice). "Hey there, hey there, you!"
- Death in Venice: Act II, Scene 9 (The Pursuit). "And now I cannot let them out of sight"
- Death in Venice: Act II, Scene 15 (The Hotel Barber's Shop). "Yes! A very wise decision, if I may say so"
- Albert Herring: Act III. "All that I did!"
- Death in Venice: Act II, Scene 9 (The Pursuit). "Kyrie eleison"
- Albert Herring: Act I, Scene 1. "Stuffy! Tobacco stink!"
- Billy Budd: Act II, Scene I. "With great regret I must disturb your honour."
- Billy Budd: Act I, Scene I. "I hear, your honour!"
- Billy Budd: Act I, Scene III. "Come here"
- Liederkreis, Op. 39, No. 12 "Frühlingsnacht"
- Albert Herring: Act II Scene 2. "Come along, darling"
- Albert Herring: Act II Scene 2. "Why did she stare...?"
- A Midsummer Night's Dream: Act I. "Welcome, wanderer!" / "I know a bank"
- Albert Herring: Act II Scene 2. "Albert! Albert? Fast asleep, poor kid!"
- A Midsummer Night's Dream: Act III, Scene 2. "In the same interlude"
- Death in Venice: Act II, Scene 10 (The Strolling Players). "One moment, if you please" / Scene 11 (The Travel Bureau)
- Death in Venice: Act I, Scene 5 (On the Beach). "Adziù! Adziù!"
- Albert Herring: Act I, Scene 1. "Interlude"
- Billy Budd: Act I, Scene III. "We're off to Samoa..."
- A Midsummer Night's Dream: Act II. "Puppet? why so?"
- Death in Venice: Act II, Scene 12 (The Lady of the Pearls). "So it is true, true, more fearful than I thought"
- Billy Budd: Act II, Scene II. "William Budd, you are accused..."
- Death in Venice: Act I, Scene 3 (The Journey to the Lido). "Mysterious gondola"
- Death in Venice: Act I, Scene 6 (The Foiled Departure). "There you are, Signore, just in time"
- Billy Budd: Prologue "I am an old man..."
- Billy Budd: Act I, Scene I. "Christ! The poor chap..."
- A Midsummer Night's Dream: Act II. Introduction
- Death in Venice: Act II, Scene 16 (The Last Visit to Venice). "Hurrah for the Piazza"
- A Midsummer Night's Dream: Act III, Scene 2. "Now the hungry lion roars"
- Death in Venice: Act I, Scene 5 (On the Beach). "The wind is from the West"
- Death in Venice: Act I, Scene 7 (The Games of Apollo). "Measure to fight"
- A Midsummer Night's Dream: Act I. "You spotted snakes"
- A Midsummer Night's Dream: Act III, Scene 1. "When my cue comes, call me"
- Albert Herring: Act II, Scene 1. "Quick, here they are!"
- Death in Venice: Act I, Scene 1 (Munich). "I have always kept a close watch on my development"
- Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!"
- Albert Herring: Act III. "How's the manhunt?"
- Death in Venice: Act I, Scene 6 (The Foiled Departure). "Aou! Stagando, aou!"
- Albert Herring: Act I, Scene 2. "He's much too busy"
- A Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you"
- Death in Venice: Act II, Scene 10 (The Strolling Players). "Fiorir rose in mezo al giasso"
- Albert Herring: Act I, Scene 1. "I hope we're not too early"
- Death in Venice: Act I, Scene 5 (On the Beach). "Ah, how peaceful to contemplate the sea"
- A Midsummer Night's Dream: Act I. Introduction / "Over hill, over dale"
- Death in Venice: Act II, Scene 13 (The Dream). "Receive the stranger god"
- Albert Herring: Act I, Scene 2. "Did you ever have a pint at the local?"
- Albert Herring: Act I, Scene 1. "Now then! Notebook, Florence!"
- Death in Venice: Act II, Scene 7 (The Games of Apollo). [Orchestral Introduction]
- Albert Herring: Act II, Scene 1. "That's a fine sight for sore eyes!"
- Albert Herring: Act III. "Fools!"
- A Midsummer Night's Dream: Act II. "Are we all met?"
- Albert Herring: Act III. "Hi! That's my girl"
- Death in Venice: Act I, Scene 5 (On the Beach). "As one who strives to create beauty"
- Death in Venice: Act II, Scene 7 (The Games of Apollo). "So it has come to this"
- A Midsummer Night's Dream: Act I. "Through the forest have I gone"
- A Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present"
- A Midsummer Night's Dream: Act III, Scene 2. "Asleep, my Love? What, dead my dove?"
- A Midsummer Night's Dream: Act I. "(Be it on Lion...)" / "I love thee not"
- A Midsummer Night's Dream: Act III, Scene 1. "Have you sent to Bottom's house?"
- Death in Venice: Act I, Scene 6 (The Foiled Departure). "Naturally, Signore, I understand"
- Albert Herring: Act III. "In the midst of life is death"
- Albert Herring: Act II Scene 2. "Albert the Good!"
- A Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta"
- Albert Herring: Act III. "Have you found him?"
- Billy Budd: Act I, Scene I. "Come along, kid!"
- A Midsummer Night's Dream: Act III, Scene 1. Introduction / "My gentle Robin"
- Albert Herring: Act II Scene 1. "As representing our local Council"
- Billy Budd: Act I, Scene III. "Dansker, old friend..."
- Billy Budd: Act II, Scene II. "Gentlemen, William Budd here..."
- Albert Herring: Act II, Scene 1. "For three precious weeks"
- Albert Herring: Act I, Scene 2. "We'll walk to the spinney"
- Albert Herring: Act I, Scene 1. "The morning room at Lady Billows' house in Loxford"
- Billy Budd: Act II, Scene I. "I don't like the look of the mist..."
- Billy Budd: Act II, Scene II. "I accept their verdict."
- Albert Herring: Act II, Scene 1. "Quickly, quickly"
- Death in Venice: Act I, Scene 4 (The First Evening at the Hotel). "The Lido is so charming, is it not?"
- Albert Herring: Act II Scene 1. "My heart leaps up with joy to see"
- A Midsummer Night's Dream: Act II. "On the ground, sleep sound"
- A Midsummer Night's Dream: Act III, Scene 2. "O Wall, full often hast thou heard my moans"
- Albert Herring: Act II Scene 2. "Heaven helps those who help themselves"
- Billy Budd: Act II, Scene I. "Oh, this cursèd mist!"
- A Midsummer Night's Dream: Act I. "Fair love, you faint with wand'ring"
- Albert Herring: Act II Scene 1. "Go on, Albert!"
- Albert Herring: Act III. "Is she asleep?"
- Billy Budd: Epilogue. "We committed his body to the deep"
- Death in Venice: Act I, Scene 7 (The Games of Apollo). "See where Hyacinthus plays"
- Albert Herring: Act II Scene 1. "Erhumph..."
- Death in Venice: Act I, Scene 4 (The First Evening at the Hotel). "We are delighted to greet the Signore"
- Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one."
- A Midsummer Night's Dream: Act I. "What thou seest when thou dost wake"
- Albert Herring: Act II, Scene 1. "I don't think you ought!"
- Death in Venice: Act I, Scene 4 (The First Evening at the Hotel). "How does such beauty come about?"
- Billy Budd: Act II, Scene IV. "Interlude"
- Death in Venice: Act I, Scene 6 (The Foiled Departure). "I am become like one of my early heroes"
- Billy Budd: Act II, Scene I. "There you are again, Master-at-Arms."
- Albert Herring: Act I, Scene 1. "Begging your pardon"
- Billy Budd: Act I, Scene III. "Blow her away."
- Death in Venice: Act I, Scene 7 (The Games of Apollo). "Up and over"
- Death in Venice: Act II, Scene 10 (The Strolling Players). "This way for the players, Signori!"
- A Midsummer Night's Dream: Act I. "How now, my love?"
- Albert Herring: Act I, Scene 2. "Mum wants two penn'oth of potherbs"
- Albert Herring: Act III. "I can't remember everything"
- Death in Venice: Act I, Scene 6 (The Foiled Departure). "A thousand apologies to Signore"
- A Midsummer Night's Dream: Act III, Scene 2. "Sweet moon, I thank thee for thy sunny beams..."
- Death in Venice: Act I, Scene 1 (Munich). "My mind beats on"
- Albert Herring: Act II, Scene 1. "Come, let's sit down"
- Death in Venice: Act II, Scene 17 (The Departure). "The wind still blows from the land"
- Death in Venice: Act II, Scene 12 (The Lady of the Pearls). "So - I didn't speak!"
- Death in Venice: Act I, Scene 7 (The Games of Apollo). "The boy, Tadzio, shall inspire me"
- Albert Herring: Act I, Scene 1. "Virtue, says Holy Writ"
- Death in Venice: Act I, Scene 7 (The Games of Apollo). "Beneath a dazzling sky the sea"
- Death in Venice: Act I, Scene 7 (The Games of Apollo). "Try your skill"
- Albert Herring: Act I, Scene 1. "The first suggestion on my list"
- Billy Budd: Act I, Scene I. "Boat Ahoy!"
- A Midsummer Night's Dream: Act II. "Flower of this purple dye"
- A Midsummer Night's Dream: Act I. "Oberon is passing" / "Ill met by moonlight"
- Billy Budd: Act I, Scene III. "Over the water..."
- Albert Herring: Act I, Scene 2. "We bring great news to you"
- Death in Venice: Act I, Scene 7 (The Games of Apollo). "No boy, but Phoebus of the golden hair"
- Billy Budd: Act II, Scene IV. "According to the Articles of War..."
- Albert Herring: Act I, Scene 2. "Bounce me high"
- A Midsummer Night's Dream: Act I. "Come, now a roundel, and a fairy song"
- Albert Herring: Act II, Scene 1. "Inside a marquee..."
- Billy Budd: Act I, Scene I. "Pull, me bantams!"
- A Midsummer Night's Dream: Act II. "Up & Down"
- Albert Herring: Act III. "The following afternoon..."
- A Midsummer Night's Dream: Act II. "I see their knavery"
- Death in Venice: Act II, Scene 14 (The Empty Beach). "Do what you will with me!"
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Romance. Allegretto grazioso
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Wiener Walzer. Lento - Vivace
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Moto perpetuo. Allegro molto
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Fugue and Finale. Allegro molto vivace - Lento e solenne
- Variations on a Theme by Frank Bridge, for strings, Op. 10: March. Presto alla marcia
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Adagio
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Funeral March. Andante ritmico
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Aria italiana. Allegro brillante
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Bourrée classique. Allegro e pesante
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Chant. Lento
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Introduction & Theme. Lento maestoso
- Six Metamorphoses after Ovid, Op. 49: Pan
- Six Metamorphoses after Ovid, Op. 49: Narcissus
- Six Metamorphoses after Ovid, Op. 49: Bacchus
- Six Metamorphoses after Ovid, Op. 49: Arethusa
- Six Metamorphoses after Ovid, Op. 49: Phaeton
- Six Metamorphoses after Ovid, Op. 49: Niobe
- Jubilate in C major
- A Boy Was Born, Op.3: Variation II. "Herod"
- Te Deum in C Major
- A Boy Was Born, Op.3: "A boy was born" (theme)
- A Boy Was Born, Op.3: Variation I. "Lullay, Jesu"
- Christ's Nativity: I. Christ's Nativity
- A Boy Was Born, Op.3: Variation IV. "The three kings"
- Christ's Nativity: III. Preparations
- Christ's Nativity: IV. New Prince, New Pomp
- A Boy Was Born, Op.3: Variation VI. Finale "Noël!"
- Christ's Nativity: II. Sweet was the Song
- A Boy Was Born, Op.3: Variation III. "Jesu, as Thou art our Saviour"
- A Boy Was Born, Op.3: Variation V. "In the bleak mid-winter"
- Christ's Nativity: V. Carol of King Cnut
- The Young Person's Guide to the Orchestra, Op. 34: IX. Variation H: double-bass
- The Young Person's Guide to the Orchestra, Op. 34: XIII. Variation L: trombone
- The Young Person's Guide to the Orchestra, Op. 34: VII. Variation F: viola
- The Young Person's Guide to the Orchestra, Op. 34: VI. Variation E: violin
- The Young Person's Guide to the Orchestra, Op. 34: XIV. Variation M: percussion
- The Young Person's Guide to the Orchestra, Op. 34: XII. Variation K: trumpet
- The Young Person's Guide to the Orchestra, Op. 34: V. Variation D: basoon
- The Young Person's Guide to the Orchestra, Op. 34: X. Variation I: harp
- The Young Person's Guide to the Orchestra, Op. 34: III. Variation B: oboe
- The Young Person's Guide to the Orchestra, Op. 34: IV. Variation C: clarinet
- The Young Person's Guide to the Orchestra, Op. 34: XI. Variation J: horn
- The Young Person's Guide to the Orchestra, Op. 34: I. Theme
- The Young Person's Guide to the Orchestra, Op. 34: VIII. Variation G: cello
- The Young Person's Guide to the Orchestra, Op. 34: II. Variation A: flute and piccolo
- The Young Person's Guide to the Orchestra, Op. 34: XV. Fugue
- Five Flower Songs, Op. 47: IV. The evening primrose
- Five Flower Songs, Op. 47: III. Marsh flowers
- Five Flower Songs, Op. 47: II. The succession of the four sweet months
- Five Flower Songs, Op. 47: V. Ballad of green broom
- Five Flower Songs, Op. 47: I. To daffodils
- Deo Gracias!
- That Yonge Childe
- Hymn to St. Cecilia
- The Rape of Lucretia: Act I, Scene 2. "The oatmeal slippers of sleep"
- Peter Grimes: Act II, Scene 1. "People!... No! I will speak!" (Boles)
- The Rape of Lucretia: Act II, Scene 2. "This dead hand lets fall"
- Peter Grimes: Act I, Scene 1. "I have to go from pub to pub" (Hobson)
- Peter Grimes: Act II, Scene 1. "Now is gossip put on trial," (Mrs Sedley, Boles, Rector, Keene, Swallow and Chorus)
- Peter Grimes: Act III, Scene 1. Interlude VI
- Peter Grimes: Act II, Scene 1. "From the gutter, why should we trouble at their ribaldries?" (Nieces)
- Peter Grimes: Act I, Scene 1. "Look, the storm cone!" (Balstrode)
- Peter Grimes: Act III. Interlude V
- The Rape of Lucretia: Act I, Scene 1. "Who reaches Heaven first"
- The Rape of Lucretia: Act II, Scene 1. "The prosperity of the Etruscans"
- Peter Grimes: Act II, Scene 2. "Go there!" (Peter)
- Peter Grimes: Act I, Scene 2. "Have you heard? The cliff is down" (Keene)
- Peter Grimes: Act II, Scene 1. "We planned that their lives should have a new start" (Ellen)
- Peter Grimes: Act I, Scene 1. "And do you prefer the storm" (Balstrode)
- The Rape of Lucretia: Act I, Scene 1. "Rome is now ruled by the Etruscan upstart"
- Peter Grimes: Act I, Scene 1. "Hi! Give us a hand!" (Peter)
- The Rape of Lucretia: Act II, Scene 2. "Last night Tarquinius ravished me"
- Peter Grimes: Act I, Scene 2. Interlude II
- Peter Grimes: Prologue. "Peter Grimes, I here advise you!" (Swallow)
- The Rape of Lucretia: Act I, Scene 1. "It is axiom among kings"
- Peter Grimes: Act III, Scene 1. "Who holds himself apart, lets his pride rise" (Chorus)
- Peter Grimes: Act II, Scene 1. "What is it?" (Chorus)
- Peter Grimes: Act II, Scene 2. "Now!... Now!..." (Boles, Rector, Swallow, Keene and Chorus)
- Peter Grimes: Act I, Scene 2. "We live and let live" (Balstrode)
- Peter Grimes: Prologue. Interlude I
- Peter Grimes: Act II, Scene 1. "Let this be a holiday" (Ellen)
- The Rape of Lucretia: Act I, Scene 1. "Collatinus is politically astute"
- Peter Grimes: Act III, Scene 1. "Pah! Ahoy!" (Swallow and Keene)
- The Rape of Lucretia: Act I, Scene 2. "Time treads upon the hand of women"
- Peter Grimes: Act I, Scene 1. "Oh! hang at open doors the net, the cork," (Women and Fishermen)
- The Rape of Lucretia: Act I, Scene 1. "There goes a happy man!"
- Peter Grimes: Act III, Scene 1. "Assign your prettiness to me" (Swallow)
- The Rape of Lucretia: Act II, Scene 2. "Flowers bring to every year"
- Peter Grimes: Act I, Scene 2. "The bridge is down, we half swam over" (Hobson)
- The Rape of Lucretia: Act I, Scene 2. "Listen! I heard a knock"
- Peter Grimes: Act I, Scene 1. "Let her among you without fault cast the first stone" (Ellen)
- Peter Grimes: Act III, Scene 2. "To those who pass the Borough" (Chorus)
- Peter Grimes: Act II, Scene 1. "Fool to let it come to this!" (Auntie)
- The Rape of Lucretia: Act II, Scene 2. "Lucretia! Lucretia!"
- Peter Grimes: Act III, Scene 2. "Peter, we've come to take you home" (Ellen)
- Peter Grimes: Act I, Scene 1. "What harbour shelters peace" (Peter)
- Peter Grimes: Act I, Scene 2. "Old Joe has gone fishing" (Keene)
- The Rape of Lucretia: Act II, Scene 1. "Lucretia!" / "What do you want?"
- The Rape of Lucretia: Act II, Scene 1. "Within this frail crublicle of light"
- Peter Grimes: Act III, Scene 2. "Grimes! Grimes!" (Chorus)
- The Rape of Lucretia: Act I, Scene 1. "My horse! My horse!" / "Tarquinius does not wait"
- Peter Grimes: Act II, Scene 1. "Swallow! Shall we go and see Grimmes in his hut?" (Rector)
- Peter Grimes: Act II, Scene 1. "Glitter of waves and glitter of sunlight" (Ellen)
- The Rape of Lucretia: Act II, Scene 2. "You were right"
- The Rape of Lucretia: Act II, Scene 2. "Oh what a lovely day!"
- The Rape of Lucretia: Act I, Scene 1. "Tarquinius does not dare"
- The Rape of Lucretia: Act II, Scene 1. Interlude "Here in this scene"
- The Rape of Lucretia: Act I, Scene 1. "Here the thirsty evening"
- The Rape of Lucretia: Act I, Scene 2. "Their spinning-wheel unwinds"
- Peter Grimes: Act II, Scene 1. Interlude IV, Passacaglia
- The Rape of Lucretia: Act I, Scene 1. "Maria was unmasked at a masked ball"
- Peter Grimes: Act III, Scene 1. "Mister Swallow! Mister Swallow!" (Mrs Sedley)
- The Rape of Lucretia: Act II, Scene 1. "She sleeps as a rose"
- The Rape of Lucretia: Act II, Scene 2. Epilogue "Is that all?"
- The Rape of Lucretia: Act II, Scene 2. "We'll leave the orchids for Lucretia"
- Peter Grimes: Act II, Scene 1. "This unrelenting work" (Ellen)
- Peter Grimes: Act II. Interlude III
- Peter Grimes: Prologue. "The truth...the pity...and the truth" (Peter)
- Peter Grimes: Act II, Scene 2. "Peter Grimes! Nobody here?" (Rector)
- Peter Grimes: Act I, Scene 2. "Now the Great Bear and Pleiades" (Peter)
- Peter Grimes: Act III, Scene 1. "Come along, Doctor!" (First Burgess)
- Peter Grimes: Prologue. "You sailed your boat round the coast" (Swallow)
- Peter Grimes: Act I, Scene 2. "Past time to close!" (Auntie)
- Peter Grimes: Act III, Scene 1. "Embroidery in childhood was a luxury of idleness" (Ellen)
- Suite No. 1 for Cello Solo, Op. 72: Sixth Movement
- On This Island: V. As It Is, Plenty
- On This Island: III. Seascape
- On This Island: II. Now the Leaves Are Falling Fast
- On This Island: I. Let the Florid Music Praise!
- On This Island: IV. Nocturne
- Variations on a Theme by Frank Bridge, Op. 10: Romance. Allegretto grazioso
- Variations on a Theme by Frank Bridge, Op. 10: Fugue and Finale. Allegro molto vivace - Lento e solenne
- Variations on a Theme by Frank Bridge, Op. 10: Chant. Lento
- Variations on a Theme by Frank Bridge, Op. 10: Bourrée classique. Allegro e pesante
- Variations on a Theme by Frank Bridge, Op. 10: Wiener Walzer. Lento - Vivace
- Variations on a Theme by Frank Bridge, Op. 10: Funeral March. Andante ritmico
- Variations on a Theme by Frank Bridge, Op. 10: Moto perpetuo. Allegro molto
- Variations on a Theme by Frank Bridge, Op. 10: Introduction & Theme. Lento maestoso
- Variations on a Theme by Frank Bridge, Op. 10: Aria italiana. Allegro brillante
- Variations on a Theme by Frank Bridge, Op. 10: March. Presto alla marcia
- Serenade, Op. 31: Sonnet
- Serenade, Op. 31: Prologue
- Serenade, Op. 31: Hymn
- Serenade, Op. 31: Nocturne
- Serenade, Op. 31: Pastoral
- Serenade, Op. 31: Dirge
- Serenade, Op. 31: Epilogue
- Serenade, Op. 31: Elegy
- Op. 32: Festival Te Deum in E major
- Tit for Tat: A song of enchantment
- Tit for Tat: Tit for tat
- Tit for Tat: Silver
- Chorale After an Old French Carol
- Matinées musicales (after Rossini), Op. 24: 1. March
- Matinées musicales (after Rossini), Op. 24: 2. Nocturne
- Matinées musicales (after Rossini), Op. 24: 5. Moto perpetuo
- Matinées musicales (after Rossini), Op. 24: 4. Pantomime
- Matinées musicales (after Rossini), Op. 24: 3. Waltz
- The Courtly Dances from Gloriana, Op. 53a
- Libera me (extract) (Heather Harper: soprano; Philip Langridge: tenor; John Shirley-Quirk: bass-baritone; Choristers of St Paul`s Cathedral; Roderick Elms: organ; London Symphony Chorus; London Symphony Chamber Orchestra; London Symphony Orchestra)
- 'Come along, darling, come follow me quick!' (Roderick Williams: baritone; Pamela Helen Stephen: mezzo-soprano; James Gilchrist: tenor; City of London Sinfonia)
- Jubilate Deo in C major
- The Young Persons Guide to the Orchestra, Op. 34 (double basses)
- The Young Persons Guide to the Orchestra, Op. 34 (french horns)
- The Young Persons Guide to the Orchestra, Op. 34 (woodwind section)
- The Young Persons Guide to the Orchestra, Op. 34 (tambourine, triangle, snare drum and Chinese block)
- The Young Persons Guide to the Orchestra, Op. 34 (violas)
- The Young Persons Guide to the Orchestra, Op. 34 (brass section)
- The Young Persons Guide to the Orchestra, Op. 34 (flutes and piccolo)
- The Young Persons Guide to the Orchestra, Op. 34 (percussion section)
- The Young Persons Guide to the Orchestra, Op. 34 (piccolo, other instruments enter)
- The Young Persons Guide to the Orchestra, Op. 34 (whip)
- The Young Persons Guide to the Orchestra, Op. 34 (entire percussion section)
- The Young Persons Guide to the Orchestra, Op. 34 (violins)
- The Young Persons Guide to the Orchestra, Op. 34 (xylophone)
- The Young Persons Guide to the Orchestra, Op. 34 (cellos)
- The Young Persons Guide to the Orchestra, Op. 34 (string section)
- The Young Persons Guide to the Orchestra, Op. 34 (oboes)
- The Young Persons Guide to the Orchestra, Op. 34 (trumpets)
- The Young Persons Guide to the Orchestra, Op. 34 (full orchestra)
- The Young Persons Guide to the Orchestra, Op. 34 (castanets and gong)
- The Young Persons Guide to the Orchestra, Op. 34 (harp)
- The Young Persons Guide to the Orchestra, Op. 34 (clarinets)
- The Young Persons Guide to the Orchestra, Op. 34 (timpani, bass drum, cymbals)
- The Young Persons Guide to the Orchestra, Op. 34 (bassoons)
- The Young Persons Guide to the Orchestra, Op. 34 (trombones and tuba)
- Rejoice in the Lamb, Op. 30: Let Nimrod, The Mighty Hunter
- Rejoice in the Lamb, op. 30: For the flowers are great blessings
- Rejoice in the Lamb, Op. 30: For I Will Consider My Cat Jeoffry
- Rejoice in the Lamb, Op. 30: Hallelujah
- Rejoice in the Lamb, Op. 30: For I Am Under The Same Accusation With My Saviour
- Rejoice in the Lamb, Op. 30: For The Mouse
- Rejoice in the Lamb, Op. 30: For The Instruments Are By Their Rhimes
- Rejoice in the Lamb, op. 30: For H is a spirit
- Rejoice in the Lamb, op. 30: Rejoice in God, O ye Tongues
- Variations on a Theme by Frank Bridge, Op. 10: Variation 2: March
- Variations on a Theme by Frank Bridge, Op. 10: Variation 7: Moto perpetuo
- Variations on a Theme by Frank Bridge, Op. 10: Variation 8: Funeral March
- Variations on a Theme by Frank Bridge, Op. 10: Variation 1: Adagio
- Variations on a Theme by Frank Bridge, Op. 10: Variation 9: Chant
- Variations on a Theme by Frank Bridge, Op. 10: Variation 3: Romance
- Variations on a Theme by Frank Bridge, Op. 10: Variation 6: Wiener Walzer
- Variations on a Theme by Frank Bridge, Op. 10: Variation 4: Aria Italiana
- Variations on a Theme by Frank Bridge, Op. 10: Variation 10: Fugue and Finale
- Variations on a Theme by Frank Bridge, Op. 10: Variation 5: Bourrée Classique
- Peter Grimes: Embroidery Aria
- Paul Bunyan: Tiny's Song
- Turn of the Screw: The Tower Scene
- Variations on a Theme by Frank Bridge Op. 10: Aria italiana: Allegro brillante (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Variations on a Theme by Frank Bridge Op. 10: Moto perpetuo: Allegro molto (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Variations on a Theme by Frank Bridge Op. 10: Introduction & Theme: Lento maestoso (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Variations on a Theme by Frank Bridge Op. 10: Wiener Walzer: Lento. Vivace (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Variations on a Theme by Frank Bridge Op. 10: March: Presto alla marcia (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Variations on a Theme by Frank Bridge Op. 10: Chant: Lento (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Variations on a Theme by Frank Bridge Op. 10: Romance: Allegretto grazioso (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Variations on a Theme by Frank Bridge Op. 10: Fuge & Finale: Allegro molto vivace. Lento e solenne (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Variations on a Theme by Frank Bridge Op. 10: Adagio (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Variations on a Theme by Frank Bridge Op. 10: Bourée classique: Allegro e pesante (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Variations on a Theme by Frank Bridge Op. 10: Funeral march: Andante ritmico (Philharmonia Orchestera feat. conductor: Herbert von Karajan)
- Nocturnal after John Dowland, for guitar, Op. 70: III. Restless
- Nocturnal after John Dowland, for guitar, Op. 70: II. Very agitated
- Nocturnal after John Dowland, for guitar, Op. 70: V. March-like
- Nocturnal after John Dowland, for guitar, Op. 70: VI. Dreaming
- Nocturnal after John Dowland, for guitar, Op. 70: VII. Gently rocking
- Nocturnal after John Dowland, for guitar, Op. 70: I. Musingly
- Nocturnal after John Dowland, for guitar, Op. 70: VIII. Passacaglia
- Nocturnal after John Dowland, for guitar, Op. 70: IV. Uneasy
- Nocturnal, after Dowland, Op. 70: VI
- Nocturnal, after Dowland, Op. 70: IV
- Nocturnal, after Dowland, Op. 70: III
- Nocturnal, after Dowland, Op. 70: I
- Nocturnal, after Dowland, Op. 70: II
- Nocturnal, after Dowland, Op. 70: V
- Nocturnal, after Dowland, Op. 70: Come, heavy sleep
- Nocturnal, after Dowland, Op. 70: VIII
- Nocturnal, after Dowland, Op. 70: VII
- Suite for solo violoncello No. 3, Op. 87: III. Canto, Con moto
- Suite for solo violoncello No. 3, Op. 87: VII. Recitativo, Fantastico
- Suite for solo violoncello No. 3, Op. 87: II. Marcia, Allegro
- Suite for solo violoncello No. 3, Op. 87: I. Introduzione, Lento
- Suite for solo violoncello No. 3, Op. 87: VI. Fuga, Andante espressivo
- Suite for solo violoncello No. 3, Op. 87: IV. Barcarola, Lento
- Suite for solo violoncello No. 3, Op. 87: VIII. Moto perpetuo, Presto
- Suite for solo violoncello No. 3, Op. 87: V. Dialogo, Allegretto
- Suite for solo violoncello No. 3, Op. 87: IX. Passacaglia, Lento solenne
- Suite for Solo Cello No. 2, Op. 80: IV. Andante lento
- Suite for Solo Cello No. 2, Op. 80: V. Ciaccona: Allegro
- Suite for Solo Cello No. 2, Op. 80: I. Declamato: Largo
- Suite for Solo Cello No. 2, Op. 80: II. Fuga: Andante
- Suite for Solo Cello No. 2, Op. 80: III. Scherzo: Allegro molto
- Choral Dances from “Gloriana”: Concord
- Choral Dances from “Gloriana”: Final Dance of Homage
- Choral Dances from “Gloriana”: Rustics and Fishermen
- Choral Dances from “Gloriana”: Country Girls
- Choral Dances from “Gloriana”: Time and Concord
- Choral Dances from “Gloriana”: Time
- Sonata for Cello & Piano in C major, op. 65: I. Dialogo: Allegro
- Sonata for Cello & Piano in C major, op. 65: IV. Marcia: Energico
- Sonata for Cello & Piano in C major, op. 65: V. Moto perpetuo: Presto
- Sonata for Cello & Piano in C major, op. 65: II. Scherzo pizzicato: Allegretto
- Sonata for Cello & Piano in C major, op. 65: III. Elegia: Lento
- Six Metamorphoses after Ovid, for oboe solo, Op. 49: V. Narcissus
- Six Metamorphoses after Ovid, for oboe solo, Op. 49: VI. Arethusa
- Six Metamorphoses after Ovid, for oboe solo, Op. 49: II. Phaeton
- Six Metamorphoses after Ovid, for oboe solo, Op. 49: III. Niobe
- Six Metamorphoses after Ovid, for oboe solo, Op. 49: IV. Bacchus
- Six Metamorphoses after Ovid, for oboe solo, Op. 49: I. Pan
- Serenade, op. 31: II. Pastoral
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 : Carol
- Cabaret Songs: I. Tell me the truth about love
- Peter Grimes, opera, Op. 33 : The Plough Boy, folk song for high voice & orchestra
- Let the dreadful engines of eternal will (1971)
- Rejoice in the Lamb, Op. 30: "For the Mouse is a creature of great personal valour"
- Les Illuminations, op. 18: VII. Interlude
- Rejoice in the Lamb, Op. 30: "Hallelujah"
- A Hymn to the Virgin (1930, revised 1934)
- Hymn to St. Cecilia, Op. 27: "In a garden shady this holy lady"
- Rape of Lucretia, Act II, Scene II: Never again must we two dare to part
- Les Illuminations, op. 18: IX. Parade
- A Ceremony of Carols, Op. 28: IV. That yongë child
- Hymn to St Peter, Op. 56a
- War Requiem: II. Dies irae - Out there, Tenor, Baritone
- Sacred and Profane - Eight Medieval Lyrics, Op. 91: VII. Ye that pasen by
- Rape of Lucretia, Act I, Scene I: Here the thirsty ev'ning has drunk the wine of light
- Peter Grimes, opera, Op. 33 Sea Interlude: Dawn
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 : Yif ic of luve can
- War Requiem: III. Offertorium - Sed signifer sanctus Michael, Chorus
- Songs (2) for chorus, Op. 73 : No. 2, Love's Tempest
- Rape of Lucretia, Act II, Scene I: When Tarquinius desires
- Peter Grimes, opera, Op. 33 : Early one morning, for voice & piano (Folk Songs, Vol. 5)
- Serenade, op. 31: V. Dirge
- A Ceremony of Carols, Op. 28: V. Balulalow
- Serenade, op. 31: VI. Hymn
- War Requiem: II. Dies irae - Dies irae, dies illa, Chorus
- Missa Brevis, Op. 63: IV. Benedictus
- A Ceremony of Carols, Op. 28: X. Spring Carol
- Rape of Lucretia, Act I, Scene I: Tarquinius does not dare
- Missa Brevis in D major, Op. 63: Gloria in Excelsis Deo
- War Requiem: IV. Sanctus - Sanctus, Soprano, Chorus
- Les Illuminations, op. 18: VI. Marine
- A Ceremony of Carols, Op. 28: XI. Deo gracias
- War Requiem: III. Offertorium - So Abraham rose, Baritone, Tenor
- Rape of Lucretia, Act II, Scene I: Interlude: Here in this scene you see virtue
- Rape of Lucretia, Act I, Scene I: Goodnight!....There goes a happy man!
- Sacred and Profane - Eight Medieval Lyrics, Op. 91: I. St. Godric's Hymn
- Rejoice in the Lamb, op. 30: For I am under the same accusation
- Simple Symphony, for string orchestra, Op. 4 : l. Boisterous Bourree
- Rape of Lucretia, Act II, Scene II: This dead hand lets fall
- Missa Brevis, Op. 63: V. Agnus Dei
- Hymn to St. Cecilia, Op. 27: "O ear whose creatures"
- When Myra sings (1971, pub 1994)
- Rape of Lucretia, Act I, Scene I: My horse! My horse!
- Sacred and Profane - Eight Medieval Lyrics, Op. 91: VI. Carol
- Serenade, op. 31: VIII. Epilogue
- Rejoice in the Lamb, Op. 30: "For I am under the same accusation with my Saviour"
- A Ceremony of Carols, Op. 28: VII. This little Babe
- A Ceremony of Carols, Op. 28: IX. In freezing winter night
- A Ceremony of Carols, Op. 28: VIII. Interlude
- Serenade, op. 31: IV. Elegy
- Songs (3) from Shakespeare for voice & piano : Over Hill, Over Dale
- Serenade, op. 31: VII. Sonnet
- Missa Brevis, Op. 63: III. Sanctus
- Rape of Lucretia, Act II, Scene II: Flowers bring to every year
- Hymn to St. Cecilia, Op. 27: "I cannot grow"
- Les Illuminations, op. 18: III. Phrase
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 : I mon waxe wod
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44 : III Spring, the sweet spring
- Sacred and Profane - Eight Medieval Lyrics, Op. 91: III. Lenten is come
- War Requiem: II. Dies irae - Pie Jesu Domine, Chorus
- Sacred and Profane - Eight Medieval Lyrics, Op. 91: V. Yif ic of luve can
- Dulcibella (1971, pub 1994)
- Rejoice in the Lamb, Op. 30: "Let Nimrod the mighty hunter"
- Partsongs (8), Op. 119 : No. 3, The Blue Bird
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 : The long night
- Shakespeare Songs (3) for chorus : Full Fathom Five
- Rape of Lucretia, Act II, Scene II: Last night Tarquinius ravished me
- Les Illuminations, op. 18: X. Depart
- War Requiem: II. Dies irae - Dugles sang, Baritone
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 : Ye that pasen by
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 : Adam Lay Ibouden
- To be sung of a summer night on the water, songs (2) for chorus, RT iv/5 : 2. Gaily but not quick
- War Requiem: I. Requiem aeternam - Requiem aeternam
- Sacred and Profane - Eight Medieval Lyrics, Op. 91: IV. The long night
- War Requiem: I. Requiem aeternam - Kyrie eleison, Chorus
- Rejoice in the Lamb, Op. 30: "Rejoice in God"
- Songs (3) from Shakespeare for voice & piano : Hymn to St. Cecilia, for chorus, Op. 27
- Sacred and Profane - Eight Medieval Lyrics, Op. 91: VIII. A death
- Rape of Lucretia, Act I, Scene I: Rome is now ruled by the Etruscan upstart
- Rape of Lucretia, Act I, Scene I: Maria was unmasked at a masked ball
- Rape of Lucretia, Act I, Scene I: It is an axiom among kings
- Rape of Lucretia, Act II, Scene II: You were right. Tarquinius took one of the horses
- Rape of Lucretia, Act I, Scene I: Who reaches heaven first is the best philosopher
- A Ceremony of Carols, Op. 28: VI. As dew in Aprille
- War Requiem: IV. Sanctus - After the blast, Baritone
- War Requiem: III. Offertorium - Domine Jesu Christe, Boy's Choir
- Hymn to St. Cecilia, Op. 27: "Blessed Cecilia, appear in visions"
- Rape of Lucretia, Act II, Scene II: Good morning my Lady
- Peter Grimes, Four Sea Interludes: Dawn
- Rape of Lucretia, Act I, Scene II: Time treads upon the hands of women
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28 : A Hymn to the Virgin, for double chorus
- Rape of Lucretia, Act I, Scene II: Their spinning wheel unwinds
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 : A death
- Missa Brevis, Op. 63: II. Gloria
- Rape of Lucretia, Act II, Scene II: Epilogue: Is it all?
- Partsongs (4) for chorus, Op. 53 : No. 1, There is sweet music
- Rape of Lucretia, Act I, Scene II: The oatmeal slippers of sleep
- Hymn to St. Cecilia, Op. 27: "O dear white children"
- Missa Brevis in D major, Op. 63: Kyrie Eleison
- Rejoice in the Lamb, Op. 30: "For the flowers are great blessings"
- Billy Budd, opera, Op. 50 : Interlude and Sea Shanties
- Rape of Lucretia, Act II, Scene I: The prosperity of the Etruscans
- Rejoice in the Lamb, op. 30: For the mouse is a creature of great personal valour
- Rejoice in the Lamb, Op. 30: "For at that time malignity ceases"
- Missa Brevis in D major, Op. 63: Agnus Dei
- War Requiem: II. Dies irae - De slowly lifted up, Baritone
- Rejoice in the Lamb, Op. 30: "For the instruments are by their rhimes"
- Simple Symphony, for string orchestra, Op. 4 : lll. Sentimental Saraband
- Rape of Lucretia, Act I, Scene I: Collatinus is politically astute
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 : St. Godric's Hymn
- Serenade, op. 31: III. Nocturne
- Les Illuminations, op. 18: V. Royaute
- Rape of Lucretia, Act II, Scene II: Oh! What a lovely day!
- War Requiem: II. Dies irae - Liber scriptus proferetur, Soprano, Chorus
- A Ceremony of Carols, Op. 28: XII. Recession
- Shakespeare Songs (3) for chorus : The Cloud-Capp'd Towers
- Simple Symphony, for string orchestra, Op. 4 : ll. Playful Pizzicato
- Sacred and Profane - Eight Medieval Lyrics, Op. 91: II. I mon waxe wod
- To be sung of a summer night on the water, songs (2) for chorus, RT iv/5 : 1. Slow but not dragging
- Les Illuminations, op. 18: IV. Antique
- War Requiem: III. Offertorium - Quam olim Abrahae promisisti, Chorus
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66 : Larcymosa
- Noye's Fludde, children's opera, Op. 59 : 3 Noye, Noye, take thou thy company
- Rape of Lucretia, Act I, Scene II: Lucia runs to the door
- Rejoice in the Lamb, Op. 30: "For I will consider my cat Jeoffry"
- Rape of Lucretia, Act II, Scene I: She sleeps as a rose
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 : Go, Song of Mine, partsong for double chorus, Op. 57
- Missa Brevis, Op. 63: I. Kyrie
- War Requiem: I. Requiem aeternam - What passing-bells, Tenor
- Les Illuminations, op. 18: VIII. Being Beauteous
- Rejoice in the Lamb, Op. 30: "For H is a spirit"
- War Requiem: IV. Sanctus - Hosanna - Benedictus - Hosanna, Chorus, Soprano
- War Requiem: II. Dies irae - Dies irae, dies illa, Chorus, Soprano
- Rape of Lucretia, Act II, Scene I: Within this frail crucible of light
- War Requiem: II. Dies irae - Recordare Jesu pie, Chorus
- Serenade, for tenor, horn & strings, Op. 31 : Nocturne
- Serenade, op. 31: I. Prologue
- A Ceremony of Carols, Op. 28: II. Wolcum Yole
- Rape of Lucretia, Act I, Scene II: Listen! I heard a knock
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91 : Lenten is come
- Rape of Lucretia, Act II, Scene I: Lucretia!...What do you want?
- War Requiem: II. Dies irae - Lacrimosa, Chorus
- Simple Symphony, for string orchestra, Op. 4 : lV. Frolicsome Finale
- Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Pavan
- Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": La Volta
- Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": March
- Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Galliard
- Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": March (Finale)
- Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Corante
- Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Morris Dance
- Variations on a theme by Frank Bridge, Op. 10: VI. Bourrée classique
- Variations on a theme by Frank Bridge, Op. 10: I. Introduction and theme
- Variations on a theme by Frank Bridge, Op. 10: XI. Fugue and finale
- Variations on a theme by Frank Bridge, Op. 10: II. Adagio
- Variations on a theme by Frank Bridge, Op. 10: IX. Funeral march
- Variations on a theme by Frank Bridge, Op. 10: III. March
- Variations on a theme by Frank Bridge, Op. 10: VII. Wiener Walzer
- Variations on a theme by Frank Bridge, Op. 10: X. Chant
- Variations on a theme by Frank Bridge, Op. 10: VIII. Moto perpetuo
- Variations on a theme by Frank Bridge, Op. 10: IV. Romance
- Variations on a theme by Frank Bridge, Op. 10: V. Aria italiana
- String Quartet No. 2 in C major, Op. 36 No. 2: II. Vivace
- String Quartet No. 2 in C major, Op. 36 No. 2: I. Allegro calmo senza rigore
- Peter Grimes, op. 33: Act III, Scene 2. "Grimes!"
- Cello Suite No. 1 in G Major, Op. 72: IX. Canto Quarto, Moto perpetuo; Presto
- Cello Suite No. 3 in C Minor, Op. 87: III. Canto, Con moto
- Cello Suite No. 1 in G Major, Op. 72: V. Serenata, Allegretto; Pizzicato
- Cello Suite No. 3 in C Minor, Op. 87: IV. Barcarola, Lento
- Cello Suite No. 1 in G Major, Op. 72: VII. Canto terzo, Sostenuto
- Cello Suite No. 1 in G Major, Op. 72: VIII. Bordone, Moderato quasi recitativo
- Cello Suite No. 3 in C Minor, Op. 87: II. Marcia, Allegro
- Cello Suite No. 3 in C Minor, Op. 87: VII. Recitativo, Fantastico
- Cello Suite No. 3 in C Minor, Op. 87: VI. Fuga, Andante espressivo
- Cello Suite No. 3 in C Minor, Op. 87: V. Dialogo, Allegretto
- Cello Suite No. 2 in D Major, Op. 80: V. Ciaccona, Allegro
- Cello Suite No. 1 in G Major, Op. 72: III. Lamento, Lento rubato
- Cello Suite No. 3 in C Minor, Op. 87: IX. Passaglia, Lento solenne
- Cello Suite No. 3 in C Minor, Op. 87: I. Introduzione, Lento
- Cello Suite No. 1 in G Major, Op. 72: II. Fuga, Andante moderato
- Cello Suite No. 1 in G Major, Op. 72: IV. Canto secondo, Sostenuto
- Cello Suite No. 1 in G Major, Op. 72: VI. Marcia, Alla marcia; Moderato
- Cello Suite No. 3 in C Minor, Op. 87: VIII. Molto perpetuo, Presto
- Cello Suite No. 1 in G Major, Op. 72: I. Canto primo, Sostenuto
- Cello Suite No. 2 in D Major, Op. 80: III. Scherzo, Allegro molto
- Cello Suite No. 2 in D Major, Op. 80: II. Fuga, Andante
- Cello Suite No. 2 in D Major, Op. 80: IV. Andante; Lento
- Cello Suite No. 2 in D Major, Op. 80: I. Declamato, Largo
- A Boy Was Born, Op.3: Variation II "Herod"
- A Boy Was Born, Op.3: Theme "A Boy Was Born"
- A Boy Was Born, Op.3: Variation III "Jesu, as Thou art our Saviour"
- A Boy Was Born, Op.3: Variation IV "The Three Kings"
- A Boy Was Born, Op.3: Variation VI "Noel!"
- A Boy Was Born, Op.3: Variation I "Lullay, Jesu"
- A Boy Was Born, Op.3: Variation V "In the Bleak Mid-Winter"
- Advance Democracy
- War Requiem: Agnus Dei
- War Requiem: Dies irae
- Welcome Ode, Op. 95: 3 Roundel. Slower
- Spring Symphony, Op. 44: Out on the Lawn I Lie in Bed. Adagio Molto Tranquillo
- War Requiem: Offertorium
- Welcome Ode, Op. 95: 1 March. Broad and Rhythmic (Maestoso)
- Spring Symphony, Op. 44: Waters Above. Molto Moderato E Tranquillo
- War Requiem: Libera me
- Spring Symphony, Op. 44: The Merry Cuckoo. Vivace
- Spring Symphony, Op. 44: The Morning Star. Molto Moderato Ma Giocoso
- Welcome Ode, Op. 95: 5 Canon. Moving On
- Spring Symphony, Op. 44: When Will My May Come. Allegro Impetuoso
- Spring Symphony, Op. 44: Fair and Fair. Allegretto Grazioso
- Welcome Ode, Op. 95: 4 Modulation
- Spring Symphony, Op. 44: Introduction. Lento, Senza Rigore
- Spring Symphony, Op. 44: Sound the Flute. Allegretto Molto Mosso
- Spring Symphony, Op. 44: The Driving Boy. Allegro Molto
- Spring Symphony, Op. 44: Spring, the Sweet Spring. Allegro Con Slancio
- War Requiem: Sanctus
- Welcome Ode, Op. 95: 2 Jig. Quick
- Psalm 150, Op. 67: Lively March - Lightly - Very Lively
- Spring Symphony, Op. 44: Finale. Moderato Alla Valse - Allegro Pesante
- Spring Symphony, Op. 44: Welcome Maids of Honour. Allegro Rubato
- The Young Person's Guide to the Orchestra, Part 14 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 19 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 25 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 22 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 7 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 5 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 16 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 18 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 24 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 20 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 12 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 13 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 11 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 17 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 10 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 6 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 9 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 15 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 23 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 21 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 8 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 4 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation J: L'istesso tempo (French Horns)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme D (Strings)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation B: Lento (Oboes)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme B (Woodwinds)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation G (Cellos)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme C (Brass)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation H: Communinciando lento ma poco a poco accel. al Allegro(Double basses)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation K: Vivace (Trumpets)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation E: Brillante - alla polacca (Violins)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Fugue: Allegro molto (Full Orchestra)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation D: Allegro alla marcia (Bassoons)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation A (Piccolo & Flutes)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme F (Full Orchestra)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation C: Moderato (Clarinets)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Theme E (Percussion)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation L: Allegro pomposo (Trombones & Tuba)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation F: Meno mosso (Violas)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation M: Moderato (Percussion)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Allegro maestoso e largamente (Full Orchestra)
- The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme by Purcell): Variation I: Maestoso (Harp)
- III. Offertorium - Domine Jesu Christe (boys, chorus)
- I. Requiem Aeternam - Requiem aeternam dona eis, Domine (chorus, boys)
- II. Dies Irae - recordare Jesu pie (women's chorus)
- VI. Libera me - It seemed that out of battle I escaped (tenor)
- War Requiem, Op. 66: IV. Sanctus, Sanctus, Sanctus
- War Requiem, Op. 66: VI. Libera me: Let Us Sleep Now... In Paradisum
- War Requiem, Op. 66: III. Domine Jesu Christe
- VI. Libera me - Let us sleep now... n paradisum decudant angeli (tutti)
- War Requiem, Op. 66: II. Dies irae: Bugles Sang
- War Requiem, Op. 66: V. Agnus dei: One Ever Hangs
- II. Dies Irae - Out there we've walked quite friendly up to Death (tenor, baritone)
- VI. Libera me - 'None' said the other 'save the undone years' (baritone)
- V. Agnus Dei - One ever hangs where shelled roads part... Agnus Dei, qui tollis peccata mundi (tenor, chorus)
- III. Offertorium - Reprise of Quam olim Abrahae (chorus)
- I. Requiem Aeternam - What passing bells for these who die as cattle? (tenor) - Kyrie eleson (chorus)
- III. Offertorium - So Abram rose, and clave the wood, and went (tenor, baritone) - Hostias et preces tibi (boys)
- IV. Sanctus - After the blast of lightning from the East (baritone)
- War Requiem, Op. 66: II. Dies irae: Out There
- III. Offertorium - Quam olim Abrahae (chorus)
- War Requiem, Op. 66: III. So Abram Rose
- War Requiem, Op. 66: IV. After the Blast of Lightning
- II. Dies Irae - Bugles sang, saddening the evening air (baritone)
- II. Dies Irae - Be slowly lifted up, thou long black arm (baritone) - Dies irea, dies illa (chorus)
- II. Dies Irae - Lacrimosa dies illa (soprano, chorus) - Move him into the sun (tenor, soprano, chorus)... Pie Jesu (chorus)
- II. Dies Irae - Dies irae, dies illa (chorus)
- VI. Libera me - Libera me, Domine, de morte aeterna (soprano, chorus)
- II. Dies Irae - Liber scriptus proferetur (soprano, semi-chorus)
- II. Dies Irae - Conftatis maledictis (men's chorus)
- IV. Sanctus - Sanctus, sanctus, sanctus (soprano, chorus) - Benedictus qui venit in nomine Domini (soprano, chorus)
- Choral dances from Gloriana: 4 - Country Girls
- Rejoice in the Lamb: For the Mouse is a creature
- Winter Words, op.52 - The little old table
- Winter Words, op.52 - At day-close in November
- Choral dances from Gloriana: 2 - Concord
- Winter Words, op.52 - The choirmaster's burial
- Serenade For Tenor Horn & Strings, op.31 - Dirge (anon.)
- Seven Sonnets of Michelangelo, op.22 - Sonetto XXXVIII
- Serenade For Tenor Horn & Strings, op.31 - Elegy (Blake)
- A.M.D.G.: 3 - God's Grandeur
- Winter Words, op.52 - Midnight on the Great Western
- Seven Sonnets of Michelangelo, op.22 - Sonetto XVI
- Seven Sonnets of Michelangelo, op.22 - Sonetto XXIV
- Serenade For Tenor Horn & Strings, op.31 - Sonnet (Keats)
- Serenade For Tenor Horn & Strings, op.31 - Hymn (Jonson)
- Rejoice in the Lamb: Hallelah from the heart of God
- Serenade For Tenor Horn & Strings, op.31 - Pastoral (Cotton)
- Serenade for Tenor, Horn & Strings, Op. 31 - Prologue
- Seven Sonnets of Michelangelo, op.22 - Sonetto LV
- Seven Sonnets of Michelangelo, op.22 - Sonetto XXXII
- Serenade For Tenor Horn & Strings, op.31 - Nocturne (Tennyson)
- A.M.D.G.: 7 - Heaven-Haven
- Choral dances from Gloriana: 5 - Rustics and Fishermen
- Winter Words, op.52 - Wagtail and baby
- A.M.D.G.: 4 - Prayer II
- Choral dances from Gloriana: 6 - Final Dance of Homage
- Rejoice in the Lamb: Rejoice in God O ye Tongues
- Seven Sonnets of Michelangelo, op.22 - Sonetto XXXI
- Seven Sonnets of Michelangelo, op.22 - Sonetto XXX
- Serenade For Tenor Horn & Strings, op.31 - Epilogue
- A.M.D.G.: 2 - Rosa Mystica
- A Hymn of St Columbia
- Rejoice in the Lamb: Let Nimrod the mighty hunter
- Choral dances from Gloriana: 3 - Time and Concord
- A.M.D.G.: 1 - Prayer I
- Winter Words, op.52 - Proud songsters
- A.M.D.G.: 6 - The Soldier
- Choral dances from Gloriana: 1 - Time
- A.M.D.G.: 5 - O Deus, ego amo te
- Winter Words, op.52 - Before life and after
- Winter Words, op.52 - At the railway station, Upway
- Symphony for Cello and Orchestra, op.68: III. Adagio
- Symphony for Cello and Orchestra, op.68: I. Allegro maestoso
- Symphony for Cello and Orchestra, op.68: IV Passacaglia
- Symphony for Cello and Orchestra, op.68: II. Presto inquieto
- A Boy Was Born: Corpus Christi Carol
- Peter Grimes: Act I, Scene I. "I have to go from pub to pub" (Hobson)
- Peter Grimes, Op. 33, Act I, Scene 1: "Look, the storm cone!"
- Peter Grimes: Act III, Scene I. "Who holds himself apart, lets his pride rise" (Chorus)
- Peter Grimes: Act I, Scene II. "We live and let live" (Balstrode)
- Peter Grimes: Act II, Scene I. "Glitter of waves and glitter of sunlight" (Ellen)
- Peter Grimes: Act III, Scene I. "Embroidery in childhood was a luxury of idleness" (Ellen)
- Peter Grimes: Act II, Scene I. "We planned that their lives should have a new start" (Ellen)
- Peter Grimes: Act I, Scene II. "Old Joe has gone fishing" (Keene)
- Peter Grimes: Act I, Scene I. "Hi! Give us a hand!" (Peter)
- The Bonny Earl o' Moray
- The Birth of Nicolas
- The Young Person's Guide to the Orchestra (Variations & Fugue on a Theme by Purcell)
- Lachymae op. 48
- A Charm of Lullabies, op. 41: The Highland Balou
- Peter Grimes, Sea Interludes: Sunday Morning
- Simple Symphony: Frolicsome Finale
- Simple Symphony: Sentimental Sarabande
- A Charm of Lullabies, op. 41: No. 1. A Cradle Song
- A death
- Death in Venice: Act 1, Scene 7. "Here I will stay, here dedicate my days" (Aschenbach)
- Death in Venice: Act 1, Scene 2. Overture "Venice"
- Death in Venice: Act 1, Scene 1. "Who's that? A foreigner" (Aschenbach)
- Death in Venice: Act 1, Scene 5. (Children's games)… "Adziù! Adziù!" (Chorus)
- Death in Venice: Act 1, Scene 4. "Was I wrong to come" (Aschenbach)
- Death in Venice: Act 2, Scene 13. "Receive the stranger god" (Voice of Dionysus)
- Death in Venice: Act 1, Scene 4. "We are delighted to greet the Signore" (Hotel Manager)
- Death in Venice: Act 1, Scene 6. "Aou'! Stagando, aou'!" (Gondolier)
- Death in Venice: Act 2, Scene 14. (The empty beach)… "Do what you will with me!" (Aschenbach)
- Death in Venice: Act 1, Scene 5. "There is indeed in every artist's nature" (Aschenbach)
- Death in Venice: Act 2, Scene 17. (On the beach)… "Ah, no!" (Aschenbach)
- Death in Venice: Act 1, Scene 1. "My mind beats on" (Aschenbach)
- Death in Venice: Act 2, Scene 17. "The wind still blows from the land" (Hotel Manager)
- Death in Venice: Act 1, Scene 6. "Naturally, Signore, I understand" (Hotel Manager)
- Death in Venice: Act 2, Scene 10. "Fiorir rose in mezo al giasso" (Leader of the players)
- Death in Venice: Act 2, Scene 16. "Chaos, chaos and sickness" (Aschenbach)
- Death in Venice: Act 1, Scene 3. "Mysterious gondola" (Aschenbach)
- Death in Venice: Act 2, Scene 16. "Hurrah for the Piazza" (Aschenbach)
- Death in Venice: Act 2, Scene 15. "Yes! A very wise decision" (Hotel Barber)
- Death in Venice: Act 2, Scene 12. "So it is true, true" (Aschenbach)
- Death in Venice: Act 1, Scene 7. "First the race!" (Chorus)
- Death in Venice: Act 1, Scene 3. "Ah Serenissima!" (Aschenbach)
- Death in Venice: Act 2, Scene 10. "This way for the players, Signori!" (Hotel Porter)
- Death in Venice: Act 2, Scene 9. "Careful search now leads me to them" (Aschenbach)
- Death in Venice: Act 2, Scene 9. "Do I detect a scent?" (Aschenbach)
- Death in Venice: Act 1, Scene 2. "Serenissima… Low-lying clouds" (Youths, Aschenbach)
- Death in Venice: Act 2, Scene 11. "In these last years" (English Clerk)
- Death in Venice: Act 1, Scene 7. "The boy, Tadzio, shall inspire me" (Aschenbach)
- Death in Venice: Act 1, Scene 2. "Hey there, hey there" (Youths)
- Death in Venice: Act 2, Scene 11. "One moment if you please" (English Clerk)
- Sonate op 65 - Scherzo-Pizzicato
- Sonate op 65 - Dialog
- Sonate op 65 - Marsch
- Sonate op 65 - Perpetuum mobile
- Sonate op 65 - Elegie
- Act 3. O Wall, full often hast thou heard my moans
- Act 3. When my cue comes, call me
- Act 2. Up and down, up and down
- Act 2. Flower of this purple dye
- Act 3. Asleep, my love?
- Act 2. I have a reas'nable good ear in music
- Act 3. Now, fair Hippolyta
- Welcome wanderer act1songe nuit d'ete op64 - Watson Nicholas
- Act 2. Puppet? Why, so?
- Act 3. Have you sent to Bottom's house?
- Act 1. What thou seest when thou dost wake
- Act 2. Are we all met?
- Act 3. Helena! Hermia! Demetrius! Lysander!
- Act 2. Hail, mortal, hail!
- Act 3. Now the hungry lion roars
- Symphony for Cello and Orchestra, op. 68: Allegro maestos
- Diversion, for piano, left hand & orchestra: Variation 6. Nocturne. Andante piacevole
- Diversion, for piano, left hand & orchestra: Variation 9a. Tocatta I. Allegro
- Diversion, for piano, left hand & orchestra: Variation 3. March. Allegro con brio
- Diversion, for piano, left hand & orchestra: Variation 5. Chant. Andante solennemente
- Diversion, for piano, left hand & orchestra: Variation 7. Badinerie. Grave
- Diversion, for piano, left hand & orchestra: Variation 8: Burlesque. Molto moderato
- Diversion, for piano, left hand & orchestra: Theme. Maestoso
- Diversion, for piano, left hand & orchestra: Variation 10. Adagio
- Diversion, for piano, left hand & orchestra: Variation 2: Romance. Allegretto mosso
- Diversion, for piano, left hand & orchestra: Variation 9b. Toccata II. L'istesso tempo
- Diversion, for piano, left hand & orchestra: Variation 4. Arabesque. Allegretto
- Diversion, for piano, left hand & orchestra: Finale - Tarantella. Presto con fuoco
- Diversion, for piano, left hand & orchestra: Variation 1. Recitative. L'istesso tempo
- Sinfonia da Requiem, op. 20: 2. Dies irae
- Sinfonia da Requiem, op. 20: 3. Requiem aeternam
- Sinfonia da Requiem, op. 20: 1. Lacrymosa
- Our Hunting Fathers, Op. 8: B. Messalina
- Serenade for tenor, horn and strings, Op. 31: 2. Nocturne
- Folksong arrangements: Oliver Cromwell
- Our Hunting Fathers, Op. 8: C. Dance of Death
- Serenade for tenor, horn and strings, Op. 31: 1. Pastoral
- Folksong arrangements: Little Sir William
- Our hunting fathers, op. 8: Epilogue and Funeral March
- Folksong arrangements: Come you not from Newcastle?
- Serenade for tenor, horn and strings, Op. 31: 3. Elegy
- Serenade for tenor, horn and strings, Op. 31: 6. Sonnet
- Folksong arrangements: The Bonny Earl o'Moray
- Serenade for tenor, horn and strings, Op. 31: 4. Dirge
- Folksong arrangements: The Plough Boy
- Serenade for tenor, horn and strings, Op. 31: 5. Hymn
- Folksong arrangements: O Waly, Waly
- Our Hunting Fathers, Op. 8: A. Rats Away!
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 3: March. Allegro con brio
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 8: Burlesque. Molto moderato
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 7: Badinerie. Grave
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 9a: Toccata I. Allegro
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 5: Chant: Andante solennemente
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 10: Adagio
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 2: Romance. Allegretto mosso
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 4: Arabesque. Allegretto
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 6: Nocturne. Andante piacevole
- Diversions for Piano (left hand) and Orchestra, Op. 21: Finale - Tarantella. Presto con fuoco
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 9b: Toccata II. L'istesso tempo
- Diversions for Piano (left hand) and Orchestra, Op. 21: Theme. Maestoso
- Diversions for Piano (left hand) and Orchestra, Op. 21: Var. 1: Recitative. L'istesso tempo
- No Sooner Had Peter Gone
- Harp
- Violas
- Cellos
- Trombones and Bass Tuba
- And Now, This Is How Things Stood
- Horns
- Trumpets
- Percussion II
- And Now, Imagine The Triumphant Procession
- Introduction
- Clarinets
- Woodwind
- Bassoons
- Violins
- Just Then, Hunters Came
- Flutes and Piccolo
- Double Basses
- Oboes
- Hymn to Saint Cecilia
- Embroidery Scene
- Mazurka elegiaca, Op.23, No.2
- Introduction and Rondo alla burlesca, Op.23, No.1: 1. Grave
- Introduction and Rondo alla burlesca, Op.23, No.1: 2. Allegro moderato, ma con spirito
- Jubilate in C
- The succession of the 4 sweet months (Flower Songs)
- To Daffodils (Flower Songs)
- Suite pour violoncelle seul nº1 en sol mineur Op.72 : VI. Moto perpétue e canto quatro
- Violin Concerto, Op. 15 - III. Passacaglia: Andante lento (un poco meno mosso)
- Violin Concerto, Op. 15 - I. Moderato con moto - Agitato - Tempo primo
- Violin Concerto, Op. 15 - II. Vivace - Animando - Largamente - Cadenza
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 1. Prelude
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the South
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 6. Finale
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the East
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 5. Variation of the Prince
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 2. March and Gavotte
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 4. Belle Epine
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the West
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 4. Belle Rose
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the North
- The Prince of the Pagodas: Prelude and Dances, op. 57b: 5. Variation of Belle Rose
- Young Person’s Guide to the Orchestra
- Saint Nicolas / The Death of Nicolas
- Saint Nicolas / The birth of Nicolas
- Saint Nicolas / Introduction
- Saint Nicolas / Nicolas comes to Myra and is chosen Bishop
- Saint Nicolas / Nicolas and the Pickled Boys
- Saint Nicolas / His Piety and Marvellous Works
- Saint Nicolas / Nicolas from Prison
- Saint Nicolas / He journeys to Palestine
- Saint Nicolas / Nicolas devotes himself to God
- War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam dona esi Domine (chorus/boys)
- War Requiem, Op.66: IV. Sanctus "After the blast of lightning from the East"
- War Requiem, Op.66: III. Offertorium "So Abram rose, and clave the wood, and went"
- War Requiem, Op.66: III. Offertorium "Domine Jesu Christe"
- War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? (tenor)
- War Requiem, Op.66: VI. Libera me "Libera me, Domine, de morte aeterna"
- War Requiem, Op.66: II. Dies irae "Be slowly lifted up, thou long black arm"
- War Requiem, Op.66: IV. Sanctus "Sanctus, sanctus, sanctus"
- War Requiem, Op.66: II. Dies irae "Out there, we've walked quite friendly up to Death"
- War Requiem, Op.66: II. Dies irae "Dies irae, dies illa"
- War Requiem, Op.66: II. Dies irae "Liber scriptus proferetur"
- War Requiem, Op.66: II. Dies irae "Lacrimosa dies illa"
- War Requiem, op. 66: I. Requiem aeternam: Kyrie eleison (chorus)
- War Requiem, Op.66: IV. Sanctus "Benedictus qui venit in nomine Domini"
- War Requiem, Op.66: VI. Libera me "It seemed that out of battle I escaped"
- War Requiem, Op.66: II. Dies irae "Bugles sang, saddening the evening air"
- War Requiem, Op.66: V. Agnus Dei
- War Requiem, Op.66: II. Dies irae "Recordare Jesu pie"
- War Requiem, Op.66: II. Dies irae "Move him into the sun...Pie Jesu"
- War Requiem, Op.66: VI. Libera me "Let us sleep now...In paradisum"
- Missa Brevis: Gloria
- Missa Brevis: Benedictus
- Missa Brevis: Kyrie
- Missa Brevis: Agnus Dei
- Missa Brevis: Sanctus
- War Requiem, for soprano, tenor, baritone, boys’ voices, chorus, chamber orchestra, orchestra & organ, op. 66: Larcymosa
- The Prince of the Pagodas, Op.57, Act 2 Scene 2 The Pagodas
- The Prince of the Pagodas, Op.57 Act 3 Scene 2 Finale and apotheosis
- Symphony for Cello and Orchestra, op. 68 II Presto inquieto
- Diversions for piano (left hand) & orchestra, Op.21 Variation VII - Badinerie
- Les Illuminations, Op.18 VII. Being beauteous
- Diversions for piano (left hand) & orchestra, Op.21 Variation IV - Arabesque
- Les Illuminations, Op.18 IX. Départ
- Piano Concerto, op. 13 II. Waltz
- Symphony for Cello and Orchestra, op. 68 I. Allegro maestoso
- Tit For Tat Autumn
- The Prince of the Pagodas, Op.57, Act 1 The King of the South
- Serenade for tenor, horn & strings, Op.31 Sonnet - O Soft Embalmer of the Still Midnight
- The Prince of the Pagodas, Op.57, Act 1 The King of the West
- Simple Symphony, op. 4 I. Boisterous Bourree: Allegro maestoso
- Variations on a Theme of Frank Bridge, op. 10 Wierner Walzer: Vivace
- Nocturne for tenor, 7 obligato instruments & strings, Op.60 "Midnight's Bell Goes Ting, Ting, Ting"
- Songs & Proverbs of William Blake, Op.74 Prisons are built...The Chimney Sweeper
- Seven Sonnets of Michelangelo, Op.22 Sonetto XVI
- The Prince of the Pagodas, Op.57 Act 3 Scene 2 Pas de Deux
- Variations on a Theme of Frank Bridge, op. 10 March: Presto alla marcia
- Nocturne for tenor, 7 obligato instruments & strings, Op.60 "Encintured With A Twine Of Leaves"
- Nocturne for tenor, 7 obligato instruments & strings, Op.60 "What Is More Gentle Than A Wind In Summer?"
- Seven Sonnets of Michelangelo, Op.22 Sonetto LV
- The Young Person's Guide to the Orchestra, op. 34: Variations and Fugue on a Theme of Purcell
- The Prince of the Pagodas, Op.57 Act 3 Scene 1 Transition
- Piano Concerto, op. 13 III. Impromptu
- Winter Words, Op.52 The little old table
- Winter Words, Op.52 Wagtail and baby
- The Prince of the Pagodas, Op.57, Act 1 The Kings and Belle Rose
- Songs & Proverbs of William Blake, Op.74 The hours of folly...Ah, Sun Flower
- Nocturne for tenor, 7 obligato instruments & strings, Op.60 "She Sleeps On Soft, Last Breaths"
- The Prince of the Pagodas, Op.57, Act 2 Scene 1 Fire
- The Prince of the Pagodas, Op.57, Act 2 Scene 1 Water
- Nocturne for tenor, 7 obligato instruments & strings, Op.60 "But That Night When On My Bed I Lay"
- The Prince of the Pagodas, Op.57 Act 3 Scene 2 Pas de Trois
- The Prince of the Pagodas, Op.57, Act 1 The Four Frogs
- Serenade for tenor, horn & strings, Op.31 Pastoral - The Day's Grown Old
- Sinfonia da Requiem, op. 20 II Dies irae
- The Prince of the Pagodas, Op.57 Act 3 Scene 2 Variation 1
- The Prince of the Pagodas, Op.57 Act 3 Scene 2 Variation 2
- The Prince of the Pagodas, Op.57 Act 3 Scene 2 Variation 3
- The Prince of the Pagodas, Op.57 Act 3 Scene 2 Variation 4
- The Prince of the Pagodas, Op.57, Act 1 Rage of the Kings
- The Prince of the Pagodas, Op.57 Act 3 Scene 2 Variation 5
- The Prince of the Pagodas, Op.57, Act 1 The Four Kings
- The Holy Sonnets of John Donne, Op.35 1. Oh, my blacke Soule!
- Violin Concerto, op. 15 I. Moderato con moto
- Diversions for piano (left hand) & orchestra, Op.21 Variation III - March
- Winter Words, Op.52 At the railway station, Upway
- Variations on a Theme of Frank Bridge, op. 10 Romance: Allegreto grazioso
- Prelude and Fugue, op. 29 for eighteen-part string orchestra
- The Prince of the Pagodas, Op.57, Act 1 The King of the North
- Serenade for tenor, horn & strings, Op.31 Nocturne - The Splendour Falls on Castle Walls
- Diversions for piano (left hand) & orchestra, Op.21 Variation I - Recitative
- Symphony for Cello and Orchestra, op. 68 IV Passacaglia: Andante allegro
- The Holy Sonnets of John Donne, Op.35 9. Death, be not proud
- Simple Symphony, op. 4 IV. Frolicsome Finale: Prestissimo con fuoco
- Diversions for piano (left hand) & orchestra, Op.21 Variation VI - Nocturne
- Tit For Tat Silver
- Symphony for Cello and Orchestra, op. 68 III Adagio -- Cadenza
- The Prince of the Pagodas, Op.57 Act 3 Scene 1 Belle Rose and the Salamander
- Variations on a Theme of Frank Bridge, op. 10 Moto perpetuo: Allegro molto
- The Prince of the Pagodas, Op.57 Act 3 Scene 2 The Pagoda Palace
- Seven Sonnets of Michelangelo, Op.22 Sonetto XXIV
- Serenade for tenor, horn & strings, Op.31 Prologue
- The Prince of the Pagodas, Op.57, Act 1 Gavotte
- Seven Sonnets of Michelangelo, Op.22 Sonetto XXXVIII
- Diversions for piano (left hand) & orchestra, Op.21 Variation IXb - Toccata II
- The Holy Sonnets of John Donne, Op.35 5. What if this present
- The Prince of the Pagodas, Op.57, Act 1 The King of the East
- Songs & Proverbs of William Blake, Op.74 Think in the morning...The Tyger
- Diversions for piano (left hand) & orchestra, Op.21 Variation V - Chant
- The Prince of the Pagodas, Op.57, Act 2 Scene 1 Air
- Winter Words, Op.52 Midnight on the Great Western
- Diversions for piano (left hand) & orchestra, Op.21 Theme
- Songs & Proverbs of William Blake, Op.74 To see a world...Every night and every morn
- The Holy Sonnets of John Donne, Op.35 2. Batter my heart
- The Prince of the Pagodas, Op.57, Act 1 Triumph of Belle Epine
- The Prince of the Pagodas, Op.57 Act 3 Scene 2 Pas de Six
- Simple Symphony, op. 4 II. Playful Pizzicato: Presto possibile, pizzicato sempre
- Les Illuminations, Op.18 VIII. Parade
- Les Illuminations, Op.18 IIIa. Phrase
- Serenade for tenor, horn & strings, Op.31 Dirge - This Ae Night
- Diversions for piano (left hand) & orchestra, Op.21 Variation X - Adagio
- The Prince of the Pagodas, Op.57, Act 1 Belle Rose
- The Holy Sonnets of John Donne, Op.35 4. Oh, to vex me
- The Prince of the Pagodas, Op.57, Act 1 Prelude
- The Prince of the Pagodas, Op.57 Act 3 Scene 1 The Old Emperor
- Tit For Tat A song of enchantment
- Les Illuminations, Op.18 V. Marine
- Diversions for piano (left hand) & orchestra, Op.21 Variation IXa -Toccata I
- Violin Concerto, op. 15 III. Passacaglia: Andante lento
- The Prince of the Pagodas, Op.57, Act 2 Scene 2 The Prince and Belle Rose
- Serenade for tenor, horn & strings, Op.31 Hymn - Queen and Huntress Chaste and Fair
- Winter Words, Op.52 The choirmaster's burial
- Winter Words, Op.52 Proud songsters
- Songs & Proverbs of William Blake, Op.74 The Pride of the Peacock...London
- The Prince of the Pagodas, Op.57 Act 3 Scene 1 Belle Epine as Empress
- Variations on a Theme of Frank Bridge, op. 10 Fugue and Finale: Allegro molto vivace - Lento e solenne
- Piano Concerto, op. 13 I. Toccata
- Variations on a Theme of Frank Bridge, op. 10 Funeral March: Andante ritmico
- Violin Concerto, op. 15 II. Vivace
- The Holy Sonnets of John Donne, Op.35 6. Since she whom I loved
- The Prince of the Pagodas, Op.57, Act 2 Scene 2 Belle Rose in Pagoda-Land
- Diversions for piano (left hand) & orchestra, Op.21 Variation II - Romance
- Tit For Tat Tit for tat
- Les Illuminations, Op.18 VI. Interlude
- Les Illuminations, Op.18 II. Villes
- Seven Sonnets of Michelangelo, Op.22 Sonetto XXXII
- Diversions for piano (left hand) & orchestra, Op.21 Variation XI - Tarantella
- Seven Sonnets of Michelangelo, Op.22 Sonetto XXX
- Variations on a Theme of Frank Bridge, op. 10 Bourree Classique: Allegro e pesante
- Variations on a Theme of Frank Bridge, op. 10 Aria Italiana: Allegro brilante
- Seven Sonnets of Michelangelo, Op.22 Sonetto XXXI
- Nocturne for tenor, 7 obligato instruments & strings, Op.60 "On A Poet's Lips I Slept"
- Variations on a Theme of Frank Bridge, op. 10 Adagio
- Nocturne for tenor, 7 obligato instruments & strings, Op.60 "When Most I Wink, Then Do Mine Eyes Best See"
- Tit For Tat Vigil
- Sinfonia da Requiem, op. 20 I Lacrymosa
- Songs & Proverbs of William Blake, Op.74 The Bird anest...A Poison Tree
- The Prince of the Pagodas, Op.57, Act 2 Scene 2 The Salamander
- The Prince of the Pagodas, Op.57, Act 1 The Fool and the Dwarf
- The Holy Sonnets of John Donne, Op.35 8. Thou hast made me
- The Prince of the Pagodas, Op.57, Act 1 Belle Epine
- The Prince of the Pagodas, Op.57, Act 1 The Emperor - March
- Sinfonia da Requiem, op. 20 III Requiem aeternam
- The Holy Sonnets of John Donne, Op.35 7. At the round earth's imagined corners
- Simple Symphony, op. 4 III. Sentimental Saraband: Poco lento e pesante
- Winter Words, Op.52 At day-close in November
- Les Illuminations, Op.18 I. Fanfare
- Variations on a Theme of Frank Bridge, op. 10 Introduction and Theme: Lento maestoso -- Allegretto poco lento
- The Holy Sonnets of John Donne, Op.35 3. Oh might those sighes and teares
- Les Illuminations, Op.18 IV. Royauté
- Piano Concerto, op. 13 IV. March
- Variations on a Theme of Frank Bridge, op. 10 Chant: Lento
- Diversions for piano (left hand) & orchestra, Op.21 Variation VIII - Burlesque
- Winter Words, Op.52 Before life and after
- Nocturne for tenor, 7 obligato instruments & strings, Op.60 "Below The Thunders Of The Upper Deep"
- Songs & Proverbs of William Blake, Op.74 The Tygers of wrath...The Fly
- Serenade for tenor, horn & strings, Op.31 Epilogue
- Les Illuminations, Op.18 IIIb. Antique
- Serenade for tenor, horn & strings, Op.31 Elegy - O Rose, Thou Art Sick
- Albert Herring, Op.39 Act 1 The first suggestion on my list
- Albert Herring, Op.39 Act 1 Meet me at a quarter past eight
- Albert Herring, Op.39 Act 1 Shop! Hi! Albert!
- Albert Herring, Op.39 Act 1 Is this all you can bring?
- Albert Herring, Op.39 Act 2 Quickly! Quickly, come along!
- Albert Herring, Op.39 Act 1 We bring great news to you
- Albert Herring, Op.39 Act 1 Flor-ence! tell the midwife!
- Albert Herring, Op.39 Act 1 He's much too busy
- Albert Herring, Op.39 Act 1 Good morning, young man
- Albert Herring, Op.39 Act 1 Tickling a trout
- Albert Herring, Op.39 Act 1 Beggin' your pardon
- Albert Herring, Op.39 Act 1 Stuffy!
- Albert Herring, Op.39 Act 1 Now then! Notebook, Florence!
- Albert Herring, Op.39 Act 1 Doctor Jessop's midwife
- Albert Herring, Op.39 Act 2 For three precious weeks
- Albert Herring, Op.39 Act 1 I hope we're not too early, Florence?
- Albert Herring, Op.39 Act 1 Right! We'll have him!
- Albert Herring, Op.39 Act 1 Bounce me high
- Tema "Sacher"
- Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair”
- Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight”
- Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Midnight’s bell goes ting, ting, ting”
- Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick”
- Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old”
- Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “On a poet’s lips I slept”
- Serenade for Tenor, Horn & Strings, op. 31: Nocturne “The splendour falls on castle walls”
- Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte”
- I. Requiem Aeternam - What passing bells for these who die as cattle? (tenor) - Kyrie eleison (chorus)
- Symphonic Suite: Gloriana, op. 53a: II. The Lute Song
- Symphonic Suite: Gloriana, op. 53a: I. The Tournament
- Symphonic Suite: Gloriana, op. 53a: III. The Courtly Dances
- Symphonic Suite: Gloriana, op. 53a: IV. Gloriana Moritura
- Tit for Tat: Autumn
- Tit for Tat: Vigil
- Who Are These Children?, Op.84: 3. Nightmare
- Serenade for tenor, horn & strings, Op.31: Sonnet - O Soft Embalmer of the Still Midnight
- Songs & Proverbs of William Blake, Op.74: The hours of folly...Ah, Sun Flower
- The Rescue Of Penelope: Part 1, Listen. The Voices Of The Gods
- Six Hölderlin Fragments, Op.61: 6. Die Linien des Lebens
- Nocturne for tenor, 7 obligato instruments & strings, Op.60: 1. "On A Poet's Lips I Slept"
- Songs From "Friday Afternoons", Op.7: Jazz-man
- The Rescue Of Penelope: Part 1, Yet Some Trust In An End
- Two Two-Part Songs (1933): 1. I Lov'd a Lass
- Winter Words, Op.52: The choirmaster's burial
- Missa brevis, Op.63 (1959): Agnus Dei
- Cantata Academica, (Carmen basiliense) Op.62, XII. Nos autem cuncti. / XIII. Vigeatque academia libera
- The Heart Of The Matter: 4. Reading: "In Such a Heat Of the Earth"
- Spring Symphony, Op.44, 6. Welcome Maids of Honour
- Deus in Adjutorium Meum (Psalm 70)
- Aube
- The Company Of Heaven: 1. Chaos
- Phaedra, Op.93: Oh Gods of wrath
- On this island, Op.11: 2. Now the Leaves Are Falling Fast
- Psalm 150 for voices & orchestra, Op.67
- Phaedra, Op.93: In May, in brilliant Athens
- Ceremony of Carols, Op.28: There is no rose
- On this island, Op.11: 4. Nocturne
- Spring Symphony, Op.44, 4. The driving boy
- The Holly and the Ivy: Coll. Sharp, arr. Britten
- Who Are These Children?, Op.84: 1. A Riddle (The Earth)
- Who Are These Children?, Op.84: 4. Black Day
- Songs From "Friday Afternoons", Op.7: A tragic story
- Nocturne for tenor, 7 obligato instruments & strings, Op.60: 8. "When Most I Wink, Then Do Mine Eyes Best See"
- Les Illuminations, Op.18: VIII. Parade
- Who Are These Children?, Op.84: 10. Supper
- Songs From "Friday Afternoons", Op.7: Begone, dull care
- Christ's Nativity - Christmas Suite For Chorus: New Prince, New Pomp
- Two Ballads For Two Voices & Piano: 1. Mother Comfort
- The Little Sweep (Let's make an opera), Op.45: The kettles are singing
- Songs From "Friday Afternoons", Op.7: Fishing song
- Ceremony of Carols, Op.28: Wolcom Yule!
- Hymn to St. Cecilia (1942), Op.27, In a garden shady
- A Charm of Lullabies, Op.41: 3. Sephestia's Lulaby
- The Holy Sonnets of John Donne, Op.35: 1. Oh, my blacke Soule!
- Serenade for tenor, horn & strings, Op.31: Hymn - Queen and Huntress Chaste and Fair
- Five Flower Songs op.47: 1. To Daffodils
- AMDG: Rosa Mystica
- Ceremony of Carols, Op.28: This little Babe
- Les Illuminations, Op.18: IIIa. Phrase
- Who Are These Children?, Op.84: 9. Who are these children?
- A boy was born, Op.3: Variation 6: Finale - Noel!
- A boy was born, Op.3: Variation 4: The Three Kings
- Songs From "Friday Afternoons", Op.7: Ee-Oh! (Anon)
- The Little Sweep (Let's make an opera), Op.45: Ah!...Blackguards!
- Love From a Stranger: 2. Traffic Music
- Six Hölderlin Fragments, Op.61: 5. Hälfte des Lebens
- The Little Sweep (Let's make an opera), Op.45: Now, little white boy!
- The Company Of Heaven: 7. A Thousand, Thousand Gleaming Fires
- Rejoice in the Lamb, Op.30: Rejoice in God, O ye Tongues
- The Rescue Of Penelope: Part 2, Listen, Lords Of Ithaca
- Seven Sonnets of Michelangelo, Op.22: Sonetto XXIV
- The Company Of Heaven: 10. There Came Out Also At This Time
- Five Flower Songs op.47: 2. The Succession of the Four Sweet Months
- The Little Sweep (Let's make an opera), Op.45: The owl, wide-winging through the sky
- Johnson Over Jordan (Suite): Approach of Death
- Quatre Chansons Françaises: 2. Sagesse
- Songs & Proverbs of William Blake, Op.74: The Pride of the Peacock...London
- Winter Words, Op.52: At day-close in November
- The Foggy Foggy Dew: Sally In Our Alley
- AMDG: God's Grandeur
- Les Illuminations, Op.18: VI. Interlude
- Saint Nicolas, Op.42: Nicolas devotes himself to God
- Fish In The Unruffled Lakes: The Sun Shines Down
- AMDG: The Soldier
- The Little Sweep (Let's make an opera), Op.45: Sweep this chimney
- A Hymn to St. Peter Op.56a
- Les Illuminations, Op.18: I. Fanfare
- On this island, Op.11: 1. Let the Florid Music Praise!
- The Heart Of The Matter: 7. Epilogue: Fanfare - Song: "So, Out Of the Dark"
- Ceremony of Carols, Op.28: Interlude
- The Rescue Of Penelope: Part 2, When I See The Sorrow Of Mortal Odysseus
- Ceremony of Carols, Op.28: Deo Gracias
- The Poet's Echo, Op.76: 4. The Nightingale and the Rose ("Solovyei i roza")
- Spring Symphony, Op.44, 5. The morning star
- Love From a Stranger: 3. Brighton
- Songs & Proverbs of William Blake, Op.74: To see a world...Every night and every morn
- Missa brevis, Op.63 (1959): Gloria in excelsis Deo
- Songs From The Chinese, Op.58: 6. Dance Song
- Spring Symphony, Op.44, 2. The merry cuckoo
- Sacred and Profane - Eight Medieval Lyrics, Op.91: 1. St. Godric's Hymn
- Les Illuminations, Op.18: IIIb. Antique
- Ceremony of Carols, Op.28: In freezing winter night
- The Poet's Echo, Op.76: 1. Echo ("Ekho")
- Saint Nicolas, Op.42: Nicolas and the Pickled Boys
- Five Flower Songs op.47: 3. Marsh Flowers
- Sacred and Profane - Eight Medieval Lyrics, Op.91: 3. Lenten is come
- Who Are These Children?, Op.84: 12. The Auld Aik
- The Heart Of The Matter: 6. Reading: "I See Christ's Wounds Weep In the Rose On the Wall"
- Nocturne for tenor, 7 obligato instruments & strings, Op.60: 3. "Encintured With A Twine Of Leaves"
- Johnson Over Jordan (Suite): The Spider and the Fly
- The Heart Of The Matter: 5. Canticle III: "Still Falls the Rain"
- Seven Sonnets of Michelangelo, Op.22: Sonetto XXX
- The Rescue Of Penelope: Part 1, Long Suffering Odysseus
- Les Illuminations, Op.18: IV. Royauté
- The Little Sweep (Let's make an opera), Op.45: Soon the coach will carry you away
- Missa brevis, Op.63 (1959): Kyrie eleison
- Songs & Proverbs of William Blake, Op.74: The Tygers of wrath...The Fly
- Christ's Nativity - Christmas Suite For Chorus: Sweet Was The Song
- Who Are These Children?, Op.84: 11. The Children
- Three Two-Part Songs (1932): 3. The Ship Of Rio
- The Holy Sonnets of John Donne, Op.35: 2. Batter my heart
- Serenade for tenor, horn & strings, Op.31: Pastoral - The Day's Grown Old
- Johnson Over Jordan (Suite): Overture
- Tit For Tat: 2. Autumn
- Songs From "Friday Afternoons", Op.7: The useful plough
- The Rescue Of Penelope: Part 1, Your Prayer Is Answered, Penelope
- The Holy Sonnets of John Donne, Op.35: 7. At the round earth's imagined corners
- Phaedra, Op.93: My time's too short, your highness
- Who Are These Children?, Op.84: 8. The Larky Lad
- The Little Sweep (Let's make an opera), Op.45: O why do you weep
- Our Hunting Fathers, Op.8: 2. Rats Away!
- Les Illuminations, Op.18: II. Villes
- A Wealden Trio - Christmas Song of the Women
- Hymn to St. Cecilia (1942), Op.27, I cannot grow
- A boy was born, Op.3: A Boy Was Born (theme)
- The Little Sweep (Let's make an opera), Op.45: Pull the rope gently until he is free!
- Les Illuminations, Op.18: VII. Being beauteous
- Quatre Chansons Françaises: 4. Chanson d'Automne
- The Rescue Of Penelope: Part 2, How Loud The Spring Sounds All Of A Sudden
- Who Are These Children?, Op.84: 5. Bed-time
- Christ's Nativity - Christmas Suite For Chorus: Preparations
- Sacred and Profane - Eight Medieval Lyrics, Op.91: 5. Yif Ic of Luve Can
- Songs & Proverbs of William Blake, Op.74: The Bird anest...A Poison Tree
- Our Hunting Fathers, Op.8: 4. Dance Of Death (Hawking For The Partridge)
- Who Are These Children?, Op.84: 2. A Laddie's Sang
- Ceremony of Carols, Op.28: Recession
- Cantata Misericordium, Op.69
- A Wedding Anthem, Op.46
- The Poet's Echo, Op.76: 2. My Heart ("Ya dumal, serdtse pozabilo")
- The Poet's Echo, Op.76: 3. Angel ("Angel")
- The Company Of Heaven: 2. The Morning Stars
- Saint Nicolas, Op.42: Introduction
- Christ's Nativity - Christmas Suite For Chorus: Carol Of King Cnut
- Winter Words, Op.52: Proud songsters
- Fish In The Unruffled Lakes: What's In Your Mind?
- On this island, Op.11: 5. As It Is, Plenty
- Winter Words, Op.52: Wagtail and baby
- Songs & Proverbs of William Blake, Op.74: Prisons are built...The Chimney Sweeper
- Songs From The Chinese, Op.58: 4. The Herd-Boy
- Who Are These Children?, Op.84: 6. Slaughter
- Songs From "Friday Afternoons", Op.7: There was a monkey
- Serenade for tenor, horn & strings, Op.31: Epilogue
- The Little Sweep (Let's make an opera), Op.45: Morning, Sammy! Lovely weather
- The Holy Sonnets of John Donne, Op.35: 8. Thou hast made me
- The Company Of Heaven: 11. Ye Watchers And Ye Holy Ones
- The Heart Of The Matter: 1. Prologue: Fanfare - Song: "Where Are the Seeds Of Universal Fire"
- Cantata Academica, (Carmen basiliense) Op.62, IX. Rhenana erga omnes. / X. Ut instissime / XI. O cives..
- Spring Symphony, Op.44, 12. Finale: London, to thee I do present
- Three Two-Part Songs (1932): 1. The Ride-by-Nights
- Two Ballads For Two Voices & Piano: 2. Underneath the Abject Willow
- The Little Sweep (Let's make an opera), Op.45: Coaching song: The horses are champing
- Cantata Academica, (Carmen basiliense) Op.62, VIII. Docendi ac discendi
- Fish In The Unruffled Lakes: Fish In the Unruffled Lakes
- Songs From The Chinese, Op.58: 2. The Old Lute
- Nocturne for tenor, 7 obligato instruments & strings, Op.60: 4. "Midnight's Bell Goes Ting, Ting, Ting"
- Sacred and Profane - Eight Medieval Lyrics, Op.91: 2. I Mon Waxe Wod
- Fish In The Unruffled Lakes: Underneath the Abject Willow
- Quatre Chansons Françaises: 1. Les Nuits de Juin
- The Rescue Of Penelope: Part 2, Now There Is Silence
- The Heart Of The Matter: 3. Song: "We Are the Darkness"
- Cantata Academica, (Carmen basiliense) Op.62, III. At huius caelestis... / V. Tum vero Aeneas Sylvius virtus
- Songs From The Chinese, Op.58: 5. Depression
- A Birthday Hansel, Op.89
- Johnson Over Jordan (Suite): End Music
- Songs From "Friday Afternoons", Op.7: There was a man of Newington
- The Company Of Heaven: 8. Funeral March For A Boy
- The Rescue Of Penelope: Part 2, I, Athene, Rise To The Edge Of Night
- Welcome Ode, Op.95
- Our Hunting Fathers, Op.8: 3. Messalina
- Seven Sonnets of Michelangelo, Op.22: Sonetto XXXII
- The Little Sweep (Let's make an opera), Op.45: Help! Help! She's collapsed!
- Seven Sonnets of Michelangelo, Op.22: Sonetto XXXVIII
- Love From a Stranger: 1. Title Music
- The Rescue Of Penelope: Part 1, Eight Years Have Passed
- Love From a Stranger: 4. Love Music
- Rejoice in the Lamb, Op.30: For I will consider my cat Jeoffrey
- Ceremony of Carols, Op.28: As dew in Aprille
- Seven Sonnets of Michelangelo, Op.22: Sonetto XVI
- Fish In The Unruffled Lakes: Night Covers Up the Rigid Land
- The Holy Sonnets of John Donne, Op.35: 5. What if this present
- Six Hölderlin Fragments, Op.61: 2. Die Heimat
- The Poet's Echo, Op.76: 5. Epigram (Epigramma)
- Spring Symphony, Op.44, 9. When will my May come
- Johnson Over Jordan (Suite): Introduction
- The Little Sweep (Let's make an opera), Op.45: Is he wounded?
- AMDG: O deus, ego amo te
- Ceremony of Carols, Op.28: Spring Carol
- A Charm of Lullabies, Op.41: 4. A Charm
- Spring Symphony, Op.44, 8. Out on the lawn I lie in bed
- Saint Nicolas, Op.42: The birth of Nicolas
- Antiphon, Op.56b
- Six Hölderlin Fragments, Op.61: 4. Die Jugend
- Winter Words, Op.52: Before life and after
- Spring Symphony, Op.44, 3. Spring, the sweet Spring
- The Company Of Heaven: 6. Heaven Is Here
- Seven Sonnets of Michelangelo, Op.22: Sonetto LV
- The Little Sweep (Let's make an opera), Op.45: Ready, Alfred?
- Saint Nicolas, Op.42: He journeys to Palestine
- The Company Of Heaven: 4. Christ, The Fair Glory
- The Rescue Of Penelope: Part 1, Children Have Died Of Want
- Cantata Academica, (Carmen basiliense) Op.62, I. Bonorum summun omnium / II. Quae bene beateque
- Serenade for tenor, horn & strings, Op.31: Elegy - O Rose, Thou Art Sick
- Winter Words, Op.52: The little old table
- Spring Symphony, Op.44, 7. Waters above!
- The Holy Sonnets of John Donne, Op.35: 9. Death, be not proud
- Quatre Chansons Françaises: 3. L'Enfance
- Ballad Of Heroes, Op.14: 3. Recitative & Choral
- Seven Sonnets of Michelangelo, Op.22: Sonetto XXXI
- Sacred and Profane - Eight Medieval Lyrics, Op.91: 7. Ye that Pasen By
- Songs From The Chinese, Op.58: 1. The Big Chariot
- The Holy Sonnets of John Donne, Op.35: 6. Since she whom I loved
- Tit For Tat: 3. Silver
- The Children's Crusade, Op.82
- Sacred and Profane - Eight Medieval Lyrics, Op.91: 8. A Death
- Tit For Tat: 1. A song of enchantment
- Tit For Tat: 5. Tit for tat
- AMDG: Heaven-Haven
- Songs From "Friday Afternoons", Op.7: A New Year carol
- Ballad Of Heroes, Op.14: 1. Funeral March
- Hymn to St. Cecilia (1942), Op.27, O ear whose creatures
- Sweeter Than Roses
- Fish In The Unruffled Lakes: To Lie Flat On the Back
- Love From a Stranger: 6. End Titles
- Song - Take O Take Those Lips Away
- Our Hunting Fathers, Op.8: 5. Epilogue & Funeral March
- The Poet's Echo, Op.76: 6. Lines Written During a Sleepless Night ("Stikhi sochinyonniye nochyu vo vremya bessonnitsi")
- The Rescue Of Penelope: Part 2, Bold - Telemachus, Watch The Shadow On The Wall!
- Serenade for tenor, horn & strings, Op.31: Dirge - This Ae Night
- Winter Words, Op.52: At the railway station, Upway
- A Charm of Lullabies, Op.41: 5. The Nurse's Song
- Saint Nicolas, Op.42: His piety and marvellous works
- Ballad Of Heroes, Op.14: 2. Scherzo
- Spring Symphony, Op.44, 11. Sound the flute!
- Nocturne for tenor, 7 obligato instruments & strings, Op.60: 2. "Below The Thunders Of The Upper Deep"
- Serenade for tenor, horn & strings, Op.31: Nocturne - The Splendour Falls on Castle Walls
- Russian Funeral - march for brass and percussion (1936)
- The Company Of Heaven: 9. Whoso Dwelleth Under The Defence Of The Most High
- AMDG: Prayer I
- The Rescue Of Penelope: Part 2, There It Is Before You
- The Rescue Of Penelope: Part 1, Yet Not All Reached Their Homes
- Jubilate Deo in E Flat
- A Hymn to the Virgin (1930, rev. 1934)
- On this island, Op.11: 3. Seascape
- Songs From "Friday Afternoons", Op.7: Old Abram Brown
- Six Hölderlin Fragments, Op.61: 1. Menschenbeifall
- Songs From "Friday Afternoons", Op.7: I mun be married on Sunday
- Nocturne for tenor, 7 obligato instruments & strings, Op.60: 5. "But That Night When On My Bed I Lay"
- AMDG: Prayer II
- A Charm of Lullabies, Op.41: 2. The Highland Bales
- Nocturne for tenor, 7 obligato instruments & strings, Op.60: 6. "She Sleeps On Soft, Last Breaths"
- Love From a Stranger: 5. Channel Crossing
- Spring Symphony, Op.44, 1. Introduction: Shine out
- Spring Symphony, Op.44, 10. Fair and fair
- Festival Te Deum, Op.32 (1944)
- Missa brevis, Op.63 (1959): Sanctus...Benedictus
- The Rescue Of Penelope: Part 1, Worse Still, The Island
- Who Are These Children?, Op.84: 7. Riddle (The Child You Were)
- Rejoice in the Lamb, Op.30: For I am under the same accusation
- Canticle I: My Beloved Is Mine
- A Charm of Lullabies, Op.41: 1. Cradle Song
- Saint Nicolas, Op.42: The death of Nicolas
- The Little Sweep (Let's make an opera), Op.45: Run, poor sweep-boy
- Songs & Proverbs of William Blake, Op.74: Think in the morning...The Tyger
- Rejoice in the Lamb, Op.30: For the mouse is a creature of great personal valour
- Two Two-Part Songs (1933): 2. Lift Boy
- A boy was born, Op.3: Variation 1: Lullay, Jesu
- Canticle V - The death of Saint Narcissus
- Cantata Academica, (Carmen basiliense) Op.62, VI. Et gubernacula. / VII. Ut ad longaeva tempora
- Les Illuminations, Op.18: IX. Départ
- Johnson Over Jordan (Suite): Incinerators' Ballet
- The Company Of Heaven: 5. War In Heaven
- Five Flower Songs op.47: 4. The Evening Primrose
- Six Hölderlin Fragments, Op.61: 3. Sokrates und Alcibiades
- Rejoice in the Lamb, Op.30: For the flowers are great blessings
- Ceremony of Carols, Op.28: Procession
- Christ's Nativity - Christmas Suite For Chorus: Christ's Nativity
- The Company Of Heaven: 3. Angels Appear To Jacob, Elisha and Mary
- The Holy Sonnets of John Donne, Op.35: 3. Oh might those sighes and teares
- A boy was born, Op.3: Variation 3: Jesu As Thou Art Our Saviour
- The Heart Of The Matter: 2. Reading: "The Earth Of My Heart Was Broken - Fanfare - Reading: "In the Hour When the Sapphire Of the Bone"
- Saint Nicolas, Op.42: Nicolas from prison
- A boy was born, Op.3: Variation 5: In the Bleak Mid-Winter
- Winter Words, Op.52: Midnight on the Great Western
- The Holy Sonnets of John Donne, Op.35: 4. Oh, to vex me
- A boy was born, Op.3: Variation 2: Herod
- Ceremony of Carols, Op.28: That yongë child
- Five Flower Songs op.47: 5. Ballad of Green Broom
- A Une Raison
- Saint Nicolas, Op.42: He comes to Myra and is chosen Bishop
- The Rescue Of Penelope: Part 2, Telemachus, Be Swift!
- Nocturne for tenor, 7 obligato instruments & strings, Op.60: 7. "What Is More Gentle Than A Wind In Summer?"
- Rejoice in the Lamb, Op.30: For H is a spirit
- Our Hunting Fathers, Op.8: 1. Prologue
- Ceremony of Carols, Op.28: Balulalow
- Songs From "Friday Afternoons", Op.7: Cuckoo!
- Sacred and Profane - Eight Medieval Lyrics, Op.91: 4. The Long Night
- Songs From The Chinese, Op.58: 3. The Autumn Wind
- The Little Sweep (Let's make an opera), Op.45: Sooty tracks
- Les Illuminations, Op.18: V. Marine
- Sacred and Profane - Eight Medieval Lyrics, Op.91: 6. Carol
- The Little Sweep (Let's make an opera), Op.45: Sweep! Sweep!
- Tit For Tat: 4. Vigil
- Te Deum in C (1934)
- The Courtly Dances From "Gloriana": Morris Dance
- The Courtly Dances From "Gloriana": March
- The Courtly Dances From "Gloriana": March (Finale)
- The Courtly Dances From "Gloriana": La Volta
- The Courtly Dances From "Gloriana": Corante
- The Courtly Dances From "Gloriana": Galliard
- The Courtly Dances From "Gloriana": Pavan
- Nocturnal after John Dowland, Op. 70
- Diversions Op.21: Variation II: Romance
- Variations on a Theme of Frank Bridge Op.10: Variation 8: Funeral March
- The Prince of the Pagodas Op.57 - ACT I - Variation of Princess Belle Epine
- Sinfonia da Requiem Op.20: III. Requiem aeternam
- Rossini Suite: IV. Bolero (Allegro moderato)
- Canadian Carnival Op.19
- The Prince of the Pagodas Op.57 - ACT III - Finale
- Suite on English Folk Tunes: 'A time there was...' Op.90: I. Cakes and Ale
- Matinées musicales Op.24: Tarantella
- Simple Symphony Op.4: II. Playful Pizzicato
- Diversions Op.21: Variation XI: Finale (Tarantella)
- The Prince of the Pagodas Op.57 - ACT II - Variation: Fish Creatures
- The Prince of the Pagodas Op.57 - ACT II - Belle Rose, exhausted, borne in by the Frogs
- Rossini Suite: I. Allegro brillante
- Sinfonia da Requiem Op.20: I. Lacrymosa
- The Prince of the Pagodas Op.57 - ACT I - March and Courtier's Dance
- Matinées musicales Op.24: Canzonetta
- The Prince of the Pagodas Op.57 - ACT II - Coda
- The Prince of the Pagodas Op.57 - ACT III - Variation V: Belle Rose
- The Prince of the Pagodas Op.57 - ACT III - Pas de caractère: The Emperor and the Fool
- The Prince of the Pagodas Op.57 - ACT I - The Kings bow before the Emperor
- The Prince of the Pagodas Op.57 - ACT I - The Fool and the Dwarf
- Diversions Op.21: Variation VIII: Burlesque
- The Prince of the Pagodas Op.57 - ACT III - Variation IV: The Prince
- The Young Person's Guide to the Orchestra Op.34: Var. A: Flutes and piccolo
- Scottish Ballad Op.26
- The Prince of the Pagodas Op.57 - ACT II - Entrée: Sea Horses, Fish Creatures and Waves
- Young Apollo Op.16
- The Prince of the Pagodas Op.57 - ACT II - Introduction: Belle Rose borne in by the Frogs
- The Prince of the Pagodas Op.57 - ACT III - Appearance of Belle Rose and the Salamander
- The Prince of the Pagodas Op.57 - ACT II - Belle Rose borne in by the Frogs
- Matinées musicales Op.24: Nocturne
- Violin Concerto Op.15: III. Passacaglia (Andante lento - Un poco meno mosso)
- Variations on a Theme of Frank Bridge Op.10: Variation 7: Moto perpetuo
- An American Overture Op.27
- The Prince of the Pagodas Op.57 - ACT I - Variation of the King of the East
- Violin Concerto Op.15: I. Moderato con moto
- Variations on a Theme of Frank Bridge Op.10: Variation 9: Chant
- Matinées musicales Op.24: Tirolese
- The Prince of the Pagodas Op.57 - ACT II - Variation: Female Flame
- Simple Symphony Op.4: I. Boisterous Bourrée
- The Prince of the Pagodas Op.57 - ACT III - Pas de six: Entrée
- The Young Person's Guide to the Orchestra Op.34: Var. E: Violins (Brillante: alla polacca)
- The Prince of the Pagodas Op.57 - ACT II - Variation: Sea Horses
- Diversions Op.21: Theme
- Piano Concerto Op.13: I. Toccata
- Suite on English Folk Tunes: 'A time there was...' Op.90: V. Lord Melbourne
- The Prince of the Pagodas Op.57 - ACT II - Pas des deux: The Prince and Belle Rose
- The Prince of the Pagodas Op.57 - ACT I - The Rage of the Kings
- The Young Person's Guide to the Orchestra Op.34: Var. K: Trumpets (Vivace)
- The Young Person's Guide to the Orchestra Op.34: Var. B: Oboes (Lento)
- The Young Person's Guide to the Orchestra Op.34: Var. H: Double basses (Cominciando lento ma poco a poco accel. al Allegro)
- The Prince of the Pagodas Op.57 - ACT III - Apotheosis
- The Prince of the Pagodas Op.57 - ACT I - Variation of Princess Belle Rose and Pas de Deux
- Simple Symphony Op.4: IV. Frolicsome Finale
- The Building of the House Op.79
- Diversions Op.21: Variation X: Adagio
- Variations on a Theme of Frank Bridge Op.10: Variation 6: Wiener Walzer
- Four Sea Interludes and Passacaglia from 'Peter Grimes' Op.33: Passacaglia
- The Young Person's Guide to the Orchestra Op.34: Var M: Percussion (Moderato)
- The Young Person's Guide to the Orchestra Op.34: Var. J: Horns (L'istesso tempo)
- Variations on a Theme of Frank Bridge Op.10: Variation 2: March
- Suite on English Folk Tunes: 'A time there was...' Op.90: IV. Hunt and Squirrel
- The Prince of the Pagodas Op.57 - ACT III - Pas de trois
- The Young Person's Guide to the Orchestra Op.34: Var. I: Harp (Maestoso)
- The Prince of the Pagodas Op.57 - ACT II - Pas des deux: Male and Female Flames
- The Prince of the Pagodas Op.57 - ACT III - Empress Belle Epine
- Piano Concerto Op.13: IV. March
- Variations on a Theme of Frank Bridge Op.10: Variation 10: Fugue and Finale
- Matinées musicales Op.24: March
- Lachrymae Op.48a
- Variations on a Theme of Frank Bridge Op.10: Variation 5: Bourrée classique
- Suite on English Folk Tunes: 'A time there was...' Op.90: III. Hankin Booby
- Violin Concerto Op.15: II. Vivace
- The Young Person's Guide to the Orchestra Op.34: Fugue (Allegro molto)
- The Young Person's Guide to the Orchestra Op.34: Var. C: Clarinets (Moderato)
- Piano Concerto Op.13: II. Waltz
- Diversions Op.21: Variation V: Chant
- The Prince of the Pagodas Op.57 - ACT II - Belle Rose hunts for the Prince
- Piano Concerto Op.13: III. Impromptu
- The Prince of the Pagodas Op.57 - ACT I - Prelude
- Sinfonia da Requiem Op.20: II. Dies irae
- Diversions Op.21: Variation VII: Badinerie
- The Prince of the Pagodas Op.57 - ACT I - Variation of the King of the North
- Variations on a Theme of Frank Bridge Op.10: Introduction and Theme
- The Prince of the Pagodas Op.57 - ACT I - The Kings and Belle Rose
- The Prince of the Pagodas Op.57 - ACT I - Belle Epine and the Four Kings
- Prelude and Fugue Op.29
- Suite on English Folk Tunes: 'A time there was...' Op.90: II. The Bitter Withy
- Russian Funeral
- The Young Person's Guide to the Orchestra Op.34: Var. F: Violas (Meno mosso)
- The Prince of the Pagodas Op.57 - ACT III - Coda
- The Prince of the Pagodas Op.57 - ACT II - Waltz: Clouds, Stars and Moon
- The Prince of the Pagodas Op.57 - ACT II - Belle Rose in darkness
- Rossini Suite: II. Allegretto
- Variations on a Theme of Frank Bridge Op.10: Variation 3: Romance
- The Young Person's Guide to the Orchestra Op.34: Var. D: Bassoons (Allegro alla marcia)
- Variations on a Theme of Frank Bridge Op.10: Variation 1: Adagio
- Four Sea Interludes and Passacaglia from 'Peter Grimes' Op.33: Moonlight
- Diversions Op.21: Variation III: March
- The Prince of the Pagodas Op.57 - ACT II - Variation: Male Flame
- The Prince of the Pagodas Op.57 - ACT I - Entry of the Four Winged Frogs
- Four Sea Interludes and Passacaglia from 'Peter Grimes' Op.33: Storm
- The Prince of the Pagodas Op.57 - ACT III - The Old Emperor
- Diversions Op.21: Variation I: Recitative
- The Prince of the Pagodas Op.57 - ACT I - Variation of the King of the West
- Matinées musicales Op.24: Moto perpetuo
- Matinées musicales Op.24: Pantomime
- The Young Person's Guide to the Orchestra Op.34: Var L: Trombones and bass tuba (Allegro pomposo)
- Simple Symphony Op.4: III. Sentimental Sarabande
- The Prince of the Pagodas Op.57 - ACT I - Variation of the King of the South
- The Prince of the Pagodas Op.57 - ACT II - The Salamander
- Matinées musicales Op.24: Waltz
- Diversions Op.21: Variation VI: Nocturne
- The Prince of the Pagodas Op.57 - ACT II - The Pagodas
- The Young Person's Guide to the Orchestra Op.34: Var. G: Cellos
- Four Sea Interludes and Passacaglia from 'Peter Grimes' Op.33: Dawn
- The Young Person's Guide to the Orchestra Op.34: Theme (Allegro maestoso e largamente)
- The Prince of the Pagodas Op.57 - ACT III - Pas de deux: Belle Rose and the Prince of the Pagodas
- The Prince of the Pagodas Op.57 - ACT III - Transformation
- The Prince of the Pagodas Op.57 - ACT III - Variation III: Boy's Solo
- The Prince of the Pagodas Op.57 - ACT I - Entry of the Pages and the Four Kings
- Four Sea Interludes and Passacaglia from 'Peter Grimes' Op.33: Sunday Morning
- Matinées musicales Op.24: Bolero
- The Prince of the Pagodas Op.57 - ACT III - Variation I: Pas de deux
- The Prince of the Pagodas Op.57 - ACT III - Variation II: Girl's Solo
- Variations on a Theme of Frank Bridge Op.10: Variation 4: Aria italiana
- Occasional Overture Op.38
- Diversions Op.21: Variation IX: Toccata I - Toccata II - Cadenza
- Diversions Op.21: Variation IV: Arabesque
- Men of Goodwill
- Act 2. Paramore shall welcome woe!
- Act 1. May God bless the Queen
- Act 2. Now you may save your scornful looks
- Act 2. I envy you, this fine old house
- Act 1. Prelude
- Act 1. Sirrah! How dare you!
- Act 1. Oh, how unforeseen
- Act 1. Your sherry, Mrs. Coyle
- Act 1. At last it's out
- Act 2. There was a boy, a Wingrave born
- Act 1. You've got your maps there?
- Act 2. Ah, Owen, what shall I do?
- Act 2. And with his friend young Lechmere played
- Act 1. Coyle, I wish I had not come
- Act 2. Is that you, Coyle?
- Act 2. Come in...It's me, Lechmere
- Nocturnal after John Dowland: Musingly
- Nocturnal after John Dowland: Restless
- Nocturnal after John Dowland: March-like
- Nocturnal after John Dowland: Passacaglia and theme
- Nocturnal after John Dowland: Dreaming
- Nocturnal after John Dowland: Very agitated
- Nocturnal after John Dowland: Gently rocking
- Nocturnal after John Dowland: Uneasy
- War Requiem: II. Dies Irae - Liber scriptus proferetur (soprano, semi-chorus)
- Owen Wingrave: Act 1. Oh, how unforeseen
- Owen Wingrave: Act 1. Your sherry, Mrs. Coyle
- Owen Wingrave: Act 2. Now you may save your scornful looks
- War Requiem: III. Offertorium - Reprise of Quam olim Abrahae (chorus)
- War Requiem: III. Offertorium - Quam olim Abrahae (chorus)
- Owen Wingrave: Act 1. At last it's out
- Owen Wingrave: Act 2. Paramore shall welcome woe!
- Owen Wingrave: Act 1. You've got your maps there?
- War Requiem: VI. Libera me - Let us sleep now... n paradisum decudant angeli (tutti)
- Owen Wingrave: Act 2. There was a boy, a Wingrave born
- Owen Wingrave: Act 1. May God bless the Queen
- War Requiem: II. Dies Irae - Dies irae, dies illa (chorus)
- War Requiem: III. Offertorium - Domine Jesu Christe (boys, chorus)
- War Requiem: V. Agnus Dei - One ever hangs where shelled roads part... Agnus Dei, qui tollis peccata mundi (tenor, chorus)
- War Requiem: I. Requiem Aeternam - What passing bells for these who die as cattle? (tenor) - Kyrie eleison (chorus)
- War Requiem: II. Dies Irae - Lacrimosa dies illa (soprano, chorus) - Move him into the sun (tenor, soprano, chorus)... Pie Jesu (chorus)
- War Requiem: II. Dies Irae - Conftatis maledictis (men's chorus)
- Owen Wingrave: Act 1. Sirrah! How dare you!
- The Building of the House, Op. 79
- Owen Wingrave: Act 2. Is that you, Coyle?
- War Requiem: IV. Sanctus - After the blast of lightning from the East (baritone)
- War Requiem: II. Dies Irae - Be slowly lifted up, thou long black arm (baritone) - Dies irea, dies illa (chorus)
- Owen Wingrave: Act 2. I envy you, this fine old house
- Owen Wingrave: Act 2. Ah, Owen, what shall I do?
- War Requiem: VI. Libera me - It seemed that out of battle I escaped (tenor)
- War Requiem: VI. Libera me - Libera me, Domine, de morte aeterna (soprano, chorus)
- War Requiem: IV. Sanctus - Sanctus, sanctus, sanctus (soprano, chorus) - Benedictus qui venit in nomine Domini (soprano, chorus)
- War Requiem: III. Offertorium - So Abram rose, and clave the wood, and went (tenor, baritone) - Hostias et preces tibi (boys)
- Owen Wingrave: Act 2. Come in...It's me, Lechmere
- Owen Wingrave: Act 1. Prelude
- Owen Wingrave: Act 2. And with his friend young Lechmere played
- War Requiem: I. Requiem Aeternam - Requiem aeternam dona eis, Domine (chorus, boys)
- War Requiem: II. Dies Irae - Bugles sang, saddening the evening air (baritone)
- War Requiem: II. Dies Irae - Out there we've walked quite friendly up to Death (tenor, baritone)
- War Requiem: VI. Libera me - 'None' said the other 'save the undone years' (baritone)
- Owen Wingrave: Act 1. Coyle, I wish I had not come
- War Requiem: II. Dies Irae - recordare Jesu pie (women's chorus)
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de trois
- The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - Appearance of Belle Rose and the Salamander
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation V: Belle Rose
- The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Coda
- The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Kings and Belle Rose
- The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Pas de deux: Male and Female Flames
- The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose borne in by the Frogs
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation IV: The Prince
- The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - Empress Belle Épine
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Finale
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 2: Girl's solo
- Violin Concerto, op. 15: II. Vivace—
- The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Introduction: Belle Rose borne in by the Frogs
- The Prince of the Pagodas: Prelude
- Violin Concerto, op. 15: III. Passacaglia (Andante lento—Un poco meno mosso)
- The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Pas de deux: The Prince and Belle Rose
- The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Sea Horses
- The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Male Flame
- The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Rage of the Kings
- The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Belle Épine and the Four Kings
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Apotheosis
- The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Female Flame
- The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - The Salamander
- The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose, exhausted, borne in by the Frogs
- The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the North
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de deux: Belle Rose and the Prince of the Pagodas
- The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Belle Rose hunts for the Prince
- The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Waltz: Clouds, Stars, and Moon
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de six: Entrée
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Transformation
- The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Kings bow before the Emperor
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Coda
- The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of Princess Belle Épine
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de caractére: The Emperor and the Fool
- The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 3: Boy's solo
- The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Entrée: Sea Horses, Fish Creatures and Waves
- The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the West
- Variations on a Theme of Frank Bridge, Op. 10: Wiener Walzer
- Variations on a Theme of Frank Bridge, Op. 10: Chant
- Variations on a Theme of Frank Bridge, Op. 10: Moto Perpetuo
- Variations on a Theme of Frank Bridge, Op. 10: Romance
- Variations on a Theme of Frank Bridge, Op. 10: Fuge and Finale
- Variations on a Theme of Frank Bridge, Op. 10: March
- Variations on a Theme of Frank Bridge, Op. 10: Funeral March
- Variations on a Theme of Frank Bridge, Op. 10: Adagio
- Variations on a Theme of Frank Bridge, Op. 10: Bourée Classique
- Variations on a Theme of Frank Bridge, Op. 10: Aria Italiana
- Simple Symphony, Op. 4: III. Sentimental Sarabande: Poco lento e pesante
- Simple Symphony, Op. 4: II. Playful Pizzicato: Presto possibile, pizzicato sempre
- Simple Symphony, Op. 4: IV. Frolicsome Finale: Prestissimo e con fuoco
- Simple Symphony, Op. 4: I. Boisterous Bourrée: Allegro ritmico
- A Ceremony of Carols, op. 28 Nr. 8: X. Spring carol
- A Ceremony of Carols, op. 28 Nr. 8: VIII. Interlude
- A Ceremony of Carols, op. 28 Nr. 8: III. There is no rose
- A Ceremony of Carols, op. 28 Nr. 8: IX. In freezing winter night
- A Ceremony of Carols, op. 28 Nr. 8: V. Balulalow
- A Ceremony of Carols, op. 28 Nr. 8: I. Procession
- A Ceremony of Carols, op. 28 Nr. 8: VII. This little babe
- A Ceremony of Carols, op. 28 Nr. 8: XII. Recession
- A Ceremony of Carols, op. 28 Nr. 8: XI. Adam lay i-bounden
- A Ceremony of Carols, op. 28 Nr. 8: IV. That yongë child
- A Ceremony of Carols, op. 28 Nr. 8: VI. As dew in Aprille
- A Ceremony of Carols, op. 28 Nr. 8: II. Wolcum Yole!
- from Christ's Nativity: Sweet was the song
- 5 Songs from "Friday afternoons": Cuckoo!
- 5 Songs from "Friday afternoons": I mun be married on Sunday
- 5 Songs from "Friday afternoons": There was a monkey
- Our hunting fathers, op. 8: Dance of death
- Piano Concerto, op. 13: Recitative & Aria (original 3rd movement)
- from Four Cabaret Songs: Tell me the truth about love
- 5 Songs from "Friday afternoons": A New Year carol
- Missa brevis, op. 63: Agnus Dei
- 5 Songs from "Friday afternoons": Fishing song
- from On this Island, op. 11: Let the florid music praise!
- from Four Cabaret Songs: Funeral blues
- Missa brevis, op. 63: Kyrie eleison
- Missa brevis, op. 63: Sanctus... Benedictus
- Missa brevis, op. 63: Gloria in excelsis Deo
- Hymn To St. Cecilia, Op. 27: II. "I cannot grow"
- Hymn To St. Cecilia, Op. 27: III. "O ear whose creatures"
- Hymn To St. Cecilia, Op. 27: I. "In a garden shady"
- Suite for Harp, Op. 83: Hymn (St. Denio)
- Suite for Harp, Op. 83: Toccata
- Suite for Harp, Op. 83: Fugue
- Suite for Harp, Op. 83: Overture
- Suite for Harp, Op. 83: Nocturne
- The Last Rose of Summer (Groves of blarney, Moore's Irish Melodies) arr Britten Sarah Brightman Soprano Geoffrey Parsons, Piano
- Matinees Musicales, Op.24: Pantomime
- Matinees Musicales, Op.24: Moto Perpetuo English Chamber Orchestra Conducted by Sir Alexander Gibson
- Matinees Musicales, Op.24: March
- Variatons and Fugue on a theme of Purcell, Op. 34 BBC Symphony Orchestra Conducted by Sir Malcolm Sargent
- Matinees Musicales, Op.24: Waltz
- The Foggy, Foggy Dew Robert Tear, Tenor Philip Ledger, Piano
- Simple Symphony, Op.4: 3rd Mvt: Sentimental Saraband
- Simple Symphony, Op.4: 2nd Mvt: Playful Pizzicato
- An American Overture, Op.27 City of Birmingham Symphony Orchestra Conducted by Simon Rattle
- The Ashgrove (Welsh Tune) arr Britten Sarah Brightman, Soprano Geoffrey Parsons, Piano
- Simple Symphony, Op.4: 4th Mvt: Frolicsome Finale
- Simple Symphony, Op.4: 1st Mvt: Boisterous Bourree
- Matinees Musicales, Op.24: Nocturne
- The Sally Gardens Robert Tear, Tenor Philip Ledger, Piano
- The Ashgrove (Welsh Tune)
- The Last Rose of Summer (Groves of Blarney, Moore's Irish Melodies)
- Suite for harp, Op.83: 5. Hymn
- Five Waltzes (1923-5): 5. Variations: Quiet and Simple
- Third Suite for Cello, Op.87: 1. Introduzione: Lento
- Simple Symphony, Op.4: 4. Frolicsome Finale
- Rondo Concertante (1930): 1. Allegro Molto
- String Quartet No.2 in C, Op.36: 3. Chacony - Sostenuto
- Holiday Diary, Op.5: 3. Fun-fair
- Double Concerto For Violin, Viola & Orchestra: 1. Allegro Ma Non Troppo
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation C: Clarinets - Moderato
- Variations on a theme of Frank Bridge, Op.10: 2. Adagio
- Suite, Op.6 for Violin & Piano: 3. Lullaby: Lento Tranquillo
- Lachrymae, Op.48a (Reflections On A Song Of John Dowland)
- Third Suite for Cello, Op.87: 7. Recitativo: Fantastico
- Quartettino (1930): 2. Poco Adagio Ma Con Moto
- Suite On English Folk Tunes: "A Time There Was...", Op.90: 1. Cakes And Ale
- Diversions for piano (left hand) & orchestra, Op.21: Variation V - Chant
- Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation H: Double Basses - Cominciando lento ma poco a poco accelerando
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation D: Bassoons - Allegro alla marcia
- Lachrymae, Op.48 (Reflections on a song of Dowland)
- Suite, Op.6 for Violin & Piano: 2. Moto Perpetuo: Allegro Molto e Con Fuoco
- String Quartet No.3, Op.94: 5. Recitative & Passacaglia
- Variations on a theme of Frank Bridge, Op.10: 8. Moto Perpetuo
- Symphony For Cello And Orchestra, Op.68: Allegro maestoso
- Diversions for piano (left hand) & orchestra, Op.21: Variation VII - Badinerie
- Diversions for piano (left hand) & orchestra, Op.21: Variation III - March
- Introduction And Rondo Alla Burlesca Opus 23 No.1
- Suite for harp, Op.83: 2. Toccata
- Two Lullabies For Piano Duo (1936): 1. Lullaby
- Soirées musicales, Op. 9: 4. Bolero
- 6 Metamorphoses after Ovid, Op.49: 1. Pan
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation J: Horns - L'istesso tempo
- Diversions for piano (left hand) & orchestra, Op.21: Variation X - Adagio
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation A: Flutes & Piccolo - Presto
- String Quartet No.1 in D, Op.25: 3. Andante calmo
- 2 Insect Pieces: 1. The Grasshopper
- Third Suite for Cello, Op.87: 2. Marcia: Allegro
- Diversions for piano (left hand) & orchestra, Op.21: Variation VIII - Burlesque
- Matinées musicales, Op. 24: 3. Waltz
- String Quartet in F (1928): 1. Allegro vivace e con brio
- String Quartet in D major (1931): 2. Lento ed espressivo
- Prelude & Fugue on a theme of Vittoria
- Alpine Suite for Recorder Trio: 3. Nursery Slopes
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation K: Trumpets - Vivace
- Two Portraits For String Orchestra: 2. E.B.B. - Poco Lento
- Suite, Op.6 for Violin & Piano: Introduction: Andante Maestoso
- The Building Of The House - Overture, Op.79
- String Quartet in F (1928): 3. Allegro vivace
- Variations on a theme of Frank Bridge, Op.10: 6. Bourrée Classique
- String Quartet in D major (1931): 1. Allegro maestoso
- Mont Juic - Suite of Catalan Dances, Op.12: 1. Lament: Andante Moderato
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation M: Percussion - Moderato
- Three Divertimenti for String Quartet: 2. Waltz: Allegretto
- Diversions for piano (left hand) & orchestra, Op.21: Theme
- Diversions for piano (left hand) & orchestra, Op.21: Variation IXb - Toccata II
- Miniature Suite (1929): 1. Novelette
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Fugue - Allegro molto
- Variations on a theme of Frank Bridge, Op.10: 9. Funeral March
- Matinées musicales, Op. 24: 2. Nocturne
- In Memorium Dennis Brain (c1958): Allegro
- String Quartet No.1 in D, Op.25: 4. Molto vivace
- Young Apollo, Op.16
- Alpine Suite for Recorder Trio: 5. Moto Perpetuo: Down the Piste
- Sinfonia da Requiem, Op.20: Dies Irae
- Gemini Variations (Quartet for 2 players), Op.73: Variations 1-12
- Nocturnal after John Dowland, Op.70: 7. Gently Rocking (Cullante)
- William Byrd (1543 - 1623): Sellinger's Round - variations for keyboard: Variations on an Elizabethan Theme: Variation 4 - Quick & Gay
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation I: Harp - Maestoso
- String Quartet in F (1928): 4. Allegro molto
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation B: Oboes - Lento
- Tema "Sacher" for Cello Solo Lento maestoso - Largament
- Suite On English Folk Tunes: "A Time There Was...", Op.90: 2. The Bitter Withy
- Men Of Goodwill - Variations On A Christmas Carol
- Five Waltzes (1923-5): 3. Dramatic
- Five Waltzes (1923-5): 2. Quick, With Wit
- Diversions for piano (left hand) & orchestra, Op.21: Variation IXa -Toccata I
- 6 Metamorphoses after Ovid, Op.49: 2. Phaeton
- Sinfonietta, Op.1: 2. Variations, Andante lento
- Three Divertimenti for String Quartet: 3. Burlesque: Presto
- 2 Insect Pieces: 2. The Wasp
- Two Lullabies For Piano Duo (1936): 2. Lullaby For A Retired Colonel
- Nocturnal after John Dowland, Op.70: 3. Restless (Inquieto)
- Voluntary on "Tallis' Lamentations" (c 1940)
- String Quartet in F (1928): 2. Andante
- Mont Juic - Suite of Catalan Dances, Op.12: 2. Allegro Molto
- Double Concerto For Violin, Viola & Orchestra: 3. Allegro Scherzando. Allegro Non Troppo
- Third Suite for Cello, Op.87: 5. Dialogo: Allegretto
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation L: Trombones & Bass Tuba - Allegro pomposo
- Alpine Suite for Recorder Trio: 2. Swiss Clock (Romance)
- Suite for harp, Op.83: 4. Fugue
- Prelude and Fugue for 18-part string orchestra, Op.29
- Variations on a theme of Frank Bridge, Op.10: 7. Wiener Waltzer
- 6 Metamorphoses after Ovid, Op.49: 4. Bacchus
- Variations on a theme of Frank Bridge, Op.10: 10. Chant
- Third Suite for Cello, Op.87: 3. Canto: Con moto
- Three Character Pieces (1930): 3. Michael (Poco Presto e Molto Capriccioso)
- Mazurka Elegiaca Opus 23 No.2
- Sonatina Romantica (1940): Night Piece (Notturno)
- Variations For Piano Solo (1965): 6. Quick
- Three Character Pieces (1930): 1. John (Poco Allegro Vivace)
- Suite On English Folk Tunes: "A Time There Was...", Op.90: 3. Hankin Booby
- Suite for harp, Op.83: 1. Overture
- Simple Symphony, Op.4: 2. Playful Pizzicato
- String Quartet No.1 in D, Op.25: 1. Andante sostenuto
- Third Suite for Cello, Op.87: 4. Barcarola: Lento
- String Quartet No.3, Op.94: 4. Burlesque
- Soirées musicales, Op. 9: 5. Tarantella
- Nocturnal after John Dowland, Op.70: 9. Slow and Quiet (Tranquillo)
- Variations For Piano Solo (1965): 2.
- Temporal Variations
- A Little Idyll
- Sonatina Romantica (1940): Moderato
- Nocturnal after John Dowland, Op.70: 2. Agitated (Molto agitativo)
- Three Character Pieces (1930): 2. Daphne (Poco Andante Grazioso)
- Scottish Ballad, Op.26, for two pianos and orchestra
- Symphony For Cello And Orchestra, Op.68: Adagio
- String Quartet No.3, Op.94: 2. Ostinato
- An American Overture, Op.27
- Miniature Suite (1929): 3. Romanza
- Diversions for piano (left hand) & orchestra, Op.21: Variation IV - Arabesque
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation F: Violas - Meno mosso
- Simple Symphony, Op.4: 1. Boisterous Bourrée
- Sinfonia da Requiem, Op.20: Requiem aeternam
- Suite, Op.6 for Violin & Piano: 4. Waltz: Alla Valse: Vivace e Rubato
- Variations For Piano Solo (1965): 4.
- Variations on a theme of Frank Bridge, Op.10: 4. Romance
- Matinées musicales, Op. 24: 5. Moto Perpetuo
- Matinées musicales, Op. 24: 1. March
- In Memorium Dennis Brain (c1958): Introduction
- Suite On English Folk Tunes: "A Time There Was...", Op.90: 4. Hunt The Squirrel
- Two Portraits For String Orchestra: 1. D. Layton - Poco Presto
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation G: Cellos
- Nocturnal after John Dowland, Op.70: 1. Musingly (Meditativo)
- Third Suite for Cello, Op.87: 9. Passacaglia: Lento solenne
- Variations on a theme of Frank Bridge, Op.10: 5. Aria Italiana
- String Quartet No.2 in C, Op.36: 1. Allegro calmo senza rigore
- Simple Symphony, Op.4: 3. Sentimental Saraband
- Soirées musicales, Op. 9: 2. Canzonetta
- Quartettino (1930): 3. Allegro Molto Vivace
- Variations on a theme of Frank Bridge, Op.10: 11. Fugue & Finale
- Variations For Piano Solo (1965): 3. Quick and Light
- Suite for harp, Op.83: 3. Nocturne
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Variation E: Violins - Brillante - alla polacca
- Nocturnal after John Dowland, Op.70: 4. Uneasy (Ansioso)
- The Young Person's Guide to the Orchestra, op.34 without spoken text: Theme - Allegro maestoso e largamente
- Quartettino (1930): 1. Andante - Allegro Molto e Con Fuoco
- Diversions for piano (left hand) & orchestra, Op.21: Variation II - Romance
- Sinfonia da Requiem, Op.20: Lacrymosa
- Suite On English Folk Tunes: "A Time There Was...", Op.90: 5. Lord Melbourne
- Suite, Op.6 for Violin & Piano: 1. March: Allegro alla Marcia
- String Quartet No.3, Op.94: 3. Solo
- Sinfonietta, Op.1: 3. Tarantella, Presto vivace
- 6 Metamorphoses after Ovid, Op.49: 6. Arethusa
- 6 Metamorphoses after Ovid, Op.49: 3. Niobe
- Five Waltzes (1923-5): 4. Rhythmic, Not Fast
- Twelve Variations On A Theme (1931)
- Alpine Suite for Recorder Trio: 4. Alpine Scene
- Soirées musicales, Op. 9: 3. Tirolese
- Five Waltzes (1923-5): 1. Rather Fast and Nervous
- Sinfonietta, Op.1: 1. Poco presto ed agitato
- Symphony For Cello And Orchestra, Op.68: Presto inquieto
- Diversions for piano (left hand) & orchestra, Op.21: Variation XI - Tarantella
- String Quartet in D major (1931): 3. Allegro giocoso
- Holiday Diary, Op.5: 4. Night
- Nocturnal after John Dowland, Op.70: 6. Dreaming (Sognanti)
- Symphony For Cello And Orchestra, Op.68: Passacaglia
- String Quartet No.3, Op.94: 1. Duets
- Matinées musicales, Op. 24: 4. Pantomime
- Soirées musicales, Op. 9: 1. March
- Third Suite for Cello, Op.87: 6. Fuga: Andante espressivo
- Alla Marcia for String Quartet
- Gemini Variations (Quartet for 2 players), Op.73: Fugue
- Holiday Diary, Op.5: 2. Sailing
- String Quartet No.1 in D, Op.25: 2. Allegretto con slancio
- Miniature Suite (1929): 4. Gavotte
- 6 Metamorphoses after Ovid, Op.49: 5. Narcissus
- Variations on a theme of Frank Bridge, Op.10: 3. March
- Nocturnal after John Dowland, Op.70: 5. March-like (Quasi una marcia)
- Diversions for piano (left hand) & orchestra, Op.21: Variation I - Recitative
- Three Divertimenti for String Quartet: 1. March: Allegro Maestoso
- Miniature Suite (1929): 2. Menuetto
- Holiday Diary, Op.5: 1. Early Morning Bathe
- Nocturnal after John Dowland, Op.70: 8. Passacaglia (Misurato)
- String Quartet No.2 in C, Op.36: 2. Vivace
- Variations For Piano Solo (1965): 1. Like an Improvisation
- Rondo Concertante (1930): 2. Lento
- Occasional Overture, Op.38
- Double Concerto For Violin, Viola & Orchestra: 2. Rhapsody. Poco Lento
- Alpine Suite for Recorder Trio: 6. Farewell to Zermatt
- Alpine Suite for Recorder Trio: 1. Arrival At Zermatt
- Diversions for piano (left hand) & orchestra, Op.21: Variation VI - Nocturne
- Sonatina Romantica (1940): Nocturne
- Third Suite for Cello, Op.87: 8. Moto perpetuo: Presto
- Village Organist's Piece (c 1940)
- Variations For Piano Solo (1965): 5. Quietly
- Prelude On "They Walk Alone" (1938)
- The Emperor Quartet: Rhapsody (1929) for String Quartet
- Gemini Variations (Quartet for 2 players), Op.73: Theme
- Music of Bali: Rebong (love music from Shadowplay)
- Music of Bali: Pemungkah (overture to Shadowplay)
- Serenade for Tenor, Horn, and Strings Op. 31: III. Nocturne (Tennyson)
- Introduction and Rondo alla Burlesca
- Mazurka Elegiaca, Op. 23, No.2
- Serenade for Tenor, Horn, and Strings Op. 31: VI. Hymn (Jonson)
- Serenade for Tenor, Horn, and Strings Op. 31: V. Dirge (Anon.)
- Serenade for Tenor, Horn, and Strings Op. 31: II. Pastoral (Cotton)
- Music of Bali: Gambangan (intermezzo)
- Serenade for Tenor, Horn, and Strings Op. 31: IV. Elegy (Blake)
- Music of Bali: Lagu Delem (music from Shadowplay)
- Music of Bali: Tabu Telu (ceremonial music)
- Serenade for Tenor, Horn, and Strings Op. 31: VII. Sonnet (Keats)
- Sonata in C, Op. 65 - Part IV) (for Cello and Piano)
- Sonata in C, Op. 65 - Part V) (for Cello and Piano)
- Sonata in C, Op. 65 - Part II) (for Cello and Piano)
- Sonata in C, Op. 65 - Part III) (for Cello and Piano)
- Sonata in C, Op. 65 - Part I) (for Cello and Piano)
- The Rescue of Penelope, Part 1: “Yet not all reached their homes”
- Billy Budd, op. 50: Act I, Scene III. "Come here. Remember your promise"
- Billy Budd, op. 50: Epilogue. "We committed his body to the deep."
- Billy Budd, op. 50: Act I, Scene III. "Dansker, old friend, glad to see you"
- Albert Herring, op. 39: Act II, Scene I. “As representing the local Council” (Mayor)
- Albert Herring, op. 39: Act I, Scene I. “Flor–ence!… Tell the midwife!” (Lady Billows)
- Billy Budd, op. 50: Act II, Scene III. "Here! Baby!"
- The Rescue of Penelope, Part 1: “Yet some trust in an end”
- Billy Budd, op. 50: Act I, Scene III. "Billy!... Hist! Billy Budd!"
- Billy Budd, op. 50: Act II, Scene I. "Who'll volunteer to board 'em"
- Albert Herring, op. 39: Act II, Scene I. “For three precious weeks” (Florence)
- Billy Budd, op. 50: Act II, Scene II. "William Budd, you are accused"
- Billy Budd, op. 50: Act II, Scene III. "Look!"
- The Rescue of Penelope, Part 1: “Worse still, the island”
- Billy Budd, op. 50: Act II, Scene IV. "According to the Articles of War"
- The Rescue of Penelope, Part 2: “There it is before you”
- Billy Budd, op. 50: Act II, Scene IV. "Down all hands!"
- Billy Budd, op. 50: Act I, Scene I. "Your name?"
- Albert Herring, op. 39: Act I, Scene I. “Right! We’ll have him!” (Lady Billows)
- Billy Budd, op. 50: Act I, Scene I. "What's that? What's those whistles?"
- Albert Herring, op. 39: Act II, Scene II. “You oughtn’t to whistle!” (Nancy)
- Albert Herring, op. 39: Act I, Scene II. “Meet me at a quarter past eight” (Sid)
- Billy Budd, op. 50: Act II, Scene I. "Deck ahoy!"
- Billy Budd, op. 50: Act II, Scene II. "Master-at-arms and foretopman"
- Billy Budd, op. 50: Act I, Scene III. "Hi! You...a...a..."
- The Rescue of Penelope, Part 2: “Telemachus, be swift!”
- Albert Herring, op. 39: Act III. “Fools! Fools! Blundering fools!” (Lady Billows)
- The Rescue of Penelope, Part 2: “I, Athene, rise to the edge of night”
- Albert Herring, op. 39: Act I, Scene I. “Stuffy!” (Lady Billows)
- Albert Herring, op. 39: Act I, Scene II. “We bring great news to you” (Lady Billows)
- Albert Herring, op. 39: Act III. “Is she asleep?” (Emmie)
- Billy Budd, op. 50: Act I, Scene II. "Boy!"
- Albert Herring, op. 39: Act II, Scene I. “My heart leaps up with joy” (Miss Wordsworth)
- The Rescue of Penelope, Part 2: “Now there is silence”
- Albert Herring, op. 39: Act II, Scene I. “Er–humph! Er–humph! I’m no great shakes” (Superintendent Budd)
- Albert Herring, op. 39: Act I, Scene I. “Beggin’ your pardon” (Superintendent Budd)
- Billy Budd, op. 50: Act II, Scene I. "I don't like the look of the mist"
- Albert Herring, op. 39: Act I, Scene II. “Shop! Hi! Albert!” (Sid)
- Albert Herring, op. 39: Act I, Scene I. “Is this all you can bring?” (Lady Billows)
- Albert Herring, op. 39: Act II, Scene I. “I’m full of happiness” (Lady Billows)
- Albert Herring, op. 39: Act I, Scene I. “Now then! Notebook, Florence!” (Lady Billows)
- Billy Budd, op. 50: Act II, Scene II. "God o' mercy!"
- Albert Herring, op. 39: Act II, Scene I. “Well tried, Albert!” (Vicar)
- The Rescue of Penelope, Part 1: “Long suffering Odysseus”
- Johnson Over Jordan (Suite): Incinerators’ Ballet
- Billy Budd, op. 50: Act II, Scene III. Interlude
- Billy Budd, op. 50: Act II, Scene III. "And farewell to ye, old Rights o' Man!"
- Albert Herring, op. 39: Act I, Scene I. “I hope we’re not too early, Florence?” (Miss Wordsworth)
- Billy Budd, op. 50: Act I, Scene III. "Blow her away"
- The Rescue of Penelope, Part 2: “How loud the spring sounds all of a sudden”
- Billy Budd, op. 50: Act I, Scene II. "Ay, at Spithead"
- Billy Budd, op. 50: Act I, Scene I. "First man forward!"
- Albert Herring, op. 39: Act III. “Give me a decent murder with a corpse!” (Superintendent Budd)
- Billy Budd, op. 50: Act II, Scene II. "Gentlemen, William Budd here"
- Billy Budd, op. 50: Prologue. "I am an old man"
- Billy Budd, op. 50: Act I, Scene I. "Billy Budd, king of the birds!"
- Albert Herring, op. 39: Act II, Scene I. “Isn’t he here?” (Florence)
- Albert Herring, op. 39: Act I, Scene II. “Good morning, young man” (Florence)
- The Rescue of Penelope, Part 2: “When I see the sorrow of mortal Odysseus”
- Billy Budd, op. 50: Act I, Scene I. "Come along kid! Come along!"
- Billy Budd, op. 50: Act II, Scene II. "Claggart, John Claggart, beware!"
- Albert Herring, op. 39: Act I, Scene II. “Tickling a trout” (Sid)
- Albert Herring, op. 39: Act III. “Albert’s come back to stay” (Nancy, Sid, Emmie, Cis, Harry)
- Billy Budd, op. 50: Act II, Scene I. "There you are again, Master-at-arms"
- Billy Budd, op. 50: Act I, Scene II. "We are, sir. Claggart is an able one"
- Albert Herring, op. 39: Act II, Scene I. “My flowers are few” (Harry)
- Albert Herring, op. 39: Act II, Scene I. “Quickly, quickly, come along!” (Miss Wordsworth)
- Albert Herring, op. 39: Act I, Scene I. “Doctor Jessop’s midwife” (Florence)
- Billy Budd, op. 50: Act II, Scene I. "With great regret I must disturb your honour"
- Albert Herring, op. 39: Act II, Scene I. “Here they are, dears!” (Miss Wordsworth)
- Billy Budd, op. 50: Act I, Scene I. "Christ! the poor chap"
- Billy Budd, op. 50: Act II, Scene I. "O this cursed mist!"
- Billy Budd, op. 50: Act I, Scene I. "I heard, your honour!"
- Albert Herring, op. 39: Act III. “Albert…!” (All)
- Billy Budd, op. 50: Act II, Scene II. "I accept their verdict"
- Billy Budd, op. 50: Act I, Scene I. "Pull, my bantams!"
- The Rescue of Penelope, Part 1: “Children have died of want”
- Billy Budd, op. 50: Act I, Scene I. "Starry Vere we call him"
- The Rescue of Penelope, Part 2: “Bold – Telemachus, watch the shadow on the wall!”
- Albert Herring, op. 39: Act III. “I’m hungry, I’m tired” (Sid)
- Billy Budd, op. 50: Act I, Scene II. "Gentlemen, the King!"
- The Rescue of Penelope, Part 1: “Eight years have passed”
- Billy Budd, op. 50: Act I, Scene III. "Over the water"
- Billy Budd, op. 50: Act II, Scene II. "Poor fellow, who could save him?"
- The Rescue of Penelope, Part 1: “Listen. The voices of the gods”
- Billy Budd, op. 50: Act I, Scene I. "Guard boat! Indomitable!"
- Albert Herring, op. 39: Act III. “In the midst of life is death” (All)
- The Rescue of Penelope, Part 1: “Your prayer is answered, Penelope”
- The Rescue of Penelope, Part 2: “Listen, Lords of Ithaca”
- Billy Budd, op. 50: Act I, Scene III. "We're off to Samoa"
- The Prince of the Pagodas, Op.57: Act 1, The Fool and the Dwarf
- The Prince of the Pagodas, Op.57: Act 2 Scene 2, Belle Rose in Pagoda-Land
- The Prince of the Pagodas, Op.57: Act 3 Scene 1, The Old Emperor
- The Prince of the Pagodas, Op.57: Act 3 Scene 2, Pas de Deux
- The Prince of the Pagodas, Op.57: Act 1, The King of the South
- The Prince of the Pagodas, Op.57: Act 3 Scene 2, Pas de Six
- The Prince of the Pagodas, Op.57: Act 2 Scene 2, The Salamander
- The Prince of the Pagodas, Op.57: Act 3 Scene 2, Pas de Trois
- The Prince of the Pagodas, Op.57: Act 3 Scene 1, Belle Epine as Empress
- The Prince of the Pagodas, Op.57: Act 2 Scene 2, The Prince and Belle Rose
- The Prince of the Pagodas, Op.57: Act 3 Scene 1, Belle Rose and the Salamander
- The Prince of the Pagodas, Op.57: Act 1, Triumph of Belle Epine
- The Prince of the Pagodas, Op.57: Act 1, Belle Rose
- The Prince of the Pagodas, Op.57: Act 2 Scene 1, Air
- The Prince of the Pagodas, Op.57: Act 3 Scene 2, Finale
- The Prince of the Pagodas, Op.57: Act 2 Scene 2, The Pagodas
- The Prince of the Pagodas, Op.57: Act 1, The Emperor - March
- The Prince of the Pagodas, Op.57: Act 3 Scene 2, Variation 1
- The Prince of the Pagodas, Op.57: Act 1, Rage of the Kings
- The Prince of the Pagodas, Op.57: Act 1, The Four Kings
- The Prince of the Pagodas, Op.57: Act 1, Belle Epine
- The Prince of the Pagodas, Op.57: Act 1, The King of the West
- The Prince of the Pagodas, Op.57: Act 3 Scene 2, Variation 2
- The Prince of the Pagodas, Op.57: Act 1, Gavotte
- The Prince of the Pagodas, Op.57: Act 1, Prelude
- The Prince of the Pagodas, Op.57: Act 3 Scene 2, Variation 3
- The Prince of the Pagodas, Op.57: Act 2 Scene 1, Water
- The Prince of the Pagodas, Op.57: Act 1, The Kings and Belle Rose
- The Prince of the Pagodas, Op.57: Act 3 Scene 2, Variation 4
- The Prince of the Pagodas, Op.57: Act 3 Scene 1, Transition
- The Prince of the Pagodas, Op.57: Act 3 Scene 2, The Pagoda Palace
- The Prince of the Pagodas, Op.57: Act 2 Scene 1, Fire
- The Prince of the Pagodas, Op.57: Act 1, The King of the North
- The Prince of the Pagodas, Op.57: Act 1, The Four Frogs
- The Prince of the Pagodas, Op.57: Act 3 Scene 2, Variation 5
- The Prince of the Pagodas, Op.57: Act 1, The King of the East
- A Boy Was Born
- Four Sea Interludes from Peter Grimes: Moonlight
- Four Sea Interludes from Peter Grimes: Dawn
- Four Sea Interludes from Peter Grimes: Sunday Morning
- Four Sea Interludes from Peter Grimes: Storm
- 3 Divertimentos: No. 3, Burlesque. Presto
- 3 Divertimentos: No. 2, Waltz. Allegretto
- 3 Divertimentos: No. 1, March. Allegro maestoso
- Serenade for tenor, horn & strings, Op.31 - 6. Hymn - Queen and Huntress Chaste and Fair
- Serenade for tenor, horn & strings, Op.31 - 4. Elegy - O Rose, Thou Art Sick
- Serenade for tenor, horn & strings, Op.31 - 2. Pastoral - The Day's Grown Old
- Four Sea Interludes from "Peter Grimes", Op.33a - 4. Storm
- Four Sea Interludes from "Peter Grimes", Op.33a - 2. Sunday Morning
- Sinfonia da Requiem, Op.20 - Dies Irae
- Serenade for tenor, horn & strings, Op.31 - 8. Epilogue
- Serenade for tenor, horn & strings, Op.31 - 7. Sonnet - O Soft Embalmer of the Still Midnight
- Serenade for tenor, horn & strings, Op.31 - 1. Prologue
- Sinfonia da Requiem, Op.20 - Requiem aeternam
- Serenade for tenor, horn & strings, Op.31 - 3. Nocturne - The Splendour Falls on Castle Walls
- Sinfonia da Requiem, Op.20 - Lacrymosa
- Four Sea Interludes from "Peter Grimes", Op.33a - 1. Dawn
- Introduction and Rondo alla burlesca, Op.23, No.1
- Four Sea Interludes from "Peter Grimes", Op.33a - 3. Moonlight
- Passacaglia, from "Peter Grimes", Op.33b
- Serenade for tenor, horn & strings, Op.31 - 5. Dirge - This Ae Night
- Nocturne, op. 60: III. Encinctured
- Nocturne, op. 60: VI. She sleeps
- Nocturne, op. 60: VIII. When most I wink
- Nocturne, op. 60: V. But that night
- Nocturne, op. 60: IV. Midnight's bell
- Nocturne, op. 60: VII. What is more gentle
- Songs From "Friday Afternoons", op. 7: Old Abram Brown
- Songs From "Friday Afternoons", op. 7: There was a monkey
- Cantata Academica (Carmen basiliense), op. 62: VIII. Docendi ac discendi
- Hymn to St. Cecilia, op. 27: In a garden shady
- Songs From "Friday Afternoons", op. 7: A tragic story
- Songs From "Friday Afternoons", op. 7: The useful plough
- A Ceremony of Carols, op. 28: Deo Gracias - Adam Lay Ibounden
- Songs From "Friday Afternoons", op. 7: A New Year carol
- The Little Sweep (Let's Make an opera), op. 45: II. "Sweep this chimney" (Miss Baggott)
- Cantata Academica (Carmen basiliense), op. 62: VI. Et gubernacula. / VII. Ut ad longaeva tempora
- Songs From "Friday Afternoons", op. 7: I mun be married on Sunday
- Cantata Academica (Carmen basiliense), op. 62: IX. Rhenana erga omnes. / X. Ut instissime / XI. O cives. .
- Gemini Variations, op. 73 (Quartet for Two Players)
- Cantata Academica (Carmen basiliense), op. 62: XII. Nos autem cuncti. / XIII. Vigeatque academia libera
- Songs From "Friday Afternoons", op. 7: There was a man of Newington
- A Ceremony of Carols, op. 28: In the Freezing Winter Night
- Cantata Academica (Carmen basiliense), op. 62: III. At huius caelestis. . . / V. Tum vero Aeneas Sylvius virtus
- Songs From "Friday Afternoons", op. 7: Fishing song
- Songs From "Friday Afternoons", op. 7: Jazz-man
- Songs From "Friday Afternoons", op. 7: Begone, dull care
- Cantata Academica (Carmen basiliense), op. 62: I. Bonorum summun omnium / II. Quae bene beateque
- Hymn to St. Cecilia, op. 27: O ear whose creatures
- Hymn to St. Cecilia, op. 27: I cannot grow
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. Their spinning wheel unwinds
- A Midsummer Night's Dream, opera, Op. 64: Act 3. This lanthorn doth the hornèd moon present
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. Peter, we've come to take you home
- Nocturnal after John Dowland, for guitar, Op. 70: 9. Slow and quiet (Tranquillo)
- The Burning Fiery Furnace, op. 77: Shadrach, Meshach, Abednego
- Two Lullabies, for 2 pianos: Lullaby for a retired Colonel
- Curlew River, op. 71: "Near the Black Mountains there I dwelt"
- A Midsummer Night's Dream, op. 64, Act 2: "I have a reas'nable good ear in music"
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Foggy, Foggy Dew
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Sunday Morning
- Serenade, for tenor, horn & strings, Op. 31: 3. Elegy
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 10. Deo gracias!
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 13. Bunyan's Return: Look, the Chief is back
- The Beggar's Opera, Realised Britten, op. 43, Prologue: If poverty be a title to poetry
- A Midsummer Night's Dream, opera, Op. 64: Act 3. O grim-look'd night, O night with hue so black
- The Burning Fiery Furnace, op. 77: O all ye works of the Lord
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. People...! No! I will speak!
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 11: Finale (Tarantella)
- Rhapsody, for string quartet
- Suite for solo cello No. 3, Op. 87: 4. Barcarola: Lento
- A Midsummer Night's Dream, op. 64, Act 1: "Welcome wanderer!"
- Suite for solo cello No. 3, Op. 87: 1. Introduzione: Lento
- The Prince of the Pagodas, op. 57, Act 1: The King of the South
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 4. Bacchus (Allegro pesante)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Apotheosis
- Serenade, for tenor, horn & strings, Op. 31: 2. Nocturne
- Quartettino, for string quartet: 3. Allegro molto vivace
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: Transition
- The Beggar's Opera, Realised Britten, op. 43, Act 3: O cruel, cruel case
- Coal Face: IX. Allegro molto: "The Shift Is Finished"
- On this Island, song cycle for voice & piano, Op. 11: 4. Nocturne
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Driving Boy
- Suite for solo cello No. 1, Op. 72: 6. Moto perpetuo e Canto quarto: Presto
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 1: Recitative
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 6: Nocturne
- Paul Bunyan, operetta, Op. 17: 1. Introduction
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Can love be controll'd by advice
- Saint Nicolas, op. 42: He comes to Myra and is chosen Bishop
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 3: Romance
- The Ash Grove, for voice & piano (Folk Songs, Vol. 1)
- Two Lullabies For Piano Duo (1936): II. Lullaby For A Retired Colonel
- A Midsummer Night's Dream, op. 64, Act 3: "This lanthorn doth the horned moon present"
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Who holds himself apart lets his pride rise
- Serenade for tenor, horn & strings, op. 31: Epilogue
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 4. He journeys to Palestine
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tirolese
- Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge)
- The Prodigal Son: Third Parable for Church Performance: I am father to you all
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 2: Romance
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Now the hungry lion roars
- Peter Grimes, opera, Op. 33: Prologue. Interlude 1: Dawn
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Fool to let it come to this!
- Ceremony of Carols, op. 28: Deo Gracias
- Quartettino, for string quartet: 1. Andante - Allegro molto e con fuoco
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12a. Slim's Song: In fair days and foul... I come from open spaces
- The Beggar's Opera, Realised Britten, op. 43, Act 1: If Love the virgin's heart invade
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Requiem aeternam dona eis Domine
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. From the gutter
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the Mouse is a creature of great personal valour
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Rosa Mystica
- A Midsummer Night's Dream, op. 64, Act 1: "Be it on lion, bear, or wolf, or bull"
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 7. At the round earth's imagined corners
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Come, sweet lass, let's banish sorrow
- Owen Wingrave, op. 85, Act 2: Paramore shall welcome woe!
- The Poet's Echo, op. 76: III. Angel ("Angel")
- The Beggar's Opera, Realised Britten, op. 43, Act 3: What do I see! Oh! Macheath...Hither, dear husband
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Salamander
- Paul Bunyan, operetta, Op. 17: 2. Prologue. No. No. We do not want life to be slow
- The Beggar's Opera, Realised Britten, op. 43, Act 3: We are ready, sir...The charge is prepared
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation X: Scene 3: Miss Jessel
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood was a luxury of idleness
- The Little Sweep, children's opera, Op. 45: Scene 2. 14. The Night Song: The owl, wide-winging (Audience Song 3)
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 11. Food Chorus: Do I look the sort of fellow
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 4
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 7. A thousand, thousand gleaming fires
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Where we are is not very far
- A Midsummer Night's Dream, op. 64, Act 2: "I see their knavery"
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 1. Pan (Senza misura)
- The Beggar's Opera, Realised Britten, op. 43, Act 1: A fox may steal your hens, sir
- The Little Sweep, children's opera, Op. 45: Scene 1. 6. Marching Song: Sooty tracks upon the sheet
- The Beggar's Opera, Realised Britten, op. 43, Act 2: O Macheath!...Thus when the swallow
- A Midsummer Night's Dream, op. 64, Act 3: "Now, fair Hippolyta"
- Noye's Fludde, children's opera, Op. 59: Now in the name of God I will begyne
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves
- The King's Stamp, Part 2: Minuet: Andante Lento
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. She sleeps as a rose
- Serenade, for tenor, horn & strings, Op. 31: Prologue
- O Waly, Waly, for voice & piano (Folk Songs, Vol. 3)
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Casting his clothes off, he dived into the sea
- A Midsummer Night's Dream, op. 64, Act 1: "Stay, though thou kill me, sweet Demetrius"
- Young Apollo, for piano, string quartet & strings, Op. 16 (withdrawn by composer)
- A Midsummer Night's Dream, op. 64, Act 1: "Through the forest have I gone"
- Peter Grimes, opera, Op. 33: Interlude 6
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Appearance of Belle Rose and the Salamander
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Why how now, Madam Flirt?
- Hymn to St. Cecilia, for chorus, Op. 27: 3. O ear whose creatures cannot wish to fail
- Canadian Carnival, for orchestra, Op. 19
- Suite for solo cello No. 2, Op. 80: 1. Declamato: Largo
- Piano Concerto in D major, Op. 13: 2. Waltz
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Rejoice in God, o ye Tongues
- Saint Nicolas, op. 42: The birth of Nicolas
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Past time to close!
- Gloriana, op. 53, Act 1 Scene 1: V. Recitative
- Suite for solo cello No. 3, Op. 87: 3. Canto: Con moto
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: The Soldier
- A Midsummer Night's Dream, op. 64, Act 1: "Well, go thy way"
- The Beggar's Opera, Realised Britten, op. 43, Act 1: I, like a ship in storms, was tossed
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Old Joe has gone fishing
- Owen Wingrave, op. 85, Act 1: Sirrah! How dare you!
- Nocturnal after John Dowland, for guitar, Op. 70: 5. March-like (Quasi una marcia)
- The Turn of the Screw, op. 54, Act One: Prologue
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 3. Hankin Booby
- War Requiem, op. 66, Offertorium: Domine Jesu Christe
- Nocturnal after John Dowland, for guitar, Op. 70: 4. Uneasy (Ansioso)
- The Prodigal Son: Third Parable for Church Performance: You are tired from a long journey
- Sweeter than roses: Ed. Britten
- The Company Of Heaven: III. Angels Appear To Jacob, Elisha and Mary
- Curlew River, op. 71: "I beg your pardon, living in this famous place"
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 6. Carol
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Salamander
- The Beggar's Opera, Realised Britten, op. 43, Act 2: No pow'r on earth can e'er divide
- Sonata for cello & piano in C major, Op. 65: 2. Scherzo - Pizzicato: Allegretto
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Prelude
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. After the blast of lightning from the East
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 3. Jesu, as Thou art our Saviour
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus gamesters united in friendship
- Songs From "Friday Afternoons", op. 7: Ee-Oh! (Anon)
- Noye's Fludde, children's opera, Op. 59: Eternal Father, strong to save
- The Burning Fiery Furnace, op. 77: O ye Winter and Summer
- Chansons Françaises (4), for voice & orchestra: 1. Les Nuits de juin
- Sacred and Profane: Eight Medieval Lyrics, op. 91: I. St. Godric's Hymn
- String Quartet in D major: 1. Allegro maestoso
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes!
- The Burning Fiery Furnace, op. 77: Sirs, what is this?
- Suite, for violin & piano, Op. 6: 4. Waltz: Alla valse: vivace e rubato
- The Turn of the Screw, op. 54, Act One: Interlude: Variation V: Scene 6: The Lesson
- The Prince of the Pagodas, op. 57, Act 1: Gavotte
- Holiday Diary, suite for piano, Op. 5: 4. Night
- Curlew River, op. 71: "Curlew River, smoothly flowing"
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Carry her over the water
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Now I am a wretch indeed...Pretty Polly say
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Trois
- Dichterliebe, op. 48: VII. Ich grolle nicht
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Recordare Jesu pie
- Dichterliebe, op. 48: III. Die Rose, die Lilie, die Taube, die Sonne
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Are we all met?
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: B. Messalina
- The Poet's Echo, op. 76: IV. The Nightingale and the Rose ("Solovyei i roza")
- A Boy Was Born, choral variations for mixed voices, Op. 3: Theme. A Boy was Born
- The Tocher (Rossini Suite): V. Allegro Con Brio
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: There was a ship came from the North Country
- Canticle III, Still falls the rain, op. 55
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 7. Spirito ben nato (24)
- Winter Words, song cycle for tenor & piano, Op. 52: 3. Wagtail and Baby (A Satire)
- Curlew River, op. 71: "Today is an important day"
- The Prince of the Pagodas, op. 57, Act 1: The Four Kings
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 1. Chaos
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Waters above
- Paul Bunyan, operetta, Op. 17: Appendix. Inkslinger's Love Song
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: Come you not from Newcastle?
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Male Flame
- String Quartet No. 3, Op. 94: 5. Recitative and Passacaglia (La Serenissima) (Slow)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 1. Kyrie
- Peter Grimes, opera, Op. 33: Prologue. Peter Grimes!
- String Quartet in D major: 2. Lento ed espressivo
- Phantasy, for string quintet in F minor
- The Plough Boy, folksong for voice & piano (Folk Songs, Vol. 3)
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Flowers bring to every year
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Noble Captain...Man may escape from rope and gun gunwelcome once more
- The Salley Gardens, for voice & piano (Folk Songs, Vol. 1)
- Saint Nicolas, op. 42: The death of Nicolas
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Really, Miss Peachum, you expose yourself...Cease...
- Gloriana, op. 53, Act 1 Scene 1: III. Recitative & Fight
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Women are bitter bad judges...If any wench Venus' girdle wear
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Bugles sang, saddening the evening air
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 2. Wolcum Yole!
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Look! The storm cone!
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation B: Oboes (Lento)
- The Little Sweep, children's opera, Op. 45: Scene 1. 1. The Sweep's Song: Sweep! Sweep! (Audience Song 1)
- Paul Bunyan, operetta, Op. 17: 2. Prologue. Ooh! Ooh! O how terrible to be as old fashined as a tree
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 1. Sì come nella penna (16)
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 2. The Bells
- Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 1. Funeral March
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Come, now a roundel and a fairy song
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 6. Heaven is here
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 8. A death
- A Midsummer Night's Dream, op. 64, Act 1: "Is all our company her?"
- The Poet's Echo, op. 76: VI. Lines Written During a Sleepless Night ("Stikhi sochinyonniye nochyu vo vremya bessonnitsi")
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. Now!... Now!
- Owen Wingrave, op. 85, Act 2: I envy you, this fine old house
- The Turn of the Screw, op. 54, Act One: Interlude: Variation III: Scene 4: The Tower
- The Company Of Heaven: 1I. Ye Watchers And Ye Holy Ones
- The Prodigal Son: Third Parable for Church Performance: Go, if you must go
- Owen Wingrave, op. 85, Act 2: There was a boy, a Wingrave born
- Rossini Suite, for boys' voices & chamber ensemble: 4. Bolero (Allegro moderato)
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. March
- The Beggar's Opera, Realised Britten, op. 43, Act 1: "And Now Our Scene Changes...Fill Ev'ry Glass"
- The Beggar's Opera, Realised Britten, op. 43, Act 1: O ponder well...The turtle thus with plaintive cryingbe not severe
- String Quartet No. 1 in D major, Op. 25: 2. Allegretto con slancio
- War Requiem, op. 66, Libera me: Libera me, Domine
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation G: Cellos
- Negroes: Music from GPO Film: Allegro appassionato
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: C. Dance of Death
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 1. Cakes and Ale
- The Burning Fiery Furnace, op. 77: Salus aeterna
- Serenade for tenor, horn & strings, op. 31: Pastoral: The Day's Grown Old
- Serenade, for tenor, horn & strings, Op. 31: Epilogue
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 24. Third Ballad Interlude: So Helson smiled and Bunyan smiled
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Wherefore, I pray and beseech you
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 6: Wiener Walzer
- The Beggar's Opera, Realised Britten, op. 43, Act 1: I know as well...Virgins are like the fair flower in its lustre
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Storm
- Paul Bunyan, operetta, Op. 17: 2. Prologue. It isn't very often the conservatives are wrong... / But once in a while the odd thing
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation F: Violas (Meno mosso)
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 4. The Tower
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 2. The Birth of Nicolas
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18. Bunyan's Good Morning
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. When will my May come?
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: O deus, ego amo te
- Suite for solo cello No. 1, Op. 72: Canto terzo: Sostenuto
- A Midsummer Night's Dream, op. 64, Act 3: "Come, your Bergomask"
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation K: Trumpets (Vivace)
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XII: Scene 5: Quint
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano How sweet the answer
- Divertimenti (3), for string quartet: 3. Burlesque
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 1. The Journey
- Serenade for tenor, horn & strings, op. 31: Sonnet: O Soft Embalmer of the Still Midnight
- Jubilate Deo in E-flat
- Sonata for cello & piano in C major, Op. 65: 3. Elegia: Lento
- War Requiem, op. 66, Offertorium: So Abraham rose, and clave the wood
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Introduction: The wood, deepening twilight. Over hill, over dale
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 11. Recession
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Deux
- 2 Insect Pieces: II. The Wasp
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Pagodas
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 5
- War Requiem, op. 66, Agnus Dei: One ever hangs where shelled roads part
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Be slowly lifted up, thou long black arm
- The Prince of the Pagodas, op. 57, Act 1: The King of the West
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de trois
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Interlude 6
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings bow before the Emperor
- The Company Of Heaven: VIII. Funeral March For A Boy
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the East
- The Tocher (Rossini Suite): IV. Bolero: Allegro Moderato
- Psalm 150 for voices & orchestra, op. 67
- Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 3. Recitative and Choral
- Peter Grimes, opera, Op. 33: Prologue. You sailed your boat round the coast
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Introduction: The Wood
- Noye's Fludde, children's opera, Op. 59: Now forty dayes are fullie gone
- The Burning Fiery Furnace, op. 77: Adept in magic
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, dear father...When my hero in court appears
- The Prodigal Son: Third Parable for Church Performance: Jam lucis orto sidere
- War Requiem, op. 66, Libera me: Let us sleep now...In paradisum
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14a. Entrance of Chorus
- Serenade for tenor, horn & strings, op. 31: Prologue
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, sir, mention not my education...When young at the bar...
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Assign your prettiness to me
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 3. Veggio co' bei vostri occhi (30)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Coda
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Rose and Pas de Deux
- Suite for solo cello No. 3, Op. 87: 6. Fuga: Andante espressivo
- Coal Face: II. "Coal Mining Is the Basic Industry Of Britain"
- Noye's Fludde, children's opera, Op. 59: O, Lorde, I thanke thee lowde and still
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 5: Chant
- Dichterliebe, op. 48: I. Im wunderschönen Monat Mai
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 3. Niobe (Andante)
- A Midsummer Night's Dream, op. 64, Act 3: "My gentle Robin, see'st thou this sweet sight?"
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Morris Dance
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: The last rose of Summer
- Men of Goodwill, variations on a carol for orchestra
- Te Deum, for trumpet, chorus & organ in C major
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Flower of this purple dye
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 1. Procession
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Introduction and Theme
- Nocturnal after John Dowland, for guitar, Op. 70: 8. Passacaglia (Misurato)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Fair and fair
- String Quartet No. 3, Op. 94: 4. Burlesque (Fast, con fuoco)
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 2. The Welcome
- Gloriana, op. 53, Act 2 Scene 3: 3III. The Queen's Burlesque
- Noye's Fludde, children's opera, Op. 59: Sir! Here are lions, lepardes, in
- Negroes: Music from GPO Film: "The Slaves Were the Absolute Property Of Their Masters"
- A boy was born, op. 3: Variation 4: The Three Kings
- The Prince of the Pagodas, op. 57, Act 1: Triumph of Belle Epine
- Love From A Stranger, Love From A tranger: I. Title Music
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: They laid him on the deck
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 6. The Piano
- Gloriana, op. 53, Act 3 Scene 3: 5III. Penepole Rich's Pleading
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Dawn
- The Little Sweep, children's opera, Op. 45: Scene 3. 17. Trio and Ensemble: Ready, Alfred?
- Owen Wingrave, op. 85, Act 1: Prelude
- A Midsummer Night's Dream, op. 64, Act 3: "O grim-look'd night, O night with hue so black"
- Violin Concerto in D minor, Op. 15: 2. Vivace
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose, exhausted, borne in by the Frogs
- Gloriana, op. 53, Act 2 Scene 2: 2I. Prelude & Song
- Sacred and Profane: Eight Medieval Lyrics, op. 91: III. Lenten is come
- Saint Nicolas, op. 42: Nicolas from prison
- Come you not from Newcastle?, for voice & piano (Folk Songs, Vol. 3)
- The Turn of the Screw, op. 54, Act One: Interlude: Variation VII: Scene 8: At Night
- Canticle V: The Death of St Narcissus, for tenor & harp, Op. 89
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 9: Toccata 1 - Toccata 2 - Cadenza
- The Little Sweep, children's opera, Op. 45: Scene 3. 15. Aria: Soon the coach will carry you away
- A boy was born, op. 3: Variation 2: Herod
- Hymn to St. Peter, for trumpet, chorus & organ, Op. 56a
- Folksong Arrangements, Vol. V "British Isles", for voice & piano Early one morning
- The Little Sweep, children's opera, Op. 45: Scene 1. 2. Quartet: Sweep this chimney
- Paul Bunyan, operetta, Op. 17: 2. Prologue. You are all to leave here
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: God's Grandeur
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. It is better to desire
- A Midsummer Night's Dream, op. 64, Act 3: "When my cue comes, call me"
- Love From A Stranger, Love From A tranger: IV. Love Music
- The Prince of the Pagodas, op. 57, Act 2 Scene 1: Air
- Negroes: Music from GPO Film: II. Allegro
- Suite, for violin & piano, Op. 6: 1. March: Allegro alla marcia
- A Midsummer Night's Dream, op. 64, Act 1: "Come, now a roundel and a fairy song"
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Four Winged Frogs
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 1. Oh my blacke soule
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Moto perpetuo
- The Turn of the Screw, op. 54, Act One: Interlude: Variation II: Scene 3: The Letter
- Serenade, for tenor, horn & strings, Op. 31: 1. Pastoral
- Peter Grimes, opera, Op. 33: Act 2. Interlude 3: Sunday morning
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Pavane
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Prince and Belle Rose
- Gloriana, op. 53, Act 1 Scene 2: 1III. Recitative & Essex's Entry
- Sonata for cello & piano in C major, Op. 65: 1. Dialogo: Allegro
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 6. Since she whom I loved
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 2
- Folksong Arrangements, Vol. II "France", for voice & piano: Quand j'étais chez mon père, for voice & piano (Folk Songs, Vol. 2)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 4. Oh, to vex me
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Dear Harp of my Country!
- Coal Face: III. Andante: "The Chief Coal-Producing Centres"
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 6. This little babe
- The Prodigal Son: Third Parable for Church Performance: My son
- Serenade, for tenor, horn & strings, Op. 31: 4. Dirge
- The Beggar's Opera, Realised Britten, op. 43, Act 1: The girl shows...O Polly, you might have toyed...
- Occasional Overture, for orchestra in C major, Op. 38 (withdrawn)
- Suite for solo cello No. 3, Op. 87: 9. Passacaglia: Lento solenne
- Gloriana, op. 53, Act 2 Scene 3: 2IX. Lavolta
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Out there, we've walked quite friendly up to Death
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Introduction
- Nocturnal after John Dowland, for guitar, Op. 70: 3. Restless (Inquieto)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Helena! Hermia! Demetrius! Lysander!
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: A. Rats Away!
- Folksong Arrangements, Vol. III "British Isles", for voice & piano Sweet Polly Oliver
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Lucretia!... What do you want?
- Negroes: Music from GPO Film: VI. Andante con molto moto
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4a. Bunyan's Welcome
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 5. Yif ic of luve can
- Gloriana, op. 53, Act 2 Scene 3: 3VII. Ensemble
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Interlude: Tarquinius does not wait
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I will consider my Cat Jeoffry
- Winter Words, song cycle for tenor & piano, Op. 52: 7. At the Railway Station, Upway (or The Convict and Boy with the Violin)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. So Abram rose, and clave the wood, and went
- War Requiem, op. 66, Dies Irae: Bugles sang, saddening the evening air
- Quartettino, for string quartet: 2. Poco adagio ma con moto
- Negroes: Music from GPO Film: V. Andante lento -"The More Advanced Thinkers in Europe"
- The Prodigal Son: Third Parable for Church Performance: Take your due portion
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 2. A che più debb'io mai (31)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 4. Finale: London, to thee I do present
- Winter Words, song cycle for tenor & piano, Op. 52: 6. The Proud Songsters (Thrushes, Finches and Nightingales)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 2
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 1
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 5
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 4
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 3
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 3. The Letter
- Gloriana, op. 53, Act 2 Scene 2: 2II. Duet
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 7. Interlude (Andante pastorale)
- Nocturnal after John Dowland, for guitar, Op. 70: 2. Agitated (Molto agitativo)
- Gloriana, op. 53, Act 1 Scene 1: II. The Tornament
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8. Animal Trio: Ah! Miaou! The single creature lives a partial life
- Paul Bunyan, operetta, Op. 17: 2a. First Ballad Interlude: The cold wind blew through the crooked thorn
- War Requiem, op. 66, Dies Irae: Out there, we've walked quite friendly up to Death
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 6
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de caractère: The Emperor and the Fool
- The Beggar's Opera, Realised Britten, op. 43, Act 2: But to be sure...The gamesters...At the tree I shall
- 6 Metamorphoses after Ovid, op. 49: I. Pan
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 7: Moto perpetuo
- Variations (12), for piano
- A Midsummer Night's Dream, opera, Op. 64: Act 2. I see their knavery
- Dichterliebe, op. 48: 1III. Ich hab' im Traum geweinet
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Hallelujah from the heart of God
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Oft in the stilly night
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 4. The Three Kings
- Spring Symphony, op. 44: 1I. Sound the flute!
- Missa brevis, op. 63: III. Sanctus...Benedictus
- Gloriana, op. 53, Act 3 Scene 1: 40. Essex's Intrusion
- Negroes: Music from GPO Film: IV. Andante con moto
- The Company Of Heaven: VI. Heaven Is Here
- Gloriana, op. 53, Act 1 Scene 2: 1I. The Queen's Song
- On this Island, song cycle for voice & piano, Op. 11: 5. As it is; plenty
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Spring, the sweet Spring
- Hymn to St. Cecilia (1942), op. 27: I cannot grow
- Owen Wingrave, op. 85, Act 1: Oh, how unforeseen
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Let her among you without a fault cast the first stone
- Pieces (2), for 2 pianos, Op. 23: Introduction
- Gloriana, op. 53, Act 1 Scene 1: VII. Raleigh's Song
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: O Waly, Waly
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. What passing bells for these who die as cattle?
- Love From A Stranger, Love From A tranger: II. Traffic Music
- Coal Face: 1II. Andante: "There Are the Miners"
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 4. The long night
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Lavolta
- The Prodigal Son: Third Parable for Church Performance: Ah you people
- A Midsummer Night's Dream, opera, Op. 64: Act 3. O Wall, full often hast thou heard my moans
- Little Sir William, for voice & piano (Folk Songs, Vol. 1)
- The King's Stamp, Part 2: Allegretto: Parliament: The Stamp Bill
- War Requiem, op. 66, Libera me: It seemed that out of battle I escaped
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Would I might be hanged!
- The Beggar's Opera, Realised Britten, op. 43, Act 2: It is the pleasure...How cruel are the traitors
- The Tocher (Rossini Suite): II. Allegretto
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 5. What if this present
- The Company Of Heaven: I. Chaos
- Character Pieces (3), for piano: 2. Poco andante grazioso
- The Poet's Echo, op. 76: I. Echo ("Ekho")
- Cello Symphony, for cello & orchestra, Op. 68: 3. Adagio
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 26. Bunyan's Farewell
- Saint Nicolas, op. 42: Nicolas and the Pickled Boys
- Dichterliebe, op. 48: 1VI. Die alten, bösen Lieder
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation M: Percussion (Moderato)
- 6 Metamorphoses after Ovid, op. 49: VI. Arethusa
- String Quartet in D major: 3. Allegro giocoso
- A Hymn to the Virgin, for double chorus
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23c. Hymn: O great day of discovery!
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 10: Fugue and Finale
- Our Hunting Fathers, op. 8: II. Rats Away!
- On this Island, song cycle for voice & piano, Op. 11: 3. Seascape
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. What harbour shelters peace
- A Midsummer Night's Dream, op. 64, Act 2: "Are we all met?"
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 1. Colliquy and Soliloquy
- The Prodigal Son: Third Parable for Church Performance: The ceremony
- Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Sound the Trumpet
- Now sleeps the crimson petal, song for tenor, horn & strings
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. A telegram from Hollywood
- Owen Wingrave, op. 85, Act 1: At last it's out
- A Midsummer Night's Dream, opera, Op. 64: Act 3. When my cue comes, call me
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Empress Belle Epine
- The Beggar's Opera, Realised Britten, op. 43, Act 1: The miser thus a shilling sees
- The Company Of Heaven: V. War in Heaven
- String Quartet No. 3, Op. 94: 2. Ostinato (Very fast)
- The Beggar's Opera, Realised Britten, op. 43, Act 3: A curse attends a woman's love
- Spring Symphony, op. 44: VII. Waters above!
- The Way To The Sea: Allegro molto: alla marcia
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Liber scriptus proferetur
- Sacred and Profane: Eight Medieval Lyrics, op. 91: IV. The Long Night
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation L: Trombones and bass tuba (Allegro pomposo)
- Canticle II: Abraham and Isaac, for alto, tenor & piano, Op. 51
- Canticle V: The Death of Saint Narcissus, op. 89: Words by T.S. Eliot
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Rage of the Kings
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 9. Whoso dwelleth under the defence of the most High
- Ceremony of Carols, op. 28: Interlude
- Serenade for tenor, horn & strings, op. 31: Elegy: O Rose, Thou Art Sick
- There's None to Soothe, for voice & piano (Folk Songs, Vol. 3)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Stay, though thou kill me, sweet Demetrius
- The Beggar's Opera, Realised Britten, op. 43, Act 3: But perhaps he hath a heart...Among the men coquets
- Gloriana, op. 53, Act 1 Scene 2: 1IV. First Lute Song
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 1
- Hymn to St. Cecilia, for chorus, Op. 27: 1. In a garden shady this holy lady
- The Poet's Echo, op. 76: V. Epigram (Epigramma)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. You ladies, you whose gentle hearts do fear
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Which way shall I turn me
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Ungrateful Macheath!
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 9. The death of Nicolas
- A Midsummer Night's Dream, op. 64, Act 3: "Sweet moon, I thank thee for thy sunny beams"
- Peter Grimes, opera, Op. 33: Act 3. Interlude 5: Moonlight
- A Midsummer Night's Dream, op. 64, Act 2: "Puppet? Why so?"
- The Turn of the Screw, op. 54, Act One: Interlude: Variation IV: Scene 5: The Window
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 2. The Bitter Withy
- A Midsummer Night's Dream, op. 64, Act 3: "Asleep, my love?"
- Saint Nicolas, op. 42: His piety and marvellous works
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 4. Christ, the fair glory
- A Midsummer Night's Dream, opera, Op. 64: Act 2. This is thy negligence
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Oberon is passing fell and wrath
- Simple Symphony, for string orchestra, Op. 4: 3. Sentimental Sarabande
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de deux: Belle Rose and the Prince of the Pagodas
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation C: Clarinets (Moderato)
- Serenade, for tenor, horn & strings, Op. 31: 5. Hymn
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 7. Cooks' Duet: Sam for soups. Ben for beans
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Fair love, you faint with wand'ring in the wood
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 8. At Night
- Sacred and Profane: Eight Medieval Lyrics, op. 91: II. I Mon Waxe Wod
- Chansons Françaises (4), for voice & orchestra: 4. Chanson d'automne
- Dichterliebe, op. 48: VIII. Und wüßten's die Blumen, die kleinen
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 5. Agnus Dei
- Winter Words, song cycle for tenor & piano, Op. 52: 8. Before Life and After
- Noye's Fludde, children's opera, Op. 59: The spacious firmament on high
- Turn of the Screw, chamber opera, Op. 54: Prologue
- On this Island, song cycle for voice & piano, Op. 11: 1. Let the florid music praise!
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Female Flame
- A Midsummer Night's Dream, opera, Op. 64: Act 1. You spotted snakes with double tongue
- Gloriana, op. 53, Act 2 Scene 1: 20. Finale
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3a. Call of Lumberjacks
- Gloriana, op. 53, Act 3 Scene 3: 5II. Lady Essex's Pleading
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIV: Scene 7: Flora
- Folksong Arrangements, Vol. II "France", for voice & piano Voici le printemps
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Come, your Bergomask
- Gloriana, op. 53, Act 1 Scene 2: 1V. Second Lute Song
- 2 Two-Part Songs: I. I Lov'd a Lass
- Gloriana, op. 53, Act 1 Scene 2: 1VII. Soliloquy & Prayer
- Nocturnal after John Dowland, for guitar, Op. 70: 1. Musingly (Meditativo)
- The Prodigal Son: Third Parable for Church Performance: Welcome, welcome stranger!
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 7
- War Requiem, op. 66, Dies Irae: Liber scriptus proferetur
- Lachrymae, reflections on a song of Dowland, for viola & string orchestra, Op. 48a
- A Midsummer Night's Dream, opera, Op. 64: I have a reas'nable good ear in music
- Love From A Stranger, Love From A tranger: V. Channel Crossing
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Success attend you...Let us take the road
- A Midsummer Night's Dream, op. 64, Act 2: "On the ground, sleep sound"
- String Quartet No. 1 in D major, Op. 25: 4. Molto vivace
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Jealousy, rage, love and fear...I'm like a skiff
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 3: Sunday Morning
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. It seemed that out of battle I escaped
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Canzonetta
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 5. Quint
- Cello Symphony, for cello & orchestra, Op. 68: 4. Passacaglia (Andante allegro)
- Waltzes (5), for piano: 1. Rather fast and nervous
- Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23b. Mock Funeral March: Take away the body and lay it on ice
- The Bonny Earl o' Moray, for voice & piano (Folk Songs, Vol. 1)
- String Quartet No. 3, Op. 94: 3. Solo (Very calm)
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15a. Tiny's Song: Ah!... Whether the sun shine upon children playing
- Love From A Stranger, Love From A tranger: III. Brighton
- The Foggy, Foggy Dew, for voice & piano (Folk Songs, Vol. 3)
- Suite for solo cello No. 3, Op. 87: 7. Recitativo: Fantastico
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Lacrimosa dies illa
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 1: Pas de deux
- String Quartet No. 2 in C major, Op. 36: 2. Vivace
- The King's Stamp, Part 1: Allegretto: Messenger Boy
- War Requiem, op. 66, Sanctus: Sanctus, sanctus, sanctus
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Oh! What a lovely day!
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes!... Steady. There you are
- Cello Symphony, for cello & orchestra, Op. 68: Cadenza
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Introduction: The wood, early next morning. My gentle Robin, seest thou this sweet sight?
- La belle est au jardin d'amour, for voice & piano (Folk Songs, Vol. 2)
- Peter Grimes, opera, Op. 33: Prologue. Peter Grimes, I here advise you!
- Suite for solo cello No. 1, Op. 72: Canto secondo: Sostenuto
- Owen Wingrave, op. 85, Act 2: Come in...It's me, Lechmere
- String Quartet No. 3, Op. 94: 1. Duets (With moderate movement)
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Keene!
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. It is an axiom among kings
- Dichterliebe, op. 48: 1II. Am leuchtenden Sommermorgen
- Gloriana, op. 53, Act 1 Scene 1: VI. The two Lords' Explanation
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Gentles, perchance you wonder at this show
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Finale
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 4: The Prince
- Saint Nicolas, op. 42: Introduction
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 5. Rendete a gli occhi miei (38)
- Gloriana, op. 53, Act 3 Scene 1: 4III. The Entrance of Cecil
- Spring Symphony, op. 44: IV. The driving boy
- Divertimenti (3), for string quartet: 2. Waltz
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Pas de deux: The Prince and Belle Rose
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. Go there!
- The Burning Fiery Furnace, op. 77: Merodak! Lord of creation
- Hymn to St. Cecilia (1942), op. 27: O ear whose creatures
- Piano Concerto in D major, Op. 13: 4. March
- The Beggar's Opera, Realised Britten, op. 43, Act 2: If the heart of a man is depressed with cares
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 2. The Lute Song
- 6 Metamorphoses after Ovid, op. 49: II. Phaeton
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 11. Ye watchers and ye holy ones
- The Company Of Heaven: IX. Whoso Dwelleth Under The Defence Of The Most High
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XV: Scene 8: Miles
- The Prodigal Son: Third Parable for Church Performance: Forgive my asking you
- Paul Bunyan, operetta, Op. 17: Appendix. Overture
- Le roi s'en va-t'en chasse, for voice & piano (Folk Songs, Vol. 2) Le roi s'en va-t'en chasse
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation H: Double basses (Comminciando lento ma poco accel. al Allegro)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. If we offend, it is with our good will
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. Domine Jesu Christe
- The Prince of the Pagodas, op. 57, Act 1: The Fool and the Dwarf
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I am under the same accusation with My Saviour
- Sinfonia da Requiem, for orchestra, Op. 20: 1. Lacrymosa
- Character Pieces (3), for piano: 3. Poco presto e molto capriccioso
- String Quartet No. 2 in C major, Op. 36: 1. Allegro calmo senza rigore
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Hi! Give us a hand!
- A boy was born, op. 3: Variation 5: in the Bleak Mid-Winter
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Bring us then more liquor!...What Gudgeons are we...
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Too late, Junius
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation E: Violins (Brillante: alla polacca)
- Gloriana, op. 53, Act 1 Scene 1: IV. Entrance of the Queen
- The Prodigal Son: Third Parable for Church Performance: With joy I sowed
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 2. The Morning Stars
- Suite, for violin & piano, Op. 6: Introduction: Andante maestoso
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. They listen to money
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 3. Lenten is come
- War Requiem, op. 66, Dies Irae: Be slowly lifted up
- Scottish Ballad, for 2 pianos & orchestra, Op. 26
- The Prince of the Pagodas, op. 57, Act 1: Belle Epine
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14. Inkslinger's Song: It was out in the sticks
- Rejoice in the Lamb, op. 30: For I will consider my cat Jeoffrey
- Elegy, for solo viola
- Piano Concerto in D major, Op. 13: 3. Impromptu
- A Hymn to St. Peter op. 56a
- Suite for solo cello No. 1, Op. 72: 4. Marcia: Alla marcia moderato
- Waltzes (5), for piano: 2. Quick, with wit
- The Prince of the Pagodas, op. 57, Act 1: The Four Frogs
- Canticle III:Still Falls the Rain, for tenor, horn & piano, Op. 55
- Gloriana, op. 53, Act 2 Scene 2: 2IV. Quartet
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Benedictus qui venit in nomine Domini
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Have you heard the cliff is down
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 3. There is no rose
- Gloriana, op. 53, Act 2 Scene 3: 3IV. Quartet
- Negroes: Music from GPO Film: VII. Allegro ritmico
- Sacred and Profane: Eight Medieval Lyrics, op. 91: V. Yif Ic of Luve Can
- Gloriana, op. 53, Act 2 Scene 3: 2VI. Conversation
- War Requiem, op. 66, Requiem aeternam: Requiem aeternam
- Dichterliebe, op. 48: 1I. Ein Jüngling liebt ein Mädchen
- A boy was born, op. 3: Variation 6: Finale: Noel!
- A boy was born, op. 3: Variation 3: Jesu As Thou Art Our Saviour
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano The Minstrel Boy
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Passacaglia, for orchestra, Op. 33b (from "Peter Grimes")
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Then up spake the cabin-boy
- Gloriana, op. 53, Act 1 Scene 1: IX. Recitative & Final March
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Shall I not claim my own?...How happy could I be...
- Saint Nicolas, op. 42: He journeys to Palestine
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 3. Nicolas devotes himself to God
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. We planned that their lives should have a new start
- Curlew River, op. 71: "Hoping, I wander'd on"
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Kyrie eleison
- Gloriana, op. 53, Act 3 Scene 3: 5I. Trio
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Come along, Doctor
- The Burning Fiery Furnace, op. 77: We do not lack enemies
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Sanctus, sanctus, sanctus
- Owen Wingrave, op. 85, Act 2: Now you may save your scornful looks
- On this Island, song cycle for voice & piano, Op. 11: 2. Now the leaves are falling fast
- The Building of the House, overture for chorus & orchestra, Op. 79
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Bolero
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 7. Nicolas and the Pickled Boys
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3. Bunyan's Greeting
- The Little Sweep, children's opera, Op. 45: Scene 1. 3a. Hide and Seek: Juliet! Juliet!
- A Midsummer Night's Dream, op. 64, Act 3: "Have you sent to Bottom's house?"
- A Midsummer Night's Dream, op. 64, Act 2: "Be kind and courteous to this gentleman"
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Coda
- String Quartet No. 2 in C major, Op. 36: 3. Chacony (Sostenuto)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. dies irae, dies illa
- Holiday Diary, suite for piano, Op. 5: 1. Early morning bathe
- Praise We Great Men, for voices, chorus & orchestra: Praise we great men
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Here the thirsty evening
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Let us sleep now... In paradisum
- Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Brisk Young Widow
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 3. Sanctus
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Agnus Dei
- The Little Sweep, children's opera, Op. 45: Scene 3. 16. Ensemble: Morning, Sammy
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: The Pagoda Palace
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 5. Narcissus (Lento piacevole)
- Festival Te Deum, for trumpet, chorus & organ, Op. 32
- Suite for solo cello No. 3, Op. 87: 5. Dialogo: Allegretto
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Theme (Allegro maestoso e largamente)
- Folksong Arrangements, Vol. I "British Isles", for voice & piano: The trees they grow so high
- Spring Symphony, op. 44: I. Introduction: Shine out
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 2. Batter my heart
- Suite for solo cello No. 1, Op. 72: 5. Bordone: Moderato quasi recitative
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation VIII: Scene 1: Colloquy and So- lioquy
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation IX: Scene 2: The Bells
- Waltzes (5), for piano: 3. Dramatic
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19a. Farmers' Exit
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Entrée: Sea Horses, Fish Creatures and Waves
- Sinfonia da Requiem, for orchestra, Op. 20: 2. Dies irae
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Introduction: Belle Rose borne in by the Frogs
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. With you two arm in arm again
- A Midsummer Night's Dream, op. 64, Act 3: "If we offend, it is with our good will"
- The Burning Fiery Furnace, op. 77: O King, Nebuchadnezzar
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 2: March
- Coal Face: I. Andante: "A Sterile Landscape"
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Plough Boy
- Sacred and Profane: Eight Medieval Lyrics, op. 91: VI. Carol
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Ourselves, like the great
- Sonata for cello & piano in C major, Op. 65: 4. Marcia: Energico
- Owen Wingrave, op. 85, Act 2: And with his friend young Lechmere played
- Curlew River, op. 71: "The moon has risen"
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Child you're not too young to know
- The King's Stamp, Part 1: Allegro Moderato: Stamp Factory: Machine Starts
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 9. Spring Carol
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Rome is now ruled by the Etruscan upstart
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. b. Balulalow
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Through all the employments of life
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 5. As dew in Aprille
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 3: March
- A Midsummer Night's Dream, op. 64, Act 3: "Now the hungry lion roars"
- Sinfonietta, for chamber orchestra, Op. 1: 2. Andante lento
- Curlew River, op. 71: "He whose life was full of promise"
- The Prodigal Son: Third Parable for Church Performance: My children, you have seen
- Pieces (2), for 2 pianos, Op. 23: Rondo alla burlesca
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 6. Arethusa (Largamente)
- Curlew River, op. 71: "Ignorant man!"
- Suite for solo cello No. 1, Op. 72: 2. Fuga: Andante moderato
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Six
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 2. Phaeton (Vivace ritmico)
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XI: Scene 4: The Bedroom
- The King's Stamp, Part 2: Allegro Moderato alla Marcia
- The Beggar's Opera, Realised Britten, op. 43, Act 1: A maid is like the golden ore
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: The Old Emperor
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 8: Funeral March
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10a. Second Ballad Interlude: The Spring came and the Summer and Fall
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: March
- Cantata Academica, (Carmen basiliense) op. 62: VIII: Docendi ac discendi
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12. Chorus Accusation: There now look what you have done
- Sinfonietta, for chamber orchestra, Op. 1: 3. Tarantella: Presto vivace
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 3. Angels appear to Jacob, Elisha and Mary
- Spring Symphony, op. 44: 1II. Finale: London, to thee I do present
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 8: Burlesque
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Libera me, Domine, de morte aeterna
- A Midsummer Night's Dream, opera, Op. 64: Act 3. In this same interlude it doth befall
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the North
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 8. Funeral March for a Boy
- Gloriana, op. 53, Act 3 Scene 3: 5IV. Epilogue
- A boy was born, op. 3: A Boy Was Born (theme)
- The Prodigal Son: Third Parable for Church Performance: Now
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Rah! Another slice of turkey
- Gloriana, op. 53, Act 1 Scene 2: X. Prelude & Dialogue
- The Prince of the Pagodas, op. 57, Act 1: The King of the North
- String Quartet No. 1 in D major, Op. 25: 1. Andante sostenuto - Allegro vivo
- Praise We Great Men, for voices, chorus & orchestra: (Coda)
- Love From A Stranger, Love From A tranger: VI. End Titles
- The Little Sweep, children's opera, Op. 45: Scene 1. 9. Sammy's Bath: The kettles are singing (Audience Song 2)
- The Company Of Heaven: IV. Christ, The Fair Glory
- Owen Wingrave, op. 85, Act 1: Your sherry, Mrs. Coyle
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23a. Love Duet: Move, move from the trysting stone
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 21. Fido's Sympathy: Why won't you tell me what's the matter?
- The Beggar's Opera, Realised Britten, op. 43, Act 3: But all scores have a reckoning
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus I stand like the Turk
- Gloriana, op. 53, Act 2 Scene 3: 3II. Recitative
- Sonata for cello & piano in C major, Op. 65: 5. Moto perpetuo: Presto
- The Little Sweep, children's opera, Op. 45: Scene 1. 4. Shanty: Pull the rope gently
- Holiday Diary, suite for piano, Op. 5: 3. Funfair
- Night Piece (Notturno), for piano
- The Beggar's Opera, Realised Britten, op. 43, Prologue: Overture
- A Midsummer Night's Dream, op. 64, Act 1: "How now my love?"
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation J: Horns (L'istesso tempo)
- Gloriana, op. 53, Act 2 Scene 3: 2VIII. Conversation & the Queen's Entrance
- War Requiem, op. 66, Dies Irae: Lacrimosa dies illa
- Owen Wingrave, op. 85, Act 1: Coyle, I wish I had not come
- Suite for solo cello No. 3, Op. 87: 2. Marcia: Allegro
- Violin Concerto in D minor, Op. 15: 1. Moderato con moto
- Sinfonietta, for chamber orchestra, Op. 1: 1. Poco presto ed agitato
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 9: Chant
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 7: Badinerie
- Suite for solo cello No. 2, Op. 80: 5. Ciaccona: Allegro
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 7. Flora
- Ceremony of Carols, op. 28: Wolcom Yule!
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Finale
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Galliard
- Our Hunting Fathers, op. 8: III. Messalina
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Welcome Maids of Honour
- The King's Stamp, Part 2: Allegro
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. How hideous! Take them away!
- War Requiem, op. 66, Offertorium: Move him into the sun
- The Tocher (Rossini Suite): I. Allegro Brillante
- Owen Wingrave, op. 85, Act 2: Ah, Owen, what shall I do?
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Morning Star
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 4. Gloriana moritura
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. And do you prefer the storm
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Dear Mrs Coaxer, you're welcome...Youth's the season
- The Prodigal Son: Third Parable for Church Performance: O sing unto the Lord
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Fish Creatures
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 2: Girl's Solo
- A Midsummer Night's Dream, op. 64, Act 3: "You ladies, you whose gentle hearts do fear"
- Sacred and Profane: Eight Medieval Lyrics, op. 91: VII. Ye that Pasen By
- Gloriana, op. 53, Act 3 Scene 1: 4IV. Cecil's Report
- Noye's Fludde, children's opera, Op. 59: Lord Jesus, think on me
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Coranto
- The Beggar's Opera, Realised Britten, op. 43, Act 1: 'Tis woman seduces all mankind
- Curlew River, op. 71: "I am the ferryman"
- Serenade, for tenor, horn & strings, Op. 31: 6. Sonnet
- Chansons Françaises (4), for voice & orchestra: 2. Sagesse
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18a. Shears' Song: It has always been my dream
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Be it on lion, bear, or wolf, or bull
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 1
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 4. The Bedroom
- The Turn of the Screw, op. 54, Act One: Interlude: Variation VI: Scene 7: The Lake
- Noye's Fludde, children's opera, Op. 59: Wyffe, in this vessel we shall be kepte
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Pages and the Four Kings
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. This unrelenting work
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 7. Ye that pasen by
- Sinfonia da Requiem, for orchestra, Op. 20: 3. Requiem aeternam
- A Midsummer Night's Dream, opera, Op. 64: Act 2. How now, mad spirit?
- The Burning Fiery Furnace, op. 77: By the Royal Decree
- Canticle I: My Beloved Is Mine, for high voice & piano, Op. 40
- Coal Face: VIII. Allegro ma non troppo: "In Many Pits"
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 8. Miles
- A Midsummer Night's Dream, op. 64, Act 3: "Helena! Hermi! Demetrius! Lysander!"
- Noye's Fludde, children's opera, Op. 59: Noye, Noye, take thou thy company
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Theseus' palace. Now, fair Hippolyta
- Coal Face: IV. "Yorkshire and Lancashire"
- The Company Of Heaven: X. There Came Out Also At This Time
- The King's Stamp, Part 1: Allegro Molto Alla Marcia
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 3. Miss Jessel
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. This dead hand lets fall
- The Tocher (Rossini Suite): III. Allegretto
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Fool and the Dwarf
- Violin Concerto in D minor, Op. 15: 3. Passacaglia (Andante lento - Un poco meno mosso)
- Folksong Arrangements, Vol. II "France", for voice & piano: Eho! Eho!
- A Midsummer Night's Dream, opera, Op. 64: Act 1. How now my love?
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 10
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 11
- Gloriana, op. 53, Act 1 Scene 1: I. Prelude
- A Midsummer Night's Dream, op. 64, Act 2: Introduction: The wood
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Oh hang at open doors the net
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 5. In the Bleak Mid-Winter
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose borne in by the Frogs
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Is all this suffering and pain
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 9
- Suite for solo cello No. 1, Op. 72: 2. Lamento: Lento rubato
- Curlew River, op. 71: "Look! While you were listening to my story"
- The Beggar's Opera, Realised Britten, op. 43, Act 1: O! what pain it is to part!
- The Burning Fiery Furnace, op. 77: Bring them here before my Majesty
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 6. The Lesson
- Missa brevis, op. 63: I. Kyrie eleison
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15. Tiny's Entrance
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 14
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 15
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 12
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 13
- Gloriana, op. 53, Act 3 Scene 3: 50. The Queen's Dilemma
- Sacred and Profane: Eight Medieval Lyrics, op. 91: VIII. A Death
- Russian Funeral, for brass & percussion
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Asleep, my love?
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Interlude: Here in this scene you see
- Diversions, for piano, left hand & orchestra, Op. 21: Theme
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 8. In freezing winter night
- Negroes: Music from GPO Film: III. Allegro ritmico
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose hunts for the Prince
- Gloriana, op. 53, Act 3 Scene 1: 4V. Discussion
- Curlew River, op. 71: "Clear as a sky without a cloud"
- The King's Stamp, Part 2: Allegretto: Train Sequence
- Hymn to St. Cecilia, for chorus, Op. 27
- Phantasy Quartet, for oboe & string trio in F minor, Op. 2
- The Company Of Heaven: VII. A Thousand, Thousand Gleaming Fires
- 6 Metamorphoses after Ovid, op. 49: IV. Bacchus
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Epine
- A Midsummer Night's Dream, op. 64, Act 2: "How now, mad spirit?"
- A boy was born, op. 3: Variation 1: Lullay, Jesu
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Up and down, up and down
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 4: Arabesque
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 1: Adagio
- Gloriana, op. 53, Act 2 Scene 3: 3I. Morris dance
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18b. Bunyan's Warning
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 8. His Piety and Marvellous Works
- Curlew River, op. 71: "Good souls, we have shown you here"
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Lucretia! Lucretia!
- Coal Face: VI. Andante: "The Seven and a Half Hour Shift"
- Pieces (2), for 2 pianos, Op. 23: No. 2 Mazurka elegiaca
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. Peter Grimes! Nobody here?
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 4: Passacaglia
- Piano Concerto in D major, Op. 13: 1. Toccata
- Gloriana, op. 53, Act 2 Scene 3: 2V. Pavane
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8a. Bunyan's Goodnight
- War Requiem, op. 66, Dies Irae: Dies irae
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 1. St Godric's Hymn
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 6. Western Union Boy's Song: A telegram from oversea
- Noye's Fludde, children's opera, Op. 59: I, God, that all this worlde hath wroughte
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Nocturne
- Two Lullabies For Piano Duo (1936): I. Lullaby
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Sweet Moon, I thank thee for thy sunny beams
- Curlew River, op. 71: "I come from the Westland"
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Moonlight
- The Burning Fiery Furnace, op. 77: Good people, we have shown you here
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Come on, boy!
- Cello Symphony, for cello & orchestra, Op. 68: 1. Allegro maestoso
- The Prince of the Pagodas, op. 57, Act 1: Belle Rose
- Gloriana, op. 53, Act 2 Scene 1: 1IX. The Masque
- The Beggar's Opera, Realised Britten, op. 43, Act 2: It is your own choice...Before the barn door crowing
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Out on the lawn I lie abed
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Go, Tarquinius!
- Curlew River, op. 71: "A thousand leagues may sunder"
- Owen Wingrave, op. 85, Act 2: Is that you, Coyle?
- Curlew River, op. 71: "But first may I ask you"
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Fugue (Allegro molto)
- The Prodigal Son: Third Parable for Church Performance: You have gambled and lost
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 4: Aria italiana
- Piano Concerto, op. 13, 1938 Version: III. Recitative & Aria (original 3rd movement)
- Suite for solo cello No. 3, Op. 87: 8. Moto perpetuo: Presto
- The Prodigal Son: Third Parable for Church Performance: Nights are days
- The Little Sweep, children's opera, Op. 45: Scene 2. 13. Finale: Help! Help! She's collapsed!
- Serenade for tenor, horn & strings, op. 31: Dirge: This Ae Night
- Gloriana, op. 53, Act 1 Scene 1: VIII. Ensemble of Reconciliation
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Sound the flute
- A Midsummer Night's Dream, op. 64, Act 3: "O wall, full often hast thou heard my moans"
- Gloriana, op. 53, Act 1 Scene 2: 1II. Cecil's Song of Government
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Now the Great Bear and the Pleiades
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 5: Bourrée classique
- Simple Symphony, for string orchestra, Op. 4: 2. Playful Pizzicato
- Gloriana, op. 53, Act 3 Scene 1: 4I. The Second Duet of the Queen & Essex
- Curlew River, op. 71: "Go your way in peace, mother"
- The King's Stamp, Part 1: Allegro: Opening Door
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 6. Noël!
- The Company Of Heaven: II. The Morning Stars
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Heaven-Haven
- Greensleeves, folk song
- Winter Words, song cycle for tenor & piano, Op. 52: 4. The Little Old Table
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. To those who pass the Borough
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 2. I mon waxe sod
- Hymn to St. Cecilia (1942), op. 27: In a garden shady
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: March
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Prologue
- The Beggar's Opera, Realised Britten, op. 43, Act 3: And Macheath, at liberty and at large...The modes...
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Oh sir, if Peachum's heart...When he holds up
- Spring Symphony, op. 44: III. Spring, the sweet Spring
- Suite, for violin & piano, Op. 6: 2. Moto perpetuo: Allegro molto e con fuoco
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 7. The Lake
- Owen Wingrave, op. 85, Act 1: May God bless the Queen
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Interlude 2: Storm
- The Prince of the Pagodas, op. 57, Act 1: The Kings and Belle Rose
- Rossini Suite, for boys' voices & chamber ensemble: 2. Allegretto
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves and glitter of sunlight
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 2
- The Prince of the Pagodas, op. 57, Act 1: Rage of the Kings
- Spring Symphony, op. 44: VI. Welcome Maids of Honour
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Have you sent to Bottom's house?
- 6 Metamorphoses after Ovid, op. 49: V. Narcissus
- Gloriana, op. 53, Act 1 Scene 2: 1VI. The First Duet for the Queen & Essex
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIII: Scene 6: The Piano
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Rose and the Salamander
- Nocturnal after John Dowland, for guitar, Op. 70: 7. Gently rocking (Cullante)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Move him into the sun . . . Pie Jesu
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. The oatmeal slippers of sleep
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Be kind and courteous to this gentleman
- The Little Sweep, children's opera, Op. 45: Scene 3. 18. Finale: Coaching Song: The Horses and champing (Audience Song 4)
- Dichterliebe, op. 48: 1IV. Allnächtlich im Traume seh' ich dich
- The Poet's Echo, op. 76: II. My Heart ("Ya dumal, serdtse pozabilo")
- Cello Symphony, for cello & orchestra, Op. 68: 2. Presto inquieto
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 2. Gloria
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Is all our company here?
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 1. Introduction
- Chansons Françaises (4), for voice & orchestra: 3. L'Enfance
- Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8b. Exit of Lumberjacks: Down the line... Timberr
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 5. Nicolas comes to Myra and is chosen Bishop
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Pantomime
- Hymn of St. Columba (Regis regum rectissimi), for chorus & organ
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 8
- Simple Symphony, for string orchestra, Op. 4: 1. Boisterous Bourrée
- A Charm of Lullabies, op. 41: I. Cradle Song
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose in darkness
- Waltzes (5), for piano: 5. Variations: Quiet and simple
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: Belle Rose in Pagoda-Land
- Gloriana, op. 53, Act 3 Scene 1: 4VI. The Queen's Decision
- The Prince of the Pagodas, op. 57, Act 2 Scene 1: Fire
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 8. Thou hast made me
- Canticle IV: The Journey of the Magi, for countertenor, tenor, baritone & piano, Op. 86
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Whatever you say... Let her among you without fault
- The Beggar's Opera, Realised Britten, op. 43, Act 3: And those two good old friends
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Dear friends, with your leave
- Nocturnal after John Dowland, for guitar, Op. 70: 6. Dreaming (Sognanti)
- Paul Bunyan, operetta, Op. 17: 2. Prologue. Since the birth of the earth
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. We always knew that one day you
- The Prince of the Pagodas, op. 57, Act 1: The King of the East
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Hail, mortal, hail!
- Gloriana, op. 53, Act 2 Scene 3: 3VI. The Queen's Announcement
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Is then his fate decreed, sir?
- Winter Words, song cycle for tenor & piano, Op. 52: 2. Midnight on the Great Western (or the Journeying Boy)
- Gloriana, op. 53, Act 3 Scene 3: 4VIII. Prelude & Verdict
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 17. Bunyan's Goodnight
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Waltz
- Missa brevis, op. 63: IV. Agnus Dei
- Rossini Suite, for boys' voices & chamber ensemble: 5. Allegro con brio
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 6. S'un casto amor (32)
- Folksong Arrangements, Vol. II "France", for voice & piano: Fileuse, folksong for voice & piano (Folk Songs, Vol. 2)
- Gloriana, op. 53, Act 3 Scene 1: 3IX. Prelude & Chatter
- The Prince of the Pagodas, op. 57, Act 2 Scene 1: Water
- The Prodigal Son: Third Parable for Church Performance: Father, may I speak to you?
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Epine as Empress
- Saint Nicolas, op. 42: Nicolas devotes himself to God
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Merry Cuckoo
- A Midsummer Night's Dream, op. 64, Act 2: "This is thy negligence"
- Curlew River, op. 71: "Ferryman, tell me, when did it happen"
- Our Hunting Fathers, op. 8: I. Prologue
- Dichterliebe, op. 48: 1V. Aus alten Märchen winkt es
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tarantella
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 4. Benedictus
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 10: Adagio
- Suite for solo cello No. 2, Op. 80: 2. Fuga: Andante
- A Midsummer Night's Dream, op. 64, Act 3: "Gentles, perchance you wonder at this show"
- War Requiem, op. 66, Requiem aeternam: What passing bells for these who die as cattle?
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 6. Nicolas from Prison
- Peter Grimes, opera, Op. 33: Prologue. The truth - the pity
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 1. The Tournament
- Oliver Cromwell, for voice & piano (Folk Songs, Vol. 1)
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 16. Inkslinger's Regret: All the little brooks of love
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de six: Entrée
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the West
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 5. The Window
- Cantata Academica, (Carmen basiliense) op. 62: I. Bonorum summun omnium II: Quae bene beateque
- Gloriana, op. 53, Act 2 Scene 1: 1VIII. Prelude & Welcome
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Pas de deux: Male and Female Flames
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Through the forest have I gone
- Gloriana, op. 53, Act 2 Scene 3: 2VII. Galliard
- Character Pieces (3), for piano: 1. Poco allegro vivace
- The Little Sweep, children's opera, Op. 45: Scene 1. 5. Ensemble: Is he wounded?
- Suite for solo cello No. 1, Op. 72: 3. Serenanta: Allegretto (pizzicato)
- Folksong Arrangements, Vol. V "British Isles", for voice & piano: Ca' the Yowes
- Turn of the Screw, chamber opera, Op. 54: Act 1. Theme
- Missa brevis, op. 63: II. Gloria in excelsis Deo
- The Beggar's Opera, Realised Britten, op. 43, Act 1: My heart was so free
- Alla Marcia, for string quartet
- Prelude & Fugue, for 18 strings, Op. 29
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the South
- Waltzes (5), for piano: 4. Rhythmic; not fast
- Suite for solo cello No. 1, Op. 72: Canto primo: Sostenuto e largamente
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 9. The Blues: Gold in the North came the blizzard to say
- The Burning Fiery Furnace, op. 77: The waters of Babylon
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 4. Hunt the Squirrel
- Serenade for tenor, horn & strings, op. 31: Hymn: Queen and Huntress Chaste and Fair
- Hymn to St. Cecilia, for chorus, Op. 27: 2. I cannot grow
- Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Lincolnshire Poacher
- Two Lullabies, for 2 pianos: Lullaby
- Gloriana, op. 53, Act 2 Scene 2: 2III. Double Duet
- 2 Two-Part Songs: II. Lift Boy
- A Midsummer Night's Dream, op. 64, Act 2: "Flower of this purple dye"
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings and Belle Rose
- Owen Wingrave, op. 85, Act 1: You've got your maps there?
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. None of the women move
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 3. O might those sighes and teares
- Folksong Arrangements, Vol. I "British Isles", for voice & piano: O can ye sew cushions?
- A Midsummer Night's Dream, opera, Op. 64: Act 2. On the ground, sleep sound
- The Prince of the Pagodas, op. 57, Act 1: Prelude
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Belle Epine and the Four Kings
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 3: Boy's Solo
- 2 Insect Pieces: I. The Grasshopper
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Sea Horses
- A Midsummer Night's Dream, op. 64, Act 1: "Oberon is passing fell and wrath"
- A Midsummer Night's Dream, op. 64, Act 1: "You spotted snakes with double tongue"
- A Midsummer Night's Dream, op. 64, Act 2: "Hail, mortal, hail!"
- Noye's Fludde, children's opera, Op. 59: Noye, take they wife anone
- Suite, for violin & piano, Op. 6: 3. Lullaby: Lento tranquillo
- Winter Words, song cycle for tenor & piano, Op. 52: 1. At day-close in November
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. a. That yongë child
- Coal Face: 1I. Allegro: "Coal Mining Is the Basic Industry"
- The Prince of the Pagodas, ballet, Op. 57: Act 1. March and Courtiers' Dance
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Epilogue and Funeral March
- Coal Face: X. "Making Up Coal Trains"
- The Little Sweep, children's opera, Op. 45: Scene 1. 3. Duet: Now, little white boy!
- Gloriana, op. 53, Act 3 Scene 1: 4II. The Dressing-Table Song
- Gloriana, op. 53, Act 2 Scene 3: 3VIII. Coranto
- Gloriana, op. 53, Act 2 Scene 3: 30. Conversation
- Dichterliebe, op. 48: II. Aus meinen Tränen sprießen
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 1. Lullay, Jesu
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation I: Harp (Maestoso)
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. The bridge is down
- The Turn of the Screw, op. 54, Act One: Theme: Scene 1: The Journey
- Cantata Academica, (Carmen basiliense) op. 62: XII. Nos autem cuncti. XIII. Vigeatque academia libera
- Coal Face: V. Moderato: "The Temp'rature Often Reaches"
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. The Old Emperor
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Swallow, Mr Swallow
- Jubilate Deo, for chorus & organ in C major
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 3
- War Requiem, op. 66, Sanctus: After the blast of lightning from the East
- Curlew River, op. 71: "Te lúcis ante términum"
- String Quartet No. 1 in D major, Op. 25: 3. Andante calmo
- The Little Sweep, children's opera, Op. 45: Scene 1. 7. Trio: Sam! Sam!
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23. The Fight: What is it? What's happening?
- The Prince of the Pagodas, op. 57, Act 1: The Emperor: March
- A Midsummer Night's Dream, op. 64, Act 1: "Over hill, over dale"
- The Beggar's Opera, Realised Britten, op. 43, Act 2: The first time at the looking-glass
- Sonatina Romantica, for piano: Moderato
- Rossini Suite, for boys' voices & chamber ensemble: 1. Allegro brillante
- A Midsummer Night's Dream, op. 64, Act 1: "Fair love, you faint with wand'ring in the wood"
- Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh'
- Gloriana, op. 53, Act 3 Scene 3: 4IX. Cecil's Warning
- The Little Sweep, children's opera, Op. 45: Scene 1. 8. Aria: Run, poor sweepboy
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 5: Belle Rose
- Noye's Fludde, children's opera, Op. 59: Noye, heare I behette thee a heste
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 22. Cat's Creed: Let Man the romantic in vision espy
- Paul Bunyan, operetta, Op. 17: Appendix. Lullaby of Dream Shadows
- Sonatina Romantica, for piano: Nocturne
- The Little Sweep, children's opera, Op. 45: Scene 2. 11. Pantomime and
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Pagodas
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Thus when a good housewife sees a rat
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 5. War in Heaven
- A Midsummer Night's Dream, op. 64, Act 2: "Up and down, up and down"
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. I have to go from pub to pub
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 5. Lord Melbourne
- Gloriana, op. 53, Act 3 Scene 2: 4VII. Ballad: Rondo
- Noye's Fludde, children's opera, Op. 59: It is good for to be still
- Divertimenti (3), for string quartet: 1. March
- War Requiem, op. 66, Dies Irae: Recordare Jesu pie
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. O all ye works of the Lord
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 2. Herod
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 9. Death, be not proud
- A Birthday Hansel, op. 89
- Rossini Suite, for boys' voices & chamber ensemble: 3. Allegretto
- Canticle I, My beloved is mine op. 40
- A Charm of Lullabies, op. 41: II. The Highland Bales
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10. Bunyan's Goodnight
- Simple Symphony, for string orchestra, Op. 4: 4. Frolicsome Finale
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the flowers are great blessings
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 5. Quartet of Swedes: Swedish born and Swedish bred
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For H is a spirit and therefore he is God
- Suite for solo cello No. 2, Op. 80: 3. Scherzo: Allegro molto
- The Beggar's Opera, Realised Britten, op. 43, Act 2: When you censure the age
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 4. Tu sa' ch'io so (55)
- Holiday Diary, suite for piano, Op. 5: 2. Sailing
- The King's Stamp, Part 1: Lento ma non troppo: Entry To Lithograph Works
- Winter Words, song cycle for tenor & piano, Op. 52: 5. The Choirmaster's Burial (or The Tenor Man's Story)
- Gloriana, op. 53, Act 2 Scene 3: 3V. March
- Praise We Great Men, for voices, chorus & orchestra: Praise we the just
- Suite for solo cello No. 2, Op. 80: 4. Andante lento
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Waltz: Clouds, Stars and Moon
- The Little Sweep, children's opera, Op. 45: Scene 2. 12. Scene: Ah!... Blackguards
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: The King is gone a-hunting
- Our Hunting Fathers, op. 8: V. Epilogue & Funeral March
- A Midsummer Night's Dream, op. 64, Act 1: "What thou seest when thou dost wake"
- Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 2. Scherzo
- Dichterliebe, op. 48: V. Ich will meine Seele tauchen
- The Turn of the Screw, op. 54, Act One: Interlude: Variation I: Scene 2: The Welcome
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19. Farmer's Song: The shanty-boy invades the wood
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Welcome wanderer... I know a bank
- Noye's Fludde, children's opera, Op. 59: Wiffe, come in!
- 6 Metamorphoses after Ovid, op. 49: III. Niobe
- The Little Sweep, children's opera, Op. 45: Scene 2. 10. Ensemble: O why do you weep...
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Well, go thy way
- The Beggar's Opera, Realised Britten, op. 43, Act 3: In the days of my youth
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Transformation
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Fortune be with you, Lucy
- Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome
- Coal Face: VII. Ad Libitum Sempre: "One Thirty A.M."
- The Burning Fiery Furnace, op. 77: Good people, in His holy name
- A Midsummer Night's Dream, opera, Op. 64: Act 1. What thou seest when thou dost wake
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4. Lumberjack's Chorus: My birthplace was in Sweden
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation A: Flutes and piccolo
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 27. Litany: The campfire embers are black and cold
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Puppet? Why, so?
- Serenade for tenor, horn & strings, op. 31: Nocturne: The Splendour Falls on Castle Walls
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Now is gossip put on trial
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 20. The Mocking of Hel Helson: Heron, heron winging by
- A Midsummer Night's Dream, op. 64, Act 3: "In this same interlude it doth befall"
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Our Polly is a sad slut
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation D: Bassoons (Allegro alla marcia)
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 10. There came out also at this time
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Were I laid on Greenland's coast
- Theme from Abdelazar
- In the Bleak Mid-Winter
- Jesu, as Thou Art Our Saviour
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIV. Double Basses
- The Young Person's Guide to the Orchestra, op. 34: Fuge (großes Orchester - Thema in den Blechbläsern)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIX. Timpani and the Rest of the Percussion
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVI. Horns
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: IV. Strings
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XII. Violas
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: X. Bassoons
- The Young Person's Guide to the Orchestra, op. 34: Ansprache und Erklärung - Theme A (Großes Orchester)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XV. Harps
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XX. Fugue
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: V. Percussion
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIII. Cellos
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VII. Flute and Piccolo
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VIII. Oboes
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVII. Trumpets
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: I. Theme
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: II. Woodwind
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VI. Full Orchestra
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: III. Brass
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XI. Violins
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: IX. Clarinets
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVIII. Trombones and Bass Tuba
- Serenade for Tenor, Horn and Strings: II. Pastoral
- Violin Concerto in D minor, op. 15: III. Passacaglia. Andante lento (un poco meno mosso)
- Violin Concerto in D minor, op. 15: II. Vivace - Cadenza
- Violin Concerto in D minor, op. 15: I. Moderato con moto - Agitato
- Bruce Ubukata reads from a memoir by Benjamin Britten
- Felicity Lott - Quatre Chansons Francaises for Soprano and Orchestra - I. Nuits de Juin
- Felicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - VI. InterludeFelicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - VII. Being Beauteous
- Felicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - IIIb. Antique
- Felicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - IIIa. Phrase
- Anthony Rolfe Johnson - Serenade for Tenor, Horn and Strings op. 31 - Dirge
- Anthony Rolfe Johnson - Serenade for Tenor, Horn and Strings op. 31 - Sonnet
- Anthony Rolfe Johnson - Serenade for Tenor, Horn and Strings op. 31 - Hymn
- Anthony Rolfe Johnson - Serenade for Tenor, Horn and Strings op. 31 - Prologue
- Felicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - VIII. Parade
- Anthony Rolfe Johnson - Serenade for Tenor, Horn and Strings op. 31 - Nocturne
- Felicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - V. Marine
- Felicity Lott - Quatre Chansons Francaises for Soprano and Orchestra - II. Sagesse
- Felicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - II. Villes
- Felicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - IV. Royaute
- Felicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - I. Fanfare
- Felicity Lott - Quatre Chansons Francaises for Soprano and Orchestra - III. L'Enfance
- Felicity Lott - Quatre Chansons Francaises for Soprano and Orchestra - IV. Chanson d'Automne
- Anthony Rolfe Johnson - Serenade for Tenor, Horn and Strings op. 31 - Epilogue
- Felicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - VI. Interlude
- Anthony Rolfe Johnson - Serenade for Tenor, Horn and Strings op. 31 - Pastoral
- Felicity Lott - Les Illuminations for Soprano & String Orchestra op. 18 - IX. Depart
- Anthony Rolfe Johnson - Serenade for Tenor, Horn and Strings op. 31 - Elegy
- Quatre Chansons Françaises for Soprano and Orchestra – III. L’Enfance
- Quatre Chansons Françaises for Soprano and Orchestra – I. Nuits de Juin
- Les Illuminations for Soprano & String Orchestra op. 18 – V. Marine
- Les Illuminations for Soprano & String Orchestra op. 18 – VI. Interlude
- Les Illuminations for Soprano & String Orchestra op. 18 – VIII. Parade
- Les Illuminations for Soprano & String Orchestra op. 18 – II. Villes
- Quatre Chansons Françaises for Soprano and Orchestra – II. Sagesse
- Les Illuminations for Soprano & String Orchestra op. 18 – IX. Depart
- Serenade for Tenor, Horn and Strings op. 31 – Pastoral
- Quatre Chansons Françaises for Soprano and Orchestra – IV. Chanson d’Automne
- Les Illuminations for Soprano & String Orchestra op. 18 – IV. Royaute
- Les Illuminations for Soprano & String Orchestra op. 18 – VI. InterludeFelicity Lott – Les Illuminations for Soprano & String Orchestra op. 18 – VII. Being Beauteous
- Serenade for Tenor, Horn and Strings op. 31 – Epilogue
- Les Illuminations for Soprano & String Orchestra op. 18 – IIIa. Phrase
- Serenade for Tenor, Horn and Strings op. 31 – Hymn
- Serenade for Tenor, Horn and Strings op. 31 – Sonnet
- Les Illuminations for Soprano & String Orchestra op. 18 – I. Fanfare
- Serenade for Tenor, Horn and Strings op. 31 – Prologue
- Serenade for Tenor, Horn and Strings op. 31 – Elegy
- Serenade for Tenor, Horn and Strings op. 31 – Dirge
- Serenade for Tenor, Horn and Strings op. 31 – Nocturne
- Les Illuminations for Soprano & String Orchestra op. 18 – IIIb. Antique
- Simple Symphony, Op. 4: II. Playful Pizzacato
- Peter - 'The truth - the pity - and the truth'
- Ellen - 'This unrelenting work'
- Scene 1 - Swallow - 'Assign your prettiness to me'
- Hobson - 'I'll have to go from pub to pub'
- Ellen - 'Child you're not too young'
- Peter - 'Hi! Give us a hand'
- Balstrode - 'For peace sake'
- Boles - 'No, I mean love'
- Ned - 'Have you heard the cliff is down'
- Mrs Sedley - 'Mr Swallow'
- Chorus - 'Now! Now!'
- Boles - 'People . . . No! I will speak!'
- Ellen - 'Glitter of waves'
- Ellen - 'Let her among you without fault'
- Auntie - 'Past time to close'
- Fisherman - 'There's been a landslide up the coast'
- Scene 1 - Chorus - 'Oh, hang at open doors'
- Interlude I
- Peter - 'Go there!'
- Prologue-Hobson-"Peter Grimes!"
- Ellen - 'Embroidery in childhood was'
- Nieces - 'From the gutter'
- Hobson - 'The bridge is down'
- Interlude IV
- Ellen - 'We planned that their lives'
- Interlude II
- Rector - 'Swallow - shall we go and see Grimes in his hut?'
- Balstrode - 'Look! The storm cone!'
- Aunti - 'Fool to let it come to this'
- Balstrode - 'Pub conversation should depend'
- Peter - 'What harbour shelters peace'
- Swallow - 'You sailed your boat round the coast'
- Chorus - 'Now gossip is put on trial'
- Aunti - 'Loud man'
- Chorus - 'To those who pass the Borough'
- Balstrode - 'And do you prefer the storm'
- Rector - 'Good morning, good morning!'
- Swallow - 'Peter Grimes, I here advise you'
- Mrs Sedley - 'Murder most foul it is'
- Ellen - 'Peter, we've come to take you home'
- Rector - 'Peter Grimes'
- Voices - 'Grimes!'
- Interlude V
- Chorus - 'Now that the daylight fills the sky'
- Peter - 'Now the Great Bear and Pleiades'
- Peter - 'They listen to money'
- Chorus - 'Who holds himself apart'
- Burgess - 'Come along, Doctor'
- Interlude VI
- Interlude III
- Mrs Sedley - 'Mr Keene'
- Act I Introducion...Over hill, ocer dale
- Canticle V: The Death of Saint Narcissus
- Variations on a Theme of Frank Bridge, op. 10: Var. 3. Romance
- Corpus Christi Carol (arr. for Harp)
- Cello Suite No. 3, Op. 87: IV. Barcarolla
- Simple Symphony, Op. 4: 3. Sentimental Saraband
- Simple Symphony, Op. 4: 1. Boisterous Bourrée
- Simple Symphony, Op. 4: 2. Playful Pizzicato
- Simple Symphony, Op. 4: 4. Frolicsome Finale
- Double Concerto for Violin, Viola & Orchestra in B Minor: III. Allegro scherzando - Allegro non troppo
- Violin Concerto in D Minor, Op. 15: II. Vivace - Animando - Largamente - Cadenza
- Violin Concerto in D Minor, Op. 15: III. Passacaglia. Andante lento un poco meno mosso
- Double Concerto for Violin, Viola & Orchestra in B Minor: I. Allegro ma non troppo
- Double Concerto for Violin, Viola & Orchestra in B Minor: II. Rhapsody. Poco lento
- Violin Concerto in D Minor, Op. 15: I. Moderato con moto - Agitato - Tempo primo
- Sonata in C for Cello & Piano, op.65: IV. Marcia: Energico
- Cello Suite No.3, op.87: 3. Canto: Con moto
- Cello Suite No.3, op.87: 4. Barcarolla: Lento
- Cello Suite No.3, op.87: 9. Three Russian folk songs & Grand Repose
- Cello Suite No.2, op.80: III. Scherzo: Allegro molto
- Cello Suite No.3, op.87: 8. Moto perpetuo: Presto
- Cello Suite No.3, op.87: 6. Fuga: Andante espressivo
- Cello Suite No.3, op.87: 9. Passacaglia: Lento solenne
- Sonata in C for Cello & Piano, op.65: V. Moto Perpetuo: Presto
- Cello Suite No.3, op.87: 7. Recitativo: Fantastico
- Cello Suite No.2, op.80: I. Declamato: Largo
- Cello Suite No.3, op.87: 5. Dialogo: Allegretto
- from Orpheus Britannicus : Sound the Trumpet
- Canticle 1: My Beloved is Mine, op.40
- Tit for Tat : 3. Silver
- Three rhymes by William Soutar : Dawlie's Devotion
- Winter Words Op.52 : 2. Midnight on the Great Western
- Folk songs : Oft in the stilly night
- Quatre Chansons françaises : 3. L'Enfance (Victor Hugo)
- Sonnet (Keats)
- Five French folksong arrangements : Quand j'etais chez mon père
- Folksong arrangements : Come ye not from Newcastle?
- Five French folksong arrangements : Eho! Eho!
- Folksong arrangements : Sweet Polly Oliver
- from Orpheus Britannicus : Lost is my quiet for ever
- Quatre Chansons françaises : 1. Les Nuits de juin (Victor Hugo)
- On This Island Op.11 : 5. As it is; plenty
- Canticle 4: Journey of the Magi, op.86
- Tit for Tat : 5. Tit for Tat
- Two Ballads for voices and piano : 1. Mother Comfort
- Winter Words Op.52 : 4. The Little Old Table
- Holy Sonnets of John Donne Op.35 : 2. Batter my heart
- Folksong arrangements : The Lincolnshire Poacher
- Suite of Songs : 5a. 'Tis holiday , 5b. Sound Fame thy brazen trumpet
- Suite of Songs : 1. Let sullen discord smile
- Two Songs by Thomas Hardy : 1. The Childrfen and Sir Nameless
- Nocturne (Tennyson)
- Beware! - Three Early Songs : 2. O that I had ne'er been married (Burns)
- Folksong arrangements : Little Sir William
- Folksong arrangements : Ca' the Yowes
- Winter Words Op.52 : 5. The Choirmaster's Burial
- When most I wink, then do my eyes best see
- from Orpheus Britannicus : What can we poor females do?
- Seven Sonnets of Michelangelo Op.22 : 6. S'un casto amor (XXXII)
- from Orpheus Britannicus : I attempt from love's sickness to fly
- She sleeps on soft, last breaths
- Not even summer yet (Burns)
- Suite of Songs : 3. So when the glittering Queen of Night
- Winter Words Op.52 : 3. Wagtail and Baby
- Our Hunting Fathers Op.8 : B. Messalina (Anon)
- Holy Sonnets of John Donne Op.35 : 7. At the round earth's imagined corners
- On a poet's lips I slept
- Schubert Die Forelle D550
- Canticle 5: The Death of Saint Narcissus, op.89
- What is more gentle than a wind in summer
- Below the thunders of the upper deep
- Suite of Songs : 2. Why should men quarrel?
- from Orpheus Britannicus : Fairest Isle
- Three rhymes by William Soutar : The Gully
- Seven Sonnets of Michelangelo Op.22 : 4. Tu sa' ch'io so (LV)
- Two songs by W.H. Auden : To lie flat on the back
- Folk songs : Voici le printemps
- Quatre Chansons françaises : 2. Sagesse (Paul Verlaine)
- Five French folksong arrangements : Fileuse
- Holy Sonnets of John Donne Op.35 : 9. Death, be not proud
- Five French folksong arrangements : Le roi s'en va-t'en chasse
- On This Island Op.11 : 1. Let the florid music praise!
- Encinctured with a twine of leaves
- Seven Sonnets of Michelangelo Op.22 : 1. Sì come nella penna (XVI)
- Phaedra Op.93 : My time's too short, your highness
- Holy Sonnets of John Donne Op.35 : 3. O might those sighes and teares
- Realisations of music by Henry Purcell : The Queen's Epicedium
- Winter Words Op.52 : 1. At day-close in November
- Our Hunting Fathers Op.8 : Epilogue and Funeral March
- Seven Sonnets of Michelangelo Op.22 : 7. Spirito ben nato (XXIV)
- Seven Sonnets of Michelangelo Op.22 : 3. Veggio co' bei vostri occhi (XXX)
- Our Hunting Fathers Op.8 : C. Dance of Death (T. Ravenscroft)
- Folksong arrangements : Oliver Cromwell
- Phaedra Op.93 : O Gods of wrath
- Our Hunting Fathers Op.8 : Prologue
- But that night when on my bed I lay
- Winter Words Op.52 : 6. Proud Songsters
- Pastoral (Cotton)
- Holy Sonnets of John Donne Op.35 : 1. Oh my blacke soule
- On This Island Op.11 : 3. Seascape
- Folk songs : Dear Harp of my Country!
- Folksong arrangements : Bonny Earl Moray
- Canticle 3: Still Falls the Rain, op.55
- Two Songs by Thomas Hardy : 2. If it's ever spring again
- Winter Words Op.52 : Before Life and After
- Tit for Tat : 1. A Song Echantment
- Beware! - Three Early Songs : 3. Epitaph: The Clerk (Asquith)
- Schumann: Frühlingsnacht (No.12 from Liederkreis Op.39)
- Three rhymes by William Soutar : Tradition
- Quatre Chansons françaises : 4. Chansons d'automne (Paul Verlaine)
- Holy Sonnets of John Donne Op.35 : 6. Since she whom I loved
- Our Hunting Fathers Op.8 : A. Rats Away! (Anon)
- Folk songs : How sweet the answer
- Five French folksong arrangements : La belle est au jardin d'amour
- Folksong arrangements : The trees they grow so high
- Two Ballads for voices and piano : 2. Underneath the Abject Willow
- Holy Sonnets of John Donne Op.35 : 4. Oh, to vex me
- Folksong arrangements : The Minstrel Boy
- Folksong arrangements : O can ye sew cushions?
- On This Island Op.11 : 4. Nocturne
- from Orpheus Britannicus : The Knotting Song
- from Orpheus Britannicus : I'll sail upon the Dog-star
- Suite of Songs : 4. Thou tun'st this world
- Winter Words Op.52 : At the Railway Station, Upway
- Seven Sonnets of Michelangelo Op.22 : 5. Rendete a gli occhi miei (XXXVIII)
- Folksong arrangements : The Brisk Young Widow
- Seven Sonnets of Michelangelo Op.22 : 2. A che più debb'io mai (XXXI)
- Hymn (Jonson)
- Holy Sonnets of John Donne Op.35 : 5. What if this present
- Dirge (Anon)
- from Orpheus Britannicus : Man is for the woman made
- Canticle 2: Abraham and Isaac, op.51
- Folk songs : The last rose of Summer
- Folk songs : Early one morning
- Two songs by W.H. Auden : Night covers up the rigid land
- Beware! - Three Early Songs : 1. Beware! (Longfellow, from the German)
- Holy Sonnets of John Donne Op.35 : 8. Thou hast made me
- Elegy (Blake)
- Phaedra Op.93 : In May, in brilliant Athens
- On This Island Op.11 : 2. Now the leaves are falling fast
- Midnight's bell goes ting, ting, ting, ting, ting
- Piano Concerto No.1 in D major Op.13 - III Impromptu (Andante lento)
- Piano Concerto No.1 in D major Op.13 - II Waltz (Allegretto)
- Piano Concerto No.1 in D major Op.13 - IV March (Allegro moderato, sempre alla marcia)
- Piano Concerto No.1 in D major Op.13 - I Toccata (Allegro molto e con brio)
- String Quartet no. 2 in C major: III. Chacony. Sostenuto
- String Quartet no. 2 in C major: II. Vivace
- String Quartet no. 2 in C major: I. Allegro calmo senza rigore
- A Boy was Born: Variation III: Jesu, as Thou art our Saviour
- A Boy was Born: Theme: A Boy was Born
- Peter Grimes: Act I, Scene 2. Balstrode - "For peace sake"
- Peter Grimes: Act I, Scene 2. Balstrode - "Pub conversation should depend"
- Peter Grimes: Act III, Scene 1. Ellen - "Embroidery in childhood was"
- Peter Grimes: Act I, Scene 2. Aunti - "Loud man"
- Peter Grimes: Act II, Scene 2. Chorus - "Now! Now!"
- Peter Grimes: Act III, Scene 2. Voices - "Grimes!"
- Peter Grimes: Act I, Scene 1. Peter - "Hi! Give us a hand"
- Peter Grimes: Act II, Scene 2. Rector - "Peter Grimes"
- Peter Grimes: Act I, Scene 1. Peter - "They listen to money"
- Peter Grimes: Act II, Scene 1. Chorus - "Now gossip is put on trial"
- Peter Grimes: Act I, Scene 1. Balstrode - "And do you prefer the storm"
- Peter Grimes: Act III, Scene 1. Mrs Sedley - "Mr Keene"
- Peter Grimes: Act I, Scene 1. Hobson - "I'll have to go from pub to pub"
- Peter Grimes: Act III, Scene 1. Chorus - "Who holds himself apart"
- Peter Grimes: Act III, Scene 1. Mrs Sedley - "Murder most foul it is"
- Peter Grimes: Act II, Scene 1. Aunti - "Fool to let it come to this"
- Peter Grimes: Act I, Scene 1. Balstrode - "Look! The storm cone!"
- Peter Grimes: Act I, Scene 2. Hobson - "The bridge is down"
- Peter Grimes: Prologue. Swallow - "You sailed your boat round the coast"
- Peter Grimes: Act II, Scene 1. Boles - "People . . . No! I will speak!"
- Peter Grimes: Act III, Scene 1. Swallow - "Assign your prettiness to me"
- Peter Grimes: Prologue. Swallow - "Peter Grimes, I here advise you"
- Peter Grimes: Act III, Scene 1. Burgess - "Come along, Doctor"
- Peter Grimes: Act I, Scene 1. Ellen - "Let her among you without fault"
- Peter Grimes: Act III, Scene 1. Mrs Sedley - "Mr Swallow"
- Peter Grimes: Prologue. Hobson - "Peter Grimes!"
- Peter Grimes: Act III, Scene 2. Chorus - "To those who pass the Borough"
- Peter Grimes: Act I, Scene 1. Chorus - "Oh, hang at open doors"
- Peter Grimes: Act II, Scene 1. Chorus - "Now that the daylight fills the sky"
- Peter Grimes: Act II, Scene 1. Ellen - "This unrelenting work"
- Peter Grimes: Act II, Scene 1. Ellen - "Glitter of waves"
- Peter Grimes: Act I, Scene 2. Boles - "No, I mean love"
- Peter Grimes: Act III, Scene 2. Ellen - "Peter, we've come to take you home"
- Peter Grimes: Act II, Scene 1. Interlude IV
- Peter Grimes: Prologue. Peter - "The truth - the pity - and the truth"
- Peter Grimes: Act II, Scene 1. Ellen - "Child you're not too young"
- Peter Grimes: Act II, Scene 1. Ellen - "We planned that their lives"
- Peter Grimes: Act I, Scene 1. Peter - "What harbour shelters peace"
- Peter Grimes: Act II, Scene 2. Peter - "Go there!"
- Peter Grimes: Act II, Scene 2. Peter - "They listen to money"
- Peter Grimes: Act I, Scene 1. Interlude II
- Peter Grimes: Act I, Scene 2. Fisherman - "There's been a landslide up the coast"
- Peter Grimes: Act I, Scene 2. Peter - "Now the Great Bear and Pleiades"
- Peter Grimes: Act I, Scene 2. Auntie - "Past time to close"
- Peter Grimes: Act II, Scene 1. Rector - "Swallow - shall we go and see Grimes in his hut?"
- Peter Grimes: Act I, Scene 2. Ned - "Have you heard the cliff is down"
- Peter Grimes: Act I, Scene 1. Peter Grimes: Rector - "Good morning, good morning!"
- Peter Grimes: Act II, Scene 1. Nieces - "From the gutter"
- The Rape of Lucretia, op. 37: Act 1, Scene 1: Interlude "Tarquinius does not wait" (Male Chorus)
- The Rape of Lucretia, op. 37: Act 1, Scene 1: "Rome is now ruled by the Etruscan upstart" (Male Chorus)
- Cello Suite no. 1, op. 72: VI. Moto perpetuo e Canto quarto (Presto)
- Cello Suite no. 1, op. 72: I. Fuga (Andante moderato)
- Cello Suite no. 2, op. 80: IV. (Andante lento)
- Cello Suite no. 1, op. 72: V. Bordone (Moderato quasi recitativo)
- Cello Suite no. 1, op. 72: IV. Marcia (Alla marcia moderato)
- Cello Suite no. 2, op. 80: II. Fuga (Andante)
- Cello Suite no. 2, op. 80: I. Declamato (Largo)
- Cello Suite no. 1, op. 72: II. Lamento (Lento rubato)
- Cello Suite no. 1, op. 72: Canto terzo (Sostenuto)
- Cello Suite no. 1, op. 72: III. Serenata (Allegretto pizzicato)
- Cello Suite no. 2, op. 80: III. Scherzo (Allegro molto)
- Cello Suite no. 1, op. 72: Canto primo (Sostenuto e largamente)
- Symphony for Cello and Orchestra, op. 68: IV. Passacaglia - Andante allegro
- Cello Suite no. 1, op. 72: Canto secondo (Sostenuto)
- Cello Suite no. 2, op. 80: V. Ciaccona (Allegro)