Royal Concertgebouw Orchestra, Riccardo Chailly Songtexte
Songtexte
- Poème électronique
- Symphonic Metamorphosis After Themes by Carl Maria von Weber: III. Andantino
- Symphonic Metamorphosis After Themes by Carl Maria von Weber: II. Turandot. Scherzo
- Symphonic Metamorphosis After Themes by Carl Maria von Weber: I. Allegro
- Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: I. Allegro
- Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: III. Allegro vivace
- Symphonic Metamorphosis After Themes by Carl Maria von Weber: IV. Marsch
- Concerto for Seven Wind Instruments, Timpani, Percussion and Strings: II. Adagietto
- Chant du Rossignol, Symphonique Poem Pour Orchestre: Jeu du rossignol mécanique
- Le Siège de Corinthe: Ouverture
- Im Sommerwind
- Chant du Rossignol, Symphonique Poem Pour Orchestre: Introduction
- Chant du Rossignol, Symphonique Poem Pour Orchestre: Chant du rossignol
- Chant du Rossignol, Symphonique Poem Pour Orchestre: Marche chinoise
- Symphony No. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell
- Pieces (5) for orchestra, Op. 16: No. 2, The Past
- Pieces (5) for orchestra, Op. 16: No. 1, Premonitions
- Pieces (5) for orchestra, Op. 16: No. 3, Chord-Colours
- Pieces (5) for orchestra, Op. 16: No. 4, Peripetie (Turning point)
- Symphony No. 6 in A major: III. Scherzo: Nicht schnell - Trio: Langsam
- Symphony No. 6 in A major: I. Maestoso
- Symphony No. 6 in A major: II. Adagio: Sehr feierlich
- Pieces (5) for orchestra, Op. 16: No. 5, The Obbligato Recitative
- Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Veni, Creator... Da gaudiorum praemia
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Neige, neige, du Ohnegleiche
- Symphony no. 6 in A minor: II. Scherzo. Wuchtig
- Symphony no. 9 in D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig
- Symphony no. 5 in C-sharp minor: Part III. V. Rondo-Finale. Allegro
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Ewiger Wonnebrand
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Alles Vergängliche
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Bei der Liebe, die den Füßen
- Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Höchste Herrscherin der Welt
- Symphony no. 1 in D major: I. Langsam Schleppend im Anfang sehr gemächlich
- Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Veni creator spiritus
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Dir, der Unberührbaren
- Arcana
- Symphony no. 6 in A minor: III. Andante moderato
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Imple superna gratia
- Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
- Symphony no. 2 in C minor: I. Resurrection - Allegro maestoso. Mit durchaus ernsten und feierlichem Ausdruck
- Symphony no. 7 in E minor: I. Langsam - Allegro
- Totenfeier
- Symphony no. 9 in D major: I. Andante comodo
- Symphony no. 4 in G major: III. Ruhevoll
- Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario - Allegro moderato ma energico
- Symphony no. 5 in C-sharp minor: Part I. II. Stürmisch bewegt. Mit größter Vehemenz
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Accende lumen sensibus
- Symphony no. 5 in C-sharp minor: Part II. III. Scherzo. Kräftig, nicht zu schnell
- Symphony no. 7 in E minor: III. Scherzo. Schattenhaft
- Symphony no. 2 in C minor: V-i. Im Tempo des Scherzos. Wild herausfahrend
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Gloria sit Patri Domino
- Symphony no. 1 in D major: IV. Stürmisch bewegt
- Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Wie Felsenabgrund mir zu Füßen
- Sonata, op. 1: Mässig bewegt
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Komm! Hebe dich
- Symphony no. 2 in C minor: III. In ruhig fließender Bewegung
- Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig
- Symphony no. 2 in C minor: II. Andante moderato. Sehr gemächlich
- Symphony no. 6 in A minor: IV. Finale. Allegro moderato
- Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Gerettet ist das edle Glied
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Uns bleibt ein Erdenrest – Hier ist die Aussicht frei
- Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Infirma nostri corporis
- Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Poco adagio – Waldung, sie schwankt heran
- Symphony no. 4 in G major: I. Bedächtig. Nicht eilen
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The girl sinks down... (Allegro)
- Petrushka: Part IV, No. 4f. "The Masqueraders"
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last she overcomes her reluctance... (Meno vivo)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 2nd Decoy game
- Pulcinella: Ouverture: Allegro moderato
- Petrushka: Part III, No. 3c. "Waltz" (Ballerina and Moor)
- Pulcinella: Andantino
- Pulcinella: Allegro assai
- Pulcinella: Gavotta con due variazioni
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Horrified, they see a weird figure... (Agitato)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The body of the Mandarin begins to glow (Moderato)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: She flees from him... (Sempre vivace)
- Pulcinella: Allegro - Alla breve: "Con queste paroline" (bass)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The curtain rises...
- Pulcinella: Tempo di minuetto: "Pupillette, fiammette d'amore" (soprano, tenor, bass)
- Pulcinella: Vivo
- Petrushka: Part II, No. 2. "Petrushka's Room"
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 1st Decoy game (Moderato)
- Pulcinella: Presto: "Una te fa la zemprece" (tenor)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The tramps leap out... (Sempre vivo)
- Petrushka: Part IV, No. 4g. "Conclusion" (Petrushka's Death)
- Tuning Up
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At her insistence... (Più mosso)
- Petrushka: Part I, No. 1a. "The Shrove-tide Fair"
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shabby old rake enters... (Con moto)
- Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace
- Petrushka: Part III, No. 3b. "Dance of the Ballerina"
- Pulcinella: Ancora poco meno: "Contento forse vivere" (soprano)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: 3rd Decoy game (Sostenuto)
- Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
- Petrushka: Part I, No. 1c. "The Charlatan's Booth"
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Suddenly he draws himself up... (Lento)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: At last the three tramps... (Allegro molto)
- Passacaglia for Orchestra, Op.1
- Petrushka: Part IV, No. 4b. "Dance of the Wet-Nurses"
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin catches the girl... (Sempre vivace)
- Pulcinella: Andantino: "Se tu m'ami" (soprano)
- Pulcinella: Serenata: Larghetto: "Mentre l'erbetta" (tenor)
- Petrushka: Part I, No. 1d. "Russian Dance"
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The shy young man... (Sostenuto)
- Petrushka: Part IV, No. 4c. "Dance of the Peasant and the Bear"
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: "We must kill him"... (Maestoso)
- Piano Sonata, Op.1 - Massig bewegt
- Pulcinella: Tarantella
- Petrushka: Part IV, No. 4e. "Dance of the Coachmen and Grooms"
- Pulcinella: Allegro: "Nce sta quaccuna po" (soprano) - "Una te fa la zemprece" (tenor)
- Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto
- Amériques
- Petrushka: Part I, No. 1b. "The Crowds"
- Pulcinella: Scherzino: Allegro
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin's longing... (Lento)
- Petrushka: Part IV, No. 4a. "The Shrove-tide Fair" (near evening)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They drag the resisting Mandarin... (Grave)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: They think he is dead... (Adagio)
- Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo
- Petrushka: Part IV, No. 4d. "Dance of the Gypsy Girls"
- Pulcinella: Andante: "Sento dire no'nce pace" (soprano, tenor, bass)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: The Mandarin enters... (Maestoso)
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: Introduction: A bustling city street (Allegro)
- Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando
- The Miraculous Mandarin, BB 82, Sz. 73, op. 19: General consternation... (Non troppo vivo)
- Pulcinella: Allegro
- Pulcinella: Allegro - Alla breve
- Petrushka: Part III, No. 3a. "The Moor's Room"
- Symphony no. 3 in F major, op. 90: III. Poco allegretto
- Tahiti Trot (Tea for Two), Op. 16
- Hamlet, op. 116 (excerpts): Military music
