Ralph Vaughan Williams Songtexte
Dona nobis pacem: I. Agnus Dei
Dona nobis pacem: VI. "O Man Greatly Beloved"
Songs of Travel: The Vagabond
Epithalamion: V. Procession of the Bride
Menelaus (Four Last Songs)
Geboren am 12. Oktober 1872, Gestorben am 26. August 1958
Vaughan Williams on Brass
- Flourish for Band (von Tredegar Town Band)
- English Folk Songs Suite: March: Seventeen Come Sunday
- English Folk Songs Suite: Intermezzo: My Bonny Boy
- English Folk Songs Suite: March: Folk Songs from Somerset
- Sea Songs
- Henry the Fifth
- The Truth From Above
- Prelude on Rhosymedre
- Suite from 49th Parallel
- Prelude on Three Welsh Hymn Tunes
- Tuba Concerto in F minor: Prelude: Allegro Moderato
- Tuba Concerto in F minor: Romanzao: Andante Sostenuto
- Tuba Concerto in F minor: Finale - Rondo all tedesca: Allegro
- Variations for Brass Band
Willow-Wood / The Sons of Light / Toward the Unknown Region / Five Variants of Dives and Lazarus
- Toward the Unknown Region
- Willow-Wood
- The Voice out of the Whirlwind
- 5 Variants of Dives and Lazarus (von Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones)
- The Sons of Light: I. Darkness and Light
- The Sons of Light: II. The Song of the Zodiac
- The Sons of Light: III. The Messengers of Speech
Mehr Songtexte
- Lord, Thou hast been our refuge-Motet
- Prayer to the Father of Heaven-Motet
- O vos ommnes-Motet
- Mass in G minor-Kyrie
- Mass in G minor-Gloria in exelsis
- Mass in G minor-Credo
- Mass in G minor-Sanctus-Osanna 1
- Mass in G minor-Benedictus-Osanna 2
- Mass in G minor-Agnus Dei
- O clap your hands-Motet
- O taste and see-Motet
- O how amiable-Anthem
- Come down, O Love divine (Down Ampney)-Hymn Setting
- Prelude: Symphony No. 7
- Scherzo: Symphony No. 7
- Landscape: Symphony No. 7
- Intermezzo: Symphony No. 7
- Epilogue: Symphony No. 7
- Fantasia: Symphony No. 8
- Scherzo alla Marcia (per stromenti a fiato): Symphony No. 8
- Cavatina (per stromenti ad arco): Symphony No. 8
- Toccata: Symphony No. 8
- Prelude: Movement subscriptions for Symphony No. 7
- Schezro: Movement subscriptions for Symphony No. 7
- Landscape: Movement subscriptions for Symphony No. 7
- Intermezzo: Movement subscriptions for Symphony No. 7
- Epilogue: Movement subscriptions for Symphony No. 7
- Aristophanic Suite 'The Wasps': Overture
- Aristophanic Suite 'The Wasps': Entr'acte No.1
- Aristophanic Suite 'The Wasps': March of the Kitchen Utensils
- Symphony No. 4 In F Minor - 1st Movement: Allegro
- Symphony No. 4 In F Minor - 2nd Movement: Andante Moderato
- Symphony No. 4 In F Minor - 3rd Movement: Scherzo (Allegro Molto)
- Symphony No. 4 In F Minor - 4th Movement: Finale Con Epilogo Fugato (Allegro Molto)
- Symphony No. 5 In D - 1st Movement: Preludo (Moderato)
- Symphony No. 5 In D - 2nd Movement: Scherzo (Presto)
- Symphony No. 5 In D - 3rd Movement: Romanza (Lento)
- Symphony No. 5 In D - 4th Movement: Passacaglia (Moderato)
- Overture From "The Wasps" - Aristophanic Suite
- Sym #3 - 1-Allegro moderato
- Sym #3 - 2-Lento moderato
- Sym #3 - 3-Moderato pesante
- Sym #3 - 4-Lento
- Sym #4 - 1-Allegro
- Sym #4 - 2-Andante moderato
- Sym #4 - 3-Scherzo (allegro molto)
- Sym #4 - 4-Finale con epilogo fugata (allegro molto)
- A London Symphony (Symphony No. 2): I. Lento - Allegro risoluto
- A London Symphony (Symphony No. 2): II. Lento
- A London Symphony (Symphony No. 2): III. Scherzo (Nocturne): Allegro vivace - Andantino
- A London Symphony (Symphony No. 2): IV. Andante con moto - Moderato all marcia (quasi lento) - Allegro - Lente
- A London Symphony (Symphony No. 2): Epilogue (Andante sostenuto)
- The Wasps, Act I No. 1: Overture
- The Wasps, Act I No. 1: Bastard! Bloody lickspittle!
- The Wasps, Act I No. 2: Introduction (Nocturne)
- The Wasps, Act I No. 3: Melodrama and Chorus
- The Wasps, Act I No. 4: The Wasps' Serenade
- The Wasps, Act I No. 4: Boys, your song brings tears to my eyes
- The Wasps, Act I No. 5: When we buzz
- The Wasps, Act I No. 5: Then all hell breaks loose
- The Wasps, Act I No. 6: If you survive your sixtieth year
- The Wasps, Act I No. 6: Imagine how it feels
- The Wasps, Act I No. 7: Melodrama and Chorus
- The Wasps, Act I No. 7: So Sandra starts in
- The Wasps, Act I No. 8: Melodrama and Chorus
- The Wasps, Act II No. 9: Entr'acte and Introduction
- The Wasps, Act II No. 9: Well, I was in the depths of depression
- The Wasps, Act II No. 10: Melodrama and Chorus
- The Wasps, Act II No. 10: Let the jury be seated
- The Wasps, Act II No. 11: March Past of the Witnesses
- The Wasps, Act II No. 11: So, Wok, what's the evidence?
- The Wasps, Act II No. 12: Parabasis
- The Wasps, Act III No. 13: Entr'acte
- The Wasps, Act III No. 13: So, how do you like my new outfit?
- The Wasps, Act III No. 14: His army cloak, his field canteen
- The Wasps, Act III No. 15: Out of my way
- The Wasps, Act III No. 15: Great wine they had at that dinner!
- The Wasps, Act III No. 16: Ta-ratata-ta
- The Wasps, Act III No. 17: I must be dreaming!
- The Wasps, Act III No. 18: Chorus and Dance
- Lord! Come Away!
- Who Is This Fair One?
- Come love , come Lord
- Evening Hymn
- Merciless Beauty/ Youreyen Two
- Merciless Beauty/ So Hath Your Beauty
- Merciless Beauty/ Since I From Love
- The Water Mill
- The New Ghost
- Infant Joy
- A Poison Tree
- The Piper
- London
- The Shepherd
- Ah, Sunflower!
- Cruelty Has a Human Heart
- The Divine Image
- Eternity
- On Wenlock Ridge
- From Far, From Eve and Morning
- Is My Team Ploughing
- Oh, When I Was in Love With You
- Bredon Hill
- Clun
- The Wasps
- Variations for Orchestra
- Norfolk Rhapsody No. 1 in E Minor
- Five Variants of «Dives and Lazarus»
- Symphony No.5 In D: Preludio: Moderato
- Symphony No.5 In D: Scherzo: Presto
- Symphony No.5 In D: Romanza: Lento
- Symphony No.5 In D: Passacaglia: Moderato
- Three Portraits From 'The England Of Elizabeth' (Adaptation By Muir Mathieson): Explorer
- Three Portraits From 'The England Of Elizabeth' (Adaptation By Muir Mathieson): Poet
- Three Portraits From 'The England Of Elizabeth' (Adaptation By Muir Mathieson): Queen
- Concerto In F Minor For Bass Tuba And Orchestra: Allegro moderato
- Concerto In F Minor For Bass Tuba And Orchestra: Romanza: Andante sostenuto
- Concerto In F Minor For Bass Tuba And Orchestra: Finale: Rondo alla tedesca
- Five Variants of Dives and Lazarus: Adagio
- Five Variants of Dives and Lazarus: I. <crotchet> = <crotchet>
- Five Variants of Dives and Lazarus: II. Allegro moderato
- Five Variants of Dives and Lazarus: III. <crotchet> = 150
- Five Variants of Dives and Lazarus: IV. L'istesso tempo
- Five Variants of Dives and Lazarus: V. Adagio
- Job - A Masque for Dancing: Scene I: Introduction
- Job - A Masque for Dancing: Scene I: Saraband of the Sons of God
- Job - A Masque for Dancing: Scene II: Satan's Dance of Triumph
- Job - A Masque for Dancing: Scene III: Minuet of the Sons of Job and Their Wives
- Job - A Masque for Dancing,:Scene IV: Job's Dream
- Job - A Masque for Dancing: Scene V: Dance of the Three Messengers
- Job - A Masque for Dancing: Scene VI: Dance of Job's Comforters
- Job - A Masque for Dancing: Scene VII: Elihu's Dance of Youth and Beauty
- Job - A Masque for Dancing: Scene VII: Pavane of the Sons of the Morning
- Job - A Masque for Dancing: Scene VIII: Galliard of the Sons of the Morning
- Job - A Masque for Dancing: Scene VIII: Altar Dance
- Job - A Masque for Dancing: Scene IX: Epilogue
- Ye Watchers and Ye Holy Ones
- Virgin-Born, We Bow Before Thee
- Disposer Supreme
- Father, Hear the Prayer We Offer
- From the Eastern Mountains
- Organ Prelude On Rhosymedre
- It Is a Thing Most Wonderful
- Deck Thyself, My Soul, With Gladness
- Hail Thee, Festival Day
- Bread of the World
- He Who Would Valient Be
- Organ Prelude on Bryn Calfaria
- Faith of Our Fathers
- Firmly I Believe and Truly
- Christ the Lord Is Risen Again
- Come Down, O Love Devine
- I Heard the Voice of Jesus Say
- Organ Prelude On Hyfrydol
- O God of Earth and Altar
- God That Madest Earth and Heaven
- Saviour, Again to Thy Dear Name We Raise
- Wherefore, O Father
- Norfolk Rhapsody No. 1
- Flos Campi - Suite
- Symphony No. 5 in D: I. Preludio (Moderato)
- Symphony No. 5 in D: II. Scherzo (Presto misterioso)
- Symphony No. 5 in D: III. Romanza (Lento)
- Symphony No. 5 in D: IV. Passacaglia (Moderato)
- Quick March / Sea Songs (arr. Vaughan Williams)
- Five Variants of "Dives and Lazarus": Theme
- Five Variants of "Dives and Lazarus": Variant I
- Five Variants of "Dives and Lazarus": Variant II
- Five Variants of "Dives and Lazarus": Variant III
- Five Variants of "Dives and Lazarus": Variant IV
- Five Variants of "Dives and Lazarus": Variant V
- Symphony No. 7 "Sinfonia Antartica": I. Prelude: Andante maestoso
- Symphony No. 7 "Sinfonia Antartica": II. Scherzo: Moderato
- Symphony No. 7 "Sinfonia Antartica": III. Landscape: Lento
- Symphony No. 7 "Sinfonia Antartica": IV. Intermezzo: Andante sostenuto
- Symphony No. 7 "Sinfonia Antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro)
- Five Mystical Songs - Easter
- Five Mystical Songs - I Got Me Flowers
- Five Mystical Songs - Love Bade Me Welcome
- Five Mystical Songs - The Call
- Five Mystical Songs - Antiphon
- Norfolk Rhapsody, No. 1 in E minor
- Tallis Fantasia
- Five Variants of "Dives and Lazarus"
- Fingal's Cave, Op. 26: Concert Overture
- Fantasia On Greensleeves,
- English Folk Song Suite - I. March: Seventeen Come Sunday
- English Folk Song Suite - II. Intermezzo: My Bonny Boy
- English Folk Song Suite - III. March: Folk Songs From Somerset
- Oboe Concerto - I. Rondo Pastorale
- Oboe Concerto - II. Minuet And Musette
- Oboe Concerto - III. Finale
- Concerto Grosso - I. Intrada
- Concerto Grosso - II. Burlesca Ostinata
- Concerto Grosso - III. Sarabande
- Concerto Grosso - IV. Scherzo
- Concerto Grosso - V. March And Reprise
- Romance (For Harmonica, Strings & Piano), Tommy Reilly - Harmonica
- The Lark Ascending (For Violin And Orchestra), Iona Brown - Violin
- Symphony No. 5 in D major: I. Preludio: Moderato
- Symphony No. 5 in D major: II. Scherzo: Presto
- Symphony No. 5 in D major: III. Romanza: Lento
- Symphony No. 5 in D major: IV. Passacaglia: Moderato
- Violin Sonata in A minor: I. Fantasia
- Violin Sonata in A minor: II. Scherzo
- Violin Sonata in A minor: III. Tema con variazioni
- Phantasy Quintet: I. Prelude
- Phantasy Quintet: II. Scherzo
- Phantasy Quintet: III. Alla sarabanda
- Phantasy Quintet: IV. Burlesca
- String Quartet No. 2 in A minor 'For Jean on her Birthday': I. Prelude
- String Quartet No. 2 in A minor 'For Jean on her Birthday': II. Romance
- String Quartet No. 2 in A minor 'For Jean on her Birthday': III. Scherzo
- String Quartet No. 2 in A minor 'For Jean on her Birthday': IV. Epilogue: Greetings from Joan to Jean
- Job, a Masque for Dancing, Scene 1: Introduction / Pastoral Dance / Satan's Appeal to God / Saraband of the Sons of God
- Job, a Masque for Dancing, Scene 2: Satan's Dance of Triumph
- Job, a Masque for Dancing, Scene 3: Minuet of the Sons of Job and Their Wives
- Job, a Masque for Dancing, Scene 4: Job's Dream / Dance of Plague, Pestilence, Famine and Battle
- Job, a Masque for Dancing, Scene 5: Dance of the Messengers
- Job, a Masque for Dancing, Scene 6: Dance of Job's Comforters / Job's Curse / A Vision of Satan
- Job, a Masque for Dancing, Scene 7: Elihu's Dance of Youth and Beauty / Pavane of the Sons of the Morning
- Job, a Masque for Dancing, Scene 8: Galliard of the Sons of Morning / Altar Dance and Heavenly Pavane
- Job, a Masque for Dancing, Scene 9: Epilogue
- Symphony No. 6 in E minor: III. Scherzo (Allegro vivace)
- Symphony No. 6 in E minor: IV. Epilogue (Moderato)
- Symphony No. 9 in E minor: III. Scherzo (Allegro pesante)
- Symphony No. 3, "A Pastoral Symphony": I. Molto moderato
- Symphony No. 3, "A Pastoral Symphony": II. Lento moderato
- Symphony No. 3, "A Pastoral Symphony": III. Moderato pesante - Presto
- Symphony No. 3, "A Pastoral Symphony": IV. Lento - Moderato maestoso
- Symphony No. 4 in F minor: III. Scherzo: Allegro molto
- Symphony No. 4 in F minor: IV. Finale con epilogo fugato: Allegro molto
- Symphony No. 3 - molto moderato
- Symphony No. 3 - lento moderato
- Symphony No. 3 - moderato pesante
- Symphony No. 3 - lento - moderato maestoso
- Symphony No. 6 - Allegro
- Symphony No. 6 - Moderato
- Symphony No. 6 - Scherzo: allegro vivace
- Symphony No. 6 - epilogue: moderato
- Serenade to Music (orchestral version) - Bradley Creswick, violin
- The Poisoned Kiss - Overture
- Old King Cole - A Ballet for Orchestra - Allegro Moderato - Bradley Creswick, violin; Sinfonia Chorus, Alan Fearon
- Old King Cole - A Ballet for Orchestra - Pipe Dance - Bradley Creswick, violin; Sinfonia Chorus, Alan Fearon
- Old King Cole - A Ballet for Orchestra - Bowl Dance - Bradley Creswick, violin; Sinfonia Chorus, Alan Fearon
- Old King Coile - A Ballet for Orchestra - Morris Jig: 'Go and 'list for a sailor' - Bradley Creswick, violin; Sinfonia Chorus, Alan Fearon
- Old King Cole - A Ballet for Orchestra - Folk Song: 'A Bold Young Farmer' - Bradley Creswick, violin; Sinfonia Chorus, Alan Fearon
- Old King Cole - A Ballet for Orchestra - Folk Tune: 'The Jolly Thresherman" - Bradley Creswick, violin; Sinfonia Chorus, Alan Fearon
- Old King Cole - A Ballet for Orchestra - Solo Jig - Bradley Creswick,violin; Sinfonia Chorus, Alan Fearon
- Five Mystical Songs - Easter - Stephen Roberts, baritone; Sinfonia Chorus, Alan Fearon
- Five Mystical Songs - I got me flowers - Stephen Roberts, baritone; Sinfonia Chorus, Alan Fearon
- Five Mystical Songs - Love bade me welcome - Stephen Roberts, baritone; Sinfonia Chorus, Alan Fearon
- Five Mystical Songs - The Call - Stephen Roberts, baritone; SinfoniaChorus, Alan Fearon
- Five Mystical Songs - Antiphon - Stephen Roberts, baritone; SinfoniaChorus, Alan Fearon
- Prelude on an Old Carol Tune
- The Running Set
- Prelude: 49th Parallel
- Sea Songs - March
- The Lark Ascending - Bradley Creswick, violin
- Two Hymn-Tune Preludes: Eventide (W.H. Monk)
- Two Hymn-Tune Preludes: Dominus regit me (J.B. Dykes)
- Oboe Concerto in A minor: I. Rondo Pastorale (Allegro moderato) - Roger Winfield, oboe
- Oboe Concerto in A minor: II. Minuet and Musette (Allegro moderato) -Roger Winfield, oboe
- Oboe Concerto in A minor: III. Finale: Finale (Presto - Lento - Presto) - Roger Winfield, oboe
- Fantasia on 'Greensleeves' (arr. Greaves)
- Three Preludes Founded on Welsh Hymn Tunes: 2. Rhosymedre (J.D. Edwards) (orch. Foster)
- Three Preludes Founded on Welsh Hymn Tunes: 3. Hyfrydol (R.H. Prichard) (orch. Foster)
- Concerto accademico (Concerto for violin and strings in D minor): I. Allegro pesante - Bradley Creswick, violin
- Concerto accademico (Concerto for violin and strings in D minor): II. Adagio - Bradley Creswick, violin
- Concerto accademico (Concerto for violin and strings in D minor): III. Presto - Bradley Creswick, violin
- Five Variants of 'Dives and Lazarus': Adagio-
- Five Variants of 'Dives and Lazarus': I.
- Five Variants of 'Dives and Lazarus': II. Allegro moderato-
- Five Variants of 'Dives and Lazarus': III.
- Five Variants of 'Dives and Lazarus': IV. L'istesso tempo-
- Five Variants of 'Dives and Lazarus': V. Adagio
- Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships
- Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone
- Symphony No. 1 "A Sea Symphony": III. Scherzo: The Waves
- Symphony No. 1 "A Sea Symphony": IV. The Explorers
- Oboe Concerto: I. Rondo pastorale
- Oboe Concerto: II. Minuette and Musette
- Oboe Concerto: III. Finale
- Concerto Grosso: I. Intrada
- Concerto Grosso: II. Burlesca ostinata
- Concerto Grosso: III. Sarabande
- Concerto Grosso: IV. Scherzo
- Concerto Grosso: V. March and Reprise
- English Folk Song Suite: I. March "Seventeen come Sunday"
- English Folk Song Suite: II. Intermezzo "My Bonny Boy"
- English Folk Song Suite: III. "Folk songs from Somerset"
- Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia)
- Sancta Civitas: I was in the spirit (Lento)
- Sancta Civitas: And I saw Heaven opened (Allegreo)
- Sancta Civitas: And I saw an angel standing in the sun (Meno mosso)
- Sancta Civitas: Babylon the great is fallen (Lento)
- Sancta Civitas: Rejoice over her O Heavens (Allegro moderato)
- Sancta Civitas: And I saw a new heaven (Adagio)
- Sancta Civitas: Therefore are they before the throne of God (Poco meno largo)
- Sancta Civitas: And I saw a pure river
- Sancta Civitas: Holy, Holy, Holy (Andante sostenuto)
- Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato)
- 5 Variants of Dives and Lazarus
- Sinfonia Antartica: Prelude (Andante maestoso)
- Sinfonia Antartica: Scherzo (Moderato)
- Sinfonia Antartica: Landscape (Lento)
- Sinfonia Antartica: Intermezzo (Andante sostenuto)
- Sinfonia Antartica: Epilogue (Alla marcia)
- The Wasps: Overture
- The Wasps: Entr'Acte
- The Wasps: March Past of the Kitchen Utensils
- The Wasps: Ballet and Final Tableau
- Symphony No 5: Preludio: Moderato
- Symphony No 5: Scherzo: Presto
- Symphony No 5: Romanza: Lento
- Symphony No 5: Passacaglia: Moderato
- Concerto for Two Pianos and Orchestra in C major: Toccata: Allegro moderato
- Concerto for Two Pianos and Orchestra in C major: Romanza: lento
- Concerto for Two Pianos and Orchestra in C major: Fuga chromatica con finale alla tedesca: Allegro
- Symphony No. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself
- Symphony No. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative
- Symphony No. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, your separate flags of nations!
- Symphony No. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains
- Symphony No. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal
- Symphony No. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone
- Symphony No. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all
- Symphony No. 1, "A Sea Symphony": III. Scherzo. The Waves
- Symphony No. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space
- Symphony No. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending
- Symphony No. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer
- Symphony No. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent
- Symphony No. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns
- Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth
- Symphony No. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul!
- The Pilgrim's Progress: Prologue. Bunyan in Prison
- The Pilgrim's Progress: Act I: Scene 1: The Pilgrim Meets Evangelist
- The Pilgrim's Progress: Act I: Scene 2: The House Beautiful
- The Pilgrim's Progress: Act I: Nocturne (Intermezzo)
- The Pilgrim's Progress: Act II: Scene 1: The Arming of the Pilgrim
- The Pilgrim's Progress: Act II: Scene 2: The Pilgrim Meets Apollyon
- The Pilgrim's Progress: Act III: Scene 1 Vanity Fair: "Buy! What will ye buy?"
- The Pilgrim's Progress: Act III: Scene 1 Vanity Fair: "I buy the truth!"
- The Pilgrim's Progress: Act III: Scene 2: The Pilgrim in Prison
- The Pilgrim's Progress: Act IV: Scene 1: The Pilgrim Meet Mister By-Ends
- The Pilgrim's Progress: Act IV: Entr'acte, Scene 2: The Delectable Mountains
- The Pilgrim's Progress: Act IV: Scene 2: "Who so dwelleth"
- The Pilgrim's Progress: Act IV: Scene 2: "The Lord is my Shepherd"
- The Pilgrim's Progress: Act IV: Scene 3: The Pilgrim Reaches the End of his Journey
- The Pilgrim's Progress: Epilogue
- The Pilgrim's Progress, Sir Adrian in Rehearsal: Act III, Scene 1
- The Pilgrim's Progress, Sir Adrian in Rehearsal: Act I, Nocturne
- The Pilgrim's Progress, Sir Adrian in Rehearsal: Act IV, Scene 1
- The Pilgrim's Progress, Sir Adrian in Rehearsal: Act IV, Scene 2
- The Pilgrim's Progress, Sir Adrian in Rehearsal: Act II, Scene 1
- The Lake in the Mountains
- Six Studies in English Folksong: Allegro vivace
- Phantasy Quartet: I. Prelude: Lento ma non troppo
- Phantasy Quartet: II. Scherzo: Prestissimo
- Phantasy Quartet: III. Alla Sarabanda: Lento
- Phantasy Quartet: IV. Burlesca: Allegro moderato
- Violin Sonata in A minor: I. Fantasia: Allegro giusto
- Violin Sonata in A minor: II. Scherzo: Allegro furioso ma non troppo
- Violin Sonata in A minor: III. Tema con Variazioni: Andante
- String Quartet No. 2 in A minor: I. Prelude: Allegro appassionato
- String Quartet No. 2 in A minor: II. Romance: Largo
- String Quartet No. 2 in A minor: III. Scherzo: Allegro
- String Quartet No. 2 in A Minor: IV. Epilogue: Andante sostenuto
- Symphony No. 7, "Sinfonia Antartica": I. Prelude. Maestoso
- Symphony No. 7, "Sinfonia Antartica": II. Scherzo. Moderato
- Symphony No. 7, "Sinfonia Antartica": III. Landscape. Lento
- Symphony No. 7, "Sinfonia Antartica": IV. Intermezzo. Andante sostenuto
- Symphony No. 7, "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato (non troppo allegro)
- A London Symphony (Symphony No. 2): III. Scherzo (Nocturne) - Allegro vivace
- A London Symphony (Symphony No. 2): IV. Andante con moto - Maestoso alla marcia
- Symphony No. 8 in D minor: I. Fantasia (Variazoni senza tema): Moderato - Presto - Andante sostenuto - Allegretto - Andante non troppo - Allegro vivace - Andante sostenuto - Tempo I, ma tranquillo
- Symphony No. 8 in D minor: II. Scherzo alla marci (per stromenti a fiato): Allegro alla marcia - Andante - Tempo I (Allegro)
- Symphony No. 8 in D minor: III. Cavatina (per stromenti ad arco): Lento espressivo
- Symphony No. 8 in D minor: IV. Toccata: Moderato maestoso
- Symphony No. 9 in E minor: III. Scherzo: Allegro pesante
- Symphony No. 9 in E minor: IV. Andanteo tranquillo
- Symphony No. 6 in E minor: III. Scherzo: Allegro vivace
- Symphony No. 6 in E minor: IV. Epilogue: Moderato
- Symphony No. 4 in F minor: I. Allegro - Meno mosso - Largamente - Lento
- Symphony No. 4 in F minor: II. Andante moderato - Tranquillo
- Symphony No. 4 in F minor: IV. Finale con Epilogo Fugato: Allegro molto - Lento (non troppo) - Tempo I - Con anima - Meno mosso
- Mass in G minor: Kyrie
- Mass in G minor: Gloria
- Mass in G minor: Credo
- Mass in G minor: Sanctus / Osanna I
- Mass in G minor: Benedictus / Osanna II
- Mass in G minor: Agnus Dei
- Choral Song to be Sung in Time of War No. 1: A Song of Courage
- Choral Song to be Sung in Time of War No. 2: A Song of Liberty
- Choral Song to be Sung in Time of War No. 3: A Song of Healing
- Choral Song to be Sung in Time of War No. 4: A Song of Victory
- Choral Song to be Sung in Time of War No. 5: A Song of Pity, Peace and Love
- Choral Song to be Sung in Time of War No. 6: A Song of the New Age
- Symphony No.2 "A London Symphony": I. Lento - Allegro risoluto
- Symphony No. 2 "A London Symphony": II. Lento
- Symphony No. 2 "A London Symphony": III. Scherzo (Nocturno)
- Symphony No. 2 "A London Symphony": IV. Andante con moto - Maestoso alla marcia
- Norfolk Rhapsody #1
- Phantasy Quintet: I. Prelude: Lento ma non troppo
- Phantasy Quintet: II. Scherzo: Prestissimo
- Phantasy Quintet: III. Alla Sarabanda: Lento
- Phantasy Quintet: IV. Burlesca: Allegro moderato
- String Quartet No. 1 in G minor: I. Allegro moderato
- String Quartet No. 1 in G minor: II. Minuet and Trio: Tempo di minuetto
- String Quartet No. 1 in G minor: III. Romance: Andante sostenuto
- String Quartet No. 1 in G minor: IV. Finale: Rondo Capriccioso - Allegro molto
- Dona Nobis Pacem: II. Beat! Beat! Drums! (Walt Whitman)
- Dona Nobis Pacem: III. Reconciliation (Walt Whitman)
- Dona Nobis Pacem: IV. Dirge for Two Veterans (Walt Whitman)
- Dona Nobis Pacem: V. The Angel of Death (John Bright)
- Five Mystical Songs: No. 1. Easter
- Five Mystical Songs: No. 2. I Got me Flowers
- Five Mystical Songs: No. 3. Love Bade me Welcome
- Five Mystical Songs: No. 4. The Call
- Five Mystical Songs: No. 5. Antiphon
- Symphony No. 6: I. Allegro
- Symphony No. 6: II. Moderato
- Symphony No. 6: III. Scherzo: Allegro vivace
- Symphony No. 6: IV. Epilogue: Moderato
- Tuba Concerto: I. Prelude: Allegro moderato
- Tuba Concerto: II. Romanza: Andante sostenuto
- Tuba Concerto: III. Finale - Rondo alla tedesca: Allegro
- On Wenlock Edge No. 1: On Wenlock Edge
- On Wenlock Edge No. 2: From Far, From Eve and Morning
- On Wenlock Edge No. 3: Is My Team Ploughing
- On Wenlock Edge No. 4: Oh, When I Was in Love With You
- On Wenlock Edge No. 5: Bredon Hill
- On Wenlock Edge No. 6: Clun
- Symphony No. 2, "A London Symphony": I. Lento - Allegro risoluto
- Symphony No. 2, "A London Symphony": II. Lento
- Symphony No. 2, "A London Symphony": III. Scherzo (Nocturne): Allegro vivace
- Symphony No. 2, "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro
- Fantasia on Greensleeves (arr. R. Greaves)
- Symphony No. 3 "Pastoral": I. Molto moderato
- Symphony No. 3 "Pastoral": II. Lento moderato
- Symphony No. 3 "Pastoral": III. Moderato pesante - Presto
- Symphony No. 3 "Pastoral": IV. Lento - Moderato maestoso
- Oboe Concerto: II. Minuet and Musette
- Oboe Concerto: III. Scherzo
- Five Variants on Dives and Lazarus
- Songs of Travel: Let Beauty Awake
- Songs of Travel: The Roadside Fire
- Songs of Travel: Youth and Love
- Songs of Travel: In Dreams
- Songs of Travel: The Infinite Shining Heavens
- Songs of Travel: Whither Must I Wander?
- Songs of Travel: Bright Is the Ring of Words
- Songs of Travel: I Have Trod the Upward and the Downward Slope
- The House of Life: Love-sight
- The House of Life: Love's Minstrels
- The House of Life: Heart's Haven
- The House of Life: Death in Love
- The House of Life: Love's Last Gift
- Four Poems by Fredegond Shove: Motion and Stillness
- Four Poems by Fredegond Shove: Four Nights
- Four Poems by Fredegond Shove: The New Ghost
- Four Poems by Fredegond Shove: The Water Mill
- Symphony No. 4 in F minor, I. Allegro
- ...II. Andante moderato
- ...III. Scherzo - Allegro molto
- ...IV. Finale con epilog fugato - Allegro molto
- Symphony No, 6 in E minor, I. Allegro
- ...II. Moderato
- ...III. Scherzo - Allegro vivace
- ...IV. Epilogue - Moderato
- Serenade to Music "How Sweet the Moonlight Sleeps Upon This Bank!" (London Philharmonic Orchestra)
- English Folk Song Suite (arr. Gordon Jacob): I. March (Seventeen Come Sunday) (London Symphony Orchestra)
- English Folk Song Suite (arr. Gordon Jacob): II. Intermezzo (My Bonny Boy) (London Symphony Orchestra)
- English Folk Song Suite (arr. Gordon Jacob): III. March (Folk Songs from Somerset) (London Symphony Orchestra)
- Norfolk Rhapsody for orchestra No. 1 in E minor (New Philharmonia Orchestra)
- Fantasia on Greensleeves (arr. Ralph Greaves) (London Symphony Orchestra)
- In the Fen Country (New Philharmonia Orchestra)
- The Lark Ascending (New Philharmonia Orchestra feat. violin: Hugh Bean)
- Symphony No. 5 in D major: I. Preludio: Moderato - Allegro - Tempo I
- Symphony No. 5 in D major: II. Scherzo: Presto misterioso
- Flos campi: I. Sicut lilium inter spinas (Lento)
- Flos campi: II. Jam enim hiems transiit (Andante con moto)
- Flos campi: III. Quaesivi quem diligit anima mea (Lento - Allegro moderato)
- Flos campi: IV. En lectulum Salomonis (Moderato alla marcia)
- Flos campi: V. Revertere, revertereSulamitis! (Andante quasi lento)
- Flos campi: VI. Pone me ut signaculum (Moderato tranquillo)
- Oboe Concerto in A minor: I. Rondo pastorale (Allegro moderato)
- Oboe Concerto in A minor: II. Minuet and Musette (Allegro moderato)
- Oboe Concerto in A minor: III. Finale (Scherzo) (Presto - Lento - Presto)
- Symphony No.5 in D: I. Preludio (Moderato - Allegro - Tempo I)
- Symphony No.5 in D: III. Scherzo (Presto misterioso)
- Symphony No.5 in D: IIII. Romanza (Lento)
- Symphony No.5 in D: IV. Passacaglia (Moderato - Allegro - Tempo Primo -Tempo del Preludio)
- Love Sight (From the House of Light) (Texts by Dante Gabriel Rossetti)
- Silent Noon (From the House of Light)
- Love's Last Gift (From the House of Light)
- Procris (Four Last Songs) (Texts by Ursula Vaughan Williams)
- Tired (Four Last Songs)
- Hands, Eyes and Heart (Four Last Songs)
- Menelaus (Four Last Songs)
- Linden Lea (Text by W. Barnes)
- Dreamland (Text by Mabel Dearmer)
- Dreamland (Text by C. Rosetti)
- Claribel (Text by Alfred Lord Tennyson)
- If I Were a Queen (Text by C. Rosetti)
- Motion and Stillness (Four Poems by Fredegond Shove)
- Four Nights (Four Poems by Fredegond Shove)
- The New Ghost (Four Poems by Fredegond Shove)
- The Water Mill (Four Poems by Fredegond Shove)
- Adieu
- Think of Me (Text by E. Faxton Fergusson)
- We'll to the Woods No More (Along the Field) (Text by A. E. Houseman)
- Along the Field (Along the Field)
- The Half-Moon Westers Low (Along the Field)
- In the Morning (Along the Field)
- The Sigh That Heaves the Grasses (Along the Field)
- Goodbye (Along the Field)
- Fancy's Knell (Along the Field)
- With Rue My Heart Is Laden (Along the Field)
- A Pastoral Symphony (Symphony No.3) - 1- Molto moderato
- A Pastoral Symphony (Symphony No.3) - 2. Lento moderato
- A Pastoral Symphony (Symphony No.3) - 3. Moderato pesante
- A Pastoral Symphony (Symphony No.3) - 4. Lento (Margaret Price, soprano)
- Symphony No.5 in D major - 1. Preludio (Moderato)
- Symphony No.5 in D major - 2. Scherzo (Presto)
- Symphony No.5 in D major - 3. Romanza (Lento)
- Symphony No.5 in D major - 4. Passacaglia (Moderato)
- Symphony No.3, The "Pastoral": I. Molto Moderato
- Symphony No.3, The "Pastoral": II. Lento moderato
- Symphony No.3, The "Pastoral": III. Moderato pesante
- Symphony No.3, The "Pastoral": IV. Lento
- Concerto in A minor For Oboe And Strings, I. Rondo Pastorale. Allegro moderato
- Concerto in A minor For Oboe And Strings, II. Minuet and Musette. Allegro moderato
- Concerto in A minor For Oboe And Strings, III. Finale (Scherzo). Presto - Doppio più lento - Lento - Presto
- A Sea Symphony (Symphony No.1): I. A Song for All Seas, All Ships (Moderato maestoso) / 1. Behold, the sea itself (chorus)
- A Sea Symphony (Symphony No.1): I. A Song for All Seas, All Ships (Moderato maestoso) / 2. Today a rude brief recitative (baritone & chorus)
- A Sea Symphony (Symphony No.1): I. A Song for All Seas, All Ships (Moderato maestoso) / 3. Flaunt out, O sea, your separate flags of nations! (soprano & chorus)
- A Sea Symphony (Symphony No.1): I. A Song for All Seas, All Ships (Moderato maestoso) / 4. Token of all brave captains (chorus)
- A Sea Symphony (Symphony No.1): I. A Song for All Seas, All Ships (Moderato maestoso) / 5. A pennant universal (baritone, soprano & chorus)
- A Sea Symphony (Symphony No.1): II. On the Beach at Night, Alone (Largo sostenuto) / 1. On the beach at night, alone (baritone & semi-chorus)
- A Sea Symphony (Symphony No.1): II. On the Beach at Night, Alone (Largo sostenuto) / 2. A vast similitude interlocks all (baritone & chorus)
- A Sea Symphony (Symphony No.1): III. Scherzo: The Waves (Allegro brillante)
- A Sea Symphony (Symphony No.1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 1. O vast Rondure, swimming in Space (chorus)
- A Sea Symphony (Symphony No.1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 2. Down from the gardens of Asia descending (chorus)
- A Sea Symphony (Symphony No.1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 3. O we can wait no longer (baritone & soprano)
- A Sea Symphony (Symphony No.1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 4. O thou transcendent (soprano, baritone & chorus)
- A Sea Symphony (Symphony No.1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 5. Greater than stars or suns (chorus, soprano & baritone)
- A Sea Symphony (Symphony No.1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 6. Sail forth (chorus, soprano & baritone)
- A Sea Symphony (Symphony No.1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 7. O my brave Soul! (soprano, baritone & chorus)
- A London Symphony (Symphony No. 2): III. Scherzo (Nocturne): Allegro vivace
- A Pastoral Symphony (Symphony No. 3): I. Molto moderato
- A Pastoral Symphony (Symphony No. 3): II. Lento moderato
- A Pastoral Symphony (Symphony No. 3): III. Moderato pesante
- A Pastoral Symphony (Symphony No. 3): IV. Lento
- Motet: 'Prayer to the Father of Heaven'
- Motet: 'O vos omnes'
- Mass in G minor: II. Gloria in exelsis
- Symphony No. 2 "A London Symphony": I. Lento; Allegro risoluto
- Symphony No. 2 "A London Symphony": III. Scherzo (Nocturne)
- Symphony No. 2 "A London Symphony": IV. Andante con moto; Maestoso alla marcia; Lento; Epilogue
- Concerto Accademico in D minor for Violin and Orchestra
- Piano Quintet in C Minor I: Allegro Con Fuoco
- Piano Quintet in C Minor II: Andante
- Piano Quintet in C Minor III: Fantasia, Quasi Variazioni
- Nocturne and Scherzo I: Nocturne. Largo Sostenuto, Sempre Tempo Rubato
- Nocturne and Scherzo II: Scherzo 'Founded on an English Folksong'. Allegro Moderato
- Suite De Ballet I: Improvisation. Andante
- Suite De Ballet II: Humoresque. Presto
- Suite De Ballet III: Gavotte. Quasi Lento
- Suite De Ballet IV:Passepied. Allegro Vivacissimo
- Romance and Pastorale I: Romance. Andantino
- Romance and Pastorale II: Pastorale. Andante Con Moto
- String Quartet in C Minor I: Allegro
- String Quartet in C Minor II: Andantino
- String Quartet in C Minor III: Intermezzo. Allegretto
- String Quartet in C Minor IV: Variazione Con Finale Fugato
- Quintet in D Major I: Allegro Moderato
- Quintet in D Major II: Intermezzo. Allegretto
- Quintet in D Major III: Andantino
- Quintet in D Major IV: Finale. Allegro Molto
- Scherzo
- Three Preludes on Welsh Hymn Tunes 'Household Music' I: Crug-Y-Bar 'Fantasia. Andante Sostenuto'
- Three Preludes on Welsh Hymn Tunes 'Household Music' II: St Denio 'Scherzo. Allegro Vivace'
- Three Preludes on Welsh Hymn Tunes 'Household Music' III: Aberystwyth 'Variations'
- Symphony no. 4: I. Allegro
- Symphony no. 4: II. Andante moderato
- Symphony no. 4: III. Scherzo. Allegro molto
- Symphony no. 4: IV. Finale. Allegro molto
- Symphony no. 4: Epilogo Fugato. Con anima
- Fantasia on "Greensleeves"
- Serenade to Music: Andantino
- Serenade to Music: "How sweet the moonlight"
- Serenade to Music: "Look how the floor of heaven..."
- Serenade to Music: "Come, ho! and wake Diana with a hymn"
- Serenade to Music: "I am never merry when I hear sweet music"
- Serenade to Music: "Music! hark!"
- Serenade to Music: "How many things by season..."
- Serenade to Music: "Soft Stillness and the night"
- Hodie (This Day): I. Prologue: Nowell! Nowell!
- Hodie (This Day): II. Narration: Now is the birth of Jesus Christ
- Hodie (This Day): III. Song: It was the winter wild
- Hodie (This Day): IV. Narration: And it came to pass in those days
- Hodie (This Day): V. Choral: The blessed son of God
- Hodie (This Day): VI. Narration: And there were in the same country
- Hodie (This Day): VII. Song: The Oxen
- Hodie (This Day): VIII. Narration: And the shepherds returned
- Hodie (This Day): IX. Pastoral: The shepherds sing
- Hodie (This Day): X. Narration: But Mary kept all these things
- Hodie (This Day): XI. Lullaby: Sweet was the song the Virgin sang
- Hodie (This Day): XII. Hymn: Bright portals of the sky
- Hodie (This Day): XIII. Narration: Now when Jesus was born
- Hodie (This Day): XIV. The March of the Three Kings: From kingdoms of wisdom
- Hodie (This Day): XV. Choral: No sad thought his soul affright
- Hodie (This Day): XVI. Epilogue: In the beginning was the Word
- Symphony No. 4 in F minor: III. Scherzo - Allegro molto
- Symphony No. 4 in F minor: IV. Finale con epilog fugato: Allegro molto
- Symphony No. 8 in D minor: I. Fantasia (Variazioni senza tema)
- Symphony No. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato) - Allegro
- Symphony No. 8 in D minor: III. Cavatina (per stromenti ad arco) - Lento espressivo
- Symphony No. 8 in D minor: IV. Toccata - Moderato maestoso
- English Folk Song Suite: I. March (Seventeen Come Sunday)
- English Folk Song Suite: II. Intermezzo (My Bonny Boy)
- English Folk Song Suite: III. March (Folk Songs From Somerset)
- Concerto for two pianos and orchestra in C major: I. Toccata: Allegro moderato
- Concerto for two pianos and orchestra in C major: II. Romanza: Lento
- Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 1
- Concerto for two pianos and orchestra in C major: III. Fuga chromatica (Allegro) con finale alla tedesca 2
- Job: A Masque for Dancing, Scene I: Introduction
- Job: A Masque for Dancing, Scene I: Sarabande for the sons of God
- Job: A Masque for Dancing, Scene II: Satan's dance of triumph
- Job: A Masque for Dancing, Scene III: Minuet of the sons of Job and their wives
- Job: A Masque for Dancing, Scene IV: Job's dream
- Job: A Masque for Dancing, Scene V: Dream of the three messengers
- Job: A Masque for Dancing, Scene VI: Dance of Job's comforters
- Job: A Masque for Dancing, Scene VII: Elihu's dance of youth and beauty
- Job: A Masque for Dancing, Scene VII: Pavane of the sons of the morning
- Job: A Masque for Dancing, Scene VIII: Galliard of the sons of the morning
- Job: A Masque for Dancing, Scene VIII: Altar dance
- Job: A Masque for Dancing, Scene IX: Epilogue
- Coastal Command Suite: I. Prelude
- Coastal Command Suite: II. The Hebrides
- Coastal Command Suite: III. U-Boat Alert
- Coastal Command Suite: IV. Taking-Off at Night
- Coastal Command Suite: V. The Hudsons Take-Off From Iceland
- Coastal Command Suite: VI. Dawn Patrol [Quiet Determination]
- Coastal Command Suite: VII. Battle of the Beauforts
- Coastal Command Suite: VIII. Finale
- The People's Land: The People's Land
- Coastal Command: Dawn Patrol
- Silent Noon
- Concerto in A minor for Oboe and Strings: I. Rondo Pastorale
- Concerto in A minor for Oboe and Strings: II. Minuet and Musette
- Dona nobis pacem: I. "Angus Dei" (lento)
- Fantasia on the Old 104th Psalm Tune
- Romanza from Symphony No. 5 in D
- Partita for Double String Orchestra: I. Prelude (Andante tranquillo)
- Partita for Double String Orchestra: II. Scherzo ostinato (Presto)
- Partita for Double String Orchestra: III. Intermezzo (Homage to Henry Hall)
- Partita for Double String Orchestra: IV. Fantasia (Allegro)
- English Folk Song Suite: I. March: Seventeen Come Sunday
- English Folk Song Suite: II. Intermezzo: My Bonny Boy
- English Folk Song Suite: III. March: Folk Songs From Somerset
- Romance (For Harmonica, Strings & Piano)
- The Lark Ascending (For Violin And Orchestra)
- Songs of Travel - The Vagabond
- Songs of Travel - Let Beauty awake
- Songs of Travel - The Roadside Fire
- Songs of Travel - Youth and Love
- Songs of Travel - In Dreams
- Songs of Travel - The infinite shining heavens
- Songs of Travel - Whither I must wander?
- Songs of Travel - Bright is the ring of words
- Songs of Travel - I have trod the upward and the downward slope
- The House of Life - Love - Sight
- The House of Life - Silent Noon
- The House of Life - Love's Minstrels
- The House of Life - Heart's Haven
- The House of Life - Death In Love
- The House of Life - Love's Last Gift
- Partita: I. Prelude: Andante tranquillo
- Partita: II. Scherzo ostinato: Presto
- Partita: III. Intermezzo (Homage to Henry Hall)
- Partita: IV. Fantasia: Allegro
- The Wasps - Aristophanic Suite: IV. Entr'acte
- Concerto grosso: II. Burlesca ostinato: Allegro moderato
- Concerto grosso: III. Sarabande: Lento
- Sir John in Love: Act I, IX. I will myself marry Anne Page
- Rolling in the Dew
- Violin Sonata in A minor: III. Tema con variazioni (Andante - Var. 6: Allegro)
- Ballad de Jésus Christ
- Hodie - A Christmas Cantata: XVI. Epilogue: "In the beginning was the Word"
- Epithalamion: VI. The Temple Gates
- Symphony No.6 in E minor: III. Scherzo (Allegro vivace)
- Symphony No. 1 "A Sea Symphony": III. The Waves
- The Pilgrim's Progress (rehearsal): Act IV, Scene II: The Shepherds
- The Pilgrim's Progress: Act III, Scene I, I. Buy! What will ye buy?
- Sir John in Love: Act I, VII. I see I cannot get thy father's love
- Sir John in Love: Act IV, Scene II, VIII. Whether men do laugh or weep
- Fantasia on Christmas Carols (full orchesta version): IV. "God bless the ruler of this house"
- Sir John in Love: Act IV, Scene II, IV. Dance of the fairies (Allegro pesante) - But stay! I smell a man of middle earth
- Riders to the Sea: You Didn't Give Him His Bit of Bread?
- Symphony No. 2 in G major "A London Symphony": III. Scherzo (Nocturne): Allegro vivace - Andantino
- Hugh the Drover or Love in the Stocks: Act I, VI. Life must be full of care
- On Wenlock Edge: IV. "Oh, when I was in love with you"
- Symphony No.6 in E minor: IV. Epilogue (Moderato)
- Job: A Masque for Dancing: II. Satan's Dance of Triumph
- Hugh the Drover or Love in the Stocks: Act I, IV. Show me a richer man
- Symphony No. 2, "A London Symphony": I. Lento - Allegro risoluto (molto pesante)
- Symphony No. 5 in D: I. Preludio (Moderato - Allegro - Tempo I)
- O clap your hands (Psalm 47)
- English Folk Song Suite: I. March. "Seventeen Come Sunday"
- Joy, shipmate, joy!
- The Lawyer
- The Pilgrim's Progress (rehearsal): Act III, Scene I: Vanity Fair
- Hugh the Drover or Love in the Stocks: Act I, VIII. Horse-hoofs, horse-hoofs, thunder down the valleys
- The Pilgrim's Progress: Act IV, Entr'acte
- Symphony No. 7 "Sinfonia Antartica": V. Epilogue (Alla marcia, moderato: non troppo allegro)
- Symphony No. 5 in D major: II. Scherzo: Allegro
- Job: A Masque for Dancing: VIIa. Elihu's Dance of Youth and Beauty
- Hugh the Drover or Love in the Stocks: Act II, VIII. Dropped from the ranks on a winter's night
- Phantasy Quintet for two violins, two violas and cello: III. Alla sarabanda: Lento
- Hugh the Drover or Love in the Stocks: Act I, XI. Oh! The devil and Bonyparty
- Hodie - A Christmas Cantata: II. Narration: "Now the birth of Jesus Christ"
- Romance and Pastorale: I. Romance. Andantino
- Six Studies in English Folk Song for cello and piano: I. Adagio "Lovely on the Water"
- Sir John in Love: Act IV, Scene II, IX. Dance (Presto)
- English Folk Song Suite: II. Intermezzo "My Bonny Boy" (orch. Gordon Jacob)
- Sir John in Love: Act I, IV. Ahem...I had rather than forty shillings
- Mass in G minor: II. Gloria
- And all in the morning
- Epithalamion: I. Prologue
- Sir John in Love: Act IV, Scene I, V. (Lento moderato) (Greensleeves)
- Six Studies in English Folksong: IV. Lento
- Songs of Travel (orchestral version): I. "The Vagabond"
- Two Hymn-Tune Preludes: I. Eventide
- Symphony No. 3, "A Pastoral Symphony": IV. Lento
- Three Preludes on Welsh Hymn Tunes 'Household Music': III. Aberystwyth 'Variations'
- Concerto grosso: I. Intrada: Largo
- The Wasps - Aristophanic Suite: I. Overture
- Hodie - A Christmas Cantata: IV. Narration: "And it came to pass in those days"
- String Quartet No. 1 in G minor: IV. Finale: Rondo capriccioso (Allegro molto - Pochettino più mosso)
- On Board a Ninety-Eight
- The Wasps - Aristophanic Suite: II. Entr'acte
- Sir John in Love: Act I, XIII. Wilt thou revenge?
- Symphony No. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato): Allegro alla marcia
- Mass in G minor: V. Agnus Dei
- Songs of Travel (orchestral version): VI. "The infinite shining heavens"
- The Wasps: Overture (London Philharmonic Orchestra)
- Sir John in Love: Act III, Scene II, V. (Allegro)
- Sir John in Love: Act IV, Scene II, VII. See the chariot at hand
- Songs of Travel (orchestral version): V. "In Dreams"
- Symphony No. 2 in G major "A London Symphony": II. Lento
- The Wasps - Aristophanic Suite: III. March Past of the Kitchen Utensils
- English Folk Song Suite: II. Intermezzo (My Bonny Boy) (London Symphony Orchestra)
- Songs of Travel (orchestral version): II. "Let beauty awake"
- Symphony No. 1 "A Sea Symphony": III. Scherzo. The Waves
- Variations for Orchestra: X. Fugato (Allegro moderato e risoluto)
- Six Studies in English Folk Song for cello and piano: II. Andante sostenuto "Spum Point"
- The Pilgrim's Progress: Prologue: Bunyan in Prison
- Hodie - A Christmas Cantata: VII. Song: "The Oxen"
- String Quartet in C Minor: I. Allegro
- Oboe Concerto in A minor: I. Rondo pastorale: Allegro moderato
- Symphony No. 4 in F minor: IV. Finale (Allegro molto) con epilogo fugato (Con anima)
- Symphony No.6 in E Minor: Moderato
- Variations for Orchestra: VII. Arabesque (Andante sostenuto)
- Symphony No. 7, "Sinfonia antartica": V. Epilogue: Alla marcia moderato, non troppo allegro
- Symphony No. 2 "A London Symphony": IV. Andante con moto; Maestoso alla marcia; Lento; Epilogue
- Oboe Concerto in A minor: III. Finale (Scherzo): Presto - Lento - Presto
- Hugh the Drover or Love in the Stocks: Act I, IX. In the night-time I have seen you riding
- Epithalamion: II. Wake Now
- Symphony No. 3, "A Pastoral Symphony": III. Moderato pesante
- Symphony No. 1 "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains
- English Folk Song Suite: III. March. "Folk Songs From Somerset"
- Symphony no. 7, "Sinfonia antartica": II. Scherzo: Moderato
- Mass in G minor: IV. Sanctus - Osanna I - Benedictus - Osanna II
- The Pilgrim's Progress: Act I, Nocturne: (Intermezzo)
- Sympnhony No.5 in D: Scherzo: Presto misterioso
- Sir John in Love: Act IV, Scene II, V. Pinch him, pinch him black and blue
- Sir John in Love: Act IV, Scene I, II. Pardon me, wife
- English Folk Songs - Suite (Wind ensemble version): II. Intermezzo "My Bonny Boy"
- Fantasia on Christmas Carols (strings and organ version): IV. "God bless the ruler of this house"
- Symphony No. 1 "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal
- Piano Concerto in C (arranged for two pianos): IIIb. con finale alla tedesca
- Rest
- Hodie - A Christmas Cantata: VIII. Narration: "And the shepherds returned"
- Sinfonia Antartica (Symphony No. 7): I. Prelude (Andante Maestoso)
- Sir John in Love: Act II, Scene I, I. (Allegro moderato e meastoso)
- English Folk Song Suite (arr. Gordon Jacob): I. March (Seventeen Come Sunday)
- Hodie - A Christmas Cantata: X. Narration: "But Mary kept all these things"
- Overture to "The Wasps"
- Sir John in Love: Act II, Scene II, VII. Vere is mine host of de Garter?
- Symphony No.9 in E Minor: II. Andante sostenuto
- Symphony No. 1 "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space
- Sir John in Love: Act IV, Scene I, IV. Trib, fairies, trib...Round about in a fair ring-a
- Variations for Orchestra: IV. Canon (Allegro)
- English Folk Song Suite: III. March (Folk Songs from Somerset) (London Symphony Orchestra)
- The Ploughman
- Fantasia on Christmas Carols (strings and organ version): II. "Come all you worthy gentlemen"
- Hugh the Drover or Love in the Stocks: Act II, II. Gaily I go to die
- Sir John in Love: Act III, Scene I, II. Yet hear me speak
- Sinfonia Antartica (Symphony No. 7): IV. Intermezzo (Andante sostenuto)
- Hugh the Drover or Love in the Stocks: Act II, XI. Oh! the sky shall be our roof
- Variations for Orchestra: I. Poco tranquillo
- The Pilgrim's Progress: Act IV, Scene II: II. The Lord is my Shepherd
- Variations for Orchestra: II. Tranquillo cantabile
- Geordie
- Sir John in Love: Act III, Scene II, I. (Lento) When as we sat in Papylon
- Six Studies in English Folk Song for cello and piano: III. Larghetto "Van Diemen's Land"
- Sir John in Love: Act I, X. Master Fenton, I'll be sworn she loves you
- The Pilgrim's Progress: Act I, Scene I: The Pilgrim meets Evangelist
- Piano Quintet in C Minor: I. Allegro con fuoco
- Symphony No.6 in E Minor: Epilogue: Moderato
- Sir John in Love: Act I, VI. Do but look on her eyes now
- Flos Campi - 5. Revertere, revertere Sulamitis!
- Sir John in Love: Act III, Scene II, II. How now, Master Parson?
- Symphony No.4: IV. Finale (Allegro molto) con epilogo fugato (Con anima)
- Symphony No. 5 in D major: II. Scherzo (Presto)
- Sinfonia Antartica (Symphony No. 7): II. Scherzo (Moderato)
- String Quartet in C Minor: III. Intermezzo. Allegretto
- The Pilgrim's Progress: Act II, Scene I: The Arming of the Pilgrim
- Piano Quintet in C Minor: II. Andante
- Sir John in Love: Act I, XII. I spy entertainment in her
- Epithalamion: VII. The Bell Ringers
- On Wenlock Edge: V. "Bredon Hill"
- The Pilgrim's Progress: Act III, Scene I, II. I buy the truth!
- Sir John in Love: Act III, Scene III, III. Have I caught my heavenly jewel
- Symphony No. 5 in D: IV. Passacaglia (Moderato - Allegro - Tempo Primo -Tempo del Preludio)
- Job: A Masque for Dancing: IX. Epilogue
- English Folk Songs - Suite (Wind ensemble version): I. March "Seventeen Come Sunday"
- English Folk Songs - Suite: II. Intermezzo "My Bonny Boy"
- A Clear Midnight
- Symphony No. 1 "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone
- English Folk Songs - Suite (Wind ensemble version): III. March "Folk Songs from Somerset"
- Symphony No. 5 in D major: I. Preludio (Moderato)
- Sir John in Love: Act III, Scene I, IV. Fair and fair and twice so fair
- Sir John in Love: Act III, Scene III, VI. Nay, follow him, gentlemen
- Hugh the Drover or Love in the Stocks: Act I, I. (Allegro vivacissimo) Buy, buy, buy
- The Lark Ascending (New Philharmonic Orchestra, feat. violin: Hugh Bean)
- Fantasia on Christmas Carols (strings and organ version): III. "On Christmas night all Christians sing"
- Symphony No.9 in E minor: IV. Andante tranquillo
- Symphony No. 3 (Pastoral): II. Lento moderato
- Symphony No.6 in E Minor: Scherzo: Allegro vivace
- Hodie - A Christmas Cantata: I. Prologue: "Nowell! Nowell!"
- Riders to the Sea: They Are All Gone Now
- Sir John in Love: Act II, Scene I, IV. Sigh no more, ladies
- Fantasia on Christmas Carols (full orchesta version): I. "This is the truth sent from above"
- The Maiden's Lament
- Hodie - A Christmas Cantata: XV. Choral: "No sad thought his soul affright"
- Variations for Orchestra: V. Moderato sostenuto
- Sir John in Love: Act I, III. O heavens, this is Mistress Anne Page
- Hodie - A Christmas Cantata: XII. Hymn: "Bright portals of the sky"
- English Folk Song Suite: II. Intermezzo. "My Bonny Boy"
- Piano Quintet in C Minor: III. Fantasia, quasi variazioni
- The Pilgrim's Progress: Act II, Scene II: The Pilgrim meets Apollyon
- Sir John in Love: Act IV, Scene I, III. There is an old tale goes
- Three Preludes Founded on Welsh Hymn Tunes: III. Hyfrydol
- Hodie - A Christmas Cantata: XI. Lullaby: "Sweet was the song the Virgin sang"
- Symphony No.6 in E minor: I. Allegro
- Hugh the Drover or Love in the Stocks: Act I, II. Cold blows the wind on Cotsali
- Partita for double string orchestra: III. Intermezzo (Homage to Henry Hall): Andante con moto
- Songs of Travel (orchestral version): III. "The Roadside Fire"
- Hugh the Drover or Love in the Stocks: Act II, VII. A trollop from the stocks
- Sympnhony No.5 in D: Romanza: Lento
- String Quartet in C Minor: IV. Variazione con finale fugato
- The Wasps: March - Past of the Kitchen Utensils
- Hugh the Drover or Love in the Stocks: Act I, V. Here come the Morris men
- The Truth Sent from Above
- Sir John in Love: Act IV, Scene II, I. (Vivace)
- Sir John in Love: Act II, Scene II, VI. The dew that lies on roses
- Sir John in Love: Act III, Scene III, IV. Mistress Ford! Mistress Ford!
- Oboe Concerto in A minor: II. Minuet and Musette: Allegro moderato
- Quintet in D Major: III. Andantino
- Sir John in Love: Act II, Scene I, III. Ask me no reason why I love you
- Symphony No.6 in E Minor: II. Moderato
- Piano Concerto in C (arranged for two pianos): II. Romanza: Lento
- Sir John in Love: Act IV, Scene I, I. (Andante piacevole)
- Concerto grosso: V. March (A la marcia) and Reprise
- Job: A Masque for Dancing: III. Minuet of the Sons of Job and their Wives
- Sir John in Love: Act II, Scene II, III. O that joy so soon should waste!
- Piano Concerto in C (arranged for two pianos): IIIa. Fuga cromatica (Allegro)
- Fantasia on a Theme of Thomas Tallis
- Fantasia on Christmas Carols (full orchesta version): III. "On Christmas night all Christians sing"
- Sinfonia Antartica (Symphony No. 7): III. Landscape (Lento)
- Six Studies in English Folk Song for cello and piano: VI. Allegro vivace "As I walked over London Bridge"
- Job: A Masque for Dancing: Ib. Saraband of the Sons of God
- Suite De Ballet: III. Gavotte. Quasi lento
- Six Studies in English Folksong: III. Larghetto
- Serenade to Music (London Symphony Orchestra)
- Hodie - A Christmas Cantata: VI. Narration: "And there were in the same country"
- Symphony No. 5 in D: I. Preludio: Moderato - Allegro - Tempo I
- Symphony No. 1 "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself
- Suite De Ballet: I. Improvisation. Andante
- A Pastoral Symphony (No.3): I. Molto Moderato
- Variations for Orchestra: XI: Chorale
- Sir John in Love: Act III, Scene III, VII. Mistress Page!...Mistress Page!
- Epithalamion: IV. The Minstrels
- Sir John in Love: Act II, Scene I, V. (Maestoso)
- Variations for Orchestra: Theme: Andante maestoso
- Hodie - A Christmas Cantata: IX. Pastoral: "The shepherds sing"
- The Lark Ascending, Romance for violin and orchestra
- Hugh the Drover or Love in the Stocks: Act I, III. As I was a-walking
- English Folk Song Suite: I. March (Seventeen Come Sunday) (London Symphony Orchestra)
- Job: A Masque for Dancing: V. Dance of the Three Messengers
- Symphony No. 5 in D: IV. Passacaglia: Moderato - Allegro - Tempo Primo - Tempo del Preludio
- Hugh the Drover or Love in the Stocks: Act I, XIII. Are you ready? Go!
- An Oxford Elegy
- Symphony No.9 in E Minor: III. Scherzo (Allegro pesante)
- Partita for Double String Orchestra: IV. Fantasia: Allegro
- Hugh the Drover or Love in the Stocks: Act I, XII. Yes, I!
- Norfolk Rhapsody No.1
- Hugh the Drover or Love in the Stocks: Act II, III. Hugh!...Mary!
- Epithalamion: XI. Prayer to Juno
- Symphony No. 4 in F minor: III. Allegro molto
- Sir John in Love: Act IV, Scene II, III. Oo! Oo!...Fairies black, grey, green and white
- Symphony No. 2, "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto)
- Piano Concerto in C (arranged for two pianos): I. Toccata: Allegro moderato
- Sir John in Love: Act II, Scene II, VIII. (Maestoso)
- Quintet in D Major: IV. Finale. Allegro molto
- Variations for Orchestra: III. Allegro
- Symphony No. 5 in D major: III. Romanza (Lento)
- Flos campi: V. Revertere, revertere Sulamitis! (Andante quasi lento)
- Sir John in Love: Act II, Scene II, I. Bardolph, Bardolph, I say!
- Chanson de quête
- Symphony No. 7 "Sinfonia Antartica": I. Prelude (Andante maestoso)
- Sir John in Love: Act I, XIV. Love my wife? I will be patient
- A Pastoral Symphony (No.3): IV. Lento
- Sir John in Love: Act III, Scene II, IV. When I was a bachelor
- English Folk Song Suite: Seventeen Come Sunday / My Bonny Boy / Folk Songs From Somerset
- Hugh the Drover or Love in the Stocks: Act II, IV. Sweet little home
- She's like the swallow
- Symphony No. 1 "A Sea Symphony": IVe. The Explorers: Greater than stars or suns
- Six Studies in English Folksong: I. Adagio
- English Folk Song Suite: III. March "Folk Songs from Somerset" (orch. Gordon Jacob)
- Sir John in Love: Act II, Scene I, II. Thine own true knight
- Epithalamion: V. Procession of the Bride
- A Pastoral Symphony: III. Moderato pesante
- English Folk Song Suite: I. March "Seventeen Come Sunday" (orch. Gordon Jacob)
- Sir John in Love: Act III, Scene I, III. Beauty clear and fair
- Nocturne and Scherzo: II. Scherzo 'Founded on an English Folksong'. Allegro moderato
- The Pilgrim's Progress (rehearsal): Act I, Nocturne
- The Wasps: March Past of the Kitchen Utensils (London Philharmonic Orchestra)
- Symphony No. 3 (Pastoral): III. Moderato pesante
- Sir John in Love: Act III, Scene II, III. Peace, I say!
- Job: A Masque for Dancing: VIIIb. Altar Dance
- Sir John in Love: Act I, XI. Back and side go bare
- Flos Campi - 3. Quaesivi quem diligit amima mea
- The Pilgrim's Progress: Act IV, Epilogue
- Phantasy Quintet for two violins, two violas and cello: IV. Burlesca: Allegro moderato
- Three Preludes on Welsh Hymn Tunes 'Household Music': II. St Denio 'Scherzo. Allegro vivace'
- Yorkshire Wassail Song (We've been awhile a-wandering)
- Symphony No. 2 in G major "A London Symphony": IV. Andante con moto - Epilogue: Andante sostenuto - Lento
- Romance and Pastorale: II. Pastorale. Andante con moto
- Réveillez-vous, Piccars
- The Pilgrim's Progress: Act IV, Scene II: I. Who so dwelleth
- Symphony No. 7 "Sinfonia Antartica": III. Landscape (Lento)
- Hodie - A Christmas Cantata: XIV. "The March of the Three Kings: From kingdoms of wisdom"
- Job: A Masque for Dancing: VIIb. Pavane of the Sons of the Morning
- Fantasia on a Theme by Thomas Tallis (London Philharmonic Orchestra)
- Riders to the Sea: Where Is She?
- Songs of Travel (orchestral version): IX. "I have trod the upward and the downward slope"
- Symphony No. 5 in D: II. Scherzo: Presto misterioso
- Symphony No. 2 in G major "A London Symphony": I. Lento - Allegro risoluto
- Symphony No. 8 in D minor: I. Fantasia: Variazioni senza tema
- Symphony No. 3 (Pastoral): IV. Lento
- Symphony No. 5 in D major: IV. Passacaglia (Moderato)
- The Pilgrim's Progress (rehearsal): Act IV, Scene I: Mister By-Ends
- Sympnhony No.5 in D: Preludio: Moderato
- Symphony No. 1 "A Sea Symphony": IVc. The Explorers: O we can wait no longer
- Epithalamion: IX. The Minstrel's Song
- Symphony No.4: I. Allegro
- Songs of Travel (orchestral version): IV. "Youth and Love"
- Sir John in Love: Act I, I. (Allegro vivace) What-hoa!
- The Pilgrim's Progress: Act IV, Scene I: The Pilgrim meets Mister By-Ends
- Hugh the Drover or Love in the Stocks: Act II, V. Where's she gone to?
- Hugh the Drover or Love in the Stocks: Act I, XV. I tell you there's a price on this man's head
- Fantasia on Christmas Carols (strings and organ version): I. "This is the truth sent from above"
- Fantasia on Christmas Carols (full orchesta version): II. "Come all you worthy gentlemen"
- Dawn Patrol (from the film Coastal Command)
- Partita for Double String Orchestra: I. Prelude: Andante tranquillo
- On Wenlock Edge: I. "On Wenlock Edge"
- Concerto grosso: IV. Scherzo: Allegro, tempo di valse
- Hugh the Drover or Love in the Stocks: Act II, IX. March away, John!
- Searching for Lambs
- Flos Campi - 1. Sicut Lilium inter spinas
- Six Studies in English Folksong: V. Andante tranquillo
- How cold the wind doth blow (or The Unquiet Grave)
- Hugh the Drover or Love in the Stocks: Act I, VII. Sweet little linnet that longs to be free
- Symphony No.9 in E Minor: I. Moderato maestoso
- Symphony no. 7, "Sinfonia antartica": I. Prelude: Andante maestoso
- Variations for Orchestra: IX. Adagio
- A Pastoral Symphony (No.3): III. Moderato pesante
- Sympnhony No.5 in D: Passacaglia: Moderato
- A Pastoral Symphony: I. Molto moderato
- On Wenlock Edge: VI. "Clun"
- Symphony No.4: II. Andante moderato
- The Pilgrim's Progress: Act IV, Scene III: The Pilgrim reaches the end of his journey
- Job: A Masque for Dancing: Ia. Introduction
- Three Preludes Founded on Welsh Hymn Tunes: II. Rhosymedre
- On Wenlock Edge: II. "From far, from eve and morning"
- Job: A Masque for Dancing: VIIIa. Galliard of the Sons of the Morning
- Symphony no. 7, "Sinfonia antartica": IV. Intermezzo: Andante sostenuto
- Variations for Orchestra: VI. Tempo di valse
- The Brewer
- The Pilgrim's Progress (rehearsal): Act II, Scene I: The Arming of the Pilgrim
- Suite De Ballet: IV. Passepied. Allegro vivacissimo
- Hodie - A Christmas Cantata: III. Song: "It was the winter wild"
- The Wasps - Aristophanic Suite: V. Ballet and Final Tableau
- Job: A Masque for Dancing, Scene VII: Pavane of the sons of the morning
- The Pilgrim's Progress: Act I, Scene II: The House Beautiful
- Symphony No.6 in E Minor: Allegro
- Sir John in Love: Act III, Scene III, V. When I was a bachelor
- On Wenlock Edge: III. "Is my team ploughing"
- The Pilgrim's Progress: Act III, Scene II: The Pilgrim in Prison
- Flos Campi - 2. Jam enim biems transit
- Hugh the Drover or Love in the Stocks: Act II, X. O foolish girl, O radiant soul!
- The Cuckoo
- String Quartet in C Minor: II. Andantino
- Songs of Travel (orchestral version): VIII. "Bright is the ring of words"
- The Saviour's Love
- Sir John in Love: Act III, Scene I, I. (Andante moderato)
- String Quartet No. 2 in A minor: IV. Epilogue: Greetings from Joan to Jean (Andante sostenuto)
- Six Studies in English Folk Song for cello and piano: V. Andante tranquillo "The Lady and the Dragon"
- Variations for Orchestra: VIII. Alla polacca
- Symphony No.4: III. Scherzo (Allegro molto)
- Epithalamion: III. The Calling of the Bride
- A Pastoral Symphony: II. Lento moderato
- Hugh the Drover or Love in the Stocks: Act I, XIV. The drover's won!
- Sir John in Love: Act III, Scene III, II. Alas, my love, you do me wrong
- Epithalamion: VIII. The Lover's Song
- Sir John in Love: Act I, II. How now, Master Shallow
- As I walked out
- Songs of Travel (orchestral version): VII. "Whither must I wander"
- Symphony No. 5 in D: III. Romanza: Lento
- Five Tudors Portraits: IV. Romanza "Jane Scoop (Her Lament for Philip Sparrow"
- Riders to the Sea: Wait, Nora
- Riders to the Sea: Where Is the Bit of New Rope
- The Captain's Apprentice
- Symphony No. 1 "A Sea Symphony": IVd. The Explorers: O thou transcendent
- Flos Campi - 4. En lectuium Salomonis
- Symphony no. 7, "Sinfonia antartica": III. Landscape: Lento
- Three Preludes on Welsh Hymn Tunes 'Household Music': I. Crug-Y-Bar 'Fantasia. Andante sostenuto'
- Symphony No. 1 "A Sea Symphony": IVf. The Explorers: Sail forth, steer for the deep waters only
- Symphony No. 1 "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea
- Suite De Ballet: II. Humoresque. Presto
- English Folk Song Suite: II. Intermezzo: My Bonny Boy
- Sir John in Love: Act I, XV. When daisies pied and violets blue
- Symphony No. 1 "A Sea Symphony": IVg. The Explorers: O my brave Soul!
- Sir John in Love: Act III, Scene I, VI. I mun be married a-Sunday
- Sinfonia Antartica (Symphony No. 7): V. Epilogue (Alla marcia)
- Sir John in Love: Act III, Scene I, V. But listen, good mine host
- Job: A Masque for Dancing: IV. Job's Dream
- Violin Sonata in A minor: II. Scherzo: Allegro furioso, ma non troppo
- Symphony No. 1 "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all
- Partita for double string orchestra: II. Scherzo ostinato: Presto
- Sir John in Love: Act I, V. Weep eyes, break heart
- Symphony No. 3 (Pastoral): I. Molto moderato
- Hugh the Drover or Love in the Stocks: Act II, I. (Lento moderato) Past four o'clock
- Riders to the Sea: Bartley Will Be Lost Now
- Sir John in Love: Act II, Scene II, IV. There's one Master Brook below
- Six Studies in English Folksong: II. Andante sostenuto
- Sir John in Love: Act II, Scene II, II. Give your worship good morrow
- Job: A Masque for Dancing: VI. Dance of Job's Comforters
- Hugh the Drover or Love in the Stocks: Act I, X. Mary! Mary!
- Sir John in Love: Act II, Scene II, V. I have long loved her
- Sir John in Love: Act I, VIII. Vere is dat knave Rugby?
- Sir John in Love: Act IV, Scene II, II. The Windsor bell hath struck twelve
- Symphony No. 7 "Sinfonia Antartica": II. Scherzo (Moderato)
- Quintet in D Major: I. Allegro moderato
- Quintet in D Major: II. Intermezzo. Allegretto
- Sir John in Love: Act IV, Scene II, VI. (Moderato) - Nay, do not fly
- Phantasy Quintet for two violins, two violas and cello: II. Scherzo: Prestissimo
- Fantasia on Greensleeves (London Symphony Orchestra)
- Hodie - A Christmas Cantata: V. Choral: "The blessed Son of God"
- Hodie - A Christmas Cantata: XIII. Narration: "Now when Jesus was born"
- Symphony No. 1 "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending
- English Folk Songs - Suite: I. March "Seventeen Come Sunday"
- A Pastoral Symphony (No.3): II. Lento moderato
- English Folk Songs - Suite: III. March "Folk Songs from Somerset"
- Hugh the Drover or Love in the Stocks: Act II, VI. Here, queen uncrowned
- Nocturne and Scherzo: I. Nocturne. Largo sostenuto, sempre tempo rubato
- Six Studies in English Folk Song for cello and piano: IV. Lento "She borrowed some of her mother's gold"
- Flos Campi - 6. Pone me up signaculum
- Symphony No. 1 "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative
- Two Hymn-Tune Preludes: II. Dominus regit me
- Sir John in Love: Act III, Scene III, I. What, John! What, Robert!
- Phantasy Quintet for two violins, two violas and cello: I. Prelude: Lento ma non troppo
- Symphony No. 7 "Sinfonia Antartica": IV. Intermezzo (Andante sostenuto)
- The Morning Dew
- Norfolk Rhapsody No. 1 (New Philharmonia Orchestra feat. conductor: Sir Adrian Boult)
- Five Variants of 'Dives and Lazarus' (City of Birmingham Symphony Orchestra feat. conductor: Norman Del Mar)
- Fantasia on a Theme by Thomas Tallis (Sinfonia of London feat. conductor: Sir John Barbirolli)
- The Wasps: I. Overture (London Philharmonic Orchestra)
- Sinfonia Antartica (Landscape [III - Lento] )
- Symphony No.2: Lento
- III. Romanza Lento
- Symphony No.8 in D minor: Cavatina
- I. Preludio moderato
- Symphony No.8 in D minor: Toccata
- Symphony No.8 in D minor: Scherzo alla marcia
- Symphony No.2: Scherzo (Nocturne), Allegro vivace
- Symphony No.2: Lento, Allegro risoluto
- II. Scherzo: Presto misterioso
- Symphony No.8 in D minor: Fantasia: Variazioni senza Tema
- IV. Passacaglia Moderato
- Symphony No.2: Andante con moto, Maestoso alla marcia. Epilogue: Andante sostenuto
- March
- III: Sarabande
- Romance in D flat
- Partita: I. Prelude
- Partita: II. Scherzo ostinato
- III. Intermezzo (Homage to Henry Hall)
- IV: Scherzo
- II. Burlesca ostinata
- I. Intrada
- IV. Fantasia
- Symphony No. 3, "Pastoral": II. Lento moderato
- Symphony No. 2 in G major "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - Lento
- Symphony No. 3, "Pastoral": IV. Lento - Moderato maestoso
- Symphony No. 3, "Pastoral": I. Molto moderato
- Symphony No. 3, "Pastoral": III. Moderato pesante
- Sancta Civitas: And I saw Heaven opened (Allegro)
- English Folk Song Suite - Seventeen come Sunday
- Partita for Double String Orchestra: Intermezzo (Homage to Henry Hall) (Andante con moto)
- English Folk Song Suite - Folksongs from Somerset
- Sir John in Love: Act II, Scene I, I. (Allegro moderato e maestoso)
- English Folk Song Suite: Intermezzo: My Bonny Boy
- Partita for Double String Orchestra: Scherzo Ostinato (Presto)
- Partita for Double String Orchestra: Fantasia (Allegro)
- Partita for Double String Orchestra: Andante tranquillo
- Partita for Double String Orchestra: 1. Prelude
- Symphony No.8 in D minor: 3. Cavatina (per stromenti ad arco)
- Partita for Double String Orchestra: 3. Intermezzo (Homage to Henry Hall)
- Partita for Double String Orchestra: 2. Scherzo Ostinato
- Symphony No.8 in D minor: 2. Scherzo alla Marcia
- Symphony No.8 in D minor: 1. Fantasia
- Two Hymn-Tune Preludes: 2. Dominus Regit Me
- Partita for Double String Orchestra: 4. Fantasia
- Symphony No.8 in D minor: 4. Toccata
- Two Hymn-Tune Preludes: 1. Eventide
- A Sea Symphony: II. On the Beach at Night Alone
- A Sea Symphony: I. A Song for all Seas, all Ships
- A Sea Symphony: III. (Scherzo) The Waves
- A Sea Symphony: IV. The Explorers
- Symphony No. 2 in G major "A London Symphony": III. Scherzo (Nocturne); Allegro vivace
- Symphony No. 2 in G major "A London Symphony": I. Lento
- Symphony No. 2 in G major "A London Symphony": IV. Andante con moto; Maestoso alla marcia; Allegro; Lento; Epilogue
- The Poisoned Kiss: Act III. No. 36. Quartet. All: "Love in a hut..."
- The Poisoned Kiss: Act II. No. 16. Song and Chorus. Angelica and flower girls: "By all the powers..."
- The Poisoned Kiss: Act I. No. 8. Duet. Amaryllus: "It"s true I"m inclined..."
- The Poisoned Kiss: Act III. No. 28. Trio. Mediums: "Behold our mystic..."
- The Poisoned Kiss: Act III. No. 34. Ensemble. Empress: "Come, O gentle powers"
- The Poisoned Kiss: Act I. No. 12. Song. Tormentilla: "O who would be..."
- The Poisoned Kiss: Act II. No. 22. Ensemble. Amaryllus: "Twas here it bade..."
- The Poisoned Kiss: Act II. No. 19. Trio. Third Medium: "If you want to escape"
- The Poisoned Kiss: Act I. Amaryllus and Gallanthus: "O come to our arms"
- The Poisoned Kiss: Act II. No. 20. Chorus: "Tormentilla! Tormentilla!"
- The Poisoned Kiss: Act II. No. 23. Serenade. Amaryllus: "Dear love, behold..."
- The Poisoned Kiss: Act II. No. 15. Chorus: "Here we come"
- The Poisoned Kiss: Act I. Amaryllus: "Desist, lest you die!"
- The Poisoned Kiss: Act II. No. 14. Introduction
- The Poisoned Kiss: Act II. Tormentilla: "You must not kiss me"
- The Poisoned Kiss: Act III. No. 31.Ensemble. Empress: "You can leave us"
- The Poisoned Kiss: Act II. No. 21. Song and Duet. Tormentilla: "There was..."
- The Poisoned Kiss: Act I. No. 3. Scena. Gallanthus: "What"s that?"
- The Poisoned Kiss: Act I. Dispacus: "North wind, south wind"
- The Poisoned Kiss: Act I. Tormentilla: "Angelica?"
- The Poisoned Kiss: Act I. No. 9. Ensemble. Tormentilla: "Hush, lovely cobra"
- The Poisoned Kiss: Act III. No. 39. Finale. Chorus: "Love has conquered!"
- The Poisoned Kiss: Act III. Empress: "Love breaks all rules..."
- The Poisoned Kiss: Act I. No. 6. Ensemble. Hob, Lob and Gob: "Here we come..."
- The Poisoned Kiss: Act I. No. 4. Scena. Angelica: "Day is dawning"
- The Poisoned Kiss: Act III. No. 33. Invocation. Empress: "Imps and Demons"
- The Poisoned Kiss: Act II. No. 24. Duet. Tormentilla: "Sleeping or waking"
- The Poisoned Kiss: Act II. No. 17. Trio. Lob: "Ho there!"
- The Poisoned Kiss: Act III. No. 32. Duet. Tormentilla: "Is my love alive?"
- The Poisoned Kiss: Overture
- The Poisoned Kiss: Act III. No. 35. Duet. Empress: "Can you, can you remember"
- The Poisoned Kiss: Act I. No. 13. Finale. Dipsacus: "All is ready!"
- The Poisoned Kiss: Act I. No. 2. Opening Chorus: "Secret are the sounds..."
- The Poisoned Kiss: Act I. No. 10. Duet. Amaaryllus: "I know we see..."
- The Poisoned Kiss: Act I. No. 11. Ensemble. Dispacus: "Who"s in my forest?"
- The Poisoned Kiss: Act I. No. 7. Duet and Chorus. Dipsacus: "I"m a sorcerer bold"
- The Poisoned Kiss: Act III. No. 27. Introduction
- The Poisoned Kiss: Act II. No. 26. Finale. Tormentilla: "Too dark for me..."
- The Poisoned Kiss: Act III. No. 30. Ballad. Empress: "When I was young..."
- The Poisoned Kiss: Act III. No. 29. Ensemble. Empress: "Monstrous vision!"
- The Poisoned Kiss: Act II. No. 18. Duet. Angelica: "It does not appear..."
- The Poisoned Kiss: Act III. No. 37. Sextet. First Medium: "Horrid monster!"
- The Poisoned Kiss: Act I. Amaryllus: "Blue larkspur in a garden"
- The Poisoned Kiss: Act III. No. 38. Duet. Gallanthus: "It"s the proper thing to do"
- The Poisoned Kiss: Act I. No. 5. Duet. Gallaanthus: "It"s really time..."
- The Vagabond
- I Saw Three Ships
- Symphony No. 5 in D major: III. Romanza
- Symphony No. 7, "Sinfonia antartica": IV. Intermezzo (Andante sostenuto)
- Sinfonia Antartica (Symphony No. 7): II. Scherzo: Moderato
- Sinfonia Antarctica (Symphony No. 7) III. Landscape
- Symphony No. 5 in D major: I. Preludio
- On Christmas Night: Marley's Ghost. Allegro moderato e pesante
- Sinfonia Antarctica (Symphony No. 7) I. Prelude
- Symphony No. 8 in D minor: I. Fantasia. Variazioni senza tema
- Three Vocalises for Soprano and Clarinet: II. Scherzo: Allegro moderato
- Symphony No. 9 in E minor IV. Andante Tranquillo - Poco Animato
- Piano Concerto in C major: IIIa. Fuga chromatica
- Job: Scene IX. Epilogue
- Saraband of the Sons of God
- Aristophanic Suite "The Wasps": II. Entr'acte
- Symphony No. 7, "Sinfonia antartica": I. Prelude. Andante maestoso
- Six Studies in English Folk Song: VI. Allegro vivace
- Symphony No. 2 "A London Symphony": IV. Andante Con Moto - Maestoso All Marcia - Epilogue: Andante Sostenuto
- Concerto for Bass Tuba and Orchestra in F minor: II. Romanza. Andante sostenuto
- Sinfonia Antartica (Symphony No. 7): I. Prelude: Andante maestoso
- The First Nowell: VII. The Cherry Tree Carol: Part Two
- Concerto Grosso for String Orchestra: V. March & Reprise
- Intermezzo: "My Bonny Boy"
- Partita for Double String Orchestra: IV. Fantasia. Allegro
- Suite "Flos Campi": IV. Moderato alla marcia.
- Concerto for Oboe and Strings in A minor: I. Rondo Pastorale. Allegro moderato
- The House of Life No. 2: Silent Noon
- Piano Concerto in C major: II. Romanza. Lento
- Symphony No. 5 in D major: IV. Passacaglia (Moderato - Allegro - Tempo Primo -Tempo del Preludio)
- Symphony No. 8 in D minor: I. Fantasia variazioni senza tema
- Partita for Double String Orchestra: II. Scherzo Ostinato. Presto
- Symphony No. 3: III. Moderato pesante
- Symphony No. 2, "A London Symphony": III. Scherzo (Nocturne), Allegro vivace
- The First Nowell: IX. 'In Bethlehem City' (A Virgin most pure)
- Sinfonia Antarctica (Symphony No. 7) V. Epilogue
- Aristophanic Suite "The Wasps": V. Ballet and Final Tableau
- Te Deum
- The Wasps: II. Entr'acte
- Suite "Flos Campi": V. Andante quasi lento.
- A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 1. Behold, the sea itself (chorus)
- Three Vocalises for Soprano and Clarinet: III. Quasi menuetto: Moderato
- Symphony No. 6 in E minor: IV. Epilogue - Moderato
- Piano Concerto in C major: I. Toccata. Allegro moderato – Largamente – Cadenza
- Mass in G Minor - II. Gloria
- Symphony No. 2, "A London Symphony": IV. Andante con moto, Maestoso alla marcia. Epilogue: Andante sostenuto
- Suite "Flos Campi": VI. Moderato tranquillo.
- A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 2. Today a rude brief recitative (baritone & chorus)
- The First Nowell: XVI. 'Tidings true there be come new' (The Salutation Carol)
- Symphony No. 8 in D minor: II. Scherzo slla marcia
- On Christmas Night: Fezziwig's Christmas Party. Molto moderato -
- Symphony No. 3: I. Molto moderato
- Concerto for Bass Tuba and Orchestra in F minor: I. Prelude. Allegro moderato
- Symphony No. 7, "Sinfonia antartica": III. Landscape (Lento)
- A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 5. A pennant universal (baritone, soprano & chorus)
- Job: Scene VII. Elihu's Dance of Youth and Beauty
- A Pastoral Symphony (Symphony No. 3) II. Lento Moderato
- A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 7. O my brave Soul! (soprano, baritone & chorus)
- Mass in G Minor - IV. Sanctus
- The First Nowell: I. Prelude. God rest you merry and The truth from above
- Symphony No. 9 in E minor: IV. Finale (Andante tranquillo)
- The First Nowell: VI. The Cherry Tree Carol: Part One
- A Sea Symphony (Symphony No. 1): III. Scherzo: The Waves (Allegro brillante)
- The Wasps - Overture
- Three Portraits from "The England of Elizabeth": I. Explorer
- Sinfonia Antarctica (Symphony No. 7) IV. Intermezzo
- Symphony No. 7, "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro)
- Symphony No.5 in D - IV. Passacaglia
- The First Nowell: XV. The Sussex Carol
- Concerto Grosso for String Orchestra: II. Burlesca Ostinata
- Piano Concerto in C major: IIIb. Finale alla Tedesca
- The First Nowell: II. Angelus ad Virginem
- A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 6. Sail forth (chorus, soprano & baritone)
- Symphony No. 1: II. On the Beach at Night, alone
- Sinfonia Antartica (Symphony No. 7): V. Epilogue: Alla marcia
- Sinfonia Antarctica (Symphony No. 7) II. Scherzo
- Aristophanic Suite "The Wasps": IV. Entr'acte
- A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 5. Greater than stars or suns (chorus, soprano & baritone)
- A Pastoral Symphony (Symphony No. 3) IV. Lento - Moderato Maestoso - Lento
- Mass in G Minor - III. Credo
- O, Clap Your Hands
- Symphony No. 6 in E minor: IV. Epilogue
- A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 2. Down from the gardens of Asia descending (chorus)
- Symphony No. 1: I. Song for all Seas, all Ships
- Six Studies in English Folk Song: II. Andante sostenuto
- Symphony No. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea
- Overture "The Wasps"
- Job: Scene V. Dance of the Three Messengers
- Symphony No. 3 "A Pastoral Symphony": II. Lento moderato
- 2 Hymn-Tune Preludes: I. Eventide. Lento sostenuto
- Symphony No.5 in D - III. Romanza
- Symphony No. 8 in D minor: III. Cavatina (for strings)
- Symphony No. 5 in D major: II. Scherzo
- Symphony No. 7, "Sinfonia antartica": V. Epilogue (Alla marcia, moderato: non troppo allegro)
- Symphony No. 3 "A Pastoral Symphony": III. Moderato pesante
- Symphony No. 2 "A London Symphony": III. Scherzo (Nocturne): Allegro vivace
- Suite "Flos Campi": II. Andante con moto.
- Six Studies in English Folk Song: V. Andante tranquillo
- A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 1. O vast Rondure, swimming in Space (chorus)
- Symphony No. 1: IV. The Explorers - Grave e molto adagio
- Mass in G Minor - VI. Agnus Dei
- Symphony No. 8 in D minor: IV. Toccata
- On Christmas Night: Black Nag. Allegro -
- Six Studies in English Folk Song: III. Larghetto
- The First Nowell: III. The Salutation Carol
- The Wasps: IV. Entr'acte
- Symphony No. 2: II. Lento
- Aristophanic Suite "The Wasps": III. March Past of the Kitchen Utensils
- A Pastoral Symphony (Symphony No. 3) III. Moderato Pesante - Presto
- Andante con Moto; Maestoso all Marcia (Quasi Lento)
- Symphony No. 9 in E minor: III. Scherzo allegro pesante
- The First Nowell: XVIII. [Interlude]
- Concerto Grosso for String Orchestra: III. Sarabande
- Symphony No. 2: III. Scherzo (Nocturne). Allegro vivace
- Concerto for Oboe and Strings in A minor: III. Scherzo. Presto – Doppio più lento – Lento – Presto
- Symphony No. 5 in D major: IV. Passacaglia
- Sinfonia Antartica (Symphony No. 7): IV. Intermezzo: Andante sostenuto
- Symphony No. 5 in D major: I. Preludo (Moderato)
- Symphony No. 2, "A London Symphony": III. Scherzo (Nocturno)
- Six Studies in English Folk Song: I. Adagio
- Lento; Allegro Risoluto
- The First Nowell: VIII. Joseph and Mary
- A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 3. O we can wait no longer (baritone & soprano)
- Symphony No. 8 in D minor: II. Scherzo alla Marcia
- Symphony No. 4: IV. Finale con epilogo fugata (allegro molto)
- Concerto Grosso for String Orchestra: I. Intrada
- Mass in G Minor - I. Kyrie
- Symphony No. 6 in E minor: III. Scherzo - Allegro vivace
- Symphony No. 3: IV. Lento
- Flourish for Glorious John
- On Christmas Night: Bob Cratchit's Christmas Party -
- Six Studies in English Folk Song: IV. Lento
- Symphony No. 9 in E minor I. Moedrato Maestoso
- Symphony No. 9 in E minor II. Andante Sestenuto
- A Sea Symphony (Symphony No. 1): IV. The Explorers (Grave e molto adagio - Andante con moto) / 4. O thou transcendent (soprano, baritone & chorus)
- Symphony no. 4: III. Scherzo (Allegro molto)
- A Sea Symphony (Symphony No. 1): II. On the Beach at Night, Alone (Largo sostenuto) / 2. A vast similitude interlocks all (baritone & chorus)
- A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 3. Flaunt out, O sea, your separate flags of nations! (soprano & chorus)
- Symphony No. 8 in D minor: II. Scherzo All Marcia (for wind instruments)
- Come Love, Come Lord
- Symphony No. 4 in F minor: III. Scherzo (allegro molto); IV. Finale con epilogo fugata (allegro molto)
- On Christmas Night: Midnight. Lento -
- A Pastoral Symphony (Symphony No. 3) I. Molto Moderato
- Symphony no. 4: IV. Finale (Allegro molto) con epilogo fugato (Con anima)
- The First Nowell: XVII. How brightly shone the morning star
- Symphony No. 9 in E minor: IV. Adante tranquillo
- Symphony No. 8 in D minor: III. Cavatina
- Job: Scene IV. Job's Dream
- Symphony No. 7, "Sinfonia antartica": II. Scherzo (Moderato)
- Pavane of the Sons of the Morning
- Concerto Grosso for String Orchestra: IV. Scherzo
- On Christmas Night: Procession of the Nativity. Lento
- On Christmas Night: The Triumph. Allegro moderato -
- Seventeen Come Sunday
- Sinfonia Antartica (Symphony No. 7): III. Landscape: Lento
- On Christmas Night: Bob Cratchit's Toast. Lento -
- Job: Scene II. Satan's Dance of Triumph
- Job: Scene III. Minuet of the Sons of Job and Their Wives
- Symphony No. 1: III. Scherzo - The Waves
- Symphony No. 7, "Sinfonia antartica": I. Prelude (Andante maestoso)
- Job: Scene VI. Dance of Job's Comforters
- Symphony No. 8 in D minor: III. Cavatina (per stromenti ad arco)
- Three Portraits from "The England of Elizabeth": III. Queen
- Concerto for Violin and String Orchestra in D minor: II. Adagio – Tranquillo
- Mass in G Minor - V. Benedictus
- Concerto for Bass Tuba and Orchestra in F minor: III. Finale – Rondo alla Tedesca. Allegro
- Suite "Flos Campi": III. Lento.
- 2 Hymn-Tune Preludes: II. Dominus Regit Me. Andante con moto
- Symphony No. 8 in D minor: I. Fantasia
- Concerto for Oboe and Strings in A minor: II. Minuet & Musette. Allegro moderato
- Aristophanic Suite "The Wasps": I. Overture
- Symphony No. 3: II. Lento moderato
- Partita for Double String Orchestra: II. Scherzo: Ostinato - Presto
- The Old 100th
- Three Vocalises for Soprano and Clarinet: I. Prelude: Moderato
- On Christmas Night: The Spirit of Christmas. Lento -
- Job: Scene VIII. Galliard of the Sons of the Morning
- A Sea Symphony (Symphony No. 1): II. On the Beach at Night, Alone (Largo sostenuto) / 1. On the beach at night, alone (baritone & semi-chorus)
- Symphony No. 9 in E minor: I. Moderato maestoso tranquillo
- Lento
- Symphony No. 3 "A Pastoral Symphony": IV. Lento
- On Christmas Night: A procession. Lento -
- Symphony No. 2, "A London Symphony": IV. Andante con moto - Maestoso alla marcia
- Symphony No. 6 in E minor: III. Scherzo
- Symphony No. 4 in F minor: IV. Finale con epilogo fugato - allegro molto
- On Christmas Night: Morris jig. Allegro molto -
- Symphony No. 9 in E minor III. Scherzo: Allegro Pesante
- Symphony No. 5 in D major: II. Scherzo (Presto misterioso)
- Old King Cole - A Ballet for Orchestra - Morris Jig: 'Go and 'list for a sailor' - Bradley Creswick, violin; Sinfonia Chorus, Alan Fearon
- Partita for Double String Orchestra: III. Intermezzo. Andante con moto
- Fantasia on "Greensleeves" (arr. R. Greaves)
- Symphony No. 3: I. Allegro moderato
- Symphony No. 3 "A Pastoral Symphony": I. Molto moderato
- On Christmas Night: Fezziwig's Parlour: Scene 2. Allegro -
- Suite "Flos Campi": I. Lento.
- Altar Dance
- Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth, steer for the deep waters only
- On Christmas Night: Victorian Drawing Room. Andante sostenuto -
- Symphony No. 2: IV. Andante con moto. Maestoso alla marcia (quasi lento)
- The Banks of Green Willow: Idyll
- Concerto for Violin and String Orchestra in D minor: I. Allegro pesante
- Partita for Double String Orchestra: I. Prelude. Andante tranquillo
- Symphony No. 2: I. Lento. Allegro risoluto. Molto pesante
- Symphony No.5 in D - II. Scherzo
- Symphony No. 5 in D major: IV. Passacaglia: Moderato - Allegro - Tempo Primo - Tempo del Preludio
- Three Portraits from "The England of Elizabeth": II. Poet
- Scherzo (Nocturne), Allegro Vivace
- March: Folk Songs From Somerset
- Symphony No. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato)
- Symphony No. 5 in D major: I. Preludio (Moderato - Allegro - Tempo I)
- A Sea Symphony (Symphony No. 1): I. A Song for All Seas, All Ships (Moderato maestoso) / 4. Token of all brave captains (chorus)
- Job: Scene I. Introduction
- Concerto for Violin and String Orchestra in D minor: III. Presto
- Symphony No.5 in D - I. Preludio
- Symphony No. 2, "A London Symphony": I. Lento, Allegro risoluto
- The First Nowell: XX. The First Nowell
- On Christmas Night: Roger de Coverley -
- On Christmas Night: Prelude. God rest you merry - Allegro agitato -
- Sir John in Love: Fantasia on Greensleeves
- Death of Tintagiles: 4 1/2. Allegro
- Death of Tintagiles: 2. Allegro
- A Cotswold Romance: 8. Hugh in the Stocks
- Epilogue
- A Cotswold Romance: 7. The Fight and its Sequel
- Act 2, Scene 1
- Act 2, Scene 2
- Death of Tintagiles: Prelude: Largo - Andantino - Adagio
- Act 3, Scene 2
- Act 3, Scene 1
- Death of Tintagiles: 3. Lento - Andante tranquillo - Lento
- A Cotswold Romance: 4. Love at First Sight
- Chorus of Traders
- A Cotswold Romance: 3. Hugh' s Song of the Road
- Death of Tintagiles: 1. Lento
- A Cotswold Romance: 6. Alone and Friendless
- A Cotswold Romance: 9. Mary Escapes
- A Cotswold Romance: 1. The Men of Cotsall
- Pilgrim
- Act 1, Nocturn
- A Cotswold Romance: 2. Sweet Little Linnet
- A Cotswold Romance: 10. Freedom at Last
- Death of Tintagiles: 4. Moderato
- Death of Tintagiles: 5. Lento
- A Cotswold Romance: 5. The Best Man in England
- Act 1, Scene 2
- Act 1, Scene 1
- Act 4, Scene 2
- Act 4, Scene 1
- Act 4, Scene 4
- Act 4, Scene 3
- All Creatures of Our God and King
- If You Could Hie to Kolob
- I Saw a Mighty Angel Fly
- Mass in G Minor: Benedictus
- Mass in G Minor: Sanctus
- Mass in G Minor: Osanna II
- Mass in G Minor: Osanna I
- 3 Shakespeare Songs: III. Over hill, over dale
- 3 Shakespeare Songs: I. Full fathom five
- 3 Shakespeare Songs: II. The cloud-capp'd towers
- The Story of a Flemish Farm: VI. The Dead Man's Kit
- The Story of a Flemish Farm: I. The Flag Flutters in the Wind
- 49th Parallel: Prelude (Opening Titles)
- 49th Parallel: Hutterite Settlement: Anna's Volkslied
- 49th Parallel: Nazi March
- The Story of a Flemish Farm: II. Night by the Sea - Farewell to the Flag
- Bitter Springs: XIV. Warragani Boy
- The England of Elizabeth: III. Stratford - Maps - Red Indians - River Avon - Cralcote - Deer - Road to London - Armada - The Aftermath
- Bitter Springs: VII. Axes
- The Story of a Flemish Farm: V. The Major Goes to Face his Fate
- 49th Parallel: Winnipeg II
- Bitter Springs: XV. Ma and Abos
- 49th Parallel: Indian Music II
- 49th Parallel: Indian Music III
- Bitter Springs: V. Waterhole
- Bitter Springs: IV. First Desert
- The Story of a Flemish Farm: IV. In the Café
- Bitter Springs: XI. Hunters
- Bitter Springs: XIII. Abos Retreat
- The Dim Little Island
- The Story of a Flemish Farm: VII. The Wanderings of the Flag
- The Loves of Joanna Godden
- The England of Elizabeth: II. Books - Seamen - Dance - Country Wedding - London
- The England of Elizabeth: V. King's College - River Avon - Final Scenes
- The England of Elizabeth: IV. Treasures - New Houses - Yeoman Interior
- 49th Parallel: Hutterite Settlement: The Wheat Harvest
- 49th Parallel: Indian Music I
- 49th Parallel: Prelude (Closing Titles)
- The England of Elizabeth: I. Titles - Street Scene - Countryside - Tudor Houses - Portraits - Elizabeth - Hatfield - Tintern - King's College Cambridge
- 49th Parallel: Death of Kühnecke
- Bitter Springs: XII. Fire
- 49th Parallel: Hudson Bay Post
- Bitter Springs: IX. Boomerang
- Bitter Springs: III. Rocks
- Bitter Springs: VIII. Kangaroos
- Bitter Springs: I. Main Titles / II. Opening Music
- Bitter Springs: X. Housewarming
- The Story of a Flemish Farm: III. Dawn in the Old Barn - The Parting of the Lovers
- 49th Parallel: Winnipeg I
- 49th Parallel: Prologue
- 49th Parallel: Control Room Alert
- 49th Parallel: Looting the Store
- 49th Parallel: Nazis on the Run & Lake in the Mountains
- Bitter Springs: XVI. Round Up
- Bitter Springs: VI. End of the Trek
- Songs of Travel: VII. Whither Must I Wander?
- Fantasia on a Theme by Thomas Tallis, for 2 string orchestras
- Prelude on Welsh Hymn Tunes No. 2 in G major "Rhosymedre"
- Job, a Masque for Dancing: Scene 8. Galliard of the Sons of Morning / Altar Dance and Heavenly Pavane
- Job, a Masque for Dancing: Scene 6. Dance of Job's Comforters / Job's Curse / A Vision of Satan
- Job, a Masque for Dancing: Scene 4. Job's Dream / Dance of Plague, Pestilence, Famine and Battle
- Job, a Masque for Dancing: Scene 1. Introduction / Pastoral Dance / Satan's Appeal to God / Saraband of the Sons of God
- Job, a Masque for Dancing: Scene 3. Minuet of the Sons of Job and Their Wives
- Job, a Masque for Dancing: Scene 2. Satan's Dance of Triumph
- Job, a Masque for Dancing: Scene 9. Epilogue
- Job, a Masque for Dancing: Scene 5. Dance of the Messengers
- Job, a Masque for Dancing: Scene 7. Elihu's Dance of Youth and Beauty / Pavane of the Sons of the Morning
- Hymn: All People That on Earth Do Dwell
- Antiphon (Let All the World in Every Corner Sing)
- Hymn: Come Down, o Love Divine
- Three Shakespeare Songs: III. Over hill, over dale
- Three Shakespeare Songs: II. The cloud-capp'd towers
- Three Shakespeare Songs: I. Full fathom five
- The Wasps: Act I. No. 5 "When we buzz"
- The Wasps: Act I. No. 4 The Wasps' Serenade
- Five Variants of Dives and Lazarus: I. ♩ = ♩
- The Wasps: Act II. No. 10 Melodrama and Chorus
- The Wasps: Act I. No. 6 "Imagine how it feels"
- The Wasps: Act III. No. 13 "So, how do you like my new outfit?"
- The Wasps: Act II. No. 9 "Well, I was in the depths of depression"
- The Wasps: Act I. No. 7 "So Sandra starts in"
- The Wasps: Act II. No. 10 "Let the jury be seated"
- The Wasps: Act II. No. 11 March Past of the Witnesses
- The Wasps: Act I. No. 8 Melodrama and Chorus
- The Wasps: Act III. No. 13 Entr'acte
- The Wasps: Act I. No. 7 Melodrama and Chorus
- The Wasps: Act II. No. 9 Entr'acte and Introduction
- The Wasps: Act III. No. 15 "Great wine they had at that dinner!"
- The Wasps: Act I. No. 3 Melodrama and Chorus
- The Wasps: Act II. No. 12 Parabasis
- The Wasps: Act III. No. 18 Chorus and Dance
- The Wasps: Act I. No. 6 "If you survive your sixtieth year"
- The Wasps: Act I. No. 1 Overture
- The Wasps: Act II. No. 11 "So, Wok, what's the evidence?"
- The Wasps: Act I. No. 1 "Bastard! Bloody lickspittle!"
- Five Variants of Dives and Lazarus: III. ♩ = 150
- The Wasps: Act III. No. 15 "Out of my way"
- The Wasps: Act III. No. 14 "His army cloak, his field canteen"
- The Wasps: Act I. No. 5 "Then all hell breaks loose"
- The Wasps: Act III. No. 17 "I must be dreaming!"
- The Wasps: Act III. No. 16 "Ta-ratata-ta"
- The Wasps: Act I. No. 2 Introduction (Nocturne)
- The Wasps: Act I. No. 4 "Boys, your song brings tears to my eyes"
- O Clap Your Hands
- Toccata Marziale (1997-04-24, conducted by Frederick Fennell)
- Lento - Allegro risoluto (London Symphony Orchestra)
- Symphony No. 9 in E minor: 3. Scherzo: Allegro pesante
- Hugh the Drover: Act I, VII. Sweet little linnet that longs to be free
- Hugh the Drover: Act II, IX. March away, John!
- Sinfonia Antartica (Symphony No. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro)
- Hugh the Drover: Act I, IX. In the night-time I have seen you riding
- Hugh the Drover: Act II, V. Where's she gone to?
- Sacred and Secular Songs: O Taste and See
- Three Elizabethan Partsongs: Sweet Day
- Mass in G minor: Gloria in excelsis
- Piano Concerto in C major: 3a. Fuga chromatica
- Three Elizabethan Partsongs: O Mistress Mine
- Hugh the Drover: Act I, III. As I was a-walking
- Hugh the Drover: Act II, II. Gaily I go to die
- Five English Folksongs: Just as the tide was flowing
- Three Shakespeare Songs: The Cloud-Capp'd Towers
- Five English Folksongs: The Dark-eyed Sailor
- Hodie: VI. Epilogue: In the beginning was the Word
- Sacred and Secular Songs: No Sad Thought His Soul Affright
- Symphony No. 9 in E minor: 2. Andante sostenuto
- Mannin Veen
- Hugh the Drover: Act II, III. Hugh!...Mary!
- Three Elizabethan Partsongs: The Willow Song
- Three Shakespeare Songs: Full Fathom Five
- Job - Scene VI Dance of Job's Comforters - Scene VII Elihu's Dance of Youth - Scene VIII Galliard of the Sons of the Morning - Scene IX Epilogue
- Hugh the Drover: Act I, XV. I tell you there's a price on this man's head
- Hugh the Drover: Act I, IV. Show me a richer man
- Hugh the Drover: Act II, X. O foolish girl, O radiant soul!
- Hugh the Drover: Act I, VIII. Horse-hoofs, horse-hoofs, thunder down the valleys
- Five English Folksongs: Wassail Song
- Heart's Music
- Hugh the Drover: Act I, XIV. The drover's won!
- Hugh the Drover: Act I, XI. Oh! The devil and Bonyparty
- A Sea Symphony: II. On the beach at night, alone
- Piano Concerto in C major: 3b. con Finale alla Tedesca
- Job - Scene III Minuet of the Sons of Job and their Wives - Scene IV Job's Dream - Scene V Dance of the Three Messengers
- Hugh the Drover: Act II, IV. Sweet little home
- Hugh the Drover: Act I, X. Mary! Mary!
- Hugh the Drover: Act I, II. Cold blows the wind on Cotsall
- Five English Folksongs: The Lover's Ghost
- Piano Concerto in C major: 1. Toccata: Allegro moderato - Largamente - Cadenza
- Mass in G minor: Sanctus Osanna I - Benedictus - Osanna II
- Five English Folksongs: The Spring Time of the Year
- Hugh the Drover: Act II, VIII. Dropped from the ranks on a winter's night
- Hodie: VII. Song (The Oxen): Christmas Eve, and twelve of the clock
- Alister McAlpine's Lament
- The Winter is gone
- Job - Scene II Satan's Dance of Triumph
- Sacred and Secular Songs: Valiant-for-Truth
- Symphony No. 9 in E minor: 4. Andante tranquillo
- Hugh the Drover: Act I, XII. Yes, I!
- Hugh the Drover: Act I, I. Buy, buy, buy
- Symphony No. 9 in E minor: 1. Moderato maestoso
- Three Shakespeare Songs: Over Hill, Over Dale
- Come away, death
- Hugh the Drover: Act I, VI. Life must be full of care
- Piano Concerto in C major: 2. Romanza: Lento
- Job - Scene I Introduction, Pastoral Dance, Satan's Appeal to God, Saraband of the Sons of God
- Sacred and Secular Songs: Lord, Thou has been our Refuge
- Down among the dead men
- Hodie: XIV. The March of the Three Kinds: From kingdoms of wisdom
- Hugh the Drover: Act II, XI. Oh! the sky shall be our roof
- Hugh the Drover: Act I, V. Here come the Morris men
- Hugh the Drover: Act II, I. Past four o'clock
- Hugh the Drover: Act I, XIII. Are you ready? Go!
- Sacred and Secular Songs: The Blessed Son of God
- Hugh the Drover: Act II, VII. A trollop from the stocks
- Hugh the Drover: Act II, VI. Here, queen uncrowned
- Five Variants of Dives & Lazarus
- Symphony No. 9 in E minor: I. Moderato maestoso. Tranquillo
- Three Shakespeare Songs III. Over Hill, Over Dale
- Three Shakespeare Songs II. The Cloud Capp'd Towers
- Three Shakespeare Songs I. Full Fathom Five
- Wither's Rocking Hymn
- Symphony No. 1 ("A Sea Symphony"): I A Song for all seas, all ships: Behold the sea itself
- Symphony No. 1 ("A Sea Symphony"): I A Song for all seas, all ships: Flaunt out O sea your separate flags
- Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O we can wait no longer
- Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O vast Rondure, swimming in space
- Symphony No. 1 ("A Sea Symphony"): II. On the Beach at Night alone
- Symphony No. 1 ("A Sea Symphony"): III. Scherzo - The Waves
- Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O thou transcendent
- Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: Away O soul
- The Cloud-Capp'd Towers
- Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love")
- On Wenlock Edge: IV. Oh, when I was in love with you
- On Wenlock Edge: VI. Clun
- On Wenlock Edge: II. From far, from eve and morning
- On Wenlock Edge: I. On Wenlock Edge
- On Wenlock Edge: III. Is my team ploughing
- On Wenlock Edge: V. Bredon Hill
- The Pilgrim’s Progress: Act III, Scene 2. The Pilgrim in Prison
- On Wenlock Edge: Bredon Hill
- Symphony no. 5 in D: IV. Passacaglia
- English Folk Song Suite: Seventeen Come Sunday
- English Folk Song Suite: Intermezzo: "My Bonny Boy"
- Symphony no. 5 in D: III. Romanza
- English Folk Song Suite: March: Folk Songs From Somerset
- Symphony no. 4 in F minor: III. Scherzo (allegro molto) / IV. Finale con epilogo fugata (allegro molto)
- On Wenlock Edge: Oh, When I Was in Love With You
- On Wenlock Edge: On Wenlock Edge
- Mass in G minor: IV. Sanctus
- On Wenlock Edge: From Far, From Eve and Morning
- Symphony no. 5: I. Preludio moderato
- Symphony no. 5: IV. Passacaglia Moderato
- Mass in G minor: V. Benedictus
- On Wenlock Edge: On Wenlock Ridge
- Symphony no. 5: III. Romanza Lento
- On Wenlock Edge: Clun
- On Wenlock Edge: Is My Team Ploughing
- Symphony no. 5: II. Scherzo: Presto misterioso
- Symphony no. 5 in D: II. Scherzo
- Concerto Grosso: V. March
- Symphony no. 5 in D: I. Preludio
- Partita for Double String Orchestra: II. Scherzo ostinato
- Greensleeves Fantasia
- A Pastoral Symphony (Symphony No. 3) - Lento
- Symphony No. 5 (in D/D-Dur/re majeur) - Romanza: Lento
- Ten Blake Songs: No. 8. Cruelty has a human heart
- A Pastoral Symphony (Symphony No. 3) - Molto moderato
- Ten Blake Songs: No. 10. Eternity "He who binds to himself a joy"
- Symphony No. 6 (in E Minor/e-Moll/mi mineur) - Scherzo: Allegro vivace
- Ten Blake Songs: No. 7. Ah! Sunflower "Ah, sun-flower! weary of time"
- On The Beach At Night, Alone - Largo sostenuto
- Ten Blake Songs: No. 6. The Shepherd "How sweet is the shepherd's sweet lot!"
- Household Music: Thema. Lento
- Symphony No. 8 (in D Minor/d-Moll/re mineur) - Fantasia (Variazioni senza tema)
- Household Music: No. 2. St. Denio (Scherzo). Allegro Vivace / No. 3. Aberystwyth (Variations)
- Concerto for Bass Tuba and Orchestra (in F Minor/f-Moll/fa mineur) - Allegro Moderato
- A Pastoral Symphony (Symphony No. 3) - Moderato pesante
- Symphony No. 2 "A London Symphony" - Andente con moto; Maestoso alla marcia; Allegro; Lento; Epilogue
- Symphony No. 8 (in D Minor/d-Moll/re mineur) - Scherzo alla marcia (per stromenti a fiato)
- Symphony No. 4 (in F Minor / f-Moll/ fa mineur) - Scherzo: Allegro molto
- Sinfonia Antarctica (Symphony No. 7) - Intermezzo: Andante sostenuto
- Household Music: Variations I - VIII
- Symphony No. 9 (in E Minor/e-Moll/mi mineur) - Andante sostenuto
- A Pastoral Symphony (Symphony No. 3) - Lento moderato
- Sinfonia Antarctica (Symphony No. 7) - Epilogue: Alla marcia moderato (ma non troppo)
- Symphony No. 8 (in D Minor/d-Moll/re mineur) - Cavatina (per stromenti ad arco)
- Symphony No. 6 (in E Minor/e-Moll/mi mineur) - Epilogue: Moderato
- The Explorers - Grave e molto adagio
- Symphony No. 4 (in F Minor / f-Moll/ fa mineur) - Finale con epilogo fugato: Allegro molto
- Concerto for Oboe and Strings in A Minor: II. Minuet and Musette (Allegro Moderato)
- Sinfonia Antarctica (Symphony No. 7) - Spoken Introduction
- Sinfonia Antarctica (Symphony No. 7) - Prelude: Andante maestoso
- Concerto for Bass Tuba and Orchestra (in F Minor/f-Moll/fa mineur) - Finale: Rondo alla tedesca
- Concerto Accademico for Violin and Orchestra (in D Minor) - Adagio
- Symphony No. 2 "A London Symphony" - Lento
- Symphony No. 4 (in F Minor / f-Moll/ fa mineur) - Allegro
- Symphony No. 5 (in D/D-Dur/re majeur) - Passacaglia: Moderato
- Symphony No. 9 (in E Minor/e-Moll/mi mineur) - Scherzo: Allegro pesante
- Symphony No. 9 (in E Minor/e-Moll/mi mineur) - Moderato maestoso
- Ten Blake Songs: No. 3. The Piper "Piping down the valleys wild"
- Three Portraits from "The England of Elizabeth" - Queen
- Symphony No. 4 (in F Minor / f-Moll/ fa mineur) - Andante moderato
- Household Music: No. 1. Crug-Y-Bar (Fantasia). Andante Sostenuto.
- Ten Blake Songs: No. 9. The Divine Image "To mercy, pity, peace and love"
- Concerto for Oboe and Strings in A Minor: I. Rondo Pastorale (Allegro Moderato)
- Concerto for Bass Tuba and Orchestra (in F Minor/f-Moll/fa mineur) - Romanza: Andante sostenuto
- Symphony No. 2 "A London Symphony" - Scherzo (Nocturne)
- Concerto Accademico for Violin and Orchestra (in D Minor) - Allegro pesante
- Symphony No. 8 (in D Minor/d-Moll/re mineur) - Toccata
- Ten Blake Songs: No. 4. London "I wander thro' each charter'd street"
- Ten Blake Songs: No. 5. The Lamb "Little lamb, who made thee?"
- Sinfonia Antarctica (Symphony No. 7) - Scherzo: Moderato; Poco animato
- Symphony No. 6 (in E Minor/e-Moll/mi mineur) - Moderato
- Concerto for Oboe and Strings in A Minor: III. Scherzo (Presto - Doppio piu lento - Lento - Presto)
- Sinfonia Antarctica (Symphony No. 7) - Lanscape: Lento
- Symphony No. 5 (in D/D-Dur/re majeur) - Preludio: Moderato
- Ten Blake Songs: No. 1. Infant Joy "I have no name"
- A Song for All Seas, All Ships - Andante maestoso
- Symphony No. 2 "A London Symphony" - Lento; Allegro risoluto
- Symphony No. 6 (in E Minor/e-Moll/mi mineur) - Allegro
- Ten Blake Songs: No. 2. A Poison Tree "I was angry with my friend"
- Symphony No. 9 (in E Minor/e-Moll/mi mineur) - Andante tranquillo
- Fantasia on a Theme by Thomas Tallis for Double-Stringed Orchestra
- Three Portraits from "The England of Elizabeth" - Explorer
- Scherzo: The Waves - Allegro brillante
- Symphony No. 5 (in D/D-Dur/re majeur) - Scherzo: Presto
- Concerto Accademico for Violin and Orchestra (in D Minor) - Presto
- Three Portraits from "The England of Elizabeth" - Poet
- Four Hymns - IV. Evening Hymn
- Four Hymns - II. Who is this fair one?
- Four Hymns - III. Come Love, come Lord
- Merciless Beauty - III. Since I from Love
- Merciless Beauty - I. The eyën two
- Merciless Beauty - II. So hath your beauty
- Four Hymns - I. Lord! Come away!
- Symphonie n° 8 (IV. Toccata, trait d'orchestre)
- The Wasps - Aristophanic Suite: Overture
- A Song of the Tree of Life
- Radio Introduction
- Three Shakespeare Songs: I. Full fanthom five
- English Folksong Suite: I. March (Seventeen Come Sunday)
- The Wasps (Aristophanic Suite): III. March Past of the Kitchen Utensils
- The Wasps (Aristophanic Suite): IV. Entr'Acte
- The Wasps (Aristophanic Suite): V. Ballet and Final Tableau
- The Wasps (Aristophanic Suite): II. Entr'Acte
- Piano Concerto in C: I. Allegro Moderato
- English Folksong Suite: II. Intermezzo (My Bonny Boy)
- Piano Concerto in C: IV. Finale Alla Tedesca
- Piano Concerto in C: II. Romanza (Lento)
- English Folksong Suite: III. Folk Songs From Somerset
- The Wasps (Aristophanic Suite): I. Overture
- Piano Concerto in C: III. Fuga Cromatica
- ii. Andante moderato
- iv. Finale con epilogo fugato - Allegro molto
- iii. Scherzo - Allegro molto
- i. Allegro
- Symphony No. 6 - Scherzo (Allegro vivace)
- Symphony No. 3 "Pastoral" - Moderato pesante
- Symphony No. 3 "Pastoral" - Lento moderato
- Symphony No. 3 "Pastoral" - Molto moderato
- Symphony No. 3 "Pastoral" - Lento
- Symphony No. 6 - Epilogue (Moderato)
- Six Studies in English Folk-Song (arr. viola): 3. Van Dieman's Land (Larghetto)
- She's like the swalllow
- Six Studies in English Folk-Song (arr. viola): 5. The Lady and the Dragoon (Andante tranquillo)
- Six Studies in English Folk-Song (arr. viola): 2. Spurn Point (Andante sostenuto)
- Bushes and Briars (voice & piano)
- Joseph and Mary (voice & piano)
- Six Studies in English Folk-Song (arr. viola): 6. As I walked over London Bridge (Allegro vivace)
- Six Studies in English Folk-Song (arr. viola): 4. She borrowed some of her mother's gold (Lento)
- The Wasps Overture
- Ballade de Jésus Christ
- Six Studies in English Folk-Song (arr. viola): 1. Lovely on the Water (Adagio)
- Over Hill, Over Dale
- Full Fathom Five
- The Wasps (Overture)
- Prelude "Rhosymedre" (orch. Arnold Foster)
- The Old Hundredth Psalm Tune
- Symphony no. 7, "Sinfonia antartica": V. Epilogue: Alla marcia
- Songs of Travel: The Vagabond (extract)
- Songs of Travel: Whither Must I Wander
- O vos omnes
- Variations For Wind Band: Variation X. Allegro moderato (Fugata)
- Variations For Wind Band: Variation III. Allegro
- Variations for Wind Band: Theme
- Variations For Wind Band: Variation VIII. Alla polacca
- Variations For Wind Band: Variation VI. Tempo di Valse
- Variations For Wind Band: Variation IX. Adagio
- Toccata Marziale
- Variations For Wind Band: Variation II. Tranquillo cantabile
- Variations For Wind Band: Variation VII. Arabesque; Andante sostenuto
- Variations For Wind Band: Variation I. Poco tranquillo
- Variations For Wind Band: Variation V. Moderato sostenuto
- Variations For Wind Band: Variation XI. Chorale
- Variations For Wind Band: Variation IV. Allegro (Canon)
- O Taste & See
- Ix the Minstrel's Song (Andante Sostenuto)
- Scene III (Allegro Moderato; Andante Maestoso; Allegro Vivace)
- Scene I (Andante Con Moto; Allegretto)
- Scene V (Allegro; Lento; Andante Con Moto)
- X Song of the Winged Loves (Allegretto)
- Scene VII (Andante Sostenuto)
- Scene VI (Andante Sostenuto)
- Vii the Bell-Ringers (Andante Con Moto)
- I Prologue (Andante Con Moto; Allegretto)
- Ii Song: 'Wake Now' (Allegretto; Andante Con Moto; Largamente)
- Xi Prayer to Juno (Molto Adagio; Allegro)
- Iii the Calling of the Bride (Allegro Moderato)
- V Procession of the Bride (Andante Maestoso)
- Scene II (Allegretto; Largamente)
- Scene IV (Moderato; Allegro; Lento)
- Viii the Lover's Song (Andante Sostenuto)
- Scene XI (Andante Maestoso)
- Scene IX (Lento)
- Vi the Temple Gates (Adagio; Allegro)
- Scene X (Molto Adagio)
- Scene VIII (Allegretto)
- Iv the Minstrels (Allegro)
- Six Studies in English Folk-Song: VI. Allegro vivace (As I Walked over London Bridge)
- Six Studies in English Folk-Song: I. Adagio (Lovely on the Water)
- Six Studies in English Folk-Song: II. Andante sostenuto (Spurn Point)
- Six Studies in English Folk-Song: V. Andante tranquillo (The Lady and the Dragoon)
- Six Studies in English Folk-Song: III. Larghetto (Van Dieman's Land)
- Six Studies in English Folk-Song: IV. Lento (She Borrowed some of Her Mother's Gold)
- Piano Quintet in C minor: Fantasia quasi variazioni: Moderato
- Piano Quintet in C minor: Andante
- Piano Quintet in C minor: Allegro con fuoco
- English Folk Song Suite: 3. Folk Songs from Somerset
- English Folk Song Suite: 2. My Bonny Boy
- English Folk Song Suite: 1. Seventeen Come Sunday
- Good-Bye from Along the Field
- Antiphon
- 49th Parallel (Prelude)
- Concerto for Oboe and Strings: II. Minuet and Musette
- Concerto for Oboe and Strings: I. Rondo Pastorale
- Concerto for Oboe and Strings: III. Finale (Scherzo)
- The Lark Ascending (Romance for violin & orchestra)
- The Lover's Ghost
- Just as the Tide Was Flowing
- Symphony No. 5 in D: III Romanza (Lento)
- Symphony No. 4 in F minor: II Andante moderato
- Symphony No. 5 in D: II Scherzo (Presto misterioso)
- Symphony No. 4 in F minor: I Allegro
- Symphony No. 6 in E minor: IV Epilogue (Moderato)
- Symphony No. 6 in E minor: III Scherzo (Allegro vivace) -
- Symphony No. 6 in E minor: II Moderato -
- Oboe Concerto in A minor: III Finale: Scherzo (Presto - Lento - Presto)
- Symphony No. 6 in E minor: I Allegro -
- Symphony No. 4 in F minor: III Scherzo (Allegro molto) -
- Symphony No. 4 in F minor: IVa Finale (Allegro molto) con
- Oboe Concerto in A minor: II Minuet and Musette (Allegro moderato)
- Symphony No. 4 in F minor: IVb epilogo fugato (Con anima)
- Oboe Concerto in A minor: I Rondo pastorale (Allegro moderato)
- Symphony No. 5 in D: IV Passacaglia (Moderato - Allegro - Tempo primo - Tempo del Preludio)
- Symphony No. 5 in D: I Preludio (Moderato - Allegro - Tempo I)
- Valiant-for-truth
- Overture the Wasps
- The Willow Song
- Prayer to the Father of Heaven
- Lord, Thou Hast Been Our Refuge
- A Vision of Aeroplanes
- Concerto Accademico in D Minor: II. Adagio - Tranquillo
- Concerto Accademico in D Minor: III. Presto
- Concerto Accademico in D Minor: I. Allegro Pesante
- Three Preludes on Welsh Hymn-Tunes: II. Rhosymedre
- Six Studies in English Folk: Song: Allegro vivace
- Six Studies in English Folk: Song: Andante sostenuto
- Six Studies in English Folk: Song: Lento
- Six Studies in English Folk: Song: Andante tranquillo
- Six Studies in English Folk: Song: Adagio
- Six Studies in English Folk: Song: Larghetto
- Symphony No. 8 In D Minor: I. First Movement: Fantasia (Variazioni Senza Tema)
- Symphony No. 8 In D Minor: II. Second Movement: Scherzo Alla Marcia
- Symphony No. 9 In E Minor: III. Third Movement: Scherzo (Allegro Pesante)
- Symphony No. 9 In E Minor: II. Second Movement: Andante Sostento
- Symphony No. 9 In E Minor: IV. Fourth Movement: Andante Tranquillo
- Symphony No. 8 In D Minor: IV. Fourth Movement: Toccata
- Symphony No. 8 In D Minor: III. Third Movement: Cavatina
- Symphony No. 9 In E Minor: I. First Movement: Moderato Maestoso
- The Invaders: 49th Parallel
- Symphony no. 8 in D minor: III. Cavatina (Per gli stromenti a corde)
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant III. Crotchet = 150
- A London Symphony (no. 2) (1936 Revised Edition): IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto)
- Sinfonia Antartica (no. 7): III. Landscape (Lento)
- Sinfonia Antartica (no. 7): V. Epilogue (alla marcia)
- Sinfonia Antartica (no. 7): I. Prelude (Allegro maestoso)
- A London Symphony (no. 2) (1936 Revised Edition): II. Lento
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Theme: Adagio
- Sinfonia Antartica (no. 7): IV. Intermezzo (Andante sostenuto)
- A London Symphony (no. 2) (1936 Revised Edition): I. Lento - Allegro risoluto (molto pesante)
- Symphony no. 8 in D minor: I. Fantasia (Variazoni senza tema)
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant V. Adagio
- Symphony no. 5 in D major: IV. Passacaglia - Moderato
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant II. Allegro moderato
- Fantasia on “Greensleeves”
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant I. [Adagio]
- Symphony no. 8 in D minor: II. Scherzo alla marcia (Per gli stromenti a vento)
- Symphony no. 8 in D minor: IV. Toccata colle campanelle
- A London Symphony (no. 2) (1936 Revised Edition): III. Scherzo (Nocturno) - Allegro vivace
- Sinfonia Antartica (no. 7): II. Scherzo (Moderato)
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant IV. L'istesso tempo
- Oboe Concerto in A minor: III. Finale: Scherzo (Presto - Lento - Presto)
- God Bless the Master
- Let Beauty Awake
- Five Variants of "Dives and Lazarus" for string orchestra and harp
- Fantasia on a Theme by Thomas Tallis for double string orchestra
- Flos Campi for solo viola, small orchestra, wordless choir
- Flourish for Band
- Tuna Concerto in F minor: Romanzao: Andante Sostenuto
- Tuna Concerto in F minor: Finale - Rondo all tedesca: Allegro
- Tuna Concerto in F minor: Prelude: Allegro Moderato
- A Song for All Seas, All Ships
- The Explorers
- On the Beach at Night, Alone
- Scherzo: The Waves
- Silence and Music
- Symphony No. 2 'A London Symphony': III. Scherzo (Nocturne): Allegro Vivace
- Symphony No. 2 'A London Symphony': IV. Andante Con Moto – Maestoso Alla Marcia (Quasi Lento) – Allegro – Maestoso Alla Marcia (Alla I) – Epilogue (Andante Sostenuto)
- Symphony No. 5 In D: IV. Passacaglia: Moderato – Allegro – Tempo Primo – Tempo Del Preludio
- Symphony No. 2 'A London Symphony': I. Lento – Allegro Risoluto (Molto Pesante)
- Symphony No. 5 In D: I. Preludio: Moderato – Allegro – Tempo I
- Symphony No. 2 'A London Symphony': II. Lento
- Symphony In D Minor Op.48: I. Lento – Allegro Non Troppo
- Symphony In D Minor Op.48: III. Allegro Non Troppo
- Symphony In D Minor Op.48: II. Allegretto
- Scherzo Capriccioso Op.66
- Slavonic Rhapsody In A Flat Op.45 No.3
- The Could-Capp'd Towers
- English Folk Song Suite: Intermezzo - My Bonny Boy
- English Folk Song Suite: March - Seventeen Come Sunday
- English Folk Song Suite: March - Folk Songs from Somerset
- Toccatta Marziale
- Suite for Viola and Small Orchestra: III. Galop
- Geensleeves
- Fantasia on Greensleeves (arr. for piano trio)
