Ralph Vaughan Williams Songtexte
Dona nobis pacem: I. Agnus Dei
Dona nobis pacem: VI. "O Man Greatly Beloved"
Songs of Travel: The Vagabond
Epithalamion: V. Procession of the Bride
Menelaus (Four Last Songs)
Geboren am 12. Oktober 1872, Gestorben am 26. August 1958
Symphonies
- A Sea Symphony (No. 1): I. A Song for All Seas, All Ships. Moderato maestoso
- A Sea Symphony (No. 1): II. On the Beach at Night, Alone. Largo sostenuto
- A Sea Symphony (No. 1): III. Scherzo. The Waves. Allegro brillante
- A Sea Symphony (No. 1): IV. The Explorers. Grave e molto adagio
- A London Symphony (No. 2): I. Lento. Allegro risoluto
- A London Symphony (No. 2): II. Lento
- A London Symphony (No. 2): III. Scherzo (Nocturne). Allegro vivace
- A London Symphony (No. 2): IV. Andante con moto
- A Pastoral Symphony (No. 3): I. Molto moderato
- A Pastoral Symphony (No. 3): II. Lento moderato
- A Pastoral Symphony (No. 3): III. Moderato pesante
- A Pastoral Symphony (No. 3): IV. Lento
- Symphony No. 4 in F minor: I. Allegro
- Symphony No. 4 in F minor: II. Andante moderato
- Symphony No. 4 in F minor: III. Scherzo. Allegro molto
- Symphony No. 4 in F minor: IV. Finale con epilogo fugato. Allegro molto
- Symphony No. 5 in D major: I. Preludio. Moderato
- Symphony No. 5 in D major: II. Scherzo. Presto misterioso
- Symphony No. 5 in D major: III. Romanza. Lento
- Symphony No. 5 in D major: IV. Passacaglia. Moderato
- Symphony No. 6 in E minor: I. Allegro
- Symphony No. 6 in E minor: II. Moderato
- Symphony No. 6 in E minor: III. Scherzo. Allegro vivace
- Symphony No. 6 in E minor: IV. Epilogue. Moderato
- Sinfonia Antartica (No. 7): I. Prelude. Andante maestoso
- Sinfonia Antartica (No. 7): II. Scherzo. Moderato
- Sinfonia Antartica (No. 7): III. Landscape. Lento
- Sinfonia Antartica (No. 7): IV. Intermezzo. Andante sostenuto
- Sinfonia Antartica (No. 7): V. Epilogue. Alla marcia, moderato (non troppo allegro)
- Symphony No. 8 in D minor: I. Fantasia (variazioni senza tema). Moderato
- Symphony No. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato). Allegro alla marcia
- Symphony No. 8 in D minor: III. Cavatina (per stromenti ad arco). Lento espressivo
- Symphony No. 8 in D minor: IV. Toccata. Moderato. Maestoso
- Symphony No. 9 in E minor: I. Moderato maestoso
- Symphony No. 9 in E minor: II. Andante sostenuto
- Symphony No. 9 in E minor: III. Scherzo. Allegro pesante
- Symphony No. 9 in E minor: IV. Andante tranquillo
Tallis Fantasia, The Lark Ascending, Greensleeves Fantasia, In The Fen Country, Partita
The Best of Vaughan Williams
- 49th Parallel: I. Prelude
- Fantasia on a Theme by Thomas Tallis
- Linden Lea (von Roderick Williams, Iain Burnside)
- Symphony No. 2 "A London Symphony": I. Lento - Allegro risoluto (excerpt)
- The Wasps: Overture (von Bournemouth Symphony Orchestra, Kees Bakels)
- The House of Life No. 2: Silent Noon (von Simon Keenlyside, Graham Johnson)
- Five Variants of Dives and Lazarus (excerpt)
- Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, alone (von Bournemouth Symphony Orchestra, Paul Daniel)
- Fantasia on Greensleeves
- The Lark Ascending
The Collector’s Edition (Compilation)
A Sea Symphony
- Symphony No. 1, "A Sea Symphony": Ia. A Song for All Seas, All Ships: Behold, the sea itself (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": Ib. A Song for All Seas, All Ships: Today a rude brief recitative (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": Ic. A Song for All Seas, All Ships: Flaunt out, O sea, your separate flags of nations! (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": Id. A Song for All Seas, All Ships: Token of all brave captains (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": Ie. A Song for All Seas, All Ships: A pennant universal (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": IIa. On the Beach at Night, Alone: On the beach at night, alone (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": IIb. On the Beach at Night, Alone: A vast similitude interlocks all (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": III. Scherzo. The Waves (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": IVa. The Explorers: O vast Rondure, swimming in space (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": IVb. The Explorers: Down from the gardens of Asia descending (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": IVc. The Explorers: O we can wait no longer (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": IVd. The Explorers: O thou transcendent (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": IVe. The Explorers: Greater than stars or suns (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": IVf. The Explorers: Sail forth (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 1, "A Sea Symphony": IVg. The Explorers: O my brave Soul! (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
A London Symphony / Symphony No. 8 In D Minor
- Symphony No. 2, "A London Symphony": I. Lento - Allegro risoluto (molto pesante) (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 2, "A London Symphony": II. Lento (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 2, "A London Symphony": III. Scherzo (Nocturne): Allegro vivace (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 2, "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto) (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 8 in D minor: I. Fantasia: Variazioni senza tema (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato): Allegro alla marcia (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 8 in D minor: III. Cavatina (per stromenti ad arco): Lento espressivo (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 8 in D minor: IV. Toccata: Moderato maestoso (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
A Pastoral Symphony / Symphony No. 4 In F Minor
- Symphony No. 3, "A Pastoral Symphony": I. Molto moderato (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 3, "A Pastoral Symphony": II. Lento moderato (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 3, "A Pastoral Symphony": III. Moderato pesante (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 3, "A Pastoral Symphony": IV. Lento
- Symphony No. 4 in F minor: I. Allegro (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 4 in F minor: II. Andante moderato (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 4 in F minor: III. Scherzo: Allegro molto (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 4 in F minor: IV. Finale (Allegro molto) con epilogo fugato (Con anima) (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
Oboe Concerto In A Minor / Symphony No. 5 In D
- Oboe Concerto in A minor: I. Rondo pastorale: Allegro moderato
- Oboe Concerto in A minor: II. Minuet and Musette: Allegro moderato
- Oboe Concerto in A minor: III. Finale (Scherzo): Presto - Lento - Presto
- Symphony No. 5 in D major: I. Preludio: Moderato - Allegro - Tempo I (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 5 in D major: II. Scherzo: Presto misterioso (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 5 in D major: III. Romanza: Lento (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 5 in D major: IV. Passacaglia: Moderato - Allegro - Tempo Primo - Tempo del Preludio (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
Symphony No. 6 In E Minor / Symphony No. 9 In E Minor
- Symphony No. 6 in E minor: I. Allegro (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 6 in E minor: II. Moderato (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 6 in E minor: III. Scherzo: Allegro vivace (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 6 in E minor: IV. Epilogue: Moderato (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 9 in E minor: I. Moderato maestoso (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 9 in E minor: II. Andante sostenuto
- Symphony No. 9 in E minor: III. Scherzo: Allegro pesante (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 9 in E minor: IV. Andante tranquillo (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
Serenade To Music / Partita / Sinfonia Antartica
- Serenade to Music (choral version)
- Partita for double string orchestra: I. Prelude: Andante tranquillo (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Partita for double string orchestra: II. Scherzo ostinato: Presto (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Partita for double string orchestra: III. Intermezzo (Homage to Henry Hall): Andante con moto (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Partita for double string orchestra: IV. Fantasia: Allegro (von Royal Liverpool Philharmonic Orchestra, Vernon Handley)
- Symphony No. 7, "Sinfonia antartica": I. Prelude: Andante maestoso
- Symphony No. 7, "Sinfonia antartica": II. Scherzo: Moderato
- Symphony No. 7, "Sinfonia antartica": III. Landscape: Lento
- Symphony No. 7, "Sinfonia antartica": IV. Intermezzo: Andante sostenuto
- Symphony No. 7, "Sinfonia antartica": V. Epilogue: Alla marcia moderato, non troppo allegro
The Wasps – Aristophanic Suite / Prelude And Fugue In C Minor / Piano Concerto In C
- The Wasps - Aristophanic Suite: I. Overture (von London Philharmonic Orchestra, Vernon Handley)
- The Wasps - Aristophanic Suite: II. Entr'acte (von London Philharmonic Orchestra, Vernon Handley)
- The Wasps - Aristophanic Suite: III. March Past of the Kitchen Utensils (von London Philharmonic Orchestra, Vernon Handley)
- The Wasps - Aristophanic Suite: IV. Entr'acte (von London Philharmonic Orchestra, Vernon Handley)
- The Wasps - Aristophanic Suite: V. Ballet and Final Tableau (von London Philharmonic Orchestra, Vernon Handley)
- Prelude and Fugue in C minor: I. Prelude
- Prelude and Fugue in C minor: II. Fugue
- Piano Concerto in C: I. Toccata: Allegro moderato
- Piano Concerto in C: II. Romanza: Lento
- Piano Concerto in C: IIIa. Fuga cromatica (Allegro)
- Piano Concerto in C: IIIb. con finale alla tedesca
Piano Concerto In C / Job: A Masque For Dancing
- Piano Concerto in C (arranged for two pianos): I. Toccata: Allegro moderato
- Piano Concerto in C (arranged for two pianos): II. Romanza: Lento
- Piano Concerto in C (arranged for two pianos): IIIa. Fuga cromatica (Allegro)
- Piano Concerto in C (arranged for two pianos): IIIb. con finale alla tedesca
- Job: A Masque for Dancing: Ia. Introduction (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: Ib. Saraband of the Sons of God (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: II. Satan's Dance of Triumph (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: III. Minuet of the Sons of Job and their Wives (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: IV. Job's Dream (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: V. Dance of the Three Messengers (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: VI. Dance of Job's Comforters (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: VIIa. Elihu's Dance of Youth and Beauty (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: VIIb. Pavane of the Sons of the Morning (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: VIIIa. Galliard of the Sons of the Morning (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: VIIIb. Altar Dance (von London Symphony Orchestra, Sir Adrian Boult)
- Job: A Masque for Dancing: IX. Epilogue (von London Symphony Orchestra, Sir Adrian Boult)
Serenade To Music / English Folk Songs – Suite / Norfolk Rhapsody No. 1 / Fantasia On ‘Greensleeves’ / In The Fen Country / The Lark Ascending – Romance
- Serenade to Music
- English Folk Songs - Suite: I. March "Seventeen Come Sunday" (von London Symphony Orchestra, Sir Adrian Boult)
- English Folk Songs - Suite: II. Intermezzo "My Bonny Boy" (von London Symphony Orchestra, Sir Adrian Boult)
- English Folk Songs - Suite: III. March "Folk Songs from Somerset" (von London Symphony Orchestra, Sir Adrian Boult)
- Norfolk Rhapsody No. 1 (von Philharmonia Orchestra, Sir Adrian Boult)
- Fantasia on "Greensleeves" (von London Symphony Orchestra, Sir Adrian Boult)
- In the Fen Country (von Philharmonia Orchestra, Sir Adrian Boult)
- The Lark Ascending , Romance for violin and orchestra (von Hugh Bean, Philharmonia Orchestra, Sir Adrian Boult)
Fantasia On A Theme By Thomas Tallis / English Folk Songs – Suite / Concerto Grosso / Romance In D Flat
- Fantasia on a Theme by Thomas Tallis (von Bournemouth Symphony Orchestra, Constantin Silvestri)
- Sea Songs - March (von Central Band of the Royal Air Force)
- English Folk Songs - Suite (Wind ensemble version): I. March "Seventeen Come Sunday" (von Central Band of the Royal Air Force)
- English Folk Songs - Suite (Wind ensemble version): II. Intermezzo "My Bonny Boy" (von Central Band of the Royal Air Force)
- English Folk Songs - Suite (Wind ensemble version): III. March "Folk Songs from Somerset" (von Central Band of the Royal Air Force)
- Dawn Patrol (from the film Coastal Command) (von Royal Liverpool Philharmonic Orchestra, Sir Charles Groves)
- Concerto grosso: I. Intrada: Largo (von London Philharmonic Orchestra, Sir Adrian Boult)
- Concerto grosso: II. Burlesca ostinato: Allegro moderato (von London Philharmonic Orchestra, Sir Adrian Boult)
- Concerto grosso: III. Sarabande: Lento (von London Philharmonic Orchestra, Sir Adrian Boult)
- Concerto grosso: IV. Scherzo: Allegro, tempo di valse (von London Philharmonic Orchestra, Sir Adrian Boult)
- Concerto grosso: V. March (A la marcia) and Reprise (von London Philharmonic Orchestra, Sir Adrian Boult)
- Romance in D flat for harmonica with strings and piano
- Tuba Concerto in F minor: I. Prelude: Allegro moderato
- Tuba Concerto in F minor: II. Romanza: Andante sostenuto
- Tuba Concerto in F minor: III. Finale: Rondo alla tedesca (Allegro)
Serenade To Music Orchestral Version / The Poisoned Kiss – Overture / Old King Cole – A Ballet For Orchestra / Five Mystical Songs (George Herbert) / Prelude On An Old Carol Tune / The Running Set / Prelude: 49th Parallel / Sea Songs – March Orchestra ...
- Serenade to Music (orchestral version)
- The Poisoned Kiss - Overture (von Royal Northern Sinfonia, Richard Hickox)
- Old King Cole - A Ballet for Orchestra: I. Allegro moderato
- Old King Cole - A Ballet for Orchestra: II. Pipe dance
- Old King Cole - A Ballet for Orchestra: III. Bowl dance
- Old King Cole - A Ballet for Orchestra: IV. Morris Jig "Go and 'list for a sailor"
- Old King Cole - A Ballet for Orchestra: V. Folk Song "A Bold Young Farmer"
- Old King Cole - A Ballet for Orchestra: VI. Folk Song "The Jolly Thresherman"
- Old King Cole - A Ballet for Orchestra: VII. Solo Jig
- Five Mystical Songs: I. Easter
- Five Mystical Songs: II. I got me flowers
- Five Mystical Songs: III. Love bade me welcome
- Five Mystical Songs: IV. The Call
- Five Mystical Songs: V. Antiphon
- Prelude on an Old Carol Tune (von Royal Northern Sinfonia, Richard Hickox)
- The Running Set (von Royal Northern Sinfonia, Richard Hickox)
- Prelude: 49th Parallel (von Royal Northern Sinfonia, Richard Hickox)
- Sea Songs - March (orchestral version) (von Royal Northern Sinfonia, Richard Hickox)
Variations For Orchestra / Two Hymn‐Tune Preludes / Concerto Accademico (Concerto For Violin And Strings In D Minor) / Three Preludes Founded On Welsh Hymn Tunes / String Quartet No. 3 In G Minor
- Variations for Orchestra: Theme: Andante maestoso (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: I. Poco tranquillo (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: II. Tranquillo cantabile (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: III. Allegro (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: IV. Canon (Allegro) (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: V. Moderato sostenuto (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: VI. Tempo di valse (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: VII. Arabesque (Andante sostenuto) (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: VIII. Alla polacca (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: IX. Adagio (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: X. Fugato (Allegro moderato e risoluto) (von Bournemouth Symphony Orchestra, Richard Hickox)
- Variations for Orchestra: XI. Chorale (von Bournemouth Symphony Orchestra, Richard Hickox)
- Two Hymn-Tune Preludes: I. Eventide (von Royal Northern Sinfonia, Richard Hickox)
- Two Hymn-Tune Preludes: II. Dominus regit me (von Royal Northern Sinfonia, Richard Hickox)
- Concerto accademico for violin and strings in D minor: I. Allegro pesante
- Concerto accademico for violin and strings in D minor: II. Adagio
- Concerto accademico for violin and strings in D minor: III. Presto
- Three Preludes Founded on Welsh Hymn Tunes: II. Rhosymedre (von Royal Northern Sinfonia, Richard Hickox)
- Three Preludes Founded on Welsh Hymn Tunes: III. Hyfrydol (von Royal Northern Sinfonia, Richard Hickox)
- String Quartet No. 1 in G minor: I. Allegro moderato (von Britten Quartet)
- String Quartet No. 1 in G minor: II. Minuet and Trio: Tempo di minuetto (von Britten Quartet)
- String Quartet No. 1 in G minor: III. Romance: Andante sostenuto (von Britten Quartet)
- String Quartet No. 1 in G minor: IV. Finale: Rondo capriccioso (Allegro molto - Pochettino più mosso) (von Britten Quartet)
Violin Sonata In A Minor / Phantasy Quintet For Two Violins, Two Violas And Cello / Six Studies In English Folk Song For Cello And Piano / String Quartet No. 2 In A Minor (For Jean On Her Birthday)
- Violin Sonata in A minor: I. Fantasia : Allegro giusto (von Hugh Bean, David Parkhouse)
- Violin Sonata in A minor: II. Scherzo : Allegro furioso, ma non troppo (von Hugh Bean, David Parkhouse)
- Violin Sonata in A minor: III. Tema con variazioni (Andante - Var. 6: Allegro) (von Hugh Bean, David Parkhouse)
- Phantasy Quintet for two violins, two violas and cello: I. Prelude: Lento ma non troppo (von Music Group of London)
- Phantasy Quintet for two violins, two violas and cello: II. Scherzo: Prestissimo (von Music Group of London)
- Phantasy Quintet for two violins, two violas and cello: III. Alla sarabanda: Lento (von Music Group of London)
- Phantasy Quintet for two violins, two violas and cello: IV. Burlesca: Allegro moderato (von Music Group of London)
- Six Studies in English Folk Song for cello and piano: I. Adagio "Lovely on the Water"
- Six Studies in English Folk Song for cello and piano: II. Andante sostenuto "Spum Point"
- Six Studies in English Folk Song for cello and piano: III. Larghetto "Van Diemen's Land"
- Six Studies in English Folk Song for cello and piano: IV. Lento "She borrowed some of her mother's gold"
- Six Studies in English Folk Song for cello and piano: V. Andante tranquillo "The Lady and the Dragon"
- Six Studies in English Folk Song for cello and piano: VI. Allegro vivace "As I walked over London Bridge"
- String Quartet No. 2 in A minor: I. Prelude: Allegro appassionato (von Music Group of London)
- String Quartet No. 2 in A minor: II. Romance: Largo (von Music Group of London)
- String Quartet No. 2 in A minor: III. Scherzo: Allegro (von Music Group of London)
- String Quartet No. 2 in A minor: IV. Epilogue: Greetings from Joan to Jean (Andante sostenuto) (von Music Group of London)
Toward The Unknown Region / Dona Nobis Pacem / Fantasia (Quasi Variazione) On The Old 104th Psalm Tune / Magnificat
- Toward the Unknown Region
- Dona nobis pacem: I. "Agnus Dei" (Lento)
- Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato)
- Dona nobis pacem: III. Reconciliation (Andantino)
- Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia)
- Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo)
- Dona nobis pacem: VI. "O man greatly beloved"
- Fantasia (quasi variazione) on the Old 104th Psalm Tune
- Magnificat
An Oxford Elegy For Speaker, Small Chorus And Small Orchestra / Whitsunday Hymn (Three Choral Hymns) / Flos Campi Suite For Solo Viola, Small Chorus And Small Orchestra / Sancta Civitas (The Holy City)
- An Oxford Elegy: I. Lento
- An Oxford Elegy: II. "Go, for they call you, Shepherd"
- An Oxford Elegy: III. "Here will I sit and wait"
- An Oxford Elegy: IV. "Screen'd is this nook"
- An Oxford Elegy: V. "That sweet city"
- An Oxford Elegy: VI. "Come, let me read"
- An Oxford Elegy: VII. "Or in my boat I lie"
- An Oxford Elegy: VIII. "And once, in winter"
- An Oxford Elegy: IX. "But what - I dream!"
- An Oxford Elegy: X. "No, no, thou has not felt"
- An Oxford Elegy: XI. "Runs it not here"
- An Oxford Elegy: XII. "Needs must I, with heavy heart"
- An Oxford Elegy: XIII. "Soon will the high Midsummer pomps"
- An Oxford Elegy: XIV. "He hearkens not!"
- An Oxford Elegy: XV. "Never more"
- An Oxford Elegy: XVI. "Yes, thou art gone!"
- An Oxford Elegy: XVII. "Despair will I not"
- An Oxford Elegy: XVIII. "Why faintest thou?"
- Three Choral Hymns: Whitsunday Hymn
- Flos campi: I. Lento "Sicut Lilium inter spinas"
- Flos campi: II. Andante con moto "Jam enim hiems transiit"
- Flos campi: III. Lento - Allegro moderato "Quaesivi quem diligit anima mea"
- Flos campi: IV. Moderato alla marcia "En lectulum Salomonis"
- Flos campi: V. Andante quasi lento "Revertere, revertere Sulamitis!"
- Flos campi: VI. Moderato tranquillo "Pone me ut signaculum"
- Sancta civitas (The Holy City): I. Lento "I was in the spirit"
- Sancta civitas (The Holy City): II. Allegro "And I saw Heaven opened"
- Sancta civitas (The Holy City): III. Meno mosso "And I saw an angel standing in the sun"
- Sancta civitas (The Holy City): IV. Lento "Babylon the great is fallen"
- Sancta civitas (The Holy City): V. Allegro moderato "Rejoice over her O Heavens"
- Sancta civitas (The Holy City): VI. Adagio "And I saw a new heaven"
- Sancta civitas (The Holy City): VII. Poco meno largo "Therefore are they before the throne of God"
- Sancta civitas (The Holy City): IX. "And I saw a pure river"
- Sancta civitas (The Holy City): X. Andante sostenuto "Holy, Holy, Holy"
- Sancta civitas (The Holy City): XI. Poco animato "Heaven and earth are full of Thy glory"
Five Tudor Portraits / Benedicite / Five Variants Of ‘Dives And Lazarus’
- Five Tudors Portraits: I. Ballad "The Tunning of Elinor Rumming"
- Five Tudors Portraits: II. Intermezzo "My Pretty Bess"
- Five Tudors Portraits: III. Burlesca "Epitaph on John Jayberd of Diss"
- Five Tudors Portraits: IV. Romanza "Jane Scoop (Her Lament for Philip Sparrow)"
- Five Tudors Portraits: V. Scherzo "Jolly Rutterkin"
- Benedicite
- Five Variants of "Dives and Lazarus"
Fantasia On Christmas Carols Version With Strings And Organ / Hodie – A Christmas Cantata /
- Fantasia on Christmas Carols (strings and organ version): I. "This is the truth sent from above"
- Fantasia on Christmas Carols (strings and organ version): II. "Come all you worthy gentlemen"
- Fantasia on Christmas Carols (strings and organ version): III. "On Christmas night all Christians sing"
- Fantasia on Christmas Carols (strings and organ version): IV. "God bless the ruler of this house"
- Hodie - A Christmas Cantata: I. Prologue: "Nowell! Nowell!"
- Hodie - A Christmas Cantata: II. Narration: "Now the birth of Jesus Christ"
- Hodie - A Christmas Cantata: III. Song: "It was the winter wild"
- Hodie - A Christmas Cantata: IV. Narration: "And it came to pass in those days"
- Hodie - A Christmas Cantata: V. Choral: "The blessed Son of God"
- Hodie - A Christmas Cantata: VI. Narration: "And there were in the same country"
- Hodie - A Christmas Cantata: VII. Song: "The Oxen"
- Hodie - A Christmas Cantata: VIII. Narration: "And the shepherds returned"
- Hodie - A Christmas Cantata: IX. Pastoral: "The shepherds sing"
- Hodie - A Christmas Cantata: X. Narration: "But Mary kept all these things"
- Hodie - A Christmas Cantata: XI. Lullaby: "Sweet was the song the Virgin sang"
- Hodie - A Christmas Cantata: XII. Hymn: "Bright portals of the sky"
- Hodie - A Christmas Cantata: XIII. Narration: "Now when Jesus was born"
- Hodie - A Christmas Cantata: XIV. "The March of the Three Kings: From kingdoms of wisdom"
- Hodie - A Christmas Cantata: XV. Choral: "No sad thought his soul affright"
- Hodie - A Christmas Cantata: XVI. Epilogue: "In the beginning was the Word"
Fantasia On Christmas Carols Version With Full Orchestra / Yorkshire Wassail Song (We’ve Been Awhile A‐Wandering) / In Windsor Forest / Songs Of Travel / On Wenlock Edge
- Fantasia on Christmas Carols (full orchestra version): I. "This is the truth sent from above"
- Fantasia on Christmas Carols (full orchestra version): II. "Come all you worthy gentlemen"
- Fantasia on Christmas Carols (full orchestra version): III. "On Christmas night all Christians sing"
- Fantasia on Christmas Carols (full orchestra version): IV. "God bless the ruler of this house"
- Yorkshire Wassail Song (We've been awhile a-wandering) (von The Bach Choir, Jacques Orchestra, Sir David Willcocks)
- In Windsor Forest: I. The Conspiracy
- In Windsor Forest: II. Drinking Song
- In Windsor Forest: III. Falstaff and the Fairies
- In Windsor Forest: IV. Wedding Chorus
- In Windsor Forest: V. Epilogue
- Songs of Travel (orchestral version): I. "The Vagabond" (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Songs of Travel (orchestral version): II. "Let beauty awake" (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Songs of Travel (orchestral version): III. "The Roadside Fire" (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Songs of Travel (orchestral version): IV. "Youth and Love" (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Songs of Travel (orchestral version): V. "In Dreams" (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Songs of Travel (orchestral version): VI. "The infinite shining heavens" (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Songs of Travel (orchestral version): VII. "Whither must I wander" (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Songs of Travel (orchestral version): VIII. "Bright is the ring of words" (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Songs of Travel (orchestral version): IX. "I have trod the upward and the downward slope" (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: I. "On Wenlock Edge" (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: II. "From far, from eve and morning" (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: III. "Is my team ploughing" (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: IV. "Oh, when I was in love with you" (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: V. "Bredon Hill" (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: VI. "Clun" (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
O Clap Your Hands / Mass In G Minor / All People That On Earth Do Dwell / O Taste And See / Te Deum In G / For All The Saints / Three Preludes Founded On Welsh Hymn Tunes / The Truth From Above / O Little Town Of Bethlehem / Joseph And Mary / And All ...
- O clap your hands (Psalm 47) (von Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks)
- Mass in G minor: I. Kyrie
- Mass in G minor: II. Gloria (von David van Asch, Choir of King’s College, Cambridge, Robin Doveton, John Eaton, Nigel Perrin, Sir David Willcocks)
- Mass in G minor: III. Credo (von David van Asch, Choir of King’s College, Cambridge, Robin Doveton, John Eaton, Nigel Perrin, Sir David Willcocks)
- Mass in G minor: IV. Sanctus - Osanna I - Benedictus - Osanna II (von David van Asch, Choir of King’s College, Cambridge, Robin Doveton, John Eaton, Nigel Perrin, Sir David Willcocks)
- Mass in G minor: V. Agnus Dei (von David van Asch, Choir of King’s College, Cambridge, Robin Doveton, John Eaton, Nigel Perrin, Sir David Willcocks)
- All people that on earth do dwell (The Old Hundredth)
- O taste and see (Psalm 34)
- Te Deum in G
- For all the saints (Sine nomine)
- Three Preludes Founded on Welsh Hymn Tunes: I. "Bryn Calfaria"
- Three Preludes Founded on Welsh Hymn Tunes: II. "Rhosymedre"
- Three Preludes Founded on Welsh Hymn Tunes: III. "Hyfrydol"
- The Truth from Above (von Choir of King’s College, Cambridge, Sir David Willcocks)
- O little town of Bethlehem (von Choir of King’s College, Cambridge)
- Joseph and Mary
- And all in the morning (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Alleluya, sing to Jesus (Hyfrydol)
- Come down, O Love divine
- All people that on earth do dwell (The Old Hundredth) (brass ensemble and organ version)
Four Hymns / Merciless Beauty / The Water Mill / The New Ghost / Ten Blake Songs / On Wenlock Edge
- Four Hymns: I. Lord! come away!
- Four Hymns: II. Who is this fair one?
- Four Hymns: III. Come Love, come Lord
- Four Hymns: IV. Evening Hymn
- Merciless Beauty: I. Your eyën two
- Merciless Beauty: II. So hath your beauty
- Merciless Beauty: III. Since I from Love
- The Water Mill (von Ian Partridge, Jennifer Partridge)
- The New Ghost (von Ian Partridge, Jennifer Partridge)
- Ten Blake Songs: I. Infant Joy
- Ten Blake Songs: II. A Poison Tree
- Ten Blake Songs: III. The Piper
- Ten Blake Songs: IV. London
- Ten Blake Songs: V. The Lamb
- Ten Blake Songs: VI. The Shepherd
- Ten Blake Songs: VII. Ah, Sun-flower!
- Ten Blake Songs: VIII. Cruelty has a human heart
- Ten Blake Songs: IX. The Divine Image
- Ten Blake Songs: X. Eternity
- On Wenlock Edge (voice, string quartet and piano version): I. On Wenlock Edge
- On Wenlock Edge (voice, string quartet and piano version): II. From far, from eve and morning
- On Wenlock Edge (voice, string quartet and piano version): III. Is my team ploughing
- On Wenlock Edge (voice, string quartet and piano version): IV. Oh, when I was in love with you
- On Wenlock Edge (voice, string quartet and piano version): V. Bredon Hill
- On Wenlock Edge (voice, string quartet and piano version): VI. Clun
Songs Of Travel
- The House of Life: I. Love-Sight
- The House of Life: II. Silent Noon
- The House of Life: III. Love's Minstrels
- The House of Life: IV. Heart's Haven
- The House of Life: V. Death in Love
- The House of Life: VI. Love's Last Gift
- Songs of Travel: I. The Vagabond
- Songs of Travel: II. Let beauty awake
- Songs of Travel: III. The Roadside Fire
- Songs of Travel: IV. Youth and Love
- Songs of Travel: V. In Dreams
- Songs of Travel: VI. The infinite shining heavens
- Songs of Travel: VII. Whither must I wander
- Songs of Travel: VIII. Bright is the ring of words
- Songs of Travel: IX. I have trod the upward and the downward slope
Linden Lea / Joy, Shipmate, Joy! / A Clear Midnight / Orpheus With His Lute / Hands, Eyes And Heart / Rest / The Call / Linden Lea / Folksong Arrangements: Five English Folk Songs / Folksong Arrangements
- Linden Lea (von Dame Janet Baker, Gerald Moore)
- Joy, shipmate, joy! (von Thomas Hampson, Craig Rutenberg)
- A Clear Midnight (von Thomas Hampson, Craig Rutenberg)
- Orpheus with his lute (first setting)
- Hands, eyes and heart
- Rest (von The King’s Singers)
- Five Mystical Songs: The Call
- Linden Lea (choral version)
- Five English Folk Songs: I. The Dark-Eyed Sailor
- Five English Folk Songs: II. The Spring Time of the Year
- Five English Folk Songs: III. Just as the Tide was Flowing
- Five English Folk Songs: IV. The Lover's Ghost (Well met, my own true love)
- Five English Folk Songs: V. Wassail Song
- Bushes and Briars
- Loch Lomond
- John Dory
- Greensleeves
- Ward, the Pirate
- Ca' the Yowes
- The Unquiet Grave
- The Seeds of Love
- Early in the Spring
- The Turtle Dove
- An Acre of Land
- Bushes and Briars (men's voices version) (von Baccholian Singers of London)
- Five English Folk Songs: V. Wassail Song (men's voices version) (von Baccholian Singers of London)
Folksong Arrangements: East Anglia – Wessex – Carols – France – Newfoundland / Voice & Violin (Violin & Piano) / A Song Of Thanksgiving
- The Captain's Apprentice
- As I walked out
- Bushes and Briars
- Geordie
- On Board a Ninety-Eight
- The Ploughman
- The Brewer
- Rolling in the Dew
- The Truth Sent from Above
- Joseph and Mary
- The Saviour's Love
- Réveillez-vous, Piccars
- Chanson de quête
- Ballad de Jésus Christ
- She's like the swallow
- The Morning Dew
- The Maiden's Lament
- The Cuckoo
- The Lawyer
- Searching for Lambs
- How cold the wind doth blow (or The Unquiet Grave)
- A Song of Thanksgiving
Epithalamion / Riders To The Sea
- Epithalamion: I. Prologue
- Epithalamion: II. Wake Now
- Epithalamion: III. The Calling of the Bride
- Epithalamion: IV. The Minstrels
- Epithalamion: V. Procession of the Bride
- Epithalamion: VI. The Temple Gates
- Epithalamion: VII. The Bell Ringers
- Epithalamion: VIII. The Lover's Song
- Epithalamion: IX. The Minstrel's Song
- Epithalamion: X. Song of the Winged Loves
- Epithalamion: XI. Prayer to Juno
- Riders to the Sea: Where Is She?
- Riders to the Sea: Where Is the Bit of New Rope
- Riders to the Sea: Wait, Nora
- Riders to the Sea: You Didn't Give Him His Bit of Bread?
- Riders to the Sea: Bartley Will Be Lost Now
- Riders to the Sea: They Are All Gone Now
Hugh The Drover – Act I
- Hugh the Drover or Love in the Stocks: Act I, I. (Allegro vivacissimo) Buy, buy, buy (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, II. Cold blows the wind on Cotsali (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, III. As I was a-walking (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, IV. Show me a richer man (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, V. Here come the Morris men (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, VI. Life must be full of care (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, VII. Sweet little linnet that longs to be free (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, VIII. Horse-hoofs, horse-hoofs, thunder down the valleys (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, IX. In the night-time I have seen you riding (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, X. Mary! Mary! (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, XI. Oh! The devil and Bonyparty (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, XII. Yes, I! (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, XIII. Are you ready? Go! (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, XIV. The drover's won! (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act I, XV. I tell you there's a price on this man's head (von Royal Philharmonic Orchestra, Sir Charles Groves)
Hugh The Drover – Act II
- Hugh the Drover or Love in the Stocks: Act II, I. (Lento moderato) Past four o'clock (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act II, II. Gaily I go to die (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act II, III. Hugh!...Mary! (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act II, IV. Sweet little home (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act II, V. Where's she gone to? (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act II, VI. Here, queen uncrowned (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act II, VII. A trollop from the stocks (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act II, VIII. Dropped from the ranks on a winter's night (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act II, IX. March away, John! (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act II, X. O foolish girl, O radiant soul! (von Royal Philharmonic Orchestra, Sir Charles Groves)
- Hugh the Drover or Love in the Stocks: Act II, XI. Oh! the sky shall be our roof (von Royal Philharmonic Orchestra, Sir Charles Groves)
Sir John In Love – Act I, Act II
- Sir John in Love: Act I, I. (Allegro vivace) What-hoa!
- Sir John in Love: Act I, II. How now, Master Shallow
- Sir John in Love: Act I, III. O heavens, this is Mistress Anne Page
- Sir John in Love: Act I, IV. Ahem...I had rather than forty shillings
- Sir John in Love: Act I, V. Weep eyes, break heart
- Sir John in Love: Act I, VI. Do but look on her eyes now
- Sir John in Love: Act I, VII. I see I cannot get thy father's love
- Sir John in Love: Act I, VIII. Vere is dat knave Rugby?
- Sir John in Love: Act I, IX. I will myself marry Anne Page
- Sir John in Love: Act I, X. Master Fenton, I'll be sworn she loves you
- Sir John in Love: Act I, XI. Back and side go bare
- Sir John in Love: Act I, XII. I spy entertainment in her
- Sir John in Love: Act I, XIII. Wilt thou revenge?
- Sir John in Love: Act I, XIV. Love my wife? I will be patient
- Sir John in Love: Act I, XV. When daisies pied and violets blue
- Sir John in Love: Act II, Scene I, I. (Allegro moderato e maestoso)
- Sir John in Love: Act II, Scene I, II. Thine own true knight
- Sir John in Love: Act II, Scene I, III. Ask me no reason why I love you
- Sir John in Love: Act II, Scene I, IV. Sigh no more, ladies
- Sir John in Love: Act II, Scene I, V. (Maestoso)
- Sir John in Love: Act II, Scene II, I. Bardolph, Bardolph, I say!
- Sir John in Love: Act II, Scene II, II. Give your worship good morrow
- Sir John in Love: Act II, Scene II, III. O that joy so soon should waste!
- Sir John in Love: Act II, Scene II, IV. There's one Master Brook below
- Sir John in Love: Act II, Scene II, V. I have long loved her
- Sir John in Love: Act II, Scene II, VI. The dew that lies on roses
- Sir John in Love: Act II, Scene II, VII. Vere is mine host of de Garter?
- Sir John in Love: Act II, Scene II, VIII. (Maestoso)
Sir John In Love – Act III, Act IV
- Sir John in Love: Act III, Scene I, I. (Andante moderato)
- Sir John in Love: Act III, Scene I, II. Yet hear me speak
- Sir John in Love: Act III, Scene I, III. Beauty clear and fair
- Sir John in Love: Act III, Scene I, IV. Fair and fair and twice so fair
- Sir John in Love: Act III, Scene I, V. But listen, good mine host
- Sir John in Love: Act III, Scene I, VI. I mun be married a-Sunday
- Sir John in Love: Act III, Scene II, I. (Lento) When as we sat in Papylon
- Sir John in Love: Act III, Scene II, II. How now, Master Parson?
- Sir John in Love: Act III, Scene II, III. Peace, I say!
- Sir John in Love: Act III, Scene II, IV. When I was a bachelor
- Sir John in Love: Act III, Scene II, V. (Allegro)
- Sir John in Love: Act III, Scene III, I. What, John! What, Robert!
- Sir John in Love: Act III, Scene III, II. Alas, my love, you do me wrong
- Sir John in Love: Act III, Scene III, III. Have I caught my heavenly jewel
- Sir John in Love: Act III, Scene III, IV. Mistress Ford! Mistress Ford!
- Sir John in Love: Act III, Scene III, V. When I was a bachelor
- Sir John in Love: Act III, Scene III, VI. Nay, follow him, gentlemen
- Sir John in Love: Act III, Scene III, VII. Mistress Page!...Mistress Page!
- Sir John in Love: Act IV, Scene I, I. (Andante piacevole)
- Sir John in Love: Act IV, Scene I, II. Pardon me, wife
- Sir John in Love: Act IV, Scene I, III. There is an old tale goes
- Sir John in Love: Act IV, Scene I, IV. Trib, fairies, trib...Round about in a fair ring-a
- Sir John in Love: Act IV, Scene I, V. (Lento moderato) (Greensleeves)
- Sir John in Love: Act IV, Scene II, I. (Vivace)
- Sir John in Love: Act IV, Scene II, II. The Windsor bell hath struck twelve
- Sir John in Love: Act IV, Scene II, III. Oo! Oo!...Fairies black, grey, green and white
- Sir John in Love: Act IV, Scene II, IV. Dance of the fairies (Allegro pesante) - But stay! I smell a man of middle earth
- Sir John in Love: Act IV, Scene II, V. Pinch him, pinch him black and blue
- Sir John in Love: Act IV, Scene II, VI. (Moderato) - Nay, do not fly
- Sir John in Love: Act IV, Scene II, VII. See the chariot at hand
- Sir John in Love: Act IV, Scene II, VIII. Whether men do laugh or weep
- Sir John in Love: Act IV, Scene II, IX. Dance (Presto)
The Pilgrim’s Progress – Act I, II, III
- The Pilgrim's Progress: Prologue: Bunyan in Prison (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act I, Scene I: The Pilgrim meets Evangelist (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act I, Scene II: The House Beautiful (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act I, Nocturne: (Intermezzo) (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act II, Scene I: The Arming of the Pilgrim (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act II, Scene II: The Pilgrim meets Apollyon (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act III, Scene I, I. Buy! What will ye buy? (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act III, Scene I, II. I buy the truth! (von London Philharmonic Orchestra, Sir Adrian Boult)
The Pilgrim’s Progress – Act III (contd.) / Sir Adrian In Rehearsal
- The Pilgrim's Progress: Act III, Scene II: The Pilgrim in Prison (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act IV, Scene I: The Pilgrim meets Mister By-Ends (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act IV, Entr'acte (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act IV, Scene II: I. Who so dwelleth (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act IV, Scene II: II. The Lord is my Shepherd (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act IV, Scene III: The Pilgrim reaches the end of his journey (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress: Act IV, Epilogue (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress (rehearsal): Act III, Scene I: Vanity Fair (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress (rehearsal): Act I, Nocturne (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress (rehearsal): Act IV, Scene I: Mister By-Ends (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress (rehearsal): Act IV, Scene II: The Shepherds (von London Philharmonic Orchestra, Sir Adrian Boult)
- The Pilgrim's Progress (rehearsal): Act II, Scene I: The Arming of the Pilgrim (von London Philharmonic Orchestra, Sir Adrian Boult)