Philharmonia Hungarica, Antal Doráti Songtexte
The Mercury Masters (Compilation)
Kodály: Dances of Galánta, Dances of Marosszèk / Bartók: Roumanian Dances
- Marosszéki táncok (Version for Orchestra)
- 2 Romanian Dances, Sz. 43: no. 1, Allegro vivace
- 2 Romanian Dances, Sz. 43: no. 2, Poco allegro
- Galántai táncok
Bartók: Dance Suite / 2 Portraits / Mikrokosmos
- Dance Suite, Sz. 77: I. Moderato
- Dance Suite, Sz. 77: II. Allegro molto
- Dance Suite, Sz. 77: III. Allegro vivace
- Dance Suite, Sz. 77: IV. Molto tranquillo
- Dance Suite, Sz. 77: V. Comodo – VI. Finale. Allegro
- 2 Portraits, Sz. 37: I. One Ideal. Andante sostenuto
- 2 Portraits, Sz. 37: II. One Grotesque. Presto
- Mikrokosmos, Sz. 107, Book 4: no. 117, Bourrée
- Mikrokosmos, Sz. 107, Book 6: no. 142, From the Diary of a Fly
Wienerwaltzer Paprika
- Die lustige Witwe, Act III: Waltz
- Die Csárdásfürstin, Act I: Waltz
- Village Swallows from Austria, op. 164
- The Veil of Pierette, op. 18: Wedding Waltz
- The Skaters Waltz, op. 183
- Die Schönbrunner, op. 200
Respighi: Ancient Airs and Dances
- Ancient Airs & Dances, Suite I, P. 109: I. Balletto detto “Il conte Orlando” (Molinaro)
- Ancient Airs & Dances, Suite I, P. 109: II. Gagliarda (V. Galileo)
- Ancient Airs & Dances, Suite I, P. 109: III. Villanella (Anonymous)
- Ancient Airs & Dances, Suite I, P. 109: IV. Passo mezzo e Mascherada (Anonymous)
- Ancient Airs & Dances, Suite II, P. 138: I. Laura soave. Balletto con gagliarda, saltarello e canario (Carosio)
- Ancient Airs & Dances, Suite II, P. 138: II. Danza rustica (Besard)
- Ancient Airs & Dances, Suite II, P. 138: III. Campanae parisienses – Aria (Anon/Mersenne)
- Ancient Airs & Dances, Suite II, P. 138: IV. Bergamasca (Gianoncelli)
- Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)
- Ancient Airs & Dances, Suite III, P. 172: II. Arie di corte. a. Andante cantabile
- Ancient Airs & Dances, Suite III, P. 172: II. Arie di corte. b. Allegretto
- Ancient Airs & Dances, Suite III, P. 172: II. Arie di corte. c. Vivace
- Ancient Airs & Dances, Suite III, P. 172: II. Arie di corte. d. Lento con grande espressione
- Ancient Airs & Dances, Suite III, P. 172: II. Arie di corte. e. Allegro vivace
- Ancient Airs & Dances, Suite III, P. 172: II. Arie di corte. f. Vivacissimo
- Ancient Airs & Dances, Suite III, P. 172: II. Arie di corte. g. Andante cantabile
- Ancient Airs & Dances, Suite III, P. 172: III. Siciliana (Anonymous)
- Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli)
Tchaikovsky: Serenade for Strings / Arensky: Variations on a Theme by Tchaikovsky
- Serenade for Strings, op. 48: I. Pezzo in forma di sonatina. Andante non troppo – Allegro moderato
- Serenade for Strings, op. 48: II. Waltz. Moderato
- Serenade for Strings, op. 48: III. Elegia. Larghetto elegiaco
- Serenade for Strings, op. 48: IV. Finale (Tema russo). Andante – Allegro con spirito
- Variations on a Theme by Tchaikovsky, op. 35a
Haydn: Symphony no. 94 "Surprise" / Symphony no. 103 "Drum Roll"
- Symphony no. 103 in E‐flat major, Hob. I:103 “Drum Roll”: I. Adagio – Allegro con spirito
- Symphony no. 103 in E‐flat major, Hob. I:103 “Drum Roll”: II. Andante più tosto allegretto
- Symphony no. 103 in E‐flat major, Hob. I:103 “Drum Roll”: III. Menuetto – Trio
- Symphony no. 103 in E‐flat major, Hob. I:103 “Drum Roll”: IV. Finale. Allegro con spirito
- Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio – Vivace assai
- Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
- Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuetto – Trio. Allegro molto
- Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
Bartók: Divertimento for Strings / Weiner: Hungarian Folk Dances
- Divertimento for Strings, Sz. 113: I. Allegro non troppo
- Divertimento for Strings, Sz. 113: II. Molto adagio
- Divertimento for Strings, Sz. 113: III. Allegro assai
- Hungarian Folk Dances, op. 18: I. Allegro risoluto e ben marcato
- Hungarian Folk Dances, op. 18: II. Andante poco sostenuto
- Hungarian Folk Dances, op. 18: III. Andante poco sostenuto
- Hungarian Folk Dances, op. 18: IV. Presto
Bartók: Music For Strings, Percussion, And Celesta / Dance Suite
- Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo
- Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro
- Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio
- Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto
- Dance Suite, Sz. 77: I. Moderato
- Dance Suite, Sz. 77: II. Allegro molto
- Dance Suite, Sz. 77: III. Allegro vivace
- Dance Suite, Sz. 77: IV. Molto tranquillo
- Dance Suite, Sz. 77: V. Comodo
- Dance Suite, Sz. 77: VI. Finale. Allegro
Mehr Songtexte
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- Háry János Suite: IV. The battle and defeat of Napoleon
- Háry János Suite: I. Prelude; the fairy tale begins
- Háry János Suite: VI. Entrance of the emperor and his court
- Háry János Suite: II. Viennese musical clock
- Háry János Suite: V. Intermezzo
- Háry János Suite: III. Song
- Hungarian Folk Dances, op.18 - Presto
- Hungarian Folk Dances, op.18 - Andante poco sostenuto
- Hungarian Folk Dances, op.18 - Allegro risoluto e ben marcato