English Chamber Orchestra, Benjamin Britten Songtexte
The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion"
Britten Conducts English Music for Strings
- Chacony in G minor for Strings
- Introduction and Allegro for Strings, op. 47
- Prelude and Fugue for 18-Part String Orchestra, op. 29
- Simple Symphony for String Orchestra, op. 4: I. Boisterous Bourrée. Allegro ritmico
- Simple Symphony for String Orchestra, op. 4: II. Playful Pizzicato. Presto possibile pizzicato sempre
- Simple Symphony for String Orchestra, op. 4: III. Sentimental Saraband. Poco lento e pesante
- Simple Symphony for String Orchestra, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco
- Two Aquarelles: I. Lento, ma non troppo
- Two Aquarelles: Il. Gaily, but Not Quick
- "Sir Roger de Coverley" for String Orchestra
Mehr Songtexte
- Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro
- Simple Symphony: IV. Frolicsome Finale
- Simple Symphony: I. Boisterous Bourree
- Simple Symphony: II. Playful Pizzicato
- Simple Symphony: III. Sentimental Saraband
- Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia
- Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace
- Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne
- Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brilante
- Simple Symphony, op. 4: II. Playful Pizzicato. Presto possibile, pizzicato sempre
- Simple Symphony, op. 4: I. Boisterous Bourrée. Allegro maestoso
- Simple Symphony, op. 4: IV. Frolicsome Finale. Prestissimo con fuoco
- Variations on a Theme of Frank Bridge, op. 10: Chant. Lento
- Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto
- Variations on a Theme of Frank Bridge, op. 10: Adagio
- Simple Symphony, op. 4: III. Sentimental Saraband. Poco lento e pesante
- Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento
- Variations on a Theme of Frank Bridge, op. 10: Funeral March. Andante ritmico
- Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante
- Variations on a Theme of Frank Bridge, op. 10: Romance. Allegreto grazioso
- Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso
- Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante
- Albert Herring, Op. 39: Act II, Scene I. Interlude
- Albert Herring, Op. 39: Act I, Scene II. "Bounce me high" (Kids)
- Albert Herring, Op. 39: Act III. "Have you found him?" (Mum)
- Albert Herring, Op. 39: Act III. Introduction
- Albert Herring, Op. 39: Act I, Scene I. "The first suggestion on my list" (Vicar)
- Albert Herring, Op. 39: Act I, Scene I. Interlude
- The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all"
- The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Next, Winter comes slowly"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": Symphony
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "When a cruel long Winter"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "My torch indeed... They shall be as happy"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Thus the ever grateful Spring"
- The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night"
- The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here"
- The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire"
- The Fairy Queen, Z. 629: Part II "Night and silence": Prelude - "Come, all ye songsters of the sky"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "Turn then thine eyes"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away"
- The Fairy Queen, Z. 629: Part III "The sweet passion": "A dance of haymakers"
- The Fairy Queen, Z. 629: Part III "The sweet passion": "Now the maids and the men are making of hay"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "Chaconne"
- The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all"
- The Fairy Queen, Z. 629: Part III "The sweet passion": "A thousand, thousand ways"
- The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "Hark! hark! the echoing air"
- The Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "Sure the dull God of Marriage"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Here's the Summer, springly, gay"
- The Fairy Queen, Z. 629: Part I "Oberon's birthday": "See, my many-coloured fields"
- The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "They shall be as happy"
- The Fairy Queen, Z. 629: Part III "The sweet passion": Overture
- The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion"
- The Fairy Queen, Z. 629: Part IV "Epithalamium": "See, I obey"
- The Fairy Queen, Z. 629: Part III "The sweet passion": "Hornpipe and rondeau"
- Albert Herring, op. 39: Act III. “Have you found him?” (Mum)
- Albert Herring, op. 39: Act I, Scene II. “Bounce me high” (Kids)
- Albert Herring, op. 39: Act I, Scene I. “The first suggestion on my list” (Vicar)
- Chacony in G minor
- Symphony (The Fairy Queen)
- St. John Passion, BWV 245: Part II, XXXIV. My heart, behold how all the world (tenor arioso)
- Summer Night On The River
- Symphony no. 39 in E-Flat major, K. 543: II. Andante con moto
- Symphony No. 25 in G minor, K. 183 "Little G Minor": IV. Allegro
- Symphony no. 39 in E-Flat major, K. 543: I. Adagio: Allegro
- St. John Passion, BWV 245: Part I, VI. Recitative "The band then, together with the captain" (Evangelist)
- Symphony No. 29 in A major, K. 201: II. Andante
- St. John Passion, BWV 245: Part II, XXXVII. Help us, Son of God most high (chorale)
- St. John Passion, BWV 245: Part I, IX. Aria (Soprano) "I'll follow Thee also"
- Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro
- Symphony No. 40 in G minor, K. 550 "Great": IV. Allegro assai
- St. John Passion, BWV 245: Part II, XV. Chorus "Christ, Who gave us life and light"
- Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso
- Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso
- Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1
- St. John Passion, BWV 245: Part II, XXXVIII. And after this, Joseph of Arimathea (recitative)
- St. John Passion, BWV 245: Part II, XXVIII. When His life had reached its end (chorale)
- St. John Passion, BWV 245: Part II, XXXVI. The Jews, therefore (recitative)
- Symphony No. 25 in G minor, K. 183 "Little G Minor": I. Allegro con brio
- Symphony no. 39 in E-Flat major, K. 543: III. Menuetto (Allegretto)
- St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus)
- Symphony No. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto
- Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
- St. John Passion, BWV 245: Part I, V. Chorus "Thy will be done, o God of love!"
- Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto
- St. John Passion, BWV 245: Part II, XIX. Arioso (Bass) "Look yonder, o my soul"
- Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio
- Albert Herring, op. 39, Act 1: Interlude
- St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al.
- St. John Passion, BWV 245: Part I, I. Chorus "Sire, Lord and Master"
- Symphony no. 8 in B minor “Unfinished”, D. 759: II. Andante con moto
- Albert Herring, op. 39, Act 2: Interlude
- St. John Passion, BWV 245: Part II, XX. Aria (Tenor) "Consider, how His body"
- Albert Herring, op. 39, Act 3: Introduction
- Symphony No. 25 in G minor, K. 183 "Little G Minor": II. Andante
- Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro
- Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio
- St. John Passion, BWV 245: Part II, XXII. Thy bonds, o Christ, have set us free (chorale)
- Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - Allegro
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro
- Symphony No. 25 in G minor, K. 183 "Little G Minor": III. Menuetto e Trio
- Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro
- Symphony No. 29 in A major, K. 201: IV. Allegro con spirito
- Symphony No. 40 in G minor, K. 550 "Great": II. Andante
- St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus)
- Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2
- Symphony No. 38 in D major, K. 504 "Prague": II. Andante
- St. John Passion, BWV 245: Part II, XL. Lord Jesus, when we come to die (chorale)
- Symphony No. 38 in D major, K. 504 "Prague": III. Finale. Presto
- Symphony No. 29 in A major, K. 201: I. Allegro moderato
- St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al.
- Symphony no. 41 in C major, K. 551: "Jupiter": II. Andante cantabile
- St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent)
- Symphony no. 41 in C major, K. 551: "Jupiter": IV. Molto allegro
- St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative)
- St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus)
- Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro
- St. John Passion, BWV 245: Part I, VIII. Recitative "Simon Peter also followed" (Evangelist)
- St. John Passion, BWV 245: Part II, XVII. Chorus "Ah, King of Heaven"
- St. John Passion, BWV 245: Part II, XXX. The end is nigh! (contralto aria) et. al.
- St. John Passion, BWV 245: Part I, VII. Aria (Contralto) "To release me from this prison"
- Symphony no. 8 in B minor “Unfinished”, D. 759: I. Allegro moderato
- St. John Passion, BWV 245: Part I, III. Chorus "O generous love!"
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non troppo
- Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai
- Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro
- St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al.
- Symphony no. 41 in C major, K. 551: "Jupiter": III. Menuetto (Allegretto)
- St. John Passion, BWV 245: Part I, XIII. Aria (Tenor) "Ah! take flight away from human sight"
- Symphony no. 41 in C major, K. 551: "Jupiter": I. Allegro vivace
- Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante
- Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro
- Symphony No. 29 in A major, K. 201: III. Menuetto e Trio
- St. John Passion, BWV 245: Part I, XIV. Chorus "Peter, who denied his Lord"
- St. John Passion, BWV 245: Part II, XXIV. Haste, ye souls (bass aria with chorus)
- St. John Passion, BWV 245: Part II, XXXIX. Farewell, o broken, weary body (chorus)
- Szenen aus Goethes Faust: Ouvertüre
- Symphony No. 40 in G minor, K. 550 "Great": I. Molto allegro
- St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist)
- St. John Passion, BWV 245: Part II, XXXII. My dearest Savior (bass aria with chorale)
- Symphony no. 39 in E-Flat major, K. 543: IV. Finale (Allegro)
- St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound"
- St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al.
- Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante
- St. John Passion, BWV 245: Part II, XXXV. With torrents of weeping (soprano aria)
- Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
- St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus)
- St. John Passion, BWV 245: Part II, XXXIII. And then, behold (recitative)
- St. John Passion, BWV 245: Part II, XXVI. Within my heart, o Savior (chorale)
- Simple Symphony, op. 4: Frolicsome Finale. Prestissimo con fuoco
- Simple Symphony, op. 4: Sentimental Saraband. Poco lento e pesante
- Variations on a Theme of Frank Bridge, op. 10: March
- Two Aquarelles: II. Gaily, but not quickly
- Variations on a Theme of Frank Bridge, op. 10: Chant
- Sir Roger de Coverley
- Variations on a Theme of Frank Bridge, op. 10: Bourée classique
- Variations on a Theme of Frank Bridge, op. 10: Funeral March
- Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo
- Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme
- Variations on a Theme of Frank Bridge, op. 10: Wiener Walzer
- Simple Symphony, op. 4: Boisterous Bourrée. Allegro ritmico
- Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale
- Variations on a Theme of Frank Bridge, op. 10: Aria italiana
- Variations on a Theme of Frank Bridge, op. 10: Romance
- Simple Symphony, op. 4: Playful Pizzicato. Presto possibile pizzicato sempre
- The Rape of Lucretia: Act I, Scene 1. "Tarquinius does not dare"
- The Rape of Lucretia: Act I, Scene 2. "The oatmeal slippers of sleep"
- The Rape of Lucretia: Act II, Scene 2. "We'll leave the orchids for Lucretia"
- The Rape of Lucretia: Act II, Scene 2. "Lucretia! Lucretia!"
- The Rape of Lucretia: Act II, Scene 2. "Flowers bring to every year"
- The Rape of Lucretia: Act II, Scene 1. "She sleeps as a rose"
- The Rape of Lucretia: Act I, Scene 1. "Collatinus is politically astute"
- The Rape of Lucretia: Act I, Scene 1. "My horse! My horse!" / "Tarquinius does not wait"
- The Rape of Lucretia: Act I, Scene 1. "Here the thirsty evening"
- The Rape of Lucretia: Act II, Scene 2. "You were right"
- The Rape of Lucretia: Act II, Scene 2. "Oh what a lovely day!"
- The Rape of Lucretia: Act I, Scene 1. "Who reaches Heaven first"
- The Rape of Lucretia: Act I, Scene 2. "Time treads upon the hand of women"
- The Rape of Lucretia: Act I, Scene 1. "It is axiom among kings"
- The Rape of Lucretia: Act I, Scene 1. "Rome is now ruled by the Etruscan upstart"
- The Rape of Lucretia: Act II, Scene 1. "The prosperity of the Etruscans"
- The Rape of Lucretia: Act I, Scene 2. "Listen! I heard a knock"
- The Rape of Lucretia: Act I, Scene 1. "Maria was unmasked at a masked ball"
- The Rape of Lucretia: Act II, Scene 1. "Within this frail crublicle of light"
- The Rape of Lucretia: Act II, Scene 1. "Lucretia!" / "What do you want?"
- The Rape of Lucretia: Act II, Scene 2. "Last night Tarquinius ravished me"
- The Rape of Lucretia: Act II, Scene 1. Interlude "Here in this scene"
- The Rape of Lucretia: Act II, Scene 2. Epilogue "Is that all?"
- The Rape of Lucretia: Act II, Scene 2. "This dead hand lets fall"
- The Rape of Lucretia: Act I, Scene 2. "Their spinning-wheel unwinds"
- The Rape of Lucretia: Act I, Scene 1. "There goes a happy man!"