Charles Munch & Boston Symphony Orchestra Songtexte
Berlioz Symphonie Fantastique - Charles Munch BSO 1962 recording
- Symphonie fantastique, op. 14: I. Rêveries. Passions (von Boston Symphony Orchestra, Charles Munch)
- Symphonie fantastique, op. 14: II. Un bal (von Boston Symphony Orchestra, Charles Munch)
- Symphonie fantastique, op. 14: III. Scène aux champs (von Boston Symphony Orchestra, Charles Munch)
- Symphonie fantastique, op. 14: IV. Marche au supplice (von Boston Symphony Orchestra, Charles Munch)
- Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat (von Boston Symphony Orchestra, Charles Munch)
Late Romantic Masterpieces (Compilation)
- Tannhäuser: Overture and bacchanale (Paris Version) (1991 Remastered) (von Charles Munch, Boston Symphony Orchestra)
- Tristan und Isolde: Prélude and Liebestod (1991 Remastered) (von Charles Munch, Boston Symphony Orchestra, Eileen Farrell)
- Die Walküre: The Magic Fire Music (1991 Remastered) (von Charles Munch, Boston Symphony Orchestra)
- Götterdämmerung, WWV 86d: Siegfried's Rhine Journey (von Charles Munch, Boston Symphony Orchestra)
- Götterdämmerung, WWV 86D: Brunhilde's Immolation Scene (1991 Remastered) (von Charles Munch, Boston Symphony Orchestra, Eileen Farrell)
- Symphony No. 4 in F Minor, Op. 36 / I. Andante sostenuto - Moderato con anima (von Charles Munch, Boston Symphony Orchestra)
- Symphony No. 4 in F Minor, Op. 36 / II. Andantino in modo di canzona (von Charles Munch, Boston Symphony Orchestra)
- Symphony No. 4 in F Minor, Op. 36 / III. Scherzo - Allegro (von Charles Munch, Boston Symphony Orchestra)
- Symphony No. 4 in F Minor, Op. 36 / IV. Finale - Allegro con fuoco (von Charles Munch, Boston Symphony Orchestra)
- Serenade in C Major for Strings, Op. 48, TH 48 / I. Pezzo in forma di sonatina - Andante non troppo - Allegro moderato (von Boston Symphony Orchestra, Charles Munch)
- Serenade in C Major for Strings, Op. 48, TH 48 / II. Waltz - Moderato (von Boston Symphony Orchestra, Charles Munch)
- Serenade in C Major for Strings, Op. 48, TH 48 / III. Elegy - Larghetto elegiaco (von Boston Symphony Orchestra, Charles Munch)
- Serenade in C Major for Strings, Op. 48, TH 48 / IV. Finale (Tema russo) - Andante - Allegro con spirito (von Boston Symphony Orchestra, Charles Munch)
- Symphony No. 6 in B Minor, Op. 74 "Pathétique" / I. Adagio - Allegro non troppo (von Boston Symphony Orchestra, Charles Munch)
- Symphony No. 6 in B Minor, Op. 74 "Pathétique" / II. Allegro con grazia (von Boston Symphony Orchestra, Charles Munch)
- Symphony No. 6 in B Minor, Op. 74 "Pathétique" / III. Allegro molto vivace (von Boston Symphony Orchestra, Charles Munch)
- Symphony No. 6 in B Minor, Op. 74 "Pathétique" / IV. Finale - Adagio lamentoso (von Boston Symphony Orchestra, Charles Munch)
- Romeo and Juliet: Overture Fantasia, TH 42 (von Charles Munch, Boston Symphony Orchestra)
- Violin Concerto in D Major, Op. 35, TH 59 / I. Allegro moderato
- Violin Concerto in D Major, Op. 35, TH 59 / II. Canzonetta. Andante
- Violin Concerto in D Major, Op. 35, TH 59 / III. Finale - Allegro vivacissimo
- Francesca Da Rimini (Symphonic Fantasy after Dante), Op. 32, TH 46 (von Charles Munch, Boston Symphony Orchestra)
- Symphony No. 8 in G Major, Op. 88, B. 163 / Allegro con brio (von Boston Symphony Orchestra, Charles Munch)
- Symphony No. 8 in G Major, Op. 88, B. 163 / Adagio (von Boston Symphony Orchestra, Charles Munch)
- Symphony No. 8 in G Major, Op. 88, B. 163 / Allegretto grazioso (von Boston Symphony Orchestra, Charles Munch)
- Symphony No. 8 in G Major, Op. 88, B. 163 / Allegro ma non troppo (von Boston Symphony Orchestra, Charles Munch)
- Cello Concerto in B Minor, Op. 104 / I. Allegro (von Gregor Piatigorsky, Boston Symphony Orchestra, Charles Munch)
- Cello Concerto in B Minor, Op. 104 / II. Adagio ma non troppo (von Gregor Piatigorsky, Boston Symphony Orchestra, Charles Munch)
- Cello Concerto in B Minor, Op. 104 / III. Finale: Allegro moderato (von Gregor Piatigorsky, Boston Symphony Orchestra, Charles Munch)
- Lieder eines fahrenden Gesellen / Wenn mein Schatz Hochzeit macht (von Charles Munch, Boston Symphony Orchestra, Maureen Forrester)
- Lieder eines fahrenden Gesellen / Ging heut morgen übers Feld (von Charles Munch, Boston Symphony Orchestra, Maureen Forrester)
- Lieder eines fahrenden Gesellen / Ich hab' ein glühend Messer (von Charles Munch, Boston Symphony Orchestra, Maureen Forrester)
- Lieder eines fahrenden Gesellen / Die zwei blauen Augen von meinem Schatz (von Charles Munch, Boston Symphony Orchestra, Maureen Forrester)
- Kindertotenlieder / Nun will die Sonn' so hell aufgeh'n (von Charles Munch, Boston Symphony Orchestra, Maureen Forrester)
- Kindertotenlieder / Nun seh' ich wohl, warum so dunkle Flammen (von Charles Munch, Boston Symphony Orchestra, Maureen Forrester)
- Kindertotenlieder / Wenn dein Mütterlein (von Charles Munch, Boston Symphony Orchestra, Maureen Forrester)
- Kindertotenlieder / Oft denk' ich, sie sind nur ausgegangen (von Charles Munch, Boston Symphony Orchestra, Maureen Forrester)
- Kindertotenlieder / In diesem Wetter (von Charles Munch, Boston Symphony Orchestra, Maureen Forrester)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Introduction (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Theme; Don Quixote, the Knight of Sorrowful Countenance (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 1; The Adventure with the Windmills (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 2; The Battle with the Sheep (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 3; Dialogue of Knight and Squire (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 4; The Adventure with the Penitents (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 5; The Knight's Vigil (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 6; The False Dulcinea (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 7; The Ride through the Air (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 8; The Adventure with the Enchanted Boat (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 9; The Combat with the Two Magicians (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Variation 10; The Defeat of Don Quixote by the Knight of the White Moon (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184); Finale; The Death of Don Quixote (von Charles Munch, Boston Symphony Orchestra, Gregor Piatigorsky, Richard Burgin, Joseph De Pasquale)
- Till Eulenspiegel's Merry Pranks, Op. 28 (von Charles Munch, Boston Symphony Orchestra)
Munch conducts Beethoven
- Symphony no. 6 in F major, op. 68, “Pastoral”: I. Awakening of Cheerful Feelings Upon Arrival in the Country: Allegro ma non troppo (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 6 in F major, op. 68, “Pastoral”: II. Scene by the Brook: Andante molto mosso (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 6 in F major, op. 68, “Pastoral”: III. Merry Gathering of Country Folk: Allegro (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 6 in F major, op. 68, “Pastoral”: IV. Thunderstorm: Allegro (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 6 in F major, op. 68, “Pastoral”: V. Shepherd’s Song: Happy and Thankful Feelings after the Storm: Allegretto (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 7 in A major, op. 92: II. Allegretto (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 7 in A major, op. 92: III. Presto, assai meno presto (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 7 in A major, op. 92: IV. Allegro con brio (von Boston Symphony Orchestra, Charles Munch)
- Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio (von Boston Symphony Orchestra, Charles Munch)
- Piano Concerto no. 3 in C minor, op. 37: II. Largo (von Boston Symphony Orchestra, Charles Munch)
- Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro (von Boston Symphony Orchestra, Charles Munch)
- Klavierkonzert Nr. 5 Es‐Dur, op. 73: I. Allegro (von Boston Symphony Orchestra, Charles Munch)
- Klavierkonzert Nr. 5 Es‐Dur, op. 73: II. Adagio un poco mosso (von Boston Symphony Orchestra, Charles Munch)
- Klavierkonzert Nr. 5 Es‐Dur, op. 73: III. Rondo: Allegro (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 3 in E‐flat major, op. 55, “Eroica”: I. Allegro con brio (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 3 in E‐flat major, op. 55, “Eroica”: II. Marcia funebre: Adagio assai (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 3 in E‐flat major, op. 55, “Eroica”: III. Scherzo: Allegro vivace (von Boston Symphony Orchestra, Charles Munch)
- Symphony no. 3 in E‐flat major, op. 55, “Eroica”: IV. Finale: Allegro molto (von Boston Symphony Orchestra, Charles Munch)
- String Quartet no. 16 in F major, op. 135: III. Lento assai, cantante e tranquillo (arr. for orchestra) (von Boston Symphony Orchestra, Charles Munch)
- Violin Concerto in D major, op. 61: I. Allegro ma non troppo (von Boston Symphony Orchestra, Charles Munch)
- Violin Concerto in D major, op. 61: II. Larghetto (von Boston Symphony Orchestra, Charles Munch)
- Violin Concerto in D major, op. 61: III. Rondo: Allegro (von Boston Symphony Orchestra, Charles Munch)
- Leonore Overture No. 2, Op. 72a (von Boston Symphony Orchestra, Charles Munch)
- Violin Concerto in D major, op. 61: I. Allegro ma non troppo (von Boston Symphony Orchestra, Charles Munch)
- Violin Concerto in D major, op. 61: II. Larghetto (von Boston Symphony Orchestra, Charles Munch)
- Violin Concerto in D major, op. 61: III. Rondo: Allegro (von Boston Symphony Orchestra, Charles Munch)
- Overture in C major to Die Weihe des Hauses (The Consecration of the House), op. 124 (von Boston Symphony Orchestra, Charles Munch)
Piston: Symphony No. 6 - Martinu: Fantasies Symphoniques
- Symphony No. 6: I. Fleundo espressivo (von Walter Piston)
- Symphony No. 6: II. Leggierissimo vivace (von Walter Piston)
- Symphony no. 6: III. Adagio sereno (von Walter Piston)
- Symphony no. 6: IV. Allegro energico (von Walter Piston)
- Fantasies Symphoniques, H. 343 (Symphony No. 6): I. Lento-Andante moderato-Poco allegro (von Bohuslav Martinů)
- Fantasies Symphoniques, H. 343 (Symphony No. 6): II. Poco allegro (von Bohuslav Martinů)
- Fantasies Symphoniques, H. 343 (Symphony No. 6): III. Lento (von Bohuslav Martinů)
Mehr Songtexte
- Fétes
- Bolero
- Printemps
- La Valse
- Prelude To The Afternoon Of A Faun
- Nuages
- Pavan For A Dead Princess
- Symphony No. 6 in F Major, Op. 68, “Pastoral”: V. Shepherd’s Song: Happy and Thankful Feelings after the Storm: Allegretto
- Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo: Allegro
- Leonore Overture No. 2, Op. 72a
- Symphony No. 3 in E‐Flat Major, Op. 55, “Eroica”: IV. Finale: Allegro molto
- Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
- Symphony No. 6 in F Major, Op. 68, “Pastoral”: II. Scene by the Brook: Andante molto mosso
- Symphony No. 7 in A Major, Op. 92: III. Presto, assai meno presto
- Symphony No. 3 in E‐Flat Major, Op. 55, “Eroica”: I. Allegro con brio
- Symphony No. 7 in A Major, Op. 92: II. Allegretto
- Klavierkonzert Nr. 5 Es‐Dur, Op. 73: II. Adagio un poco mosso
- Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
- Klavierkonzert Nr. 5 Es‐Dur, Op. 73: I. Allegro
- Symphony No. 6 in F Major, Op. 68, “Pastoral”: IV. Thunderstorm: Allegro
- Violin Concerto in D Major, Op. 61: III. Rondo: Allegro
- Symphony No. 6 in F Major, Op. 68, “Pastoral”: III. Merry Gathering of Country Folk: Allegro
- Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio
- Symphony No. 6 in F Major, Op. 68, “Pastoral”: I. Awakening of Cheerful Feelings Upon Arrival in the Country: Allegro ma non troppo
- String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo (arr. for orchestra)
- Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
- Symphony No. 3 in E‐Flat Major, Op. 55, “Eroica”: II. Marcia funebre: Adagio assai
- Violin Concerto in D Major, Op. 61: II. Larghetto
- Symphony No. 3 in E‐Flat Major, Op. 55, “Eroica”: III. Scherzo: Allegro vivace
- Overture in C Major to Die Weihe des Hauses (The Consecration of the House), Op. 124
- Klavierkonzert Nr. 5 Es‐Dur, Op. 73: III. Rondo: Allegro
- Piano Concerto No. 3 in C Minor, Op. 37: II. Largo