Sir John Barbirolli Songtexte
Serenade from 'Hassan'
Geboren am 02. Dezember 1899, Gestorben am 29. Juli 1970
Gruppen
English Tone Pictures (Compilation)
- Tintagel (von London Symphony Orchestra, Sir John Barbirolli)
- The Walk to the Paradise Garden (von London Symphony Orchestra, Sir John Barbirolli)
- Irmelin Prelude (von London Symphony Orchestra, Sir John Barbirolli)
- A Song of Summer (von London Symphony Orchestra, Sir John Barbirolli)
- La Calinda (von Hallé Orchestra, Sir John Barbirolli)
- In a Summer Garden (von Hallé Orchestra, Sir John Barbirolli)
- A London Overture (von London Symphony Orchestra, Sir John Barbirolli)
Great Conductors of the 20th Century: Sir John Barbirolli (Compilation)
- The Mastersingers Of Nuremberg: Act 1: Prelude (von London Symphony Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: Enigma: Andante (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: I. L'Istesso Tempo (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: II. Allegro (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: III. Allegretto (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: IV. Allegro di molto (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: V. Moderato (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: VI. Andantino (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: VII. Presto (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: VIII. Allegretto (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: IX. Adagio (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: X. Intermezzo: Allegretto (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: XI. Allegro di molto (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: XII. Andante (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: XIII. Romanza (***): Moderato (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme (Enigma), op. 36: XIV. Finale: Allegro-Presto (von Hallé Orchestra, Sir John Barbirolli)
- Ma mere l'oye, 5 pieces enfantines: I. Pavane de la belle au bois dormant (Lent)
- Ma mere l'oye, 5 pieces enfantines: II. Petit poucet (Tres modere)
- Ma mere l'oye, 5 pieces enfantines: III. Laideronnette, imperatrice des pagodes (Mouvement de marche)
- Ma mere l'oye, 5 pieces enfantines: IV. Les entretiens de la belle et de la bete (Mouvement de valse mode)
- Ma mere l'oye, 5 pieces enfantines: V. Le jardin feerique (Lent et grave)
- Symphony no. 2 'Resurrection': I. Allegro maestoso
- Symphony no. 2 'Resurrection': II. Andante moderato
- Symphony no. 2 'Resurrection': III. (Scherzo) in ruhig fliessender bewegung
- Symphony no. 2 'Resurrection': IV. 'Urlicht'. Sehr feierlich, aber schlicht 'o roschen rot'
- Symphony no. 2 'Resurrection': V. Im tempo des scherzos. Wild herausfahrend
- Symphony no. 2 'Resurrection': V. Wieder sehr breit
- Symphony no. 2 'Resurrection': V. Molto ritenuto. Maestoso
- Symphony no. 2 'Resurrection': V. Wieder zuruckhaltend
- Symphony no. 2 'Resurrection': V. Langsam. Misterioso 'aufersteh'n, ja aufersteh'n wirst du'
- Symphony no. 2 'Resurrection': V. Etwas bewegter 'o glaube, mein herz, o glaube'
- Symphony no. 2 'Resurrection': V. Mit aufschwung, aber nicht eilen 'o schmerz, du alldurchdringer
- Madama Butterfly: Act I. Conclusion: 'Quest' Obi pomposa di scioglier mi tarda' (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Conclusion of Act I: 'Bimba dagli occhi pieni di Malia'
- Madama Butterfly: Conclusion of Act I: 'Vogliatemi bene, un bene Piccolino'
Sir John Barbirolli - The Complete Warner Recordings [Disc 106] (Compilation)
- Symphony No. 1 In D Major: 1. Langsam Schleppend
- Symphony No. 1 In D Major: 2. Kräftig Bewegt, Doch Nicht Zu Schnell (Ländler. Scherzo)
- Symphony No. 1 In D Major: 3. Feierlich Und Gemessen, Ohne Zu Schleppen
- Symphony No. 1 In D Major: 4. Stürmischbewegt
- Symphony No. 6 In A Minor, "Tragic": 1. Allegro Energico, Ma Non Troppo
- Symphony No. 6 In a Minor, "Tragic": II. Andante (von London Symphony Orchestra)
- Symphony No. 6 In a Minor, "Tragic": III. Scherzo (Wuchtig) (von London Symphony Orchestra)
- Symphony No. 6 In a Minor, "Tragic": IV. Finale (Allegro Moderato) (von London Symphony Orchestra)
- Mahler: Symphony No.5 In C-sharp Minor-Part I: 2. Stürmisch Bewegt. Mit Größter Vehemenz - Bedeutend Langsamer - Tempo I Subito
- Mahler: Symphony No.5 In C-sharp Minor-Part I: 1. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt - Plötzlich Schneller. Leidenschaftlich. Wild - Tempo I
- Mahler: Symphony No.5 In C-sharp Minor-Part II: 3. Scherzo. Kräftig, Nicht Zu Schnell
- Mahler: Symphony No.5 In C-sharp Minor-Part III: 4. Adiagietto. Sehr Langsam
- Mahler: Symphony No.5 In C-sharp Minor-Part III: 5. Rondo - Finale. Allegro - Allegro Giocoso. Frisch - Allegro Comodo (Subito) - Allegro Molto
- Mahler: Symphony #9 In D - 1. Andante Comodo
- Mahler: Symphony #9 In D - 2. Im Tempo Eines Gemachlichen Landlers
- Mahler: Symphony #9 In D - 3. Rondo, Burleske, Allegro Assai, Sehr Trotzig
- Mahler: Symphony #9 In D - 4. Adagio, Sehr Langsam Und Noch Zuruckhaltend
- Mahler: Lieder Eines Fahrenden Gesellen (Songs Of A Wayfarer)-1. Wenn Mein Schatz Hochzeit Macht (When My Sweetheart Is Married)
- Mahler: Lieder Eines Fahrenden Gesellen (Songs Of A Wayfarer)-2. Ging Heut' Morgen Übers Feld (I Went This Morning Over The Field)
- Mahler: Lieder Eines Fahrenden Gesellen (Songs Of A Wayfarer)-3. Ich Hab' Ein Glühend Messer (I Have A Gleaming Knife)
- Mahler: Lieder Eines Fahrenden Gesellen (Songs Of A Wayfarer)-4. Die Zwei Blauen Augen Von Meinem Schatz (The Two Blue Eyes Of My Beloved)
- Mahler: Rückert-Lieder (Songs After Rückert)-5. Ich Bin Der Welt Abhanden Gekommen (I've Gotten Lost To The World)
- Mahler: Kindertotenlieder (Songs Of The Death Of Children)-1. Nun Will Die Sonn' So Hell Aufgehen (Now The Sun Wants To Rise As Brightly)
- Mahler: Kindertotenlieder (Songs Of The Death Of Children)-2. Nun Seh' Ich Wohl, Warum So Dunkle Flammen (Now I See Why With Such Dark Flames)
- Mahler: Kindertotenlieder (Songs Of The Death Of Children)-3. Wenn Dein Mütterlein, Tritt Zur Tür Herein (When Your Mama Steps In Through The Door)
- Mahler: Kindertotenlieder (Songs Of The Death Of Children)-4. Oft Denk' Ich, Sie Sind Nur Ausgengen! (I Often Think That They Have Just Stepped Out!)
- Mahler: Kindertotenlieder (Songs Of The Death Of Children)-5. In Diesen Wetterm In Diesem Braus (In This Weather, In This Windy Storm)
- Mahler: Fünf Rückert-Lieder (Five Songs After Rückert)-1. Blicke Mir Nicht In Die Lieder! (Don't Try To Find Me Out Through My Songs!)
- Mahler: Fünf Rückert-Lieder (Five Songs After Rückert)-2. Ich Atmet' Einen Linden Duft! (I Breathed A Gentle Fragrance In!)
- Mahler: Fünf Rückert-Lieder (Five Songs After Rückert)-3. Um Mitternacht (At Midnight)
- Mahler: Fünf Rückert-Lieder (Five Songs After Rückert)-4. Liebst Du Um Schönheit (If You Love For Beauty's Sake)
- Mahler: Fünf Rückert-Lieder (Five Songs After Rückert)-5. Ich Bin Der Welt Abhanden Gekommen (I've Gotten Lost To The World)
The Complete Warner Recordings (Compilation)
Purcell: Hornpipe on a Ground / Mozart: Eine kleine Nachtmusik / Haydn: Symphony no. 104 in D major “London” / Elgar: Introduction and Allegro
- The Married Beau, Z 603: Hornpipe on a Ground
- Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: I. Allegro
- Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: II. Andante (Romanza)
- Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: III. Menuetto
- Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: IV. Rondo
- Symphony no. 104 in D major “London”, Hob. I:104: I. Adagio - Allegro
- Symphony no. 104 in D major “London”, Hob. I:104: II. Andante
- Symphony no. 104 in D major “London”, Hob. I:104: III. Menuetto & Trio
- Symphony no. 104 in D major “London”, Hob. I:104: IV. Allegro spirituoso
- Introduction and Allegro for Strings, op. 47: Moderato -
- Introduction and Allegro for Strings, op. 47: Allegro -
- Introduction and Allegro for Strings, op. 47: Allegro (Fugue)
Mozart / Casals / Gounod / Bizet / Wagner / Mascagni / Glazunov / Luigini
- Die Zauberflöte, K. 620: Possenti Numi (O Isis und Isiris)
- Sardana
- Faust: Orchestral Potpourri
- Carmen: Orchestral Potpourri
- Tannhäuser: Orchestral Potpourri (von London Symphony Orchestra, Sir John Barbirolli)
- Cavalleria Rusticana: Intermezzo (von London Symphony Orchestra, Sir John Barbirolli)
- The Seasons, op. 67: Bacchanale (von London Symphony Orchestra, Sir John Barbirolli)
- Les Ruses d'amour, op. 61: Ballabile (von London Symphony Orchestra, Sir John Barbirolli)
- Ballet russe, op. 23: Czardas (von London Symphony Orchestra, Sir John Barbirolli)
- Ballet russe, op. 23: Valse lente (von London Symphony Orchestra, Sir John Barbirolli)
- Ballet russe, op. 23: Scène (von London Symphony Orchestra, Sir John Barbirolli)
- Ballet russe, op. 23: Mazurka (von London Symphony Orchestra, Sir John Barbirolli)
- Ballet russe, op. 23: Marche russe (von London Symphony Orchestra, Sir John Barbirolli)
Ponchielli: Dance of the Hours / Delibes: Sylvia - excerpts / Rosse: Merchant of Venice / Delius: A Song before Sunrise / Overtures from Wallace, Balfe, Quilter
- La Gioconda, op. 9: Act 3. Dance of the Hours (von London Symphony Orchestra, Sir John Barbirolli)
- Sylvia: Prélude - Les Chasseresses
- Sylvia: Intermezzo
- Sylvia: Valse lente
- Sylvia: Pizzicato
- Sylvia: Procession of Bacchus
- Merchant of Venice, Suite: I. Prelude no. 1
- Merchant of Venice, Suite: II. Intermezzo “Portia”
- Merchant of Venice, Suite: III. Oriental March
- Merchant of Venice, Suite: IV. Prelude no. 2
- Merchant of Venice, Suite: V. Doge's March
- Maritana: Overture (von London Symphony Orchestra, Sir John Barbirolli)
- The Bohemian Girl: Overture
- A Song before Sunrise, RT VI/24
- A Children's Overture, op. 17
Schubert / Auber / Grieg / Tchaikovsky / D'Erlanger / Järnefelt
- Marche militaire no. 1 in D major, op. 51 no. 1, D. 733 (von London Symphony Orchestra, Sir John Barbirolli)
- Rosamunde, D. 797: IX. Ballet Music no. 2 (von London Symphony Orchestra, Sir John Barbirolli)
- Fra Diavolo: Overture
- Peer Gynt, Suite no. 1, op. 46: I. Morning (von London Symphony Orchestra, Sir John Barbirolli)
- Peer Gynt, Suite no. 1, op. 46: II. Death of Aase (von London Symphony Orchestra, Sir John Barbirolli)
- Peer Gynt, Suite no. 1, op. 46: III. Anitra's Dance (von London Symphony Orchestra, Sir John Barbirolli)
- Peer Gynt, Suite no. 1, op. 46: IV. In the Hall of the Mountain King (von London Symphony Orchestra, Sir John Barbirolli)
- Sigurd Jorsalfar, op. 56: Act 3: Introduction. III. Homage March
- Symphonic Dances, op. 64: IV. Andante - Allegro - Allegro molto e risolto (von London Symphony Orchestra, Sir John Barbirolli)
- Swan Lake, op. 20: Act 2. No. 10: Scène: Le Lac des Cygnes
- Swan Lake, op. 20: Act 2. No. 13, Var. 4: Scène: Danse des Petits Cygnes
- Swan Lake, op. 20: Act 1. No. 2: Valse
- Swan Lake, op. 20: Act 2. No. 13, Var. 5: Scène
- Swan Lake, op. 20: Act 3. No. 20: Czardas
- Midnight Rose: Waltz
- Praeludium (von London Symphony Orchestra, Sir John Barbirolli)
- Berceuse (von London Symphony Orchestra, Sir John Barbirolli)
Wagner: Die Meistersinger von Nürnberg - Act 3: Suite / Rienzi - Overture / J. Strauss II: Rosen aus dem Süden / Bax: Symphony no. 3
- Die Meistersinger von Nürnberg: Act 3: Suite. Prelude (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg: Act 3: Suite. Dance of the Apprentices (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg: Act 3: Suite. Entry of the Masters (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg: Act 3: Suite. Homage to Sachs (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg: Act 3: Suite. Finale (von Hallé Orchestra, Sir John Barbirolli)
- Rienzi: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Rosen aus dem Süden (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 3: I. Lento - Allegro - Allegro feroce - Lento moderato - Allegro moderato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 3: II. Lento (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 3: III. Moderato - Più lento - Epilogue (von Hallé Orchestra, Sir John Barbirolli)
Vaughan Williams: Symphony no. 5 / Fantasia on a Theme by Thomas Tallis / Delius: Walk to the Paradise Garden / Heming: Threnody for a soldier killed in action
- Symphony no. 5 in D major: I. Preludio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in D major: II. Scherzo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in D major: III. Romanza: Lento (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in D major: IV. Passacaglia - Moderato (von Hallé Orchestra, Sir John Barbirolli)
- Fantasia on a Theme by Thomas Tallis (von Hallé Orchestra, Sir John Barbirolli)
- A Village Romeo and Juliet, RT I/6: Intermezzo: Walk to the Paradise Garden (von Hallé Orchestra, Sir John Barbirolli)
- Threnody for a soldier killed in action (von Hallé Orchestra, Sir John Barbirolli)
Beethoven: Symphony no. 5 / Weber: Euryanthe - Overture / Wagner: Lohengrin - Preludes / R. Strauss: Der Rosenkavalier - Suite
- Symphony no. 5 in C minor, op. 67: I. Allegro con brio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C minor, op. 67: II. Andante con moto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C minor, op. 67: III. Scherzo (Allegro) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C minor, op. 67: IV. Finale (Allegro) (von Hallé Orchestra, Sir John Barbirolli)
- Euryanthe: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Lohengrin: Act 1. Prelude (von Hallé Orchestra, Sir John Barbirolli)
- Lohengrin: Act 3. Prelude (von Hallé Orchestra, Sir John Barbirolli)
- Der Rosenkavalier Suite, op. 59, TrV 227: I. Con moto agitato (von Hallé Orchestra, Sir John Barbirolli)
- Der Rosenkavalier Suite, op. 59, TrV 227: II. Allegro molto (von Hallé Orchestra, Sir John Barbirolli)
- Der Rosenkavalier Suite, op. 59, TrV 227: III. Tempo vi Valse, assai comodo da primo (von Hallé Orchestra, Sir John Barbirolli)
- Der Rosenkavalier Suite, op. 59, TrV 227: IV. Moderato molto sostenuto (von Hallé Orchestra, Sir John Barbirolli)
- Der Rosenkavalier Suite, op. 59, TrV 227: V. Quick Waltz. Molto con moto (von Hallé Orchestra, Sir John Barbirolli)
Berlioz: Symphonie fantastique / Rossini: La gazza ladra - Overture / Mendelssohn: A Midsummer Night's Dream - Scherzo / Humperdinck: Hänsel und Gretel - Overture / Fauré: Shylock
- Symphonie fantastique, op. 14: I. Rêveries - Passions (von Hallé Orchestra, Sir John Barbirolli)
- Symphonie fantastique, op. 14: II. Un bal (Valse) (von Hallé Orchestra, Sir John Barbirolli)
- Symphonie fantastique, op. 14: III. Scènes aux champs (von Hallé Orchestra, Sir John Barbirolli)
- Symphonie fantastique, op. 14: IV. Marche au supplice (von Hallé Orchestra, Sir John Barbirolli)
- Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat (von Hallé Orchestra, Sir John Barbirolli)
- La gazza ladra: Overture
- A Midsummer Night's Dream, op. 61: Scherzo (von Hallé Orchestra, Sir John Barbirolli)
- Hänsel und Gretel: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Shylock, op. 57 (Suite): Nocturne (von Hallé Orchestra, Sir John Barbirolli)
Corelli: Concerto Grosso / Elgar: Elegy / Variations on an Original Theme “Enigma” / Introduction and Allegro / Lullaby / Vaughan Williams: Fantasia on “Greensleeves” / Trad.: Londonderry Air / Delius: Two Aquarelles
- Concerto Grosso (after Violin Sonatas, op. 5): I. Grave - Allegro (No. 1 in D major: I. & III.) (von Hallé Orchestra, Sir John Barbirolli)
- Concerto Grosso (after Violin Sonatas, op. 5): II. Adagio (No. 1 in D major: IV.) (von Hallé Orchestra, Sir John Barbirolli)
- Concerto Grosso (after Violin Sonatas, op. 5): III. Gigue (No. 3 originally in G major, performed in D major: V.) (von Hallé Orchestra, Sir John Barbirolli)
- Concerto Grosso (after Violin Sonatas, op. 5): IV. Sarabande (No. 7 in D minor: III.) (von Hallé Orchestra, Sir John Barbirolli)
- Concerto Grosso (after Violin Sonatas, op. 5): V. Allegro (No. 4 originally in F major, performed in D major: II.) (von Hallé Orchestra, Sir John Barbirolli)
- Elegy, op. 58 (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Theme: Andante (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 1: C.A.E. (The composer's wife) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 2: H.D. S-P (Hew David Steuart-Powell) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 3: R.B.T. (Richard Baxter Townsend) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 4: W.M.B. (William Meath Baker) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 5: R.P.A. (Richard Penrose Arnold) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 6: Ysobel (Isobel Fitton) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 7: Troyte (Troyte Griffith) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 8: W.N. (Winifred Norbury) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 9: Nimrod (A. J. Jaeger) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 10: Intermezzo: Dorabella (Dora Penny) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 11: G.R.S. (George Robertson Sinclair) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 12: B/G.N. (Basil G. Nevison) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 13: Romanza * * * (Lady Mary Lygon) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 14: E.D.U. (The composer) (von Hallé Orchestra, Sir John Barbirolli)
- Introduction and Allegro for Strings, op. 47: I. Moderato - (von George Alexander, Peter Hecht, Stuart Knussen, Laurence Turner, Hallé Orchestra, Sir John Barbirolli)
- Introduction and Allegro for Strings, op. 47: II. Allegro - (von George Alexander, Peter Hecht, Stuart Knussen, Laurence Turner, Hallé Orchestra, Sir John Barbirolli)
- Introduction and Allegro for Strings, op. 47: III. Allegro (Fugue) (von George Alexander, Peter Hecht, Stuart Knussen, Laurence Turner, Hallé Orchestra, Sir John Barbirolli)
- Bavarian Dances, op. 27: II. Lullaby (von Edward Elgar)
- Fantasia on “Greensleeves” (von Hallé Orchestra, Sir John Barbirolli)
- Irish Tune from County Derry (Londonderry Air) (von Hallé Orchestra, Sir John Barbirolli)
- Two Aquarelles, RT IV. 5: I. Lento, ma non troppo (von Hallé Orchestra, Sir John Barbirolli)
- Two Aquarelles, RT IV. 5: II. Gaily, but not Quick (von Hallé Orchestra, Sir John Barbirolli)
Mendelssohn: The Hebrides - Overture / Symphony no. 4 “Italian” / Grieg: Peer Gynt - Suite no. 1 / Delibes: Sylvia (excerpts) / Stravinsky: Concerto in D major for String Orchestra
- The Hebrides - Overture, op. 26 (Fingal's Cave) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no., 4 in A major “Italian”: I. Allegro vivace (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no., 4 in A major “Italian”: II. Andante con moto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no., 4 in A major “Italian”: III. Con moto moderato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no., 4 in A major “Italian”: IV. Saltarello (Presto) (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt - Suite no. 1, op. 46: I. Prelude - Morning (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt - Suite no. 1, op. 46: II. Death of Aase (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt - Suite no. 1, op. 46: III. Anitra's Dance (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt - Suite no. 1, op. 46: IV. In the Hall of the Mountain King (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt - Suite no. 1, op. 46: II. Death of Ase (Alternate take) (von Hallé Orchestra, Sir John Barbirolli)
- Sylvia - excerpts: I. Les Chasseresses (von Hallé Orchestra, Sir John Barbirolli)
- Sylvia - excerpts: II. Intermezzo et Valse lente (von Hallé Orchestra, Sir John Barbirolli)
- Sylvia - excerpts: III. Pizzicati (von Hallé Orchestra, Sir John Barbirolli)
- Sylvia - excerpts: IV. Cortège de Bacchus (von Hallé Orchestra, Sir John Barbirolli)
- Concerto in D major for String Orchestra: I. Vivace moderato (von Hallé Orchestra, Sir John Barbirolli)
- Concerto in D major for String Orchestra: II. Arioso (Andante) (von Hallé Orchestra, Sir John Barbirolli)
- Concerto in D major for String Orchestra: III. Rondo (Allegro) (von Hallé Orchestra, Sir John Barbirolli)
Mozart: Le nozze di Figaro - Overture / Beethoven: Egmont - Overture / Haydn: Symphony no. 83 “La poule” / Schubert: Die Zauberharfe - Overture / Mendelssohn: Octet op. 20 - Scherzo / Sibelius: Symphony no. 7
- Le nozze di Figaro, K. 492: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Egmont, op. 84: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 83 in G minor “La poule”, Hob. I:83: I. Allegro spirituoso (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 83 in G minor “La poule”, Hob. I:83: II. Andante (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 83 in G minor “La poule”, Hob. I:83: III. Menuetto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 83 in G minor “La poule”, Hob. I:83: IV. Finale (Vivace) (von Hallé Orchestra, Sir John Barbirolli)
- Die Zauberharfe, D. 644: Overture (Rosamunde) (von Hallé Orchestra, Sir John Barbirolli)
- Octet in E-flat major, op. 20: Scherzo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in C major, op. 105: Adagio - (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in C major, op. 105: Un pocchettino meno adagio - Vivacissimo - Adagio - (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in C major, op. 105: Allegro molto moderato - (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in C major, op. 105: Vivace - Presto - Adagio (von Hallé Orchestra, Sir John Barbirolli)
Elgar: Cockaigne Overture / Serenade in E minor / Dream Children - Andante / Delius: A Song of Summer / Rubbra: Loth to depart / Symphony no. 5
- Cockaigne Overture, op. 40 (In London Town) (von Hallé Orchestra, Sir John Barbirolli)
- Serenade in E minor, op. 20: I. Allegro piacevole (von Hallé Orchestra, Sir John Barbirolli)
- Serenade in E minor, op. 20: II. Larghetto (von Hallé Orchestra, Sir John Barbirolli)
- Serenade in E minor, op. 20: III. Allegretto - Come prima (von Hallé Orchestra, Sir John Barbirolli)
- Dream Children, op. 43: I. Andante (von Hallé Orchestra, Sir John Barbirolli)
- A Song of Summer, RT VI/26 (von Hallé Orchestra, Sir John Barbirolli)
- Improvisations on Virginal Pieces by Giles Farnaby, op. 50: IV. Loth to depart (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in B-flat major, op. 63: I. Adagio - Allegro energico (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in B-flat major, op. 63: II. Allegro moderato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in B-flat major, op. 63: III. Grave (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in B-flat major, op. 63: IV. Allegro vivo - Adagio (von Hallé Orchestra, Sir John Barbirolli)
Mozart: Cassation K. 99 - Andante / Bizet: L'Arlésienne - Suites 1 & 2 / Tchaikovsky: Swan Lake (excerpts) / Ireland: Mai Dun / The Forgotten Rite Prelude
- Cassation in G major, K. 99: II. Andante (von Hallé Orchestra, Sir John Barbirolli)
- L'Arlésienne - Suite no. 1: Prélude
- L'Arlésienne - Suite no. 1: Adagietto (von Hallé Orchestra, Sir John Barbirolli)
- L'Arlésienne - Suite no. 2: Farandole (von Hallé Orchestra, Sir John Barbirolli)
- Swan Lake, op. 20: Act 2. No. 10: Scène: Le Lac des Cygnes (von Hallé Orchestra, Sir John Barbirolli)
- Swan Lake, op. 20: Act 2. No. 13, Var. 4: Scène: Danse des Petits Cygnes (von Hallé Orchestra, Sir John Barbirolli)
- Swan Lake, op. 20: Act 2. No. 13, Var. 5: Scène
- Swan Lake, op. 20: Act 1. No. 2: Valse (von Hallé Orchestra, Sir John Barbirolli)
- Swan Lake, op. 20: Act 3. No. 20: Czardas (von Hallé Orchestra, Sir John Barbirolli)
- Mai-Dun (Symphonic Rhapsody) (von Hallé Orchestra, Sir John Barbirolli)
- The Forgotten Rite (Prelude) (von Hallé Orchestra, Sir John Barbirolli)
Weber: Der Freischütz - Overture / Mozart: Minuet / Haydn: Symphony no. 96 “Miracle” / Brahms: Symphony no. 3
- Der Freischütz, op. 77, J. 277: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Divertimento no. 11 in D major, K. 251: Minuet (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 96 in D major “Miracle”, Hob. I:96: I. Adagio - Allegro (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 96 in D major “Miracle”, Hob. I:96: II. Andante
- Symphony no. 96 in D major “Miracle”, Hob. I:96: III. Menuetto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 96 in D major “Miracle”, Hob. I:96: IV. Vivace (assai) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 3 in F major, op. 90: I. Allegro con brio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 3 in F major, op. 90: II. Andante
- Symphony no. 3 in F major, op. 90: III. Poco allegretto
- Symphony no. 3 in F major, op. 90: IV. Allegro (von Hallé Orchestra, Sir John Barbirolli)
Sibelius: Symphony no. 2 / Turina: Danzas fantásticas / Donizetti: Don Pasquale - Overture / Lehár: Gold und Silber / Grieg: Geheimnis
- Symphony no. 2 in D major, op. 43: I. Allegretto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in D major, op. 43: III. Vivacissimo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato) (von Hallé Orchestra, Sir John Barbirolli)
- Danzas fantásticas, op. 22: I. Exaltación (von Hallé Orchestra, Sir John Barbirolli)
- Danzas fantásticas, op. 22: II. Ensueño (von Hallé Orchestra, Sir John Barbirolli)
- Danzas fantásticas, op. 22: III. Orgia (von Hallé Orchestra, Sir John Barbirolli)
- Don Pasquale: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Gold und Silber (von Hallé Orchestra, Sir John Barbirolli)
- Lyric Pieces, Book 6, op. 57: IV. Geheimnis (Secret)
Haydn: Symphony no. 88 / Schubert: Symphony no. 9 “The Great” / Verdi: La traviata - Preludes to Acts 1 & 3
- Symphony no. 88 in G major, Hob. I:88 (Letter V): I. Adagio - Allegro (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 88 in G major, Hob. I:88 (Letter V): II. Largo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 88 in G major, Hob. I:88 (Letter V): III. Menuetto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 88 in G major, Hob. I:88 (Letter V): IV. Allegro con spirito (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 9 in C major “The Great”, D. 944: I. Andante - Allegro ma non troppo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 9 in C major “The Great”, D. 944: II. Andante con moto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 9 in C major “The Great”, D. 944: III. Scherzo (Allegro vivace) - Trio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 9 in C major “The Great”, D. 944: IV. Allegro vivace (von Hallé Orchestra, Sir John Barbirolli)
- La traviata: Act 1. Prelude (von Hallé Orchestra, Sir John Barbirolli)
- La traviata: Act 3. Prelude (von Hallé Orchestra, Sir John Barbirolli)
Elgar: Symphony no. 2 / Cockaigne Overture / Introduction and Allegro for Strings
- Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in E-flat major, op. 63: II. Larghetto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in E-flat major, op. 63: III. Rondo (Presto) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso (von Hallé Orchestra, Sir John Barbirolli)
- Cockaigne Overture, op. 40 (In London Town) (von Hallé Orchestra, Sir John Barbirolli)
- Introduction and Allegro for Strings, op. 47: I. Moderato - (von Hallé Orchestra, Sir John Barbirolli)
- Introduction and Allegro for Strings, op. 47: II. Allegro - (von Hallé Orchestra, Sir John Barbirolli)
- Introduction and Allegro for Strings, op. 47: III. Allegro (Fugue) (von Hallé Orchestra, Sir John Barbirolli)
Vaughan Williams: Sinfonia Antartica / The Wasps - Overture / Five Variants of Dives and Lazarus / Fantasia on “Greensleeves”
- Sinfonia Antartica (no. 7): I. Prelude (Allegro maestoso)
- Sinfonia Antartica (no. 7): II. Scherzo (Moderato) (von Hallé Orchestra, Sir John Barbirolli)
- Sinfonia Antartica (no. 7): III. Landscape (Lento)
- Sinfonia Antartica (no. 7): IV. Intermezzo (Andante sostenuto) (von Hallé Orchestra, Sir John Barbirolli)
- Sinfonia Antartica (no. 7): V. Epilogue (alla marcia)
- The Wasps - Aristophanic Suite: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Theme: Adagio (von Hallé Orchestra, Sir John Barbirolli)
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant I. [Adagio] (von Hallé Orchestra, Sir John Barbirolli)
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant II. Allegro moderato (von Hallé Orchestra, Sir John Barbirolli)
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant III. Crotchet = 150 (von Hallé Orchestra, Sir John Barbirolli)
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant IV. L'istesso tempo (von Hallé Orchestra, Sir John Barbirolli)
- Five Variants of Dives and Lazarus for Harp and String Orchestra: Variant V. Adagio (von Hallé Orchestra, Sir John Barbirolli)
- Fantasia on “Greensleeves” (von Hallé Orchestra, Sir John Barbirolli)
Barbirolli: Elizabethan Suite / Chabrier: España / Rimsky-Korsakov: Capriccio espagnol / Lyadov: The Enchanted Lake / Debussy: Prélude à l'après-midi d'un faune / Fauré: Pelléas et Mélisande - Suite / Ibert: Divertissement
- Elizabethan Suite: I. The Earl of Salisbury's Pavane (Byrd) (von Hallé Orchestra, Sir John Barbirolli)
- Elizabethan Suite: II. The Irish Ho Hoane (Anonymous) (von Hallé Orchestra, Sir John Barbirolli)
- Elizabethan Suite: III. A Toye (Farnaby) (von Hallé Orchestra, Sir John Barbirolli)
- Elizabethan Suite: IV. Giles Farnaby's Dreame (Farnaby) (von Hallé Orchestra, Sir John Barbirolli)
- Elizabethan Suite: V. The King's Hunt (Bull) (von Hallé Orchestra, Sir John Barbirolli)
- España (von Hallé Orchestra, Sir John Barbirolli)
- Capriccio espagnol, op. 34: I. Alborada (von Hallé Orchestra, Sir John Barbirolli)
- Capriccio espagnol, op. 34: II. Variazoni (von Hallé Orchestra, Sir John Barbirolli)
- Capriccio espagnol, op. 34: III. Alborada (von Hallé Orchestra, Sir John Barbirolli)
- Capriccio espagnol, op. 34: IV. Scena e canto gitano (von Hallé Orchestra, Sir John Barbirolli)
- Capriccio espagnol, op. 34: V. Fandango asturiano (von Hallé Orchestra, Sir John Barbirolli)
- The Enchanted Lake, op. 62 (von Hallé Orchestra, Sir John Barbirolli)
- Prélude à l'après-midi d'un faune, CD 87, L. 86 (von Hallé Orchestra, Sir John Barbirolli)
- Pelléas et Mélisande, op. 80 - Suite from incidental music: I. Prélude (von Hallé Orchestra, Sir John Barbirolli)
- Pelléas et Mélisande, op. 80 - Suite from incidental music: II. Fileuse (von Hallé Orchestra, Sir John Barbirolli)
- Pelléas et Mélisande, op. 80 - Suite from incidental music: III. Sicilienne (von Hallé Orchestra, Sir John Barbirolli)
- Pelléas et Mélisande, op. 80 - Suite from incidental music: IV. La mort de Mélisande (von Hallé Orchestra, Sir John Barbirolli)
- Divertissement for Chamber Orchestra: I. Introduction
- Divertissement for Chamber Orchestra: II. Cortège
- Divertissement for Chamber Orchestra: III. Nocturne
- Divertissement for Chamber Orchestra: IV. Valse
- Divertissement for Chamber Orchestra: V. Parade
- Divertissement for Chamber Orchestra: VI. Finale
Suppé: Die schöne Galathée - Overture / J. Strauss I: Radetzky March / J. Strauss II: Kaiserwalzer / Villa-Lobos: Bachianas brasileiras no. 4 / Sibelius: The Swan of Tuonela / R. Strauss: Die Liebe der Danae
- Die schöne Galathée: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Radetzky March, op. 228 (von Hallé Orchestra, Sir John Barbirolli)
- Kaiserwalzer, op. 437 (von Hallé Orchestra, Sir John Barbirolli)
- Bachianas brasileiras no. 4: I. Preludio (Introducao) (von Hallé Orchestra, Sir John Barbirolli)
- Bachianas brasileiras no. 4: II. Corale (O Canto da Nosso Terra) (von Hallé Orchestra, Sir John Barbirolli)
- Bachianas brasileiras no. 4: III. Aria (Cantigua) (von Hallé Orchestra, Sir John Barbirolli)
- Bachianas brasileiras no. 4: IV. Danza (Miudinho) (von Hallé Orchestra, Sir John Barbirolli)
- Lemminkaïnen Suite, op. 22: II. The Swan of Tuonela
- Die Liebe der Danae, op. 83, TrV 278, Symphonic Fragments: Molto vivace (von Hallé Orchestra, Sir John Barbirolli)
- Die Liebe der Danae, op. 83, TrV 278, Symphonic Fragments: Più tranquilo (von Hallé Orchestra, Sir John Barbirolli)
Elgar: Symphony no. 1 / Introduction and Allegro / Elegy
- Symphony no. 1 in A-flat major, op. 55: I. Andante nobilmente e semplice - Allegro (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in A-flat major, op. 55: II. Allegro molto - (von Hallé Orchestra, Sir John Barbirolli)
- Symphony No. 1 in A-flat major, Op. 55: III. Adagio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro (von Hallé Orchestra, Sir John Barbirolli)
- Introduction and Allegro for Strings, op. 47: I. Moderato -
- Introduction and Allegro for Strings, op. 47: II. Allegro -
- Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro
- Elegy, op. 58 (von Hallé Orchestra, Sir John Barbirolli)
Vaughan Williams: A London Symphony (no. 2) / Symphony no. 8
- A London Symphony (no. 2) (1936 Revised Edition): I. Lento - Allegro risoluto (molto pesante) (von Hallé Orchestra, Sir John Barbirolli)
- A London Symphony (no. 2) (1936 Revised Edition): II. Lento (von Hallé Orchestra, Sir John Barbirolli)
- A London Symphony (no. 2) (1936 Revised Edition): III. Scherzo (Nocturno) - Allegro vivace (von Hallé Orchestra, Sir John Barbirolli)
- A London Symphony (no. 2) (1936 Revised Edition): IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in D minor: I. Fantasia (Variazoni senza tema) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in D minor: II. Scherzo alla marcia (Per gli stromenti a vento) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in D minor: III. Cavatina (Per gli stromenti a corde) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in D minor: IV. Toccata colle campanelle (von Hallé Orchestra, Sir John Barbirolli)
Purcell: Suite for Strings, Woodwinds and Horns / Elgar: Variations “Enigma” / Butterworth: A Shropshire Lad / Bax: The Garden of Fand / German: Nell Gwyn
- Suite for Strings, Woodwinds and Horns: I. Andante maestoso - Allegro (The Gordian Knot Untied, Z 597: Overture) (von Hallé Orchestra, Sir John Barbirolli)
- Suite for Strings, Woodwinds and Horns: II. Tempo de menuetto (The Virtuous Wife, Z 611: Overture) (von Hallé Orchestra, Sir John Barbirolli)
- Suite for Strings, Woodwinds and Horns: III. Andantino (King Arthur Z 628: Fairest Isle) (von Hallé Orchestra, Sir John Barbirolli)
- Suite for Strings, Woodwinds and Horns: IV. Allegretto giocoso (Abdelazar Z 570: Air) (von Hallé Orchestra, Sir John Barbirolli)
- Suite for Strings, Woodwinds and Horns: V. Largo (Dido and Aeneas Z 626: Dido's Lament) (von Hallé Orchestra, Sir John Barbirolli)
- Suite for Strings, Woodwinds and Horns: VI. Allegro (King Arthur Z 628: Allegro from Second Music) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Theme: Andante (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 1: C.A.E. (The comnposer's wife) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 2: H.D. S-P (Hew David Steuart-Powell) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 3: R.B.T. (Richard Baxter Townsend) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 4: W.M.B. (William Meath Baker) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 5: R.P.A. (Richard Penrose Arnold) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 6: Ysobel (Isobel Fitton) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 7: Troyte (Troyte Griffith) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 8: W.N. (Winifred Norbury) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 9: Nimrod (A. J. Jaeger) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 10: Intermezzo: Dorabella (Dora Penny) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 11: G.R.S. (George Robertson Sinclair) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 12: B/G.N. (Basil G. Nevison) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 13: Romanza * * * (Lady Mary Lygon) (von Hallé Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 14: E.D.U. (The composer) (von Hallé Orchestra, Sir John Barbirolli)
- A Shropshire Lad (Orchestral rhapsody) (von Hallé Orchestra, Sir John Barbirolli)
- The Garden of Fand (von Hallé Orchestra, Sir John Barbirolli)
- Nell Gwyn: I. Country Dance (von Hallé Orchestra, Sir John Barbirolli)
- Nell Gwyn: II. Pastoral Dance (von Hallé Orchestra, Sir John Barbirolli)
- Nell Gwyn: III. Merrymaker's Dance (von Hallé Orchestra, Sir John Barbirolli)
Delius: Prelude and Idyll / Irmelin Prelude / On Hearing the First Cuckoo in Spring / Fennimore and Gerda / The Walk to the Paradise Garden / Trad.: Londonderry Air / Grainger: Molly on the Shore / Mock Morris / Shepherd's Hey
- Prelude and Idyll, RT II/10: Prelude
- Prelude and Idyll, RT II/10: Idyll
- Irmelin Prelude, RT VI/27
- On Hearing the First Cuckoo in Spring, RT VI/9
- Fennimore and Gerda Intermezzo, RT I/8
- A Village Romeo and Juliet - The Walk to the Paradise Garden, RT I/6
- Irish Tune from County Derry (Londonderry Air)
- Molly on the Shore
- Mock Morris
- Shepherd's Hey
J. Strauss II / J. Strauss I / Josef Strauss / Waldteufel / Lehár
- Der Zigeunerbaron: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Radetzky March, op. 228 (von Hallé Orchestra, Sir John Barbirolli)
- G'schichten aus dem Wienerwald, op. 325 (von Hallé Orchestra, Sir John Barbirolli)
- Die Fledermaus: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Pizzicato Polka (von Hallé Orchestra, Sir John Barbirolli)
- Annen Polka, op. 117 (von Hallé Orchestra, Sir John Barbirolli)
- Perpetuum Mobile, op. 257 (von Hallé Orchestra, Sir John Barbirolli)
- An der schönen blauen Donau, op. 314 (von Hallé Orchestra, Sir John Barbirolli)
- Les Patineurs, op. 183 (von Hallé Orchestra, Sir John Barbirolli)
- Gold und Silber - Walzer, op. 79 (von Hallé Orchestra, Sir John Barbirolli)
Mozart: Symphonies nos. 29 & 41 “Jupiter” / Mendelssohn: The Hebrides - Overture
- Symphony no. 29 in A major, K. 201: I. Allegro moderato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 29 in A major, K. 201: II. Andante (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 29 in A major, K. 201: III. Menuetto & Trio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 29 in A major, K. 201: IV. Allegro con spiritoso (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 41 in C major “Jupiter”, K. 551: IV. Molto allegro (von Hallé Orchestra, Sir John Barbirolli)
- The Hebrides - Overture, op. 26 (Fingal's Cave) (von Hallé Orchestra, Sir John Barbirolli)
Tchaikovsky: Romeo and Juliet / Symphony no. 4
- Romeo and Juliet (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzonetta (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in F minor, op. 36: III. Scherzo (Pizzicato ostinato) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in F minor, op. 36: IV. Finale (Allegro con fuoco) (von Hallé Orchestra, Sir John Barbirolli)
Dvořák: Symphonies nos. 7 & 8
- Symphony no. 7 in D minor, op. 70: I. Allegro maestoso (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in D minor, op. 70: II. Poco adagio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in D minor, op. 70: IV. Allegro (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in G major, op. 88: I. Allegro con brio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in G major, op. 88: II. Adagio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in G major, op. 88: IV. Allegro, ma non troppo (von Hallé Orchestra, Sir John Barbirolli)
Sibelius: Symphonies nos. 1 & 5
- Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (Andante - Allegro molto) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato - Presto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pocchettino largamente (von Hallé Orchestra, Sir John Barbirolli)
Humperdinck: Hänsel and Gretel - Overture / Mahler: Symphony no. 1
- Hänsel and Gretel: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in D major: I. Langsam Schleppend (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell (Ländler: Scherzo) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in D major: IV. Stürmischbewegt (von Hallé Orchestra, Sir John Barbirolli)
Grieg: Peer Gynt - Suite 1 / Two Elegiac Melodies / Symphonic Dances / Sibelius: Pohjola's Daughter / Valse triste
- Peer Gynt Suite 1, op. 46: I. Morning Mood (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt Suite 1, op. 46: II. Death of Aase (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt Suite 1, op. 46: III. Anitra's Dance (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt Suite 1, op. 46: IV. In the Hall of the Mountain King (von Hallé Orchestra, Sir John Barbirolli)
- Two Elegiac Melodies, op. 34: I. Heart's wounds (von Hallé Orchestra, Sir John Barbirolli)
- Two Elegiac Melodies, op. 34: II. Last Spring (von Hallé Orchestra, Sir John Barbirolli)
- Symphonic Dances, op. 64: I. Allegro moderato e marcato (von Hallé Orchestra, Sir John Barbirolli)
- Symphonic Dances, op. 64: II. Allegretto grazioso (von Hallé Orchestra, Sir John Barbirolli)
- Symphonic Dances, op. 64: III. Allegro giocoso (von Hallé Orchestra, Sir John Barbirolli)
- Symphonic Dances, op. 64: IV. Andante - Allegro - Allegro molto e risolto (von Hallé Orchestra, Sir John Barbirolli)
- Pohjola's Daughter, op. 49 (von Hallé Orchestra, Sir John Barbirolli)
- Kuolema, op. 44: I. Valse triste (von Hallé Orchestra, Sir John Barbirolli)
Overtures, Ballet Music & Intermezzi: Rossini: Guillaume Tell / Semiramide / Verdi: La forza del destino / Ponchielli: La Gioconda / Mascagni: Cavalleria Rusticana / Puccini: Manon Lescaut
- Guillaume Tell: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Guillaume Tell: Ballet Music (von Hallé Orchestra, Sir John Barbirolli)
- Semiramide: Overture (von Hallé Orchestra, Sir John Barbirolli)
- La forza del destino: Overture (von Hallé Orchestra, Sir John Barbirolli)
- La Gioconda: Act 3. Dance of the Hours (von Hallé Orchestra, Sir John Barbirolli)
- Cavalleria Rusticana: Intermezzo (von Hallé Orchestra, Sir John Barbirolli)
- Manon Lescaut: Act 3. Intermezzo (von Hallé Orchestra, Sir John Barbirolli)
Dvořák: Serenade in D minor / Gounod: Petite Symphonie in B-flat / Handel: Suites from Rodrigo & Serse
- Serenade in D minor, op. 44: I. Moderato, quasi marcia (von Hallé Orchestra, Sir John Barbirolli)
- Serenade in D minor, op. 44: II. Minuetto (von Hallé Orchestra, Sir John Barbirolli)
- Serenade in D minor, op. 44: III. Andante con moto (von Hallé Orchestra, Sir John Barbirolli)
- Serenade in D minor, op. 44: IV. Finale (Allegro molto) (von Hallé Orchestra, Sir John Barbirolli)
- Petite Symphonie in B-flat: I. Adagio et allegretto (von Hallé Orchestra, Sir John Barbirolli)
- Petite Symphonie in B-flat: II. Andante cantabile (von Hallé Orchestra, Sir John Barbirolli)
- Petite Symphonie in B-flat: III. Scherzo (von Hallé Orchestra, Sir John Barbirolli)
- Petite Symphonie in B-flat: IV. Finale (von Hallé Orchestra, Sir John Barbirolli)
- Rodrigo, HWV 5 (Suite): I. Overture
- Rodrigo, HWV 5 (Suite): II. Gigue
- Rodrigo, HWV 5 (Suite): III. Sarabande
- Rodrigo, HWV 5 (Suite): IV. Bourrée
- Rodrigo, HWV 5 (Suite): V. Menuet
- Rodrigo, HWV 5 (Suite): VI. Matelot
- Serse, HWV 40 (Suite): I. Overture
- Serse, HWV 40 (Suite): II. Aria: “Ombra mai fù” (von Richard Lewis, Valda Aveling, Hallé Orchestra, Sir John Barbirolli)
- Serse, HWV 40 (Suite): Act 3. III. Sinfonia
- Serse, HWV 40 (Suite): Aria: “Quella che tutta fè” (von Richard Lewis, Valda Aveling, Hallé Orchestra, Sir John Barbirolli)
- Serse, HWV 40 (Suite): Gigue
Suppé: Overtures / Nicolai: Die lustigen Weiber von Windsor - Overture / Sousa: March / Clarke: Trumpet Voluntary
- Ein Morgen, ein Mittag und ein Abend in Wien: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Pique Dame: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Banditenstreiche: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Die leichte Kavallerie: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Die schöne Galathée: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Dichter und Bauer: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Die lustigen Weiber von Windsor: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Stars and Stripes Forever (von Hallé Orchestra, Sir John Barbirolli)
- Trumpet Voluntary
Berlioz: Symphonie fantastique / La Damnation de Faust (excerpts)
- Symphonie fantastique, op. 14: I. Rêveries - Passion (von Hallé Orchestra, Sir John Barbirolli)
- Symphonie fantastique, op. 14: II. Un bal (Valse) (von Hallé Orchestra, Sir John Barbirolli)
- Symphonie fantastique, op. 14: III. Scène aux champs (von Hallé Orchestra, Sir John Barbirolli)
- Symphonie fantastique, op. 14: IV. Marche au supplice (von Hallé Orchestra, Sir John Barbirolli)
- Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat (von Hallé Orchestra, Sir John Barbirolli)
- La Damnation de Faust, op. 24: Menuet des follets (von Hallé Orchestra, Sir John Barbirolli)
- La Damnation de Faust, op. 24: Danse des Sylphes (von Hallé Orchestra, Sir John Barbirolli)
- La Damnation de Faust, op. 24: Marche hongroise (von Hallé Orchestra, Sir John Barbirolli)
Chabrier: Joyeuse marche / Massenet: Sous les tilleuls / Debussy: La Mer / Ravel: Daphnis et Chloé - Suite no. 2 / La valse / Ma mère l'oye - Suite
- Joyeuse marche
- Scènes Alsaciennes: III. Sous les tilleuls
- La Mer: I. De l'aube à midi sur la mer
- La Mer: II. Jeux de vagues
- La Mer: III. Dialogue du vent et de la mer
- Daphnis et Chloé (Suite no. 2): I. Lever du jour
- Daphnis et Chloé (Suite no. 2): II. Pantomime
- Daphnis et Chloé (Suite no. 2): III. Danse générale
- La Valse
- Ma mère l'oye (Suite): I. Pavane de la Belle au bois dormant
- Ma mère l'oye (Suite): II. Petit Poucet
- Ma mère l'oye (Suite): III. Laideronnette - Impératrice des Pagodes
- Ma mère l'oye (Suite): IV. Les Entretiens de la Belle et de la Bête
- Ma mère l'oye (Suite): V. Le Jardin féerique
Dvořák: Symphony no. 9 “From the New World” / Scherzo capriccioso / Legends (excerpts)
- Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo (Molto vivace) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco (von Hallé Orchestra, Sir John Barbirolli)
- Scherzo capriccioso, op. 66 (von Hallé Orchestra, Sir John Barbirolli)
- Legends, op. 59: IV. Molto maestoso (C major) (von Hallé Orchestra, Sir John Barbirolli)
- Legends, op. 59: VI. Allegro con moto (C-sharp minor) (von Hallé Orchestra, Sir John Barbirolli)
- Legends, op. 59: VII. Allegretto grazioso (A major) (von Hallé Orchestra, Sir John Barbirolli)
Wagner: Preludes, Overtures & Symphonic movements from Tannhäuser, Die Meistersinger von Nürnberg, Tristan und Isolde, Lohengrin, Der fliegende Holländer
- Tannhäuser: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Prelude (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Dance of the Apprentices (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Entry of the Masters (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Homage to Sachs (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg (Suite from Act 3): Act 3. Finale (von Hallé Orchestra, Sir John Barbirolli)
- Tristan und Isolde: Act 1. Prelude (von Hallé Orchestra, Sir John Barbirolli)
- Tristan und Isolde: Act 3. Liebestod (von Hallé Orchestra, Sir John Barbirolli)
- Lohengrin: Act 1. Prelude (von Hallé Orchestra, Sir John Barbirolli)
- Der fliegende Holländer: Overture (von Hallé Orchestra, Sir John Barbirolli)
Tchaikovsky: Symphony no. 5 / Marche Slave / String Quartet no. 1 - Andante cantabile
- Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace (von Hallé Orchestra, Sir John Barbirolli)
- Marche Slave, op. 31 (von Hallé Orchestra, Sir John Barbirolli)
- String Quartet no. 1 in D major, op. 11: II. Andante cantabile (von Hallé Orchestra, Sir John Barbirolli)
Tchaikovsky: Symphony no. 6 “Pathétique” / Nielsen: Symphony no. 4 “Inextinguishable”
- Symphony no. 6 in B minor “Pathétique”, op. 74: I. Adagio - Allegro non troppo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 6 in B minor “Pathétique”, op. 74: II. Allegro con grazia (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 6 in B minor “Pathétique”, op. 74: III. Allegro molto vivace (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 6 in B minor “Pathétique”, op. 74: IV. Finale (Adagio lamentoso) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 “Inextinguishable”, op. 29: I. Allegro (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 “Inextinguishable”, op. 29: II. Poco allegretto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 “Inextinguishable”, op. 29: III. Poco adagio quasi andante (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 “Inextinguishable”, op. 29: IV. Allegro (von Hallé Orchestra, Sir John Barbirolli)
Mozart: Die Zauberflöte - Overture / Beethoven: Leonore Overture no. 3 / Symphonies nos. 1 & 8
- Die Zauberflöte, K. 620: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Leonore Overture no. 3, op. 72b (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in F major, op. 93: I. Allegro vivace con brio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in F major, op. 93: III. Tempo di menuetto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 8 in F major, op. 93: IV. Allegro vivace (von Hallé Orchestra, Sir John Barbirolli)
Weber: Oberon - Overture / Brahms: Academic Festival Overture / Symphony no. 4
- Oberon: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Academic Festival Overture, op. 80 (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in E minor, op. 98: I. Allegro non troppo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in E minor, op. 98: II. Andante moderato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in E minor, op. 98: III. Allegro giocoso (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in E minor, op. 98: IV. Allegro energico espressivo (von Hallé Orchestra, Sir John Barbirolli)
Vaughan Williams: Symphony no. 5 in D major / Fantasia on a Theme by Thomas Tallis / Fantasia on “Greensleeves”
- Symphony no. 5 in D major: I. Preludio (Moderato - Allegro - Tempo I) (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in D major: II. Scherzo (Presto misterioso) (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in D major: III. Romanza (Lento) (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in D major: IV. Passacaglia (Moderato - Allegro - Tempo primo - Tempo del Preludio) (von Philharmonia Orchestra, Sir John Barbirolli)
- Fantasia on a Theme by Thomas Tallis (von Sinfonia of London, Sir John Barbirolli)
- Fantasia on “Greensleeves” (von Sinfonia of London, Sir John Barbirolli)
Elgar: Introduction and Allegro / Serenade / Variations on an Original Theme “Enigma” / Cockaigne Overture
- Introduction and Allegro for Strings, op. 47: I. Moderato - (von Edward Elgar)
- Introduction and Allegro for Strings, op. 47: II. Allegro - (von Edward Elgar)
- Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro (von Edward Elgar)
- Serenade in E minor, op. 20: I. Allegro piacevole (von Sinfonia of London, Sir John Barbirolli)
- Serenade in E minor, op. 20: II. Larghetto (von Sinfonia of London, Sir John Barbirolli)
- Serenade in E minor, op. 20: III. Allegretto - Come prima (von Sinfonia of London, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Theme : Andante (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 1: C.A.E. (The composer's wife) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 2: H.D. S-P (Hew David Steuart-Powell) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 3: R.B.T. (Richard Baxter Townsend) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 4: W.M.B. (William Meath Baker) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 5: R.P.A. (Richard Penrose Arnold) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 6: Ysobel (Isobel Fitton) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 7: Troyte (Troyte Griffith) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 8: W.N. (Winifred Norbury) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 9: Nimrod (A. J. Jaeger) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 10: Intermezzo: Dorabella (Dora Penny) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 11: G.R.S. (George Robertson Sinclair) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 12: B/G.N. (Basil G. Nevison) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 13: Romanza * * * (Lady Mary Lygon) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme “Enigma”, op. 36: Variation 14: E.D.U. (The composer) 1.38 (von Philharmonia Orchestra, Sir John Barbirolli)
- Cockaigne Overture, op. 40 (In London Town) (von Philharmonia Orchestra, Sir John Barbirolli)
Elgar: Symphony no. 1 in A-flat major / Pop and Circumstance Marches nos. 1 & 4
- Symphony no. 1 in A-flat major, op. 55: I. Andante nobilmente e semplice - Allegro (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 1 in A-flat major, op. 55: II. Allegro molto - (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 1 in A-flat major, op. 55: III. Adagio (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro (von Philharmonia Orchestra, Sir John Barbirolli)
- Pomp and Circumstance March no. 1 in D major, op. 39 (von Philharmonia Orchestra, Sir John Barbirolli)
- Pomp and Circumstance March no. 4 in G major, op. 39 (von Philharmonia Orchestra, Sir John Barbirolli)
Mahler: Symphony no. 9 in D minor
- Symphony no. 9 in D minor: I. Andante comodo (von Berliner Philharmoniker, Sir John Barbirolli)
- Symphony no. 9 in D minor: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (von Berliner Philharmoniker, Sir John Barbirolli)
- Symphony no. 9 in D minor: III. Rondo-Burleske (Allegro assai. Sehr trotzig) (von Berliner Philharmoniker, Sir John Barbirolli)
- Symphony no. 9 in D minor: IV. Adagio (Sehr langsam und noch zurückhaltend) (von Berliner Philharmoniker, Sir John Barbirolli)
Schubert: Symphony no. 9 in C major “The Great”
- Symphony no. 9 in C major “The Great”, D. 944: I. Andante - Allegro ma non troppo
- Symphony no. 9 in C major “The Great”, D. 944: II. Andante con moto
- Symphony no. 9 in C major “The Great”, D. 944: III. Scherzo (Allegro vivace) - Trio
- Symphony no. 9 in C major “The Great”, D. 944: IV. Allegro vivace
Elgar: Froissart Overture / Sospiri / Elegy / Pomp and Circumstance Marches nos. 2, 3 & 5 / Falstaff
- Froissart, op. 19 (von Philharmonia Orchestra, Sir John Barbirolli)
- Pomp and Circumstance March no. 2 in A minor, op. 39 (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pomp and Circumstance March no. 3 in C minor, op. 39 (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pomp and Circumstance March no. 5 in C major, op. 39 (von New Philharmonia Orchestra, Sir John Barbirolli)
- Sospiri, op. 70 (von Philharmonia Orchestra, Sir John Barbirolli)
- Elegy, op. 58 (von Philharmonia Orchestra, Sir John Barbirolli)
- Falstaff, op. 68: I. Falstaff and Prince Henry (von Hallé Orchestra, Sir John Barbirolli)
- Falstaff, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep (von Hallé Orchestra, Sir John Barbirolli)
- Falstaff, op. 68: Dream interlude: ‘Jack Falstaff, now Sir John a boy and page to Thomas Mowbray, Duke of Norfolk’ (von Hallé Orchestra, Sir John Barbirolli)
- Falstaff, op. 68: III. Falstaff's march - The return to Gloucestershire - (von Hallé Orchestra, Sir John Barbirolli)
- Falstaff, op. 68: Interlude: Gloucestershire, Shallow's orchard (Allegretto) - The new king - The hurried ride to London (von Hallé Orchestra, Sir John Barbirolli)
- Falstaff, op. 68: IV. Keng Henry V's progress - The repudiation of Falstaff and his death (von Hallé Orchestra, Sir John Barbirolli)
Elgar: Symphony no. 2 / Wagner: Die Meistersinger von Nürnberg - Overture
- Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in E-flat major, op. 63: II. Larghetto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in E-flat major, op. 63: III. Rondo (Presto) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso (von Hallé Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg: Overture (von London Symphony Orchestra, Sir John Barbirolli)
Tchaikovsky: Serenade in C / Francesca da Rimini / Arensky: Variations on a Theme of Tchaikovsky
- Serenade in C major, op. 48: I. Pezzo in forma de Sonatina (von London Symphony Orchestra, Sir John Barbirolli)
- Serenade in C major, op. 48: II. Valse (Moderato) (von London Symphony Orchestra, Sir John Barbirolli)
- Serenade in C major, op. 48: III. Élégie (Larghetto elegiaco) (von London Symphony Orchestra, Sir John Barbirolli)
- Serenade in C major, op. 48: IV. Finale (Tema russo) (von London Symphony Orchestra, Sir John Barbirolli)
- Variations on a Theme of Tchaikovsky, op. 35a: I. Theme: Moderato (von London Symphony Orchestra, Sir John Barbirolli)
- Variations on a Theme of Tchaikovsky, op. 35a: II. Var. 1: Un poco più mosso (von London Symphony Orchestra, Sir John Barbirolli)
- Variations on a Theme of Tchaikovsky, op. 35a: III. Var. 2: Allegro non troppo (von London Symphony Orchestra, Sir John Barbirolli)
- Variations on a Theme of Tchaikovsky, op. 35a: IV. Var. 3: Andantino tranquillo (von London Symphony Orchestra, Sir John Barbirolli)
- Variations on a Theme of Tchaikovsky, op. 35a: V. Var. 4: Vivace (von London Symphony Orchestra, Sir John Barbirolli)
- Variations on a Theme of Tchaikovsky, op. 35a: VI. Var. 5: Andante (von London Symphony Orchestra, Sir John Barbirolli)
- Variations on a Theme of Tchaikovsky, op. 35a: VII. Var. 6: Allegro con spirito (von London Symphony Orchestra, Sir John Barbirolli)
- Variations on a Theme of Tchaikovsky, op. 35a: VIII. Var. 7: Andante con moto (von London Symphony Orchestra, Sir John Barbirolli)
- Variations on a Theme of Tchaikovsky, op. 35a: IX. Coda: Moderato (von London Symphony Orchestra, Sir John Barbirolli)
- Francesca da Rimini, op. 32 (von New Philharmonia Orchestra, Sir John Barbirolli)
Ireland: A London Overture / Bax: Tintagel / Delius: The Walk to the Paradise Garden / Irmelin Prelude / A Song of Summer / Barbirolli: Elizabethan Suite
- A London Overture (von London Symphony Orchestra, Sir John Barbirolli)
- Tintagel (von London Symphony Orchestra, Sir John Barbirolli)
- A Village Romeo and Juliet, RT I/6: The Walk to the Paradise Garden (von London Symphony Orchestra, Sir John Barbirolli)
- Irmelin Prelude , RT VI/27 (von London Symphony Orchestra, Sir John Barbirolli)
- A Song of Summer, RT VI/26 (von London Symphony Orchestra, Sir John Barbirolli)
- Elizabethan Suite: I. The Earl of Salisbury's Pavane (Byrd) (von BBC Symphony Orchestra, Sir John Barbirolli)
- Elizabethan Suite: II. The Irishe His Hoane (Anonymous) (von BBC Symphony Orchestra, Sir John Barbirolli)
- Elizabethan Suite: III. A Toye (Farnaby) (von BBC Symphony Orchestra, Sir John Barbirolli)
- Elizabethan Suite: IV. Giles Farnaby's Dreame (Farnaby) (von BBC Symphony Orchestra, Sir John Barbirolli)
- Elizabethan Suite: V. The King's Hunt (Bull) (von BBC Symphony Orchestra, Sir John Barbirolli)
J. Strauss II / J. Strauss I / Lehár / R. Strauss / Verdi
- An der schönen, blauen Donau, op. 314 (von Hallé Orchestra, Sir John Barbirolli)
- Unter Donner und Blitz, op. 324 (von Hallé Orchestra, Sir John Barbirolli)
- Der Zigeunerbaron: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Perpetuum Mobile, Op. 257 (von Hallé Orchestra, Sir John Barbirolli)
- Radetzky March, op. 228 (von Hallé Orchestra, Sir John Barbirolli)
- Gold und Silber, op. 79 (von Hallé Orchestra, Sir John Barbirolli)
- Der Rosenkavalier: Waltz Sequence (von Hallé Orchestra, Sir John Barbirolli)
- Champagner-Polka, op. 211 (von Hallé Orchestra, Sir John Barbirolli)
- Le Carnaval Romain, op. 9 H 95 (von Hallé Orchestra, Sir John Barbirolli)
- La forza del destino: Overture (von Hallé Orchestra, Sir John Barbirolli)
Sibelius: Symphony no. 2 / The Swan of Tuonela / Lemminkaïnen's Return / Karelia Suite
- Symphony no. 2 in D major, op. 43: I. Allegretto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in D major, op. 43: III. Vivacissimo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 2 in D major, op. 43: IV. Finale (Allegro moderato) (von Hallé Orchestra, Sir John Barbirolli)
- Four Legends, op. 22: II. The Swan of Tuonela (von Eric Fletcher, Hallé Orchestra, Sir John Barbirolli)
- Four Legends, op. 22: IV. Lemminkaïnen's Return (von Hallé Orchestra, Sir John Barbirolli)
- Karelia Suite, op. 11: I. Intermezzo (von Hallé Orchestra, Sir John Barbirolli)
- Karelia Suite, op. 11: II. Ballade (von Hallé Orchestra, Sir John Barbirolli)
- Karelia Suite, op. 11: III. Alla marcia (von Hallé Orchestra, Sir John Barbirolli)
Sibelius: Symphonies nos. 5 & 7
- Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato - Presto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pocchettino largamente (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in C major, op. 105: Adagio - (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in C major, op. 105: Un pocchettino meno adagio - Vivacissimo - Adagio - (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in C major, op. 105: Allegro molto moderato - (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 7 in C major, op. 105: Vivace - Presto - Adagio (von Hallé Orchestra, Sir John Barbirolli)
Sibelius: Symphony no. 1 / Pelléas et Mélisande - Suite / Scènes historiques (excerpts)
- Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo tanto) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro - Lento (ma non troppo) - Tempo I) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (Andante - Allegro molto) (von Hallé Orchestra, Sir John Barbirolli)
- Pelléas et Mélisande, op. 46: I. At the Castle Gate (von Hallé Orchestra, Sir John Barbirolli)
- Pelléas et Mélisande, op. 46: II. Mélisande (von Hallé Orchestra, Sir John Barbirolli)
- Pelléas et Mélisande, op. 46: VII. Mélisande at the Spinning Wheel (von Hallé Orchestra, Sir John Barbirolli)
- Pelléas et Mélisande, op. 46: IX. The Death of Mélisande (von Hallé Orchestra, Sir John Barbirolli)
- Scènes historiques, Suite no. 1, op. 25: I. All'overtura (von Hallé Orchestra, Sir John Barbirolli)
- Scènes historiques, Suite no. 1, op. 25: II. Scena (von Hallé Orchestra, Sir John Barbirolli)
- Scènes historiques, Suite no. 2, op. 66: I. The Hunt (von Hallé Orchestra, Sir John Barbirolli)
Sibelius: Symphony no. 4 / Rakastava / Romance / Finlandia / Pohjola's Daughter
- Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in A minor, op. 63: III. Il tempo largo (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in A minor, op. 63: IV. Allegro (von Hallé Orchestra, Sir John Barbirolli)
- Rakastava, op. 14: I. The Lover (von Hallé Orchestra, Sir John Barbirolli)
- Rakastava, op. 14: II. The Way of the Lover (von Hallé Orchestra, Sir John Barbirolli)
- Rakastava, op. 14: III. Goodnight, my beloved, farewell (von Hallé Orchestra, Sir John Barbirolli)
- Romance in C major, op. 42 (von Hallé Orchestra, Sir John Barbirolli)
- Finlandia, op. 26 (von Hallé Orchestra, Sir John Barbirolli)
- Pohjola's Daughter, op. 49 (von Hallé Orchestra, Sir John Barbirolli)
Sibelius: Symphonies nos. 3 & 6 / Valse triste
- Symphony no. 3 in C major, op. 52: I. Allegro moderato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 6 in D minor, op. 104: II. Allegro moderato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 6 in D minor, op. 104: III. Poco vivace (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 6 in D minor, op. 104: IV. Allegro molto (von Hallé Orchestra, Sir John Barbirolli)
- Kuolema, op. 44: I. Valse triste (von Hallé Orchestra, Sir John Barbirolli)
Brahms: Symphonies nos. 2 & 3
- Symphony no. 2 in D major, op. 73: I. Allegro non troppo (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grandioso (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai - Tempo I (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 2 in D major, op. 73: IV. Allegro con spirito (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 3 in F major, op. 90: I. Allegro con brio (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 3 in F major, op. 90: II. Andante (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 3 in F major, op. 90: III. Poco allegretto (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 3 in F major, op. 90: IV. Allegro (von Wiener Philharmoniker, Sir John Barbirolli)
Brahms: Symphony no. 1 / Tragic Overture
- Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 1 in C minor, op. 68: II. Andante sostenuto (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio (von Wiener Philharmoniker, Sir John Barbirolli)
- Tragic Overture, op. 81 (von Wiener Philharmoniker, Sir John Barbirolli)
Brahms: Symphony no. 4 / Academic Festival Overture / Variations on a Theme of Joseph Haydn
- Symphony no. 4 in E minor, op. 98: I. Allegro non troppo (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 4 in E minor, op. 98: II. Andante moderato (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 4 in E minor, op. 98: III. Allegro giocoso (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 4 in E minor, op. 98: IV. Allegro energico espressivo (von Wiener Philharmoniker, Sir John Barbirolli)
- Academic Festival Overture, op. 80 (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on a Theme of Joseph Haydn, op. 56a: Theme. Chorale St. Antoni. Andante (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on a Theme of Joseph Haydn, op. 56a: Var. 1. Poco più animato (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on a Theme of Joseph Haydn, op. 56a: Var. 2. Più vivace (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on a Theme of Joseph Haydn, op. 56a: Var. 3. Con moto (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on a Theme of Joseph Haydn, op. 56a: Var. 4. Andante con moto (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on a Theme of Joseph Haydn, op. 56a: Var. 5. Vivace (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on a Theme of Joseph Haydn, op. 56a: Var. 6. Vivace (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on a Theme of Joseph Haydn, op. 56a: Var. 7. Grazioso (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on a Theme of Joseph Haydn, op. 56a: Var. 8. Presto non troppo (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on a Theme of Joseph Haydn, op. 56a: Finale. Andante (von Wiener Philharmoniker, Sir John Barbirolli)
Vaughan Williams: A London Symphony / R. Strauss: Metamorphosen
- A London Symphony (no. 2) (1936 Revised Edition): I. Lento - Allegro risoluto (molto pesante) (von Hallé Orchestra, Sir John Barbirolli)
- A London Symphony (no. 2) (1936 Revised Edition): II. Lento (von Hallé Orchestra, Sir John Barbirolli)
- A London Symphony (no. 2) (1936 Revised Edition): III. Scherzo (Nocturno) - Allegro vivace (von Hallé Orchestra, Sir John Barbirolli)
- A London Symphony (no. 2) (1936 Revised Edition): IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla I) - Epilogue (Andante sostenuto) (von Hallé Orchestra, Sir John Barbirolli)
- Metamorphosen , TrV 290 (von New Philharmonia Orchestra, Sir John Barbirolli)
Schoenberg: Pelleas und Melisande / Mahler: Symphony no. 6 “Tragic” (beginning)
- Pelleas und Melisande, op. 5: Anfang (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pelleas und Melisande, op. 5: Heftig (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pelleas und Melisande, op. 5: Lebhaft (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pelleas und Melisande, op. 5: Sehr rasch (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pelleas und Melisande, op. 5: Ein wenig bewegt (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pelleas und Melisande, op. 5: Langsam (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pelleas und Melisande, op. 5: Ein wenig bewegter (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pelleas und Melisande, op. 5: Sehr langsam (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pelleas und Melisande, op. 5: Etwas bewegt (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pelleas und Melisande, op. 5: In gehender Bewegnung (von New Philharmonia Orchestra, Sir John Barbirolli)
- Pelleas und Melisande, op. 5: Breit (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 6 in A minor “Tragic”: I. Allegro energico, ma non troppo (von New Philharmonia Orchestra, Sir John Barbirolli)
Mahler: Symphony no. 6 “Tragic” (conclusion)
- Symphony no. 6 in A minor “Tragic”: II. Andante (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 6 in A minor “Tragic”: III. Scherzo (Wuchtig) (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 6 in A minor “Tragic”: IV. Finale (Allegro moderato) (von New Philharmonia Orchestra, Sir John Barbirolli)
Beethoven: Symphony no. 3 “Eroica” / Tchaikovsky: Romeo and Juliet
- Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio (von BBC Symphony Orchestra, Sir John Barbirolli)
- Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre (von BBC Symphony Orchestra, Sir John Barbirolli)
- Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo (Allegro vivace) & Trio (von BBC Symphony Orchestra, Sir John Barbirolli)
- Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale (Allegro molto - Poco andante - Presto) (von BBC Symphony Orchestra, Sir John Barbirolli)
- Romeo and Juliet - fantasy overture, TH 42 (incomplete - the last few bars of the coda are missing) (von New Philharmonia Orchestra, Sir John Barbirolli)
Grieg: Peer Gynt (excerpts) / Lyric Suite / Sigurd Jorsalfar - Homage March
- Peer Gynt, op. 23 - Excerpts: Overture (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt, op. 23 - Excerpts: Wedding March (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt, op. 23 - Excerpts: Ingrid's Lament (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt, op. 23 - Excerpts: In the Hall of the Mountain King
- Peer Gynt, op. 23 - Excerpts: Dance of the Mountain King's Daughter
- Peer Gynt, op. 23 - Excerpts: Death of Aase
- Peer Gynt, op. 23 - Excerpts: Morning
- Peer Gynt, op. 23 - Excerpts: Arabian Dance (von John McCarthy, Ambrosian Singers, Patricia Clark, Patricia Clark, Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt, op. 23 - Excerpts: Anitra's Dance (von Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt, op. 23 - Excerpts: Solveig's Song (von Sheila Armstrong, Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt, op. 23 - Excerpts: Return of Peer Gynt (von Sheila Armstrong, Hallé Orchestra, Sir John Barbirolli)
- Peer Gynt, op. 23 - Excerpts: Solveig's Lullaby (von Sheila Armstrong, Hallé Orchestra, Sir John Barbirolli)
- Lyric Suite, op. 54: I. Shepherd's Boy (von Hallé Orchestra, Sir John Barbirolli)
- Lyric Suite, op. 54: II. Norwegian March (von Hallé Orchestra, Sir John Barbirolli)
- Lyric Suite, op. 54: III. Nocturne (von Hallé Orchestra, Sir John Barbirolli)
- Lyric Suite, op. 54: IV. March of the Dwarfs (von Hallé Orchestra, Sir John Barbirolli)
- Sigurd Jorsalfar, op. 56: Act 3 Introduction. III. Homage March (von Hallé Orchestra, Sir John Barbirolli)
Delius: In a Summer Garden / Hassan / A Song before Sunrise / On Hearing the First Cuckoo in Spring / Summer Night on the River / Brigg Fairest
- In a Summer Garden , RT VI/17 (von Hallé Orchestra, Sir John Barbirolli)
- Hassan, RT I/9: Interlude between Scenes 1 and 2
- Hassan, RT I/9: Serenade
- A Song before Sunrise, RT VI/24 (von Hallé Orchestra, Sir John Barbirolli)
- Koanga, RT I/4: Act 2. La Calinda (von Hallé Orchestra, Sir John Barbirolli)
- On Hearing the First Cuckoo in Spring , RT VI/19 (von Hallé Orchestra, Sir John Barbirolli)
- Summer Night on the River, RT VI/19 (von Hallé Orchestra, Sir John Barbirolli)
- String Quartet no. 2, RT VIII/4: III. Late Swallows (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Introduction (Slow, Pastoral) (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Theme (with easy movement) (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 1 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 2 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 3 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 4 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 5 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 6 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Interlude (Slow and very quietly) (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 7 (Rather quicker but not hurried) (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 8 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 9 (With easy movement) (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 10 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 11 (Slow. With solemnity) (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 12 (Maestoso) (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Interlude II (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 13 (Gaily) (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 14 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 15 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 16 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Interlude III (Rather quicker) (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Variation 17 (Rather slower. Very broadly) (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 “An English Rhapsody”: Coda (Very quietly) (von Hallé Orchestra, Sir John Barbirolli)
Debussy: Trois Nocturnes / La Mer / Grieg: 4 Norwegian Dances
- Trois Nocturnes: I. Nuages
- Trois Nocturnes: II. Fêtes
- Trois Nocturnes: III. Sirènes
- La Mer: I. De l'aube à midi sur la mer
- La Mer: II. Jeu de vagues
- La Mer: III. Dialogue du vent et de la mer
- 4 Norwegian Dances, op. 35: I. Allegro marcato (von Hallé Orchestra, Sir John Barbirolli)
- 4 Norwegian Dances, op. 35: II. Allegretto tranquillo e grazioso (von Hallé Orchestra, Sir John Barbirolli)
- 4 Norwegian Dances, op. 35: III. Allegro moderato alla marcia (von Hallé Orchestra, Sir John Barbirolli)
- 4 Norwegian Dances, op. 35: IV. Allegro molto (von Hallé Orchestra, Sir John Barbirolli)
R. Strauss: Ein Heldenleben / Purcell: Suite for Strings, Woodwinds and Horns / Bach: “Sheep may safely graze”
- Ein Heldenleben, op. 40: Der Heid (von London Symphony Orchestra, Sir John Barbirolli)
- Ein Heldenleben, op. 40: Des Helden Widersacher (von London Symphony Orchestra, Sir John Barbirolli)
- Ein Heldenleben, op. 40: Des Helden Gefährtin
- Ein Heldenleben, op. 40: Thema der Siegesewissheit (von London Symphony Orchestra, Sir John Barbirolli)
- Ein Heldenleben, op. 40: Das Helden Walstatt (von London Symphony Orchestra, Sir John Barbirolli)
- Ein Heldenleben, op. 40: Kriegsfanfaren (von London Symphony Orchestra, Sir John Barbirolli)
- Ein Heldenleben, op. 40: Des Helden Friedenswerke (von London Symphony Orchestra, Sir John Barbirolli)
- Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung (von London Symphony Orchestra, Sir John Barbirolli)
- Ein Heldenleben, op. 40: Entsagung
- Suite for Strings, Woodwinds and Horns: I. Andante maestoso - Allegro (The Gordian Knot Untied, Z 597: Overture) (von Hallé Orchestra, Sir John Barbirolli)
- Suite for Strings, Woodwinds and Horns: II. Tempo de menuetto (The Virtuous Wife, Z 611: Minuet) (von Hallé Orchestra, Sir John Barbirolli)
- Suite for Strings, Woodwinds and Horns: III. Andantino (King Arthur, Z 628: Fairest Isle) (von Hallé Orchestra, Sir John Barbirolli)
- Suite for Strings, Woodwinds and Horns: IV. Allegretto giocoso (Abdelazar, Z 570: Air) (von Hallé Orchestra, Sir John Barbirolli)
- Suite for Strings, Woodwinds and Horns: V. Largo (Dido and Aeneas, Z 626: Lament) (von Eric Fletcher, Hallé Orchestra, Sir John Barbirolli)
- Suite for Strings, Woodwinds and Horns: VI. Allegro (King Arthur, Z 628: Alklegro from Second Music) (von Hallé Orchestra, Sir John Barbirolli)
- Cantata “Was mir behagt, ist nur die muntre Jagd”, BWV 208: “Sheep may safely graze” (von Hallé Orchestra, Sir John Barbirolli)
Mahler: Symphony no. 5
- Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Wie win Kondukt) (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt (Mit grösster Vehemenz) (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell) (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam) (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C-sharp minor: V. Rondo - Finale (Allegro) (von New Philharmonia Orchestra, Sir John Barbirolli)
Haydn: Cello Concerto in D major / Keyboard Concerto in D major: Rondo al Ungarese / Bach: Concerto n C major for Two Keyboards / Keyboard Concerto in F minor: Allegro / Saint-Saëns: Valse Caprice / Raff: La Fileuse
- Cello Concerto in D major, Hob. VIIb:2: I. Allegro moderato
- Cello Concerto in D major, Hob. VIIb:2: II. Adagio
- Cello Concerto in D major, Hob. VIIb:2: III. Allegro
- Concerto in C major for Two Keyboards, BWV 1061: I. Allegro
- Concerto in C major for Two Keyboards, BWV 1061: II. Adagio
- Concerto in C major for Two Keyboards, BWV 1061: III. Finale: Fugue
- Keyboard Concerto in D major, Hob. XVIII:11: III. Rondo al Ungarese
- Keyboard Concerto in F minor, BWV 1056: I. Allegro
- Valse Caprice, op. 76 (von Camille Saint‐Saëns)
- La Fileuse, op. 157 no. 2
Bach: Violin Concerto no. 2 / Tchaikovsky: Violin Concerto / Grieg: Piano Concerto
- Violin Concerto no. 2 in E major, BWV 1042: I. Allegro
- Violin Concerto no. 2 in E major, BWV 1042: II. Adagio
- Violin Concerto no. 2 in E major, BWV 1042: III. Allegro assai
- Violin Concerto in D major, op. 35: I. Allegro moderato
- Violin Concerto in D major, op. 35: II. Canzonetta: Andante
- Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo
- Piano Concerto in A minor, op. 16: I. Allegro molto moderato
- Piano Concerto in A minor, op. 16: II. Adagio
- Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Andante maestoso
Mozart: Piano Concerto no. 23 / Chopin: Piano Concerto no. 2 / Tchaikovsky: Piano Concerto no. 1
- Piano Concerto no. 23 in A major, K. 488: I. Allegro
- Piano Concerto no. 23 in A major, K. 488: II. Adagio
- Piano Concerto no. 23 in A major, K. 488: III. Allegro assai
- Piano Concerto no. 2 in F minor, op. 21: I. Maestoso
- Piano Concerto no. 2 in F minor, op. 21: II. Larghetto
- Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace
- Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
- Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo
- Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Chopin: Piano Concertos nos. 1 & 2
- Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso risoluto
- Piano Concerto no. 1 in E minor, op. 11: II. Romanza (Larghetto)
- Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace)
- Piano Concerto no. 2 in F minor, op. 21: I. Allegro (von Alfred Cortot, Sir John Barbirolli)
- Piano Concerto no. 2 in F minor, op. 21: II. Larghetto (von Alfred Cortot, Sir John Barbirolli)
- Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace (von Alfred Cortot, Sir John Barbirolli)
Mozart: Violin Concerto no. 5 / Glazunov: Violin Concerto / Wieniawski: Violin Concerto no. 2 / Saint-Saëns: Introduction et Rondo Capriccioso
- Violin Concerto no. 5 in A major, K. 219: I. Allegro aperto (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto no. 5 in A major, K. 219: II. Adagio (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto no. 5 in A major, K. 219: III. Tempo di menuetto (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto in A minor, op. 82: I. Moderato - (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto in A minor, op. 82: II. Andante - (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto in A minor, op. 82: III. Cadenza - (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto in A minor, op. 82: IV. Animando (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato (von Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli)
- Violin Concerto no. 2 in D minor, op. 22: II. Romance (Allegro non troppo) (von Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli)
- Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (von Jascha Heifetz, London Philharmonic Orchestra, John Barbirolli)
- Introduction et Rondo Capriccioso, op. 28 (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
Tchaikovsky: Violin Concerto / Vieuxtemps: Violin Concerto no. 4 / Saint-Saëns: Havanaise / Sarasate: Zigeunerweisen
- Violin Concerto in D major, op. 35: I. Allegro moderato (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto in D major, op. 35: II. Canzonetta (Andante) (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto in D major, op. 35: III. Finale (Allegro vivacissimo) (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto no. 4 in D minor, op. 31: I. Andante - Cadenza (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto no. 4 in D minor, op. 31: II. Andante religioso (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto no. 4 in D minor, op. 31: III. Scherzo (Vivace) & Trio (Meno mosso) - Vivace da capo (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto no. 4 in D minor, op. 31: IV. Finale marciale (Andante - Allegro) (von Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli)
- Havanaise, op. 83 (von Jascha Heifetz, London Symphony Orchestra, Sir John Barbirolli)
- Zigeunerweisen, op. 20 no. 1 (von Jascha Heifetz, London Symphony Orchestra, Sir John Barbirolli)
Beethoven: Violin Concerto / Brahms: Violin Concerto
- Violin Concerto in D major, op. 61: I. Allegro ma non troppo
- Violin Concerto in D major, op. 61: II. Larghetto
- Violin Concerto in D major, op. 61: III. Rondo (Allegro)
- Violin Concerto in D major, op. 77: I. Allegro non troppo
- Violin Concerto in D major, op. 77: II. Adagio
- Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace
Mozart: Piano Concertos nos. 22 & 27
- Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro
- Piano Concerto no. 22 in E-flat major, K. 482: II. Andante
- Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro
- Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro
- Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto
- Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro
Schumann: Cello Concerto / Violin Concerto / Mozart: Oboe Concerto in C major
- Cello Concerto in A minor, op. 129: I. Nicht zu schnell (von Gregor Piatigorsky, London Philharmonic Orchestra, Sir John Barbirolli)
- Cello Concerto in A minor, op. 129: II. Langsam (von Gregor Piatigorsky, London Philharmonic Orchestra, Sir John Barbirolli)
- Cello Concerto in A minor, op. 129: III. Sehr lebhaft (von Gregor Piatigorsky, London Philharmonic Orchestra, Sir John Barbirolli)
- Violin Concerto in D minor, WoO 23: I. In kräftigem, nicht zu schnellen Tempo
- Violin Concerto in D minor, WoO 23: II. Langsam
- Violin Concerto in D minor, WoO 23: III. Lebhaft doch nicht schnell
- Oboe Concerto in C major, K. 314: I. Allegro aperto
- Oboe Concerto in C major, K. 314: II. Andante ma non troppo
- Oboe Concerto in C major, K. 314: III. Allegro - Cadenza - Allegro
Corelli: Concerto for Oboe in F major / Pergolesi: Concerto for Oboe in C major / Haydn: Oboe Concerto in C major / Vaughan Williams: Oboe Concerto in A minor
- Concerto for Oboe and Strings in F major: I. Preludio - Allegro (von Arcangelo Corelli)
- Concerto for Oboe and Strings in F major: II. Allemande - Allegro (von Arcangelo Corelli)
- Concerto for Oboe and Strings in F major: III. Sarabande: Largo (von Arcangelo Corelli)
- Concerto for Oboe and Strings in F major: IV. Gavotta: Allegro moderato (von Arcangelo Corelli)
- Concerto for Oboe and Strings in F major: V. Giga (von Arcangelo Corelli)
- Concerto for Oboe and Strings in C major: I. Largo (von Giovanni Battista Pergolesi)
- Concerto for Oboe and Strings in C major: II. Allegro (von Giovanni Battista Pergolesi)
- Concerto for Oboe and Strings in C major: III. Andantino (von Giovanni Battista Pergolesi)
- Concerto for Oboe and Strings in C major: IV. Allegro (von Giovanni Battista Pergolesi)
- Concerto for Oboe and Strings in F major: I. Preludio - Allegro (von Arcangelo Corelli)
- Concerto for Oboe and Strings in F major: II. Allemande - Allegro (von Arcangelo Corelli)
- Concerto for Oboe and Strings in F major: III. Sarabande: Largo (von Arcangelo Corelli)
- Concerto for Oboe and Strings in F major: IV. Gavotta: Allegro moderato (von Arcangelo Corelli)
- Concerto for Oboe and Strings in F major: V. Giga (von Arcangelo Corelli)
- Concerto for Oboe and Strings in C major: I. Largo (von Giovanni Battista Pergolesi)
- Concerto for Oboe and Strings in C major: II. Allegro (von Giovanni Battista Pergolesi)
- Concerto for Oboe and Strings in C major: III. Andantino (von Giovanni Battista Pergolesi)
- Concerto for Oboe and Strings in C major: IV. Allegro (von Giovanni Battista Pergolesi)
- Oboe Concerto in C major, Hob. VIIg:C1: I. Allegro spiritoso
- Oboe Concerto in C major, Hob. VIIg:C1: II. Andante
- Oboe Concerto in C major, Hob. VIIg:C1: III. Rondo (Allegretto)
- Oboe Concerto in A minor: I. Rondo pastorale (Allegro moderato) (von Ralph Vaughan Williams)
- Oboe Concerto in A minor: II. Minuet and Musette (Allegro moderato) (von Ralph Vaughan Williams)
- Oboe Concerto in A minor: III. Finale: Scherzo (Presto - Lento - Presto) (von Ralph Vaughan Williams)
Oboe Concertos: Handel, Albinoni, Marcello, Cimarosa, Corelli
- Oboe Concerto no. 1 in B-flat major, HWV 301: I. Adagio - Allegro
- Oboe Concerto no. 1 in B-flat major, HWV 301: II. Siciliana
- Oboe Concerto no. 1 in B-flat major, HWV 301: III. Vivace
- Oboe Concerto in B-flat major, op. 7 no. 3: I. Allegro
- Oboe Concerto in B-flat major, op. 7 no. 3: II. Adagio
- Oboe Concerto in B-flat major, op. 7 no. 3: III. Allegro
- Oboe Concerto in D major, op. 7 no. 6: I. Allegro
- Oboe Concerto in D major, op. 7 no. 6: II. Adagio
- Oboe Concerto in D major, op. 7 no. 6: III. Allegro
- Oboe Concerto in C minor, S.Z. 799: I. Allegro moderato
- Oboe Concerto in C minor, S.Z. 799: II. Adagio
- Oboe Concerto in C minor, S.Z. 799: III. Allegro
- Oboe Concerto in C minor: I. Introduzione
- Oboe Concerto in C minor: II. Allegro
- Oboe Concerto in C minor: III. Siciliana
- Oboe Concerto in C minor: IV. Allegro
- Concerto for Oboe and Strings and F major: I. Preludio - Allegro (von Arcangelo Corelli)
- Concerto for Oboe and Strings and F major: II. Allemande - Allegro (von Arcangelo Corelli)
- Concerto for Oboe and Strings and F major: III. Sarabande: Largo (von Arcangelo Corelli)
- Concerto for Oboe and Strings and F major: IV. Gavotta: Allegro moderato (von Arcangelo Corelli)
- Concerto for Oboe and Strings and F major: V. Giga (von Arcangelo Corelli)
- Oboe Concerto in C minor, S.Z. 799: I. Allegro moderato (von Alessandro Marcello)
- Oboe Concerto in C minor, S.Z. 799: II. Adagio (von Alessandro Marcello)
- Oboe Concerto in C minor, S.Z. 799: III. Allegro (von Alessandro Marcello)
Britten: Violin Concerto / Vaughan Williams: Tuba Concerto / Saint-Saëns: Le Carnaval des Animaux / Strauss: A Strauss Fantasy
- Violin Concerto in D minor, op. 15: I. Moderato con moto - Agitato (von Benjamin Britten)
- Violin Concerto in D minor, op. 15: II. Vivace - Cadenza (von Benjamin Britten)
- Violin Concerto in D minor, op. 15: III. Passacaglia. Andante lento (un poco meno mosso) (von Benjamin Britten)
- Tuba Concerto in F minor: I. Prelude (Allegro moderato)
- Tuba Concerto in F minor: II. Romanza (Andante sostenuto)
- Tuba Concerto in F minor: III. Finale: Ronda alla tedesca (Allegro)
- Le Carnaval des Animaux: I. Introduction and Royal March of the Lion (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: II. Hens and Cocks (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: III. Wild Asses (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: IV. Tortoises (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: V. The Elephant (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: VI. Kangaroos (von Camille Saint‐Saëns)
- Le Carnaval Des Animaux: VII. Aquarium (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: VIII. Persons with Long Ears (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: IX. Cuckoo in the Heart of the Wood (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: X. The Aviary (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: XI. Pianists (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: XII. Fossils (von Camille Saint‐Saëns)
- Le Carnaval des Animaux: XIII. The Swan (von Camille Saint‐Saëns)
- Le Carnaval des animaux: XIV. Finale (von Camille Saint‐Saëns)
- A Strauss Fantasy (von The Strauss Family)
Handel: Organ Concerto, HWV 306 / Brahms: Double Concerto / Elgar: Cello Concerto
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: II. Andante
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: III. Largo e piano
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: IV. Bourrée (Allegro)
- Double Concerto in A minor, op. 102: I. Allegro (von Alfredo Campoli, André Navarra, Hallé Orchestra, Sir John Barbirolli)
- Double Concerto in A minor, op. 102: II. Andante (von Alfredo Campoli, André Navarra, Hallé Orchestra, Sir John Barbirolli)
- Double Concerto in A minor, op. 102: III. Vivace non troppo (von Alfredo Campoli, André Navarra, Hallé Orchestra, Sir John Barbirolli)
- Cello Concerto in E minor, op. 85: I. Adagio - Moderato
- Cello Concerto in E minor, op. 85: II. Lento - Allegro molto
- Cello Concerto in E minor, op. 85: III. Adagio
- Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo
Beethoven: Piano Concerto no. 5 “Emperor” / Monn: Cello Concerto
- Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
- Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco moto
- Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo (Allegro)
- Cello Concerto in G minor: I. Allegro (von Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli)
- Cello Concerto in G minor: II. Adagio (von Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli)
- Cello Concerto in G minor: III. Allegro non tanto (von Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli)
Haydn: Cello Concerto no. 2 / Elgar: Cello Concerto
- Cello Concerto no. 2 in D major, Hob. VIIb:2: I. Allegro moderato - Cadenza (von Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli)
- Cello Concerto no. 2 in D major, Hob. VIIb:2: II. Adagio (von Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli)
- Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo (Allegro) - Candenza (von Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli)
- Cello Concerto in E minor, op. 85: I. Adagio - Moderato - (von Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli)
- Cello Concerto in E minor, Op. 85: II. Lento - Allegro molto (von Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli)
- Cello Concerto in E minor, Op. 85: III. Adagio (von Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli)
- Cello Concerto in E minor, Op. 85: IV. Allegro - Moderato - Allegro ma non troppo (von Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli)
Tchaikovsky: Piano Concerto no. 1 / Franck: Variations symphoniques
- Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice - Prestissimo - Tempo I (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Variations symphoniques: Poco allegro - (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Variations symphoniques: Allegretto quasi andante - (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Variations symphoniques: Molto piu lento - (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Variations symphoniques: Allegro non troppo (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
Brahms: Piano Concerto no. 1
- Piano Concerto no. 1 in D minor, op. 15: I. Maestoso (von Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 1 in D minor, op. 15: II. Adagio (von Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo) (von Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli)
Brahms: Piano Concerto no. 2
- Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo (von Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato (von Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 2 in B-flat major, op. 83: III. Andante (von Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegro grazioso (von Daniel Barenboim, New Philharmonia Orchestra, Sir John Barbirolli)
Ireland: These Things Shall Be / Elgar: The Dream of Gerontius (Part One)
- These Things Shall Be (J. A. Symons): I. “Say heart, what will future bring?” (von John Ireland)
- These Things Shall Be (J. A. Symons): II. “These things shall be” (von John Ireland)
- These Things Shall Be (J. A. Symons): III. “Nation with Nation, Land with Land” (von John Ireland)
- These Things Shall Be (J. A. Symons): IV. “When all the earth is paradise” (von John Ireland)
- The Dream of Gerontius, op. 38: Part One. I. Prelude (Lento, mistico - Moderato - Andantino - Come prima) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part One. II. “Jesu, Maria: I am near to death” (Gerontius) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part One. III. “So pray for me … Kyrie eleison … Holy Mary, pray for him” (Gerontius, semi-chorus, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part One. IV. “Rouse thee, my fainting soul” (Gerontius, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part One. V. “Be merciful” (Gerontius, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part One. VI. “Sanctus fortus, Santus Deus” (Gerontius) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part One. VII. “I can no more” (Gerontius, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part One. VIII. “Rescue him, O Lord… Noe from the waters” (Gerontius, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part One. IX. “… Novissima hora est” (semi-chorus, chorus, Gerontius) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part One. X. “Proficiscere, anima Christiana” (Priest) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part One. XI. “Go in the name of Angels and Archangels” (chorus, Priest, semi-chorus) (von Edward Elgar)
Elgar: The Dream of Gerontius (Part Two)
- The Dream of Gerontius, op. 38: Part Two. I. Andantino (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. II. “I went to sleep” (Soul of Gerontius) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. III. “My work is done” (Soul, Angel) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. IV. “It is a member of that family… All Hail! my Child and brother” (Angel, Soul) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. V. “A presage fails” (Angel, Soul) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. VI. “But hark! … Low-born clods of brute earth” (Soul, Angel, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. VII. “Dispossessed, aside thrust” (chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. VIII. “The Mind Bold And Independent” (chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. IX. “I see not these false spirits… There was a mortal…” (Soul, Angel) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. X. “Praise to the Holiest” (Angel, semi-chorus, chorus, Soul) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. XI. “Glory To Him… But hark! A grand mysterious harmony” (Soul, Angel, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. XII. “And now The Threshold… Praise for the Holiest” (Soul, Angel, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. XIII. “Thy judgement now is near” (Angel, Soul) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. XIV. “Jesu! By that shuddering dread” (Angel of the Agony, Soul, semi-chorus, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. XV. “I Go Before My Judge…Be Merciful, Be gracious” (Angel of the Agony, Soul, semi-chorus, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. XVI. “Praise to His Name! … Take me away” (Angel, Soul, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. XVII. “Lord, Thou Hast been our Refuge” (Angel, Soul, chorus) (von Edward Elgar)
- The Dream of Gerontius, op. 38: Part Two. XVIII. “Softly and gently” (Angel, chorus, semi-chorus) (von Edward Elgar)
Verdi: Messa da Requiem (Beginning)
- Messa da Requiem: Requiem e Kyrie. I. Requiem aeternum
- Messa da Requiem: Requiem e Kyrie. II. Kyrie eleison
- Messa da Requiem: Sequenza. I. Dies Irae (von New Philharmonia Chorus, New Philharmonia Orchestra, Sir John Barbirolli)
- Messa da Requiem: Sequenza. II. Tuba mirum - Mors stupebit
- Messa da Requiem: Sequenza. III. Liber scriptus - Dies irae
- Messa da Requiem: Sequenza. IV. Quid sum miser
- Messa da Requiem: Sequenza. V. Rex tremendae
- Messa da Requiem: Sequenza. VI. Recordare
- Messa da Requiem: Sequenza. VII. Ingemisco
- Messa da Requiem: Sequenza. VIII. Confutatis - Dies irae
- Messa da Requiem: Sequenza. IX. Lacrymosa
- Messa da Requiem: Offertorio. I. Domine Jesu Christe
- Messa da Requiem: Offertorio. II. Hostias
- Messa da Requiem: Sanctus (von New Philharmonia Chorus, New Philharmonia Orchestra, Sir John Barbirolli)
- Messa da Requiem: Agnus Dei
Verdi: Messa da Requiem (Conclusion) / Delius: Appalachia
- Messa da Requiem: Lux aeterna
- Messa da Requiem: Libera me. I. Libera me - Dies irae
- Messa da Requiem: Libera me. II. Requiem aeternam
- Messa da Requiem: Libera me. III. Libera me
- Appalachia, RT II/2: Introduction (Molto moderato - Tranquillo - Poco più) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Theme (Andante) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 1 (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 2 (Moderato) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 3 (Più vivo) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 4 (Molto moderato) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 5 (Con moto) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 6 (Giocoso, Allegro moderato) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 7 (Lento e molto tranquillo) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 8 (Misterioso) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 9 (Andante con grazia) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 10 (Lento sostenuto e tranquillo) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 11 (Allegro alla marcia) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 12 (Marcia. Molto lento maestoso) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 13 (L'istesso tempo) (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Variation 14 Misterioso lento (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2: Finale (Lento - Più mosso) (von Hallé Orchestra, Sir John Barbirolli)
Puccini: Turandot - excerpts
- Turandot: Act 1. “Non piangere, Liù” (Calaf, Liù, Timur)
- Turandot: Act 2. “In questa reggia” (Turandot, Calaf, Chorus)
- Turandot: Act 2. “Straniero!” [Riddle scene] (Turandot, Calaf, Liù, L'Imperatore, Chorus)
- Turandot: Act 3. “Nessun dorma” (Calaf, Chorus)
- Turandot: Act 1. “Signore, ascolta” (Liù)
- Turandot: Act 1. “Non piangere, Liù” (Calaf, Liù, Timur)
- Turandot: Act 2. “In questa reggia” (Turandot, Calaf, Chorus)
- Turandot: Act 2. “Straniero!” [Riddle scene] (Turandot, Calaf, Liù, L'Imperatore, Chorus)
- Turandot: Act 3. “Nessun dorma” (Calaf, Chorus)
Purcell: Dido and Aeneas
- Dido and Aeneas, Z 626: Overture
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Shake the cloud from off your brow” (Belinda)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Banish sorrow, banish care” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Ah! Belinda, I am preset with torment” (Dido)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Grief increases by conceling” (Belinda, Dido)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “When monarchs unite” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Whence could so much virtue spring?” (Dido)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Fear no danger to ensue” (Belinda, 2nd Woman, Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “See, your royal guest appears” (Belinda, Aeneas, Dido)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Cupid only throws the dart” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “If not for mine, for Empire's sake” (Aeneas)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Pursue they conquest, Love” (Belinda)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “The the hills and the vales” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. The Triumphing Dance
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Wayward sisters” (Sorceress, First Witch)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Harm's our delight and mischief all our skill” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “The Queen of Carthage, whom we hate” (Sorceress, Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Ruin'd ere the set of sun?” (1st & 2nd Witches, Sorceress, Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “But, ere we this perform” (1st & 2nd Witches)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “In our deep vaulted cell” (Chorus)
- Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. Echo Dance of Furies
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. Ritornelle
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Thanks to these lonesome vales” (Belinda, Chorus)
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Oft she visits this lov'd moiuntain” (Second Woman)
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Behold, upon my bending spear” (Aeneas, Dido)
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Haste, haste to town” (Belinda, Chorus)
- Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Stay, Prince! And hear great Jove's command” (Spirit, Aeneas)
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Come away, fellow sailors” (Sailor, Chorus)
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. Sailors' Dance
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “See, see the flags and streamers curling” (Sorceress, 1st & 2nd Witches)
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Our next notion must be to storm her lover” (Sorceress)
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Destruction's our delight” (Chorus)
- Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. Witches' Dance
- Dido and Aeneas, Z 626: Act III: The Palace. “Your counsel all is urg'd in vain” (Dido, Aeneas, Belinda)
- Dido and Aeneas, Z 626: Act III: The Palace. “Great minds against themselves conspire” (Chorus)
- Dido and Aeneas, Z 626: Act III: The Palace. “Thy hand, Belinda” (Dido)
- Dido and Aeneas, Z 626: Act III: The Palace. “When I am laid in earth” (Dido)
- Dido and Aeneas, Z 626: Act III: The Palace. “With drooping wings ye Cupids come” (Chorus)
Puccini: Madama Butterfly Act 1 - Act 2, Part 1 (beginning)
- Madama Butterfly: Act 1. “E soffitto… e pareti” (Pinkerton, Goro)
- Madama Butterfly: Act 1. “Questa è la cameriera” (Goro, Pinkerton, Suzuki) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Che guardi? … Se non giunge ancor la sposa” (Pinkerton, Goro, Sharpless) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Dovunque al mondo” (Pinkerton, Goro, Sharpless)
- Madama Butterfly: Act 1. “Quale smania vi prende!” (Sharpless, Pinkerton) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Ecco! Son giunta al sommo del pendio” (Goro, Chorus, Butterfly, Pinkerton) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Gran ventura” (Butterfly, Chorus, Pinkerton, Sharpless, Goro)
- Madama Butterfly: Act 1. “L'imperial commissario” (Goro, Pinkerton, Chorus, Butterfly, Sharpless)
- Madama Butterfly: Act 1. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro)
- Madama Butterfly: Act 1. “Ieri son salita tutta sola” (Butterfly) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Tutti ziti! … È concesso al nominato” (Goro, Commissario, Chorus, Butterfly, Pinkerton, Sharpless, Ufficiale del registro) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Ed eccoci in famiglia” (Pinkerton, Chorus, Bonzo, Butterfly, Suzuki) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Bimba, bimba, non piangere” (Pinkerton, Chorus, Butterfly, Suzuki) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Quest'obi pomposa” (Butterfly, Pinkerton) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Bimba dalgi occhi pieni di malia” (Pinkerton, Butterfly)
- Madama Butterfly: Act 1. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 1. “Vieni, vieni… Via dall'anima in pena” (Pinkerton, Butterfly) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 2, Part 1. “E Izaghi ed tzanami” (Suzuki, Butterfly) (von Renata Scotto, Anna di Stasio, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 2, Part 1. “Suzuki, è lungi la misera” (Butterfly, Suzuki) (von Renata Scotto, Anna di Stasio, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 2, Part 1. “Un bel dì vedremo” (Butterfly) (von Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
Puccini: Madama Butterfly Act 2, Part 1 (conclusion) & Part 2
- Madama Butterfly: Act 2, Part 1: “C'è. Entrate” (Goro, Sharpless, Butterfly)
- Madama Butterfly: Act 2, Part 1: “Ah sì, Goro, appena F. B. Pinkerton fu in mare” (Butterfly, Goro, Yamadori, Sharpless)
- Madama Butterfly: Act 2, Part 1: “Si sa che aprir la porta” (Butterfly, Sharpless, Yamadori, Goro)
- Madama Butterfly: Act 2, Part 1: “Ora a noi” (Sharpless, Butterfly) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 2, Part 1: “Oui troncarla conviene” (Sharpless, Butterfly) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 2, Part 1: “E questo? E questo?” (Butterfly, Sharpless)
- Madama Butterfly: Act 2, Part 1: “Che tua madre dovrà” (Butterfly, Sharpless)
- Madama Butterfly: Act 2, Part 1: “Io scendo al piano” (Sharpless, Butterfly)
- Madama Butterfly: Act 2, Part 1: “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro)
- Madama Butterfly: Act 2, Part 1: “Una nave da guerra” (Suzuki, Butterfly)
- Madama Butterfly: Act 2, Part 1: “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki)
- Madama Butterfly: Act 2, Part 1: “Oh vienmi ad adornar” (Butterfly, Suzuki)
- Madama Butterfly: Act 2, Part 1: Coro a bocca chiusa (Chorus) (von Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 2, Part 2: Introduzione… “Oh eh! Oh eh! Oh eh!” (Chorus) (von Coro del Teatro dell'Opera, Roma, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli)
- Madama Butterfly: Act 2, Part 2: “Già il sole!” (Suzuki, Butterfly)
- Madama Butterfly: Act 2, Part 2: “Chi sia? … Zitta! Zitta!” (Suzuki, Pinkerton, Sharpless)
- Madama Butterfly: Act 2, Part 2: “Io so che alle sue pene” (Sharpless, Pinkerton, Suzuki)
- Madama Butterfly: Act 2, Part 2: “Addio, fiorito asil” (Pinkerton, Sharpless)
- Madama Butterfly: Act 2, Part 2: “Glielo dirai?” (Kate, Suzuki, Butterfly) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 2, Part 2: “Tu, Suzuki, che sei tanto buona” (Butterfly, Suzuki, Sharpless, Kate) (von Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Act 2, Part 2: “Come una mosca prigioniera” (Suzuki, Butterfly)
- Madama Butterfly: Act 2, Part 2: “Con onor muore” (Butterfly, Pinkerton)
Verdi: Otello Acts 1 & 2
- Otello: Act 1. “Una vela! Un vessillo …” (Ciprioti, Montano, Cassio, Iago, Roderigo)
- Otello: Act 1. “Esultate!” (Otello, Ciprioti)
- Otello: Act 1. “Roderigo, ebben che pensi?” (Iago, Roderigo)
- Otello: Act 1. “Fuoco di gioa! …” (Ciprioti)
- Otello: Act 1. “Roderigo, beviam!” (Iago, Cassio, Roderigo)
- Otello: Act 1. “Inaffia l'ugola” (Iago, Cassio, Roderigo)
- Otello: Act 1. “Capitano, v'attende la fazione si baluardi” (Montano, Cassio, Iago, Roderigo, Ciprioti)
- Otello: Act 1. “Abbasso le spade!” (Otello, Iago, Cassio, Montano)
- Otello: Act 1. “Gia nella, note densa …” (Otello, Desdemona)
- Otello: Act 1. “Quando narravi … Ed io vedea fra le tue tempie … Venga la morte!” (Otello, Desdemona)
- Otello: Act 2. “Non ti crucciar” (Iago, Cassio)
- Otello: Act 2. “Vanne; la tua metà già vedo” (Iago) (von Dietrich Fischer‐Dieskau, New Philharmonia Orchestra, Sir John Barbirolli)
- Otello: Act 2. “Credo in un Dio crudel” (Iago) (von Dietrich Fischer‐Dieskau, New Philharmonia Orchestra, Sir John Barbirolli)
- Otello: Act 2. “Eccola … Cassio … a te” (Iago) (von Dietrich Fischer‐Dieskau, New Philharmonia Orchestra, Sir John Barbirolli)
- Otello: Act 2. “Ciò m'accora … Che parli?” (Iago, Otello)
- Otello: Act 2. “Dove guardi spendono raggi” (Ciprioti, Iago, Donne, Fanciulli, Marinai, Desdemona, Otello)
- Otello: Act 2. “D'un uom che geme sotto il tuo disdegno” (Desdemona, Otello)
- Otello: Act 2. “Se inconscia contro te, sposo …” (Desdemona, Otello)
- Otello: Act 2. “Desdemona rea!” (Otello, Iago)
- Otello: Act 2. “Ora e per sempre addio” (Otello, Iago)
- Otello: Act 2. “Era la notte” (Iago, Otello)
- Otello: Act 2. “Sì, pel ciel marmoreo giuro!” (Otello, Iago)
Verdi: Otello Acts 3 & 4
- Otello: Act 3. “La vedetta del porto ha segnalato” (Araldo, Otello, Iago)
- Otello: Act 3. “Dio ti giocondi lo sguardo tuo tremendo” (Desdemona, Otello)
- Otello: Act 3. “Esterrefatta fisso” (Desdemona, Otello)
- Otello: Act 3. “Dio! Mio potevi scagliar… Ah! dannazione!” (Otello)
- Otello: Act 3. “Vieni, l'aula è deserta” (Iago, Cassio, Otello)
- Otello: Act 3. “Questa è una ragna” (Iago, Cassio, Otello)
- Otello: Act 3. “Come la ucciderò” (Otello, Iago, Ciprioti)
- Otello: Act 3. “Viva! Evviva! Viva il Leon di San Marco!” (Chorus, Lodovico, Otello, Desdemona, Emilia, Iago)
- Otello: Act 3. “Messeri! Il Doge” (Otello, Roderigo, Iago, Lodovico)
- Otello: Act 3. “A terra! … sì … nil livido fango” (Desdemona, Emilia, Cassio, Roderigo, Lodovico, Iago, Otello, Damme, Cavalieri, Ciprioti)
- Otello: Act 3. “Fuggirmi io sol non so … Sangue!” (Otello, Iago, Ciprioti)
- Otello: Act 4. “Era più calmo?” (Emilia, Desdemona)
- Otello: Act 4. “Mia madre aveva una povera ancella” (Desdemona)
- Otello: Act 4. “Piangea cantando nell'erma landa” (Emilia, Desdemona)
- Otello: Act 4. “Ave Maria, piena di grazia” (Desdemona)
- Otello: Act 4. “Che è la? Otello” (Desdemona, Otello)
- Otello: Act 4. “Aprite! Aprite!” (Emilia, Desdemona, Otello)
- Otello: Act 4. “Qual grida! Orror! Orror!” (Cassio, Lodovico, Iago, Emilia, Montano, Otello)
- Otello: Act 4. “Niun mi tema” (Otello, Cassio, Lodovico, Montano)
78 rpm recordings - Arias by Verdi, Bach, Elgar, Mozart, Gluck, Beethoven, Wagner, Handel, Coleridge-Taylor
- Il trovatore: Act 2. “Stride la vampa” (Azucena)
- Il trovatore: Act 2. “Condotta ell'era” (Azucena)
- Don Carlos: Act 4. “O don fatale” (Eboli)
- St. Matthew Passion, BWV 244: “Du lieber Heiland”
- Sea Pictures, op. 37: IV. Where Corals Lie
- Don Giovanni: Act 1. “Don Ottavio! Son morta … Or sai chi l'onore” (Donna Anna)
- Armide: Act 3. “Ah! si la liberté” (Armide)
- Fidelio: Act 1. “Abscheulicher! … Komm Hoffnung” (Fidelio)
- Wesendonck Lieder: IV. Schmerzen (von Frida Leider, London Symphony Orchestra, Sir John Barbirolli)
- Wesendonck Lieder: V. Träume
- Tristan und Isolde: Act 2. “Mild und leise” (Isolde) (von Frida Leider, London Symphony Orchestra, Sir John Barbirolli)
- Parsifal: Act 2. “Ich sah das Kind” (Kundry) (von Frida Leider, London Symphony Orchestra, Sir John Barbirolli)
- Orfeo: Act 3. “Che faro senza Eurydice” (Orfeo)
- Serse: Act 1. “Ombra mai fù” (Serse)
- Cantata, BWV 70 “Watch Ye, Pray Ye”: “Though reviling tongues assail us”
- Messiah, HWV 56: “Rejoice greatly”
- Acis and Galatea: “As when the dove” (Galatea)
- Scenes from The Song of Hiawatha, op. 3 - Cantata no. 3: “Spring had come”
78 rpm recordings - Arias by Mozart, Weber, Wagner, Brahms, Rossini, Sullivan, Verdi, Saint-Saëns, Bizet, Bishop
- Le nozze di Figaro: Act 2. “Porgi amor” (Contessa)
- Oberon: Act 2. “Ocean! Thou might monster” (Reiza)
- Der fliegende Holländer: Act 2. “Yo-Ho-He” (Senta's Ballad)
- Ein Deutches Requiem: “Ye that now are sorrowful”
- Stabat Mater: “Inflammatus”
- The Golden Legend: Prologue. “The Night is calm” (Elsie)
- The Light of the World: “And God shall wipe away all tears”
- La forza del destino: Act 2. “Son giunta! … Madre, pietosa vergine” (Leonora)
- La forza del destino: Act 4. “Pace, pace, mio Dio” (Leonora)
- Samson et Dalila: Act 1. “O aprile foriero di sogni” (Dalila)
- Samson et Dalila: Act 2. “Amor! Miei sini proteggi” (Dalila)
- Samson et Dalila: Act 2. “S'apre per te mio cuor” (Dalila)
- Carmen: Act 1. “L'amore e un strano augello” (Carmen)
- Il barbiere di Siviglia: Act 1. “Una voce poco fà” (Rosina)
- Die Zauberflöte: Act 2. “Ah! L'ingrat par son silence” (Pamina)
- The Comedy of Errors: “Lo! Here the gentle Lark”
78 rpm recordings - Arias by Bellini, Verdi, Giordano, Mozart, Mussorgsky, Elgar, Rossini, Gounod, Handel
- Norma: Act 1. “Casta Diva … Ah! bello a mi ritorna” (Norma)
- Otello: Act 3. “Dio mi potevi scagliar” (Otello, Cassio)
- Otello: Act 4. “Niun mi tema” (Otello, Cassio, Lodovico)
- Andrea Chénier: Act 1. “Un dì, all' azzuro spazio guardai profondo” (Chénier)
- Don Giovanni: Act 1. “Madamina…Nella blonda” (Leporello)
- Song of the Flea (von Peter Dawson, Sir John Barbirolli)
- Caractacus, op. 35: “Oh! My warriors” (Caractacus) (von Peter Dawson, Sir John Barbirolli)
- Caractacus, op. 35: “Leap, leap to light” (Sword Song) (Caractacus) (von Peter Dawson, Sir John Barbirolli)
- Il barbiere di Siviglia: Act 1. “La calunnia” (Don Basilio)
- Faust: Act 4. Mephistopheles' Serenade (Mephistophélès)
- Messiah, HWV 56: “Comfort ye my people … Ev'ry valley shall be exalted”
- Messiah, HWV 56: “Thou shalt break them”
- Judas Maccabeus, HWV 63: “Sound an Alarm”
78 rpm recordings - Arias by Massenet, Tosti, Sullivan, Handel, Donizetti, Leoncavallo, Cottrau, Verdi, Puccini, Rossini, Sullivan, Wagner, Leoncavallo
- Manon: Act 2. “O dolce incanto” (Des Grieux) (von Beniamino Gigli, Sir John Barbirolli)
- Goodbye (von Beniamino Gigli, Sir John Barbirolli)
- Addio (von Beniamino Gigli, Sir John Barbirolli)
- The Lost Chord
- Serse, HWV 40: Act 1. “Frondi tenere … Ombra mai fu” (Serse)
- L'elisir d'amore: Act 2. “Una furtiva lagrima” (Nemorino) (von Beniamino Gigli, Sir John Barbirolli)
- Pagliacci: Act 2. “No! Pagliacco non son” (Canio) (von Beniamino Gigli, Sir John Barbirolli)
- Santa Lucia (von Beniamino Gigli, Sir John Barbirolli)
- Un ballo in maschera: Act 3. “Eri tu che macchiava” (Renato)
- Otello: Act 1. “Inaffia l'ugola” (Iago, Cassio, Roderigo)
- Tosca: Act 1. “Tre sbirri, una carozza” (Scarpia, Spoletta)
- Tosca: Act 1. “La povera mia cena” (Scarpia)
- Il barbiere di Siviglia: Act 1. “Largo al factotum” (Figaro)
- Messiah, HWV 56: “The Trumpet shall sound” (von Arthur Fear, Sir John Barbirolli)
- Falstaff: Act 2. “When I was page to the Duke of Norfolk” (Falstaff) (von Arthur Fear, Sir John Barbirolli)
- Ivanhoe: Act 2. “Woo thou, thy snowflake” (Brian) (von Arthur Fear, Sir John Barbirolli)
- Die Meistersinger von Nürnberg: Act 2. “The Elders' scent grows round me” (Sachs) (von Arthur Fear, Sir John Barbirolli)
- Falstaff: Act 1. “Your honour! Ruffians” (von Arthur Fear, Sir John Barbirolli)
- Pagliacci: Act 2. “No! I am not Pagliacco” (Canio)
- Manon: Act 2. “With fancy's eye” (Des Grieux)
- Manon Lescaut: Act 1. “Never have I seen such a woman!” (Des Grieux)
- Tosca: Act 3. “And the stars shone” (Cavaradossi)
78 rpm recordings - Arias by Meyerbeer, Verdi, Leoncavallo, Wagner, Haydn, Mendelssohn, Loewe, Hill
- L'Africaine: Act 4. “Land so wunderbar” (Vasco de Gama) (von Lauritz Melchior, London Symphony Orchestra, Sir John Barbirolli)
- Otello: Act 3. “Gott! warum hast du gehauft dieses Elend” (Otello)
- Otello: Act 4. “Jeder Knabe kann mein schwert” (Otello)
- Pagliacci: Act 1. “Jetzt spielen … Hüll dich in Tand” (Bajazzo) (von Lauritz Melchior, London Symphony Orchestra, Sir John Barbirolli)
- Rienzi: Act 5. “Allmächt'ger Vater, blick herab” (Rienzi) (von Lauritz Melchior, London Symphony Orchestra, Sir John Barbirolli)
- Tannhäuser: Act 1. “Die tone Lob'! Die Wunder sei'n gepriesen” (Tannhäuser) (von Lauritz Melchior, London Symphony Orchestra, Sir John Barbirolli)
- Die Walküre: Act 1. “Winterstürme wichen dem Wonnemond” (Siegmund) (von Lauritz Melchior, London Symphony Orchestra, Sir John Barbirolli)
- Die Meistersinger von Nürnberg: Act 3. “Selig wie die Sonne” (Eva, Magdalene, Walther, David, Sachs)
- Die Meistersinger von Nürnberg: Act 3. “Morgenlicht leuchtend” (Walther, Sachs)
- Die Jahreszeiten, Hob. XXI:3: No. 4: “Schon eilet froh der Ackersmann” (Simon)
- Elias, op. 70: “Herr, Gott Abrahams” (Elias)
- Fridericus Rex, op. 61 no. 1
- Das Herz am Rhein
- Die Walküre: Act 2. “Der alte Sturm, die alte Muh! … So ist es denn aus” (Wotan, Fricka)
- Die Walküre: Act 2. “Mit tiefem Sinne … Was verlangst du?” (Wotan, Fricka)
78 rpm recordings - Arias by Wagner, Bizet, Mascagni, Leoncavallo, Puccini, Messager, Trad., Gounod, Adams, Nevin, J. Strauss II
- Lohengrin: Act 3. “In distant lands” (Lohengrin)
- Die Meistersinger von Nürnberg: Act 3. “Morning was glowing” (Beckmesser) (von London Symphony Orchestra, Sir John Barbirolli)
- Carmen: Act 2. “La fleur que tu m'avais jetée” (Don José) (von London Symphony Orchestra, Sir John Barbirolli)
- Cavalleria Rusticana: “Mamma, quel vino è generoso” (Addio alla madre) (Turridu)
- Pagliacci: Act 1. “Recitar…Vesti la giubba” (Canio)
- Pagliacci: Act 2. “No! Pagliacco non son” (Canio)
- La bohème: Act 1. “Che gelida manina” (Rodolpho)
- Tosca: Act 1. “Recondita armonia” (Cavaradossi)
- Tosca: Act 3. “E lucevan le stelle” (Cavaradossi)
- Fortunio: Act 2. The Grey House (Fortunio)
- “O' a' the airts the wind can blow”
- “Turn ye to me”
- Jesus of Nazareth
- The Holy City
- The Star of Bethlehem
- The Rosary
- Die Fledermaus: Act 2. “Brother dear and sister dear … Oh! what a feast, what a wondrous night”
- Der fliegende Holländer: Act 2. Spinning Chorus
- Carmen: Vocal gems: Introduction / Habanera / “Tell him that your Mother” / Sequidilla / “Away to the mountains” / “Hourah, hourah!” / The Toreador / Toreador Song / “See here they flow'ret” / “Now pretty cards” / “This heart that beats with wild emot ...
Puccini: Arias from Mana Lescaut, La Bohème, Tosca, Madama Butterfly / Falla: Siete canciones populares españolas
- Manon Lescaut: Act 2. “Dunque questa lettiga” (Manon, Des Grieux)
- La Bohème: Act 1. “Si sente meglio” (Rodolpho, Mimi)
- La bohème: Act 1. “Che gelida manina” (Rodolpho)
- La Bohème: Act 1. “Sì. Mi chiamano Mimi” (Mimi)
- La Bohème: Act 1. “Oh soave fanciulla” (Rodolpho, Mimi)
- Tosca: Act 3. “E lucevan le stelle” (Cavaradossi)
- Tosca: Act 3. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca)
- Tosca: Act 3. “O dolci mani” (Cavaradossi, Tosca)
- Tosca: Act 3. “E non giungono” (Tosca, Cavaradossi)
- Madama Butterfly: Act 1. “Viene la sera” (Pinkerton, Cio-Cio-San)
- Madama Butterfly: Act 1. “Bimba dagli occhi” (Pinkerton, Cio-Cio-San)
- Madama Butterfly: Act 1. “Vogliatemi bene” (Cio-Cio-San, Pinkerton)
- Siete canciones populares españolas: I. El paño moruno
- Siete canciones populares españolas: II. Seguidilla murciana
- Siete canciones populares españolas: III. Asturiana
- Siete canciones populares españolas: IV. Jota
- Siete canciones populares españolas: V. Nana
- Siete canciones populares españolas: VI. Canción
- Siete canciones populares españolas: VII. Polo
Berlioz: Les Nuits d'été / Ravel: Shéhérazade / Elgar: Sea Pictures
- Les Nuits d'été, op. 7 (Théophile Gautier): I. Villanelle (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Les Nuits d'été, op. 7 (Théophile Gautier): II. Le Spectre de la rose (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Les Nuits d'été, op. 7 (Théophile Gautier): III. Sur les lagunes (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Les Nuits d'été, op. 7 (Théophile Gautier): IV. Absence (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Les Nuits d'été, op. 7 (Théophile Gautier): V. Au cimetière (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Les Nuits d'été, op. 7 (Théophile Gautier): VI. L'Île inconnue (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Shéhérazade (Tristan Klingsor): I. Asie (von Maurice Ravel)
- Shéhérazade (Tristan Klingsor): II. La Flûte enchantée (von Maurice Ravel)
- Shéhérazade (Tristan Klingsor): III. L'Indifférent (von Maurice Ravel)
- Sea Pictures, op. 37: I. Slumber Song (Roden Noel) (von Janet Baker, London Symphony Orchestra, Sir John Barbirolli)
- Sea Pictures, op. 37: II. In Haven (Capri) (C. Alice Elgar) (von Janet Baker, London Symphony Orchestra, Sir John Barbirolli)
- Sea Pictures, op. 37: III. Sabbath Morning at Sea (Elizabeth Barrett Browning) (von Janet Baker, London Symphony Orchestra, Sir John Barbirolli)
- Sea Pictures, op. 37: IV. Where Corals Lie (Richard Garnett) (von Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli)
- Sea Pictures, op. 37: V. The Swimmer (A. Lindsay Gordon) (von Janet Baker, London Symphony Orchestra, Sir John Barbirolli)
Mahler: Lieder eines Fahrenden Gesellen / Kindertotenlieder / Fünf Rückert-Lieder
- Lieder eines Fahrenden Gesellen: I. “Wenn mein Schatz Hochzeit macht” (von Janet Baker, Hallé Orchestra, Sir John Barbirolli)
- Lieder eines Fahrenden Gesellen: II. “Ging heut' Morgen übers Feld” (von Janet Baker, Hallé Orchestra, Sir John Barbirolli)
- Lieder eines Fahrenden Gesellen: III. “Ich hab' ein glühend Messer” (von Janet Baker, Hallé Orchestra, Sir John Barbirolli)
- Lieder eines Fahrenden Gesellen: IV. “Die zwei blauen Augen” (von Janet Baker, Hallé Orchestra, Sir John Barbirolli)
- Rückert-Lieder: V. “Ich bin der Welt abhanden gekommen” (von Janet Baker, Hallé Orchestra, Sir John Barbirolli)
- Kindertotenlieder: I. “Nun will die Sonn' so hell aufgehn” (von Janet Baker, Hallé Orchestra, Sir John Barbirolli)
- Kindertotenlieder: II. “Nun seh' ich wohl, warum so dunkle Flammen” (von Janet Baker, Hallé Orchestra, Sir John Barbirolli)
- Kindertotenlieder: III. “Wenn dein Mütterlein, tritt zur Tür herein” (von Janet Baker, Hallé Orchestra, Sir John Barbirolli)
- Kindertotenlieder: IV. “Oft denk' ich, sie sind nur augesgengen!” (von Janet Baker, Hallé Orchestra, Sir John Barbirolli)
- Kindertotenlieder: V. “In diesen Wetter, indiesem Braus” (von Janet Baker, Hallé Orchestra, Sir John Barbirolli)
- Fünf Rückert-Lieder: I. “Blicke mir nicht in die Lieder!” (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Fünf Rückert-Lieder: II. “Ich atmet' einen linden Duft!” (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Fünf Rückert-Lieder: III. “Um Mitternacht” (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Fünf Rückert-Lieder: IV. “Liebst du um Schönheit” (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Fünf Rückert-Lieder: V. “Ich bin der Welt abhanden gekommen” (von Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
Elgar: The Dream of Gerontius (Part Two)
- The Dream of Gerontius, op. 38: Part Two. I. Andantino (von Hallé Orchestra, Sir John Barbirolli)
- The Dream of Gerontius, op. 38: Part Two. II. “I went to sleep” (Soul of Gerontius)
- The Dream of Gerontius, op. 38: Part Two. III. “My work is done” (Soul, Angel)
- The Dream of Gerontius, op. 38: Part Two. IV. “It is a member of that family…All Hail! my Child and brother” (Angel, Soul)
- The Dream of Gerontius, op. 38: Part Two. V. “A presage falls” (Angel, Soul)
- The Dream of Gerontius, op. 38: Part Two. VI. “But hark! … Low-born clods of brute earth” (Soul, Angel, chorus)
- The Dream of Gerontius, op. 38: Part Two. VII. “Dispossessed, aside thrust” (chorus)
- The Dream of Gerontius, op. 38: Part Two. VIII. “The Mind Bold And Independent” (chorus)
- The Dream of Gerontius, op. 38: Part Two. IX. “I see not these false spirits… There was a mortal …” (Soul, Angel)
- The Dream of Gerontius, op. 38: Part Two. X. “Praise to the Holiest” (Angel, semi-chorus, chorus, Soul)
- The Dream of Gerontius, op. 38: Part Two. XI. “Glory to Him… But hark! A grand mysterious harmony” (Soul, Angel, chorus)
- The Dream of Gerontius, op. 38: Part Two. XII. “And now The Threshold… Praise for the Holiest” (Soul, Angel, chorus)
- The Dream of Gerontius, op. 38: Part Two. XIII. “Thy judgement now is near” (Angel, Soul)
- The Dream of Gerontius, op. 38: Part Two. XIV. “Jesu! By that shuddering dread” (Angel of the Agony, Soul, semi-chorus, chorus)
- The Dream of Gerontius, op. 38: Part Two. XV. “I Go Before My Judge…Be Merciful, Be gracious” (Angel of the Agony, Soul, semi-chorus, chorus)
- The Dream of Gerontius, op. 38: Part Two. XVI. “Praise to His Name! … Take me away” (Angel, Soul, chorus)
- The Dream of Gerontius, op. 38: Part Two. XVII. “Lord, Thou Hast been our Refuge” (Angel, Soul, chorus)
- The Dream of Gerontius, op. 38: Part Two. XVIII. “Softly and gently” (Angel, chorus, semi-chorus)
Rehearsal Sequences
- Shepherd's Hey (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in F minor, op. 36 (von Hallé Orchestra, Sir John Barbirolli)
- Oboe Concerto in C major, Hob. VIIg:C1 (von Hallé Orchestra, Sir John Barbirolli)
- La Damnation de Faust, op. 24: Menuet des follets (von Hallé Orchestra, Sir John Barbirolli)
- Pohjola's Daughter, op. 49 (von Hallé Orchestra, Sir John Barbirolli)
- Brigg Fair, RT VI/16 (von Hallé Orchestra, Sir John Barbirolli)
- Appalachia, RT II/2 (von Hallé Orchestra, Sir John Barbirolli)
John Barbirolli - A Memoir / Presentation of the Royal Philharmonic Society Gold Medal to Sir John Barbirolli by Ralph Vaughan Williams / Conversation between Sir John Barbirolli and Ronald Kinloch Anderson
- John Barbirolli - A Memoir: Introduction, and Hallé Orchestra
- John Barbirolli - A Memoir: Mahler with the Philharmonia Orchestra
- John Barbirolli - A Memoir: Strauss's Ein Heldenleben with the London Symphony Orchestra
- John Barbirolli - A Memoir: Puccini's Madama Butterfly in Rome
- John Barbirolli - A Memoir: Hallé Orchestra, and Conclusion
- Presentation of the Royal Philharmonic Society Gold Medal to Sir John Barbirolli by Ralph Vaughan Williams (von Sir John Barbirolli, Ralph Vaughan Williams)
- Conversation between Sir John Barbirolli and EMI Producer Ronald Kinloch Anderson recorded by EMII in 1964