Sir John Barbirolli Songtexte
Serenade from 'Hassan'
Geboren am 02. Dezember 1899, Gestorben am 29. Juli 1970
Gruppen
The Great EMI Recordings (Compilation)
- A London Overture (von London Symphony Orchestra, Sir John Barbirolli)
- Symphony No. 2 “A London Symphony”: I. Lento – Allegro Risoluto (Molto Pesante) (von Hallé Orchestra, Sir John Barbirolli)
- Symphony No. 2 “A London Symphony”: Ii. Lento (von Hallé Orchestra, Sir John Barbirolli)
- Symphony No. 2 “A London Symphony”: Iii. Scherzo (Nocturne): Allegro Vivace (von Hallé Orchestra, Sir John Barbirolli)
- Symphony No. 2 “A London Symphony”: Iv. Andante Con Moto – Maestoso Alla Marcia (Quasi Lento) – Allegro – Maestoso Alla Marcia (Alla I) – Epilogue (Andante Sostenuto) (von Hallé Orchestra, Sir John Barbirolli)
- The Garden of Fand (von Hallé Orchestra, Sir John Barbirolli)
- The Walk to the Paradise Garden (A Village Romeo and Juliet) (von London Symphony Orchestra, Sir John Barbirolli)
- In a Summer Garden (von Hallé Orchestra, Sir John Barbirolli)
- A Shropshire Lad (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 5 in D: I. Preludio: Moderato – Allegro – Tempo I (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in D: II. Scherzo: Presto misterioso (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in D: III. Romanza: Lento (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in D: IV. Passacaglia: Moderato – Allegro – Tempo primo – Tempo del preludio (von Philharmonia Orchestra, Sir John Barbirolli)
- Finlandia op. 26 (von Hallé Orchestra, Sir John Barbirolli)
- Karelia Suite op. 11: I. Intermezzo (von Hallé Orchestra, Sir John Barbirolli)
- Karelia Suite op. 11: II. Ballade (von Hallé Orchestra, Sir John Barbirolli)
- Karelia Suite op. 11: III. Alla marcia (von Hallé Orchestra, Sir John Barbirolli)
- Pohjola’s Daughter op. 49 (von Hallé Orchestra, Sir John Barbirolli)
- Valse triste (Kuolema – Incidental Music op. 44) (von Hallé Orchestra, Sir John Barbirolli)
- The Swan of Tuonela (Lemminkäinen Suite op. 22) (von Eric Fletcher, Hallé Orchestra, Sir John Barbirolli)
- Cello Concerto in E minor op. 85: I. Adagio – Moderato
- Cello Concerto in E minor op. 85: II. Lento – Allegro molto
- Cello Concerto in E minor op. 85: III. Adagio
- Cello Concerto in E minor op. 85: IV. Allegro ma non troppo
- Symphony no. 5 in C‐sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C‐sharp minor: II. Stürmisch Bewegt (Mit größter Vehemenz) (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C‐sharp minor: III. Scherzo (Kräftig, nicht zu schnell) (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C‐sharp minor: IV. Adagietto (Sehr langsam) (von New Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 5 in C‐sharp minor: V. Rondo – Finale (Allegro) (von New Philharmonia Orchestra, Sir John Barbirolli)
- La Mer: I. De l’aube à midi sur la mer (von Hallé Orchestra, Sir John Barbirolli)
- La Mer: II. Jeux de vagues (von Hallé Orchestra, Sir John Barbirolli)
- La Mer: III. Dialogue du vent et de la mer (von Hallé Orchestra, Sir John Barbirolli)
- Daphnis et Chloé Suite no. 2: I. Lever du jour (von Hallé Orchestra, Sir John Barbirolli)
- Daphnis et Chloé Suite no. 2: II. Pantomime (von Hallé Orchestra, Sir John Barbirolli)
- Daphnis et Chloé Suite no. 2: III. Danse générale (von Hallé Orchestra, Sir John Barbirolli)
- La Valse (von Hallé Orchestra, Sir John Barbirolli)
- Ma mère l’oye Suite: I. Pavane de la belle au bois dormant
- Ma mère l’oye Suite: II. Petit Poucet
- Ma mère l’oye Suite: III. Laidronnette, impératrice des pagodes
- Ma mère l’oye Suite: IV. Les Entretiens de la belle et de la bête
- Ma mère l’oye Suite: V. Le Jardin féerique
- Serenade in C for Strings op. 48: I. Pezzo in forma di sonatina (von London Symphony Orchestra, Sir John Barbirolli)
- Serenade in C for Strings op. 48: II. Valse: Moderato (von London Symphony Orchestra, Sir John Barbirolli)
- Serenade in C for Strings op. 48: III. Élégie: Larghetto elegiaco (von London Symphony Orchestra, Sir John Barbirolli)
- Serenade in C for Strings op. 48: IV. Finale: Tema russo (von London Symphony Orchestra, Sir John Barbirolli)
- Symphony no. 4 in F minor op. 36: I. Andante sostenuto – Moderato con anima (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in F minor op. 36: II. Andantino in modo di canzona (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in F minor op. 36: III. Scherzo: Pizzicato ostinato (von Hallé Orchestra, Sir John Barbirolli)
- Symphony no. 4 in F minor op. 36: IV. Finale: Allegro con fuoco (von Hallé Orchestra, Sir John Barbirolli)
- Introduction and Allegro op. 47 (von Sinfonia of London, Sir John Barbirolli)
- Serenade in E minor op. 20: I. Allegro piacevole (von Sinfonia of London, Sir John Barbirolli)
- Serenade in E minor op. 20: II. Larghetto (von Sinfonia of London, Sir John Barbirolli)
- Serenade in E minor op. 20: III. Allegretto – Come prima (von Sinfonia of London, Sir John Barbirolli)
- Elegy op. 58 (von New Philharmonia Orchestra, Sir John Barbirolli)
- Sospiri op. 70 (von New Philharmonia Orchestra, Sir John Barbirolli)
- Fantasia on a Theme by Thomas Tallis (von Sinfonia of London, Sir John Barbirolli)
- Fantasia on “Greensleeves” (von Sinfonia of London, Sir John Barbirolli)
- Tintagel (von London Symphony Orchestra, Sir John Barbirolli)
- Sea Pictures op. 37: I. Sea Slumber‐song (von London Symphony Orchestra, Sir John Barbirolli)
- Sea Pictures op. 37: II. In Haven (von London Symphony Orchestra, Sir John Barbirolli)
- Sea Pictures op. 37: III. Sabbath Morning at Sea (von London Symphony Orchestra, Sir John Barbirolli)
- Sea Pictures op. 37: IV. Where Corals Lie (von London Symphony Orchestra, Sir John Barbirolli)
- Sea Pictures op. 37: V. The Swimmer (von London Symphony Orchestra, Sir John Barbirolli)
- Symphony no. 1 in A‐flat op. 55: I. Andante: Nobilimente e semplice – Allegro (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 1 in A‐flat op. 55: II. Allegro molto (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 1 in A‐flat op. 55: III. Adagio (von Philharmonia Orchestra, Sir John Barbirolli)
- Symphony no. 1 in A‐flat op. 55: IV. Lento – Allegro (von Philharmonia Orchestra, Sir John Barbirolli)
- Tragic Overture op. 81 (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 3 in F op. 90: I. Allegro con brio – Un poco sostenuto – Tempo I (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 3 in F op. 90: II. Andante (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 3 in F op. 90: III. Poco allegretto (von Wiener Philharmoniker, Sir John Barbirolli)
- Symphony no. 3 in F op. 90: IV. Allegro – Un poco sostenuto (von Wiener Philharmoniker, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Introduction (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation I: (C.A.E.) / Variation II: (H.D.S‐P.) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation II: (H.D.S‐P.) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation III: (R.B.T.) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation IV. (M.W.B.) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation V: (R.P.A.) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation VI: (Ysobel) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation VII: (Troyte) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation VIII: (W.N.) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation IX: (Nimrod) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation X: (Dorabella) – Intermezzo (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation XI: (G.R.S.) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation XII: (B.G.N.) (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation XIII: (∙∙∙) – Romanza (von Philharmonia Orchestra, Sir John Barbirolli)
- Variations on an Original Theme op. 36 “Enigma”: Variation XIV: (E.D.U.) – Finale (von Philharmonia Orchestra, Sir John Barbirolli)
- Madama Butterfly: Atto II. “È Izaghi ed Izanami” (Suzuki/Butterfly) (von Renata Scotto, Anna di Stasio, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Atto II. “Suzuki… È lungi la misera ?” (Butterfly/Suzuki) (von Renata Scotto, Anna di Stasio, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) (von Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli)
- Madama Butterfly: Atto II. “C’è. Entrate” (Goro/Sharpless/Butterfly)
- Madama Butterfly: Atto II. “Ah sì. Goro, appena B. F. Pinkerton fu in mare” (Butterfly/Goro/Yamadori/Sharpless)
- Madama Butterfly: Atto II. “Si sa che aprir la porta” (Butterfly/Sharpless/Yamadori/Goro)
- Madama Butterfly: Atto II. “Ora a noi” (Sharpless/Butterfly)
- Les Nuits d’été op. 7 : I. Villanelle (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Les Nuits d’été op. 7 : II. Le Spectre de la rose (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Les Nuits d’été op. 7 : III. Sur les laguens (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Les Nuits d’été op. 7 : IV. Absence (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Les Nuits d’été op. 7 : V. Au cimetière (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Les Nuits d’été op. 7 : VI. L’Île inconnue (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Fünf Rückert‐Lieder: I. Blicke mir nicht in die Lieder ! (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Fünf Rückert‐Lieder: II. Ich atmet’ einen linden Duft ! (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Fünf Rückert‐Lieder: III. Um Mitternacht (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Fünf Rückert‐Lieder: IV. Liebst du um Schönheit (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
- Fünf Rückert‐Lieder: V. Ich bin der Welt abhanden gekommen (von Dame Janet Baker, New Philharmonia Orchestra, Sir John Barbirolli)
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- Concerto in A Minor for Violin and Violoncello, op. 102: III Vivace non troppo
- Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio
- Missa da Requiem: Sanctus
- Madama Butterfly: Atto II, Parte I. “Si sa che aprir la porta” (Butterfly, Goro, Yamadori, Sharpless)
- Serenade in C major, op. 48: I. Pezzo in forma de Sonatina
- Peer Gynt, Incidental Music, Op. 23: X. Solveig's Song
- Wesendonck Lieder: IV. Schmerzen
- Concerto in A Minor for Violin and Violoncello, op. 102: II. Andante
- Madama Butterfly: Atto I. “Ed eccoci in famiglia” (Pinkerton, Coro, Il Bonzo, Butterfly, Suzuki)
- Serenade in C major, op. 48: IV. Finale (Tema russo)
- Madama Butterfly: Atto I. “Che guari?… Se non giunge ancor la sposa”
- "Signore, ascolta"
- Madama Butterfly: Atto II, Parte I. “Ah sì. Goro, appena B.F. Pinkerton fu in mare” (Butterfly, Goro, Yamadori, Sharpless)
- Concerto in A Minor for Violin and Violoncello, op. 102: I. Allegro
- Madama Butterfly: Atto II, Parte I. “C’è. Entrate” (Goro, Sharpless, Butterfly)
- Symphonic Variations: Allegretto quasi Andante
- Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, Coro, Butterfly, Suzuki)
- Cello Concerto in A minor, Op. 129: II. Langsam
- Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo
- Cello Concerto in A minor, Op. 129: I. Nicht zu schnell
- Madama Butterfly: Atto II, Parte II. “Glielo dirai?” (Kate, Suzuki, Butterfly)
- Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
- Madama Butterfly: Atto II, Parte I. “E Izaghi ed Izanami” (Suzuki, Butterfly)
- Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia Funebre. Adagio assai
- Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo
- Madama Butterfly: Atto I. “Vieni, vieni… Via dall’anima in pena” (Butterfly, Pinkerton)
- Madama Butterfly: Atto I. “Tutti zitti!… È concesso al nominato” (Goro, Il Commissario, Coro, Butterfly, Pinkerton, Sharpless, L’Ufficiale del Registro)
- Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio
- Madama Butterfly: Atto II, Parte II. Introduzione - “Oh eh! Oh eh! Oh eh!” (voci dei marinai)
- Madama Butterfly: “Un bel di vedremo” (1966)
- Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso
- Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio
- Madama Butterfly: Atto II, Parte II. “Tu, Suzuki, che sei tanto buona” (Butterfly, Suzuki, Sharpless, Kate)
- Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco
- Turandot: Atto II, scena 2. “In questa reggia”
- Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki)
- Messa da Requiem: Sequenza. I. Dies Irae
- Tristan und Isolde: Act 2. “Mild und leise” (Isolde)
- Suite for Strings, Woodwind & Horns: V. Largo (Dido and Aeneas)
- Parsifal: II. Aufzug "Ich sah das Kind" (Frida Leider, 1931)
- Peer Gynt, Incidental Music, Op. 23: VIII. Arabian Dance
- Otello: Atto II. “Eccola... Cassio... A te” (Jago)
- Madama Butterfly: Atto I. “Quale smania vi prende!” (Sharpless, Pinkerton)
- Madama Butterfly: Atto II, Parte I. “Ora a noi” (Sharpless, Butterfly)
- Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
- Madama Butterfly: Atto II, Parte I. “Qui troncarla conviene” (Sharpless, Butterfly)
- Serenade in C major, op. 48: III. Élégie (Larghetto elegiaco)
- Cantata “Was mir behagt, ist nur die muntre Jagd”, BWV 208: “Sheep may safely graze”
- Otello: Atto II. “Credo in un dio crudel” (Jago)
- Madama Butterfly: Atto I. “Questa è la cameriera” (Goro, Pinkerton, Suzuki)
- Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato
- Symphonic Variations: Molto più lento
- "Non piangere, Liu"
- Symphonic Variations: Poco allegro
- Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly)
- Romeo and Juliet - fantasy overture, TH 42 (incomplete - the last few bars of the coda are missing)
- Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale. Allegro molto – Poco andante – Presto
- Symphonic Variations: Allegro non troppo
- Cello Concerto in A minor, Op. 129: III. Sehr Lebhaft
- Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendio” (Goro, Coro, Butterfly, Sharpless)
- Madama Butterfly: Atto II, Parte I. Coro a bocca chiusa (Coro)
- Turandot: Atto II, scena 2. “Straniero, ascolta! Nella cupa notte”
- "Nessun dorma"
- Madama Butterfly: Atto II, Parte I. “Suzuki… è lungi la miseria?” (Suzuki, Butterfly)
- Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo. Allegro vivace – Trio
- Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I
- Caractacus, op. 35: “Oh! My warriors” (Caractacus)
- Ivanhoe: Act 2. “Woo thou, thy snowflake” (Brian)
- Tannhäuser: Act 1. “Die Töne Lob'! Die Wunder sei'n gepriesen” (Tannhäuser)
- L'elisir d'amore: “Una furtiva lagrima“
- 5 Rückertlieder: Ich bin der Welt abhanden gekommen
- Die Meistersinger von Nürnberg: Act 2. “The Elders' scent grows round me” (Sachs)
- Peer Gynt, Incidental Music, Op. 23: XI. Return of Peer Gynt
- Caractacus, op. 35: “Leap, leap to light” (Sword Song) (Caractacus)
- Peer Gynt, Incidental Music, Op. 23: XII. Solveig's Lullaby
- Turandot: Act 1. “Signore, ascolta” (Liù)
- Carmen: Act 1. “L'amore e un strano augello” (Carmen)
- 5 Rückertlieder: Ich atmet' einen linden Duft!
- Falstaff: Act 2. “When I was page to the Duke of Norfolk” (Falstaff)
- Addio
- Manon: “O dolce incanto” … “Chiudergli occhi”
- Die Walküre: Act 1. “Winterstürme wichen dem Wonnemond” (Siegmund)
- 5 Rückertlieder: Liebst du um Schönheit (orch. Max Puttmann)
- Turandot: Act 3. “Nessun dorma” (Calaf, Chorus)
- Santa Lucia
- Introduction and Allegro for Strings, op. 47: III. Allegro (Fugue)
- Rienzi: Act 5. “Allmächt'ger Vater, blick herab” (Rienzi)
- Song of the Flea
- L'Africaine: Act 4. “Land so wunderbar” (Vasco de Gama)
- Violin Concerto no. 2 in D minor, op. 22: II. Romance. Andante non troppo
- Presentation of the Royal Philharmonic Society Gold Medal to Sir John Barbirolli by Ralph Vaughan Williams
- Samson et Dalila: Act 2. “S'apre per te mio cuor” (Dalila)
- Falstaff: Act 1. “Your honour! Ruffians”
- Pagliacci: Act 1. “Jetzt spielen … Hüll dich in Tand” (Bajazzo)
- 5 Rückertlieder: Um Mitternacht
- Messiah, HWV 56: “The Trumpet shall sound”
- Oboe Concerto in C major, Hob. VIIg:C1
- Goodbye
- Turandot: Act 1. “Non piangere, Liù” (Calaf, Liù, Timur)
- Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato
- Sea Pictures, op. 37: III. Sabbath Morning at Sea
- Sea Pictures, op. 37: II. In Haven (Capri)
- Sea Pictures, op. 37: V. The Swimmer
- Sea Pictures, op. 37: I. Sea Slumber-Song
- Madama Butterfly: Atto II, Parte II. Introduzione – “Oh eh! Oh eh! Oh eh!” (Voci dei marinai)
- Madama Butterfly: Atto II, Parte I. “Un bel dì vedremo” (Butterfly)
- Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
- Serenade In C For Strings Op. 48: I. Pezzo In Forma Di Sonatina
- Madama Butterfly Act 2 (Excerpts): C'é. Entrate (Goro/Sharpless/Butterfly)
- Madama Butterfly Act 2 (Excerpts): Ora A Noi (Sharpless/Butterfly)
- Madama Butterfly Act 2 (Excerpts): Un Bel Dí Vedremo (Butterfly)
- Tragic Overture Op. 81
- Symphony No.4 In F Minor Op. 36: III. Scherzo: Pizzicato Ostinato
- Symphony No. 3 In F Op. 90: IV. Allegro – Un Poco Sostenuto
- Symphony No.4 In F Minor Op. 36: IV. Finale: Allegro Con Fuoco
- Symphony No. 3 In F Op. 90: III. Poco Allegretto
- Serenade In C For Strings Op. 48: II. Valse: Moderato
- Symphony No. 3 In F Op. 90: II. Andante
- Madama Butterfly Act 2 (Excerpts): E Izaghi Ed Izanami (Suzuki/Butterfly)
- Serenade In C For Strings Op. 48: III. Élégie: Larghetto Elegiaco
- Serenade In C For Strings Op. 48: IV. Finale: Tema Russo
- Madama Butterfly Act 2 (Excerpts): Suzuki... È Lungi La Misera? (Butterfly/Suzuki)
- Symphony No. 3 In F Op. 90: I. Allegro Con Brio – Un Poco Sostenuto – Tempo I
- Madama Butterfly Act 2 (Excerpts): Ah Sì. Goro, Appena B.F.Pinkerton Fu In Mare (Butterfly/Goro/Yamadori/Sharpless)
- Madama Butterfly Act 2 (Excerpts): Si Sa Che Apir La Porta (Butterfly/Sharpless/Yamadori/Goro)
- Symphony No.4 In F Minor Op. 36: II. Andantino In Modo Di Canzona
- Symphony No.4 In F Minor Op. 36: I. Andante Sostenuto – Moderato Con Anima
- Shéhérazade, M. 41: No. 2, La Flûte enchantée
- Shéhérazade, M. 41: No. 3, L’Indifférent
- Shéhérazade, M. 41: No. 1, Asie
- Falstaff (Part VI)
- Serenade for Strings (Part III)
- Enigma Variations (Part XI)
- Symphony No.2 in E Flat (Part III)
- Symphony No.2 in E Flat (Part I)
- Symphony No.2 in E Flat (Part II)
- Enigma Variations (Part XIV)
- Elegy
- Enigma Variations (Part II)
- Sea Pictures (Part III)
- Sea Pictures (Part V)
- Enigma Variations (Part III)
- Introduction & Allegro
- Enigma Variations (Part VI)
- Serenade for Strings (Part II)
- Cello Concerto (Part III)
- Enigma Variations (Part VII)
- Enigma Variations (Part VIII)
- Sospiri
- Serenade for Strings (Part I)
- Enigma Variations (Part XII)
- Sea Pictures (Part IV)
- Froissart
- Falstaff (Part V)
- Symphony No.1 in A Flat (Part I)
- Symphony No.1 in A Flat (Part IV)
- Enigma Variations (Part V)
- Pomp & Circumstance March 2
- Pomp & Circumstance March 1
- Cockaigne
- Falstaff (Part II)
- Pomp & Circumstance March 5
- Pomp & Circumstance March 4
- Pomp & Circumstance March 3
- Enigma Variations (Part XV)
- Falstaff (Part III)
- Symphony No.2 in E Flat (Part IV)
- Enigma Variations (Part X)
- Enigma Variations (Part I)
- Cello Concerto (Part II)
- Enigma Variations (Part IV)
- Enigma Variations (Part IX)
- Sea Pictures (Part I)
- Cello Concerto (Part I)
- Sea Pictures (Part II)
- Falstaff (Part IV)
- Cello Concerto (Part IV)
- Falstaff (Part I)
- Symphony No.1 in A Flat (Part II)
- Enigma Variations (Part XIII)