Seiji Ozawa Songtexte
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
Geboren am 01. September 1935
Art of Seiji Ozawa (Compilation)
- Concerto for Orchestra: I. Introduzione. Andante non troppo - Allegro vivace (von Boston Symphony Orchestra, Seiji Ozawa)
- Concerto for Orchestra: II. Giuoco delle coppie. Allegretto scherzando (von Boston Symphony Orchestra, Seiji Ozawa)
- Concerto for Orchestra: III. Elegia. Andante, non troppo (von Boston Symphony Orchestra, Seiji Ozawa)
- Concerto for Orchestra: IV. Intermezzo interrotto. Allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
- Concerto for Orchestra: V. Finale. Pesante - Presto (von Boston Symphony Orchestra, Seiji Ozawa)
- The Miraculous Mandarin, op. 19: I. Allegro (von Boston Symphony Orchestra, Seiji Ozawa)
- The Miraculous Mandarin, op. 19: II. Comodo (von Boston Symphony Orchestra, Seiji Ozawa)
- The Miraculous Mandarin, op. 19: III. Allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
- The Miraculous Mandarin, op. 19: IV. Lento (von Boston Symphony Orchestra, Seiji Ozawa)
- The Miraculous Mandarin, op. 19: V. Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- The Miraculous Mandarin, op. 19: VI. Molto moderato (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 3 in E-flat, op. 55 "Eroica": I. Allegro con brio
- Symphony no. 3 in E-flat, op. 55 "Eroica": II. Marcia funebre. Adagio assai
- Symphony no. 3 in E-flat, op. 55 "Eroica": III. Scherzo. Allegro vivace
- Symphony no. 3 in E-flat, op. 55 "Eroica": IV. Finale. Allegro molto
- "Egmont" Overture, op. 84
- Symphonie fantastique, op. 14: I. Rêveries - Passions. Largo - Allegro agitato e appasionato assai (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14: III. Scène aux champs. Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat. Larghetto - Allegro - Rondo du Sabbat. (von Boston Symphony Orchestra, Seiji Ozawa)
- Roméo et Juliette - Symphonie dramatique, op. 17: Scène d'amour (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro (von Saito Kinen Orchestra, Seiji Ozawa)
- Symphony no. 1 in C minor, op. 68: II. Andante sostenuto (von Saito Kinen Orchestra, Seiji Ozawa)
- Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso (von Saito Kinen Orchestra, Seiji Ozawa)
- Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro (von Saito Kinen Orchestra, Seiji Ozawa)
- Hungarian Dances: No. 1 in G minor (von Saito Kinen Orchestra, Seiji Ozawa)
- Hungarian Dances: No. 3 in F major (von Saito Kinen Orchestra, Seiji Ozawa)
- Hungarian Dances: No. 10 in F major (von Saito Kinen Orchestra, Seiji Ozawa)
- Symphony no. 9 n E-flat, op. 95 "From the New World": I. Adagio (von San Francisco Symphony, Seiji Ozawa)
- Symphony no. 9 n E-flat, op. 95 "From the New World": II. Largo (von San Francisco Symphony, Seiji Ozawa)
- Symphony no. 9 n E-flat, op. 95 "From the New World": III. Scherzo (Molto vivace) (von San Francisco Symphony, Seiji Ozawa)
- Symphony no. 9 n E-flat, op. 95 "From the New World": IV. Allegro con fuoco (von San Francisco Symphony, Seiji Ozawa)
- Carnival Overture, op. 92 (von San Francisco Symphony, Seiji Ozawa)
- Symphony no. 1 in D: I. Langsam, Schleppend (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D: II. Kräftig bewegt (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D: IV. Stürmisch bewegt (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Stren Wie ein Kondukt - Plötzlich schneller. (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig hicht zu schnell) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in C-sharp minor: V. Rondo-Finale (Largo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Carmina Burana: Fortuna Imperatrix Mundi: O fortuna
- Carmina Burana: Fortuna Imperatrix Mundi: Fortuna plango vulnera
- Carmina Burana: I. Primo vere: Veris leta facies
- Carmina Burana: I. Primo vere: Omnia sol temperat
- Carmina Burana: I. Primo vere: Ecce gratum
- Carmina Burana: Uf dem anger: Tanz - (von Berliner Philharmoniker, Seiji Ozawa)
- Carmina Burana: Uf dem anger: Floret silva nobilis
- Carmina Burana: Uf dem anger: Chramer, gip die varwe mir
- Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min
- Carmina Burana: Uf dem anger: Were diu werlt alle min
- Carmina Burana: II. In Taberna: Estuans interius
- Carmina Burana: II. In Taberna: Olin lacus colueram
- Carmina Burana: II. In Taberna: Ego sum abbas
- Carmina Burana: II. In Taberna: In taberna quando sumus
- Carmina Burana: III. Cour d'amours: Amor volat undique
- Carmina Burana: III. Cour d'amours: Dies, nox et omnia
- Carmina Burana: III. Cour d'amours: Stetit puella
- Carmina Burana: III. Cour d'amours: Circa mea pectora
- Carmina Burana: III. Cour d'amours: Si puer cum puellula
- Carmina Burana: III. Cour d'amours: Veni, veni, venias
- Carmina Burana: III. Cour d'amours: In trutina
- Carmina Burana: III. Cour d'amours: Tempus est iocundum
- Carmina Burana: III. Cour d'amours: Dulcissime
- Carmina Burana: Blanzifor et Helena: Ave formosissima
- Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
- Symphony no. 1 in D, op. 25 "Classical Symphony": I. Allegro (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 1 in D, op. 25 "Classical Symphony": II. Larghetto (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 1 in D, op. 25 "Classical Symphony": III. Gavotta: Non troppo allegro (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 1 in D, op. 25 "Classical Symphony": IV. Finale: Molto vivace (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 6 in E-flat, op. 111: I. Allegro moderato (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 6 in E-flat, op. 111: II. Largo (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 6 in E-flat, op. 111: III. Vivace (von Berliner Philharmoniker, Seiji Ozawa)
- Boléro (von Boston Symphony Orchestra, Seiji Ozawa)
- Alborada del gracioso (von Boston Symphony Orchestra, Seiji Ozawa)
- La Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole: Prélude à la nuit (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole: Malagueña (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole: Habanera (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole: Feria (von Boston Symphony Orchestra, Seiji Ozawa)
- Pavane pour une infante défunte (von Charles Kavaloski, Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales: I. Modéré (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales: II. Assez lent (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales: III. Modéré (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales: IV. Assez animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales: V. Presque lent (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales: VI. Assez vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales: VII. Moins vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales: VIII. Epilog: Lent (von Boston Symphony Orchestra, Seiji Ozawa)
- Pini di Roma: I. I pini di Villa Borghese . Allegretto vivace - Vivace (von Boston Symphony Orchestra, Seiji Ozawa)
- Pini di Roma: II. Pini presso una catacomba . Lento (von Boston Symphony Orchestra, Seiji Ozawa)
- Pini di Roma: III. I pini del Gianicolo . Lento (von Boston Symphony Orchestra, Seiji Ozawa)
- Pini di Roma: IV. I pini della Via Appia . Tempi di Marcia (von Boston Symphony Orchestra, Seiji Ozawa)
- Feste romane: I. Circenses (von Boston Symphony Orchestra, Seiji Ozawa)
- Feste romane: II. Il giubileo (von Boston Symphony Orchestra, Seiji Ozawa)
- Feste romane: III. L'ottobrata (von Boston Symphony Orchestra, Seiji Ozawa)
- Feste romane: IV. La befana (von Boston Symphony Orchestra, Seiji Ozawa)
- Fontane di Roma: I. La fontana di Valle Giulia all'alba . Andante mosso (von Boston Symphony Orchestra, Seiji Ozawa)
- Fontane di Roma: II. La fontana del Tritone al mattino . Vivo (von Boston Symphony Orchestra, Seiji Ozawa)
- Fontane di Roma: III. La fontana di Trevi al meriggio . Allegro moderato - Allegro vivace - Largamente (von Boston Symphony Orchestra, Seiji Ozawa)
- Fontane di Roma: IV. La fontana di Villa Medici al tramonto . Andante (von Boston Symphony Orchestra, Seiji Ozawa)
- Scheherazade, op. 35: The Sea and Sinbad's Ship
- Scheherazade, op. 35: The Story of the Calender Prince
- Scheherazade, op. 35: The Young Prince and the Young Princess
- Scheherazade, op. 35: Festival at Baghdad - The Sea - The Ship Goes to Pieces Against a Rock Surmounted by a Bronze Warrior (The Shipwreck)
- Russian Easter, op. 36 (von Wiener Philharmoniker, Seiji Ozawa)
- Also sprach Zarathustra, op. 30: Einleitung (von Boston Symphony Orchestra, Seiji Ozawa)
- Also sprach Zarathustra, op. 30: Von den Hinterweltlern (von Boston Symphony Orchestra, Seiji Ozawa)
- Also sprach Zarathustra, op. 30: Von den großen Sehnsucht (von Boston Symphony Orchestra, Seiji Ozawa)
- Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften (von Boston Symphony Orchestra, Seiji Ozawa)
- Also sprach Zarathustra, op. 30: Das Grablied (von Boston Symphony Orchestra, Seiji Ozawa)
- Also sprach Zarathustra, op. 30: Von der Wissenschaft (von Boston Symphony Orchestra, Seiji Ozawa)
- Also sprach Zarathustra, op. 30: Der Genesende (von Boston Symphony Orchestra, Seiji Ozawa)
- Also sprach Zarathustra, op. 30: Das Tanzlied (von Boston Symphony Orchestra, Seiji Ozawa)
- Also sprach Zarathustra, op. 30: Nachtwandlerlied (von Boston Symphony Orchestra, Seiji Ozawa)
- Ein Heldenleben, op. 40: Der Held (von Boston Symphony Orchestra, Seiji Ozawa)
- Ein Heldenleben, op. 40: Des Helden Widersacher (von Boston Symphony Orchestra, Seiji Ozawa)
- Ein Heldenleben, op. 40: Des Helden Gefährtin (von Boston Symphony Orchestra, Seiji Ozawa)
- Ein Heldenleben, op. 40: Des Helden Walstatt (von Boston Symphony Orchestra, Seiji Ozawa)
- Ein Heldenleben, op. 40: Des Helden Friedenswerke (von Boston Symphony Orchestra, Seiji Ozawa)
- Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20 (suite): I. Scène. Allegro giusto (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20 (suite): II. Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20 (suite): III. Danse des petits cygnes (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20 (suite): IV. Pad d'action. Andante (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20 (suite): V. Danse hongroise (Czardas) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20 (suite): VI. Scène finale (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutracker, op. 71 (suite): I. Ouverture miniature (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutracker, op. 71 (suite): II. Danses caractériques: a. Marche (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutracker, op. 71 (suite): II. Danses caractériques: b. Danse de la fée dragée (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutracker, op. 71 (suite): II. Danses caractériques: c. Danse russe (Trépak) (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutracker, op. 71 (suite): II. Danses caractériques: d. Danse arabe (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutracker, op. 71 (suite): II. Danses caractériques: e. Danse chinoise (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutracker, op. 71 (suite): II. Danses caractériques: f. Danse des mirlitons (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutracker, op. 71 (suite): III. Valse des fleurs (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, op. 66 (suite): I. Introduction. La fée des lilas (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, op. 66 (suite): II. Adagio. Pas d'action "Adagio de la rose" (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, op. 66 (suite): III. Pas de caractère. Le chat botté et la chatte blanche (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, op. 66 (suite): IV. Panorama (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, op. 66 (suite): V. Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo (von Berlin Philharmonic Orchestra, Seiji Ozawa)
- Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone (von Berlin Philharmonic Orchestra, Seiji Ozawa)
- Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzacatio ostinato. Allegro (von Berlin Philharmonic Orchestra, Seiji Ozawa)
- Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco (von Berlin Philharmonic Orchestra, Seiji Ozawa)
- Capriccio italien, op. 45: Andante un poco rubato - Allegro moderato - Andante - Presto - Allegro moderato - Presto - Più presto - Prestissimo (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto (von Berliner Philharmoniker, Seiji Ozawa)
- Ouverture solennelle "1814", op. 49: Largo - Andante - Allegro giusto - Largo - Allegro vivace (von Berliner Philharmoniker, Seiji Ozawa)
Bartók: Concerto for Orchestra; Music for Strings, Percussion and Celesta
Orchestral Space (Compilation)
The Complete Recordings on DG
- Romeo and Juliet, TH 42: Andante non tanto quasi Moderato: Allegro giusto - Moderato assai (von San Francisco Symphony, Seiji Ozawa)
- Romeo And Juliet, Ballet Suite, op. 64a, no. 2: I. The Montagues and the Capulets
- Romeo And Juliet, Ballet Suite, op. 64a, no. 2: IV. Dance
- Romeo And Juliet, Ballet Suite, op. 64a, no. 2: VII. Romeo at Juliet's Grave
- Romeo And Juliet, Ballet Suite, op. 64a, no. 2: VI. Dance of the Maids from the Antilles
- Romeo and Juliet, Ballet Suite, op. 64a, no. 1: VII. Death of Tybalt
- Roméo et Juliette, op. 17, H.79, Part 3: Scène d'amour
- Three Pieces for Blues Band and Symphony Orchestra, op.50: I. 1st Part
- Three Pieces for Blues Band and Symphony Orchestra, op.50: II. 2nd Part
- Three Pieces for Blues Band and Symphony Orchestra, op.50: III. 3rd Part
- "West Side Story": Symphonic Dances: I. Prologue (von San Francisco Symphony, Seiji Ozawa)
- "West Side Story": Symphonic Dances: II. Somewhere (von San Francisco Symphony, Seiji Ozawa)
- "West Side Story": Symphonic Dances: III. Scherzo (von San Francisco Symphony, Seiji Ozawa)
- "West Side Story": Symphonic Dances: IV. Mambo (von San Francisco Symphony, Seiji Ozawa)
- "West Side Story": Symphonic Dances: V. Cha-cha (von San Francisco Symphony, Seiji Ozawa)
- "West Side Story": Symphonic Dances: VI. Meeting Scene (von San Francisco Symphony, Seiji Ozawa)
- "West Side Story": Symphonic Dances: VII. Cool Fugue (von San Francisco Symphony, Seiji Ozawa)
- "West Side Story": Symphonic Dances: VIII. Rumble (von San Francisco Symphony, Seiji Ozawa)
- "West Side Story": Symphonic Dances: IX. Finale (von San Francisco Symphony, Seiji Ozawa)
- Symphonie fantastique, op. 14, H 48: I. Rêveries. Passions (Largo: Allegro agitato ed appassionato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14, H 48: II. Un bal (Valse: Allegro non troppo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14, H 48: III. Scène aux champs (Adagio) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14, H 48: V. Songe d'une nuit du Sabbat (Larghetto: Allegro - Ronde du Sabbat: Poco meno mosso) (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 1: Scène I. "Le vieil hiver a fait place au printemps" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 1: Ronde des Paysans. "Les bergers quittent": Scène II. "Mais d'un éclat guerrier" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 1: Marche hongroise (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène III. "Sans regrets j'ai quitté les riantes campagnes" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Chant de la fête de Pâques. "Christ vient de ressusciter!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène IV. "O pure émotion!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène V. Choeur de buveurs. "A boire encor!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Fugue sur le thème de la chanson. "Amen" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Méphistophélès. "Une puce gentille" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène VI. Air de Méphistophélès. "Voici des roses" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Songe de Faust. "Dors! heureux Faust" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène VII. "Margarita!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Choeurs de Soldats et Chanson d'Etudiants. "Villes entourées": "Jam nox stellata velamina pandit" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: (Prélude: La retraite) (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: "Merci, doux crépuscule!": "Je l'entends!" (Faust / Méphistophélès, Faust) (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène X. "Que l'air est étouffant" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Le roi de Thulé (Chanson gothique). "Autrefois un roi de Thulé" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1I. Evocation. "Esprits des flammes inconstantes" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1II. "Maintenant chantons à cette belle" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Sérénade de Méphistophélès. "Devant la maison" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1III. "Grands dieux!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1IV. "Allons, il est trop tard!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1V. Romance. "D'amour l'ardente flamme" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: "Au son des trompettes" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VI. Invocation à la Nature. "Nature immense" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VII. Récitatif et Chasse. "A la voûte azurée" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VIII. La course à l'abîme. "Dans mon choeur retentit sa voix" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: "Has! Irimirukarabrao! Has!": "Alors, l'Enfers se tut" (Choeur, Méphistophélès / Une Voix, Choeur) (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 2I. Le Ciel. "Laus! Laus!": Apothéose de Marguerite. "Remonte au ciel, âme naïve" (von Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro (von Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso (von Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) (von Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa)
- The Miraculous Mandarin, BB 82, op. 19 (Sz.73): Suite (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 4: I. Prelude (Walt Whitman) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 4: II. Allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 4: III. Fugue. Andante moderato (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 4: IV. Very slowly: Largo maestoso (von Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Central Park in The Dark (von Boston Symphony Orchestra, Seiji Ozawa)
- Boléro , M. 81: Original Version, M. 81 (von Boston Symphony Orchestra, Seiji Ozawa)
- Miroirs, M.43, Orch. Ravel: III. Une barque sur l'océan (von Boston Symphony Orchestra, Seiji Ozawa)
- Menuet antique: for Orchestra (von Boston Symphony Orchestra, Seiji Ozawa)
- Alborada del gracioso , M 43: Orchestral version (von Boston Symphony Orchestra, Seiji Ozawa)
- Pavane pour une infante défunte , M.19 (von Charles Kavaloski, Boston Symphony Orchestra, Seiji Ozawa)
- La Valse , M.72 (von Boston Symphony Orchestra, Seiji Ozawa)
- Le Tombeau de Couperin, M. 68, Orchestral version: I. Prélude (von Boston Symphony Orchestra, Seiji Ozawa)
- Le Tombeau de Couperin, M. 68, Orchestral version: II. Forlane (von Boston Symphony Orchestra, Seiji Ozawa)
- Le Tombeau de Couperin, M. 68, Orchestral version: III. Menuet (von Boston Symphony Orchestra, Seiji Ozawa)
- Le Tombeau de Couperin, M. 68, Orchestral version: IV. Rigaudon (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Prélude (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Danse du rouet et scène: Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Pavane de la Belle au bois dormant (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Les entretiens de la Belle et de la Bête (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Petit Poucet (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Laideronnette, Impératrice des Pagodes (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Apothéose: Le jardin féerique (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole, M. 54: I. Prélude à la nuit (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole, M. 54: II. Malagueña (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole, M. 54: III. Habanera (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole, M. 54: IV. Feria (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Introduction: Lent - Trè modéré (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Danse religieuse: Modéré (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Un peu plus lent (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Les jeunes filles dansent - Vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Les jeunes filles dansent - Vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Danse générale (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Vif - Plus modéré - Très modéré - Pesant (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Danse légère et gracieuse de Daphnis: Assez lent - Animé - Vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Lent - Moins lent - Très libre (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Danse de Lyceion - Scène (Les pirates) (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Modérément animé - Très animé - Lent - Très agité (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Modéré - Plus lent (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Danse lente et mystérieuse (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Scène: Même mouvement (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Danse guerrière (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Scène: Un peu moins animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Scène: Danse suppliante de Chloé (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Scène: Assez animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Scène: Lent - Plus animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Troisième partie: Lever du jour: Scène (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Troisième partie: Daphnis et Chloé miment l'aventure de Pan et Syrinx (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Troisième partie: Scène: Très lent (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Troisième partie: Scène: Lent - Animé - Lent - Animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Troisième partie: Danse générale (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: I. Modéré: très franc (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: II. Assez lent: avec une expression intense (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: III. Modéré (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: IV. Assez animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: V. Presque lent: dans un sentiment intime (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: VI. Assez vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: VII. Moins vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 2 in D major, op. 73: I. Allegro non troppo (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 2 in D major, op. 73: II. Adagio non troppo: L'istesso tempo, ma grazioso (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino): Presto ma non assai (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 2 in D major, op. 73: IV. Allegro con spirito (von Boston Symphony Orchestra, Seiji Ozawa)
- Semiramide: Overture (von Boston Symphony Orchestra, Seiji Ozawa)
- Moto perpetuo, op. 11 (von Boston Symphony Orchestra, Seiji Ozawa)
- Roméo et Juliette, op. 17, H.79, Part 1: Introduction (von Seiji Ozawa, Boston Symphony Orchestra)
- Roméo et Juliette, op. 17, H.79, Part 1: Prologue: "D'anciennes haines endormies" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 1: Strophe 1: "Premiers transports que nul n'oublie" (von Seiji Ozawa, Boston Symphony Orchestra, Julia Hamari, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 1: Récitatif et Scherzetto: "Bientôt de Roméo": "Mab! la messagère" - "Bientôt la mort est souveraine" (von Seiji Ozawa, Boston Symphony Orchestra, Jean Dupouy, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 2: Roméo seul: Tristesse - Concert et bal. (von Seiji Ozawa, Boston Symphony Orchestra)
- Roméo et Juliette, op. 17, H.79, Part 3: "Ohé! Capulets": Scène d'amour (von Boston Symphony Orchestra, Seiji Ozawa, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 4: Scherzo. La Reine Mab ou la Fée des songes (von Boston Symphony Orchestra, Seiji Ozawa)
- Roméo et Juliette, op. 17, H.79, Part 5: Convoi funebre "Jetez des fleurs pour la vierge expirée" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 6: Romeo au tombeau des Capulets (von Seiji Ozawa, Boston Symphony Orchestra)
- Roméo et Juliette, op. 17, H.79, Part 4: Invocation: Réveil de Juliette (von Seiji Ozawa, Boston Symphony Orchestra)
- Roméo et Juliette, op. 17, H.79, Part 4: Joie délirante, désespoir "Dernières angoisses et mort" (von Seiji Ozawa, Boston Symphony Orchestra)
- Roméo et Juliette, op. 17, H.79, Part 7: Final. "Quoi! Roméo de retour! Roméo" (von Seiji Ozawa, Boston Symphony Orchestra, José van Dam, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 7: Final. "Pauvres enfants que je pleure" (von Seiji Ozawa, Boston Symphony Orchestra, José van Dam)
- Roméo et Juliette, op. 17, H.79, Part 7: Final. "Mais notre sang rougit leur glaive" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 7: Final. "Jurez donc, par l'auguste symbole" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
- Street Music, op. 65: A Blues Concerto: 1st Mvt
- Street Music, op. 65: A Blues Concerto: 2nd Mvt
- Street Music, op. 65: A Blues Concerto: 3rd Mvt
- Street Music, op. 65: A Blues Concerto: 4th Mvt
- An American in Paris (von San Francisco Symphony, Seiji Ozawa)
- Chant du Ménestrel, op. 71
- Cello Concerto no. 2, op. 126: I. Largo
- Cello Concerto no. 2, op. 126: II. Allegretto
- Cello Concerto no. 2, op. 126: III. Allegretto
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Introducción (von Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Atardecer (von Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Danza de la molinera (Fandango) (von Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Las uvas (von Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza de los vecinos (Seguidillas) (von Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza del molinero (Farruca) (von Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza del corregidor (von Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza final (Jota) (von Boston Symphony Orchestra, Seiji Ozawa)
- Scheherazade, op. 35: I. The Sea And Sinbad's Ship (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
- Scheherazade, op. 35: II. The Story Of The Calender Prince (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
- Scheherazade, op. 35: III. The Young Prince And The Young Princess (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
- Scheherazade, op. 35: IV. Festival At Bagdad: The Sea - The Shipwreck Against A Rock Surmounted By A Bronze Warrior (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): I. Andante tranquillo (von Boston Symphony Orchestra, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): II. Allegro (von Boston Symphony Orchestra, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): III. Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): IV. Allegro molto (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: I. Andante: Allegro con anima (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: II. Andante cantabile, con alcuna licenza: Moderato con anima (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: III. Valse (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: IV. Finale (Andante maestoso: Allegro vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
- Clarinet Concerto in A major, K. 622: I. Allegro (von Harold Wright, Boston Symphony Orchestra, Seiji Ozawa)
- Clarinet Concerto in A major, K. 622: II. Adagio (von Harold Wright, Boston Symphony Orchestra, Seiji Ozawa)
- Clarinet Concerto in A major, K. 622: III. Rondo (Allegro) (von Harold Wright, Boston Symphony Orchestra, Seiji Ozawa)
- Bassoon Concerto in B-Flat major, K. 191, Cadenza: Walter Guetter: I. Allegro (von Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa)
- Bassoon Concerto in B-Flat major, K. 191, Cadenza: Walter Guetter: II. Andante ma Adagio (von Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa)
- Bassoon Concerto in B-Flat major, K. 191, Cadenza: Walter Guetter: III. Rondo. Tempo di Menuetto (von Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa)
- Quatrain
- A Flock Descends into the Pentagonal Garden
- Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto: Allegro - Meno allegro (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in C minor, op. 68: II. Andante sostenuto (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in C minor, op. 68: IV. Adagio: Piu andante - Allegro non troppo, ma con brio - Piu allegro (von Boston Symphony Orchestra, Seiji Ozawa)
- Pines of Rome, P. 141: The Pines Of Villa Borghese (I pini di Villa Borghese) (von Boston Symphony Orchestra, Seiji Ozawa)
- Pines of Rome, P. 141: The Pines near a Catacomb (Pini presso una catacomba) (von Boston Symphony Orchestra, Seiji Ozawa)
- Pines of Rome, P. 141: The Pines of the Janiculum (I pini del Gianicolo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Pines of Rome, P. 141: The Pines of the Appian Way (I pini della Via Appia) (von Boston Symphony Orchestra, Seiji Ozawa)
- Roman Festivals, P. 157: I. Circenses (von Boston Symphony Orchestra, Seiji Ozawa)
- Roman Festivals, P. 157: II. Giubileo (von Boston Symphony Orchestra, Seiji Ozawa)
- Roman Festivals, P. 157: III. L'Ottobrata (von Boston Symphony Orchestra, Seiji Ozawa)
- Roman Festivals, P. 157: IV. La Befana (von Boston Symphony Orchestra, Seiji Ozawa)
- Fountains of Rome, P. 106: I. The Valle Giulia Fountain at Daybreak (La fontana de Valle Giulia à l'alba) (von Boston Symphony Orchestra, Seiji Ozawa)
- Fountains of Rome, P. 106: II. The Triton Fountain in the Morning (La Fontana del Tritone al mattino) (von Boston Symphony Orchestra, Seiji Ozawa)
- Fountains of Rome, P. 106: III. The Trevi Fountain at Midday (La Fontana di Trevi al meriggio) (von Boston Symphony Orchestra, Seiji Ozawa)
- Fountains of Rome, P. 106: IV. The Villa Medici Fountain at Sunset (La Fontana di Villa Medici al tramonto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D major: I. Langsam. Schleppend (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D major: "Blumine". Andante allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D major: II. Kräftig bewegt (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D major: IV. Stürmisch bewegt (von Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto "To the Memory of an Angel": I. Andante: Allegro (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto "To the Memory of an Angel": II. Allegro: Adagio (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto in D major: I. Toccata (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto in D major: II. Aria I (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto in D major: III. Aria II (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto in D major: IV. Capriccio (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 1, P. 109: I. Balletto detto "Il Conte Orlando" (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 1, P. 109: II. Gagliarda (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 1, P. 109: III. Villanella (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 1, P. 109: IV. Passo mezzo e Mascherada (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 2, [P. 138]: I. Laura soave: balletto con gagliarda, saltarello e canario (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 2, [P. 138]: II. Danza rustica (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 2, [P. 138]: III. Campanae parisienses: Aria (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 2, [P. 138]: IV. Bergamasca (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 3, P. 172: I. Italiana (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 3, P. 172: II. Arie di corte (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 3, P. 172: III. Siciliana (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 3, P. 172: IV. Passacaglia (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12: Introduction (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 1 Scène (Allegro giusto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 2 Valse (Corps de Ballet) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 3 Scène (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4a Pas de trois: Intrada (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4b Pas de trois: Andante sostenuto (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4c Pas de trois: Allegro semplice (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4d Pas de trois: Moderato (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4e Pas de trois: Allegro (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4f Pas de trois: Coda (Allegro vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 5 Pas de deux: a) Intrada-Valse: b) Andante (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 5c Pas de deux: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 5d Pas de deux: Coda (Allegro molto vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 6 Pas d'action und No. 7 Sujet (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 8 Danse des coupes (Tempo di polacca) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 9 Finale (Andante) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 10 Scène (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 11 Scène (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 12 Scène (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13a Danse des cygnes: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13b Danse des cygnes: Odette solo/Première danse de la reine des cygnes (Moderato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13c Danse des cygnes: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13d Danse des petits cygnes (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13e Danse des cygnes: Pas d'action: Odette et le prince/Deuxième danse de la reine des cygnes (Andante) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13f Danse des cygnes: Danse générale (Valse) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13g Danse des cygnes: Coda (Allegro vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 14 Scène (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 15 Danse de fançailles (Allegro giusto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 16 Danses du corps de ballet et des nains (Moderato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 17 Scène: Entrée des invités (Fanfares) et la valse (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 18 Scène (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Intrada (moderato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Var. I (Allegro) und Var.II (Andante c.m.) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Var. III (Moderato) und Var.IV (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Var. V (Moderato) und Coda (Allegro molto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 20 Danse hongroise (Czárdás) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: Danse russe (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 21 Danse espagnole (Allegro non troppo. Tempo di bolero) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 22 Danse napolitaine (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 23 Mazurka (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 24 Scène (Allegro: Valse - Allegro vivo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 4: no. 25 Entr'acte und No. 26 Scène (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 4: no. 27 Danses des petits cygnes (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 4: no. 28 Scène (Allegro agitato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 4: no. 29 Scène finale (Andante) (von Boston Symphony Orchestra, Seiji Ozawa)
- Les Contes d'Hoffmann, Act 1: Prélude (von Orchestre national de France, Seiji Ozawa)
- Les Contes d'Hoffmann, Act 1: "Glou, glou, glou! Je suis la bière"
- Les Contes d'Hoffmann, Act 1: Le conseiller Lindorf, morbleu!
- Les Contes d'Hoffmann, Act 1: Dans les rôles d'amoureux langoureux
- Les Contes d'Hoffmann, Act 1: "Deux heures devant moi!"
- Les Contes d'Hoffmann, Act 1: "Drig, drig, drig, maître Luther"
- Les Contes d'Hoffmann, Act 1: "Vive Dieu! mes amis, la belle créature!"
- Les Contes d'Hoffmann, Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach)
- Les Contes d'Hoffmann, Act 1: "Peuh! cette bière est détestable!"
- Les Contes d'Hoffmann, Act 1: Simple échange de politesses!
- Les Contes d'Hoffmann, Act 1: Ha! ha! ha! Monsieur aime donc quelquefois?
- Les Contes d'Hoffmann, Act 2: Entr'acte (von Orchestre national de France, Seiji Ozawa)
- Les Contes d'Hoffmann, Act 2: Là! dors en paix
- Les Contes d'Hoffmann, Act 2: "Allons! courage et confiance!"
- Les Contes d'Hoffmann, Act 2: Voyez: la sous son éventail
- Les Contes d'Hoffmann, Act 2: "C'est moi, Coppélius"
- Les Contes d'Hoffmann, Act 2: "Je me nomme Coppélius"
- Les Contes d'Hoffmann, Act 2: Hein! Vous? (von Orchestre national de France, Seiji Ozawa)
- Les Contes d'Hoffmann, Act 2: "Non, aucun hôte vraiment"
- Les Contes d'Hoffmann, Act 2: "Les oiseaux dans la charmille"
- Les Contes d'Hoffmann, Act 2: "Ah! mon ami, quel accent!"
- Les Contes d'Hoffmann, Act 2: "Ils se sont éloignés, enfin!"
- Les Contes d'Hoffmann, Act 2: Ah! Vivre deux
- Les Contes d'Hoffmann, Act 2: "Tu me fuis?"
- Les Contes d'Hoffmann, Act 2: "Voici les valseurs!"
- Les Contes d'Hoffmann, Act 3: "Elle a fui la tourterelle"
- Les Contes d'Hoffmann, Act 3: "Malheureuse enfant"
- Les Contes d'Hoffmann, Act 3: "Jour et nuit"
- Les Contes d'Hoffmann, Act 3: Frantz! ... C'est ici!
- Les Contes d'Hoffmann, Act 3: "C'est une chanson d'amour"
- Les Contes d'Hoffmann, Act 3: J'ai le bonheur dans l'âme!
- Les Contes d'Hoffmann, Act 3: Qu'as-tu donc?
- Les Contes d'Hoffmann, Act 3: "Pour conjurer le danger"
- Les Contes d'Hoffmann, Act 3: "Ne plus chanter!"
- Les Contes d'Hoffmann, Act 3: "Tu ne chanteras plus?"
- Les Contes d'Hoffmann, Act 3: "Mon enfant! Ma fille!"
- Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (von Jacques Jouineau, Chœur de Radio France, Claudia Eder, Edita Gruberová, Orchestre national de France, Seiji Ozawa)
- Les Contes d'Hoffmann, Act 4: "Et moi, ce n'est pas là qui m'enchante"
- Les Contes d'Hoffmann, Act 4: "Amis, l'amour tendre et rêveur"
- Les Contes d'Hoffmann, Act 4: Je vois qu'on est en fête
- Les Contes d'Hoffmann, Act 4: Scintille, diamant
- Les Contes d'Hoffmann, Act 4: Cher ange!
- Les Contes d'Hoffmann, Act 4: Malheureux, tu ne comprends donc pas
- Les Contes d'Hoffmann, Act 4: Schlémil!
- Les Contes d'Hoffmann, Act 4: Hélas, mon coeur s'égare encore
- Les Contes d'Hoffmann, Epilogue: Voilà quelle fut l'histoire de mes amours
- Les Contes d'Hoffmann, Epilogue: Luther est un brave homme
- Les Contes d'Hoffmann, Epilogue: Des cendres de ton coeur, réchauffe ton génie
- Romeo and Juliet, op. 64: I. Introduction (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: II. Romeo (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: III. The street awakens (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: IV. Morning dance (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: V. The quarrel (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: VI. The fight (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: VII. The duke's command (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: VIII. Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: IX. At the Capulets' (Preparations for the ball) (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: X. The young Juliet (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XI. Arrival of the guests (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XII. Masks (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XIII. Dance Of The Knights (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XIV. Juliet's variation (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XV. Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XVI. Madrigal (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XVII. Tybalt recognizes Romeo (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XVIII. Gavotte (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XIX. Balcony scene (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XX. Romeo's variation (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: XXI. Love dance (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: XXII. Folk dance (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: XXIII. Romeo and Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: XXIV. Dance of the five couples (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: XXV. Dance with mandolins (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2VI. Nurse (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2VII. The nurse and Romeo (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2VIII. Romeo at friar Laurence's (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2IX. Juliet at friar Laurence's (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 30. Public merrymaking (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3I. Further public festivities (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3II. Meeting of Tybalt and Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3III. The duel (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3IV. Death of Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3V. Romeo decides to avenge Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3VI. Finale (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 3VII. Introduction (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 3VIII. Romeo and Juliet (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 3IX. Romeo bids Juliet farewell (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 40. Nurse (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4I. Juliet refuses to marry Paris (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4II. Juliet alone (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4III. Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4IV. At friar Laurence's cell (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4V. Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4VI. Juliet's room (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4VII. Juliet alone (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4VIII. Aubade (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4IX. Dance of the girls with lilies (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 50. At Juliet's bedside (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 4: 5I. Juliet's funeral (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 4: 5II. Juliet's death (von Boston Symphony Orchestra, Seiji Ozawa)
- Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- Pelléas et Mélisande, op. 80: II. Fileuse. Andantino quasi Allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
- Pelléas et Mélisande, op. 80: Chanson de Mélisande
- Pelléas et Mélisande, op. 80: IV. Sicilienne (von Boston Symphony Orchestra, Seiji Ozawa)
- Pelléas et Mélisande, op. 80: VI. Molto adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- Après un Rêve op. 7, no. 1 (von Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa)
- Pavane, op. 50
- Elégie, op. 24: Molto adagio (von Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: I. Berceuse (von Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: II. Mi-A-Ou (von Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: III. Le Jardin de Dolly (von Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: IV. Kitty-Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: V. Tendresse (von Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: VI. Le pas Espagnol (von Boston Symphony Orchestra, Seiji Ozawa)
- España: Rhapsody for Orchestra (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: I. Les Nubiennes, valse (Allegretto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: II. Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: III. Danse antique (Allegretto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: IV. Variations de Cléopatre (Moderato maestoso) (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: V. Les Troyennes (Moderato con moto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: VI. Variations du miroir (Allegretto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: VII. Danse de Phryné (Allegro vivo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Mignon: Overture (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne: I. Overture (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne: Polka (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne: (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne: IX. Valse lente (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne: Valse-Allegro vivo-Valse-Allegro misterioso (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne: Allegro: Cancan (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne: Vivo: Barcarolle - Allegro moderato (von Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 1 in E-Flat major, S. 124: I. Allegro maestoso (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 1 in E-Flat major, S. 124: II. Quasi adagio: Allegretto vivace - Allegro animato (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 1 in E-Flat major, S. 124: III. Allegro marziale animato (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai: Allegro agitato assai (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
- Piano Concerto no. 2 in A major, S. 125: II. Allegro moderato: Allegro deciso (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
- Piano Concerto no. 2 in A major, S. 125: III. Marziale un poco meno allegro (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
- Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato: Stretto (molto accelerando) (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
- Totentanz, S. 525 (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
- Gloria, FP 144: I. Gloria
- Gloria, FP 144: II. Laudamus te
- Gloria, FP 144: III. Domine Deus (von John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Gloria, FP 144: IV. Domini Fili Unigenite
- Gloria, FP 144: V. Domine Deus, Agnus Dei (von John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Gloria, FP 144: VI. Qui sedes ad dexteram Patris (von John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Stabat Mater, FP 148: I. Stabat Mater dolorosa
- Stabat Mater, FP 148: II. Cujus animam gementem
- Stabat Mater, FP 148: III. O quam tristis
- Stabat Mater, FP 148: IV. Quae moerebat
- Stabat Mater, FP 148: V. Quis est homo
- Stabat Mater, FP 148: VI. Vidit suum
- Stabat Mater, FP 148: VII. Eja mater
- Stabat Mater, FP 148: VIII. Fac ut ardeat
- Stabat Mater, FP 148: IX. Sancta mater
- Stabat Mater, FP 148: X. Fac ut portem
- Stabat Mater, FP 148: 1I. Inflammatus et accensus
- Stabat Mater, FP 148: 1II. Quando corpus
- Symphony no. 4 in F minor, op. 36, TH.27: I. Andante sostenuto: Moderato con anima - Moderato assai, quasi Andante - Allegro vivo (von Berlin Philharmonic Orchestra, Seiji Ozawa)
- Symphony no. 4 in F minor, op. 36, TH.27: II. Andantino in modo di canzone (von Berlin Philharmonic Orchestra, Seiji Ozawa)
- Symphony no. 4 in F minor, op. 36, TH.27: III. Scherzo. Pizzicato ostinato: Allegro (von Berlin Philharmonic Orchestra, Seiji Ozawa)
- Symphony no. 4 in F minor, op. 36, TH.27: IV. Finale (Allegro con fuoco) (von Berlin Philharmonic Orchestra, Seiji Ozawa)
- Capriccio Italien, op. 45 (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: I. Andante: Allegro con anima (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: II. Andante cantabile, con alcuna licenza: Moderato con anima (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: III. Valse (Allegro moderato) (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: IV. Finale (Andante maestoso: Allegro vivace) (von Berliner Philharmoniker, Seiji Ozawa)
- 1812 Overture, op. 49 , TH 49: Largo: Allegro giusto (von Berliner Philharmoniker, Seiji Ozawa)
- Concerto for Viola and Orchestra, op. post.: I. Moderato: Lento parlando
- Concerto for Viola and Orchestra, op. post.: II. Adagio religioso: Allegretto
- Concerto for Viola and Orchestra, op. post.: III. Allegro vivace
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): I. Andante tranquillo (von Berliner Philharmoniker, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): II. Allegro (von Berliner Philharmoniker, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): III. Adagio (von Berliner Philharmoniker, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): IV. Allegro molto (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 1 in D major, op. 25 "Classical Symphony": I. Allegro (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 1 in D major, op. 25 "Classical Symphony": II. Larghetto (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 1 in D major, op. 25 "Classical Symphony": III. Gavotta (Non troppo allegro) (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 1 in D major, op. 25 "Classical Symphony": IV. Finale (Vivace) (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 6 in E-flat, op. 111: I. Allegro moderato (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 6 in E-flat, op. 111: II. Largo (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 6 in E-flat, op. 111: III. Vivace (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 2 in D minor, op. 40: I. Allegro ben articolato (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 2 in D minor, op. 40: II. Theme and Variations (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 7, op. 131: I. Moderato (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 7, op. 131: II. Allegretto (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 7, op. 131: III. Andante espressivo (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 7, op. 131: IV. Vivace (original version) (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 3 in C minor, op. 44: I. Moderato (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 3 in C minor, op. 44: II. Andante (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 3 in C minor, op. 44: III. Allegro agitato (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 3 in C minor, op. 44: IV. Andante mosso (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 4 in C, op. 47/112, Revised version: I. Andante: Allegro eroico (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 4 in C, op. 47/112, Revised version: II. Andante tranquillo (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 4 in C, op. 47/112, Revised version: III. Moderato, quasi allegretto (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 4 in C, op. 47/112, Revised version: IV. Allegro risoluto: Andantino - Allegro come prima (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in B-Flat major, op. 100: I. Andante (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in B-Flat major, op. 100: II. Allegro marcato (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in B-Flat major, op. 100: III. Adagio (von Berliner Philharmoniker, Seiji Ozawa)
- Symphony no. 5 in B-Flat major, op. 100: IV. Allegro giocoso (von Berliner Philharmoniker, Seiji Ozawa)
- Lieutenant Kijé, Symphonic Suite, op. 60: I. Naissance de Kijé (von Berliner Philharmoniker, Seiji Ozawa)
- Lieutenant Kijé, Symphonic Suite, op. 60: II. Romance (von Berliner Philharmoniker, Seiji Ozawa)
- Lieutenant Kijé, Symphonic Suite, op. 60: III. Noces de Kijé (von Berliner Philharmoniker, Seiji Ozawa)
- Lieutenant Kijé, Symphonic Suite, op. 60: IV. Troïka (von Berliner Philharmoniker, Seiji Ozawa)
- Lieutenant Kijé, Symphonic Suite, op. 60: V. Enterrement de Kijé (von Berliner Philharmoniker, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Ténèbres! Ténèbres!" (Prologue) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: Il y eut une fille appelée Jeanne! (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: (Scéne I: Les Voix Du Ciel) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Jeanne! Jeanne! Jeanne!" (SCÉNE II: LE LIVRE) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Jeanne! Jeanne!.."(SCÉNE III:LES VOIX DE LA TERRE) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "La Cour! Faites silence!"(SCÉNE IV:JEANNE LIVRÉE..) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Qui sont les assesseurs?" (SCÉNE IV) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Quel est ce chien qui hurle dans la nuit?"(SCÉNE V) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Le jeu de cartes comprend quatre rois" (SCÉNE VI) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Quelles sont ces cloches dans la nuit?"(SCÉNE VII) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Voulez-vous manger des cesses?"(SCÉNE VIII:LE ROIS. .) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Aspiciens a longe" (SCÉNE VIII) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "C'est moi qui ai fait cela!" (SCÉNE VIII) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Spera! Spira! Spera! Spira!"(SCÉNE IX:L'ÉPÉE DE...) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Rouen! Rouen! Rouen!" (SCÉNE IX:L'ÉPÉE DE JEANNE) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Un petit brin de vot'farine" (SCÉNE X: TRIMAZG) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "J'accepte cette flamme pure" (SCÉNE XI) (von Orchestre national de France, Seiji Ozawa)
- Jeanne d'Arc au bûcher Oratorio dramatique: "Mère! Mère au-dessus de moi!" (SCÉNE XI) (von Orchestre national de France, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14: Overture (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 1 The Christmas Tree (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 2 March (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 3 Galop and Dance of the Parents (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 4 Dance Scene: The Presents of Drosselmeyer (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 5 Scene: Grandfather Dance (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 6 Clara and the Nutcracker (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 7 The Nutcracker Battles the Army of the Mouse King: He Wins and Is Transformed into Prince Charming (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 8 in the Christmas Tree (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 9 Scene and Waltz of the Snowflakes
- The Nutcracker, op. 71, TH 14, Act 2: no. 10 The Magic Castle on the Mountain of Sweets (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 2: no. 11 Clara and Prince Charming (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 2: no. 12 Divertissement (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 2: no. 13 Waltz of the Flowers (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 2: no. 14 Pas de deux: Intrada: Variation I/II - Coda (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 2: no. 15 Final Waltz and Apotheosis
- The Sleeping Beauty, Suite, op. 66a, TH 234: Introduction: The Lilac Fairy (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, Suite, op. 66a, TH 234: Pas d'action: Rose Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, Suite, op. 66a, TH 234: Pas de caractère: Puss in Boots (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, Suite, op. 66a, TH 234: Panorama (andantino) (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, Suite, op. 66a, TH 234: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto no. 2, BB 117 (Sz. 112): I. Allegro non troppo (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto no. 2, BB 117 (Sz. 112): II. Andante tranquillo (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto no. 2, BB 117 (Sz. 112): III. Allegro molto (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- En reve: I. Lumière vaporeuse (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- En reve: II. Dialogue avec l'Étoile (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- En reve: III. Azur fascinant (Sérénade tessinoise) (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- Symphony in D minor, FWV 48: I. Lento: Allegro ma non troppo - Allegro (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony in D minor, FWV 48: II. Allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony in D minor, FWV 48: III. Allegro non troppo (von Boston Symphony Orchestra, Seiji Ozawa)
- Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante
- Concerto for Organ, Strings and Percussion in G minor, FP 93: Subito andante moderato
- Concerto for Organ, Strings and Percussion in G minor, FP 93: Tempo allegro, molto agitato
- Concert Champêtre, FP 49: I. Allegro molto (von Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa)
- Concert Champêtre, FP 49: II. Andante (von Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa)
- Concert Champêtre, FP 49: III. Finale (von Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto no. 2 op. 129: I. Moderato (von Gidon Kremer, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto no. 2 op. 129: II. Adagio (von Gidon Kremer, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto no. 2 op. 129: III. Adagio: Allegro (von Gidon Kremer, Boston Symphony Orchestra, Seiji Ozawa)
- Concerto for Violin and Orchestra in A minor: I. Nicht zu schnell (Allegro non troppo) (von Gidon Kremer, Boston Symphony Orchestra, Seiji Ozawa)
- Concerto for Violin and Orchestra in A minor: II. Langsam (Lento) (von Gidon Kremer, Boston Symphony Orchestra, Seiji Ozawa)
- Concerto for Violin and Orchestra in A minor: III. Sehr lebhaft (Molto vivace) (von Gidon Kremer, Boston Symphony Orchestra, Seiji Ozawa)
- Overture "A Midsummer Night's Dream", op. 21, MWV P 3 (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 1 Scherzo (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. II. L'istesso tempo (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: Fairies' March (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 3 Song with Chorus: "Bunte Schlangen, zweigezüngt" (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 4 The Speels (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 5 Intermezzo (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 7 Notturno (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 8 Melodram (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 9 Wedding March (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 10 a) Prologue (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 10 b) Funeral March (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 11 Dance of the Clowns (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: 1II. Allegro vivace come 1 (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: Finale: "Bei des Feuers mattem Flimmern" (von Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 2 in C minor, op. 18: I. Moderato (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 2 in G minor, op. 16: I. Andantino
- Piano Concerto no. 2 in G minor, op. 16: II. Scherzo (Vivace)
- Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo (Allegro moderato)
- Piano Concerto no. 2 in G minor, op. 16: IV. Finale (Allegro tempestoso)
- Piano Concerto in G major, M. 83: I. Allegramente
- Piano Concerto in G major, M. 83: II. Adagio assai
- Piano Concerto in G major, M. 83: III. Presto