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P.D.Q. Bach Songtexte
Cantata for Strings: Blaues Gras (Bluegrass Cantata): I. Recitative "O" / II. Aria "Du Bist im Land" Cantata for Strings: Blaues Gras (Bluegrass Cantata): Chorale "Ich Gehe" / Duet: "Sag' Mir" Cantata for Strings: Blaues Gras (Bluegrass Cantata): Recitative and Aria "Blaues Gras" Missa Hilarious, S. N₂O: I. Yriekay Missa Hilarious, S. N₂O: II. Gloria

als Peter Schickele

Mehr Songtexte

  1. "Unbegun" Symphony: IV. Andante - Allegro (Royal P.D.Q. Bach Festival Orchestra feat. conductor: Jorge Mester)
  2. Trio (sic) Sonata, S. 3(4): IV. L'altro mezzo
  3. The Seasonings: Chorus: Tarragon of Virtue Is Full
  4. Report from Hoople: Traumarei for Unaccompanied Piano
  5. Oedipus Tex: Recitative: "When Billie Jo Heard"
  6. In the Vanguard Vault, Part 2
  7. Knock, Knock: I. Recitative and Chorus: "Knock, Knock"
  8. What's My Melodic Line? / Time / News
  9. Hans and Gretel and Ted and Alice (S. 2n-1) - "There's Something About a Monk"
  10. The Stoned Guest: Aria 'Let's Face It I'm Lost'
  11. The Queen to Me a Royal Pain Doth Give
  12. The Seasonings: Duet: Bide Thy Thyme
  13. "Unbegun" Symphony, by Professor Schickele - III. Minuet
  14. The Musical Sacrifice, S. 50% off: V. Four More Canons
  15. The Musical Sacrifice, S. 50% off: III. Three Canons
  16. Announcement
  17. The Stoned Guest: Aria 'Now Is the Season'
  18. The Stoned Guest: Duet 'Woe'
  19. Sinfonia Concertante: Introduction
  20. Introduction to Cyndi
  21. In the Vanguard Vault, Part 3
  22. The Seasonings: Aria: Open Sesame Seeds
  23. Little Pickle Book: I. Toccata et Fuga Obnoxia
  24. Hans and Gretel and Ted and Alice (S. 2n-1) - "Do You Love Me?"
  25. The Stoned Guest: Finale 'O Saviour'
  26. The Seasonings: Recitative: So Saying
  27. Eine Kleine Nichtmusik
  28. The Musical Sacrifice (S.50% off): I. Fuga Meshuga
  29. Schleptet in E Flat Major S.0
  30. Quodlibet for Small Orchestra: Adagio
  31. New Horizons in Music Appreciation: Beethoven’s Fifth Symphony (with Robert Dennis) / Sportscast / Time / Weather / News
  32. Pervertimento for Bagpipes, Bicycle and Balloons (S. 66) - Romanze I (Chi Largo)
  33. Introduction to "Listen Here, Tyrannosaurus Rex"
  34. The Stoned Guest: Recitative 'That's the End'
  35. Introduction to "The Moose"
  36. Introduction to Songs From Shakespeare
  37. "Unbegun" Symphony, by Professor Schickele - IV. Andante -- Allegro
  38. Plot Synopsis
  39. Little Pickle Book: III. Fantasia sopra "Fräulein Maria Mack"
  40. Oedipus Tex: Recitative: "But"
  41. The Stoned Guest: Recitative: 'I Hate to Interrupt'
  42. Iphigenia in Brooklyn: Introduction
  43. Iphigenia in Brooklyn: Aria
  44. Sinfonia Concertante: Sehr Unruhig Mit Schmalz
  45. Cantata: Iphigenia in Brooklyn, S.53162: I. Aria /: II. Recitative / III. Ground / IV. Recitative / V. Aria
  46. Introduction to O Serpent
  47. Schleptet in E flat major - Larghissimo -- Allegro Boffo
  48. The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Golly Golly Oh
  49. Juliet's Soliloquy
  50. Hans and Gretel and Ted and Alice (S. 2n-1) - "Like a Lonely Pilgrim"
  51. No-No Nonette for Assorted Winds and Toys, S. 86: Second Movement
  52. Grand Serendae For An Awful Lot Of Winds & Percussion II. Simply Grand Minuet
  53. Capriccio "La Pucelle de New Orleans" (The Maid of New Orleans), S. under 18
  54. New Horizons in Music Appreciation
  55. What's Happening in Home Economics (Beethoven's Revenge)
  56. Heidi McKinley (Two Rounds #1)
  57. Oedipus Tex: V. Aria with Chorus: "Goodbye"
  58. The Seasonings: Fugue for Orchestra
  59. Cantata, Iphigenia in Brooklyn, S.53162
  60. Quodlibet for Small Orchestra: Introduction
  61. Birthday Ode to "Big Daddy" Bach
  62. Report from Hoople: Station Break, Tag, Signature Theme
  63. Madrigal, "My Bonnie Lass She Smelleth" from "The Triumphs of Thusnelda", S. 1601
  64. Final Announcement
  65. Report from Hoople: Echo Sonata for Two Unfriendly Groups of Instruments
  66. "Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Theme: Windbreaker
  67. No-No Nonette for Assorted Winds and Toys, S. 86: Last Movement
  68. No-No Nonette for Assorted Winds and Toys, S. 86: Fourth Movement
  69. Oedipus Tex: III. Duet with Chorus: "My Heart"
  70. The Stoned Guest: Recitative 'Boy'
  71. Trio (sic) Sonata, S. 3(4): II. Mezzo
  72. The Musical Sacrifice, S. 50% off: I. Fuga meshuga
  73. The Preachers of Crimetheus, Ballet in One Selfless Act, S. 998: II. The Lamentations of Jerry Maja
  74. Cyndi (Two Songs #2)
  75. "Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Variation II: Slide Whistle
  76. Intermission Feature: Opera Whiz
  77. Little Pickle Book: Introduction
  78. Oedipus Tex: II. Aria with Chorus: "Howdy There"
  79. Cantata for Strings: Blaues Gras (Bluegrass Cantata): Recitative and Aria "Blaues Gras"
  80. The Stoned Guest (Part One)
  81. Knock, Knock: Introduction
  82. The Short-Tempered Clavier: Opening & Introduction
  83. The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Please, Kind Sir
  84. Iphigenia in Brooklyn: Recitativie
  85. Commercial: "If You Have Never"
  86. Three Chorale-Based Piecelets: II. Chorale Prelude on an American Hymn for the Last Sunday Before the Fourth Day of the Seventh Month After New Year's Eve
  87. Intro / Traumarai for Unaccompanied Piano / Station Break / Tag / Signature Theme
  88. 1712 Overture, S. 1712
  89. The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Jane, My Jane
  90. Schleptet in E flat major - Adagio Saccharino
  91. Fugue in C Minor (from the Toot Suite for Calliope Four Hands)
  92. In the Vanguard Vault Part 1
  93. Pervertimento for Bagpipes, Bicycle and Balloons (S. 66) - Minaret andTrio
  94. Sonata Da Circo (Circus Sonata): Introduction
  95. Sonata Da Circo (Circus Sonata): II. Entrada Grande
  96. The O.K. Chorale From the Toot Suite for Calliope Four Hands (S. 212o)
  97. Hans and Gretel and Ted and Alice (S. 2n-1) - "Jump Not to Conclusions"
  98. Sinfonia Concertante: Andante Senza Moto
  99. The Musical Sacrifice, S. 50% off: II. Sort of Little Trio Sonata: Andante; Allegro molto; Lento; Vivace
  100. Hans and Gretel and Ted and Alice (S. 2n-1) - "I Am a Quaint Old Inkeeper"
  101. Report from Hoople: Time, Weather, News
  102. Dull and Late Show: Tag, Station Break
  103. Sonata Da Circo (Circus Sonata): I. Spiel Vorspiel
  104. The Preachers of Crimetheus, Ballet in One Selfless Act, S. 998: I. Prologue: Bottomless Sorrow - Topless Gaiety
  105. Hans and Gretel and Ted and Alice (S. 2n-1) - "My name is Hansel Hunter"
  106. Concerto for Horn and Hardart: Tema con Variazione
  107. The Seasonings: Chorus With Soloists: To Curry Favor, Favor Curry
  108. Oedipus Tex: IV. Aria: "You Murdered Your Father"
  109. Report from Hoople: Signature Theme & Intro
  110. Iphigenia in Brooklyn: Ground
  111. The Three Witches From 'Macbeth'
  112. Dull and Late Show: Time, News, Intro
  113. Macbeth's Soliloquy
  114. Report from Hoople: Station Break
  115. Oedipus Tex My Heart
  116. Classical Rap
  117. Dull and Late Show: Signature Theme, Intro
  118. What's My Melodic Line?
  119. Dull and Late Show: Sign-off, Signature Theme
  120. Cantata for Strings: Blaues Gras (Bluegrass Cantata): Chorale "Ich Gehe" / Duet: "Sag' Mir"
  121. Concerto for Horn and Hardart: Allegro
  122. No-No Nonette for Assorted Winds and Toys, S. 86: Third Movement
  123. Two Madrigals from The Triumphs of Thusnelda: “The Queen to me a royal pain doth give” / “My bonnie lass she smelleth”
  124. Introduction #3
  125. My Bonnie Lass She Smelleth
  126. Introduction #2
  127. The Stoned Guest: Recitative 'Gesundheit'
  128. Oedipus Tex: VI. Chorale and Finale
  129. Concerto for horn and hardart, S. 27 (french horn: Ralph Froelich, hardart: Peter Schickele)
  130. Oedipus Tex: Chorale and Finale
  131. Half-Act Opera "The Stoned Guest" (highlights) (University of the University of Southern North Dakota at Hoople & Heavy Opera Company feat. conductor: John Nelson)
  132. The Stoned Guest: Recitative 'Hark!'
  133. Introduction to Two PDQ Bach Rounds
  134. Introduction #1
  135. "Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Variation I: Balloons
  136. Classical Rap (S.1-2-3)
  137. Introduction to Four Next-to-Last Songs
  138. Hans and Gretel and Ted and Alice (S. 2n-1) - Interlude: Medical examination
  139. The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Encore (Nelly Is a Nice Girl)
  140. Unbegun Symphony
  141. Concerto for Horn and Hardart: Introduction
  142. Pervertimento for Bagpipes, Bicycle and Balloons (S. 66) - Allegro moulto
  143. Concerto For Horn and Hardart, S.27
  144. Oedipus Tex: Aria with chorus: 'Howdy There'
  145. Knock, Knock: II. Recitative and Chorus: "How Many Psychiatrists?"
  146. Classical Rap: Introduction
  147. Hans and Gretel and Ted and Alice (S. 2n-1) - "I'm the Village Idiot"
  148. The Stoned Guest: Intermission Feature: Opera Whiz
  149. Trio (sic) Sonata, S. 3(4): III. Intermezzo
  150. Sinfonia Concertante: Presto Nicht Scheppend
  151. Trio (sic) Sonata, S. 3(4): I. Antemezzo
  152. The Seasonings: By the Leeks of Babylon
  153. The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Nelly Is a Nice Girl
  154. Schleptet in E flat major, S. 0 / Tag / Station Break
  155. Hamlet's Soliloquy
  156. The Musical Sacrifice, S. 50% off: IV. Chorale prelude, "Da kommt ja der Schurke"
  157. Schleptet in E flat major, S. 0 (I Virtuosi di Hoople feat. conductor: Peter Schickele)
  158. Funeral Oration From "Julius Caesar"
  159. Sonata Da Circo (Circus Sonata): III. Smokski the Russian Bear
  160. Pervertimento for Bagpipes, Bicycle, and Baloons (S. 66)
  161. Intro / Fugue in C minor, S. 212o ""Toot" Suite for Calliope Four Fands" / Tag / Station Break / What's Happening in Home Economics (Beethoven's Revenge) / Commercial "If You Have Never" / Sign-off / Signature Theme
  162. Little Pickle Book: IV. Lullaby and Goodnight
  163. Introduction to D'Indy's Turkey
  164. The Triumphs of Thusnelda, No. 1: My Bonnie Lass She Smelleth, S. 1601 (Amateur Musica Antiqua of Hoople)
  165. Knock, Knock: IV. Recitative and Chorus: "So this Guy"
  166. Oedipus Tex: Introduction
  167. The Seasonings: Recitative: Then Asked He
  168. Concerto for Two Pianos vs. Orchestra, S. 2 are better than one: I. Shake allegro
  169. Iphigenia in Brooklyn, S. 53162 (Chamber Orchestra feat. conductor: Jorge Mester, bargain counter-tenor: John Ferrante, harpsichord: Leonid Hambro, trumpet mouthpiece: Seymour Platt, wine bottle: Peter Schickele)
  170. If Love Is Real (Two Songs #1)
  171. Little Pickle Book: II. Chorale Prelude (Ave Maria et Agnus Dei)
  172. The Stoned Guest: Plot Synopsis
  173. The Seasonings: Duet: Summer Is a Cumin Seed
  174. Concerto for Two Pianos vs. Orchestra, S. 2 are better than one: III. Presto changio
  175. The Stoned Guest: Trio: 'I'm Sure I'd Be'
  176. Hans and Gretel and Ted and Alice (S. 2n-1) - Overture
  177. The Stoned Guest: Aria 'Look at Me'
  178. "Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Variation IV: Lasso D'Amore
  179. Birthday Ode to "Big Daddy" Bach: Introduction
  180. Report from Hoople: Commercial: "Do You Suffer?"
  181. Schleptet in E flat major - Yehudi Menuetto
  182. The Preachers of Crimetheus, Ballet in One Selfless Act, S. 998: III. Finale: Special Deliverance
  183. Hans and Gretel and Ted and Alice (S. 2n-1) - "I Hope You'll Take This Friendly Advice"
  184. New Horizons in Music Appreciation: Beethoven's Fifth Symphony (with Robert Dennis)
  185. Oedipus Tex: Recitative: "And It Wasn't Long"
  186. Three Chorale-Based Piecelets: I. Chorale: "Orally"
  187. 'Listen Here, Tyrannosaurus Rex'
  188. Schleptet in E flat major - Menuetto con Brio ma senza Trio
  189. Three Chorale-Based Piecelets: Introduction
  190. Sonata Da Circo (Circus Sonata): IV. Toccata Ecdysiastica
  191. Concerto for Horn and Hardart: Menuetto con Panna E Zucchero
  192. The Seasonings: Recitative: Then She Gave In
  193. "Erotica" Variations
  194. What's My Melodic Line? (I Virtuosi di Hoople feat. conductor: Peter Schickele)
  195. "Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Variation V: Foghorn, Bell, Kazoo, Gargle
  196. Hans and Gretel and Ted and Alice (S. 2n-1) - "Teddy Nice Is My Name"
  197. Pervertimento for Bagpipes, Bicycle and Balloons (S. 66) - Romanze II (Adagio Sereno)
  198. Diverse Ayres on Sundrie Notions, S. 99 44/100: Hear Me Through
  199. "Erotica" Variations (S. 36EE) For Banned Instruments and Piano - Variation III: Slide Windbreaker
  200. Oedipus Tex: Recitative: "Well"
  201. No-No Nonette for Assorted Winds and Toys, S. 86: First Movement
  202. Oratorio "The Seasonings", S. 1/2 tsp. (Okay Chorale & Royal P.D.Q. Bach Festival Orchestra feat. conductor: Jorge Mester)
  203. Three Chorale-Based Piecelets: III. Chorale Variations on "In der Nacht so Hell, der Petrus istmein Freund"
  204. The Seasonings: Introduction
  205. Report from Hoople: Intro
  206. Oratorio - The Seasonings (S. 1/2 tsp.)
  207. Report from Hoople: New Horizons in Music Appreciation: Beethoven's Fifth Symphony
  208. Fugue in C Minor (Fuga Vulgaris) for Calliope Four Hands, from the Toot Suite, S. 3.14 (Calliope four-hands: Peter Schickele & Robert Dennis)
  209. Minuet Militaire, S. 1A
  210. Quodlibet for Small Orchestra: Allegro
  211. The Stoned Guest: Introduction
  212. Sinfonia concertante, S.98.6: I. Sehr unruhig mit Schmalz /: II. Andante senza Moto / III. Presto mit schleppend
  213. The "Sanka" Cantata
  214. Half-Act Opera: The Stoned Guest, Completion: XI. Recitative: “I Hate to Interrupt” / XII. Quartet: “Don Octave” / XIII. Finale: “O saviour” / Announcement
  215. Sonata Da Circo (Circus Sonata): Calliope Frustration
  216. Oedipus Tex: Recitative: "When Oedipus Heard"
  217. The Musical Sacrifice, S. 50% off: VI. The Grossest Fugue
  218. Hans and Gretel and Ted and Alice (S. 2n-1) - "Et expecto"
  219. The Seasonings: Recitative: And There Were in the Same Country
  220. Divers Ayres on Sundrie Notions, S. 99 44/100: I. Signature theme / II. Intro / Echo Sonata for Two Unfriendly Groups of Instruments, S. 9999999999 / Tag / Station Break / Commercial "Do you suffer?"
  221. Cantata for Strings: Blaues Gras (Bluegrass Cantata): Recitative "O" / Duet "Ich Sehe"
  222. Dull and Late Show: What's My Melodic Line?
  223. Knock, Knock: III. Recitative and Chorus: "What Is the Question?"
  224. Oedipus Tex: I. Prologue: "Tragedy"
  225. Iphigenia in Brooklyn: Recitative
  226. Minuet Militaire (S.1A)
  227. The Stoned Guest: Quartet 'Don Octave'
  228. Hans and Gretel and Ted and Alice (S. 2n-1) - "Just Tell Me What Your Name Is"
  229. Concerto for Two Pianos vs. Orchestra, S. 2 are better than one: II. Andante alighieri
  230. Cantata for Strings: Blaues Gras (Bluegrass Cantata): I. Recitative "O" / II. Aria "Du Bist im Land"
  231. Pervertimento for Bagpipes, Bicycle and Balloons (S. 66) - Presto Changio
  232. Schleptet in E flat major - Presto Hey Nonny Nonnio
  233. Oedipus Tex: Recitative: 'It Wasn't Long'
  234. D'Indy's Turkey (Two Rounds #2)
  235. The Stoned Guest: Overture
  236. The O.K. Chorale from the Toot Suite
  237. The Art of the Ground Round (S. 1.19/lb.) For Three Baritones - Loving Is as Easy
  238. Concerto for horn and hardart, S.27: I. Allegro /: II. Tema con Variazione / III. Menuetto con panna e zucchero
  239. The Short-Tempered Clavier: I. C major (S. 3.14159, easy as)
  240. Intro / Fugue in C minor, S. 212o ""Toot" Suite for Calliope Four Hands" / Tag / Station Break / What's Happening in Home Economics (Beethoven's Revenge) / Commercial "If You Have Never" / Sign-off / Signature Theme
  241. “Unbegun” Symphony
  242. Pervertimento for Bagpipes, Bicycle, and Balloons (S. 66)
  243. Report From Hoople: Dull and Late Show: Schleptet in E-flat major: Adagio Saccharino
  244. “Erotica” Variations
  245. Cantata: Iphigenia in Brooklyn, S.53162: I. Aria / II. Recitative / III. Ground / IV. Recitative / V. Aria
  246. Concerto for Horn and Hardart, S.27: I. Allegro / II. Tema con variazione / III. Menuetto con panna e zucchero
  247. Oratorio: The Seasonings (S. 1/2 tsp.)
  248. Report From Hoople: Dull and Late Show: Schleptet in E-flat major: Presto Hey Nonny Nonnio
  249. Sinfonia concertante, S.98.6: I. Sehr unruhig mit Schmalz / II. Andante senza Moto / III. Presto mit schleppend
  250. Report From Hoople: Dull and Late Show: Schleptet in E-flat major: Menuetto con Brio ma senza Trio
  251. Report From Hoople: Dull and Late Show: Schleptet in E-flat major: Yehudi Menuetto
  252. Quodlibet for Small Orchestra: Ⅰ. Allegro / Ⅱ. Adagio / Ⅲ. Allegro
  253. Report From Hoople: Dull and Late Show: Schleptet in E-flat major: Larghissimo – Allegro Boffo
  254. Report From Hoople: Bright and Early Show: Traumarei for Unaccompanied Piano
  255. Hansel and Gretel and Ted and Alice, S.2ⁿ−1: An opera in one unnatural act: Aria: “I’m the village idiot”
  256. Oratorio: “The Seasonings”, S. 1/2 tsp.: Aria: “Open sesame seeds”
  257. Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Presto Changio
  258. “Unbegun” Symphony: III. Minuet
  259. “Unbegun” Symphony: IV. Andante – Allegro
  260. The Triumphs of Thusnelda: “The queen to me a royal pain doth give”
  261. Oratorio: “The Seasonings”, S. 1/2 tsp.: Recitative: “And there were in the same country”
  262. Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Allegro moulto
  263. Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze I (Chi Largo)
  264. Oratorio: “The Seasonings”, S. 1/2 tsp.: Recitative: “Then asked he”
  265. Oratorio: “The Seasonings”, S. 1/2 tsp.: Duet: “Summer is a cumin seed”
  266. Oratorio: “The Seasonings”, S. 1/2 tsp.: Recitative: “Then she gave in”
  267. The Stoned Guest, Part 1: Overture
  268. Oratorio: “The Seasonings”, S. 1/2 tsp.: Recitative: “So saying”
  269. Sinfonia Concertante, S. 98.6: Andante senza moto
  270. Sinfonia Concertante, S. 98.6: Sehr unruhig mit schmalz
  271. Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze II (Adagio Sereno)
  272. Oratorio: “The Seasonings”, S. 1/2 tsp.: Duet: “Bide thy thyme”
  273. Oratorio: “The Seasonings”, S. 1/2 tsp.: Chorus With Soloists: “To curry favor, favor curry”
  274. Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Minaret and Trio
  275. Oratorio: “The Seasonings”, S. 1/2 tsp.: Chorus: “Tarragon of virtue is full”
  276. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I am a quaint old inkeeper”
  277. Oratorio: “The Seasonings”, S. 1/2 tsp.: Fugue for Orchestra
  278. Sinfonia Concertante, S. 98.6: Presto nicht schleppend
  279. Oratorio: “The Seasonings”, S. 1/2 tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept”
  280. The Triumphs of Thusnelda: “My bonnie lass she smelleth”
  281. Half‐Act Opera “The Stoned Guest” (highlights)
  282. Madrigal, “My bonnie lass she smelleth” from “The Triumphs of Thusnelda”, S. 1601
  283. Fugue in C minor (Fuga vulgaris) for Calliope Four Hands, from the Toot Suite, S. 3.14
  284. Oratorio “The Seasonings”, S. 1/2 tsp.
  285. What’s My Melodic Line?
  286. The Triumphs of Thusnelda, no. 1: My bonnie lass she smelleth, S. 1601
  287. Schleptet in E‐flat major, S.0
  288. Schleptet in E‐flat major, S. 0
  289. Sinfonia concertante, S. 98.6: Ⅰ. Sehr unruhig mit Schmalz / Ⅱ. Andante senza moto / Ⅲ. Presto mit schleppend
  290. Intro / Traumarei for Unaccompanied Piano / Station Break / Tag / Signature Theme
  291. What’s My Melodic Line? / Time / News
  292. Diverse Ayres on Sundrie Notions, S. 99 44/100: I. Signature theme / II. Intro / Echo Sonata for Two Unfriendly Groups of Instruments, S. 9999999999 / Tag / Station Break / Commercial “Do you suffer?”
  293. Intro / Fugue in C minor, S. 212o “Toot Suite for Calliope Four Hands” / Tag / Station Break / What’s Happening in Home Economics (Beethoven’s Revenge) / Commercial “If You Have Never” / Sign‐Off / Signature Theme

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