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P.D.Q. Bach Songtexte
Cantata for Strings: Blaues Gras (Bluegrass Cantata): I. Recitative "O" / II. Aria "Du Bist im Land" Cantata for Strings: Blaues Gras (Bluegrass Cantata): Chorale "Ich Gehe" / Duet: "Sag' Mir" Cantata for Strings: Blaues Gras (Bluegrass Cantata): Recitative and Aria "Blaues Gras" Missa Hilarious, S. N₂O: I. Yriekay Missa Hilarious, S. N₂O: II. Gloria

als Peter Schickele

Oedipus Tex & Other Choral Calamities

Songtexte von P.D.Q. Bach - Oedipus Tex & Other Choral Calamities

  1. Introduction (von Peter Schickele)
  2. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: I. Prologue: “Tragedy”
  3. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: Recitative: “Well”
  4. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: II. Aria With Chorus: “Howdy there”
  5. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: Recitative: “And it wasn’t long”
  6. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: III. Duet With Chorus: “My heart”
  7. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: Recitative: “But”
  8. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: IV. Aria: “You murdered your father”
  9. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: Recitative: “When Billie Jo heard”
  10. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: V. Aria With Chorus: “Goodbye”
  11. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: Recitative: “When Oedipus heard”
  12. Oedipus Tex: Dramatic Oratorio for Soloists, Chorus and Orchestra, S. 150: VI. Chorale and Finale
  13. Introduction (von Peter Schickele)
  14. Classical Rap, S. 1‒2‒3
  15. Introduction (von Peter Schickele)
  16. Knock, Knock: Choral Cantata, S. 4/1: I. Recitative and Chorus: “Knock, knock”
  17. Knock, Knock: Choral Cantata, S. 4/1: II. Recitative and Chorus: “How many psychiatrists”
  18. Knock, Knock: Choral Cantata, S. 4/1: III. Recitative and Chorale: “What is the question?”
  19. Knock, Knock: Choral Cantata, S. 4/1: IV. Recitative and Chorus: “So this guy”
  20. Introduction (von Peter Schickele)
  21. Birthday Ode to “Big Daddy” Bach: For Soloists, Chorus and Orchestra, S. 100

The Dreaded P.D.Q. Bach Collection (Compilation)

Songtexte von P.D.Q. Bach - The Dreaded P.D.Q. Bach Collection

  1. In the Vanguard Vault, Part 1 (von Peter Schickele)
  2. Introduction (von Peter Schickele)
  3. Concerto for Horn and Hardart, S. 27: Allegro
  4. Concerto for Horn and Hardart, S. 27: Tema con variazione
  5. Concerto for Horn and Hardart, S. 27: Menuetto con panna e zucchero
  6. Introduction (von Peter Schickele)
  7. Cantata: Iphigenia in Brooklyn, S. 53162: Aria
  8. Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
  9. Cantata: Iphigenia in Brooklyn, S. 53162: Ground
  10. Cantata: Iphigenia in Brooklyn, S. 53162: Recitative
  11. Cantata: Iphigenia in Brooklyn, S. 53162: Aria
  12. Introduction (von Peter Schickele)
  13. Quodlibet for Small Orchestra: Allegro (von Chamber Orchestra, Jorge Mester)
  14. Quodlibet for Small Orchestra: Adagio (von Chamber Orchestra, Jorge Mester)
  15. Quodlibet for Small Orchestra: Allegro (von Chamber Orchestra, Jorge Mester)
  16. Introduction (von Peter Schickele)
  17. Sinfonia Concertante, S. 98.6: Sehr unruhig mit schmalz (von Maurice Eisenstadt, Robert Lewis, Stanley Buetens, Stephen Lickman, Peter Zolotareff, Professor Schickele, Chamber Orchestra, Jorge Mester)
  18. Sinfonia Concertante, S. 98.6: Andante senza moto (von Maurice Eisenstadt, Robert Lewis, Stanley Buetens, Stephen Lickman, Peter Zolotareff, Professor Schickele, Chamber Orchestra, Jorge Mester)
  19. Sinfonia Concertante, S. 98.6: Presto nicht schleppend (von Maurice Eisenstadt, Robert Lewis, Stanley Buetens, Stephen Lickman, Peter Zolotareff, Professor Schickele, Chamber Orchestra, Jorge Mester)
  20. Introduction (von Peter Schickele)
  21. Oratorio: “The Seasonings”, S. ½ tsp.: Chorus: “Tarragon of virtue is full”
  22. Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country”
  23. Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme”
  24. Oratorio: “The Seasonings”, S. ½ tsp.: Fugue for Orchestra (von The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester)
  25. Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then asked he”
  26. Oratorio: “The Seasonings”, S. ½ tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept”
  27. Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in”
  28. Oratorio: “The Seasonings”, S. ½ tsp.: Aria: “Open sesame seeds”
  29. Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying”
  30. Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Summer is a cumin seed”
  31. Oratorio: “The Seasonings”, S. ½ tsp.: Chorus with Soloists: “To curry favor, favor curry”
  1. Introduction (von Peter Schickele)
  2. “Unbegun” Symphony: III. Minuet (von The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester)
  3. “Unbegun” Symphony: IV. Andante – Allegro (von The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester)
  4. Introduction (von Peter Schickele)
  5. Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Allegro moulto (von Maurice Eisenstadt, Professor Schickele, Robert Lewis, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester)
  6. Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅱ (Adagio sereno) (von Maurice Eisenstadt, Professor Schickele, Robert Lewis, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester)
  7. Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Minaret and Trio (von Maurice Eisenstadt, Professor Schickele, Robert Lewis, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester)
  8. Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Romanze Ⅰ (Chi largo) (von Maurice Eisenstadt, Professor Schickele, Robert Lewis, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester)
  9. Pervertimento for Bagpipes, Bicycle and Balloons, S. 66: Presto changio (von Maurice Eisenstadt, Professor Schickele, Robert Lewis, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester)
  10. Report From Hoople: Bright and Early Show: Signature Theme / Intro (von Peter Schickele)
  11. Report From Hoople: Bright and Early Show: Echo Sonata for Two Unfriendly Groups of Instruments / Tag
  12. Report From Hoople: Bright and Early Show: Station Break (von Peter Schickele)
  13. Report From Hoople: Bright and Early Show: Commercial: “Do You Suffer?” (von John Ferrante, I Virtuosi di Hoople, Professor Schickele)
  14. Report From Hoople: Bright and Early Show: Intro (von Peter Schickele)
  15. Report From Hoople: Bright and Early Show: New Horizons in Music Appreciation: Beethoven’s Fifth Symphony
  16. Report From Hoople: Bright and Early Show: Time / Weather / News (von Peter Schickele)
  17. Report From Hoople: Bright and Early Show: Intro (von Peter Schickele)
  18. Report From Hoople: Bright and Early Show: Traumarei for Unaccompanied Piano (von Peter Schickele)
  19. Report From Hoople: Bright and Early Show: Station Break / Tag / Signature Theme (von Peter Schickele)
  20. Report From Hoople: Dull and Late Show: Signature Theme / Intro (von Peter Schickele)
  21. Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Larghissimo – Allegro boffo
  22. Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Menuetto con brio ma senza trio
  23. Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Adagio saccharino
  24. Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Yehudi Menuetto
  25. Report From Hoople: Dull and Late Show: Schleptet in E‐flat major: Presto hey nonny nonnio
  26. Report From Hoople: Dull and Late Show: Tag / Station Break (von Peter Schickele)
  27. Report From Hoople: Dull and Late Show: What’s My Melodic Line?
  28. Report From Hoople: Dull and Late Show: Time / News / Intro (von Peter Schickele)
  29. Report From Hoople: Dull and Late Show: Fugue in C minor (from the Toot Suite for Calliope Four Hands)
  30. Report From Hoople: Dull and Late Show: Tag / Station Break (von Peter Schickele)
  31. Report From Hoople: Dull and Late Show: What’s Happening in Home Economics (Beethoven’s Revenge) (von Peter Schickele)
  32. Report From Hoople: Dull and Late Show: Commercial: “If You Have Never” (von Peter Schickele)
  33. Report From Hoople: Dull and Late Show: Sign‐Off / Signature Theme (von Peter Schickele)
  1. Introduction (von Will Jordan)
  2. The Stoned Guest, Part 1: Overture (von The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company, John Nelson)
  3. The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost”
  4. The Stoned Guest, Part 1: Recitative: “Boy!”
  5. The Stoned Guest, Part 1: Aria: “Now is the season”
  6. The Stoned Guest, Part 1: Recitative: “Gesundheit!”
  7. The Stoned Guest, Part 1: Duet: “Woe”
  8. The Stoned Guest, Part 1: Recitative: “Hark!”
  9. The Stoned Guest, Part 1: Aria: “Look at me”
  10. The Stoned Guest, Part 1: Recitative: “That’s the end”
  11. The Stoned Guest, Part 1: Trio: “I’m sure I’d be”
  12. Intermission Feature: Opera Whiz (von Peter Schickele)
  13. Plot Synopsis (von Will Jordan)
  14. The Stoned Guest, Part 2: Recitative: “I hate to interrupt”
  15. The Stoned Guest, Part 2: Quartet: “Don Octave”
  16. The Stoned Guest, Part 2: Finale: “O saviour”
  17. Announcement (von Will Jordan)
  18. Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give”
  19. Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth”
  20. Final Announcement (von Will Jordan)
  1. Introduction (von Peter Schickele)
  2. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Overture
  3. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I am a quaint old innkeeper” (von Professor Schickele, David Oei)
  4. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Like a lonely pilgrim”
  5. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “My name is Hansel Hunter”
  6. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I’m the village idiot”
  7. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Et expecto”
  8. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “There’s something about a monk”
  9. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Do you love me?”
  10. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Interlude: Medical examination
  11. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I hope you’ll take this friendly advice”
  12. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Teddy Nice is my name”
  13. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Jump not to conclusions”
  14. Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Finale: “Just tell me what your name is”
  15. The O.K. Chorale from the Toot Suite for calliope four hands, S. 212°
  16. Introduction (von Peter Schickele)
  17. “Erotica” Variations, S. 36EE, for banned instruments and piano: Theme: Windbreaker
  18. “Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅰ: Balloons
  19. “Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅱ: Slide Whistle
  20. “Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅲ: Slide Windbreaker
  21. “Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅳ: Lasso D’Amore
  22. “Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle
  23. Introduction (von Peter Schickele)
  24. The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Loving is as easy
  25. The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Please, kind sir
  26. The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Jane, my Jane
  27. The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh
  28. The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl
  29. The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl)
  30. In the Vanguard Vault, Part 2 (von Peter Schickele)
  31. The “Sanka” Cantata
  32. In the Vanguard Vault, Part 3 (von Peter Schickele)

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