Songtexte
- Comping through "Autumn Leaves" (Swing Comp.Rh.1+2)
- ii-V-I Progr. in All Keys, 7-3 Voicings w. Doubling (Swing Comp.Rh.2)
- LH Swing Pattern "In 2," applied to "Autumn Leaves" (+RH Comp.Rh.1+2)
- LH Bossa Pattern "In 2," applied to "Blue Bossa"
- Jazz Swing Comping Rhythms 2 (Swing Eights)
- LH Swing Pattern "In 4," applied to "All the Things You Are"
- Bossa Nova Comping Rhythms 1 (Straight Eights)
- Soloing Techniques for Jazz Blues "12-bar" 1
- ii-V-I Progr. in All Keys, Block Voicings (Bossa, Comp.Rh.3+4)
- Block (Four Part) Chord Voicings "9 for 1" Sub. (2nd Inv.)
- The "Block Voicing Below Melody" Technique "Just Friends" 3
- LH Bossa Pattern "In 2," applied to "Blue Bossa" (+RH Comp.Rh.1+2)
- Soloing Techniques for Jazz Standards "A Foggy Day" 1
- Block (Four Part) Chord Voicings (Swing, LH Split, RH Comp.Rh.5)
- Comping Through "Just Friends" (Swing, LH Split, RH Comp.Rh.7)
- ii-V-I Progr. in All Keys, 7-3 Voicings (Bossa Comp.Rh.2)
- The ii-V-I Progression
- Block (Four Part) Chord Voicings (Bossa, Comp.Rh.4)
- 7-3 Ext. Voicings Dm7(5)-G9-Cmaj7(5)
- ii-V-I Progr. in All Keys, 7-3 Voicings (Swing)
- Tune 3 - Stella by Candlelight (Victor Yound - Stella by Starlight) full speed
- Minor 7th Chords in All Keys, 3rd on top (Bossa)
- Comping through "Blue Bossa" (Bossa)
- Soloing Techniques for Jazz Blues "12-bar" 2
- Tune 2 - Carnival Time (Louis Bonfi) full speed
- 7-3 Ext. Voicings "Autumn Leaves" Dm7b5-G7b9-Cm7(5)
- Dom. 7th Chords in All Keys, 7th on top (Swing)
- ii-V-I Progr. in All Keys, Block Voicings (Swing)
- LH Swing Pattern "In 2," applied to "Autumn Leaves"
- The "Block Voicing Below Melody" Technique "Just Friends" 2
- Comping through "Blue Bossa" (Bossa Comp.Rh.1+2)
- Block (Four Part) Chord Voicings (2nd Inv.)
- Block (Four Part) Chord Voicings (Bossa, Comp.Rh.3)
- Tune 2 - Carnival Time (Louis Bonfi) slow
- ii-V-I Progr. in All Keys, Block Voicings (Bossa)
- Tune 5 - Cool Blues (Miles Davis - Freddie Freeloader) full speed
- ii-V-I Progr. in All Keys, 7-3 Voicings (Bossa)
- ii-V-I Progr. in All Keys, 7-3 Voicings w. Doubling (Swing)
- Jazz Swing Comping Rhythms 1 (Swing Eights)
- Major 7th Chords in All Keys, 3rd on top (Bossa)
- Dom. 7th Chords in All Keys, 3rd on top (Bossa)
- Block (Four Part) Chord Voicings (root)
- The "7-3 Below Melody" Technique "All the Things You Are" 1
- 7-3 Ext. Voicings Dm7b5-G7b9-Cm7(5)
- The Jazz-Blues Progr. in F (RH Comp.Rh.4)
- The "7-3 Below Melody" Technique "All the Things You Are" 2
- The "7-3 Below Melody" Technique "All the Things You Are" 3
- Comping through "Autumn Leaves" (Swing)
- Major 7th Chords in All Keys, 7th on top (Swing)
- ii-V-I Progr. in All Keys, 7-3 Voicings (Swing Comp.Rh.1)
- Soloing Techniques for Jazz Blues "12-bar" 3
- Block (Four Part) Chord Voicings (Swing, LH Split, RH Comp.Rh.6)
- LH Swing Pattern "In 4," applied to "All the Things You Are" (+RH Comp.Rh.3)
- 7-3 Chord Voicings 2
- The "7-3 Below Melody" Technique "Autumn Leaves" 3
- Tune 1 - Duke's Sweetheart (Duke Ellington - Satin Doll) slow
- The "Block Voicing Below Melody" Technique "Just Friends" 1
- Soloing Techniques for Jazz Standards "A Foggy Day" 3
- The "7-3 Below Melody" Technique "Autumn Leaves" 1
- Tune 4 - Kitten Up a Tree (Erroll Garner - Misty) full speed
- The Jazz-Blues Progr. in F
- Block (Four Part) Chord Voicings "9 for 1" Sub. (root)
- Minor 7th Chords in All Keys, 7th on top (Swing)
- Tune 1 - Duke's Sweetheart (Duke Ellington - Satin Doll) full speed
- 7-3 Ext. Voicings "Blue Bossa" Dm7b5-G7b9-Cm7(5)
- Bossa Nova Comping Rhythms 2 (Straight Eights)
- Soloing Techniques for Jazz Standards "A Foggy Day" 2
- Tune 3 - Stella by Candlelight (Victor Yound - Stella by Starlight) slow
- The Top-Note Voicing Exercise
- 7-3 Chord Voicings 1
- The "7-3 Below Melody" Technique "Autumn Leaves" 2
- ii-V-I Progr. in All Keys, Block Voicings (Swing, LH Split, RH Comp.Rh.5)
- Soloing Techniques for Jazz Standards "A Foggy Day" 4
- Tune 5 - Cool Blues (Miles Davis - Freddie Freeloader) slow
- Tune 2 - Carnival Time (Louis Bonfi - Black Orpheus) full speed
- 7-3 Ext. Voicings "Blue Bossa" Dm7b5-G7b9-Cm7, Ebm7-Ab9-Dbmaj7
- 7-3 Ext. Voicings "Autumn Leaves" A7-D9-Gmaj7, F#m7b5-B7b9-Em7
- Tune 2 - Carnival Time (Louis Bonfi - Black Orpheus) slow
- Major and minor triad inversions 1
- Major and minor triad inversions 2
- Cp#25 [Dance/Pop,80s/90s] Annie Lennox - Precious, Kbd
- Triad Inversions and Voice Leading (I-IV-V-I), Pno
- Tune 1 - Turn Out the Light (Hall and Oates - Kiss on My List), slow
- Pop/Rock Comping Using Suspended Chords I(I,Isus2)-I(Isus4,I)-V(Isus4,V)-V(Vsus2,V), Pno
- Cp#21 [R&B Ballad,80s] Luther Vandross - I Want the Night to Stay, Kbd
- Rock Ballad Comping Using 16th Notes 1 I-IV-V-I, Pno
- Cp#12 [Philly Soul,70s] R&B/Gospel-style shuffle, Kbd
- Power Chord Voicings and Comping I-V-IV-I, Pno
- Cp#14 [Funk,70s] The Gap Band - Shake, Kbd
- Cp#22 [Dance/Pop,80s/90s] Whitney Houston - How Will I Know, Kbd+RS
- Triad-over-root chord voicings 4 (part 1 & 2)
- Cp#28 [Neo-Soul,90s/00s] Alica Keys - A Woman's Worth, Kbd+RS
- Left-Hand Eighth-Note Pattern 1, Pno
- Ce#5 Elton John - I'm Still Standing, Pno
- Cp#22 [Dance/Pop,80s/90s] Whitney Houston - How Will I Know, Kbd
- Left-Hand Eighth-Note Pattern 2, Pno
- Four-part-over-root chord voicings 3 (part 1 & 2)
- Tune 1 - Soul Genius (Ray Charles - One Mint Julep), full speed
- Ce#2 Billy Joel - My Life, Pno
- Ce#10 Ben Folds - Brick, Pno
- Tune 6 - Pump It Up (Michael Jackson - Thriller), full speed
- Cp#1 [Early R&B,50s] The Coasters - Searching, Kbd+RS
- Ce#6 Elton John - Little Jeannie, Pno
- Myxolidian third intervals and triads
- Cp#4 [Motown Soul,60s] Marvin Gaye - Heard It Through The Grapevine, Kbd
- Cp#20 [R&B Ballad,80s] Whitney Houston - Greatest Love of All, Kbd+RS
- Cp#26 [Neo-Soul,90s/00s] Babyface - All Day Thinkin, Kbd+RS
- Tune 1 - Soul Genius (Ray Charles - One Mint Julep), slow
- Cp#16 [Disco,70s] Sister Sledge - We Are Family, Kbd+RS
- Tune 3 - Funk Jam (Billy Preston - Outa Space), full speed
- Swing Eighths (or Shuffle) Rhythmic Feel 1, Pno
- Cp#24 [Dance/Pop,80s/90s] Mariah Carey - Emotions, Kbd
- Cp#4 [Motown Soul,60s] Marvin Gaye - Heard It Through The Grapevine, Kbd+RS
- Four-Part Chords in the Key of C I-ii-iii-IV-iii-ii-I, Pno+RS
- The I-IV-V Progression in the Key of C, Pno
- Cp#19 [R&B Ballad,80s] Sade - Your Love Is King, Kbd
- Four-Part Chord Inversions and Voice Leading I-IV-ii-VI, Pno+RS
- Ce#1 Billy Joel - Just the Way You Are, Pno+RS
- Rock Ballad Comping Using 16th Notes 2 I-IV-V-I (C, F/A, G/B, C), Pno+RS
- Cp#27 [Neo-Soul,90s/00s] Jamiroquai - Virtual Insanity, Kbd+RS
- Cp#17 [Disco,70s] Irene Cara - Flashdance, Kbd
- Cp#25 [Dance/Pop,80s/90s] Annie Lennox - Precious, Kbd+RS
- Alternation triad chord voicings 1
- More Right-Hand Rhythm Patterns (I-IV-V-I), Pno
- Triad-over-root chord voicings 1
- Tune 2 - Whenever I'm with You (Martha Reeves and the Vandellas - Heat Wave), slow
- Cp#11 [Philly Soul,70s] Harold Melvin and the Blue Notes - If You Don't Know Me by Now, Kbd+RS
- Tune 4 - On My Way (Motley Crue - Home Sweet Home), slow
- Tune 5 - It'll Always Be This Way (Anita Baker - Sweet Love), slow
- Swing Eighths (or Shuffle) Rhythmic Feel 2, Pno
- Tune 6 - Pump It Up (Michael Jackson - Thriller), slow
- Cp#14 [Funk,70s] The Gap Band - Shake, Kbd+RS
- Tune 2 - Shooting Star (Train - Drops of Jupiter), slow
- Triad-over-root chord voicings 3
- Ce#7 Bruce Hornsby - The Way It Is, Pno
- Triad-over-root chord voicings 2
- Mixolydian 3rd Intervals and Patterns 1 I, Pno+RS
- Cp#28 [Neo-Soul,90s/00s] Alica Keys - A Woman's Worth, Kbd
- Tune 3 - Thinking About Tomorrow (Fleetwood Mac), slow
- The Classic Blues/Rock Left-Hand Pattern (I-IV-V-I), Pno+RS
- Ce#4 Elton John - Sad Songs, Pno
- Cp#19 [R&B Ballad,80s] Sade - Your Love Is King, Kbd+RS
- Right-Hand Arpeggios Using 16th-Notes I-V-ii-VI, Pno+RS
- The C and F Pentatonic Scales and Subgroups C, Pno
- Ce#11 Ben Folds - Song For The Dumped, Pno
- Right-Hand Arpeggios Using 16th-Notes I-V-ii-VI, Pno
- Se#3 C Blues Scale over 12-bar Blues in C, Pno
- Cp#23 [Dance/Pop,80s/90s] Prince - Cream, Kbd+RS
- Triad-Over-Root Chord Voicings VI-I-ii-IV-I, Pno+RS
- The C and F Pentatonic Scales and Subgroups F, Pno
- Rock Shuffle Comping Pattern in the Key of C (I-VI-IV-V), Pno+RS
- Unison Riffs Using the Minor Pentatonic Scale, Pno+RS
- Tune 1 - Turn Out the Light (Hall and Oates - Kiss on My List), full speed
- Cp#9 [Memphis Soul,60s] Wilson Picket - Mustang Sally, Kbd+RS
- Cp#5 [Motown Soul,60s] The Temptations - I Can't Get Next to You, Kbd
- Cp#13 [Funk,70s] The Commodores - Brick House, Kbd+RS
- Tune 5 - It'll Always Be This Way (Anita Baker - Sweet Love), full speed
- Cp#6 [Motown Soul,60s] Mary Wells - My Guy, Kbd+RS
- Resolution within triads
- Alternating Triad Chord Voicings 2 i(bVII,bIII)-V(I,V)-iv(bVII,bIII), Pno+RS
- Cp#12 [Philly Soul,70s] R&B/Gospel-style shuffle, Kbd+RS
- Unison Riffs Using the Blues Scale, Pno
- Pop/Rock Comping Using Suspended Chords I(I,Isus2)-I(Isus4,I)-V(Isus4,V)-V(Vsus2,V), Pno+RS
- Alternation triad chord voicings 2 (part 1 & 2)
- Alternating Triad Chord Voicings 2 i(bVII,bIII)-V(I,V)-iv(bVII,bIII), Pno
- Right-Hand Arpeggios Using Eight-Notes 2 I-V-ii-VI, Pno
- Tune 5 - Working Overtime (Bachman-Turner Overdrive - Takin' Care of Business), full speed
- Se#1 C and F Pentatonic Scales and Subgroups C-F-C-F-C, Pno
- Cp#15 [Funk,70s] Stevie Wonder - Superstition, Kbd
- Ce#6 Elton John - Little Jeannie, Pno+RS
- Cp#5 [Motown Soul,60s] The Temptations - I Can't Get Next to You, Kbd+RS
- Ce#8 Bruce Hornsby - The Valley Road, Pno+RS
- Tune 7 - Urban Legend (Brian McKnight - Anytime), full speed
- Se#2 A Minor Pentatonic Scale Pattern, Pno
- Cp#9 [Memphis Soul,60s] Wilson Picket - Mustang Sally, Kbd
- Tune 2 - Shooting Star (Train - Drops of Jupiter), full speed
- Four-Part Chord Inversions and Voice Leading I-IV-ii-VI, Pno
- Se#4 C Blues Scale with Drone Notes, over 12-bar Blues in C, Pno+RS
- Alternating Triad Chord Voicings 1 I(I,IV), Pno+RS
- Major and minor seventh chord inversions 2
- Unison Riffs Using the Blues Scale, Pno+RS
- Major and minor seventh chord inversions 3
- Cp#7 [Memphis Soul,60s] Otis Redding - Sittin' on the Dock of the Bay, Kbd
- Tune 5 - Working Overtime (Bachman-Turner Overdrive - Takin' Care of Business), slow
- Left-Hand Eighth-Note Pattern 2, Pno+RS
- Ce#8 Bruce Hornsby - The Valley Road, Pno
- Cp#16 [Disco,70s] Sister Sledge - We Are Family, Kbd
- Cp#17 [Disco,70s] Irene Cara - Flashdance, Kbd+RS
- Cp#29 [Neo-Soul,90s/00s] Jimmy Cozier - She's All I Got, Kbd
- Ce#3 Billy Joel - It's Still Rock'n'Roll to Me, Pno+RS
- Triad-Over-Root Chord Voicings VI-I-ii-IV-I, Pno
- Cp#3 [Early R&B,50s] Vernon Green and the Medallions - Telegram, Kbd
- Tune 4 - On My Way (Motley Crue - Home Sweet Home), full speed
- Ce#7 Bruce Hornsby - The Way It Is, Pno+RS
- Ce#9 Bruce Hornsby - Mandolin Rain, Pno
- Ce#3 Billy Joel - It's Still Rock'n'Roll to Me, Pno
- More Chords and Rhythm Patterns in the Key of F (V-VI-IV-I), Pno+RS
- Ce#11 Ben Folds - Song For The Dumped, Pno+RS
- Cp#18 [Disco,70s] The Weather Girls - Raining Men, Kbd+RS
- Se#3 C Blues Scale over 12-bar Blues in C, Pno+RS
- The Classic Blues/Rock Left-Hand Pattern (I-IV-V-I), Pno
- Cp#10 [Philly Soul,70s] The Three Degrees - When Will I see You Again, Kbd+RS
- Cp#26 [Neo-Soul,90s/00s] Babyface - All Day Thinkin, Kbd
- Tune 4 - Inside Out (Diana Ross - Upside Down), full speed
- Cp#27 [Neo-Soul,90s/00s] Jamiroquai - Virtual Insanity, Kbd
- Ce#4 Elton John - Sad Songs, Pno+RS
- Double 4ths/Cluster shapes and chord voicings 4 (parts 1-2)
- Cp#23 [Dance/Pop,80s/90s] Prince - Cream, Kbd
- Swing Eighths (or Shuffle) Rhythmic Feel 2, Pno+RS
- Pentatonic sale fills, and use over chords 2
- Pentatonic sale fills, and use over chords 1
- Cp#3 [Early R&B,50s] Vernon Green and the Medallions - Telegram, Kbd+RS
- Cp#2 [Early R&B,50s] Ray Charles - What I'd Say, Kbd+RS
- Major and minor seventh chord inversions 1
- Cp#21 [R&B Ballad,80s] Luther Vandross - I Want the Night to Stay, Kbd+RS
- Cp#13 [Funk,70s] The Commodores - Brick House, Kbd
- Left-Hand Quarter-Note Pattern 1, Pno
- Se#4 C Blues Scale with Drone Notes, over 12-bar Blues in C, Pno
- Cp#7 [Memphis Soul,60s] Otis Redding - Sittin' on the Dock of the Bay, Kbd+RS
- Ce#9 Bruce Hornsby - Mandolin Rain, Pno+RS
- Ce#12 Ben Folds - Army, Pno
- Seven three chord voicings
- Left hand open triad arpeggios
- Cp#20 [R&B Ballad,80s] Whitney Houston - Greatest Love of All, Kbd
- Rock Shuffle Comping Pattern in the Key of C (I-VI-IV-V), Pno
- Cp#8 [Memphis Soul,60s] Booker T. and the MG's - Green Onions, Kbd
- Se#1 C and F Pentatonic Scales and Subgroups C-F-C-F-C, Pno+RS
- Ce#2 Billy Joel - My Life, Pno+RS
- Se#2 A Minor Pentatonic Scale Pattern, Pno+RS
- Mixolydian 3rd Intervals and Patterns 2 12-bar Blues, Pno
- Ce#5 Elton John - I'm Still Standing, Pno+RS
- Tune 2 - Whenever I'm with You (Martha Reeves and the Vandellas - Heat Wave), full speed
- Cp#24 [Dance/Pop,80s/90s] Mariah Carey - Emotions, Kbd+RS
- Ce#1 Billy Joel - Just the Way You Are, Pno
- Right-Hand Arpeggios Using Eight-Notes 1 I-V-ii-VI, Pno+RS
- Unison Riffs Using the Minor Pentatonic Scale, Pno
- Cp#10 [Philly Soul,70s] The Three Degrees - When Will I see You Again, Kbd
- Tune 3 - Funk Jam (Billy Preston - Outa Space), slow
- Mixolydian 3rd Intervals and Patterns 2 12-bar Blues, Pno+RS
- Left-Hand Quarter-Note Pattern 2, Pno
- Double 4ths/Cluster shapes and chord voicings 3
- More Chords and Rhythm Patterns in the Key of G (I-iii-IV-I), Pno
- Cp#11 [Philly Soul,70s] Harold Melvin and the Blue Notes - If You Don't Know Me by Now, Kbd
- Double 4ths/Cluster shapes and chord voicings 1
- The I-IV-V Progression in the Key of C, Pno+RS
- Four-Part Chords in the Key of C I-ii-iii-IV-iii-ii-I, Pno
- Double 4ths/Cluster shapes and chord voicings 2
- Cp#15 [Funk,70s] Stevie Wonder - Superstition, Kbd+RS
- Descending fills with triad and sixth intervals
- Cp#29 [Neo-Soul,90s/00s] Jimmy Cozier - She's All I Got, Kbd+RS
- Cp#8 [Memphis Soul,60s] Booker T. and the MG's - Green Onions, Kbd+RS
- Cp#1 [Early R&B,50s] The Coasters - Searching, Kbd
- Cp#6 [Motown Soul,60s] Mary Wells - My Guy, Kbd
- Cp#18 [Disco,70s] The Weather Girls - Raining Men, Kbd
- Power Chord Voicings and Comping I-V-IV-I, Pno+RS
- Tune 3 - Thinking About Tomorrow (Fleetwood Mac), full speed
- Pentatonic patterns using fourth intervals (part 1 & 2)
- More Chords and Rhythm Patterns in the Key of G (I-iii-IV-I), Pno+RS
- Right-Hand Arpeggios Using Eight-Notes 1 I-V-ii-VI, Pno
- More Right-Hand Rhythm Patterns (I-IV-V-I), Pno+RS
- Mixolydian 3rd Intervals and Patterns 1 I, Pno
- Ce#12 Ben Folds - Army, Pno+RS
- Rock Ballad Comping Using 16th Notes 2 I-IV-V-I (C, F/A, G/B, C), Pno
- Four-part-over-root chord voicings 1
- Four-part-over-root chord voicings 2
- Rock Ballad Comping Using 16th Notes 1 I-IV-V-I, Pno+RS
- More Chords and Rhythm Patterns in the Key of F (V-VI-IV-I), Pno
- Rhythmic concepts (parts 1-6) - eights, swing eights, eight-note triplets vs. 12/8 time, 6/4 time eight-note triplets, sixteenths, swing sixteenths
- Left-Hand Quarter-Note Pattern 2, Pno+RS
- Cp#2 [Early R&B,50s] Ray Charles - What I'd Say, Kbd
- Right-Hand Arpeggios Using Eight-Notes 2 I-V-ii-VI, Pno+RS
- Alternating Triad Chord Voicings 1 I(I,IV) Pno
- Ce#10 Ben Folds - Brick, Pno+RS
- Triad Inversions and Voice Leading (I-IV-V-I), Pno+RS
