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Gerome Ragni, James Rado & Galt MacDermot Songtexte
Sheila Franklin / I Believe In Love

Hair: The American Tribal Love‐Rock Musical (Soundtrack)

Original Broadway Cast Album

  1. Aquarius (von Ronnie Dyson)
  2. Donna (von Gerome Ragni)
  3. Hashish
  4. Sodomy (von Steve Curry)
  5. Colored Spade (von Lamont Washington)
  6. Manchester England (von James Rado)
  7. I’m Black
  8. Ain’t Got No
  9. I Believe in Love (von Lynn Kellogg)
  10. Ain’t Got No (reprise)
  11. Air
  12. Initials
  13. I Got Life (von James Rado)
  14. Going Down (von Gerome Ragni)
  15. Hair
  16. My Conviction (von Jonathan Kramer)
  17. Easy To Be Hard (von Lynn Kellogg)
  18. Don’t Put It Down (von Gerome Ragni and Steve Curry)
  19. Frank Mills (von Shelley Plimpton)
  20. Be‐In
  21. Where Do I Go? (von James Rado)
  22. Electric Blues (von Paul Jabara)
  23. Manchester England (reprise) (von James Rado)
  24. Black Boys
  25. White Boys
  26. Walking in Space
  27. Abie Baby (von Lorrie Davis, Lamont Washington, Ronald Dyson, Donnie Burks)
  28. Three‐Five‐Zero‐Zero
  29. What a Piece of Work Is Man / Walking in Space (reprise)
  30. Good Morning Starshine (von Lynn Kellogg, Melba Moore, James Rado, Gerome Ragni)
  31. The Bed
  32. The Flesh Failures (Let the Sunshine In)

Original Off‐Broadway Cast Album

  1. Ain’t Got No
  2. I Got Life
  3. Air (von Sally Eaton, Shelley Plimpton, Jonelle Allen)
  4. Going Down (von Gerome Ragni)
  5. Hair
  6. Dead End (von Jill O’Hara)
  7. Frank Mills (von Shelley Plimpton)
  8. Hare Krishna
  9. Where Do I Go? (von Walker Daniels)
  10. Electric Blues (von Suzannah Evans, Linda Compton, Paul Jabara)
  11. Easy to Be Hard
  12. Manchester (von Walker Daniels)
  13. White Boys
  14. Black Boys
  15. Walking in Space
  16. Aquarius
  17. Good Morning Starshine (von Jill O’Hara)
  18. Exanaplanetooch (von Walker Daniels)
  19. The Climax (von Jill O’Hara)
  20. Opening
  21. Red Blue and White
  22. Sentimental Ending
  23. Interview with Galt MacDermot: How did you become involved with “Hair”? (von Galt MacDermot)
  24. Interview with Galt MacDermot: What do you remember about the off‐Broadway cast recording? (von Galt MacDermot)
  25. Interview with Galt MacDermot: And the Broadway cast recording? (von Galt MacDermot)
  26. Interview with Galt MacDermot: In the recording session photos, you were the only person wearing a jacket and tie. (von Galt MacDermot)
  27. Interview with Galt MacDermot: How did the two productions differ? (von Galt MacDermot)
  28. Interview with Galt MacDermot: You were not a traditional theater composer. Did you have any models or influences? (von Galt MacDermot)
  29. Interview with Galt MacDermot: Did “Hair” influence your later work, like “Two Gentlemen of Verona”? (von Galt MacDermot)
  30. Interview with Galt MacDermot: “Hair” was controversial with critics and the public. Did this affect you at all? (von Galt MacDermot)
  31. Interview with Galt MacDermot: On writing for the theater, and what makes a popular song? (von Galt MacDermot)
  32. Interview with Galt MacDermot: Did you ever rewrite any of the “Hair” songs? (von Galt MacDermot)
  33. Interview with Galt MacDermot: What sort of music do you write now? (von Galt MacDermot)
  34. Interview with Galt MacDermot: Do you use synthesizers? (von Galt MacDermot)
  35. Interview with Galt MacDermot: Have you got any advice for people who want to write for musical theater? (von Galt MacDermot)
  36. Interview with Galt MacDermot: Does any one songs in “Hair” express your philosophy? (von Galt MacDermot)

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