Songtexte
- Ear Training: Chord and Non-Chord Tones
- Fm, Three-Notes-Per-String Drills
- Pentatonics: Shedding Diatonic Tones
- Syncopation
- Sixteenth Notes
- Vibrato on a String Bend
- Playing in Other Keys
- Short Melodic Fragments
- A Minor Pentatonic Boxes
- "Exottica" 2:00-2:24
- Triplets
- Ear Training with Triads
- Parallel Scale Exercise 1
- Ear Training with Primary Chord Progression
- Improvised Scale/Voice Exercises
- Mystic Places
- Rhythm Notation
- Creative Soloing
- Moving Licks Between Boxes
- Simple Intervals: "Vocal-leading" Interval Exercises
- Melody over Droning Riff ("Tao of Metal," from Metal Rhythm Guitar Volume 2)
- Arpeggiated Triads
- Battle To Victory
- F#m Pentatonic to A Major Pentatonic
- C Major Harmonized in 6ths
- Sweep Picking
- Melodic Resolution
- "Exottica" 0:35-0:58
- Ear Training with Melody
- Simple Intervals: The A Major Scale
- Ear Training with Phrygian-Dominant
- Scale Sequencing
- Part VII (Ex. 1-19)
- 'Mistakes?! Off With Their Heads!!!' (Metal Jam #2)
- EQ Settings
- Ear Training with Modes
- Hammer-Ons and Pull-Offs
- Part XI (Ex. 97-123)
- Keeping Non-Ringing Notes Quiet
- Effects - Reverb
- Microtone Bends
- Melodies over Progressions
- Palm Muting
- Interval Shape Alterations
- Part VIII (EX. 20-52)
- New Lands
- Effects - Delay
- ii7-V7-Imaj7 Jazz Progression
- "Sunrise" Bridge (Authentic Cadence)
- Basic Chord Resolution
- Tuning
- Making Melodies, Major Progressions with Secondary Chords
- "Bluegrass Country-Blues Major Pentatonic Rockout"
- Ear Training Progressions with Inversions
- The Art of Practicing
- C Major Harmonized to 7ths
- Tuning Notes
- Natural Minor Positional Licks
- Feedback
- 7th Arpeggios
- Advanced Resolution
- Ear Training with Scales
- Parallel Scale Exercise 2
- Tip: Memorizing Scales
- The Right Hand
- Tip: Identify Intervals by Sound
- Ear Training for Chord Tones
- Relativity: Ear Training with Intervals
- Bm Hexatonic "Chunking" Lick
- Pentatonic Exercies #2, Improv
- Ear Training for Minor Intervals
- II-V-I ("March in G," J. S. Bach)
- "My Funk" 1:30-1:45
- Em, Three-Notes-Per-String Drills
- G Major and A Dorian Melodies
- Eb Slack Tuning - Low E String
- 'Slow-Note Terror' (Metal Jam #1)
- Simple Intervals: Interval Names, Shapes & Sounds
- Pentatonic Exercise #1
- "The Flight of the Bumblebee"
- Two-Octave Positional Scales
- "Caprice No. 10"
- Ear Training with Blended Tonalities
- Pedal Tone and Palm-Muted Pedal Tone
- Part X (Ex. 71-96)
- Lightning's Edge
- Modes of G Major
- Staccato
- Effects - Flanging and Chorusing
- "Prelude in D"
- Melodies Over Progression with Parallel Tonality
- Melody/Solo over Tonic Groove
- Part IX (Ex. 53-70)
- Babylon
- Intervals
- "Sunrise"
- The Tritone
- Prelude
- Barre Chords and Arpeggios
- String Bending
- Melodies over i-bVI-bVII Minor Progression
- Melody with Two- and Three-Part Harmony
- Chords in C Major
- Minor Intervals
- Jazz Melodic Minor
- The Left Hand
- Gm, Three-Notes-Per-String Sequences
- Cascading Resolutions ("5th Caprice," N. Paganini)
- 'Mistakes?! Off With Their Heads!!!' (Rhythm Guitar Track)
- Ear Training with Minor Key Progressions
- Progressions with Parallel Major/Minor Chords
- 'Slow-Note Terror' (Rhythm Guitar Track)
- Building Speed
- Ear Training with Harmonic Minor
- Scale Formulas
- Arpeggio Study ("Cannon in D," J. Pachelbel)
- Fm, Three-Notes-Per-String Drills #2
- Metal Riffs
- Harmonized C Major
- Drastic Measures
- Ear Training with Secondary Chords
- Riffs
- Rhythmic Activity
- Ear Training in the Upper Octave Range
- Ear Training with Chromatics
- Scale and Triad Shape Alteration
- Vibrato
- Building the Connection
- Am, Three-Notes-Per-String Drills
- Notes on the Low E String
- Ear Training with the Blues Scale
- Simple Intervals: Identifying Intervals by Sound
- The Basic 'Rock' Scale
- Part XII (Ex. 124-144)
- The Natural Minor Scale
- Melody with Harmony in 6ths
- Ear Training with Pentatonics
- Insane Arpeggios
- Getting the Sound (Clean and Distortion)
- Cadential Six-Four ("5th Caprice," N. Paganini)
- Multiple Resolution, Single Target ("Appassionata," L. van Bethoven)
- Foreword
- Vibrato Articulation
- Demon's Waltz [no guitar]
- More Barre Chord Shapes
- Lucky Day [full band]
- The Tao of Metal [full band]
- In the Spirit [no guitar]
- Muting Mayhem
- Open Major and Minor Chords
- Getting the Sound
- Major "V", "IV", and "I" in Minor Keys
- [omitted from recording]
- Riffs Vs. Progressions
- Sixteenth Note "Offbeat" Accents
- Rhythmic Patterns
- As Darkness Gathers [full band]
- Double Upbeat Accent
- Downstroke Sixteenths and Accent Picking
- Tales from the Crypt [no guitar]
- Sharps and Flats
- On the Prowl [no guitar]
- Dropped D Tuning
- Power Chords on the Fifth String
- Sixteenth Note Figures
- Slash and Inverted Chords
- Whips and Chains [no guitar]
- "Switching" between Strings
- Lucky Day [no guitar]
- "E" and "A" from Barre Chords
- Whole Notes, Half Notes, and Quarter Notes
- Welcome
- Arpeggiation
- The Strumming Approach
- 12/8 and Shuffle Rhythms
- Un-common Time
- Quarter Note Triplets
- Economy Fingering
- Riffs in the Blues Scale
- In the Spirit [full band]
- The Blues Scale
- Seventh and Ninth Chords
- Hammer-on and Pull-off Articulations
- Natural Harmonic "Mutes"
- Transposing Major Progressions
- Eighth Notes
- Power Chords on the Sixth String
- Upbeats with Ties (Syncopation)
- More Open Power
- The Tao of Metal [no guitar]
- Half Time (Intro to Sixteenth Notes)
- Rock 'n' Roll Comping
- The Slide
- Using Artificial Harmonics in Riffs
- Rock 'n' Roller [no guitar]
- Whips and Chains [full band]
- Monsterfunker [full band]
- 12-Bar Changes
- Rhythm Variations
- Sounds of Silence
- Tales from the Crypt [full band]
- Transposing Minor Progressions and Riffs
- Progressions in "E" Minor
- Pedaling the Root
- Upbeat Accents
- Nervosa [no guitar]
- Rhythmic Patterns in Sixteenths
- More Diad Shapes
- Building Chords in a Major Key
- Riff Form
- On the Prowl [full band]
- Demon's Waltz [full band]
- Multiple Upbeat Accents
- Power Chord Extensions
- As Darkness Gathers [no guitar]
- The ♭V and ♭II Chords
- Fourth Diads
- Nervosa [full band]
- "Sus" and "Add" Chords
- Rock 'n' Roller [full band]
- Progressions in "E" Major
- Monsterfunker [no guitar]
- The ♭VII Variation
- Common Tones and Melodic Fragments
- Left-Hand Muting
- Building Chords in a Minor Key
- Expanded Power Chords
