Tafelmusik Songtexte
Die Schöpfung, Hob. XX1:2: Part III, no. 28b. Duett und Chor "Der Sterne hellster" - "Heil dir, o Gott!" (Adam, Eva, Chor)
Orfeo ed Euridice: Atto I, Scena 2. Aria: “Gli sguardi trattieni” (Amore)
Anfang 1979
Mitgliedschaften
- David Greenberg
- Patrick Jordan
- Konrad Junghänel
- Jeanne Lamon
- Christina Mahler
- Linda Melsted
- Scott Metcalfe
- Charlotte Nediger
- Christopher Palameta
- Jesse Read
- David Sinclair
- Ivars Taurins
- Dominic Teresi
- Julia Wedman
- Allen Whear
The Complete Sony Recordings (Compilation)
Johann Sebastian Bach: Brandenburg Concertos nos. 1-3, BWV 1046-1048
- Concerto no. 1 in F major, BWV 1046: I. (-) (von Tafelmusik, Jeanne Lamon)
- Concerto no. 1 in F major, BWV 1046: II. Adagio (von Tafelmusik, Jeanne Lamon)
- Concerto no. 1 in F major, BWV 1046: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio - Polonaise - Trio (von Tafelmusik, Jeanne Lamon)
- Concerto no. 2 in F major, BWV 1047: I. (-) (von Tafelmusik, Jeanne Lamon)
- Concerto no. 2 in F major, BWV 1047: II. Andante (von Tafelmusik, Jeanne Lamon)
- Concerto no. 2 in F major, BWV 1047: III. Allegro assai (von Tafelmusik, Jeanne Lamon)
- Concerto no. 3 in G major, BWV 1048: I. (-) (von Tafelmusik, Jeanne Lamon)
- Concerto no. 3 in G major, BWV 1048: II. Allegro (von Tafelmusik, Jeanne Lamon)
Johann Sebastian Bach: Brandenburg Concertos nos. 4-6, BWV 1049-1051
- Concerto No. 4 in G major, BWV 1049: I. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto No. 4 in G major, BWV 1049: II. Andante (von Tafelmusik, Jeanne Lamon)
- Concerto No. 4 in G major, BWV 1049: III. Presto (von Tafelmusik, Jeanne Lamon)
- Concerto No. 5 in D major, BWV 1050: I. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto No. 5 in D major, BWV 1050: II. Affettuoso (von Tafelmusik, Jeanne Lamon)
- Concerto No. 5 in D major, BWV 1050: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto No. 6 in B-flat major, BWV 1051: I. (-) (von Tafelmusik, Jeanne Lamon)
- Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto (von Tafelmusik, Jeanne Lamon)
- Concerto No. 6 in B-flat major, BWV 1051: III. Allegro (von Tafelmusik, Jeanne Lamon)
Johann Sebastian Bach: Violin Concerto in A minor, BWV 1041 / Concerto for 2 Violins in D minor, BWV 1043 / Violin Concerto in E major, BWV 1042 / Concerto for 3 Violins in D major, BWV 1064R
- Concerto for Violin, Strings & Basso continuo in A minor, BWV 1041: I. (-) (von Jeanne Lamon, Tafelmusik)
- Concerto for Violin, Strings & Basso continuo in A minor, BWV 1041: II. Andante (von Jeanne Lamon, Tafelmusik)
- Concerto for Violin, Strings & Basso continuo in A minor, BWV 1041: III. Allegro assai (von Jeanne Lamon, Tafelmusik)
- Concerto for 2 Violins, Strings & Basso continuo in D minor, BWV 1043: I. Vivace (von Jeanne Lamon, Tafelmusik)
- Concerto for 2 Violins, Strings & Basso continuo in D minor, BWV 1043: II. Largo ma non tanto (von Jeanne Lamon, Tafelmusik)
- Concerto for 2 Violins, Strings & Basso continuo in D minor, BWV 1043: III. Allegro (von Jeanne Lamon, Tafelmusik)
- Concerto for Violin, Strings & Basso continuo in E major, BWV 1042: I. Allegro (von Jeanne Lamon, Tafelmusik)
- Concerto for Violin, Strings & Basso continuo in E major, BWV 1042: II. Adagio (von Jeanne Lamon, Tafelmusik)
- Concerto for Violin, Strings & Basso continuo in E major, BWV 1042: III. Allegro assai (von Jeanne Lamon, Tafelmusik)
- Concerto for 3 Violins, Strings & Basso continuo in D major, BWV 1064R: I. Allegro
- Concerto for 3 Violins, Strings & Basso continuo in D major, BWV 1064R: II. Adagio
- Concerto for 3 Violins, Strings & Basso continuo in D major, BWV 1064R: III. Allegro
Wilhelm Friedemann Bach: Sinfonia in D major, F. 64 / Sinfonia in D minor, F. 65 / Suite (Overture) in G minor (BWV 1070) / Harpsichord Concerto in D major, F. 41 / Sinfonia in F major, F. 67
- Sinfonia in D major, F. 64: I. Allegro e maestoso
- Sinfonia in D major, F. 64: II. Andante
- Sinfonia in D major, F. 64: III. Vivace
- Sinfonia in D minor, F. 65: Adagio - Fugue
- Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): I. Ouverture. Larghetto
- Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): II. Torneo
- Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): III. Aria. Adagio
- Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): IV. Menuetto alternativo - Trio
- Suite (Overture) in G minor (BWV 1070, attrib. W. F. Bach): V. Capriccio
- Concerto for Harpsichord, Strings & Basso continuo in D major, F. 41: I. Allegro
- Concerto for Harpsichord, Strings & Basso continuo in D major, F. 41: II. Andante
- Concerto for Harpsichord, Strings & Basso continuo in D major, F. 41: III. Vivace
- Sinfonia for Strings in F major, F. 67: I. Vivace
- Sinfonia for Strings in F major, F. 67: II. Andante
- Sinfonia for Strings in F major, F. 67: III. Allegro
- Sinfonia for Strings in F major, F. 67: IV. Menuetto I - Menuetto II
Ludwig van Beethoven: Piano Concerto no. 1 in C major, op. 15 / Piano Concerto no. 2 in B-flat major, op. 19
- Concerto for Piano & Orchestra no. 1 in C major, op. 15: I. Allegro con brio
- Concerto for Piano & Orchestra no. 1 in C major, op. 15: II. Largo
- Concerto for Piano & Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro
- Concerto for Piano & Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio
- Concerto for Piano & Orchestra no. 2 in B-flat major, op. 19: II. Adagio
- Concerto for Piano & Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro
Ludwig van Beethoven: Piano Concerto no. 3 in C minor, op. 37 / Piano Concerto no. 4 in G major, op. 58
- Concerto for Piano & Orchestra no. 3 in C minor, op. 37: I. Allegro con brio
- Concerto for Piano & Orchestra no. 3 in C minor, op. 37: II. Largo
- Concerto for Piano & Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro
- Concerto for Piano & Orchestra no. 4 in G major, op. 58: I. Allegro moderato
- Concerto for Piano & Orchestra no. 4 in G major, op. 58: II. Andante con moto
- Concerto for Piano & Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace
Ludwig van Beethoven: Piano Concerto no. 5 in E-flat major, op. 73 “Emperor” / Violin Concerto in D major, op. 61
- Concerto for Piano & Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
- Concerto for Piano & Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco moto
- Concerto for Piano & Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
- Concerto for Violin & Orchestra in D major, op. 61: I. Allegro ma non troppo
- Concerto for Violin & Orchestra in D major, op. 61: II. Larghetto
- Concerto for Violin & Orchestra in D major, op. 61: III. Rondo. Allegro
Heinrich Ignaz Franz Biber: Harmonia artificioso-ariosa
- Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: I. Sonata. Adagio - Presto - Adagio
- Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: II. Allamande
- Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: III. Gigue - Variatio I - Variatio II
- Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: IV. Aria
- Harmonia artificioso-ariosa: Partia I in D minor for 2 Violins & Basso continuo: V. Sarabande - Variatio I - Variatio II - Finale. Presto
- Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: I. Praeludium
- Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: II. Allamande - Variatio
- Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: III. Balletto. Allegro
- Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: IV. Aria. Presto
- Harmonia artificioso-ariosa: Partia II in B minor for 2 Violini piccoli & Basso continuo: V. Gigue. Presto
- Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: I. Praeludium. Allegro
- Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: II. Allamande
- Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: III. Amener. Presto
- Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: IV. Balletto
- Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: V. Gigue
- Harmonia artificioso-ariosa: Partia III in A minor for 2 Violins & Basso continuo: VI. Ciacona (Canon in unisono)
- Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: I. Sonata. Adagio - Allegro - Adagio
- Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: II. Allamande
- Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: III. Trezza. Presto
- Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: IV. Aria
- Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: V. Canario
- Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: VI. Gigue. Presto
- Harmonia artificioso-ariosa: Partia IV in E-flat major for Violin, Viola & Basso continuo: VII. Pollicinello. Presto
- Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: I. Intrada. Alla breve
- Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: II. Aria. Adagio
- Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: III. Balletto. Presto
- Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: IV. Gigue
- Harmonia artificioso-ariosa: Partia V in G minor for 2 Violins & Basso continuo: V. Passacaglia. (Adagio) - Allegro - Adagio
- Harmonia artificioso-ariosa: Partia VI in D major for 2 Violins & Basso continuo: I. Praeludium. Adagio - Allegro
- Harmonia artificioso-ariosa: Partia VI in D major for 2 Violins & Basso continuo: II. Aria - Variatio I-XIII
- Harmonia artificioso-ariosa: Partia VI in D major for 2 Violins & Basso continuo: III. Finale. Adagio - Allegro
- Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: I. Praeludium. Grave - Presto
- Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: II. Allamande
- Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: III. Sarabande
- Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: IV. Gigue. Presto
- Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: V. Aria
- Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: VI. Trezza
- Harmonia artificioso-ariosa: Partia VII in C minor for 2 Viole d'amore & Basso continuo: VII. Arietta variata
Luigi Boccherini: Cello Concerto in G major, G. 480 / Sinfonia in B-flat major, G. 497 / Cello Concerto in D major, G. 483 / Sinfonia in D minor, G. 506
- Concerto for Violoncello & Orchestra no. 7 in G major, G. 480: I. Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello & Orchestra no. 7 in G major, G. 480: II. Adagio (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello & Orchestra no. 7 in G major, G. 480: III. Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Sinfonia in B-flat major, G. 497: I. Allegro spiritoso (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Sinfonia in B-flat major, G. 497: II. Andantino con moto (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Sinfonia in B-flat major, G. 497: III. Allegro vivace assai (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello & Orchestra no. 10 in D major, G. 483: I. Allegro maestoso (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello & Orchestra no. 10 in D major, G. 483: II. Andante lentarello (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello & Orchestra no. 10 in D major, G. 483: III. Allegro e con moto (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Sinfonia in D minor, G. 506: I. Andante sostenuto - Allegro assai (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Sinfonia in D minor, G. 506: II. Andantino con moto (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Sinfonia in D minor, G. 506: III. Andante sostenuto - Allegro assai, con moto (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
Luigi Boccherini: Overture (Sinfonia) in D major, G. 521 / Cello Concerto in D major, G. 476 / Octet (Notturno) in G major, G. 470 / Cello Concerto in C major, G. 573 / Sinfonia in C minor, G. 519
- Overture (Sinfonia) in D major, G. 521: Allegro con spirito molto - Andantino - Tempo I (von Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello & Orchestra in D major, G. 476: I. Allegro
- Concerto for Violoncello & Orchestra in D major, G. 476: II. Largo
- Concerto for Violoncello & Orchestra in D major, G. 476: III. Allegro piacere
- Octet (Notturno) in G major, G. 470: I. Andantino amoroso ma non largo (von Tafelmusik, Jeanne Lamon)
- Octet (Notturno) in G major, G. 470: II. Minuetto (von Tafelmusik, Jeanne Lamon)
- Octet (Notturno) in G major, G. 470: III. Finale. Allegro vivo (von Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello & Orchestra in C major, G. 573: I. Maestoso
- Concerto for Violoncello & Orchestra in C major, G. 573: II. Largo cantabile
- Concerto for Violoncello & Orchestra in C major, G. 573: III. Allegro comodo
- Sinfonia in C minor, G. 519: I. Allegro vivo assai (von Tafelmusik, Jeanne Lamon)
- Sinfonia in C minor, G. 519: II. Pastorale. Lentarello (von Tafelmusik, Jeanne Lamon)
- Sinfonia in C minor, G. 519: III. Minuetto. Allegro (von Tafelmusik, Jeanne Lamon)
- Sinfonia in C minor, G. 519: IV. Finale. Allegro (von Tafelmusik, Jeanne Lamon)
Arcangelo Corelli: Concerti grossi op. 6
- Concerto no. 6 in D major: I. Vivace - Allegro - Adagio (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 6 in D major: II. Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 6 in D major: III. Andante largo / IV. Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 6 in D major: V. Vivace (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 9 in F major: I. Preludio. Largo (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 9 in F major: II. Allemanda. Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 9 in F major: III. Corrente. Vivace (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 9 in F major: IV. Gavotta. Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 9 in F major: IV. Adagio (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 9 in F major: V. Minuetto. Vivace (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 3 in C minor: I. Largo - Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 3 in C minor: II. Grave (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 3 in C minor: III. Vivace (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 3 in C minor: IV. Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 1 in D major: I. Largo - Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 1 in D major: II. Largo - Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 1 in D major: III. Largo / IV. Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 1 in D major: V. Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 11 in B-flat major: I. Preludio. Andante largo (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 11 in B-flat major: II. Allemanda. Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 11 in B-flat major: III. Adagio - Andante largo (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 11 in B-flat major: IV. Sarabande. Largo (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 11 in B-flat major: V. Giga. Vivace (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 8 in G minor “Christmas Concerto”: I. Vivace - Grave (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 8 in G minor “Christmas Concerto”: II. Allegro (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 8 in G minor “Christmas Concerto”: III. Adagio - Allegro - Adagio (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 8 in G minor “Christmas Concerto”: IV. Vivace (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
- Concerto no. 8 in G minor “Christmas Concerto”: V. Allegro / VI. Pastorale. Largo (von Tafelmusik Baroque Orchestra, Jeanne Lamon)
Giuseppe Gazzaniga: Don Giovanni o sia Il Convitato di Pietra
- Don Giovanni o sia Il Convitato di Pietra: Scena I. Introduzione: “La granbestia è il mio padrone!” (Pasquariello, Donna Anna, Don Giovanni)
- Don Giovanni o sia Il Convitato di Pietra: Scena II. “Qual tradimento! Perfido!” (Commendatore, Don Giovanni, Pasquariello)
- Don Giovanni o sia Il Convitato di Pietra: Scena IV. Aria: “Vicin sperai l'istante” (Duca Ottavio) (von Carlo Vincenzo Allemano)
- Don Giovanni o sia Il Convitato di Pietra: Scena VI. Cavatina: “Povere femmine” (Donna Elvira) (von Luciana Serra)
- Don Giovanni o sia Il Convitato di Pietra: Scena VII. Duetto: “Dell'Italia, ed Alemagna” (Donna Elvira, Pasquariello)
- Don Giovanni o sia Il Convitato di Pietra: Scena IX. Aria: “Per voi nemmeno in faccia” (Don Giovanni) (von Douglas Johnson)
- Don Giovanni o sia Il Convitato di Pietra: Scena XI. Cavatina con coro: “Bella cosa per una ragazza” (Maturina, Pasquariello, coro)
- Don Giovanni o sia Il Convitato di Pietra: Scena XII. Aria: “A me schiaffi sul mio viso!” (Biagio) (von Anton Scharinger)
- Don Giovanni o sia Il Convitato di Pietra: Scena XIV. Aria: “Se pur degna voi mi fate” (Maturina) (von Elżbieta Szmytka)
- Don Giovanni o sia Il Convitato di Pietra: Scena XVIII. Duetto: “Per quanto ben ti guardo” (Donna Elvira, Maturina)
- Don Giovanni o sia Il Convitato di Pietra: Scena XX. Duetto: “Signor Commendatore” (Don Giovanni, Pasquariello, La Statua)
- Don Giovanni o sia Il Convitato di Pietra: Scena XXII. Aria: “Sposa più a voi non sono” (Donna Elvira) (von Luciana Serra)
- Don Giovanni o sia Il Convitato di Pietra: Scena XXIII. Concertino
- Don Giovanni o sia Il Convitato di Pietra: Recitativo: “Ma potere del mondo!” (Pasquariello, Don Giovanni)
- Don Giovanni o sia Il Convitato di Pietra: Finale: “Far devi un brindisi alla città” (Don Giovanni, Pasquariello, Lanterna)
- Don Giovanni o sia Il Convitato di Pietra: Scena XXIV. “Siedi Commendator!” (Don Giovanni, Commendatore, Pasquariello)
- Don Giovanni o sia Il Convitato di Pietra: Scena ultima. “Qual strepito è questo!” (Lanterna, Maturina, Donna Elvira, Donna Ximena, Duca Ottavio, Pasquariello)
Francesco Geminiani: 6 Concerti grossi op. 2 / Concerti grossi after Corelli op. 5 nos. 3 & 5
- Concerto grosso in D minor, op. 2 no. 3: I. Presto
- Concerto grosso in D minor, op. 2 no. 3: II. Adagio
- Concerto grosso in D minor, op. 2 no. 3: III. Allegro
- Concerto grosso in C minor, op. 2 no. 1: I. Andante
- Concerto grosso in C minor, op. 2 no. 1: II. Allegro
- Concerto grosso in C minor, op. 2 no. 1: III. Adagio
- Concerto grosso in C minor, op. 2 no. 1: IV. Allegro
- Concerto grosso in A major, op. 2 no. 6: I. Andante
- Concerto grosso in A major, op. 2 no. 6: II. Allegro
- Concerto grosso in A major, op. 2 no. 6: III. Allegro
- Concerto grosso in C minor, op. 2 no. 2: I. Adagio
- Concerto grosso in C minor, op. 2 no. 2: II. Allegro
- Concerto grosso in C minor, op. 2 no. 2: III. Adagio
- Concerto grosso in C minor, op. 2 no. 2: IV. Allegro
- Concerto grosso in D major, op. 2 no. 4: I. Andante
- Concerto grosso in D major, op. 2 no. 4: II. Allegro
- Concerto grosso in D major, op. 2 no. 4: III. Adagio
- Concerto grosso in D major, op. 2 no. 4: IV. Allegro
- Concerto grosso in D minor, op. 2 no. 5: I. Grave
- Concerto grosso in D minor, op. 2 no. 5: II. Allegro
- Concerto grosso in D minor, op. 2 no. 5: III. Adagio
- Concerto grosso in D minor, op. 2 no. 5: IV. Allegro
- Concerto grosso in C major after Corelli, op. 5 no. 3: I. Adagio
- Concerto grosso in C major after Corelli, op. 5 no. 3: II. Allegro
- Concerto grosso in C major after Corelli, op. 5 no. 3: III. Adagio
- Concerto grosso in C major after Corelli, op. 5 no. 3: IV. Allegro
- Concerto grosso in G minor after Corelli, op. 5 no. 5: I. Adagio
- Concerto grosso in G minor after Corelli, op. 5 no. 5: II. Vivace
- Concerto grosso in G minor after Corelli, op. 5 no. 5: III. Adagio
- Concerto grosso in G minor after Corelli, op. 5 no. 5: IV. Allegro
Christoph Willibald Gluck: Orfeo ed Euridice (Atto I-II)
- Orfeo ed Euridice: Overture
- Orfeo ed Euridice: Atto I, Scena 1. Coro: “Ah, se intorno a quest'urna funesta” (coro, Orfeo) / Recitativo: “Basta, basta, o compagni!” (Orfeo)
- Orfeo ed Euridice: Atto I, Scena 1. Ballo. Langsam
- Orfeo ed Euridice: Atto I, Scena 1. Coro: “Ah, se intorno a quest'urna funesta”
- Orfeo ed Euridice: Atto I, Scena 1. Aria: “Chiamo il mio ben così” (Orfeo)
- Orfeo ed Euridice: Atto I, Scena 1. Recitativo: “Numi! barbari Numi!” (Orfeo)
- Orfeo ed Euridice: Atto I, Scena 2. Recitativo: “T'assiste Amore!” (Amore, Orfeo)
- Orfeo ed Euridice: Atto I, Scena 2. Aria: “Gli sguardi trattieni” (Amore)
- Orfeo ed Euridice: Atto I, Scena 2. Recitativo: “Che disse? Che ascoltai?” (Orfeo, Amore)
- Orfeo ed Euridice: Atto II, Scena 1. Ballo. Maestoso / Coro: “Chi mai dell'Erebo fra la caligini”
- Orfeo ed Euridice: Atto II, Scena 1. Ballo. Presto
- Orfeo ed Euridice: Atto II, Scena 1. Coro: “Chi mai dell'Erebo fra le caligini”
- Orfeo ed Euridice: Atto II, Scena 1. Ballo. Maestoso
- Orfeo ed Euridice: Atto II, Scena 1. Orfeo ed Coro: “Deh! placatevi con me”
- Orfeo ed Euridice: Atto II, Scena 1. Coro: “Misero giovane, che vuoi, che mediti?”
- Orfeo ed Euridice: Atto II, Scena 1. Aria: “Mille pene, ombre moleste” (Orfeo)
- Orfeo ed Euridice: Atto II, Scena 1. Coro: “Ah, quale incognito affetto”
- Orfeo ed Euridice: Atto II, Scena 1. Aria: “Men tiranne, ah! voi sareste” (Orfeo)
- Orfeo ed Euridice: Atto II, Scena 1. Coro: “Ah, quale incognito affetto”
- Orfeo ed Euridice: Atto II, Scena 2. Ballo. Andante
- Orfeo ed Euridice: Atto II, Scena 2. Arioso: “Che puro ciel, che chiaro sol” (Orfeo, coro)
- Orfeo ed Euridice: Atto II, Scena 2. Coro: “Vieni a' regni del riposo”
- Orfeo ed Euridice: Atto II, Scena 2. Ballo. Andante
- Orfeo ed Euridice: Atto II, Scena 2. Recitativo: “Anime avventurose” (Orfeo)
- Orfeo ed Euridice: Atto II, Scena 2. Coro: “Torna, o bella, al tuo consorte”
Christoph Willibald Gluck: Orfeo ed Euridice (Atto III)
- Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Vieni, segui i miei passi” (Orfeo, Euridice)
- Orfeo ed Euridice: Atto III, Scena 1. Duetto: “Vieni, appaga il tuo consorte!” (Orfeo, Euridice)
- Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Qual, vita è questa mai” (Euridice)
- Orfeo ed Euridice: Atto III, Scena 1. Aria: “Che fiero momento” (Euridice)
- Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Ecco un nuovo tormento” (Orfeo, Euridice)
- Orfeo ed Euridice: Atto III, Scena 1. Aria: “Che farò senza Euridice?” (Orfeo)
- Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Ah, finisca e per sempre” (Orfeo)
- Orfeo ed Euridice: Atto III, Scena 2. Recitativo: “Orfeo, che fai?” (Amore, Orfeo, Euridice)
- Orfeo ed Euridice: Atto III, Scena 3. Maestoso
- Orfeo ed Euridice: Atto III, Scena 3. Ballo: I. (Grazioso)
- Orfeo ed Euridice: Atto III, Scena 3. Ballo: II. Allegro
- Orfeo ed Euridice: Atto III, Scena 3. Ballo: III. Andante
- Orfeo ed Euridice: Atto III, Scena 3. Ballo: IV. Allegro
- Orfeo ed Euridice: Atto III, Scena 3. Coro: “Trionfi Amore!” (Orfeo, Amore, Euridice, coro)
Christoph Willibald Gluck: Don Juan ou Le Festin de pierre / Sémiramis
- Don Juan ou Le Festin de pierre: Sinfonia. Allegro (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 1. Andante grazioso (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 2. Andante (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 3. Allegro maestoso (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 4. Allegro furioso - Andante (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 5. Allegro forte risoluto - Andante - Allegretto (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 6. Risoluto moderato (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 7. Gavotte (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 8. Brillante (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 9. Allegretto (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 10. Moderato (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 11. Giusto (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 12. Allegro - Presto (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 13. Andante grazioso (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 14. Andante (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 15. Presto (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 16. Allegretto - Presto - Andante - Tempo primo (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 17. Andante (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 18. Allegro giusto (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 19. Moderato (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 20. Andante (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 21. Grazioso (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 22. Allegretto (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 23. Moderato - Presto - Moderato - Presto (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 24. Risoluto e Moderato (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 25. Allegro - Allegro giusto - Allegro (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 26. Andante staccato (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 27. Allegro (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 28. Allegretto (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 29. Andante staccato (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 30. Larghetto (von Christoph Willibald Gluck)
- Don Juan ou Le Festin de pierre: No. 31. Allegro non troppo (von Christoph Willibald Gluck)
- Sémiramis: Sinfonia. Maestoso (von Christoph Willibald Gluck)
- Semiramis: No. 1. Andante (von Christoph Willibald Gluck)
- Semiramis: No. 2. Allegro (von Christoph Willibald Gluck)
- Semiramis: No. 3. Moderato (von Christoph Willibald Gluck)
- Sémiramis: No. 4. Moderato. Grazioso (von Christoph Willibald Gluck)
- Semiramis: No. 5. Moderato (von Christoph Willibald Gluck)
- Semiramis: No. 6. Maestoso (von Christoph Willibald Gluck)
- Semiramis: No. 7. Grazioso (von Christoph Willibald Gluck)
- Semiramis: No. 8. Maestoso (von Christoph Willibald Gluck)
- Sémiramis: No. 9a. Affettuoso / No. 9b. Affettuoso (von Christoph Willibald Gluck)
- Semiramis: No. 10. Adagio - Più adagio (von Christoph Willibald Gluck)
- Semiramis: No. 11. Affettuoso (von Christoph Willibald Gluck)
- Semiramis: No. 12. Adagio (von Christoph Willibald Gluck)
- Semiramis: No. 13. Allegro maestoso (von Christoph Willibald Gluck)
- Sémiramis: No. 14. Adagio - Allegro (von Christoph Willibald Gluck)
- Sémiramis: No. 15. Allegro assai (von Christoph Willibald Gluck)
George Frideric Handel: 6 Concerti grossi op. 3
- Concerto grosso in B-flat major, op. 3 no. 1: I. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in B-flat major, op. 3 no. 1: II. Largo (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in B-flat major, op. 3 no. 1: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in B-flat major, op. 3 no. 2: I. Vivace (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in B-flat major, op. 3 no. 2: II. Largo (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in B-flat major, op. 3 no. 2: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in B-flat major, op. 3 no. 2: IV. Vivace (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in B-flat major, op. 3 no. 2: V. [Allegro] (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in G major, op. 3 no. 3: I. Largo e staccato - Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in G major, op. 3 no. 3: II. Adagio (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in G major, op. 3 no. 3: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in F major, op. 3 no. 4: I. Overture (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in F major, op. 3 no. 4: II. Andante (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in F major, op. 3 no. 4: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in F major, op. 3 no. 4: IV. Minuetto alternativo (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in D minor, op. 3 no. 5: I. (-) (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in D minor, op. 3 no. 5: II. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in D minor, op. 3 no. 5: III. Adagio (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in D minor, op. 3 no. 5: IV. Allegro ma non troppo (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in D minor, op. 3 no. 5: V. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in D major, op. 3 no. 6: I. Vivace (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in D major, op. 3 no. 6: II. Adagio (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in D major, op. 3 no. 6: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto grosso in D major, op. 3 no. 6: Allegro (von Tafelmusik, Jeanne Lamon)
George Frideric Handel: Music for the Royal Fireworks / Concerto a due cori
- Music for the Royal Fireworks, HWV 351: I. Ouverture
- Music for the Royal Fireworks, HWV 351: II. Bourrée
- Music for the Royal Fireworks, HWV 351: III. La Paix
- Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
- Music for the Royal Fireworks, HWV 351: V. Menuet I
- Music for the Royal Fireworks, HWV 351: VI. Menuet II
- Concerto no. 2 in F major, HWV 333: I. Pomposo - Allegro
- Concerto no. 2 in F major, HWV 333: II. A tempo giusto
- Concerto no. 2 in F major, HWV 333: III. Largo
- Concerto no. 2 in F major, HWV 333: IV. Allegro ma non troppo
- Concerto no. 2 in F major, HWV 333: V. A tempo ordinario
- Concerto no. 1 in B-flat major, HWV 332: I. Ouverture - Allegro ma non troppo
- Concerto no. 1 in B-flat major, HWV 332: II. Allegro
- Concerto no. 1 in B-flat major, HWV 332: III. Largo
- Concerto no. 1 in B-flat major, HWV 332: IV. A tempo ordinario
- Concerto no. 1 in B-flat major, HWV 332: V. Alla breve moderato
- Concerto no. 1 in B-flat major, HWV 332: VI. Menuet
- Concerto no. 3 in F major, HWV 334: I. Ouverture - Allegro
- Concerto no. 3 in F major, HWV 334: II. Allegro ma non troppo
- Concerto no. 3 in F major, HWV 334: III. Adagio
- Concerto no. 3 in F major, HWV 334: IV. Andante larghetto
- Concerto no. 3 in F major, HWV 334: V. Allegro
George Frideric Handel: Water Music / Suite from Il pastor fido
- Water Music, HWV 348-350: Overture (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Adagio e staccato (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Allegro - Andante - Allegro da capo (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: [Minuets I & II] (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Air (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Minuets I & II (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Bourrée (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Hornpipe (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: [Andante] (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: [Allegro] (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Alla Hornpipe (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: [Sarabande] (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Rigaudons I & II (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Lentement (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Bourrée (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Minuets I & II (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Country Dances I & II (von Tafelmusik, Jeanne Lamon)
- Water Music, HWV 348-350: Minuet (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): Overture (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): Ballo (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): [Tambourin] (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): Musette (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): Minuet (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): March - Pour les chasseurs - March da capo (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): Ballo (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): Sarabande (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): Gavotte (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): Gigue (von Tafelmusik, Jeanne Lamon)
- Suite from Il pastor fido, HWV 8c (Version from 1734): Chaconne (von Tafelmusik, Jeanne Lamon)
Joseph Haydn: Symphonies nos. 41, 42 & 43 “Mercury”
- Symphony in C major, Hob. I:41: I. Allegro con spirito (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:41: II. Un poco andante (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:41: III. Menuet - Trio (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:41: IV. Finale. Presto (von Tafelmusik, Bruno Weil)
- Symphony in D major, Hob. I:42: I. Moderato e maestoso (von Tafelmusik, Bruno Weil)
- Symphony in D major, Hob. I:42: II. Andantino e cantabile (von Tafelmusik, Bruno Weil)
- Symphony in D major, Hob. I:42: III. Menuet. Allegretto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in D major, Hob. I:42: IV. Finale. Scherzando e presto (von Tafelmusik, Bruno Weil)
- Symphony in E-flat major, Hob. I:43: I. Allegro (von Tafelmusik, Bruno Weil)
- Symphony in E-flat major, Hob. I:43: II. Adagio (von Tafelmusik, Bruno Weil)
- Symphony in E-flat major, Hob. I:43: III. Menuetto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in E-flat major, Hob. I:43: IV. Finale. Allegro (von Tafelmusik, Bruno Weil)
Joseph Haydn: Symphonies nos. 44 “Mourning”, 51 & 52
- Symphony in E minor, Hob. I:44 “Mourning”: I. Allegro con brio (von Tafelmusik, Bruno Weil)
- Symphony in E minor, Hob. I:44 “Mourning”: II. Menuetto. Allegretto (Canone in Diapason) - Trio (von Tafelmusik, Bruno Weil)
- Symphony in E minor, Hob. I:44 “Mourning”: III. Adagio (von Tafelmusik, Bruno Weil)
- Symphony in E minor, Hob. I:44 “Mourning”: IV. Finale. Presto (von Tafelmusik, Bruno Weil)
- Symphony in B-flat major, Hob. I:51: I. Vivace (von Tafelmusik, Bruno Weil)
- Symphony in B-flat major, Hob. I:51: II. Adagio (von Tafelmusik, Bruno Weil)
- Symphony in B-flat major, Hob. I:51: III. Menuetto - Trio I - Trio II (von Tafelmusik, Bruno Weil)
- Symphony in B-flat major, Hob. I:51: IV. Finale. Allegro (von Tafelmusik, Bruno Weil)
- Symphony in C minor, Hob. I:52: I. Allegro assai con brio (von Tafelmusik, Bruno Weil)
- Symphony in C minor, Hob. I:52: II. Andante (von Tafelmusik, Bruno Weil)
- Symphony in C minor, Hob. I:52: III. Menuetto. Allegretto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in C minor, Hob. I:52: IV. Finale. Presto (von Tafelmusik, Bruno Weil)
Joseph Haydn: Symphonies nos. 45 “Farewell”, 46 & 47
- Symphony in F-sharp minor, Hob. I:45 “Farewell”: I. Allegro assai (von Tafelmusik, Bruno Weil)
- Symphony in F-sharp minor, Hob. I:45 “Farewell”: II. Adagio (von Tafelmusik, Bruno Weil)
- Symphony in F-sharp minor, Hob. I:45 “Farewell”: III. Menuet. Allegretto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in F-sharp minor, Hob. I:45 “Farewell”: IV. Finale. Presto (von Tafelmusik, Bruno Weil)
- Symphony in B major, Hob. I:46: I. Vivace (von Tafelmusik, Bruno Weil)
- Symphony in B major, Hob. I:46: II. Poco adagio (von Tafelmusik, Bruno Weil)
- Symphony in B major, Hob. I:46: III. Menuet. Allegretto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in B major, Hob. I:46: IV. Finale. Presto e scherzando (von Tafelmusik, Bruno Weil)
- Symphony in G major, Hob. I:47: I. [Allegro] (von Tafelmusik, Bruno Weil)
- Symphony in G major, Hob. I:47: II. Un poco adagio, cantabile (von Tafelmusik, Bruno Weil)
- Symphony in G major, Hob. I:47: III. Menuet - Trio (von Tafelmusik, Bruno Weil)
- Symphony in G major, Hob. I:47: IV. Finale. Presto assai (von Tafelmusik, Bruno Weil)
Joseph Haydn: Symphonies nos. 50, 64 “Tempora mutantur” & 65
- Symphony in C major, Hob. I:50: I. Adagio e maestoso. Allegro di molto (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:50: II. Andante moderato (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:50: III. Menuet - Trio (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:50: IV. Finale. Presto (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:64 “Tempora mutantur”: I. Allegro con spirito (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:64 “Tempora mutantur”: II. Largo (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:64 “Tempora mutantur”: III. Menuet. Allegretto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:64 “Tempora mutantur”: IV. Finale. Presto (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:65: I. Vivace e con spirito (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:65: II. Andante (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:65: III. Menuetto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:65: IV. Finale. Presto (von Tafelmusik, Bruno Weil)
Joseph Haydn: Symphonies nos. 82 “The Bear”, 83 “The Hen” & 84
- Symphony in C major, Hob. I:82 “The Bear”: I. Vivace assai (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:82 “The Bear”: II. Allegretto (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:82 “The Bear”: III. Menuet - Trio (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:82 “The Bear”: IV. Finale. Vivace (von Tafelmusik, Bruno Weil)
- Symphony in G minor, Hob. I:83 “The Hen”: I. Allegro spiritoso (von Tafelmusik, Bruno Weil)
- Symphony in G minor, Hob. I:83 “The Hen”: II. Andante (von Tafelmusik, Bruno Weil)
- Symphony in G minor, Hob. I:83 “The Hen”: III. Menuet. Allegretto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in G minor, Hob. I:83 “The Hen”: IV. Finale. Vivace (von Tafelmusik, Bruno Weil)
- Symphony in E-flat major, Hob. I:84: I. Largo - Allegro (von Tafelmusik, Bruno Weil)
- Symphony in E-flat major, Hob. I:84: II. Andante (von Tafelmusik, Bruno Weil)
- Symphony in E-flat major, Hob. I:84: III. Menuet. Allegretto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in E-flat major, Hob. I:84: IV. Finale. Vivace (von Tafelmusik, Bruno Weil)
Joseph Haydn: Symphonies nos. 85 “The Queen”, 86 & 87
- Symphony in B-flat major, Hob. I:85 “The Queen”: I. Adagio - Vivace (von Tafelmusik, Bruno Weil)
- Symphony in B-flat major, Hob. I:85 “The Queen”: II. Romance. Allegretto (von Tafelmusik, Bruno Weil)
- Symphony in B-flat major, Hob. I:85 “The Queen”: III. lMenuet. Allegretto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in B-flat major, Hob. I:85 “The Queen”: IV. Finale. Presto (von Tafelmusik, Bruno Weil)
- Symphony in D major, Hob. I:86: I. Adagio - Allegro spiritoso (von Tafelmusik, Bruno Weil)
- Symphony in D major, Hob. I:86: II. Capriccio. Largo (von Tafelmusik, Bruno Weil)
- Symphony in D major, Hob. I:86: III. Menuet. Allegretto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in D major, Hob. I:86: IV. Finale. Allegro con spirito (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:87: I. Vivace (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:87: II. Adagio (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:87: III. Menuet - Trio (von Tafelmusik, Bruno Weil)
- Symphony in A major, Hob. I:87: IV. Finale. Vivace (von Tafelmusik, Bruno Weil)
Joseph Haydn: Symphonies nos. 88, 89 & 90
- Symphony in G major, Hob. I:88: I. Adagio - Allegro (von Tafelmusik, Bruno Weil)
- Symphony in G major, Hob. I:88: II. Largo (von Tafelmusik, Bruno Weil)
- Symphony in G major, Hob. I:88: III. Menuetto. Allegretto (von Tafelmusik, Bruno Weil)
- Symphony in G major, Hob. I:88: IV. Finale. Allegro con spirit o (von Tafelmusik, Bruno Weil)
- Symphony in F major, Hob. I:89: I. Vivace (von Tafelmusik, Bruno Weil)
- Symphony in F major, Hob. I:89: II. Andante con moto (von Tafelmusik, Bruno Weil)
- Symphony in F major, Hob. I:89: III. Menuet. Allegretto (von Tafelmusik, Bruno Weil)
- Symphony in F major, Hob. I:89: IV. Finale. Vivace assai (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:90: I. Adagio - Allegro assai (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:90: II. Andante (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:90: III. Menuet (von Tafelmusik, Bruno Weil)
- Symphony in C major, Hob. I:90: IV. Allegro assai (von Tafelmusik, Bruno Weil)
Joseph Haydn: Missa in tempore belli “Paukenmesse” / Salve Regina, Hob. XXIIIb:2 / Motetto “O coelitum beati”
- Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: I. Kyrie. Largo - Allegro moderato
- Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: II. Gloria. Vivace - Adagio - Allegro
- Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: III. Credo. Allegro - Adagio - Allegro - Vivace
- Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: IV. Sanctus. Adagio - Allegro con spirito
- Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: V. Benedictus. Andante
- Missa in tempore belli, Hob. XXII:9 “Paukenmesse”: VI. Agnus Dei. Adagio - Allegro con spirito
- Salve Regina, Hob. XXIIIb:2: Salve Regina. Adagio -
- Salve Regina, Hob. XXIIIb:2: Eia ergo. Allegro -
- Salve Regina, Hob. XXIIIb:2: Et Jesum. Largo - O clemens. Allegretto
- Motetto “O coelitum beati”, Hob. XXIIIa:G 9: I. Aria: “O coelitum beati amores”. Allegro -
- Motetto “O coelitum beati”, Hob. XXIIIa:G 9: II. Chorus: “Alleluja”. Andante
Joseph Haydn: Missa Sancti Bernardi de Offida “Heiligmesse” / Mare Clausum (fragment) / Motetto “Insanae et vanae curae” / Motetti de Venerabili Sacramento / Te Deum for the Empress Marie Therese
- Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: I. Kyrie
- Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: II. Gloria
- Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: III. Credo
- Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: IV. Sanctus
- Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: V. Benedictus
- Missa Sancti Bernardi de Offida, Hob. XXII:10 “Heiligmesse”: VI. Agnus Dei
- Mare Clausum, Hob. XXIVa:9 (fragment): Aria: “Nor can I think my suit is vain”
- Mare Clausum, Hob. XXIVa:9 (fragment): Chorus: “Thy great endeavours”
- Motetto “Insanae et vanae curae”, Hob. XXI:1 No. 13c:
- Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “Lauda Sion”
- Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “Ecce panis”
- Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “In figuris”
- Motetti de Venerabili Sacramento, Hob. XXIIIc:5 a-d: “Bone pastor”
- Te Deum for the Empress Marie Therese, Hob. XXIIIc:2
Joseph Haydn: Missa in B-flat major “Theresa Mass” / Missa in Angustiis in D minor “Nelson Mass”
- Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: I. Kyrie
- Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: II. Gloria
- Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: III. Credo
- Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: IV. Sanctus
- Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: V. Benedictus
- Missa in B-flat major, Hob. XXII:12 “Theresa Mass”: VI. Agnus Dei
- Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: I. Kyrie
- Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: II. Gloria
- Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: III. Credo
- Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: IV. Santus
- Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: V. Benedictus
- Missa in Angustiis in D minor, Hob. XXII:11 “Nelson Mass”: VI. Agnus Dei
Joseph Haydn: Missa “Sunt bona mixta malis” (fragment) / Offertorium “Non nobis, Domine” / Ave Regina, Hob. XXIIIb:3 / Responsoria de Venerabili / Responsorium ad absolutionem “Libera me” / Salve Regina, Hob. XXIIIb:1 / Missa brevis Sancti Joannis de ...
- Missa “Sunt bona mixta malis”, Hob. XXII:2 (fragment): Kyrie
- Missa “Sunt bona mixta malis”, Hob. XXII:2 (fragment): Gloria
- Offertorium “Non nobis, Domine”, Hob. XXIIIa:1
- Ave Regina, Hob. XXIIIb:3
- Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Lauda Sion
- Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Laudis thema specialis
- Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Sit laus plena
- Responsoria de Venerabili, Hob. XXIIIc:4 a-d: Quod in coena
- Responsorium ad absolutionem “Libera me”, Hob. XXIIb:1
- Salve Regina, Hob. XXIIIb:1: Salve Regina
- Salve Regina, Hob. XXIIIb:1: Ad te clamamus
- Salve Regina, Hob. XXIIIb:1: Eia ergo
- Salve Regina, Hob. XXIIIb:1: Et jesum benedictum
- Salve Regina, Hob. XXIIIb:1: O clemens, o pia
- Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: I. Kyrie
- Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: II. Gloria
- Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: III. Credo
- Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: IV. Sanctus
- Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: V. Benedictus
- Missa brevis Sancti Joannis de Deo, Hob. XXII:7 “Little Organ Mass”: VI. Angus Dei
Joseph Haydn: Die Schöpfung (Part I, Part II)
- Die Schöpfung, Hob. XXI:2: Part I. No. 1 Overture (von Tafelmusik, Bruno Weil)
- Die Schöpfung, Hob. XXI:2: Part I. No. 2 “Im Anfange schuf Gott Himmel und Erde” (Raphael, Chor, Uriel)
- Die Schöpfung, Hob. XXI:2: Part I. No. 3 “Nun schwanden” (Uriel, Chor)
- Die Schöpfung, Hob. XXI:2: Part I. No. 4 “Und Gott machte das Firmament” (Raphael)
- Die Schöpfung, Hob. XXI:2: Part I. No. 5 “Mit Staunen sieht das Wunderwerk” (Gabriel, Chor)
- Die Schöpfung, Hob. XXI:2: Part I. No. 6 “Und Gott sprach: Es sammle sich das Wasser” (Raphael)
- Die Schöpfung, Hob. XXI:2: Part I. No. 7 “Rollend in schäumenden Wellen” (Raphael)
- Die Schöpfung, Hob. XXI:2: Part I. No. 8 “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)
- Die Schöpfung, Hob. XXI:2: Part I. No. 9 “Nun beut die Flur das frische Grün” (Gabriel)
- Die Schöpfung, Hob. XXI:2: Part I. No. 10 “Und die himmlischen Heerscharen” (Uriel)
- Die Schöpfung, Hob. XXI:2: Part I. No. 11 “Stimmt an die Saiten” (Chor)
- Die Schöpfung, Hob. XXI:2: Part I. No. 12 “Und Gott sprach: Es sei'n Lichter” (Uriel)
- Die Schöpfung, Hob. XXI:2: Part I. No. 13 “In vollem Glanze steiget jetzt” (Uriel)
- Die Schöpfung, Hob. XXI:2: Part I. No. 14 “Die Himmel erzählen die Ehre Gottes” (Chor, Gabriel, Uriel, Raphael) (von Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil)
- Die Schöpfung, Hob. XXI:2: Part 2. No. 15 “Und Gott sprach: Es bringe das Wasser” (Gabriel)
- Die Schöpfung, Hob. XXI:2: Part 2. No. 16 “Auf starkem Fittiche schwinger” (Gabriel)
- Die Schöpfung, Hob. XXI:2: Part 2. No. 17 “Und Gott schuf große Walfische” (Raphael)
- Die Schöpfung, Hob. XXI:2: Part 2. No. 18 “Und die Engel rührten” (Raphael)
- Die Schöpfung, Hob. XXI:2: Part 2. No. 19a “In holder Anmut steh'n” (Gabriel, Uriel, Raphael)
- Die Schöpfung, Hob. XXI:2: Part 2. No. 19b “Der Herr ist groß in seiner Macht” (Gabriel, Uriel, Raphael, Chor) (von Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil)
Joseph Haydn: Die Schöpfung (Part II cont., Part III)
- Die Schöpfung, Hob. XXI:2: Part II. No. 20 “Und Gott sprach: Es bringe die Erde” (Raphael)
- Die Schöpfung, Hob. XXI:2: Part II. No. 21 “Gleich öffnet sich der Erde Schoß” (Raphael)
- Die Schöpfung, Hob. XXI:2: Part II. No. 22 “Nun scheint in vollem Glanse” (Raphael)
- Die Schöpfung, Hob. XXI:2: Part II. No. 23 “Und Gott schuf den Menschen” (Uriel)
- Die Schöpfung, Hob. XXI:2: Part II. No. 24 “Mit Würd' und Hoheit angetan” (Uriel)
- Die Schöpfung, Hob. XXI:2: Part II. No. 25 “Und Gott sah jedes Ding” (Raphael)
- Die Schöpfung, Hob. XXI:2: Part II. No. 26a “Vollendet ist das große Werk” (Chor)
- Die Schöpfung, Hob. XXI:2: Part II. No. 26b “Zu dit, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)
- Die Schöpfung, Hob. XXI:2: Part II. No. 26c “Vollender ist das große Werk” (Chor)
- Die Schöpfung, Hob. XXI:2: Part III. No. 27 “Aus Rosenwolken” (Uriel)
- Die Schöpfung, Hob. XXI:2: Part III. No. 28a “Von deiner Güt', o Herr und Gott” (Eva, Adam, Chor)
- Die Schöpfung, Hob. XXI:2: Part III. No. 28b “Der Sterne hellster” (Adam, Eva, Chor)
- Die Schöpfung, Hob. XXI:2: Part III. No. 29 “Nun ist die erste Pflicht erfüllt” (Adam, Eva)
- Die Schöpfung, Hob. XXI:2: Part III. No. 30 “Holde Gattin, dir sur Seite” (Adam, Eva)
- Die Schöpfung, Hob. XXI:2: Part III. No. 31 “O glücklich Paar” (Uriel)
- Die Schöpfung, Hob. XXI:2: Part III. No. 32 “Singt dem Herren, alle Stimmen!” (Chor, Solisten) (von Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Tafelmusik, Bruno Weil)
Joseph Haydn: Cello Concerto in C major, Hob. VIIb:1 / Cello Concerto in D major, Hob. VIIb:2 / Anton Kraft: Cello Concerto in C major, op. 4
- Concerto for Violoncello & Orchestra in C major, Hob. VIIb:1: I. Moderato
- Concerto for Violoncello & Orchestra in C major, Hob. VIIb:1: II. Adagio
- Concerto for Violoncello & Orchestra in C major, Hob. VIIb:1: III. Allegro molto
- Concerto for Violoncello & Orchestra in D major, Hob. VIIb:2: I. Allegro moderato
- Concerto for Violoncello & Orchestra in D major, Hob. VIIb:2: II. Adagio
- Concerto for Violoncello & Orchestra in D major, Hob. VIIb:2: III. Rondo. Allegro
- Concerto for Violoncello & Orchestra in C major, op. 4: I. Allegro aperto
- Concerto for Violoncello & Orchestra in C major, op. 4: II. Romanza. Andante
- Concerto for Violoncello & Orchestra in C major, op. 4: III. Rondo alla cosacca. Moderato
Wolfgang Amadeus Mozart: Symphonies after Serenades: Symphonies K. 100, K. 203, K. 250 (“Haffner” Serenade)
- Symphony in D major, K. 100: I. Allegro (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 100: II. Menuetto I - Trio (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 100: III. Andante (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 100: IV. Menuetto II - Trio (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 100: V. Allegro (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 203: I. Andante maestoso - Allegro assai (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 203: II. Andante (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 203: III. Menuetto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 203: IV. Prestissimo (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 250 (“Haffner” Serenade): I. Allegro maestoso - Allegro molto (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 250 (“Haffner” Serenade): II. Menuetto galante - Trio (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 250 (“Haffner” Serenade): III. Andante (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 250 (“Haffner” Serenade): IV. Menuetto - Trio I - Trio II (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 250 (“Haffner” Serenade): V. Adagio - Allegro assai (von Tafelmusik, Bruno Weil)
Wolfgang Amadeus Mozart: Symphonies after Serenades: Symphonies K. 185, K. 204, K. 320 (“Posthorn” Serenade)
- Symphony in D major, K. 185: I. Allegro assai (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 185: II. Andante grazioso (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 185: III. Menuetto - Trio I - Trio II (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 185: IV. Adagio - Allegro assai (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 204: I. Allegro assai (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 204: II. Andante (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 204: III. Menuetto - Trio (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 204: IV. Andantino grazioso - Allegro (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 320 (“Posthorn” Serenade): I. Adagio maestoso - Allegro con spirito (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 320 (“Posthorn” Serenade): II. Andantino (von Tafelmusik, Bruno Weil)
- Symphony in D major, K. 320 (“Posthorn” Serenade): III. Finale. Presto (von Tafelmusik, Bruno Weil)
Wolfgang Amadeus Mozart: Overtures: Idomeneo / Die Entführung aus dem Serail / Der Schauspieldirektor / Le nozze di Figaro / Don Giovanni / Così fan tutte / La clemenza di Tito / Die Zauberflöte / Eine kleine Nachtmusik
- Idomeneo, K. 366: Overture (von Tafelmusik, Bruno Weil)
- Die Entführung aus dem Serail, K. 384 : Overture (von Tafelmusik, Bruno Weil)
- Der Schauspieldirektor, K. 486 : Overture (von Tafelmusik, Bruno Weil)
- Le nozze di Figaro, K. 492: Overture (von Tafelmusik, Bruno Weil)
- Don Giovanni, K. 527: Overture (von Tafelmusik, Bruno Weil)
- Così fan tutte, K. 588: Overture (von Tafelmusik, Bruno Weil)
- La clemenza di Tito, K. 621: Overture (von Tafelmusik, Bruno Weil)
- Die Zauberflöte, K. 620 : Overture (von Tafelmusik, Bruno Weil)
- Eine kleine Nachtmusik, Serenade in G major, K. 525: I. Allegro (von Tafelmusik, Bruno Weil)
- Eine kleine Nachtmusik, Serenade in G major, K. 525: II. Romance. Andante (von Tafelmusik, Bruno Weil)
- Eine kleine Nachtmusik, Serenade in G major, K. 525: III. Menuetto. Allegretto - Trio (von Tafelmusik, Bruno Weil)
- Eine kleine Nachtmusik, Serenade in G major, K. 525: IV. Rondo. Allegro (von Tafelmusik, Bruno Weil)
Wolfgang Amadeus Mozart: 6 deutsche Tänze, K. 509 / 6 deutsche Tänze, K. 536 / 6 deutsche Tänze, K. 567 / 6 deutsche Tänze, K. 571 / 12 deutsche Tänze, K. 586
- 6 deutsche Tänze, K. 509: No. 1 in D major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 509: No. 2 in G major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 509: No. 3 in E-flat major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 509: No. 4 in F major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 509: No. 5 in A major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 509: No. 6 in C major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 536: No. 1 in C major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 536: No. 2 in G major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 536: No. 3 in B-flat major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 536: No. 4 in D major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 536: No. 5 in F major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 567: No. 1 in B-flat major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 567: No. 2 in E-flat major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 567: No. 3 in G major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 567: No. 4 in D major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 567: No. 5 in A major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 536: No. 6 in F major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 567: No. 6 in C major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 571: No. 1 in D major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 571: No. 2 in A major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 571: No. 3 in C major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 571: No. 4 in G major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 571: No. 5 in B-flat major (von Tafelmusik, Bruno Weil)
- 6 deutsche Tänze, K. 571: No. 6 in D major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 1 in C major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 2 in G major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 3 in B-flat major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 4 in F major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 5 in A major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 6 in D major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 7 in G major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 8 in E-flat major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 9 in B-flat major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 10 in F major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 11 in A major (von Tafelmusik, Bruno Weil)
- 12 deutsche Tänze, K. 586: No. 12 in C major (von Tafelmusik, Bruno Weil)
Wolfgang Amadeus Mozart: Rondo for Horn and Orchestra, K. 371 / Concertos for Horn and Orchestra, K. 417 / 447 / 495 / 412 (386b)
- Rondo for Horn & Orchestra in E-flat major, K. 371: Allegro
- Concerto for Horn & Orchestra in E-flat major, K. 417: I. Allegro
- Concerto for Horn & Orchestra in E-flat major, K. 417: II. [Andante]
- Concerto for Horn & Orchestra in E-flat major, K. 417: III. Rondo. Allegro
- Concerto for Horn & Orchestra in E-flat major, K. 447: I. Allegro
- Concerto for Horn & Orchestra in E-flat major, K. 447: II. Romance. Larghetto
- Concerto for Horn & Orchestra in E-flat major, K. 447: III. Allegro
- Concerto for Horn & Orchestra in E-flat major, K. 495: I. Allegro maestoso
- Concerto for Horn & Orchestra in E-flat major, K. 495: II. Romance. Andante cantabile
- Concerto for Horn & Orchestra in E-flat major, K. 495: III. Rondo. Allegro vivace
- Concerto for Horn & Orchestra in D major, K. 412 (386b): I. Allegro
- Concerto for Horn & Orchestra in D major, K. 412 (386b): II. Rondo. Allegro
Wolfgang Amadeus Mozart: Requiem in D minor, K. 626
- Requiem in D minor, K. 626: I. Introitus: Requiem (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: II. Kyrie (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: III. Sequentia: 1. Dies irae (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: III. Sequentia: 2. Tuba mirum (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: III. Sequentia: 3. Rex tremendae (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: III. Sequentia: 4. Recordare (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: III. Sequentia: 5. Confutatis (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: III. Sequentia: 6. Lacrimosa (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: IV. Offertorium: 1. Domine Jesu (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: IV. Offertorium: 2. Hostias (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: V. Sanctus (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: VI. Benedictus (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: VII. Agnus Dei (von Tafelmusik, Bruno Weil)
- Requiem in D minor, K. 626: VIII. Communio: Lex aeterna (von Tafelmusik, Bruno Weil)
Henry Purcell: Ayres for the Theatre: Instrumental Music from Dioclesian, King Arthur, The Fairy Queen, The Indian Queen
- Dioclesian: I. Overture (von Tafelmusik, Jeanne Lamon)
- Dioclesian: II. Preludio (von Tafelmusik, Jeanne Lamon)
- Dioclesian: III. Song Tune: “Let the soldiers rejoice” (von Tafelmusik, Jeanne Lamon)
- Dioclesian: IV. Trumpet Tune (von Tafelmusik, Jeanne Lamon)
- Dioclesian: V. Country Dance (von Tafelmusik, Jeanne Lamon)
- Dioclesian: VI. Aire (von Tafelmusik, Jeanne Lamon)
- Dioclesian: VII. Hornpipe (von Tafelmusik, Jeanne Lamon)
- Dioclesian: VIII. Aire (von Tafelmusik, Jeanne Lamon)
- Dioclesian: IX. Canaries (von Tafelmusik, Jeanne Lamon)
- King Arthur: I. Overture (von Tafelmusik, Jeanne Lamon)
- King Arthur: II. Aire (von Tafelmusik, Jeanne Lamon)
- King Arthur: III. Aire (von Tafelmusik, Jeanne Lamon)
- King Arthur: IV. Song Tune: “Fairest isle” (von Tafelmusik, Jeanne Lamon)
- King Arthur: V. Hornpipe (von Tafelmusik, Jeanne Lamon)
- King Arthur: VI. Aire (von Tafelmusik, Jeanne Lamon)
- King Arthur: VII. Song Tune: “How blest are shepherds” (von Tafelmusik, Jeanne Lamon)
- King Arthur: VIII. Aire (von Tafelmusik, Jeanne Lamon)
- King Arthur: IX. Song Tune: “Round they coast” (von Tafelmusik, Jeanne Lamon)
- King Arthur: X. Song Tune: “Come, if you dare” (von Tafelmusik, Jeanne Lamon)
- King Arthur: XI. Trumpet Tune (von Tafelmusik, Jeanne Lamon)
- King Arthur: XII. Trumpet Tune (von Tafelmusik, Jeanne Lamon)
- King Arthur: XIII. Chacone (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: I. Overture (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: II. Hornpipe (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: III. Aire (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: IV. Aire (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: V. Rondeau (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: VI. Preludio (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: VII. Hornpipe (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: VIII. Overture (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: IX. Song Tune: “If love's a sweet passion” (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: X. Jigg (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: XI. Dance for furies (Fairies) (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: XII. Aire 4 in 2 (Dance for the followers of Night) (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: XIII. Song Tune: “Sing while we trip it” (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: XIV. Aire (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: XV. Aire (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: XVI. Song Tune: “Thus happy and free” (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: XVII. Chacone (von Tafelmusik, Jeanne Lamon)
- The Fairy Queen: XVIII. Aire (von Tafelmusik, Jeanne Lamon)
- The Indian Queen: I. Overture (von Tafelmusik, Jeanne Lamon)
- The Indian Queen: II. Trumpet Tune (von Tafelmusik, Jeanne Lamon)
- The Indian Queen: III. Trumpet Tune (von Tafelmusik, Jeanne Lamon)
- The Indian Queen: IV. Aire (von Tafelmusik, Jeanne Lamon)
- The Indian Queen: V. Hornpipe (von Tafelmusik, Jeanne Lamon)
- The Indian Queen: VI. Aire (von Tafelmusik, Jeanne Lamon)
- The Indian Queen: VII. Hornpipe (von Tafelmusik, Jeanne Lamon)
- The Indian Queen: VIII. Aire (von Tafelmusik, Jeanne Lamon)
- The Indian Queen: IX. Song Tune: “We the spirits of the air” (von Tafelmusik, Jeanne Lamon)
- The Indian Queen: X. Rondeau (von Tafelmusik, Jeanne Lamon)
Johann Heinrich Schmelzer: Sonatas / Balletti francesi / Ciaccona
- Sonata a 8 per chiesa e camera
- Duodena selectarum sonatarum: Sonata X
- Ciaccona a 3 chori
- Sonata con tribus violinis
- Sonata ad tabulam a 4
- Lamento sopra la morte Ferdinandi III
- Sonata a 5 per camera al giorno delle correggie
- Sonatae unarum fidium: Sonata III
- Sonata a 5
- Nettuno e Flora festeggianti: Balletti francesi
- Sonata con ariae a 8 zu der Kayserlichen Serenade
Antonio Vivaldi: Le quattro stagioni / Sinfonia in B minor “Al Santo Sepolcro” / Concerto for 4 Violins & Cello in B minor
- Le quattro stagioni: Concerto in E major “La primavera”, RV 269: I. Allegro (von Jeanne Lamon, Tafelmusik)
- Le quattro stagioni: Concerto in E major “La primavera”, RV 269: II. Largo e pianissimo sempre (von Tafelmusik, Jeanne Lamon)
- Le quattro stagioni: Concerto in E major “La primavera”, RV 269: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Le quattro stagioni: Concerto in G minor “L'estate”, RV 315: I. Allegro non molto (von Tafelmusik, Jeanne Lamon)
- Le quattro stagioni: Concerto in G minor “L'estate”, RV 315: II. Adagio (von Tafelmusik, Jeanne Lamon)
- Le quattro stagioni: Concerto in G minor “L'estate”, RV 315: III. Presto (von Tafelmusik, Jeanne Lamon)
- Le quattro stagioni: Concerto in F major “L'autunno”, RV 293: I. Allegro (von Tafelmusik, Jeanne Lamon)
- Le quattro stagioni: Concerto in F major “L'autunno”, RV 293: II. Adagio molto (von Tafelmusik, Jeanne Lamon)
- Le quattro stagioni: Concerto in F major “L'autunno”, RV 293: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Le quattro stagioni: Concerto in F minor “L'inverno”, RV 297: I. Allegro non molto (von Tafelmusik, Jeanne Lamon)
- Le quattro stagioni: Concerto in F minor “L'inverno”, RV 297: II. Largo (von Tafelmusik, Jeanne Lamon)
- Le quattro stagioni: Concerto in F minor “L'inverno”, RV 297: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Sinfonia in B minor “Al Santo Sepolcro”, RV 169: I. Adagio molto / II. Allegro ma poco (von Tafelmusik, Jeanne Lamon)
- Concerto for 4 Violins, Violoncello, Strings & Basso continuo, RV 580: I. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto for 4 Violins, Violoncello, Strings & Basso continuo, RV 580: II. Largo (von Tafelmusik, Jeanne Lamon)
- Concerto for 4 Violins, Violoncello, Strings & Basso continuo, RV 580: III. Allegro (von Tafelmusik, Jeanne Lamon)
Antonio Vivaldi: Concertos for Strings RV 418, 117, 143, 547, 575, 549, 413, 134, 159
- Concerto for Violoncello, Strings & Basso continuo in A minor, RV 418: I. Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello, Strings & Basso continuo in A minor, RV 418: II. Andante (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello, Strings & Basso continuo in A minor, RV 418: III. Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in C major, RV 117: I. Allegro alla francese (von Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in C major, RV 117: II. Largo (von Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in C major, RV 117: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in F minor, RV 143: I. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in F minor, RV 143: II. Adagio (von Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in F minor, RV 143: III. Allegro assai (von Tafelmusik, Jeanne Lamon)
- Concerto for Violin, Violoncello, Strings & Basso continuo in B-flat major, RV 547: I. Allegro moderato (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violin, Violoncello, Strings & Basso continuo in B-flat major, RV 547: II. Andante (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violin, Violoncello, Strings & Basso continuo in B-flat major, RV 547: III. Allegro molto (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for 2 Violins, 2 Violoncellos, Strings & Basso continuo in G major, RV 575: I. Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for 2 Violins, 2 Violoncellos, Strings & Basso continuo in G major, RV 575: II. Largo (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for 2 Violins, 2 Violoncellos, Strings & Basso continuo in G major, RV 575: III. Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for 4 Violins, Strings & Basso continuo in D major, RV 549: I. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto for 4 Violins, Strings & Basso continuo in D major, RV 549: II. Largo e spiccato (von Tafelmusik, Jeanne Lamon)
- Concerto for 4 Violins, Strings & Basso continuo in D major, RV 549: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello, Strings & Basso continuo in G major, RV 413: I. Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello, Strings & Basso continuo in G major, RV 413: II. Largo (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello, Strings & Basso continuo in G major, RV 413: III. Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in E minor, RV 134: I. Allegro moderato (von Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in E minor, RV 134: II. Andante (von Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in E minor, RV 134: III. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in A major, RV 159: I. Allegro (von Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in A major, RV 159: II. Adagio (von Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in A major, RV 159: III. Allegro (von Tafelmusik, Jeanne Lamon)
Antonio Vivaldi: Concertos RV 157, 403, 152, 424, 127, 564, 535, 419, 409, 557, 151 “alla rustica”
- Concerto for Strings & Basso continuo in G minor, RV 157: Allegro - Largo - Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello, Strings & Basso continuo in D major, RV 403: Allegro - Andante e spiritoso - Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in G minor, RV 152: Allegro molto - Andante molto - Allegro molto (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello, Strings & Basso continuo in B minor, RV 424: Allegro non molto - Largo - Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in D minor, RV 127: Allegro - Largo - Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for 2 Violins, 2 Violoncellos, Strings & Basso continuo in D major, RV 564: Allegro - Largo - Allegro
- Concerto for 2 Oboes, Strings & Basso continuo in D minor, RV 535: Largo. Allegro - Largo - Allegro molto (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello, Strings & Basso continuo in A minor, RV 419: Allegro - Andante - Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Violoncello, Bassoon, Strings & Basso continuo in E minor, RV 409: Adagio. Allegro molto - Allegro. Adagio - Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for 2 Oboes, 2 Violins, Bassoon, Strings & Basso continuo in C major, RV 557: Allegro non molto - Largo - Allegro non molto (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
- Concerto for Strings & Basso continuo in G major “alla rustica”, RV 151: Presto - Adagio - Allegro (von Anner Bylsma, Tafelmusik, Jeanne Lamon)
Jan Dismas Zelenka: Missa Dei Filii, ZWV 20 / Litaniae Lauretanae “Salus infirmorum”, ZWV 152
- Missa Dei Filii, ZWV 20: Kyrie. 1. Kyrie eleison (coro)
- Missa Dei Filii, ZWV 20: Kyrie. 2. Christe eleison (aria: soprano)
- Missa Dei Filii, ZWV 20: Kyrie. 3. Kyrie (No. 1 da capo)
- Missa Dei Filii, ZWV 20: Gloria. 4. Gloria in excelsis Deo (coro, soprano, alto, tenore, basso)
- Missa Dei Filii, ZWV 20: Gloria. 5. Qui tollis peccata mundi (soli: soprano, tenore, basso)
- Missa Dei Filii, ZWV 20: Gloria. 6. Qui sedes ad dexteram Patris (coro)
- Missa Dei Filii, ZWV 20: Gloria. 7. Quoniam tu solus Sanctus I (coro)
- Missa Dei Filii, ZWV 20: Gloria. 8. Quoniam tu solus Sanctus II (aria: alto)
- Missa Dei Filii, ZWV 20: Gloria. 9. Cum Sancto Spiritu I (coro)
- Missa Dei Filii, ZWV 20: Gloria. 10. Cum Sancto Spiritu II (coro)
- Litaniae Lauretanae “Salus infirmorum”, ZWV 152: 1. Kyrie eleison (coro, soli: soprano, alto, tenore)
- Litaniae Lauretanae “Salus infirmorum”, ZWV 152: 2. Pater de coelis (aria: soprano)
- Litaniae Lauretanae “Salus infirmorum”, ZWV 152: 3. Mater divinae gratiae (coro)
- Litaniae Lauretanae “Salus infirmorum”, ZWV 152: 4. Virgo prudentissima I (coro)
- Litaniae Lauretanae “Salus infirmorum”, ZWV 152: 5. Virgo prudentissima II (soli: soprano, alto, tenore, basso)
- Litaniae Lauretanae “Salus infirmorum”, ZWV 152: 6. Salus infirmorum (aria: alto)
- Litaniae Lauretanae “Salus infirmorum”, ZWV 152: 7. Regina Angelorum (aria: tenore)
- Litaniae Lauretanae “Salus infirmorum”, ZWV 152: 8. Agnus Dei I (coro)
- Litaniae Lauretanae “Salus infirmorum”, ZWV 152: 9. Agnus Dei II (come Kyrie) (coro)
Carl Stamitz, Franz Xaver Richter, Johann Stamitz, Joseph Haydn, Christoph Willibald Gluck: Flute Concertos
- Concerto for Flute, Strings, 2 Oboes, 2 Horns & Basso continuo in G major, op. 29: I. Allegro
- Concerto for Flute, Strings, 2 Oboes, 2 Horns & Basso continuo in G major, op. 29: II. Andante non troppo moderato
- Concerto for Flute, Strings, 2 Oboes, 2 Horns & Basso continuo in G major, op. 29: III. Rondo. Allegro
- Concerto for Flute, Strings and Basso continuo in E minor: I. Allegro moderato
- Concerto for Flute, Strings and Basso continuo in E minor: II. Andantino
- Concerto for Flute, Strings and Basso continuo in E minor: III. Allegro, non troppo presto
- Concerto for Flute, Strings and Basso continuo in G major: I. Allegro
- Concerto for Flute, Strings and Basso continuo in G major: II. Adagio
- Concerto for Flute, Strings and Basso continuo in G major: III. Presto
- Concerto for Flute, Strings, 2 Horns and Basso continuo in D major: I. Allegro moderato
- Concerto for Flute, Strings, 2 Horns and Basso continuo in D major: II. Adagio
- Concerto for Flute, Strings, 2 Horns and Basso continuo in D major: III. Allegro molto
- Orpheus and Eurydice: Act II. Dance of the Blessed Spirits
Alessandro Stradella, Heinrich Ignaz Franz Biber, Antonio Vivaldi, Tomaso Albioni, Georg Philipp Telemann, George Frideric Handel: Music for Trumpet & Orchestra
- Sonata a 8 Viole con una Tromba in D major: [Allegro] - Aria - [Canzona] - Aria
- Sonata IV a 5 in C major: [Allegro] - Allegro - Presto - Adagio - Allegro
- Sonata 1 a 8 in C major: [Allegro] - Adagio - Presto - Adagio - Allegro
- Duets for 2 Trumpets: No. 1 in C major
- Duets for 2 Trumpets: No. 11 in G minor
- Duets for 2 Trumpets: No. 5 in C major
- Duets for 2 Trumpets: No. 13 in A minor
- Sonata X a 5 in G minor: [Adagio] - [Allegro] - Sempre allegro - Adagio - Presto
- Concerto for 2 Trumpets, Strings & Basso continuo in C major, RV 537: I. Allegro
- Concerto for 2 Trumpets, Strings & Basso continuo in C major, RV 537: II. Largo
- Concerto for 2 Trumpets, Strings & Basso continuo in C major, RV 537: III. [Allegro]
- Concerto for Trumpet, 3 Oboes, Bassoon & Basso continuo in C major: I. Allegro moderato
- Concerto for Trumpet, 3 Oboes, Bassoon & Basso continuo in C major: II. Affettuoso
- Concerto for Trumpet, 3 Oboes, Bassoon & Basso continuo in C major: III. Presto
- Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: I. [Allegro]
- Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: II. Adagio
- Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: III. Aria
- Concerto for Trumpet, 2 Oboes, Strings & Basso continuo in D major: IV. [Allegro]
- “Airs from Vauxhall Gardens”: Serse: Aria “Caro voi siete all'alma”. Andante
- “Airs from Vauxhall Gardens”: Admeto: Aria “Se l'arco avessi”. Allegro
- “Airs from Vauxhall Gardens”: Scipione: March
- “Airs from Vauxhall Gardens”: Judas Maccabaeus: “See, the Conqu'ring Hero Comes”. March
- “Airs from Vauxhall Gardens”: Atalanta: Overture
THE GALILEO PROJECT: Music of the Spheres (Live)
- Concerto for 2 violins in A Major, op. 3, no. 5: Allegro
- Concerto for 2 violins in A Major, op. 3, no. 5: Largo
- Excerpts from Phaeton: Ouverture
- Excerpts from Phaeton: Dances for the four seasons: Le Printemps /Spring (Ritournelle Act IV, sc i)
- Excerpts from Phaeton: Dances for the four seasons: L’Été / Summer (Air pour les Egyptiens)
- Excerpts from Phaeton: Dances for the four seasons: L’Automne / Fall (Air pour Triton et ses suivants)
- Excerpts from Phaeton: Dances for the four seasons: L’Hiver / Winter (Air pour les peuples qui portent des présents à Isis)
- Excerpts from Phaeton: Entrée des furies / Entrance of the furies
- Excerpts from Phaeton: Chaconne
- Ciaccona, after Zefiro torna
- Ciaccona
- (Underscoring) Excerpt from Toccata in C Minor for solo lute, from Il primo libro d’intavolatura di liuto Toccata in C Major for solo lute, from Il primo libro d’intavolatura di liuto (Underscoring): Improvised
- Passacaglia, from Op. 22
- Moresca, from Orfeo
- Rondeau, from Abdelazer
- Entrée de Jupiter / Entrance of Jupiter), from Hippolyte et Aricie
- Allegro, from Concerto grosso in D Major, op. 3, no. 6
- Entrée de Venus / Entrance of Venus, from Les surprises de l’Amour
- Allegro, from Concerto for 4 violins in D Major
- Adagio ma non troppo, from Sonata in F Major, ZWV 181/1
- Entrée de Mercure / Entrance of Mercury, from Platée
- Air pour les suivants de Saturne / Air for the followers of Saturn, from Phaeton
- Allegro, from Concerto for lute in C Major (reconstructed by L. Harris)
- Sinfonia “Wie schön leuchtet der Morgenstern” / How brightly shines the morning star, after BWV 1
- Sinfonia, after BWV 29
Virtuoso Chamber Music from 17th-Century Italy
- Sinfonia Quarta for Solo Violin and Basso Continuo
- Ricercar VII for Solo Violoncello
- Sonata seconda for Solo Violin and Basso Continuo
- Sonata terza for Two Violins and Basso Continuo
- Sonata nona for Two Violins, Bassoon, and Basso Continuo
- Sonata for Violin, Violoncello, and Basso Continuo
- Sonata sopra fuggi dolente cor for Two Violins and Basso Continuo
- Sonata prima for Bassoon and Basso Continuo
- Sonata terza for Solo Violin and Basso Continuo
- Sonata nona for Violin, Bassoon, and Basso Continuo
Mehr Songtexte
- Air from Orchestral Suite No. 3 in D major, BWV 1068
- Concerto Op. 10 Nº 2 for Recorder, Bassoon and Strings - La Norte
- Selections from Water Music
- "Entrance of the Queen of Sheba" from SOLOMON
- "Entrance of the Queen of Sheba" from "Solomon"
- Concerto Op. 10 #2 for Recorder, Bassoon and Strings "La Norte"
- Air from Orchestral Suite #3 in D
- Concerto op.10 #2 La Notte
- Suite from Tafelmusik Book 3 II
- Suite from Tafelmusik Book 3 I
- Suite from Tafelmusik Book 3 III
- Concerto No.3 in F major, HMV334 - 5. Allegro
- Concerto No.3 in F major, HMV334 - 1. Ouverture - Allegro
- Concerto No.1 in B flat major, HMV332 - 3. Largo
- Concerto No.1 in B flat major, HMV332 - 4. A tempo ordinario
- Music for the Royal Fireworks, HMV351 - 2. Bouree
- Music for the Royal Fireworks, HMV351 - 5. Menuet I
- Concerto No.3 in F major, HMV334 - 2. Allegro ma non troppo
- Concerto No.3 in F major, HMV334 - 4. ndante larghetto
- Concerto No.2 in F major, HMV333 - 1. Pomposo - Allegro
- Music for the Royal Fireworks, HMV351 - 1. Ouverture
- Music for the Royal Fireworks, HMV351 - 3. La Paix
- Concerto No.1 in B flat major, HMV332 - 1. Ouverture - Allegro ma non troppo
- Concerto No.2 in F major, HMV333 - 4. Allegro ma no troppo
- Concerto No.1 in B flat major, HMV332 - 2. Allegro
- Concerto No.2 in F major, HMV333 - 2. A tempo giusto
- Music for the Royal Fireworks, HMV351 - 4. La Rejouissance
- Concerto No.3 in F major, HMV334 - 3. Adagio
- Music for the Royal Fireworks, HMV351 - 6. Menuet II
- Concerto No.1 in B flat major, HMV332 - 5. Alla breve moderato
- Concerto No.1 in B flat major, HMV332 - 6. Menuet
- Concerto No.2 in F major, HMV333 - 5. A tempo ordinario
- Concerto No.2 in F major, HMV333 - 3. Largo
- Suite in A Minor for violin & strings, after BWV 1067: I. Ouverture
- Suite in A Minor for violin & strings, after BWV 1067: III. Sarabande
- Suite in A Minor for violin & strings, after BWV 1067: V. Polonaise et double
- Suite in A Minor for violin & strings, after BWV 1067: VI. Menuet
- Concerto for violin in G Minor, op. 8, no. 2 "Summer": II. Adagio
- Concerto for violin in G Minor, op. 8, no. 2 "Summer": III. Presto
- Concerto for 2 violins in D Minor, BWV 1043: II. Largo ma non tanto
- Suite in A Minor for violin & strings, after BWV 1067: VII. Badinerie
- Concerto for 2 violins in D Minor, BWV 1043: I. Vivace
- Suite in A Minor for violin & strings, after BWV 1067: IV. Bourree I & II
- Concerto for violin in G Minor, op. 8, no. 2 "Summer": I. Allegro non molto - Allegro
- Suite in A Minor for violin & strings, after BWV 1067: II. Rondeau
- Concerto for 2 violins in D Minor, BWV 1043: III. Allegro
- Symphony No. 3 in E flat major, Op. 55 "Eroica": IV. Finale: Allegro molto
- Symphony No. 3 in E flat major, Op. 55 "Eroica": I. Allegro con brio
- Symphony No. 3 in E flat major, Op. 55 "Eroica": III. Scherzo: Allegro vivace
- Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato
- Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello: Presto
- Symphony No. 3 in E flat major, Op. 55 "Eroica": II. Marcia funebra: Adagio assai
- Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto
- Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace
- La Bourse Suite en si bémol majeur, I. Ouverture
- Burlesque de Don Quixotte, IV. Sighs of Love for the Princess Dulcinea
- Alster Overture, Suite in F major, III. Das Älster-Echo
- Alster Overture, Suite in F major, IX. Der Schäffer und Nymphen eilfertiger Abzug
- Alster Overture, Suite in F major, V. Der Schwanen Gesang
- Alster Overture, Suite in F major, VI. Der Älster Schäffer Dorff Music
- La Bourse Suite en si bémol majeur, V. La solitude associée
- Alster Overture, Suite in F major, IV. Die Hamburgischen Glockenspiele
- La Bourse Suite en si bémol majeur, III. La guerre en la paix
- Burlesque de Don Quixotte, III. His Attack on the Windmills
- La Bourse Suite en si bémol majeur, IV. Les vainqueurs vaincus
- Alster Overture, Suite in F major, II. Die canonierende Pallas
- Burlesque de Don Quixotte, V. Sancho Panza tossed in a Blanket
- Burlesque de Don Quixotte, VI. The Gallop of Rosinante / The Gallop of Sancho's Dunkey
- Burlesque de Don Quixotte, VII. Quixote Asleep
- Alster Overture, Suite in F major, VII. Die concertierenden Frösche und Krähen
- Alster Overture, Suite in F major, I. Overture
- Burlesque de Don Quixotte, II. The Awakening of Quixote
- Alster Overture, Suite in F major, VIII. Der ruhende Pan
- Burlesque de Don Quixotte, I. Ouverture
- La Bourse Suite en si bémol majeur, II. Le repos interrompu
- VI. L'espérance de Mississippi
- Concerto For Violin, Strings And Basso Continuo In D Major, BWV 1064R: I. Allegro
- Concerto For Violin, Strings And Basso Continuo In E Major, BWV 1042: III. Allegro assai
- Concerto For Violin, Strings And Basso Continuo In A Minor, BWV 1041: I
- Concerto For Violin, Strings And Basso Continuo In D Minor, BWV 1043: II. Largo ma non tanto
- Concerto For Violin, Strings And Basso Continuo In D Minor, BWV 1043: I. Vivace
- Concerto For Violin, Strings And Basso Continuo In E Major, BWV 1042: I. Allegro
- Concerto For Violin, Strings And Basso Continuo In A Minor, BWV 1041: III. Allegro assai
- Concerto For Violin, Strings And Basso Continuo In E Major, BWV 1042: II. Adagio
- Concerto For Violin, Strings And Basso Continuo In D Minor, BWV 1043: III. Allegro
- Concerto For Violin, Strings And Basso Continuo In D Major, BWV 1064R: II. Adagio
- Concerto For Violin, Strings And Basso Continuo In A Minor, BWV 1041: II. Andante
- Concerto For Violin, Strings And Basso Continuo In D Major, BWV 1064R: III. Allegro
- Harmonia artificioso-ariosa: Partia VII: Sarabande
- Harmonia artificioso-ariosa: Partia III: Praeludium. Allegro
- Harmonia artificioso-ariosa: Partia I: Aria
- Harmonia artificioso-ariosa: Partia VII: Aria
- Harmonia artificioso-ariosa: Partia III: Balletto
- Harmonia artificioso-ariosa: Partia IV: Gigue. Presto
- Harmonia artificioso-ariosa: Partia IV: Allamande
- Harmonia artificioso-ariosa: Partia VII: Gigue. Presto
- Harmonia artificioso-ariosa: Partia VII: Praeludium
- Harmonia artificioso-ariosa: Partia II: Gigue. Presto
- Harmonia artificioso-ariosa: Partia VI: Finale. Adagio
- Harmonia artificioso-ariosa: Partia I: Sarabande - Variatio I & II
- Harmonia artificioso-ariosa: Partia IV: Canario
- Harmonia artificioso-ariosa: Partia III: Allamande
- Harmonia artificioso-ariosa: Partia IV: Pollicinello. Presto
- Harmonia artificioso-ariosa: Partia III: Amener. Presto
- Harmonia artificioso-ariosa: Partia IV: Trezza. Presto
- Harmonia artificioso-ariosa: Partia I: Gigue
- Harmonia artificioso-ariosa: Partia VII: Arietta variata
- Harmonia artificioso-ariosa: Partia II: Balletto. Allegro
- Harmonia artificioso-ariosa: Partia IV: Sonata. Adagio - Allegro
- Harmonia artificioso-ariosa: Partia VI: Praeludium. Adagio
- Harmonia artificioso-ariosa: Partia I: Sonata. Adagio - Presto
- Harmonia artificioso-ariosa: Partia III: Gigue
- Harmonia artificioso-ariosa: Partia II: Aria. Presto
- Harmonia artificioso-ariosa: Partia V: Aria. Adagio
- Harmonia artificioso-ariosa: Partia V: Intrada. Alla breve
- Harmonia artificioso-ariosa: Partia V: Gigue
- Harmonia artificioso-ariosa: Partia V: Balletto. Presto
- Harmonia artificioso-ariosa: Partia VII: Trezza
- Harmonia artificioso-ariosa: Partia I: Allamande
- Harmonia artificioso-ariosa: Partia VII: Allamande
- Harmonia artificioso-ariosa: Partia V: Passacaglia. (Adagio) - Allegro
- Harmonia artificioso-ariosa: Partia II: Allamande
- Harmonia artificioso-ariosa: Partia II: Praeludium
- Harmonia artificioso-ariosa: Partia III: Ciacona (Canon in unisono)
- Harmonia artificioso-ariosa: Partia VI: Aria - Variatio I
- Harmonia artificioso-ariosa: Partia IV: Aria
- Allegro assai (Brandenburg Concerto No. 2, BWV 1047)
- Concerto Grosso In D Minor, op. 2 no. 3: Adagio
- Concerto Grosso In D Minor, op. 2 no. 5: Allegro
- Concerto for Harpsichord, Strings and BC in D, F. 41 (1733-1746) - Allegro
- Sinfonia in F for Strings, F. 67 (1733-1746) - Menuetto I & II
- Orfeo ed Euridice: Ballo. Maestoso
- Suite in g, BWV 1070 - Capriccio
- Concerto Grosso In C Minor, op. 2 no. 1: Allegro
- Orfeo ed Euridice: Aria: ' Chiamo il mio ben cosi'
- Concerto Grosso In C Minor, op. 2 no. 1: Andante
- Suite in g, BWV 1070 - Torneo
- Orfeo ed Euridice: Recitativo - 'Anime avventurose'
- Concerto Grosso In C Major After Corelli, op. 5 no. 3: Allegro
- Orfeo ed Euridice: Maestoso
- Concerto Grosso In D Major, op. 2 no. 4: Adagio
- Concerto Grosso In C Major After Corelli, op. 5 no. 3: Adagio
- Orfeo ed Euridice: Aria: 'Che faro senza Euridice?'
- Concerto Grosso In C Minor, op. 2 no. 1: Adagio
- Orfeo ed Euridice: Ballo - (Andante)
- Sinfonia in F for Strings, F. 67 (1733-1746) - Vivace
- Orfeo ed Euridice: Arioso - 'Che puro ciel, che chiaro sol'
- Orfeo ed Euridice: Ballo: Allegro
- Orfeo ed Euridice: Ballo. (Andante)
- Orfeo ed Euridice: Aria - 'Gli sguardi trattieni'
- Concerto Grosso In G Minor After Corelli, op. 5 no. 5: Vivace
- Orfeo ed Euridice: Duetto: 'Vieni, appaga il tuo consorte'
- Suite in g, BWV 1070 - Ouverture, Larghetto
- Concerto Grosso In D Minor, op. 2 no. 3: Allegro
- Orfeo ed Euridice: Recitativo: 'Ah finisca e per sempre'
- Concerto Grosso In D Minor, op. 2 no. 5: Grave
- Orfeo ed Euridice: Recitativo: 'Vieni, segui i liei passi'
- Concerto Grosso In A Major, op. 2 no. 6: Allegro
- Suite in g, BWV 1070 - Aria, Adagio
- Orfeo ed Euridice: Orfeo ed Coro: 'Deh! placatevi con me'
- Orfeo ed Euridice: Ballo. Maistoso
- Orfeo ed Euridice: Coro - 'Ah, quale incognito affetto'
- Orfeo ed Euridice: Aria - Mille pene,ombre moleste'
- Sinfonia in F for Strings, F. 67 (1733-1746) - Andante
- Orfeo ed Euridice: Coro - 'Torna, o bella, al tuo consorte'
- Orfeo ed Euridice: Recitativo: 'Qual vita e questa mai'
- Orfeo ed Euridice: Coro - 'Misero giovane'
- Concerto Grosso In A Major, op. 2 no. 6: Andante
- Concerto Grosso In C Minor, op. 2 no. 2: Adagio
- Concerto Grosso In G Minor After Corelli, op. 5 no. 5: Allegro
- Suite in g, BWV 1070 - Menuetto alternativo - Trio
- Orfeo ed Euridice: Recitativo: 'Ecco un nuovo tormento'
- Orfeo ed Euridice: Coro: 'Ah, se intorno a quest'urna funestra'
- Orfeo ed Euridice: Coro - 'Ah, quale incognito'
- Concerto Grosso In D Minor, op. 2 no. 3: Presto
- Orfeo ed Euridice: Ballo. Presto
- Orfeo ed Euridice: Recitativo - 'Tahhiste Amore!'
- Orfeo ed Euridice: Coro - 'Vieni a regni del riposo'
- Concerto Grosso In C Minor, op. 2 no. 2: Allegro
- Concerto Grosso In D Minor, op. 2 no. 5: Adagio
- Orfeo ed Euridice: Recitativo: 'Numi! barbari Numi'
- Concerto Grosso In G Minor After Corelli, op. 5 no. 5: Adagio
- Orfeo ed Euridice: Aria - Men tiranne, ah! voi sareste'
- Orfeo ed Euridice: Aria: 'Che fiero momento'
- Concerto for Harpsichord, Strings and BC in D, F. 41 (1733-1746) - Andante
- Orfeo ed Euridice: Ballo - (Larghetto)
- Orfeo ed Euridice: Ballo: Grazioso
- Orfeo ed Euridice: Coro - 'Chi mai dell'Erebo'
- Concerto Grosso In D Major, op. 2 no. 4: Allegro
- Concerto Grosso In D Major, op. 2 no. 4: Andante
- Sinfonia in F for Strings, F. 67 (1733-1746) - Allegro
- Orfeo ed Euridice: Rectitativo: 'Orfeo, che fai?'
- Orfeo ed Euridice: Coro: 'Ah, se intorno a quest'urn funestra'
- Concerto for Harpsichord, Strings and BC in D, F. 41 (1733-1746) - Vivace
- Orfeo ed Euridice: Recitativo - 'Che disse? Che ascoltai?'
- Orfeo ed Euridice: Coro: 'Trionfi Amore!'
- Symphony (Serenade) In D Major, K. 185: Menuetto - Trio I - Trio II
- Symphony ('Posthorn' Serenade) In D Major, K. 320: Finale. Presto
- Orfeo ed Euridice: Atto II, Scena 2. Ballo. Andante “”
- Symphony (Serenade) In D Major, K. 204: Andantino grazioso - Allegro
- Symphony ('Haffner' Serenade) In D Major, K. 250: Andante
- Missa, Hob. XXII:12 “Theresa Mass”: VI. Agnus Dei
- Symphony (Serenade) In D Major, K. 185: Allegro assai
- Symphony ('Posthorn' Serenade) In D Major, K. 320: Andantino
- Missa, Hob. XXII:12 “Theresa Mass”: II. Gloria
- Missa, Hob. XXII:12 “Theresa Mass”: V. Benedictus
- Missa in Angustiis, Hob. XXII:11 “Nelson Mass”: II. Gloria
- Symphony (Serenade) In D Major, K. 204: Allegro assai
- Symphony (Serenade) In D Major, K. 100: Allegro
- Symphony (Serenade) In D Major, K. 100: Menuetto II - Trio
- Symphony ('Posthorn' Serenade) In D Major, K. 320: Adagio maestoso - Allegro con spirito
- Die Schöpfung, Hob. XX1:2: Part II, no. 19b. Terzett und Chor "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael, Chor)
- Symphony (Serenade) In D Major, K. 100: Andante
- Symphony (Serenade) In D Major, K. 204: Andante
- Missa in Angustiis, Hob. XXII:11 “Nelson Mass”: I. Kyrie
- Missa in Angustiis, Hob. XXII:11 “Nelson Mass”: III. Credo
- Sonata Con Ariae A 9 Zu Der Kayserlichen Serenade
- Symphony (Serenade) In D Major, K. 203: Andante maestoso - Allegro assai
- Symphony (Serenade) In D Major, K. 100: Menuetto I - Trio
- Symphony (Serenade) In D Major, K. 204: Menuetto - Trio
- Symphony (Serenade) In D Major, K. 185: Adagio - Allegro assai
- Missa in Angustiis, Hob. XXII:11 “Nelson Mass”: V. Benedictus
- Missa, Hob. XXII:12 “Theresa Mass”: I. Kyrie
- "Dance of the Blessed Spirits" for Flute, Strings and Basso continuo (from Orfeo ed Euridice)
- Symphony ('Haffner' Serenade) In D Major, K. 250: Adagio - Allegro assai
- Sonata III
- Missa in Angustiis, Hob. XXII:11 “Nelson Mass”: VI. Agnus Dei
- Die Schöpfung, Hob. XX1:2: Part III, no. 32. Schlußchor (mit Soli) "Singt dem Herren, alle Stimmen!" (Chor, Solisten)
- Symphony (Serenade) In D Major, K. 203: Menuetto - Trio
- Symphony ('Haffner' Serenade) In D Major, K. 250: Menuetto galante - Trio
- Symphony (Serenade) In D Major, K. 203: Andante
- Symphony (Serenade) In D Major, K. 203: Prestissimo
- Missa in Angustiis, Hob. XXII:11 “Nelson Mass”: IV. Sanctus
- Balletti Francesi
- Lamento A 5 Per Camera Al Giorno Delle Correggie
- Symphony ('Haffner' Serenade) In D Major, K. 250: Menuetto - Trio I - Trio II
- Symphony (Serenade) In D Major, K. 185: Andante grazioso
- Concerto in C major, op 4: III. Rondo alla Cossaca
- Sonata X
- Symphony ('Haffner' Serenade) In D Major, K. 250: Allegro maestoso - Allegro molto
- Missa, Hob. XXII:12 “Theresa Mass”: IV. Sanctus
- Die Schöpfung, Hob. XX1:2: Part I, no. 14. Terzett und Chor "Die Himmel erzählen die Ehre Gottes" - Dem kommenden Tage sagt es der Tag" (Chor, Gabriel, Uriel, Raphael)
- Missa, Hob. XXII:12 “Theresa Mass”: III. Credo
- Symphony (Serenade) in D Major, K. 204: I. Allegro assai
- Symphony (Serenade) in D Major, K. 203: IV. Prestissimo
- Symphony (Serenade) in D Major, K. 203: I. Andante maestoso - Allegro assai
- Symphony (Serenade) In D Major, K. 100: II. Menuetto I - Trio
- Symphony (Serenade) in D Major, K. 100: IV. Menuetto II - Trio
- Symphony (Serenade) in D Major, K. 203: II. Andante
- Symphony (Serenade) in D Major, K. 185: III. Menuetto - Trio I - Trio II
- Symphony (Serenade) in D Major, K. 185: II. Andante grazioso
- Symphony ('Haffner' Serenade) in D Major, K. 250: IV. Menuetto - Trio I - Trio II
- Symphony ('Posthorn' Serenade) in D Major, K. 320: II. Andantino
- Symphony (Serenade) in D Major, K. 204: III. Menuetto - Trio
- Symphony (Serenade) in D Major, K. 100: III. Andante
- Symphony ('Haffner' Serenade) in D Major, K. 250: I. Allegro maestoso - Allegro molto
- Symphony (Serenade) in D Major, K. 185: IV. Adagio - Allegro assai
- Symphony ('Haffner' Serenade) in D Major, K. 250: II. Menuetto galante - Trio
- Symphony (Serenade) in D Major, K. 204: IV. Andantino grazioso - Allegro
- Symphony ('Haffner' Serenade) in D Major, K. 250: III. Andante
- Symphony (Serenade) in D Major, K. 100: I. Allegro
- Symphony ('Haffner' Serenade) in D Major, K. 250: V. Adagio - Allegro assai
- Symphony (Serenade) in D Major, K. 100: V. Allegro
- Symphony (Serenade) in D Major, K. 185: I. Allegro assai
- Symphony ('Posthorn' Serenade) in D Major, K. 320: III. Finale. Presto
- Symphony (Serenade) in D Major, K. 204: II. Andante
- Symphony ('Posthorn' Serenade) nn D Major, K. 320: I. Adagio maestoso - Allegro con spirito
- Symphony (Serenade) in D Major, K. 203: III. Menuetto - Trio