Sir Thomas Beecham Songtexte
C'est des contrebandiers le refuge ordinaire - Je dis que rien ne m'epouvante
Geboren am 29. April 1879, Gestorben am 08. März 1961
Beethoven: Symphony No. 2 in D major, Op. 36, etc. (Compilation)
- Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 2 in D major, Op. 36: II. Larghetto (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 2 in D major, Op. 36: III. Scherzo & Trio: Allegro (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 2 in D major, Op. 36: IV. Allegro molto (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 7 in A major, Op. 92: II. Allegretto (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 7 in A major, Op. 92: IV. Allegro con brio (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Mass in C major, Op. 86: I. Kyrie (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Mass in C major, Op. 86: II. Gloria (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Mass in C major, Op. 86: III. Credo (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Mass in C major, Op. 86: IV. Sanctus (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Mass in C major, Op. 86: V. Benedictus (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Mass in C major, Op. 86: VI. Agnus Dei (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Ruins of Athens, Op. 113: Overture (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Ruins of Athens, Op. 113: Chorus. Daughter of high-throned Zeus (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Ruins of Athens, Op. 113: Chorus of Dervishes (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Ruins of Athens, Op. 113: Turkish March (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Ruins of Athens, Op. 113: Chorus: 'Where freedom hath triumphed' (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Ruins of Athens, Op. 113: March & Chorus: 'Twine ye garlands' (von Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham)
Great Conductors of the 20th Century: Sir Thomas Beecham (Compilation)
- Guillaume Tell: Overture (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Legend No. 2 in G major, B. 122/2, Op. 59/2 (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Das Rheingold, WWV 86a: Entry of the Gods into Valhalla (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Divertimento no. 15 in B-flat major, K. 287 (K. 271H) “Lodron Serenade no. 2”: II. Tema con variazioni - Andante (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Divertimento no. 15 in B-flat major, K. 287 (K. 271H) “Lodron Serenade no. 2”: III. Menuetto - Trio (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia, RT ii/2 “Variations on an old slave song”: Introduction: Molto moderato - Tranquillo
- Appalachia, RT ii/2 “Variations on an old slave song”: Theme: Andante
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 1. Un poco piu
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 2. Moderato sempre
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 3. Piu vivo
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 4. Molto moderato
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 5. Con moto
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 6. Giocoso, allegro moderato
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 7. Lento e molto tranquillo
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 8. Misterioso
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 9. Andante con grazia
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 10. Lento sostenuto e tranquillo
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 11. Allegro alla marcia
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 12. Marci. Molto lento maestoso
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 13. L’istesso tempo
- Appalachia, RT ii/2 “Variations on an old slave song”: Var. 14. Misterioso lento
- Appalachia, RT ii/2 “Variations on an old slave song”: Finale: Lento - Piu Mosso
- Der Freischutz: Overture (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 2, op. 9 “Antar”: I. Largo - Allegro - Largo - Allegretto - Adagio (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 2, op. 9 “Antar”: II. Allegro (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 2, op. 9 “Antar”: III. Allegro risoluto (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 2, op. 9 “Antar”: IV. Allegretto - Adagio (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Songs Without Words: No. 44 in D major, Op. 102, No. 2: Adagio (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Songs Without Words: no. 45 in C major, op. 102, no. 3 “Kinderstück”: Presto (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 4 in F minor, Op. 36: I. Andante Sostenuto (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 4 in F minor, Op. 36: II. Andantino in modo di canzone (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 4 in F minor, Op. 36: III. Scherzo (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 4 in F minor, Op. 36: IV. Allegro con brio (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Amaryllis Suite: Sarabande (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
Schubert Symphony No. 8 Beethoven Symphony No.8 Mendelssohn Symphony No. 4
- Schubert Symphony No. 8 In B Minor Unfinished (Beecham 1951) - I. Allegro Moderato (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Schubert Symphony No. 8 In B Minor Unfinished (Beecham 1951) - II. Andante Con Moto (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Beethoven Symphony No. 8 In F, Op. 93 (Beecham 1951) - I. Allegro Vivace Con Brio (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Beethoven Symphony No. 8 In F, Op. 93 (Beecham 1951) - II. Allegretto Scherzando (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Beethoven Symphony No. 8 In F, Op. 93 (Beecham 1951) - III. Tempo Di Minuetto (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Beethoven Symphony No. 8 In F, Op. 93 (Beecham 1951) - IV. Allegro Vivace (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Mendelssohn Symphony No. 4 In A Italian, Op. 90 (Beecham 1951) - I. Allegro Vivace (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Mendelssohn Symphony No. 4 In A Italian, Op. 90 (Beecham 1951) - II. Andante Con Moto (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Mendelssohn Symphony No. 4 In A Italian, Op. 90 (Beecham 1951) - III. Con Moto Moderato (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Mendelssohn Symphony No. 4 In A Italian, Op. 90 (Beecham 1951) - IV. Saltarello (Presto) (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
Sir Thomas Beecham (Compilation)
- Symphony no. 40 in G minor, KV 550: I. Molto allegro (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 40 in G minor, KV 550: II. Andante (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 40 in G minor, KV 550: III. Menuetto: Allegretto (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 40 in G minor, KV 550: IV. Allegro assai (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 41 in C major, KV 551 "Jupiter": I. Allegro vivace (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 41 in C major, KV 551 "Jupiter": II. Andante cantabile (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 41 in C major, KV 551 "Jupiter": III. Menuetto & Trio (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 41 in C major, KV 551 "Jupiter": IV. Molto allegro (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Le nozze di Figaro, KV 492: Overture (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Die Zauberflöte, KV 620: Overture (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- The Messiah: Overture
- The Great Elopement (Ballet Suite arranged by Beecham): The Pump Room. The Linleys
- The Great Elopement (Ballet Suite arranged by Beecham): Hunting Dance. Love Scene
- The Great Elopement (Ballet Suite arranged by Beecham): The Weary Flunkies. The Plot
- The Great Elopement (Ballet Suite arranged by Beecham): Sarabande. Hornpipe
- The Great Elopement (Ballet Suite arranged by Beecham): Beau Nash. Second Love Scene
- The Great Elopement (Ballet Suite arranged by Beecham): Interlude. Gigue
- Symphony no. 93 in D major: I. Allegro assai (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 93 in D major: II. Largo cantabile (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 93 in D major: III. Menuetto: Allegro (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 93 in D major: IV. Presto ma non troppo (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 104 in D major “London”: I. Adagio. Allegro (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 104 in D major “London”: II. Andante (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 104 in D major “London”: III. Menuetto: Allegretto (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 104 in D major “London”: IV. Allegro spiritoso (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 5 in B-flat major, D. 485: I. Allegro (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 5 in B-flat major, D. 485: II. Andante con moto (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 5 in B-flat major, D. 485: III. Menuetto: Allegro molto (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Concerto for Piano and Orchestra no. 4 in G major, op. 37: I. Allegro moderato
- Concerto for Piano and Orchestra no. 4 in G major, op. 37: II. Andante con moto
- Concerto for Piano and Orchestra no. 4 in G major, op. 37: III. Rondo: Vivace
- Der Freischutz: Overture (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Oberon: Overture (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Die Meistersinger von Nürnberg: Prelude to Act I (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Tragic Overture (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Peer Gynt Suite No. 1, op. 46: I. Morgenstemning (Morning Mood) (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Peer Gynt Suite No. 1, op. 46: II. Åses Død (The Death of Åse) (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Peer Gynt Suite No. 1, op. 46: III. Anitras Dans (Anitra’s Dance) (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Peer Gynt Suite No. 1, op. 46: IV. I Dovregubbens Hall (In the Hall of the Mountain King) (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Les Contes d'Hoffmann: Barcarolle (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Frühlingstimmen, op. 410 (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Prodaná nevesta (The Bartered Bride): Overture (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Prodaná nevesta (The Bartered Bride): Polka (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Slavonic Rhapsody in A-flat major (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Legend in G Minor, op. 59 no. 3 (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Prince Igor: Polovtsian Dance (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Chovantschina : Dance of the Persian Slaves (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Francesca da Rimini - Symphonic Fantasy after Dante, op. 32 (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Le Carnaval Romain, op. 9 (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Le Corsaire, op. 21 (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- L‘Arlésienne Suites 1 & 2 (excerpts): Prélude (von London Philharmonic Orchestra, Sir Thomas Beecham)
- L‘Arlésienne Suites 1 & 2 (excerpts): Minuet (von London Philharmonic Orchestra, Sir Thomas Beecham)
- L‘Arlésienne Suites 1 & 2 (excerpts): Adagietto (von London Philharmonic Orchestra, Sir Thomas Beecham)
- L‘Arlésienne Suites 1 & 2 (excerpts): Menuet (von London Philharmonic Orchestra, Sir Thomas Beecham)
- L‘Arlésienne Suites 1 & 2 (excerpts): Farandole (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Carmen Suite (excerpts): Prélude (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Carmen Suite (excerpts): Entr‘acte. Intermezzo (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Carmen Suite (excerpts): La Garde Montante. Les Dragons d‘ Alcala (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Carmen Suite (excerpts): Danse bohème (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Prélude à l‘après-midi d‘un faune (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony in D minor: I. Lento. Allegro (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony in D minor: II. Allegretto (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony in D minor: III. Allegro non troppo (von London Philharmonic Orchestra, Sir Thomas Beecham)
- España – Rhapsody for Orchestra (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Joyeuse – March for Orchestra (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Gwendoline: Overture (von Royal Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Introduction (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Theme (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Variations (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Appalachia - Variations on an Old Slave Song: Finale: Lento. Piu mosso (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Introduction
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Theme: Don Quixote, the Knight of the Sorrowful Countenance
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Sancho Panza
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation I: The Adventure With the Windmills
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation II: The Battle With the Sheep
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation III: Dialogue of Knight and Squire
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation IV: The Adventure With the Penitents
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation V: The Knight‘s Vigil
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation VI: The False Dulcinea
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation VII: The Ride Through the Air
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation VIII: The Adventure of the Unchanted Boat
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation IX: The Combat With the Two Magicians
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation X: The Defeat of Don Quixote
- Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Finale: The Death of Don Quixote
- Symphony No. 2 in D major, op. 43: I. Allegretto (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 2 in D major, op. 43: II. Tempo andante, ma rubato (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 2 in D major, op. 43: III. Vivacissimo (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Symphony No. 2 in D major, op. 43: IV. Finale: Allegro moderato (von London Philharmonic Orchestra, Sir Thomas Beecham)
- Tapiola – Symphonic Poem, op. 112 (von London Philharmonic Orchestra, Sir Thomas Beecham)
Mehr Songtexte
- Symphony No. 2, Op. 9 "Antar": II. Allegro
- Das Rheingold, WWV 86a: Entry of the Gods into Valhalla
- Divertimento No. 15 in B-flat major, K. 287 (K. 271H) "Lodron Serenade No. 2": II. Tema con variazioni - Andante
- Divertimento No. 15 in B-flat major, K. 287 (K. 271H) "Lodron Serenade No. 2": III. Menuetto - Trio
- Symphony No. 2, Op. 9 "Antar": IV. Allegretto - Adagio
- Symphony No. 4 in F minor, Op. 36: II. Andantino in modo di canzone
- Symphony No. 2, Op. 9 "Antar": III. Allegro risoluto
- Symphony No. 4 in F minor, Op. 36: III. Scherzo
- Symphony No. 2, Op. 9 "Antar": I. Largo - Allegro - Largo - Allegretto - Adagio
- Symphony No. 4 in F minor, Op. 36: I. Andante Sostenuto
- Symphony No. 4 in F minor, Op. 36: IV. Allegro con brio
- Non! Tu Ne M'aimes Pas...La-bas, la-bas, dans la montagne
- Amaryllis Suite: Sarabande
- Avec la garde montante
- Viva! viva! la course est belle!
- La cloche a sonne... Dans l'air, nous suivons des yeux de fumee
- Parle-moi de ma mere!
- Lest Tringles Des Sistres Tintaient (Gypsy Song)
- Les voici! voici la quadrille!
- Songs Without Words: No. 45 in C major, Op. 102, No. 3 "Kinderstück": Presto
- À deux cuartos! À deux cuartos!
- C'est bien la, n'est-ce pas
- Enfin C'Est Toi!
- Pres des remparts de Seville
- Sur la place
- Quels regards! Quelle effronterie!
- C'est des contrebandiers le refuge ordinaire - Je dis que rien ne m'epouvante
- Halte La? Qui Va La?
- Quelques lignes plus bas
- Voici l'ordre; partez
- Eh Bien, Vite, Quelles Nouvelles? - Nous Avons En Tete Une Affaire (Qnt)
- Mais Qui Donc Attends-tu?
- Hola Carmen ! Hola ! Hola !
- Hola, hola! Jose!
- Carmen, sur tes pas, nous nous pressons tous!
- Quand je vous aimerai?... L'amour est un oiseau rebelle
- Vivat! Vivat Le Torero!
- Eh bien?
- Ouverture
- Quant au douanier, c'est notre affaire
- Au secours! Au secours!
- La Belle, Un Mot
- Melons! Coupons!
- Tout doux, Monsieur, tout doux
- Reste la, maintenant, pendant que je lirai
- Reposons-nous une heure ici, mes camarades
- Mon officier, c'etait une querelle
- Votre Toast, Je Peux Vous Le Rendre (Toreador Song)
- Songs Without Words: No. 44 in D major, Op. 102, No. 2: Adagio
- Messieurs, Pastia Me Dit
- Entr'acte
- Ecoute, ecoute, compagnon, ecoute
- Je ne me trompe pas... c'est lui sur ce rocher
- Le Fleur Que Tu M'avais Jetee (Flower Song)
- C'est toi!... Carmen, il est temps encore
- Appalachia, Variations on Old Slave Song - Var I. Un Poco Piu
- Appalachia, Variations on Old Slave Song - Var VII. Lento E Molto Tranquillo
- Twilight Fancies
- Appalachia, Variations on Old Slave Song - Var XI. Allegro Alla Marcia
- Appalachia, Variations on Old Slave Song - Var IV. Molto Moderato
- On Hearing the First Cuckoo in Spring
- Appalachia, Variations on Old Slave Song - Var XII. Marcia; Molto Lento Maestoso
- Cradle Song
- Appalachia, Variations on Old Slave Song - Var VIII. Misterioso
- Appalachia, Variations on Old Slave Song - Introduction: Molto Moderato - Tranquillo
- Appalachia, Variations on Old Slave Song - Finale: Lento - Piu Mosso
- Hassan: Incidental Music - Closing Scene
- Summer Night on the River
- Hassan: Incidental Music - Intermezzo
- Koanga - Closing Scene With London Select Choir
- Appalachia, Variations on Old Slave Song - Var X. Lento Sostenuto E Tranquillo
- Appalachia, Variations on Old Slave Song - Theme: Andante
- Appalachia, Variations on Old Slave Song - Var V. Con Moto
- The Nightingale
- Appalachia, Variations on Old Slave Song - Var VI. Giocoso - Allegro Moderato
- Appalachia, Variations on Old Slave Song - Var XIV. Misterioso Lento
- Appalachia, Variations on Old Slave Song - Var III. Piu Vivo
- Appalachia, Variations on Old Slave Song - Var II. Moderato
- Appalachia, Variations on Old Slave Song - Var XIII. L'Istesso Tempo
- Appalachia, Variations on Old Slave Song - Var IX. Andante Con Grazia
- Hassan: Incidental Music - And Serenade
- The British National Anthem
- A Few Introductory Words by Sir Thomas Beecham
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 3. Piu Vivo
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 5. Con Moto
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 9. Andante Con Grazia
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 8. Misterioso
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 4. Molto Moderato
- Appalachia, RT ii/2 "Variations on an old slave song": Theme: Andante
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 6. Giocoso, Allegro Moderato
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 7. Lento E Molto Tranquillo
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 10. Lento Sostenuto E Tranquillo
- Appalachia, RT ii/2 "Variations on an old slave song": Introduction: Molto moderato - Tranquillo
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 14. Misterioso Lento
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 13. L'istesso Tempo
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 11. Allegro Alla Marcia
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 12. Marci. Molto Lento Maestoso
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 2. Moderato Sempre
- Appalachia, RT ii/2 "Variations on an old slave song": Finale: Lento - Piu Mosso
- Appalachia, RT ii/2 "Variations on an old slave song": Var. 1. Un Poco Piu
- Symphony 1 in C: Finale (Allegro Moderato-Tempo Di Polacca
- Symphony 1 in C: Andate
- Symphony 1 in C: Largo-Allegro Vivo-Alla Breve-Piu Animato
- Symphony 1 in C: Scherzo (Vivo-Poco Meno Mossa-Coda)
- Tamara (Symphonic Poem)
- Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio
- Symphony No. 2 in D major, Op. 36: II. Larghetto
- Symphony No. 2 in D major, Op. 36: III. Scherzo & Trio: Allegro
- Ruins of Athens, Op. 113: Chorus: 'Where freedom hath triumphed'
- Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace
- Ruins of Athens, Op. 113: Overture
- Ruins of Athens, Op. 113: March & Chorus: 'Twine ye garlands'
- Ruins of Athens, Op. 113: Chorus. Daughter of high-throned Zeus
- Symphony No. 7 in A major, Op. 92: II. Allegretto
- Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto
- Mass in C major, Op. 86: I. Kyrie
- Mass in C major, Op. 86: IV. Sanctus
- Mass in C major, Op. 86: II. Gloria
- Mass in C major, Op. 86: III. Credo
- Ruins of Athens, Op. 113: Chorus of Dervishes
- Mass in C major, Op. 86: V. Benedictus
- Mass in C major, Op. 86: VI. Agnus Dei
- Symphony No. 2 in D major, Op. 36: IV. Allegro molto
- Ruins of Athens, Op. 113: Turkish March
- Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
- Mendelssohn Symphony No. 4 In A Italian, Op. 90 (Beecham 1951) - IV. Saltarello (Presto)
- Beethoven Symphony No. 8 In F, Op. 93 (Beecham 1951) - IV. Allegro Vivace
- Mendelssohn Symphony No. 4 In A Italian, Op. 90 (Beecham 1951) - I. Allegro Vivace
- Schubert Symphony No. 8 In B Minor Unfinished (Beecham 1951) - I. Allegro Moderato
- Mendelssohn Symphony No. 4 In A Italian, Op. 90 (Beecham 1951) - II. Andante Con Moto
- Beethoven Symphony No. 8 In F, Op. 93 (Beecham 1951) - I. Allegro Vivace Con Brio
- Mendelssohn Symphony No. 4 In A Italian, Op. 90 (Beecham 1951) - III. Con Moto Moderato
- Beethoven Symphony No. 8 In F, Op. 93 (Beecham 1951) - II. Allegretto Scherzando
- Schubert Symphony No. 8 In B Minor Unfinished (Beecham 1951) - II. Andante Con Moto
- Beethoven Symphony No. 8 In F, Op. 93 (Beecham 1951) - III. Tempo Di Minuetto
- Act III Continued Seigneur Dieu, Que Vois-Je? (Marthe, Marguerite, Mephistopheles, Faust)
- Act IV, Scene I Seigneur, Daignez Permettre (Marguerite, Mephistopheles, Chorus)
- Tête Folle ! (Mephistopheles, Faust, Marguerite)
- Il Se Fait Tard, Adieu ! (Faust, Marguertie)
- Que Voulez-Vous, Messieurs? (Valentin, Mephistopheles, Faust)
- Allons, Siebel ! Entrons Dans La Maison ! (Valentin, Siebel)
- O Nuit D'Amour ! . . . Ciel Radieux ! (Faust, Marguerite)
- Qu'attendez-Vous Encore? . . . Vous Qui Faites L'endormie (Mephistopheles, Faust)
- Marguerite ! . . . Pourquoi Ce Regard (Marguerite, Faust)
- Oui, C'est Toi ! Je T'aime ! (Marguerite, Faust)
- Va-t-en (Faust, Mephistopheles)
- Act V Introduction -- La Prison
- Et Quoi! Toujours Seule? (Faust, Marguerite, Mephistopheles, Marthe)
- Act IV Scene II Déposons Les Armes (Chorus, Valentin, Siebel)
- Par Ici, Par Ici, Mes Amis ! . . . Ecoute-Moi Bien, Marguerite! (Marthe, Chorus, Valentin, Marguerite, Siebel
- Il Etait Temps ! Sous Le Feuillage Sombre (Mephistopheles)
- Alerte ! Alerte ! Ou Vous Etes Perdus! (Mephistopheles, Marguerite, Faust)
- Mon Coeur Est Pénétré D'épouvante ! (Faust, Mephistopheles)