Simon Rattle Songtexte
Gurrelieder: Erster Teil. Du sendest mir einen Liebesblick (Tove)
Lulu-Suite: V. Adagio
Geboren am 19. Januar 1955
Simon Rattle on EMI Classics (Compilation)
- Symphony no. 22 in E-flat major 'The Philosopher': IV. Finale (Presto) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Così fan tutte: Terzettino ´Soave sia il vento´
- Symphony No. 8 in F major: Il. Allegretto scherzando (von Wiener Philharmoniker, Sir Simon Rattle)
- Enigma Variations: IX. Nimrod (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Gurrelieder: Love duet 'So tanzen die Engel vor Gottes Thron nicht ... Nun sag ich dir zum ersten Mal'
- Symphony no. 5: Rondo finale (conclusion) (von Berliner Philharmoniker, Sir Simon Rattle)
- Musiques pour Le Roi Lear: I. Fanfare d´ouverture (von City of Birmingham Symphony Orchestra, Simon Rattle)
- The Firebird (conclusion) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Symphony no. 6 in D minor: III. Poco vivace (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Stabat Mater: VI. Chrystus niech mi bedzie grodem
- Dardanella (von Felix Bernard & Johnny Black)
- Glagolitic Mass: Gospodi pomiluj (Kyrie)
- Belshazzar´s Feast: 'Then sing aloud to God our strength (conclusion)
- Lulu-Suite: V. Adagio (conclusion) (von Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle)
- Porgy and Bess: Act III 'Bess is gone ... Oh Lawd, I'm on my way' (conclusion) (von George Gershwin)
- Young Person´s Guide to the Orchestra: Fugue (Allegro molto) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Candide: Overture (von Berliner Philharmoniker, Simon Rattle)
- Éclairs sur l´Au-delà: III. L´Oiseau-lyre et la Ville-financée (von Berliner Philharmoniker, Simon Rattle)
- Short Ride in a Fast Machine (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Asyla: IV (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
The Compact Disc Collection (Compilation)
- Sinfonietta, op. 60: Allegretto (von Philharmonia Orchestra, Simon Rattle)
- Pan & Syrinx (Pastorale), FS 87 (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Symphony no. 5: II. Andante mosso, quasi allegretto (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 10: II. Allegro (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Piano Quartet no. 1: IV. Rondo alla zingarese (Presto) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Turangalîla-symphonie: V. Joie du sang des étoiles
- The Dream of Gerontius: Proficiscere, anima Christiana (von City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem: Dies Irae (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- Prelude, Fugue & Riffs (von London Sinfonietta, Simon Rattle)
- Porgy & Bess: Summertime
- The Firebird: Danse infernale (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Symphony no. 2: V. Conclusion. Mit Aufschwung aber nicht eilen (von City of Birmingham Symphony Orchestra, Simon Rattle)
The Jazz Album
- La Création du Monde Op. 81a
- Rhapsody in Blue
- After You've Gone
- Nobody's Sweetheart (von London Sinfonietta, Simon Rattle)
- Ebony Concerto: I. Allegro moderato (von Michael Collins, London Sinfonietta, Simon Rattle)
- Ebony Concerto: II. Andante (von Michael Collins, London Sinfonietta, Simon Rattle)
- Ebony Concerto: III. Moderato - Con moto (von Michael Collins, London Sinfonietta, Simon Rattle)
- Sweet Sue
- Dardanella (von London Sinfonietta, Simon Rattle)
- Makin' Whoopee!
- My Blue Heaven
- San
- Prelude, Fugue and Riffs (von London Sinfonietta, Simon Rattle)
The Second Viennese School
- Gurrelieder, Part One: Orchestral Prelude (von Berliner Philharmoniker, Sir Simon Rattle)
- Gurrelieder, Part One: Nun dämfpt die Dämm'rung (Waldemar)
- Gurrelieder, Part One: O, wenn des Mondes Strahlen (Tove)
- Gurrelieder, Part One: Ross! Mein Ross! (Waldemar)
- Gurrelieder, Part One: Sterne jubeln (Tove)
- Gurrelieder, Part One: So tanzen die Engel vor Gottes Thron nicht (Waldemar)
- Gurrelieder, Part One: Nun sag ich dir zum ersten mal (Tove)
- Gurrelieder, Part One: Es ist Mitternachtszeit (Waldemar)
- Gurrelieder, Part One: Du sendest mir einen Liebesblick (Tove)
- Gurrelieder, Part One: Du wunderliche Tove! (Waldemar)
- Gurrelieder, Part One: Orchestral interlude (von Berliner Philharmoniker, Sir Simon Rattle)
- Gurrelieder, Part One: Tauben von Gurre (Waldtaube)
- Gurrelieder, Part Two: Herrgott, weisst du, was du tatest
- Gurrelieder, Part Three: Erwacht, König Waldemars Mannen wert! (Waldemar)
- Gurrelieder, Part Three: Deckel des Sarges klappert (Bauer)
- Gurrelieder, Part Three: Gegrüsst, o König (Waldermars Männen)
- Gurrelieder, Part Three: Mit Toves stimme flüstert der Wald (Waldemar) (von Berliner Philharmoniker, Sir Simon Rattle)
- Gurrelieder, Part Three: 'Ein seltsamer Vogel ist so'n Aal' (Klaus-Narr)
- Gurrelieder, Part Three: Du strenger Richter droben (Waldemar)
- Gurrelieder, Part Three: Der Hahn erhebt den Kopf zur Kraht (Waldemars Mannen); Des Simmerwindes wilde Jagd (Melodram)
- Gurrelieder, Part Three: Orchestral Prelude (von Berliner Philharmoniker, Sir Simon Rattle)
- Gurrelieder, Part Three: Herr Gänsefuss, Frau Gänsekraut (Sprecher)
- Gurrelieder, Part Three: Seht die Sonne (Chor)
- Chamber Symphony no. 1, op. 9: Langsam - Sehr rasch – (von Birmingham Contemporary Music Group, Simon Rattle)
- Chamber Symphony no. 1, op. 9: Feurig - Hauptzeitmaß - Ruhiger - sehr rasch – (von Birmingham Contemporary Music Group, Simon Rattle)
- Chamber Symphony no. 1, op. 9: Viel langsamer - Fließender - Schwungvoll - Hauptzeitmaß (von Birmingham Contemporary Music Group, Simon Rattle)
- Chamber Symphony no. 1, op. 9: Etwas ruhiger - steigernd - Hauptzeitmaß (von Birmingham Contemporary Music Group, Simon Rattle)
- Erwartung, op. 17: Scene One: Hier hinein? Man sieht den Weg nicht…
- Erwartung, op. 17: Scene Two: Ist das noch der Weg? Hier ist es eben
- Erwartung, op. 17: Scene Three: Da kommt ein Licht!
- Erwartung, op. 17: Scene Four: Er ist auch nicht da
- Erwartung, op. 17: Scene Four: Das Mondlicht... nein, dort
- Erwartung, op. 17: Scene Four: Was soll ich tun
- Erwartung, op. 17: Scene Four: Aber seltsam ist dein Auge
- Erwartung, op. 17: Scene Four: Du siehst wieder dort hin?
- Erwartung, op. 17: Scene Four: Oh! nicht einmal die Gnade
- Erwartung, op. 17: Scene Four: Liebster, Liebster, der Morgen kommt
- Variations for Orchestra, op. 31: Introduction and Theme – (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Variations for Orchestra, op. 31: Variation I (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Variations for Orchestra, op. 31: Variation II (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Variations for Orchestra, op. 31: Variation III (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Variations for Orchestra, op. 31: Variation IV (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Variations for Orchestra, op. 31: Variation V (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Variations for Orchestra, op. 31: Variation VI (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Variations for Orchestra, op. 31: Variation VII (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Variations for Orchestra, op. 31: Variation VIII (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Variations for Orchestra, op. 31: Variation IX (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Variations for Orchestra, op. 31: Finale (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Five Orchestral Pieces, op. 16: I. Vorgefühle (Sehr rasch) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Five Orchestral Pieces, op. 16: II. Vergangenes (Mässige Viertel) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Five Orchestral Pieces, op. 16: III. Farben (Mässige Viertel) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Five Orchestral Pieces, op. 16: IV. Peripetie (Sehr rasch) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Five Orchestral Pieces, op. 16: V. Das obligate Rezitativ (Bewegte Achtel) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Six Orchestral Pieces, op. 6: I. Langsam (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Six Orchestral Pieces, op. 6: II. Bewegt (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Six Orchestral Pieces, op. 6: III. Mässig (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Six Orchestral Pieces, op. 6: IV. Sehr mässig (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Six Orchestral Pieces, op. 6: V. Sehr langsam (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Six Orchestral Pieces, op. 6: VI. Langsam (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Five Orchestral Pieces, op. 10: III. Sehr langsam und äusserst ruhig (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Five Orchestral Pieces, op. 10: IV. Fließend, äußerst zart (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Five Orchestral Pieces, op. 10:V. Sehr fließend (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Lulu Suite: I. Rondo (Andante) und Hymne (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Lulu Suite: II. Ostinato (Allegro) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Lulu Suite: III. Lied der Lulu (Comodo) (von Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle)
- Lulu Suite: IV. Variationen (Moderato) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Lulu Suite: V. Adagio (von Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle)
- Piano Quartet no. 1 in G minor, op. 25: I. Allegro (von Berliner Philharmoniker, Simon Rattle)
- Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo (Allegro ma non troppo) - Trio (von Berliner Philharmoniker, Simon Rattle)
- Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto - Animato (von Berliner Philharmoniker, Simon Rattle)
- Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla Zingarese (Presto) (von Berliner Philharmoniker, Simon Rattle)
- A Survivor from Warsaw , op. 46
- Violin Concerto, “To the memory of an angel” conclusion
Mehr Songtexte
- Wonderful Town: Act I. Overture
- Wonderful Town: Act I. Christopher Street
- Wonderful Town: Act I. Ohio
- Wonderful Town: Act I. Conquering New York
- Wonderful Town: Act I. One Hundred Ways to Lose a Man
- Wonderful Town: Act I. What a Waste
- Wonderful Town: Act I. A Little Bit in Love
- Wonderful Town: Act I. Pass the Football
- Wonderful Town: Act I. Conversation Piece
- Wonderful Town: Act I. A Quiet Girl
- Wonderful Town: Act I. Conga!
- Wonderful Town: Act I. Entr'acte
- Wonderful Town: Act II. My Darlin' Eileen
- Wonderful Town: Act II. Swing!
- Wonderful Town: Act II. Quiet Incidental
- Wonderful Town: Act II. Reprise: Ohio
- Wonderful Town: Act II. It's Love
- Wonderful Town: Act II. Ballet at the Village Vortex
- Wonderful Town: Act II. The Wrong Note Rag
- Wonderful Town: Act II. Reprise: It's love
- Prelude, Fugue & Riffs
- Come Sunday
- You're the One
- The Firebird (conclusion)
- Sophisticated Lady
- Isfahan
- Maybe
- Take the "A" Train
- Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando
- That Doo-Wah Thing
- Something to Live For
- Harlem (A Tone Parallel to Harlem), from "Far East Suite"
- Solitude in Transblucency
- Ad Lib on Nippon
- Things Ain't What They Used to Be
- Symphony no. 22 in E-flat major, Hob. I:22 "The Philosopher": IV. Finale: Presto
- Symphony No.5 , 2nd Movemebt
- Symphony No.60, 4th Movement "Finale"
- Ragtime for 11 Instruments
- Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato
- Le sacre du printemps "Zweiter Teil: Das Opfer": III. Verherrlichung der Auserwählten - Anrufung der Ahnen - Rituelle Handlung der Ahnen
- Le sacre du printemps "Erster Teil: Die Anbetung der Erde": I. Introduktion - Vorboten des Frühlings - Tanz der Jünglinge - Entfürhungsspiel
- Le sacre du printemps "Zweiter Teil: Das Opfer": II. Mystischer Reigen der Mädchen
- Sinfonietta: I. Allegretto
- Le sacre du printemps "Zweiter Teil: Das Opfer": IV. Opfertanz der Auserwählten
- Sinfonietta: III. Moderato
- Le sacre du printemps "Zweiter Teil: Das Opfer": I. Introduktion
- Le sacre du printemps "Erster Teil: Die Anbetung der Erde": III. Der Weise - Tanz der Erde
- Le sacre du printemps "Erster Teil: Die Anbetung der Erde": II. Frühlingsreigen - Kampfspiele rivalisierender Stämme - Auftritte der Weisen
- Sinfonietta: V. Andante con moto
- Sinfonietta: II. Andante
- Sinfonietta: IV. Allegretto
- The Rite of Spring, Part I (The Adoration of the Earth): The Sage, Dance of the Earth
- The Rite of Spring, Part I (The Adoration of the Earth): Introduction, the Augurs of Spring, Dances of the Young Girls, Ritual of Abduction
- The Rite of Spring, Part I (The Adoration of the Earth): Spring Rounds, Ritual of the Rival Tribes, Procession of the Sage
- The Rite of Spring, Part II (The Sacrifice): Mystic Circles of the Young Girls
- The Rite of Spring, Part II (The Sacrifice): Sacrificial Dance (The Chosen One)
- The Rite of Spring, Part II (The Sacrifice): Introduction
- The Rite of Spring, Part II (The Sacrifice): Glorification of the Chosen One, Evocation of the Ancestors, Ritual Action of the Ancestors
- Uranus, the Magician
- Jupiter, the Bringer of Jollity
- Mercury, the Winged Messenger
- Saturn, the Bringer of Old Age
- Venus, the Bringer of Peace
- Mars, the Bringer of War
- Neptune, the Mystic
- Musique pour “Le Roi Lear”: Fanfare d’ouverture
- Prelude, Fugue and Riffs
- Wonderful Town: Act II. Ohio
- Symphony no. 5 in E-flat major, op. 82: 3rd Movement
- Cello Concerto: II. Allegro appassionato
- Cello Concerto: III. Lento - Brioso - ALlegro molto - Rapsodicamente- Adagio
- Piano Quartet no. 1 in G minor, op. 25: I. Allegro
- Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto
- Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese
- Cello Concerto: I. Moderato
- Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro ma non troppo
- On Wenlock Edge: V. "Bredon Hill"
- Nobody's Sweetheart
- Songs of Travel (orchestral version): IX. "I have trod the upward and the downward slope"
- Songs of Travel (orchestral version): VIII. "Bright is the ring of words"
- Songs of Travel (orchestral version): V. "In Dreams"
- Songs of Travel (orchestral version): I. "The Vagabond"
- On Wenlock Edge: I. "On Wenlock Edge"
- Songs of Travel (orchestral version): II. "Let beauty awake"
- On Wenlock Edge: IV. "Oh, when I was in love with you"
- Songs of Travel (orchestral version): VII. "Whither must I wander"
- On Wenlock Edge: II. "From far, from eve and morning"
- Songs of Travel (orchestral version): IV. "Youth and Love"
- On Wenlock Edge: III. "Is my team ploughing"
- On Wenlock Edge: VI. "Clun"
- Songs of Travel (orchestral version): VI. "The infinite shining heavens"
- Songs of Travel (orchestral version): III. "The Roadside Fire"
- Ebony Concerto: II. Andante
- Ebony Concerto: I. Allegro moderato
- Ebony Concerto: III. Moderato - Con moto
- Borgy and Bess: "Summertime"
- Sinfonietta, op. 60: IV. Allegretto
- Lulu-Suite: III. Lied der Lulu: Comodo
- Sinfonietta, op. 60: V. Andante con moto
- Sinfonietta, op. 60: II. Andante
- Erwartung, Op.17: 1. Szene "Hier hinein? Man sieht den Weg nicht..."
- Lulu-Suite: V. Adagio
- Erwartung, Op.17: 2. Szene "1st das noch der Weg? Hier ist es eben"
- Sinfonietta, op. 60: III. Moderato
- Erwartung, Op.17: 3. Szene "Da kommt ein Licht!"
- Sinfonietta, op. 60: I. Allegretto
- Erwartung, Op.17: 4. Szene "Er ist auch nicht da"
- Le Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage
- Le Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre
- Images, L. 118a: III. Rondes de printemps
- Images, L. 118a: II. Ibéria - Par les rues et par les chemins
- Images, L. 118a: II. Ibéria - Les parfums de la nuit
- Images, L. 118a: II. Iberia - Le matin d'un jour de fête
- Images, L. 118a: I. Gigues