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Shelly Berg Songtexte
Track 57 - Book 2 - Page 65

Geboren am 18. August 1955

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  1. Track 76 - Book 2 - Page 73 - Example 1
  2. Track 53 - Book 3 - Page 102
  3. Track 70 - Book 2 - Page 70
  4. Track 36 - B♭ Blues solo to transcribe
  5. Track 14 - Book 3 - Page 88 - Example 3
  6. Track 72 - Book 3 - Page 111
  7. Track 02 - V7 Cadences in 3 Keys
  8. Track 23 - Book 2 - Page 52
  9. Track 09 - Book 1 - Page 7 - Example 1
  10. Track 18 - B♭, E♭, F - Incorporates jazz turns into melodies for V7-IM7 Cadences
  11. Track 20 - B♭7 Call-and-Response (Scale)
  12. Track 11 - Book 3 - Page 87
  13. Track 80 - Book 3 - Page 114
  14. Track 20 - F7 - Bebop Dominant Lick
  15. Track 49 - Book 2 - Page 60 - Example 6
  16. Track 14 - Book 2 - Page 48 - Example 1
  17. Track 26 - B♭ Blues IV7 Chord - Call-and-Response
  18. Track 29 - Book 3 - Page 94
  19. Track 25 - Recognizing Chord Roots - Progression made up of I, IV, & V chords (No Melody)
  20. Track 59 - Book 3 - Page 105
  21. Track 83 - Book 3 - Page 115
  22. Track 68 - Book 2 - Page 69
  23. Track 93 - Book 3 - Page 118 - Example 3
  24. Track 44 - Book 1 - Page 26 - Example 3
  25. Track 56 - Book 3 - Page 104
  26. Track 34 - The ii-V Line, iiMI7-V7 Turnaround in F Major
  27. Track 36 - Book 3 - Page 95 - Example 6
  28. Track 67 - Book 3 - Page 109
  29. Track 76 - Book 1 - Page 38 - Example 6
  30. Track 69 - Book 1 - Page 37
  31. Track 07 - Book 2 - Page 45
  32. Track 11 - F Backing Track - V7 to IM7
  33. Track 26 - Book 3 - Page 93
  34. Track 13 - B♭ Call-and-Response Melodies for V7 to IM7 Progression
  35. Track 57 - Book 2 - Page 65
  36. Track 40 - Book 1 - Page 24
  37. Track 24 - Recognizing Chord Roots - Progression made up of I, IV, & V chords
  38. Track 30 - Book 1 - Page 18 - Example 1
  39. Track 32 - Book 2 - Page 54 - Example 6
  40. Track 03 - B♭ Backing Track
  41. Track 92 - Book 2 - Page 78 - Example 3
  42. Track 04 - Book 2 - Page 44
  43. Track 76 - Book 3 - Page 112 - Example 3
  44. Track 16 - Book 3 - Page 88 - Example 5
  45. Track 86 - Book 3 - Page 115
  46. Track 19 - Book 1 - Page 11
  47. Track 12 - Book 2 - Page 47
  48. Track 27 - Book 1 - Page 16
  49. Track 58 - Book 1 - Page 33 - Example 2
  50. Track 47 - Book 2 - Page 60 - Example 4
  51. Track 09 - Book 3 - Page 86
  52. Track 70 - Book 1 - Page 37
  53. Track 54 - Book 2 - Page 64
  54. Track 16 - Book 2 - Page 48 - Example 3
  55. Track 02 - B♭ Call-and-Response - Backing Track
  56. Track 12 - B♭, E♭, F Call-and-Response - Scales for V7
  57. Track 23 - Book 3 - Page 92
  58. Track 91 - Book 3 - Page 118 - Example 1
  59. Track 26 - Book 2 - Page 53
  60. Track 34 - Book 2 - Page 56
  61. Track 09 - B♭ Backing Track - V7 to IM7
  62. Track 74 - Book 3 - Page 112 - Example 1
  63. Track 42 - Book 1 - Page 26 - Example 1
  64. Track 18 - Book 1 - Page 11 - Example 3
  65. Track 84 - Book 2 - Page 75
  66. Track 34 - Book 3 - Page 95 - Example 4
  67. Track 92 - Book 3 - Page 118 - Example 2
  68. Track 22 - Book 1 - Page 14 - Example 2
  69. Track 22 - Progressive Call-and-Response - Be-Bop Dominant Scales
  70. Track 03 - Book 3 - Page 83
  71. Track 49 - Book 1 - Page 28
  72. Track 42 - Book 2 - Page 59
  73. Track 75 - Book 3 - Page 112 - Example 2
  74. Track 27 - B♭ 12-Bar Blues - Call-and-Response - Focus on 3rd-to-7th between I7 & IV7 Chords
  75. Track 20 - Book 1 - Page 12
  76. Track 31 - Call-and-Response - Scales for ii-V
  77. Track 04 - E♭ Call-and-Response Melodies for V7 to IM7 Progression
  78. Track 63 - Book 1 - Page 35
  79. Track 29 - Book 1 - Page 17 - Example 1
  80. Track 04 - B♭ Call-and-Response
  81. Track 11 - B♭ Backing Track
  82. Track 30 - Book 2 - Page 54 - Example 4
  83. Track 94 - Book 2 - Page 78 - Example 5
  84. Track 44 - Book 2 - Page 60 - Example 1
  85. Track 69 - Book 2 - Page 70
  86. Track 85 - Book 2 - Page 75
  87. Track 20 - Book 2 - Page 51 + Page 52
  88. Track 07 - Book 3 - Page 85
  89. Track 56 - Book 2 - Page 64
  90. Track 35 - Call-and-Response - The ii-V Line
  91. Track 35 - Book 1 - Page 20 - Example 4
  92. Track 62 - Book 1 - Page 33 - Example 6
  93. Track 73 - Book 1 - Page 38 - Example 3
  94. Track 62 - Book 2 - Page 67 - Example 2
  95. Track 06 - B♭ Call-and-Response Melodies for V7 to IM7 - Using Arpeggiation, Resolution & Common Tone
  96. Track 84 - Book 3 - Page 115
  97. Track 04 - Book 1 - Page 6
  98. Track 43 - Book 2 - Page 59
  99. Track 74 - Book 2 - Page 72
  100. Track 10 - E♭ Backing Track - V7 to IM7
  101. Track 12 - Book 1 - Page 8 - Example 3
  102. Track 49 - Book 3 - Page 100 - Example 5
  103. Track 10 - B♭M7 Call-and-Response - Emphasizing Chord Tones
  104. Track 68 - Book 3 - Page 109
  105. Track 02 - Book 1 - Page 4 - Example 1
  106. Track 68 - Book 1 - Page 37
  107. Track 15 - Cm7 - B♭M7 - CM7 - That's Cool solo section - Call-and-Response (Scales & Chromatic Notes)
  108. Track 34 - B♭ 12-Bar Blues - Call-and-Response - Incorporating chromatic notes
  109. Track 77 - Book 3 - Page 112 - Example 4
  110. Track 33 - Book 2 - Page 54 - Example 7
  111. Track 71 - Book 2 - Page 70
  112. Track 72 - Book 1 - Page 38 - Example 2
  113. Track 07 - Book 1 - Page 7
  114. Track 29 - Try It On Your Own!, ii-V Progression
  115. Track 63 - Book 2 - Page 67 - Example 3
  116. Track 03 - Book 2 - Page 43
  117. Track 54 - Book 1 - Page 31
  118. Track 91 - Book 2 - Page 78 - Example 2
  119. Track 45 - Book 2 - Page 60 - Example 2
  120. Track 03 - B♭ Call-and-Response Melodies for V7 to IM7 Progression
  121. Track 26 - Solo to Transcribe
  122. Track 04 - Book 3 - Page 84
  123. Track 96 - Book 3 - Page 118 - Example 6
  124. Track 21 - Call-and-Response - Be-Bop Dominant Scales
  125. Track 65 - Book 1 - Page 36
  126. Track 52 - Book 3 - Page 102
  127. Track 22 - Book 3 - Page 91
  128. Track 78 - Book 2 - Page 73 - Example 3
  129. Track 51 - Book 1 - Page 30
  130. Track 43 - Book 1 - Page 26 - Example 2
  131. Track 29 - Book 2 - Page 54 - Example 3
  132. Track 72 - Book 2 - Page 71
  133. Track 51 - Book 3 - Page 100 - Example 7
  134. Track 79 - Book 3 - Page 112 - Example 6
  135. Track 05 - Book 3 - Page 85
  136. Track 33 - Book 3 - Page 95 - Example 3
  137. Track 82 - Book 3 - Page 114
  138. Track 06 - Cm7 Call-and-Response
  139. Track 23 - Book 1 - Page 14 - Example 3
  140. Track 19 - Book 3 - Page 90
  141. Track 32 - Book 1 - Page 20 - Example 1
  142. Track 87 - Book 2 - Page 76
  143. Track 94 - Book 3 - Page 118 - Example 4
  144. Track 66 - Book 3 - Page 108
  145. Track 14 - Cm7 Call-and-Response - Using chromatic note between 4th & 5th scale notes
  146. Track 66 - Book 1 - Page 36
  147. Track 58 - Book 2 - Page 66
  148. Track 15 - Book 1 - Page 8 - Example 6
  149. Track 73 - Book 2 - Page 71
  150. Track 06 - Book 3 - Page 85
  151. Track 17 - Book 3 - Page 88 - Example 6
  152. Track 35 - Call-and-Response - Similar to licks for That's Right
  153. Track 59 - Book 1 - Page 33 - Example 3
  154. Track 88 - Book 2 - Page 77
  155. Track 81 - Book 3 - Page 114
  156. Track 29 - B♭ 12-Bar Blues - Call-and-Response - Using blue 3rd & blue 7th
  157. Track 12 - Cm7 Call-and-Response
  158. Track 01 - Book 2 - Page 43
  159. Track 48 - Book 2 - Page 60 - Example 5
  160. Track 46 - Book 1 - Page 26 - Example 5
  161. Track 66 - Book 2 - Page 67 - Example 6
  162. Track 61 - Book 3 - Page 106 - Example 2
  163. Track 26 - Book 1 - Page 14 - Example 6
  164. Track 38 - Book 1 - Page 22
  165. Track 20 - Book 3 - Page 90
  166. Track 17 - Book 2 - Page 48 - Example 4
  167. Track 67 - Book 1 - Page 36
  168. Track 59 - Book 2 - Page 66
  169. Track 15 - F Call-and-Response Melodies for V7 to IM7 Progression
  170. Track 30 - B♭ 12-Bar Blues - Backing Track
  171. Track 08 - Cm7 - B♭M7 - CM7 - That's Cool solo section - Call-and-Response
  172. Track 09 - Cm7 - B♭M7 - CM7 - That's Cool solo section - Backing Track
  173. Track 16 - "No Jive" - Progressive Call-and-Response
  174. Track 35 - Book 3 - Page 95 - Example 5
  175. Track 10 - Book 2 - Page 47
  176. Track 17 - Book 1 - Page 11 - Example 2 + Page 13 - Example 1
  177. Track 21 - Book 1 - Page 14 - Example 1
  178. Track 53 - Book 1 - Page 31
  179. Track 45 - Book 1 - Page 26 - Example 4
  180. Track 56 - Book 1 - Page 32
  181. Track 64 - Book 1 - Page 35
  182. Track 77 - Book 1 - Page 38 - Example 7
  183. Track 02 - Book 2 - Page 43
  184. Track 52 - Book 2 - Page 63
  185. Track 21 - Book 3 - Page 90
  186. Track 50 - Book 3 - Page 100 - Example 6
  187. Track 31 - Book 1 - Page 19 - Example 1
  188. Track 46 - Book 3 - Page 100 - Example 2
  189. Track 60 - Book 2 - Page 66
  190. Track 89 - Book 2 - Page 77
  191. Track 65 - Book 3 - Page 106 - Example 6
  192. Track 77 - Book 2 - Page 73 - Example 2
  193. Track 08 - Book 3 - Page 85
  194. Track 39 - Book 2 - Page 57
  195. Track 07 - Cm7 Call-and-Response - Backing Track
  196. Track 07 - E♭ Call-and-Response Melodies for V7 to IM7 - Using Arpeggiation, Resolution & Common Tone
  197. Track 36 - Book 2 - Page 56
  198. Track 15 - Book 3 - Page 88 - Example 4
  199. Track 21 - Chord Matching - Series of Eight Chords & Scales
  200. Track 90 - Book 3 - Page 117
  201. Track 86 - Book 2 - Page 76
  202. Track 30 - Call-and-Response - iiMI7 Chord
  203. Track 22 - B♭ 12-Bar Blues - Chord Roots
  204. Track 37 - Book 3 - Page 95 - Example 7
  205. Track 63 - Book 3 - Page 106 - Example 4
  206. Track 81 - Book 2 - Page 73 - Example 6
  207. Track 08 - F Call-and-Response Melodies for V7 to IM7 - Using Arpeggiation, Resolution & Common Tone
  208. Track 38 - Book 3 - Page 97
  209. Track 02 - Book 3 - Page 83
  210. Track 10 - Book 3 - Page 87
  211. Track 41 - Book 2 - Page 59
  212. Track 55 - Book 3 - Page 104
  213. Track 60 - Book 1 - Page 33 - Example 4
  214. Track 75 - Book 1 - Page 38 - Example 5
  215. Track 75 - Book 2 - Page 72
  216. Track 14 - Book 1 - Page 8 - Example 5
  217. Track 48 - Book 3 - Page 100 - Example 4
  218. Track 41 - Book 1 - Page 25
  219. Track 83 - Book 2 - Page 75
  220. Track 47 - Book 1 - Page 26 - Example 6
  221. Track 25 - Book 2 - Page 53
  222. Track 65 - Book 2 - Page 67 - Example 5
  223. Track 28 - Call-and-Response ii-V Progression
  224. Track 08 - Book 1 - Page 7
  225. Track 54 - Book 3 - Page 103
  226. Track 55 - Book 2 - Page 64
  227. Track 32 - B♭ Blues - Short melodies based on 3 chords/scales
  228. Track 05 - Book 2 - Page 44
  229. Track 47 - Book 3 - Page 100 - Example 3
  230. Track 69 - Book 3 - Page 109
  231. Track 37 - Big-Band Recording of "That's Right!"
  232. Track 70 - Book 3 - Page 110
  233. Track 40 - Book 3 - Page 98
  234. Track 36 - Book 1 - Page 20 - Example 5
  235. Track 79 - Book 2 - Page 73 - Example 4
  236. Track 13 - Book 2 - Page 47
  237. Track 19 - B♭7 Call-and-Response - Backing Track
  238. Track 85 - Book 3 - Page 115
  239. Track 55 - Book 1 - Page 31 - Example 1
  240. Track 50 - Book 1 - Page 29
  241. Track 64 - Book 3 - Page 106 - Example 5
  242. Track 39 - Book 3 - Page 98
  243. Track 32 - Progressive Call-and-Response - "Way Cool"
  244. Track 28 - Book 1 - Page 17
  245. Track 24 - Book 3 - Page 93
  246. Track 13 - Book 3 - Page 88 - Example 2
  247. Track 13 - B♭ Call-and-Response - Using chromatic note between 2nd & 3rd scale notes
  248. Track 27 - Book 2 - Page 54 - Example 1
  249. Track 28 - Book 3 - Page 94
  250. Track 35 - Book 2 - Page 56
  251. Track 44 - Book 3 - Page 99
  252. Track 01 - Style Matching - Cadences
  253. Track 11 - Book 1 - Page 8 - Example 2
  254. Track 06 - Book 2 - Page 45
  255. Track 39 - Book 1 - Page 23 - Example 1
  256. Track 38 - Book 2 - Page 57
  257. Track 17 - "No Jive" - Chord Progression - Backing Track
  258. Track 57 - Book 3 - Page 105
  259. Track 09 - Book 2 - Page 46
  260. Track 90 - Book 2 - Page 78 - Example 1
  261. Track 18 - Book 3 - Page 88 - Example 7
  262. Track 23 - B♭ 12-Bar Blues - Call-and-Response
  263. Track 18 - Book 2 - Page 48 - Example 5
  264. Track 25 - Book 3 - Page 93
  265. Track 05 - F Call-and-Response Melodies for V7 to IM7 Progression
  266. Track 52 - Book 1 - Page 30 - Example 1
  267. Track 33 - B♭ 12-Bar Blues - Call-and-Response - Extra notes to bottom & top of scales
  268. Track 31 - Book 3 - Page 95 - Example 1
  269. Track 25 - Progressive Call-and-Response - Putting It All Together
  270. Track 25 - Book 1 - Page 14 - Example 5
  271. Track 50 - Book 2 - Page 60 - Example 7
  272. Track 61 - Book 1 - Page 33 - Example 5
  273. Track 01 - Book 3 - Page 83
  274. Track 34 - Book 1 - Page 20 - Example 3
  275. Track 01 - B♭ Call-and-Response
  276. Track 10 - Book 1 - Page 8 - Example 1
  277. Track 21 - Book 2 - Page 51
  278. Track 28 - Book 2 - Page 54 - Example 2
  279. Track 30 - Book 3 - Page 94
  280. Track 40 - Book 2 - Page 58
  281. Track 87 - Book 3 - Page 116
  282. Track 13 - Book 1 - Page 8 - Example 4
  283. Track 11 - Book 2 - Page 47
  284. Track 62 - Book 3 - Page 106 - Example 3
  285. Track 32 - Book 3 - Page 95 - Example 2
  286. Track 82 - Book 2 - Page 75
  287. Track 01 - Book 1 - Page 3 - Example 1
  288. Track 05 - Book 1 - Page 6 - Example 2
  289. Track 24 - Book 1 - Page 14 - Example 4
  290. Track 33 - Try It On Your Own, "Way Cool"
  291. Track 41 - Book 3 - Page 98
  292. Track 53 - Book 2 - Page 63
  293. Track 71 - Book 3 - Page 110
  294. Track 19 - Book 2 - Page 48 - Example 6
  295. Track 27 - Big Band Recording of "No Jive"
  296. Track 24 - Book 2 - Page 52
  297. Track 48 - Book 1 - Page 26 - Example 7
  298. Track 33 - Book 1 - Page 20 - Example 2
  299. Track 71 - Book 1 - Page 38 - Example 1
  300. Track 64 - Book 2 - Page 67 - Example 4
  301. Track 19 - "No Jive" - Incorporates jazz turns into melodies
  302. Track 45 - Book 3 - Page 100 - Example 1
  303. Track 23 - Call-and-Response - Blues Scale & Blue Notes
  304. Track 15 - Book 2 - Page 48 - Example 2
  305. Track 57 - Book 1 - Page 33 - Example 1
  306. Track 46 - Book 2 - Page 60 - Example 3
  307. Track 51 - Book 2 - Page 62
  308. Track 16 - Book 1 - Page 10
  309. Track 37 - Book 1 - Page 20 - Example 6
  310. Track 18 - B♭7 Call-and-Response
  311. Track 37 - Book 2 - Page 57
  312. Track 05 - Challenge 3 - Consonant & Disonant
  313. Track 58 - Book 3 - Page 105
  314. Track 42 - Book 3 - Page 99
  315. Track 89 - Book 3 - Page 117
  316. Track 31 - Book 2 - Page 54 - Example 5
  317. Track 12 - Book 3 - Page 88 - Example 1
  318. Track 27 - Book 3 - Page 94
  319. Track 80 - Book 2 - Page 73 - Example 5
  320. Track 24 - Progressive Call-and-Response - Blues Scale & Blue Notes
  321. Track 60 - Book 3 - Page 106 - Example 1
  322. Track 03 - Book 1 - Page 5
  323. Track 36 - Progressive Call-and-Response - The ii-V Line, "Way Cool"
  324. Track 93 - Book 2 - Page 78 - Example 4
  325. Track 16 - Cm7 - B♭M7 - CM7 - That's Cool solo section - Solo to Transcribe
  326. Track 17 - Big-Band Recording of "That's Cool!"
  327. Track 06 - Book 1 - Page 7
  328. Track 43 - Book 3 - Page 99
  329. Track 74 - Book 1 - Page 38 - Example 4
  330. Track 78 - Book 3 - Page 112 - Example 5
  331. Track 08 - Book 2 - Page 46
  332. Track 61 - Book 2 - Page 67 - Example 1
  333. Track 95 - Book 3 - Page 118 - Example 5
  334. Track 22 - Book 2 - Page 52
  335. Track 67 - Book 2 - Page 69
  336. Track 28 - B♭ 12-Bar Blues - Call-and-Response - Entire scales for I7 & IV7
  337. Track 88 - Book 3 - Page 117
  338. Track 14 - E♭ Call-and-Response Melodies for V7 to IM7 Progression
  339. Track 73 - Book 3 - Page 111
  340. Track 31 - B♭ Blues V7 Chord - Call-and-Response

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