Roger Kamien Songtexte
A Survivor from Warsaw, Op. 46, Part 2 (narrator: John Horton, chorus: Festival Singers of Toronto, CBC Symphony Orchestra feat. conductor: Robert Craft)
Geboren 1934
Music: An Appreciation (Compilation)
- Lohengrin, Prelude to Act III (1a. Main melody)
- Lohengrin, Prelude to Act III (1b. Brass melody)
- Lohengrin, Prelude to Act III (2. Contrasting oboe melody)
- Lohengrin, Prelude to Act III (3a. Main melody)
- Take the ''A'' Train (1a. Introduction) (von Billy Strayhorn)
- Take the ''A'' Train (2a. Chorus 2) (von Billy Strayhorn)
- Take the ''A'' Train (3a. Chorus 3) (von Billy Strayhorn)
- The Young Persons Guide to the Orchestra, Op. 34 (full orchestra) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (woodwind section) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (brass section) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (string section) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (percussion section) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (full orchestra) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (flutes and piccolo) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (oboes) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (clarinets) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (bassoons) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (violins) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (violas) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (cellos) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (double basses) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (harp) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (french horns) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (trumpets) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (trombones and tuba) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (timpani, bass drum, cymbals) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (tambourine, triangle, snare drum and Chinese block) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (xylophone) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (castanets and gong) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (whip) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (entire percussion section) (von Benjamin Britten)
- The Young Persons Guide to the Orchestra, Op. 34 (piccolo, other instruments enter) (von Benjamin Britten)
- Farandole from L'Arlesienne, Suite No. 2 (1a. March theme, homophonic)
- Farandole from L'Arlesienne, Suite No. 2 (1b. March theme, polyphonic)
- Farandole from L'Arlesienne, Suite No. 2 (2a. Dance theme, homophonic)
- Farandole from L'Arlesienne, Suite No. 2 (3a. March theme, monophonic)
- Farandole from L'Arlesienne, Suite No. 2 (4. Dance and march themes combined, polyphonic)
- Dance of the Reed Pipes from the Nutcracker Suite (1.A)
- Dance of the Reed Pipes from the Nutcracker Suite (2.B)
- Dance of the Reed Pipes from the Nutcracker Suite (3.A')
- Gavotte from French Suite No. 5 in G Major (Part A - repeated)
- Gavotte from French Suite No. 5 in G Major (Part B -repeated)
- Vidimus stellam (Section A) (von Alleluia Worship Band)
- Vidimus stellam (Section B) (von Alleluia Worship Band)
- Vidimus stellam (Section A) (von Alleluia Worship Band)
- O successores (von Hildegard von Bingen)
- Agnus Dei from Notre Dame Mass (Part A) (von Guillaume de Machaut)
- Agnus Dei from Notre Dame Mass (Part B) (von Guillaume de Machaut)
- Agnus Dei from Notre Dame Mass (Part A) (von Guillaume de Machaut)
- Ave Maria ... virgo serena (Ave Maria...) (von Cappella Nova, Richard Taruskin)
- Ave Maria ... virgo serena (Ave, vera virginitas...) (von Cappella Nova, Richard Taruskin)
- Ave Maria ... virgo serena (Ave, praeclaraomnibus...) (von Cappella Nova, Richard Taruskin)
- As Vesta Was Descending
- Brandenburg Concerto No. 5 in D Major, First Movement- Allegro (1a. Opening ritornello)
- Brandenburg Concerto No. 5 in D Major, First Movement- Allegro (1b. First solo section)
- Brandenburg Concerto No. 5 in D Major, First Movement- Allegro (2b. Solo section)
- Brandenburg Concerto No. 5 in D Major, First Movement- Allegro (5c. New theme in minor, solo section)
- Brandenburg Concerto No. 5 in D Major, First Movement- Allegro (8c. Harpsichord solo)
- Organ Fugue in G Minor (Little Fugue) (1a. Subject, soprano voice alone)
- Organ Fugue in G Minor (Little Fugue) (1e. Brief episode)
- Organ Fugue in G Minor (Little Fugue) (3a. Subject inalto, major key)
- Tu se' morta from Orfeo (von Claudio Monteverdi)
- La Primavera, Concerto for Violin and String Orchestra, Op. 8, No. 1, from The Four Seasons, first movement (allegro)
- La Primavera, Concerto for Violin and String Orchestra, Op. 8, No. 1, from The Four Seasons, first movement (allegro)
- La Primavera, Concerto for Violin and String Orchestra, Op. 8, No. 1, from The Four Seasons, first movement (allegro)
- La Primavera, Concerto for Violin and String Orchestra, Op. 8, No. 1, from The Four Seasons, first movement (allegro)
- La Primavera, Concerto for Violin and String Orchestra, Op. 8, No. 1, from The Four Seasons, first movement (allegro)
- Cantata No. 130, Wachet auf, ruft uns die Stimme, Fourth movement, tenor chorale (String ritornello)
- Cantata No. 130, Wachet auf, ruft uns die Stimme, Fourth movement, tenor chorale (Zion hört die Wächter singen)
- Cantata No. 130, Wachet auf, ruft uns die Stimme, Fourth movement, tenor chorale (Nun komm, du werte Kron)
- Cantata No. 130, Wachet auf, ruft uns die Stimme, Seventh movement, chorale
- Messiah, Ev'ry Valley Shall Be Exalted
- Messiah, Hallelujah Chorus (Opening, homophonic)
- Messiah, Hallelujah Chorus (For the Lord God, monophonic)
- Messiah, Hallelujah Chorus (For the Lord God combined with Hallelujah, polyphonic)
- Messiah, Hallelujah Chorus (The kingdom of this world, hymnlike homophonic texture)
- Messiah, Hallelujah Chorus (And He shall reign for ever and ever, monophonic, then polyphonic immitation)
- Messiah, Hallelujah Chorus (Rising sequence on King of Kings - for ever and ever)
Music: An Appreciation Tenth Edition - Brief Set of 5 CDs
Elements, Middle Ages, Renaissance, Baroque
- The Firebird, Finale, Part 1 (von Philharmonia Orchestra, Esa‐Pekka Salonen)
- The Firebird, Finale, Part 2 (von Philharmonia Orchestra, Esa‐Pekka Salonen)
- The "C" Jam Blues, Part 1 (von Duke Ellington and His Orchestra)
- The "C" Jam Blues, Part 2 (von Duke Ellington and His Orchestra)
- The "C" Jam Blues, Part 3 (von Duke Ellington and His Orchestra)
- The "C" Jam Blues, Part 4 (von Duke Ellington and His Orchestra)
- The "C" Jam Blues, Part 5 (von Duke Ellington and His Orchestra)
- The "C" Jam Blues, Part 6 (von Duke Ellington and His Orchestra)
- The "C" Jam Blues, Part 7 (von Duke Ellington and His Orchestra)
- The "C" Jam Blues, Part 8 (von Duke Ellington and His Orchestra)
- The Young Person's Guide to the Orchestra, Part 1 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 2 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 3 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 4 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 5 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 6 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 7 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 8 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 9 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 10 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 11 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 12 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 13 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 14 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 15 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 16 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 17 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 18 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 19 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 20 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 21 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 22 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 23 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 24 (von New York Philharmonic, Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 25 (von New York Philharmonic, Leonard Bernstein)
- Prelude in E minor, op. 28, no. 4
- L'Arlésienne Suite no. 2, Farandole, Part 1 (von Philharmonia Orchestra, Sir Andrew Davis)
- L'Arlésienne Suite no. 2, Farandole, Part 2 (von Philharmonia Orchestra, Sir Andrew Davis)
- L'Arlésienne Suite no. 2, Farandole, Part 3 (von Philharmonia Orchestra, Sir Andrew Davis)
- L'Arlésienne Suite no. 2, Farandole, Part 4 (von Philharmonia Orchestra, Sir Andrew Davis)
- L'Arlésienne Suite no. 2, Farandole, Part 5 (von Philharmonia Orchestra, Sir Andrew Davis)
- Nutcracker Suite, Op. 71a "Dance of the Reed Pipes", Part 1 (von London Symphony Orchestra, Michael Tilson Thomas)
- Nutcracker Suite, Op. 71a "Dance of the Reed Pipes", Part 2 (von London Symphony Orchestra, Michael Tilson Thomas)
- Nutcracker Suite, Op. 71a "Dance of the Reed Pipes", Part 3 (von London Symphony Orchestra, Michael Tilson Thomas)
- Suite for Lute in E Minor, Bourrée, Part 1 (von Julian Bream)
- Suite for Lute in E Minor, Bourrée, Part 2 (von Julian Bream)
- Alleluia: Vidimus stellam, Part 1
- Alleluia: Vidimus stellam, Part 2
- Alleluia: Vidimus stellam, Part 3
- O successores (von Sequentia)
- Estampie
- Puis qu'en oubli (von Oxford Camerata, Jeremy Summerly)
- Notre Dame Mass, Agnus Dei, Part 1 (von The Hilliard Ensemble, Paul Hillier)
- Notre Dame Mass, Agnus Dei, Part 2 (von The Hilliard Ensemble, Paul Hillier)
- Notre Dame Mass, Agnus Dei, Part 3 (von The Hilliard Ensemble, Paul Hillier)
- Ave Maria... virgo serena, Part 1 (von Cappella Nova, Richard Taruskin)
- Ave Maria... virgo serena, Part 2 (von Cappella Nova, Richard Taruskin)
- Ave Maria... virgo serena, Part 3 (von Cappella Nova, Richard Taruskin)
- Pope Marcellus Mass, Kyrie, Part 1 (von The Tallis Scholars)
- Pope Marcellus Mass, Kyrie, Part 2 (von The Tallis Scholars)
- Pope Marcellus Mass, Kyrie, Part 3 (von The Tallis Scholars)
- As Vesta Was Descending (von Anthony Rooley, The Consort of Musicke)
- Flow My Tears (von Andreas Scholl, Andreas Martin)
Baroque, Classical
- Brandenburg Concerto No. 5 in D Major, I, Part 1 (von Tafelmusik, Jeanne Lamon)
- Brandenburg Concerto No. 5 in D Major, I, Part 2 (von Tafelmusik, Jeanne Lamon)
- Brandenburg Concerto No. 5 in D Major, I, Part 3 (von Tafelmusik, Jeanne Lamon)
- Brandenburg Concerto No. 5 in D Major, I, Part 4 (von Tafelmusik, Jeanne Lamon)
- Brandenburg Concerto No. 5 in D Major, I, Part 5 (von Tafelmusik, Jeanne Lamon)
- "Little" Fugue in G Minor, Part 1 (von E. Power Biggs)
- "Little" Fugue in G Minor, Part 2 (von E. Power Biggs)
- "Little" Fugue in G Minor, Part 3 (von E. Power Biggs)
- Orfeo, "Tu se' morta"
- Dido and Aeneas, "Dido's Lament", Part 1
- Dido and Aeneas, "Dido's Lament", Part 2
- "La Primavera" Concerto for Violin and String Orchestra, op. 8, no. 1 Part I, Part 1 (von Tafelmusik, Jeanne Lamon)
- "La Primavera" Concerto for Violin and String Orchestra, op. 8, no. 1 Part I, Part 2 (von Tafelmusik, Jeanne Lamon)
- "La Primavera" Concerto for Violin and String Orchestra, op. 8, no. 1 Part I, Part 3 (von Tafelmusik, Jeanne Lamon)
- "La Primavera" Concerto for Violin and String Orchestra, op. 8, no. 1 Part I, Part 4 (von Tafelmusik, Jeanne Lamon)
- "La Primavera" Concerto for Violin and String Orchestra, op. 8, no. 1 Part I, Part 5 (von Tafelmusik, Jeanne Lamon)
- "La Primavera" Concerto for Violin and String Orchestra, op. 8, no. 1 Part II (von Tafelmusik, Jeanne Lamon)
- "La Primavera" Concerto for Violin and String Orchestra, op. 8, no. 1 Part III, Part 1 (von Tafelmusik, Jeanne Lamon)
- "La Primavera" Concerto for Violin and String Orchestra, op. 8, no. 1 Part III, Part 2 (von Tafelmusik, Jeanne Lamon)
- "La Primavera" Concerto for Violin and String Orchestra, op. 8, no. 1 Part III, Part 3 (von Tafelmusik, Jeanne Lamon)
- Orchestral Suite No. 3 in D Major, S 1068, Bourrée, Part 1 (von The Brandenburg Consort, Roy Goodman)
- Orchestral Suite No. 3 in D Major, S 1068, Bourrée, Part 2 (von The Brandenburg Consort, Roy Goodman)
- Cantata no. 140 Wachet auf ruft uns die Stimme IV, Part 1 (von American Bach Soloists, Jeffrey Thomas)
- Cantata no. 140 Wachet auf ruft uns die Stimme IV, Part 2 (von American Bach Soloists, Jeffrey Thomas)
- Cantata no. 140 Wachet auf ruft uns die Stimme IV, Part 3 (von American Bach Soloists, Jeffrey Thomas)
- Cantata no. 140 Wachet auf ruft uns die Stimme VII (von American Bach Soloists, Jeffrey Thomas)
- Messiah "Ev'ry Valley" (von Musica Sacra, Richard Westenburg)
- Messiah "Hallelujah", Part 1 (von Musica Sacra, Richard Westenburg)
- Messiah "Hallelujah", Part 2 (von Musica Sacra, Richard Westenburg)
- Messiah "Hallelujah", Part 3 (von Musica Sacra, Richard Westenburg)
- Messiah "Hallelujah", Part 4 (von Musica Sacra, Richard Westenburg)
- Messiah "Hallelujah", Part 5 (von Musica Sacra, Richard Westenburg)
- Messiah "Hallelujah", Part 6 (von Musica Sacra, Richard Westenburg)
- Symphony No. 40 in G Minor, K 550 - I, Part 1 (von The Cleveland Orchestra, George Szell)
- Symphony No. 40 in G Minor, K 550 - I, Part 2 (von The Cleveland Orchestra, George Szell)
- Symphony No. 40 in G Minor, K 550 - I, Part 3 (von The Cleveland Orchestra, George Szell)
- Symphony No. 40 in G Minor, K 550 - I, Part 4 (von The Cleveland Orchestra, George Szell)
- Symphony No. 40 in G Minor, K 550 - I, Part 5 (von The Cleveland Orchestra, George Szell)
- Symphony No. 40 in G Minor, K 550 - I, Part 6 (von The Cleveland Orchestra, George Szell)
- Symphony No. 40 in G Minor, K 550 - I, Part 7 (von The Cleveland Orchestra, George Szell)
- Symphony No. 40 in G Minor, K 550 - I, Part 8 (von The Cleveland Orchestra, George Szell)
- Symphony No. 40 in G Minor, K 550 - I, Part 9 (von The Cleveland Orchestra, George Szell)
- Symphony No. 94 in G Major "Surprise", Part 1 (von The Cleveland Orchestra, George Szell)
- Symphony No. 94 in G Major "Surprise", Part 2 (von The Cleveland Orchestra, George Szell)
- Symphony No. 94 in G Major "Surprise", Part 3 (von The Cleveland Orchestra, George Szell)
- Symphony No. 94 in G Major "Surprise", Part 4 (von The Cleveland Orchestra, George Szell)
- Symphony No. 94 in G Major "Surprise", Part 5 (von The Cleveland Orchestra, George Szell)
- Symphony No. 94 in G Major "Surprise", Part 6 (von The Cleveland Orchestra, George Szell)
- Eine kleine Nachtmusik K 525, III, Part 1 (von The Cleveland Orchestra, George Szell)
- Eine kleine Nachtmusik K 525, III, Part 2 (von The Cleveland Orchestra, George Szell)
- Eine kleine Nachtmusik K 525, III, Part 3 (von The Cleveland Orchestra, George Szell)
Classical, Romantic
- String Quartet in C minor, op. 18, no. 4 IV, Part 1 (von The Cleveland Orchestra String Quartet)
- String Quartet in C minor, op. 18, no. 4 IV, Part 2 (von The Cleveland Orchestra String Quartet)
- String Quartet in C minor, op. 18, no. 4 IV, Part 3 (von The Cleveland Orchestra String Quartet)
- String Quartet in C minor, op. 18, no. 4 IV, Part 4 (von The Cleveland Orchestra String Quartet)
- Don Giovanni K 527, Act I, Introduction, Part 1
- Don Giovanni K 527, Act I, Introduction, Part 2
- Don Giovanni K 527, Act I, Introduction, Part 3
- Don Giovanni K 527, Act I, Introduction, Part 4
- Piano Concert no. 23 in A major K 488, I, Part 1 (von Murray Perahia, English Chamber Orchestra)
- Piano Concert no. 23 in A major K 488, I, Part 2 (von Murray Perahia, English Chamber Orchestra)
- Piano Concert no. 23 in A major K 488, I, Part 3 (von Murray Perahia, English Chamber Orchestra)
- Piano Concert no. 23 in A major K 488, I, Part 4 (von Murray Perahia, English Chamber Orchestra)
- Piano Concert no. 23 in A major K 488, I, Part 5 (von Murray Perahia, English Chamber Orchestra)
- Piano Concert no. 23 in A major K 488, I, Part 6 (von Murray Perahia, English Chamber Orchestra)
- Piano Concert no. 23 in A major K 488, I, Part 7 (von Murray Perahia, English Chamber Orchestra)
- Requiem, Dies Irae (von Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini)
- Symphony no. 5 in C minor, op. 67 I, Part 1 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 I, Part 2 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 I, Part 3 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 I, Part 4 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 I, Part 5 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 I, Part 6 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 I, Part 7 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 I, Part 8 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 II, Part 1 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 II, Part 2 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 II, Part 3 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 II, Part 4 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 II, Part 5 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 II, Part 6 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 III, Part 1 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 III, Part 2 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 III, Part 3 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 III, Part 4 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 IV, Part 1 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 IV, Part 1 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 IV, Part 2 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 IV, Part 3 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 IV, Part 4 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 IV, Part 5 (von Cleveland Orchestra, George Szell)
- Symphony no. 5 in C minor, op. 67 IV, Part 6 (von Cleveland Orchestra, George Szell)
- Erlkönig, Part 1 (von Thomas Quasthoff, Charles Spencer)
- Erlkönig, Part 2 (von Thomas Quasthoff, Charles Spencer)
- Erlkönig, Part 3 (von Thomas Quasthoff, Charles Spencer)
- Erlkönig, Part 4 (von Thomas Quasthoff, Charles Spencer)
- Erlkönig, Part 5 (von Thomas Quasthoff, Charles Spencer)
- Erlkönig, Part 6 (von Thomas Quasthoff, Charles Spencer)
- Carnaval: Estrella, Part 1 (von Claudio Arrau)
- Carnaval: Estrella, Part 2 (von Claudio Arrau)
- Carnaval: Reconnaisance, Part 1 (von Claudio Arrau)
- Carnaval: Reconnaisance, Part 2 (von Claudio Arrau)
- Romance in E-flat minor, op. 11 no. 1, Part 1 (von Pierre-Alain Volondat)
- Romance in E-flat minor, op. 11 no. 1, Part 2 (von Pierre-Alain Volondat)
- Romance in E-flat minor, op. 11 no. 1, Part 3 (von Pierre-Alain Volondat)
- Romance in E-flat minor, op. 11 no. 1, Part 4 (von Pierre-Alain Volondat)
- Nocturne in E-flat major, op. 9 no. 2, Part 1 (von Nadia Reisenberg)
- Nocturne in E-flat major, op. 9 no. 2, Part 2 (von Nadia Reisenberg)
- Nocturne in E-flat major, op. 9 no. 2, Part 3 (von Nadia Reisenberg)
- Étude in C minor, op. 10 no. 12 "Revolutionary" (von Murray Perahia)
Romantic, Twentieth Century
- Concerto for Violin and Orchestra in E minor, op. 64, I, Part 1
- Concerto for Violin and Orchestra in E minor, op. 64, I, Part 2
- Concerto for Violin and Orchestra in E minor, op. 64, I, Part 3
- Concerto for Violin and Orchestra in E minor, op. 64, I, Part 4
- Concerto for Violin and Orchestra in E minor, op. 64, I, Part 5
- Concerto for Violin and Orchestra in E minor, op. 64, I, Part 6
- Symphonie Fantastique, IV. March to the Scaffold, Part 1 (von New York Philharmonic, Leonard Bernstein)
- Symphonie Fantastique, IV. March to the Scaffold, Part 2 (von New York Philharmonic, Leonard Bernstein)
- Symphonie Fantastique, IV. March to the Scaffold, Part 3 (von New York Philharmonic, Leonard Bernstein)
- Symphonie Fantastique, IV. March to the Scaffold, Part 4 (von New York Philharmonic, Leonard Bernstein)
- The Moldau, Part 1 (von New York Philharmonic, Leonard Bernstein)
- The Moldau, Part 2 (von New York Philharmonic, Leonard Bernstein)
- The Moldau, Part 3 (von New York Philharmonic, Leonard Bernstein)
- The Moldau, Part 4 (von New York Philharmonic, Leonard Bernstein)
- The Moldau, Part 5 (von New York Philharmonic, Leonard Bernstein)
- The Moldau, Part 6 (von New York Philharmonic, Leonard Bernstein)
- The Moldau, Part 7 (von New York Philharmonic, Leonard Bernstein)
- Symphony no. 9 in E minor, op. 95 "From the New World": I, Part 1
- Symphony no. 9 in E minor, op. 95 "From the New World": I, Part 2
- Symphony no. 9 in E minor, op. 95 "From the New World": I, Part 3
- Symphony no. 9 in E minor, op. 95 "From the New World": I, Part 4
- Symphony no. 9 in E minor, op. 95 "From the New World": I, Part 5
- Symphony no. 9 in E minor, op. 95 "From the New World": I, Part 6
- Symphony no. 9 in E minor, op. 95 "From the New World": I, Part 7
- Symphony No. 3 in F Major, Op. 90, III, Part 1 (von New York Philharmonic, Leonard Bernstein)
- Symphony No. 3 in F Major, Op. 90, III, Part 2 (von New York Philharmonic, Leonard Bernstein)
- Symphony No. 3 in F Major, Op. 90, III, Part 3 (von New York Philharmonic, Leonard Bernstein)
- La Bohème, Act I excerpt, Part 1 (von Montserrat Caballé, Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti)
- La Bohème, Act I excerpt, Part 2 (von Montserrat Caballé, Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti)
- Die Walküre, Act I excerpt, Part 1
- Die Walküre, Act I excerpt, Part 2
- Die Walküre, Act I excerpt, Part 3
- Die Walküre, Act I excerpt, Part 4
- Die Walküre, Act I excerpt, Part 5
- Die Walküre, Act I excerpt, Part 6
- Die Walküre, Act I excerpt, Part 7
- Die Walküre, Act I excerpt, Part 8
- Prélude à l'après-midi d'un faune, Part 1 (von Philharmonia Orchestra, Pierre Boulez)
- Prélude à l'après-midi d'un faune, Part 2 (von Philharmonia Orchestra, Pierre Boulez)
- Prélude à l'après-midi d'un faune, Part 3 (von Philharmonia Orchestra, Pierre Boulez)
- Prélude à l'après-midi d'un faune, Part 4 (von Philharmonia Orchestra, Pierre Boulez)
- Prélude à l'après-midi d'un faune, Part 5 (von Philharmonia Orchestra, Pierre Boulez)
- Prélude à l'après-midi d'un faune, Part 6 (von Philharmonia Orchestra, Pierre Boulez)
- Prélude à l'après-midi d'un faune, Part 7 (von Philharmonia Orchestra, Pierre Boulez)
Twentieth Century and Beyond; Jazz; Music for Stage & Screen; Nonwestern music
- Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 1 (von Philharmonia Orchestra, Esa‐Pekka Salonen)
- Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 2 (von Philharmonia Orchestra, Esa‐Pekka Salonen)
- Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 3 (von Philharmonia Orchestra, Esa‐Pekka Salonen)
- Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 4 (von Philharmonia Orchestra, Esa‐Pekka Salonen)
- Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 5 (von Philharmonia Orchestra, Esa‐Pekka Salonen)
- Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 6 (von Philharmonia Orchestra, Esa‐Pekka Salonen)
- Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 7 (von Philharmonia Orchestra, Esa‐Pekka Salonen)
- Le Sacre du Printemps, Part I, Introduction, Omens of Spring - Dances of the Youths and Maidens; Ritual of Abduction, Part 8 (von Philharmonia Orchestra, Esa‐Pekka Salonen)
- Pierrot lunaire, "Mondestrunken" (von Yvonne Minton, Pierre Boulez)
- A Survivor from Warsaw, op. 46, Part 1
- A Survivor from Warsaw, op. 46, Part 2
- A Survivor from Warsaw, op. 46, Part 3
- Five Pieces for Orchestra, op. 10, 3 Very slow and extremely calm (von London Symphony Orchestra, Pierre Boulez)
- Concerto for Orchestra - II, Part 1 (von New York Philharmonic, Pierre Boulez)
- Concerto for Orchestra - II, Part 2 (von New York Philharmonic, Pierre Boulez)
- Concerto for Orchestra - II, Part 3 (von New York Philharmonic, Pierre Boulez)
- Concerto for Orchestra - II, Part 4 (von New York Philharmonic, Pierre Boulez)
- Concerto for Orchestra - II, Part 5 (von New York Philharmonic, Pierre Boulez)
- Concerto for Orchestra - II, Part 6 (von New York Philharmonic, Pierre Boulez)
- Concerto for Orchestra - II, Part 7 (von New York Philharmonic, Pierre Boulez)
- Afro-American Symphony, III, Part 1
- Afro-American Symphony, III, Part 2
- Afro-American Symphony, III, Part 3
- Afro-American Symphony, III, Part 4
- Afro-American Symphony, III, Part 5
- Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 1 (von London Symphony Orchestra, Aaron Copland)
- Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 2 (von London Symphony Orchestra, Aaron Copland)
- Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 3 (von London Symphony Orchestra, Aaron Copland)
- Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 4 (von London Symphony Orchestra, Aaron Copland)
- Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 5 (von London Symphony Orchestra, Aaron Copland)
- Appalachian Spring, section 7: theme and variations on "Simple Gifts", Part 6 (von London Symphony Orchestra, Aaron Copland)
- Estancia Suite, Op. 8, Final Dance: Malambo, Part 1 (von Orquesta Sinfónica Simón Bolívar, Gustavo Dudamel)
- Estancia Suite, Op. 8, Final Dance: Malambo, Part 2 (von Orquesta Sinfónica Simón Bolívar, Gustavo Dudamel)
- Estancia Suite, Op. 8, Final Dance: Malambo, Part 3 (von Orquesta Sinfónica Simón Bolívar, Gustavo Dudamel)
- Sonatas and Interludes for Prepared Piano, Sonata No. 2, Part 1 (von Julie Steinberg)
- Sonatas and Interludes for Prepared Piano, Sonata No. 2, Part 2 (von Julie Steinberg)
- Poème électronique, Part 1 (von Edgard Varèse)
- Poème électronique, Part 2 (von Edgard Varèse)
- Poème électronique, Part 3 (von Edgard Varèse)
- Poème électronique, Part 4 (von Edgard Varèse)
- Concerto Grosso 1985, I, Part 1 (von New York Philharmonic, Zubin Mehta)
- Concerto Grosso 1985, I, Part 2 (von New York Philharmonic, Zubin Mehta)
- Short Ride in a Fast Machine, Part 1 (von Bournemouth Symphony Orchestra, Marin Alsop)
- Short Ride in a Fast Machine, Part 2 (von Bournemouth Symphony Orchestra, Marin Alsop)
- Short Ride in a Fast Machine, Part 3 (von Bournemouth Symphony Orchestra, Marin Alsop)
- Short Ride in a Fast Machine, Part 4 (von Bournemouth Symphony Orchestra, Marin Alsop)
- Shard, Part 1 (von David Starobin)
- Shard, Part 2 (von David Starobin)
- Shard, Part 3 (von David Starobin)
- Shard, Part 4 (von David Starobin)
- Lost Your Head Blues (von Bessie Smith)
- Hotter Than That, Part 1 (von Louis Armstrong and His Hot Five)
- Hotter Than That, Part 2 (von Louis Armstrong and His Hot Five)
- Hotter Than That, Part 3 (von Louis Armstrong and His Hot Five)
- Hotter Than That, Part 4 (von Louis Armstrong and His Hot Five)
- Hotter Than That, Part 5 (von Louis Armstrong and His Hot Five)
- Hotter Than That, Part 6 (von Louis Armstrong and His Hot Five)
- West Side Story, "America"
- West Side Story, "Tonight", Part 1 (Original Broadway Cast) (von Chita Rivera, Larry Kert, Carol Lawrence, Mickey Calin, Ken Le Roy, Jets and Sharks)
- West Side Story, "Tonight", Part 2 (Original Broadway Cast) (von Chita Rivera, Larry Kert, Carol Lawrence, Mickey Calin, Ken Le Roy, Jets and Sharks)
- Ompeh, Part 1 (Stanley Ato Bortsie, Ato Quartie, Ompeh Ensemble) (von [traditional])
- Ompeh, Part 2 (Stanley Ato Bortsie, Ato Quartie, Ompeh Ensemble) (von [traditional])
- Ompeh, Part 3 (Stanley Ato Bortsie, Ato Quartie, Ompeh Ensemble) (von [traditional])
- Maru-Bihag, Part 1 (von Ravi Shankar)
- Maru-Bihag, Part 2 (von Ravi Shankar)
- Maru-Bihag, Part 3 (von Ravi Shankar)
Music: An Appreciation, Fifth Brief Edition (Compilation)
- The Firebird "Finale"
- The Firebird "Finale"
- "C" Jam Blues
- "C" Jam Blues
- "C" Jam Blues
- "C" Jam Blues
- "C" Jam Blues
- "C" Jam Blues
- "C" Jam Blues
- "C" Jam Blues
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- The Young Person's Guide to the Orchestra
- Prelude in E Minor for Piano, Op. 28 No. 4
- L'Arlesienne Suite No.2 "Farnadole"
- L'Arlesienne Suite No.2 "Farnadole"
- L'Arlesienne Suite No.2 "Farnadole"
- L'Arlesienne Suite No.2 "Farnadole"
- L'Arlesienne Suite No.2 "Farnadole"
- Nutcracker Suite Op. 71a "Dance of the Reed Pipes"
- Nutcracker Suite Op. 71a "Dance of the Reed Pipes"
- Nutcracker Suite Op. 71a "Dance of the Reed Pipes"
- Contradance, WoO 14 No. 7 in E-flat major
- Contradance, WoO 14 No. 7 in E-flat major
- Alleluia: Vidimus Stellam
- Alleluia: Vidimus Stellam
- Alleluia: Vidimus Stellam
- O successores
- Estampie
- Puis qu'en oubli
- Notre Dame Mass "Agnus Dei"
- Notre Dame Mass "Agnus Dei"
- Notre Dame Mass "Agnus Dei"
- Ave Maria ... Virgo Serena
- Ave Maria ... Virgo Serena
- Ave Maria ... Virgo Serena
- Pope Marcellus Mass "Kyrie"
- Pope Marcellus Mass "Kyrie"
- Pope Marcellus Mass "Kyrie"
- As Vesta Was Descending
- Brandenburg Concerto No.5 in D Major, I
- Brandenburg Concerto No.5 in D Major, I
- Brandenburg Concerto No.5 in D Major, I
- Brandenburg Concerto No.5 in D Major, I
- Brandenburg Concerto No.5 in D Major, I
- "Little" Fugue in G Minor
- "Little" Fugue in G Minor
- "Little" Fugue in G Minor
- Orfeo "Tu se' morta"
- Dido and Aeneas "Dido's Lament"
- Dido and Aeneas "Dido's Lament"
Music: An Appreciation, Fifth Edition, Second Brief Edition (Compilation)
- Lohengrin, Prelude to Act III: 1a. Main Melody
- Lohengrin, Prelude to Act III: 1b. Brass Melody
- Lohengrin, Prelude to Act III: 2. Contrasting oboe melody
- Lohengrin, Prelude to Act III: 3a. Main Melody
- Hotter Than That: 1. All instruments, trumpet predominates
- Hotter Than That: 3. Clarinet
- Hotter Than That: 4. Voice, guitar accompaniment
- Hotter Than That: 5. Twangy voice imitated by guitar
- Hotter Than That: 6a. Muted trombone
- Hotter Than That: 6b. Trumpet, all instruments join
- "Farandole" from "L'Arlésienne" Suite No. 2: 1a. March theme, homophonic
- "Farandole" from "L'Arlésienne" Suite No. 2: 1b. March theme, polyphonic
- "Farandole" from "L'Arlésienne" Suite No. 2: 2a. Dance theme, homophonic
- "Farandole" from "L'Arlésienne" Suite No. 2: 3a. March theme, monophonic
- "Farandole" from "L'Arlésienne" Suite No. 2: 4. Dance and march themes combined, polyphonic
- "Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 1. A
- "Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 2. B
- "Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 3. A'
- "Badinerie" from Suite No. 2 in B Minor: 1. Part A (repeated)
- "Badinerie" from Suite No. 2 in B Minor: 2. Part B (repeated)
- Alleluia: Vidimus stellam: 1. Section A
- Alleluia: Vidimus stellam: 2. Section B
- Alleluia: Vidimus stellam: 3. Section A
- Agnus Dei from "Notre Dame" Mass: 1. Agnus Dei (I)
- Agnus Dei from "Notre Dame" Mass: 2. Agnus Dei (II)
- Agnus Dei from "Notre Dame" Mass: 3. Agnus Dei (III)
- "Ave Maria ...virgo serena": "Ave Maria gratia plena", duple meter
- "Ave Maria ...virgo serena": "Ave, vera virginitas", triple meter
- "Ave Maria ...virgo serena": "Ave, praeclara omnibus", duple meter
- As Vesta Was Descending
- "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 1a. Opening ritornello
- "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 1b. First solo section
- "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 2b. Solo section
- "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 5c. New theme in minor, solo section
- "Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 8c. Harpsichord solo
- Organ Fugue in G Minor (Little Fugue): 1a. Subject, soprano voice alone
- Organ Fugue in G Minor (Little Fugue): 1e. Brief episode
- Organ Fugue in G Minor (Little Fugue): 3a. Sunject in alto, major key
- "Tu se' morta" from "Orfeo", Act II
- "La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 1a. Opening ritornello: Spring has come
- "La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 1b. Song of the birds
- "La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 2b. Murmuring streams
- "La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 3b. Thunder and lightning
- "La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 4b. Song of the birds
- Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": String ritornello
- Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": "Zion hört die Wächter singen"
- Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": "Nun kommen, du werte Kron"
- Cantata No. 140: Wachtet auf, ruft uns die Stimme: Seventh Movement, Chorale: "Gloria sei dir gesungen"
- Messiah: Ev'ry Valley Shall Be Exalted
- Messiah: "Hallelujah" Chorus: Opening, homophonic
- Messiah: "Hallelujah" Chorus: "For the Lord God", monophonic
- Messiah: "Hallelujah" Chorus: "For the Lord God" combined with "Hallelujah", polyphonic
- Messiah: "Hallelujah" Chorus: "The kingdom of this world", hymnlike homophonic texture
- Messiah: "Hallelujah" Chorus: "And He shall reign for ever and ever", monophonic, then polyphonic imitation
- Messiah: "Hallelujah" Chorus: Rising sequence on "King of Kings-for ever and ever"
- Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 1a. First Theme
- Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 2a. Bridge
- Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 3a. Second theme
- Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 4a. Closing section
- Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 4b. Exposition is repeated
- Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: Development (LO 1-3)
- Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: 1a. First Theme
- Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: 3a. Second Theme
- Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: Coda (LO 1a)
- Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Theme
- Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 1
- Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 2
- Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 3
- Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 4
- Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Closing section
- "Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Minuet (A)
- "Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Trio (B)
- "Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Minuet (A)
- String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme A
- String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme B
- String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme A
- String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme C
- Don Giovanni, Act I: Introduction (opening scene): Orchestral introduction
- Don Giovanni, Act I: Introduction (opening scene): String tremolo, the Commandant appears
- Don Giovanni, Act I: Introduction (opening scene): Andante, "Ah, soccorso!", the Commandant's agonized last gasps
- Don Giovanni, Act I: Introduction (opening scene): Recitative, accompanied by harpsichord, "Leporello, ove sei?"
- Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 1a. First theme in orchestra
- Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 2a. Bridge
- Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 3a. Second theme
- Piano Concerto in A Major, K. 488, first movement: Allegro: Second Exposition: 1a. First theme in piano
- Piano Concerto in A Major, K. 488, first movement: Allegro: Development: 1a. Development theme in strings
- Piano Concerto in A Major, K. 488, first movement: Allegro: Recapitulation: 1a. First theme in strings
- Piano Concerto in A Major, K. 488, first movement: Allegro: Candenza: 5c. piano solo
- Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 1a. First theme
- Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 2a. Bridge
- Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 3a. Second theme
- Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 4a. Triumphant melody
- Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Exposition is repeated
- Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Development (LO,1-2)
- Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Recapitulation (LO,1-4)
- Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Coda (LO,1-3)
- Erlkönig: Piano introduction
- Erlkönig: Father, "Mein Sohn", low register
- Erlkönig: Son, "Siehst, Vater", higher register
- Erlkönig: Erlking, "Du liebes Kind", coaxing tune, major
- Erlkönig: Son, outcry, "Mein Vater"
- Erlkönig: Son, outcry, "Mein Vater", higher than before
- Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A (minor): 1a. Main violin melody
- Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A (minor): 1c. Long trills in violin (von Clara Schumann)
- Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section B (major): 2a. New soaring phrase beginning with trill
- Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section B (major): 2b. Playful phrase
- Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A' (minor): 3a. Main violin melody
- Nocturne in E Flat Major, Op. 9, No. 2: Main melody
- Nocturne in E Flat Major, Op. 9, No. 2: Decorated repetition of main melody
- Nocturne in E Flat Major, Op. 9, No. 2: Subordinate melody played with rubato
- "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 1a. Rapid falling chords, syncopated fragment
- "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 2a. High lyrical theme in octaves (von Franz Liszt)
- "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 3. Low "processional theme"
- "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section B: 4a. Sudden p, syncopated main theme varied
- "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A': 5. Syncopated main theme (von Franz Liszt)
- "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Coda: 8a. Faster tempo
- "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Introduction
- "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Idée fixe" as dance tune
- "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Dies irae" in tubas and bassoons
- "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Dies irae" in quick rhythm
- "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Fugue subject (witches' dance)
- "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Witches' dance set against "Dies irae"
- The Moldau: 1a. Two springs
- The Moldau: 2. The river (von Bedřich Smetana)
- The Moldau: 3a. Forest hunt
- The Moldau: 4a. Peasant wedding
- The Moldau: 5a. Moonlight: dance of water nymphs (von Bedřich Smetana)
- The Moldau: 7a. The rapids
- The Moldau: 8. The river at its widest point; river theme in major
- Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A: Theme (A)
- Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A: Variation 1
- Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: B: Variation 12 (B)
- Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A': Variation 16 (A')
- La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Openings of scene
- La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Rodolfo's Aria: "Che gelida manina"
- La bohème: Act I. (Excerpt: Mimi's entrance through conclusion of her aria): Mimi's Aria: "Mi chiamano Mimi"
- "Die Walküre", Act I, scene 3 (Conclusion of love duet): Sieglinde, Wie die Stirn so offen steht
- "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Valhalla" leitmotif
- "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Love" leitmotif
- "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Volsung" leitmotif together with "Sword" leitmotif
- "Die Walküre", Act I, scene 3 (Conclusion of love duet): Voice, downward octave leaps, "Notung"
- "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Sword" leitmotif
- "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Spring" leitmotif
- "Die Walküre", Act I, scene 3 (Conclusion of love duet): "Sword" leitmotif
- Prélude à "L'Après-midi d' un Faune": A: 1a. Main melody, unaccompanied flute (A)
- Prélude à "L'Après-midi d' un Faune": A: 1b. Flute melody, strings accompany
- Prélude à "L'Après-midi d' un Faune": A: 1c. Flute melody, strings accompany
- Prélude à "L'Après-midi d' un Faune": A: 2b. New oboe melody
- Prélude à "L'Après-midi d' un Faune": B: 3a. New legato melody in woodwinds (B)
- Prélude à "L'Après-midi d' un Faune": A': 4a. Harp accompanies flute melody (A')
- Prélude à "L'Après-midi d' un Faune": A': 5a. Antique cymbals, flute melody
- "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Introduction", solo bassoonn
- "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: Repeated four-note figure
- "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens"
- "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", bassoons, melodic fragment a
- "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", French horn, melodic fragment b
- "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Omens of Spring-Dances of the Youths and Maidens", trumpets, melodic fragment c
- "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Ritual of Abduction"
- "Introduction, Omens of Spring-Dances of the Youths and Maidens, Ritual of Abduction", from "Le Sacre du Printemps", Part I: "Ritual of Abduction", powerful accents and rapid changes of meter
- A Survivor from Warsaw, Op. 46: Orchestral introduction
- A Survivor from Warsaw, Op. 46: "They started slowly, and irregularly"
- Five Pieces for Orchestra. Op. 10, No. 3 (Very slow and extremely calm) (von London Symphony Orchestra, Pierre Boulez)
- Concerto for Orchestra, second movement: A: 1. Solo side drum
- Concerto for Orchestra, second movement: A: 3a. Two oboes
- Concerto for Orchestra, second movement: A: 4a. Two clarinets
- Concerto for Orchestra, second movement: A: 5a. Two flutes
- Concerto for Orchestra, second movement: A: 6. Two muted trumpets
- Concerto for Orchestra, second movement: B: 1a. Brasses, hymnlike melody
- Concerto for Orchestra, second movement: A': 1. Two bassoons, opening melody, third bassoon in background
- "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Theme
- "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 1
- "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 2
- "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 3
- "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 4
- "Appalachian Spring", Section 7: Theme and Variations on "Simple Gifts": Variation 5
- Poème électronique (excerpt)
- "Concerto Grosso 1985", first movement: Maestoso: 1a. Orchestra in unison
- "Concerto Grosso 1985", first movement: Maestoso: 1c. Handel quotation
- "Nixon in China", Act I, scene 2, opening
- "Tonight" Ensemble from "West Side Story": 1a. Orchestra
- "Tonight" Ensemble from "West Side Story": 1d. Tony, lyrical "Tonight" melody
- Song from Angola (Gangele song)
- Mitamba Yalagala Kumchuzi
- Godan Ginuta (excerpt)