Peter Serkin Songtexte
Geboren am 24. Juli 1947, Gestorben am 01. Februar 2020
Gruppen
...In Real Time
- Bagatelles: No. 1. Proclamation
- Bagatelles: No. 2. Spontaneous Songs
- Bagatelles: No. 3. The Dance
- Variations, op. 24
- Piece for Peter
- ...In Real Time I
- Fantasy Pieces: No. 1. Breeze of Delight
- Fantasy Pieces: No. 2. Dragon's Thunder
- Fantasy Pieces: No. 3. Memory's Luminous Wind
- Feuerklavier
- Interlude
- Les Yeux Clos II
- Garland: [introduction]
- Garland: I.
- Garland: II.
- Garland: III.
- Garland: IV.
- Garland: V.
- Garland: VI.
- Garland: VII.
- Garland: VIII.
- Garland: IX.
Peter Serkin Plays Chopin
- Nocturne In F-sharp, Op. 15, No. 2
- Nocturne In F-sharp Minor, Op. 48, No. 2
- Nocturne In D-flat, Op. 27, No. 2
- Impromptu No. 3 In G-flat, Op. 51
- Mazurka In A Minor, Op. 59, No. 1
- Mazurka In A-flat, Op. 59, No. 2
- Mazurka In F-sharp Minor, Op. 59, No. 3
- Impromptu No. 1 In A-flat, Op. 29
- Ballade No. 3 In A-flat, Op. 47
- Nocturne In E-flat, Op. 55, No. 2
- Andante Spianato And Great Polonaise Brillante In E-flat, Op. 22: Andante Spianato
- Andante Spianato And Great Polonaise Brillante In E-flat, Op. 22: Grand Polonaise Brillante
The Complete RCA Album Collection (Compilation)
Bach: Goldberg Variations
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone all Seconda a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo
Schubert: Piano Sonata no. 18
- Piano Sonata no. 18 in G major, D 894: I. Molto moderato e cantabile
- Piano Sonata no. 18 in G major, D 894: II. Andante
- Piano Sonata no. 18 in G major, D 894: III. Menuetto. Allegro moderato - Trio
- Piano Sonata no. 18 in G major, D 894: IV. Allegretto
Bach, Mozart: Concertos for 2 & 3 Pianos
- Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: I. [Allegro]
- Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: II. Alla Siciliana
- Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: III. Allegro
- Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: I. Allegro
- Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: II. Adagio
- Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: III. Allegro
- Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): I. Allegro (von Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Alexander Schneider)
- Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): II. Andante (von Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Alexander Schneider)
- Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): III. Rondeau. Allegro (von Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Alexander Schneider)
- Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio - Finale. Allegro - Meno Allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto: “Schmeichel ...
Busoni: Fantasia contrappuntistica / Reger: Cello Sonata no. 4
- Fantasia contrappuntistica: Chorale Variations - Fuga I-III - Intermezzo - Varatio I-III - Cadenza - Fuga IV - Corale - Stretta
- Sonata for Cello and Piano no. 4 in A minor, op. 116: I. Allegro moderato
- Sonata for Cello and Piano no. 4 in A minor, op. 116: II. Presto - Meno presto - Tempo I
- Sonata for Cello and Piano no. 4 in A minor, op. 116: III. Largo
- Sonata for Cello and Piano no. 4 in A minor, op. 116: IV. Allegretto con grazia
Bartók: Piano Concertos no. 1 & 3
- Concerto for Piano and Orchestra no. 1, Sz. 83: I. Allegro moderato - Allegro
- Concerto for Piano and Orchestra no. 1, Sz. 83: II. Andante - Allegro - attacca
- Concerto for Piano and Orchestra no. 1, Sz. 83: III. Allegro molto
- Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto
- Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso
- Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace
Schubert: Piano Sonata no. 7 / Schumann: Waldszenen
- Piano Sonata no. 7 in E-flat major, D 568: I. Allegro moderato
- Piano Sonata no. 7 in E-flat major, D 568: II. Andante molto
- Piano Sonata no. 7 in E-flat major, D 568: III. Menuetto. Allegretto - Trio
- Piano Sonata no. 7 in E-flat major, D 568: IV. Allegro moderato
- Waldszenen, op. 82: No. 1: Eintritt. Nicht zu schnell
- Waldszenen, op. 82: No. 2: Jäger auf der Lauer. Höchst lebhaft
- Waldszenen, op. 82: No. 3: Einsame Blumen. Einfach
- Waldszenen, op. 82: No. 4: Verrufene Stelle. Ziemlich langsam
- Waldszenen, op. 82: No. 5: Freundliche Landschaft. Schnell
- Waldszenen, op. 82: No. 6: Herberge. Mäßig
- Waldszenen, op. 82: No. 7: Vogel als Prophet. Langsam, sehr zart
- Waldszenen, op. 82: No. 8: Jagdlied. Rasch, kräftig
- Waldszenen, op. 82: No. 9: Abschied. Nicht zu schnell
Schoenberg: Piano Concerto / 5 Piano Pieces / Violin Fantasy
- Concerto for Piano and Orchestra, op. 42: I. Andante -
- Concerto for Piano and Orchestra, op. 42: II. Molto allegro [bar 176] -
- Concerto for Piano and Orchestra, op. 42: III. Adagio [bar 264] -
- Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato) [bar 329]
- 5 Piano Pieces, op. 23: No. 1: Sehr langsam
- 5 Piano Pieces, op. 23: No. 2: Sehr rasch
- 5 Piano Pieces, op. 23: No. 3: Langsam
- 5 Piano Pieces, op. 23: No. 4: Schwungvoll. Mäßige Viertel
- 5 Piano Pieces, op. 23: No. 5: Walzer
- Fantasy for Violin with Piano Accompaniment, op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso -
- Fantasy for Violin with Piano Accompaniment, op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I
Peter Serkin Plays Mozart (1)
- Fantasia in C minor, K. 475: Adagio - Allegro - Andantino - Più allegro - Tempo I
- Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro
- Piano Sonata no. 14 in C minor, K. 457: II. Adagio
- Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai
- Prelude (Fantasia) and Fugue in C major, K. 394 (383a): Adagio - Andante - Più adagio - Tempo I - Fuga. Andante maestoso
Peter Serkin Plays Mozart (2)
- Piano Sonata no. 15 in F major, K. 533 / K. 494: I. Allegro (K. 533)
- Piano Sonata no. 15 in F major, K. 533 / K. 494: II. Andante (K. 533)
- Piano Sonata no. 15 in F major, K. 533 / K. 494: III. Rondo. Allegretto (K. 494)
- Fantasia in D minor, K. 397 (385g): Andante - Adagio - Presto - Tempo I
- Rondo in D major, K. 485: Allegro
- Rondo in A minor, K. 511: Andante
Beethoven: Violin (Piano) Concerto
- Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo
- Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto - attacca
- Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro
Messiaen: Visions de l'Amen
- Visions de l'Amen: I. Amen de la Création. Très lent, mystérieux et solennel
- Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau/ Modéré, solide et décidé
- Visions de l'Amen: III. Amen de l'Agonie de Jésus. Très modéré, presque lent
- Visions de l'Amen: IV. Amen du Désir. Très lent, avec amour
- Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux. Très modéré
- Visions de l'Amen: VI. Amen du Jugement. Très modéré
- Visions de l'Amen: VII. Amen de la Consommation. Modéré, joyeux
- Catalogue d'oiseaux: No. 7 Rousserolle effarvatte
Mozart: Piano Concertos nos. 14 & 15
- Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: I. Allegro vivace (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: II. Andantino (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: III. Allegro ma non troppo (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
Messiaen: Vingt Regards sur l'Enfant-Jésus (1)
- Vingt Regards sur l'Enfant-Jésus: I. Regard du Père. Extrêmement lent
- Vingt Regards sur l'Enfant-Jésus: II. Regard de l'étoile. Modéré
- Vingt Regards sur l'Enfant-Jésus: III. L'Échange. Bien modéré
- Vingt Regards sur l'Enfant-Jésus: IV. Regard de lar Vierge. Bien modéré
- Vingt Regards sur l'Enfant-Jésus: V. Regard du Fils dur le Fils. Très lent
- Vingt Regards sur l'Enfant-Jésus: VI. Par Lui tout a été fait. Modéré, presque vif
- Vingt Regards sur l'Enfant-Jésus: VII. Regard de la Croix. Bien modéré
- Vingt Regards sur l'Enfant-Jésus: VIII. Regard des Hauteurs. Vif
- Vingt Regards sur l'Enfant-Jésus: IX. Regard du Temps. Modéré
- Vingt Regards sur l'Enfant-Jésus: X. Regard de l'Esprit de joie. Presque vif
Messiaen: Vingt Regards sur l'Enfant-Jésus (2)
- Vingt Regards sur l'Enfant-Jésus: XI. Première communion de la Vierge. Très lent
- Vingt Regards sur l'Enfant-Jésus: XII. La parole toute-puissante. Un peu vif
- Vingt Regards sur l'Enfant-Jésus: XIII. Noël. Très vif, joyeux
- Vingt Regards sur l'Enfant-Jésus: XIV. Regard des Anges. Très vif
- Vingt Regards sur l'Enfant-Jésus: XV. La baiser de l'Enfant-Jésus. Très lent, calme
- Vingt Regards sur l'Enfant-Jésus: XVI. Regard des Prophètes, des Bergers et des Mages. Modéré
- Vingt Regards sur l'Enfant-Jésus: XVII. Regard du silence. Très modéré
- Vingt Regards sur l'Enfant-Jésus: XVIII. Regard de l'Onction terrible. Modéré
- Vingt Regards sur l'Enfant-Jésus: XIX. Je dors, mais mon cœur veille. Lent
- Vingt Regards sur l'Enfant-Jésus: XX. Regard de l'Église d'amour. Presque vif
Messiaen: Quatuor pour la fin du Temps
- Quatuor pour la fin du Temps: I. Liturgie de cristal. Bien modéré, en poudroiement harmonieux
- Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps. Robuste, modéré - Presque vif, joyeux - Presque lent, impalpable, lointain - Presque vif - Modéré
- Quatuor pour la fin du Temps: III. Abîme des oiseaux. Lent, expressif et triste - Presque vif, gai, capricieux - Modéré - Lent, expressif et triste
- Quatuor pour la fin du Temps: IV. Intermède. Décidé, modéré, un peu cif
- Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus. Infiniment lent, extatique
- Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes. Décidé, vigoureux, granitique, un peu vif - Un peu plus vif - Plus vif - Presque lent, terrible et puissant
- Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps. Rêveur, presque lent - Robuste, modéré, un peu vif
- Quatuor pour la fin du Temps: VIII. Louange à l'Immortalité de Jésus. Extrêmement lent et tendre, extatique
Mozart: Piano Concertos nos. 16 & 17
- Concerto for Piano and Orchestra no. 16 in D major, K. 451: I. Allegro assai (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 16 in D major, K. 451: II. Andante (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 16 in D major, K. 451: III. Allegro di molto (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto - Finale. Presto (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
Schubert: Piano Quintet “The Trout”
- Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: I. Allegro vivace
- Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: II. Andante
- Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: III. Scherzo. Presto - Trio
- Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: IV. Thema. Andantino - Var. I-V - Allegretto
- Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: V. Finale. Allegro giusto
Mozart: Piano Concertos nos. 18 & 19
- Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: I. Allegro vivace (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: III. Allegro vivace (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: I. Allegro (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: II. Allegretto (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
- Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: III. Allegro assai (von Peter Serkin, English Chamber Orchestra, Alexander Schneider)
Tashi Plays Stravinsky
- L'Histoire du soldat: I. Marche du soldat
- L'Histoire du soldat: II. Le Violon du soldat
- L'Histoire du soldat: III. Petit concert
- L'Histoire du soldat: IV. Tango - Valse - Ragtime
- L'Histoire du soldat: V. Danse du diable
- Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: I. [Sonata allegro] Quarter Note = 88
- Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: II. Passacaglia
- Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: III. Gigue
- Pastorale
- 3 Pieces for Clarinet Solo (1918): I. Sempre piano e molto tranquillo
- Three Pieces for Clarinet: II. Eighth Note = 168
- Three Pieces for Clarinet: III. Eighth Note = 160
- Suite Italienne: I. Introduzione. Allegro moderato
- Suite Italienne: II. Serenata. Larghetto
- Suite Italienne: III. Aria. Allegro all breve - Largo
- Suite Italienne: IV. Tarantella. Vivace
- Suite Italienne: V. Minuetto e Finale. Moderato - Molto vivace
Tashi Plays Beethoven
- Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: I. Grave - Allegro, ma non troppo (von Bill Douglas, Robert Routch, Peter Serkin, Richard Stoltzman, Tashi, Allan Vogel)
- Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: II. Andante cantabile (von Bill Douglas, Robert Routch, Peter Serkin, Richard Stoltzman, Tashi, Allan Vogel)
- Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: III. Rondo. Allegro ma non troppo (von Bill Douglas, Robert Routch, Peter Serkin, Richard Stoltzman, Tashi, Allan Vogel)
- Trio for Piano, Clarinet and Cello in B-flat major, op. 11: I. Allegro con brio
- Trio for Piano, Clarinet and Cello in B-flat major, op. 11: II. Adagio
- Trio for Piano, Clarinet and Cello in B-flat major, op. 11: III. Tema: Pria ch'io l'impegno. Allegretto
Tashi Plays Mozart
- Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: I. Allegro (von Ida Kavafian, Daniel Phillips, Fred Sherry, Lucy Stoltzman, Richard Stoltzman, Tashi)
- Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: II. Larghetto (von Ida Kavafian, Daniel Phillips, Fred Sherry, Lucy Stoltzman, Richard Stoltzman, Tashi)
- Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: III. Menuetto - Trio I - Trio II (von Ida Kavafian, Daniel Phillips, Fred Sherry, Lucy Stoltzman, Richard Stoltzman, Tashi)
- Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: IV. Allegretto con Variazioni - Var. I-IV - Adagio - Allegro (von Ida Kavafian, Daniel Phillips, Fred Sherry, Lucy Stoltzman, Richard Stoltzman, Tashi)
- Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato (von Bill Douglas, Robert Routch, Peter Serkin, Richard Stoltzman, Tashi, Allan Vogel)
- Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto (von Bill Douglas, Robert Routch, Peter Serkin, Richard Stoltzman, Tashi, Allan Vogel)
- Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Rondo. Allegretto (von Bill Douglas, Robert Routch, Peter Serkin, Richard Stoltzman, Tashi, Allan Vogel)
Chopin: Variations brillantes / Nocturnes / Mazurkas / Berceuse / Barcarolle
- Variations brillantes on “Je vends des scapulaires” from the Opera Ludovic by F. Hérold and F. Halévyt in B-flat major, op. 12: Introduzione. Allegro maestoso - Thème. Allegro moderato - Scherzo - Lento - Scherzo vivace
- Nocturne in F major, op. 15/1: Andante cantabile
- Mazurka in C major, op. 56/2: Vivace
- Mazurka in A-flat major, op. posth.
- Mazurka in B major, op. 41/2: Animato
- Mazurka in D major, op. 33/3: Vivace
- Mazurka in F minor, op. 68/4: Andantino
- Mazurka in B-flat major, op. 7/1: Vivace
- Nocturne in E major, op. 62/2: Sostenuto
- Waltz in A-flat major, op. 64/3: Moderato
- Trois Nouvelles Études: No. 2 in A-flat major: Allegretto
- [Prélude] in A-flat major, op. posth.: Presto
- Berceuse in D-flat major, op. 57: Andante
- Barcarolle in F-sharp major, op. 60: Allegretto
Tashi Plays Takemitsu
Chopin: Polonaise-Fantaisie / Waltzes / Nocturnes / Impromptu
- Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso
- Waltz in F major, op. 34/3: Vivace
- Waltz in D-flat major “Minute”, op. 64/1: Molto vivace
- Waltz in G-flat major, op. posth. 70/1: Molto vivace
- Nocturne in F-sharp major, op. 15/2: Larghetto
- Nocturne in F-sharp minor, op. 48/2: Andantino
- Nocturne in D-flat major, op. 27/2: Lento sostenuto
- Impromptu in G-flat major, op. 51: Vivace
Beethoven: Diabelli Variations
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Tema. Vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 1. Alla marcia maestoso
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 2. Poco allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 3. L'istesso tempo
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 4. Un poco più vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 5. Allegro vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 6. Allegro ma non troppo e serioso
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 7. Un poco più allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 8. Poco vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 9. Allegro pesante e risoluto
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 10. Presto
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 11. Allegretto
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 12. Un poco più moto
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 13. Vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 14. Grave e maestoso
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 15. Presto scherzando
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 16. Allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 17
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 18. Poco moderato
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 19. Presto
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 20. Andante
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 21. Allegro con brio - Meno allegro - Tempo I
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 22. Allegro molto (alla “Notte e giorno faticar” di Mozart)
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 23. Allegro assai
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 24. Fughetta. Andante
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 25. Allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 26
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 27. Vivace
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 28. Allegro
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 29. Adagio ma non troppo
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 30. Andante, sempre cantabile
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 31. Largo, molto espressivo
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 32. Fuga. Allegro - Poco adagio
- 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 33. Tempo di Menuetto moderato (ma non tirarsi dietro)
Chopin: 3 Mazurkas / Andante spianato & Grande Polonaise brillante / Ballade no. 3
- 3 Mazurkas, op. 59: No. 1 in A minor. Moderato
- 3 Mazurkas, op. 59: No. 2 in A-flat major. Allegretto
- 3 Mazurkas, op. 59: No. 3 in F-sharp minor. Vivace
- Impromptu in A-flat major. op. 29: Allegro assai, quasi Presto
- Ballade no. 3 in A-flat major, op. 47: Allegretto
- Nocturne in E-flat major, op. 55/2: Lento sostenuto
- Andante spianato & Grande Polonaise brillante in G major / E-flat major, op. 22: Andante spianato. Tranquillo
- Andante spianato & Grande Polonaise brillante in G major / E-flat major, op. 22: Polonaise. Allegro molto - Meno mosso
Webern, Takemitsu: Chamber & Piano Works
- Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: I. Sehr mäßig
- Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: II. Sehr schwungvoll
- 4 Pieces for Violin and Piano, op. 7: I. Sehr langsam
- 4 Pieces for Violin and Piano, op. 7: II. Rasch
- 4 Pieces for Violin and Piano, op. 7: III. Sehr langsam
- 4 Pieces for Violin and Piano, op. 7: IV. Bewegt
- Variations for Piano, op. 27: I. Sehr mäßig
- Variations for Piano, op. 27: II. Sehr schnell
- Variations for Piano, op. 27: III. Ruhig fließend
- 3 Little Pieces for Cello and Piano, op. 11: I. Mäßige Achtel
- 3 Little Pieces for Cello and Piano, op. 11: II. Sehr bewegt
- 3 Little Pieces for Cello and Piano, op. 11: III. Äußerst ruhig
- Uninterrupted Rests: No. 1: Slowly, Sadly and as if to Converse with
- Uninterrupted Rests: No. 2: Quietly and with a Cruel Reverberation
- Uninterrupted Rests: No. 3: A Song of Love
- Piano Distance
- For Away
- Les Yeux clos
- Litany: I. Adagio
- Litany: II. Lento misterioso
Berg: Chamber Concerto / Violin Concerto
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Thema scherzoso. Leicht beschwingt - Schwungvoll - Meno Allegro
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation I
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation II. Langsames Walzertempo
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation III. Kräftig bewegt
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation IV. Sehr rasch
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation V. Tempo I (von Alban Berg)
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: II. Adagio
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Introduzione. Durchweg frei, im Charakter einer Kadenz vorzutragen
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Rondo ritmico
- Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Coda
- Concerto for Violin and Orchestra: I. Andante – Allegro (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra: II. Allegro (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
…in real time
- Bagatelles: No. 1: Proclamation
- Bagatelles: No. 2: Spontaneous Songs
- Bagatelles: No. 3: The Dance
- Variations, op. 24
- Piece for Peter
- Cycle of Pieces for Piano Solo, op. 50: …in real time I
- Fantasy Pieces: No. 1: Breeze of Delight
- Fantasy Pieces: No. 2: Dragon's Thunder
- Fantasy Pieces: No. 3: Memory's Luminous Wind
- 6 Encores: No. 6 Feuerklavier
- Interlude
- Les Yeux clos II
- Garland: [Introduction]
- Garland: I
- Garland: II
- Garland: III
- Garland: IV
- Garland: V
- Garland: VI
- Garland: VII
- Garland: VIII
- Garland: IX
- Rain Tree Sketch
- Rain Tree Sketch II
Bach: Italian Concerto / Goldberg Variations
- Italian Concerto in F major, BWV 971: I. [Allegro]
- Italian Concerto in F major, BWV 971: II. Andante
- Italian Concerto in F major, BWV 971: III. Presto
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone alla Seconda a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav.
- Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo
Lieberson: King Gesar
- King Gesar: Part 1: Calling on the Power of Goodness In Men's Hearts: An Invocation to the Imperial Drala, Gesar, King of Ling
- King Gesar: Part 2: The Birth of Gesar
- King Gesar: Part 3: Gesar in the Desert
- King Gesar: Part 4: The Horse Race
- King Gesar: Part 5: The Song of Manene
- King Gesar: Part 6: The Battle with the Tirthikas
- King Gesar: Part 7: Gesar's Song of Completion
Bach: 15 Two-Part Inventions / 15 Sinfonias
- 15 Two-Part Inventions: No. 1 in C major, BWV 772
- 15 Two-Part Inventions: No. 2 in C minor, BWV 773
- 15 Two-Part Inventions: No. 3 in D major, BWV 774
- 15 Two-Part Inventions: No. 4 in D minor, BWV 775
- 15 Two-Part Inventions: No. 5 in E-flat major, BWV 776
- 15 Two-Part Inventions: No. 6 in E major, BWV 777
- 15 Two-Part Inventions: No. 7 in E minor, BWV 778
- 15 Two-Part Inventions: No. 8 in F major, BWV 779
- 15 Two-Part Inventions: No. 9 in F minor, BWV 780
- 15 Two-Part Inventions: No. 10 in G major, BWV 781
- 15 Two-Part Inventions: No. 11 in G minor, BWV 782
- 15 Two-Part Inventions: No. 12 in A major, BWV 783
- 15 Two-Part Inventions: No. 13 in A minor, BWV 784
- 15 Two-Part Inventions: No. 14 in B-flat major, BWV 785
- 15 Two-Part Inventions: No. 15 in B minor, BWV 786
- 15 Sinfonias (Three-Part Inventions): No. 1 in C major, BWV 787
- 15 Sinfonias (Three-Part Inventions): No. 2 in C minor, BWV 788
- 15 Sinfonias (Three-Part Inventions): No. 3 in D major, BWV 789
- 15 Sinfonias (Three-Part Inventions): No. 4 in D minor, BWV 790
- 15 Sinfonias (Three-Part Inventions): No. 5 in E-flat major, BWV 791
- 15 Sinfonias (Three-Part Inventions): No. 6 in E major, BWV 792
- 15 Sinfonias (Three-Part Inventions): No. 7 in E minor, BWV 793
- 15 Sinfonias (Three-Part Inventions): No. 8 in F major, BWV 794
- 15 Sinfonias (Three-Part Inventions): No. 9 in F minor, BWV 795
- 15 Sinfonias (Three-Part Inventions): No. 10 in G major, BWV 796
- 15 Sinfonias (Three-Part Inventions): No. 11 in G minor, BWV 797
- 15 Sinfonias (Three-Part Inventions): No. 12 in A major, BWV 798
- 15 Sinfonias (Three-Part Inventions): No. 13 in A minor, BWV 799
- 15 Sinfonias (Three-Part Inventions): No. 14 in B-flat major, BWV 800
- 15 Sinfonias (Three-Part Inventions): No. 15 in B minor, BWV 801
- 4 Duets, Clavier-Übung III: No. 1 in E minor, BWV 802
- 4 Duets, Clavier-Übung III: No. 2 in F major, BWV 803
- 4 Duets, Clavier-Übung III: No. 3 in G major, BWV 804
- 4 Duets, Clavier-Übung III: No. 4 in A minor, BWV 805
Beethoven: Piano Sonatas nos. 13, 14 “Moonlight” & 23 “Appassionata”
- Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: I. Andante - Allegro - Tempo I - attacca
- Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: II. Allegro molto e vivace - attacca
- Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: III. Adagio con espressione - attacca
- Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: IV. Allegro vivace - Tempo I - Presto
- Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: I. Adagio sostenuto - attacca
- Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: II. Allegretto - Trio
- Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: III. Presto agitato
- Piano Sonata no. 23 in F minor “Appassionata”, op. 57: I. Allegro assai
- Piano Sonata no. 23 in F minor “Appassionata”, op. 57: II. Andante con moto - attacca
- Piano Sonata no. 23 in F minor “Appassionata”, op. 57: III. Allegro ma non troppo - Presto
Bach: Brandenburg Concertos nos. 1-6 (1)
- Brandenburg Concerto no. 1 in F major, BWV 1046: I. [Allegro] - attacca
- Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio / III. Allegro
- Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II
- Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro]
- Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
- Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
- Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Allegro] - attacca
- Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio
- Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
Bach: Brandenburg Concertos nos. 1-6 (2)
- Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro (von Alexander Schneider, Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals)
- Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante (von Alexander Schneider, Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals)
- Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
- Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro (von Alexander Schneider, Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals)
- Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso (von Alexander Schneider, Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals)
- Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro (von Alexander Schneider, Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. [Allegro]
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro
Mehr Songtexte
- Les yeux clos (in memory of Shuzo Takiguchi)
- Rain Tree Sketch II (in memoriam Olivier Messiaen)
- Piano Concerto No. 1 in A major, Sz. 83, BB 91- I. Allegro moderato - Allegro
- Piano Concerto No. 3 in E major, Sz. 119, BB 127- I. Allegretto
- Piano Concerto No. 1 in A major, Sz. 83, BB 91- III. Allegro molto
- Piano Concerto No. 3 in E major, Sz. 119, BB 127- III. Allegro vivace
- Piano Concerto No. 3 in E major, Sz. 119, BB 127- II. Adagio religioso
- Piano Concerto No. 1 in A major, Sz. 83, BB 91- II. Andante - attacca
- Vingt Regards sur l'Enfant-Jésus: Regard des hauteurs
- Vingt Regards sur l'Enfant-Jésus: Par Lui tout a été fait
- Vingt Regards sur l'Enfant-Jésus: L'échange
- Vingt Regards sur l'Enfant-Jésus: La parole toute puissante
- Vingt Regards sur l'Enfant-Jésus: Noël
- Vingt Regards sur l'Enfant-Jésus: Regard du Fils sur le Fils
- Vingt Regards sur l'Enfant-Jésus: Regard de l'onction terrible
- Vingt Regards sur l'Enfant-Jésus: Le baiser de l'Enfant-Jésus
- Vingt Regards sur l'Enfant-Jésus: Première communion de la Vierge
- Vingt Regards sur l'Enfant-Jésus: Regard de l'Esprit de joie
- Vingt Regards sur l'Enfant-Jésus: Je dors, mais mon cœur veille
- Vingt Regards sur l'Enfant-Jésus: Regard de la croix
- Vingt Regards sur l'Enfant-Jésus: Regard de l'église d'amour
- Vingt Regards sur l'Enfant-Jésus: Regard de l'étoile
- Vingt Regards sur l'Enfant-Jésus: Regard du silence
- Vingt Regards sur l'Enfant-Jésus: Regard du Père
- Vingt Regards sur l'Enfant-Jésus: Regard des anges
- Uninterrupted Rest no. 1
- Uninterrupted Rest no. 2
- Uninterrupted Rest no. 3
- Vingt Regards sur l'Enfant-Jésus: Regard du temps
- Vingt Regards sur l'Enfant-Jésus: Regard de la Vierge
- Vingt Regards sur l'Enfant-Jésus: Regard des prophètes, des bergers et des mages
- Waltz In G-flat, Op. 70, No. 1 (Posth.)
- Waltz In D-flat, Op. 64, No. 1 "Minute"
- Mazurka In A-flat, Op. Posth.
- Nocturne In F, Op. 15, No. 1
- Waltz In A-flat, Op. 64, No. 3
- Nouvelle Etude In A Flat
- Polonaise-Fantaisie In A-flat, Op. 61
- Mazurka In B, Op. 41, No. 3
- Berceuse In D-flat, Op. 57
- Barcarolle In F-sharp, Op. 60
- Mazurka In F Minor, Op. 68, No. 4
- Mazurka In D, Op. 33, No. 2
- Variations Brillantes On A Rondo From Hérold's Ludovic, Op. 12
- Waltz In F, Op. 34, No. 3 "Valse Brillante"
- Prelude In A-flat, Op. Posth.
- Mazurka In B-flat, Op. 7, No. 1
- Nocturne In E, Op. 62, No. 2
- Mazurka In C, Op. 56, No. 2