Omit Songtexte
Agglutination Birth of Fade Out (At 6am on a Sunday Morning)

Section One

1. The Cross Fade (The Turning Point to a Cross Fade in a Carpark)
2. The Outcast (Rejection Enforcement Takes Hold)
3. The Rut (The Point of Recall Is No Longer the Grasp of Stability as a Result Direction Can Never Be the Same)
4. Restraint (Point One)
5. Recess (Point Two)
6. Release (Point Three) (Myself Beyond the Point as a Real Person in Three Points)
7. Self‐Separation Through Dislocation (State One)
8. Self‐Separation Through Dislocation (State Two)
9. Release of Dislocation (State Three) (Absent Forms Without Any Resentment)
10. Release of Dislocation (Through Desperation) (State Four) (One Road Leads to Another but Never at the Same Forseeable Way; The Carpark Is a Lie, the Formation of the Release Is a Catch)
11. The Turning Point (The Cycle Continues in One Direction)
12. Towards the Centre (Out Across Both Ways Before or After There Is No Difference)
13. Birth of Fade Out (At 6am on a Sunday Morning)
14. Remission of Self‐Separation Through Dislocation
15. Seclusion (Outlook One)
16. Reclusion (Outlook Two) (From the Walls of Seclusion)
17. Reference Outside (Outlook Three)
18. 1st Divider (In the State of Three Doors the Bridging of One Thought Direction Is to Remain Yet to Another; To Each Former Outlook, the Perspective Becomes Even More Abstracted Beyond Any Internal Level)

Section Two

1. The State of Change (Hallway to the Kitchen)
2. 2nd Divider (The Divider of the Hall Outside the Foundations of the Kitchen)
3. 8:30pm (On a Saturday Night the Kitchen Aids Remission in the Short Fall Into the Realm of Obscurity, Well Before Any Outside Interference)
4. The 1st Self‐Less Reflection
5. 9:26pm (Re‐Birth of Self Within the Lifeform of the Kitchen, Forgetting All Past Experienced Cycles)
6. The 2nd Self‐Less Reflection
7. Resectioned From Despair (Lost at the Opening From a Location Without Breathing)
8. The 3rd Self‐Less Reflection (The Breathing of One Extension Now Closes in on Itself, Beyond That Is Nothing)
9. End‐Dip (Mind Odyssey/State One) (Lost of Any Relation to a Degree of State, the Flow Moves Onwards)
10. The Act (Mind Odyssey/State Two) (Sub‐Movement Towards the Re‐Enactment Until a Point of Unrecognisable Sickness Overrides and the Premonition Breaks Down as Before Into a Mass of Unresolved Emotions)

Section Three

1. Odyssey to Fade Out (Mind Odyssey/State Three) (Standing From the Back of a Carpark to the Drop Out of All Life; The Systems of Compulsion, One Move Sucks to Another, the Self of Formations as to Point One’s Self in One Major Direction. It Is a Move t ...
2. The Fade Out (In the Black State All Direction Is Lost Void to All Extensions Inside the Four Walls of Selfless Contradiction, Closing Down All Aspects of Drive to a Point of Decimation. There Nothing Remains as Relevant.)
3. Gun‐Down (Objective Aggression With the Aid of a Rifle. The Taking Out of All Meaning, the Breaking of All Self Control.)
4. Sub‐Fadeback (The Loss of Control Now Takes Over; The Beginning of the Present Out‐State Cannot Continue Onward. There Will Be Only Decay.)
5. The Lost State (Entropy/Descent Back to the Carpark, as an Intervention to Dissolution. The Beginning of the Lost State Throughout One Long Transgression to Another; There Was No Real Different From One to the Other.)
6. Egress (Towards Retraction of All Points)
7. The Final Call (Resectioned Towards the Drive to Cross Fade, Before Absorption.)

1. Bridge Rectifier
2. Uniselector
3. Full Relay
4. Timer‐Run
5. Divider
6. Isolator
7. A/D Unit
8. Pivot Cycle
9. Rejector
10. NanoPut
11. Shell
12. Ripple
13. Bistable

1. Run‐Down Type; One
2. Run‐Down Type; Two
3. Run‐Down Type; Three
4. Run‐Down Type; Four

1. Left Side
2. Right Side