New York Philharmonic, Leonard Bernstein Songtexte
Radetzky March
Symphonie No. 2 c-moll: Vk. Mit Aufschwung, aber nicht eilen "O Schmerz, du Alldurchdringer"
Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace
The Royal Edition, Volume 62: Ballet Music from Famous Operas (Compilation)
- Prince Igor: Act 2. Dance of the Polovtsian Maidens
- Prince Igor: Act 2. Polovtsian Dance. Introduzione. Andantino
- Prince Igor: Act 2. Polovtsian Dance. Allegro vivo
- Prince Igor: Act 2. Polovtsian Dance. Allegro
- Prince Igor: Act 2. Polovtsian Dance. Presto
- Prince Igor: Act 2. Polovtsian Dance. Moderato alla breve
- Prince Igor: Act 2. Polovtsian Dance. Presto
- Prince Igor: Act 2. Polovtsian Dance. Allegro con spirito - Più animato
- Faust: I. Allegretto. Mouvement de valse
- Faust: II. Adagio - Animato
- Faust: III. Allegretto
- Faust: IV. Moderato maestoso - Animato sempre
- Faust: V. Moderato con moto
- Faust: VI. Allegretto
- Faust: VII. Allegro vivo - Poco meno - A tempo - Plus animé
- La Gioconda: Act 3. Dance of the Hours
- The Snow Maiden: Dance of the Tumblers
- Samson et Dalila: Bacchanale
- Aida: Act 1, Scene 2: Dance of the Priestesses. Allegretto
- Aida: Act 2, Scene 1: Dance of the Blackamoors. Più mosso
- Aida: Act 2, Scene 2: Ballet. Più mosso
- Aida: Act 2, Scene 2: Grand March. Allegro maestoso
The Symphony Edition (Compilation)
Ludwig van Beethoven: Symphony no. 1 in C major, op. 21 / Symphony no. 3 in E‐flat major, op. 55 “Eroica”
- Symphony no. 1 in C major, op. 21: I. Adagio molto, Allegro con brio
- Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
- Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
- Symphony no. 1 in C major, op. 21: IV. Finale. Adagio, Allegro molto e vivace
- Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
- Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
- Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
- Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
Ludwig van Beethoven: Symphony no. 2 in D major, op. 36 / Symphony no. 7 in A major, op. 92
- Symphony no. 2 in D major, op. 36: I. Adagio molto, Allegro con brio
- Symphony no. 2 in D major, op. 36: II. Larghetto
- Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
- Symphony no. 2 in D major, op. 36: IV. Allegro molto
- Symphony no. 7 in A major, op. 92: I. Poco sostenuto, Vivace
- Symphony no. 7 in A major, op. 92: II. Allegretto
- Symphony no. 7 in A major, op. 92: III. Presto, Assai meno presto
- Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Ludwig van Beethoven: Symphony no. 4 in B‐flat major, op. 60 / Symphony no. 5 in C minor, op. 67
- Symphony no. 4 in B‐flat major, op. 60: I. Adagio, Allegro vivace
- Symphony no. 4 in B‐flat major, op. 60: II. Adagio
- Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace
- Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo
- Symphony no. 5 in C minor, op. 67: I. Allegro con brio
- Symphony no. 5 in C minor, op. 67: II. Andante con moto
- Symphony no. 5 in C minor, op. 67: III. Allegro
- Symphony no. 5 in C minor, op. 67: IV. Allegro
Ludwig van Beethoven: Symphony no. 6 in F major, op. 68 “Pastoral” / Symphony no. 8 in F major, op. 93
- Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande, Allegro ma non troppo
- Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto
- Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro
- Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro
- Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und Dankbare Gefühle nach dem Sturm. Allegretto
- Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
- Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
- Symphony no. 8 in F major, op. 93: III. Tempo di Minuetto
- Symphony no. 8 in F major, op. 93: IV. Allegro vivace
Ludwig van Beethoven: Symphony no. 9 in D minor, op. 125
- Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, Un poco maestoso
- Symphony no. 9 in D minor, op. 125: II. Molto vivace
- Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
- Symphony no. 9 in D minor, op. 125: IV. Presto, Allegro assai
- Symphony no. 9 in D minor, op. 125: IV. Rezitativo: “O Freunde, nicht diese Töne!”, Allegro assai
Hector Berlioz: Symphonie Fantastique / Leonard Bernstein: Berlioz Takes a Trip
- Symphonie Fantastique: I. Rêveries. Passions. Largo, Allegro agitato e appassionato assai
- Symphonie Fantastique: II. Un bal. Valse. Allegro non troppo
- Symphonie Fantastique: III. Scène aux Champs. Adagio
- Symphonie Fantastique: IV. Marche au Supplice. Allegretto non troppo
- Symphonie Fantastique: V. Songe d’une nuit du sabbat. Larghetto, Allegro
- Leonard Bernstein Explores the “Symphonie Fantastique” With Musical Illustrations By The New York Philharmonic
Leonard Bernstein: Symphony no. 1 “Jeremiah” / Symphony no. 2 “The Age of Anxiety”
- Jeremiah, Symphony no. 1: I. Prophecy. Largamente
- Jeremiah, Symphony no. 1: II. Profanation. Vivace con brio
- Jeremiah, Symphony no. 1: III. Lamentation
- The Age of Anxiety, Symphony no. 2: I. The Prologue. Lento moderato (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
- The Age of Anxiety, Symphony no. 2: I. The Seven Ages. Var. I–VII (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
- The Age of Anxiety, Symphony no. 2: I. The Seven Stages. Var. VIII–XIV (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
- The Age of Anxiety, Symphony no. 2: II. The Dirge. Largo (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
- The Age of Anxiety, Symphony no. 2: II. The Masque. Extremely Fast (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
- The Age of Anxiety, Symphony no. 2: II. The Epilogue. L’istesso tempo, Adagio, Andante, Con moto (von Philippe Entremont, New York Philharmonic, Leonard Bernstein)
Leonard Bernstein: Symphony no. 3 “Kaddish” / Georges Bizet: Symphony in C major
- Kaddish, Symphony no. 3: I. Invocation. Adagio, Kaddish 1. L’istesso tempo, Allegro molto
- Kaddish, Symphony no. 3: II. Din‐Torah. Di nuovo adagio, Kaddish 2. Andante con tenerezza
- Kaddish, Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, Sempre pianissimo, Finale. Adagio come nel Din‐Torah, Allegro vivo, Con gioia
- Symphony in C major: I. Allegro vivo
- Symphony in C major: II. Adagio
- Symphony in C major: III. Scherzo. Allegro vivace
- Symphony in C major: IV. Finale. Allegro vivace
Marc Blitzstein: The Airborne Symphony
- The Airborne Symphony: I. Theory of Flight
- The Airborne Symphony: I. Ballad of History and Mythology
- The Airborne Symphony: I. Kittyhawk
- The Airborne Symphony: I. The Airbone
- The Airborne Symphony: II. The Enemy
- The Airborne Symphony: II. Threat and Approach
- The Airborne Symphony: II. Ballad of the Cities
- The Airborne Symphony: II. Morning Poem
- The Airborne Symphony: III. Ballad of Hurry‐up
- The Airborne Symphony: III. Night Music: Ballad of the Bombardier
- The Airborne Symphony: III. Recitative: Chorus of the Rendezvous
- The Airborne Symphony: III. The Open Sky
Johannes Brahms: Symphony no. 1 in C minor, op. 68
- Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto, Allegro vivace
- Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
- Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
- Symphony no. 1 in C minor, op. 68: IV. Adagio, Più andante, Allegro ma non troppo, Ma con brio
Johannes Brahms: Symphony no. 2 in D major, op. 73 / Symphony no. 3 in F major, op. 90
- Symphony no. 2 in D major, op. 73: I. Allegro non troppo
- Symphony no. 2 in D major, op. 73: II. Adagio non troppo
- Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino), Presto ma non assai, Tempo I
- Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
- Symphony no. 3 in F major, op. 90: I. Allegro con brio
- Symphony no. 3 in F major, op. 90: II. Andante
- Symphony no. 3 in F major, op. 90: III. Poco allegretto
- Symphony no. 3 in F major, op. 90: IV. Allegro
Johannes Brahms: Symphony no. 4 in E minor, op. 98 / Carlos Chávez: Sinfonía India; David Diamond: Symphony no. 4
- Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
- Symphony no. 4 in E minor, op. 98: II. Andante moderato
- Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, Poco meno presto, Tempo I
- Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato, Più allegro
- Sinfonía India (Symphony no. 2)
- Symphony no. 4: I. Allegretto
- Symphony no. 4: II. Adagio andante
- Symphony no. 4: III. Allegro
Anton Bruckner: Symphony no. 9 in D minor
- Symphony no. 9 in D minor: I. Feierlich. Misterioso
- Symphony no. 9 in D minor: II. Scherzo. Bewegt, Lebhaft, Trio. Schnell
- Symphony no. 9 in D minor: III. Adagio. Langsam, Feierlich
Aaron Copland: Symphony for Organ & Orchestra; Symphony no. 3
- Symphony for Organ & Orchestra: I. Prelude. Andante 6/8
- Symphony for Organ & Orchestra: II. Scherzo. Allegro molto 3/4, Moderato 4/4
- Symphony for Organ & Orchestra: III. Finale. Lento, Allegro moderato 4/4
- Symphony no. 3: I. Molto moderato, With Simple Expression
- Symphony no. 3: II. Allegro molto
- Symphony no. 3: III. Andantino Quasi Allegretto
- Symphony no. 3: IV. Molto deliberato (Fanfare), Allegro risoluto
Antonín Dvořák: Symphony no. 7 in D minor, op. 70; César Franck: Symphony in D minor
- Symphony no. 7 in D minor: I. Allegro maestoso
- Symphony no. 7 in D minor: II. Poco adagio
- Symphony no. 7 in D minor: III. Scherzo. Vivace, Poco meno mosso
- Symphony no. 7 in D minor: IV. Finale. Allegro
- Symphony in D minor: I. Lento, Allegro non troppo
- Symphony in D minor: II. Allegretto
- Symphony in D minor: III. Allegro non troppo
Antonín Dvořák: Symphony no. 9 in E minor, op. 95 “From the New World”; Roy Harris: Symphony no. 3
- Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio, Allegro molto
- Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo
- Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace
- Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
- Symphony no. 3 (in one movement)
Karl Goldmark: Rustic Wedding Symphony; Paul Hindemith: Symphony in E‐flat major
- Rustic Wedding Symphony: I. Hochzeitsmarsch: Variationen. Moderato molto, Allegro, Andante con moto quasi allegretto, Allegretto, Allegro vivace, Allegretto pesante, Allegro scherzando, Allegretto quasi andantino, Molto vivace, Andante con moto, Moder ...
- Rustic Wedding Symphony: II. Brautlied: Intermezzo. Allegretto
- Rustic Wedding Symphony: III. Serenade: Scherzo. Allegro moderato scherzando
- Rustic Wedding Symphony: IV. Im Garten. Andante, Poco più lento, Tempo I
- Rustic Wedding Symphony: V. Tanz: Finale. Allegro molto, Andante
- Symphony in E‐flat major: I. Sehr lebhaft, Lebhafter
- Symphony in E‐flat major: II. Sehr langsam, Breit
- Symphony in E‐flat major: III. Lebhaft, Ein wenig ruhiger, Im früheren Zeitmaß
- Symphony in E‐flat major: IV. Mäßig Schnelle Halbe, Intermezzo, Im Gleichen Zeitmaß, Breit Bewegt, Lebhaft, Mit Höchster Kraft
Joseph Haydn: Symphony no. 82 in C major “The Bear”; Symphony no. 83 in G minor “The Hen”; Symphony no. 84 in E‐flat major
- Symphony no. 82 in C major “The Bear”: I. Vivace assai
- Symphony no. 82 in C major “The Bear”: II. Allegretto
- Symphony no. 82 in C major “The Bear”: III. Menuetto, Trio
- Symphony no. 82 in C major “The Bear”: IV. Finale. Vivace
- Symphony no. 83 in G minor “The Hen”: I. Allegro spirito
- Symphony no. 83 in G minor “The Hen”: II. Andante
- Symphony no. 83 in G minor “The Hen”: III. Menuetto. Allegretto, Trio
- Symphony no. 83 in G minor “The Hen”: IV. Finale. Vivace
- Symphony no. 84 in E‐flat major: I. Largo, Allegro
- Symphony no. 84 in E‐flat major: II. Andante
- Symphony no. 84 in E‐flat major: III. Menuetto. Allegretto, Trio
- Symphony no. 84 in E‐flat major: IV. Finale. Vivace
Joseph Haydn: Symphony no. 85 in B‐flat major “La Reine”; Symphony no. 86 in D major; Symphony no. 87 in A major
- Symphony no. 85 in B‐flat major “La Reine”: I. Adagio, Vivace
- Symphony no. 85 in B‐flat major “La Reine”: II. Romance. Allegretto
- Symphony no. 85 in B‐flat major “La Reine”: III. Menuetto. Allegretto, Trio
- Symphony no. 85 in B‐flat major “La Reine”: IV. Finale. Presto
- Symphony no. 86 in D major: I. Adagio, Allegro spiritoso
- Symphony no. 86 in D major: II. Capriccio. Largo
- Symphony no. 86 in D major: III. Menuet. Allegretto, Trio
- Symphony no. 86 in D major: IV. Finale. Allegro con spirito
- Symphony no. 87 in A major: I. Vivace
- Symphony no. 87 in A major: II. Adagio
- Symphony no. 87 in A major: III. Menuet, Trio
- Symphony no. 87 in A major: IV. Finale. Vivace
Joseph Haydn: Symphony no. 93 in D major; Symphony no. 94 in G major “Surprise”; Symphony no. 95 in C minor
- Symphony no. 93 in D major: I. Adagio, Allegro assai
- Symphony no. 93 in D major: II. Largo cantabile
- Symphony no. 93 in D major: III. Menuetto. Allegro, Trio
- Symphony no. 93 in D major: IV. Finale. Presto ma non troppo
- Symphony no. 94 in G major “Surprise”: I. Adagio cantabile, Vivace assai
- Symphony no. 94 in G major “Surprise”: II. Andante
- Symphony no. 94 in G major “Surprise”: III. Menuetto. Allegro molto, Trio
- Symphony no. 94 in G major “Surprise”: IV. Finale. Allegro di molto
- Symphony no. 95 in C minor: I. Allegro moderato
- Symphony no. 95 in C minor: II. Andante
- Symphony no. 95 in C minor: III. Menuet, Trio
- Symphony no. 95 in C minor: IV. Finale. Vivace
Joseph Haydn: Symphony no. 96 in D major “The Miracle”; Symphony no. 97 in C major; Symphony no. 88 in G major
- Symphony no. 96 in D major “The Miracle”: I. Adagio, Allegro
- Symphony no. 96 in D major “The Miracle”: II. Andante
- Symphony no. 96 in D major “The Miracle”: III. Menuetto. Allegretto, Trio
- Symphony no. 96 in D major “The Miracle”: IV. Finale. Vivace assai
- Symphony no. 97 in C major: I. Adagio, Vivace
- Symphony no. 97 in C major: II. Adagio ma non troppo
- Symphony no. 97 in C major: III. Menuetto. Allegretto, Trio
- Symphony no. 97 in C major: IV. Finale. Presto assai
- Symphony no. 88 in G major: I. Adagio, Allegro
- Symphony no. 88 in G major: II. Largo
- Symphony no. 88 in G major: III. Menuetto. Allegretto, Trio
- Symphony no. 88 in G major: IV. Finale. Allegro con spirito
Joseph Haydn: Symphony no. 98 in B‐flat major; Symphony no. 99 in E‐flat major
- Symphony no. 98 in B‐flat major: I. Adagio, Allegro
- Symphony no. 98 in B‐flat major: II. Adagio
- Symphony no. 98 in B‐flat major: III. Menuetto. Allegro, Trio
- Symphony no. 98 in B‐flat major: IV. Finale. Presto
- Symphony no. 99 in E‐flat major: I. Adagio, Vivace assai
- Symphony no. 99 in E‐flat major: II. Adagio
- Symphony no. 99 in E‐flat major: III. Menuet. Allegretto, Trio
- Symphony no. 99 in E‐flat major: IV. Finale. Vivace
Joseph Haydn: Symphony no. 100 in G major “Military”; Symphony no. 102 in B‐flat major; Symphony no. 104 in D major “London”
- Symphony no. 100 in G major “Military”: I. Adagio, Allegro
- Symphony no. 100 in G major “Military”: II. Allegretto
- Symphony no. 100 in G major “Military”: III. Menuet. Moderato, Trio
- Symphony no. 100 in G major “Military”: IV. Finale. Presto
- Symphony no. 102 in B‐flat major: I. Largo, Vivace
- Symphony no. 102 in B‐flat major: II. Adagio
- Symphony no. 102 in B‐flat major: III. Menuet. Allegro, Trio
- Symphony no. 102 in B‐flat major: IV. Finale. Presto
- Symphony no. 104 in D major “London”: I. Adagio, Allegro
- Symphony no. 104 in D major “London”: II. Andante
- Symphony no. 104 in D major “London”: III. Menuet. Allegreo, Trio
- Symphony no. 104 in D major “London”: IV. Finale. Spirituoso
Joseph Haydn: Symphony no. 101 in D major “The Clock”; Symphony no. 103 in E‐flat major “Drum‐Roll”
- Symphony no. 101 in D major “The Clock”: I. Adagio, Presto
- Symphony no. 101 in D major “The Clock”: II. Andante
- Symphony no. 101 in D major “The Clock”: III. Menuet. Allegretto, Trio
- Symphony no. 101 in D major “The Clock”: IV. Finale. Vivace
- Symphony no. 103 in E‐flat major “Drum‐Roll”: I. Adagio, Allegro con spirito
- Symphony no. 103 in E‐flat major “Drum‐Roll”: II. Andante più tosto allegretto
- Symphony no. 103 in E‐flat major “Drum‐Roll”: III. Menuet, Trio
- Symphony no. 103 in E‐flat major “Drum‐Roll”: IV. Finale. Allegro con spirito
Charles Ives: Symphony no. 2; Symphony no. 3 “The Camp Meeting”; Leonard Bernstein: Leonard Bernstein Discusses Charles Ives
- Symphony no. 2: I. Andante moderato
- Symphony no. 2: II. Allegro
- Symphony no. 2: III. Adagio cantabile
- Symphony no. 2: IV. Lento (Maestoso)
- Symphony no. 2: V. Allegro molto vivace
- Symphony no. 3 “The Camp Meeting”: I. Old Folks Gatherin’. Andante maestoso
- Symphony no. 3 “The Camp Meeting”: II. Children’s Day. Allegro
- Symphony no. 3 “The Camp Meeting”: III. Communion. Largo
- Leonard Bernstein Discusses Charles Ives
Franz Liszt: A Faust Symphony
- A Faust Symphony: I. Faust
- A Faust Symphony: II. Gretchen
- A Faust Symphony: III. Mephistopheles
- A Faust Symphony: Chorus Mysticus: “Alles Vergängliche”
Gustav Mahler: Symphony no. 1 in D major “Titan”; Symphony no. 2 in C minor “Resurrection” (Movement I)
- Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
- Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell
- Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen
- Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt, Energisch
- Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Gustav Mahler: Symphony no. 2 in C minor “Resurrection” (Movements II–V)
- Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich
- Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fließender Bewegung
- Symphony no. 2 in C minor “Resurrection”: IV. Urlicht: “O Röschen rot!”. Sehr feierlich, aber schlicht (von Jennie Tourel, New York Philharmonic, Leonard Bernstein)
- Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend (von Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein)
Gustav Mahler: Symphony no. 3 in D minor (Movements I–V)
- Symphony no. 3 in D minor: I. Kräftig. Entschieden
- Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig
- Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast
- Symphony no. 3 in D minor: IV. Sehr Langsam. Misterioso. Durchaus: “O Mensch! Gib acht!”
- Symphony no. 3 in D minor: V. Lustig im Tempo und keck Im Ausdruck: “Es sungen drei Engel” (von Martha Lipton, Boys’ Choir of the Church of the Transfiguration, Women’s Chorus of the Schola Cantorum, New York Philharmonic, Leonard Bernstein)
Gustav Mahler: Symphony no. 3 in D minor (Movement VI); Randall Thompson: Symphony no. 2 in E minor
- Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden
- Symphony no. 2 in E minor: I. Allegro
- Symphony no. 2 in E minor: II. Largo
- Symphony no. 2 in E minor: III. Vivace
- Symphony no. 2 in E minor: IV. Andante moderato. Allegro con spirito
Gustav Mahler: Symphony no. 4 in G major
- Symphony no. 4 in G major: I. Bedächtig. nicht eilen
- Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
- Symphony no. 4 in G major: III. Ruhevoll
- Symphony no. 4 in G major: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden”
Gustav Mahler: Symphony no. 5 in C‐sharp minor
- Symphony no. 5 in C‐sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Plötzlich schneller. Leidenschaftlich. Wild, A Tempo
- Symphony no. 5 in C‐sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
- Symphony no. 5 in C‐sharp minor: III. Scherzo. Kräftig, nicht zu schnell
- Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam
- Symphony no. 5 in C‐sharp minor: V. Rondo‐Finale. Allegro
Gustav Mahler: Symphony no. 6 in A minor “Tragic”
- Symphony no. 6 in A minor “Tragic”: I. Allegro energico, Ma non troppo. Heftig, Aber Markig
- Symphony no. 6 in A minor “Tragic”: II. Scherzo Wuchtig
- Symphony no. 6 in A minor “Tragic”: III. Andante moderato
- Symphony no. 6 in A minor “Tragic”: IV. Finale. Allegro moderato, Allegro energico
Gustav Mahler: Symphony no. 7 in E minor
- Symphony no. 7 in E minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, Plötzlich schneller. Leidenschaftlich. Wild, A Tempo
- Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato
- Symphony no. 7 in E minor: III. Scherzo. Schattenhaft . Fließend, aber nicht schnell; In Den Anfangstakten noch etwas zögernd, Trio
- Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso
- Symphony no. 7 in E minor: V. Rondo‐Finale: Tempo I (Allegro ordinario), Gemessen! Nicht schnell! Tempo II (Allegro moderato ma energico)
Gustav Mahler: Symphony no. 8 “Symphony of a Thousand”
- Symphony no. 8 “Symphony of a Thousand”: Hymnus: “Veni, Creator Spiritus” (von London Symphony Orchestra, Leonard Bernstein)
- Symphony no. 8 “Symphony of a Thousand”: Final Scene From Goethe’s “Faust”, Part II (von London Symphony Orchestra, Leonard Bernstein)
Gustav Mahler: Symphony no. 9 in D major
- Symphony no. 9 in D major: I. Andante comodo
- Symphony no. 9 in D major: II. Im Tempo eines gemächlichen ländlers. Etwas täppisch und sehr derb
- Symphony no. 9 in D major: III. Rondo‐Burleske. Allegro assai. Sehr trotzig
- Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch Zurückhaltend
Gustav Mahler: Adagio from Symphony no. 10; Felix Mendelssohn: Symphony no. 3 in A minor, op. 56 “Scottish”
- Symphony no. 10: Adagio
- Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto, Allegro un poco agitato, Assai animato, Andante come prima
- Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo
- Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio
- Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo, Allegro maestoso assai
Felix Mendelssohn: Symphony no. 4 in A major, op. 90 “Italian”; Symphony no. 5 in D minor, op. 107 “Reformation”
- Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
- Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
- Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato
- Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
- Symphony no. 5 in D minor, op. 107 “Reformation”: I. Andante, Allegro con fuoco
- Symphony no. 5 in D minor, op. 107 “Reformation”: II. Allegro vivace
- Symphony no. 5 in D minor, op. 107 “Reformation”: III. Andante
- Symphony no. 5 in D minor, op. 107 “Reformation” : IV. Chorale: “Ein’ feste Burg ist unser Gott”. Andante con moto, Allegro vivace, Allegro maestoso assai
Wolfgang Amadeus Mozart: Symphony no. 36 in C major, K.425 “Linz”; Symphony no. 40 in G minor, K.550; Albert Roussel: Symphony no. 3 in G minor op. 42
- Symphony no. 36 in C major, K. 425 “Linz”: I. Adagio, Allegro spiritoso
- Symphony no. 36 in C major, K. 425 “Linz”: II. Andante
- Symphony no. 36 in C major, K. 425 “Linz”: III. Menuetto, Trio
- Symphony no. 36 in C major, K. 425 “Linz”: IV. Presto
- Symphony no. 40 in G minor, K. 550: I. Molto allegro
- Symphony no. 40 in G minor, K. 550: II. Andante
- Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto, Trio
- Symphony no. 40 in G minor, K. 550: IV. Allegro assai
- Symphony no. 3 in G minor op. 42: I. Allegro vivo
- Symphony no. 3 in G minor op. 42: II. Adagio
- Symphony no. 3 in G minor op. 42: III. Vivace
- Symphony no. 3 in G minor op. 42: IV. Allegro con spirito
Wolfgang Amadeus Mozart: Symphony no. 39 in E‐flat major, K.543; Symphony no. 41 in C major, K.551 “Jupiter”
- Symphony no. 39 in E‐flat major: I. Adagio, Allegro
- Symphony no. 39 in E‐flat major: II. Andante con moto
- Symphony no. 39 in E‐flat major: III. Menuetto. Allegretto, Trio
- Symphony no. 39 in E‐flat major: IV. Finale. Allegro
- Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace
- Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile
- Symphony no. 41 in C major, K. 551 “Jupiter”: III. Menuetto. Allegretto, Trio
- Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro
Carl Nielsen: Symphony no. 2, op. 16 “The Four Temperaments”; Symphony no. 4, op. 29 “The Inextinguishable”
- Symphony no. 2, op. 16 “The Four Temperaments”: I. Allegro collerico
- Symphony no. 2, op. 16 “The Four Temperaments”: II. Allegro comodo e flemmatico
- Symphony no. 2, op. 16 “The Four Temperaments”: III. Andante malincolico
- Symphony no. 2, op. 16 “The Four Temperaments”: IV. Allegro sanguineo
- Symphony no. 4, op. 29 “The Inextinguishable”: I. Allegro
- Symphony no. 4, op. 29 “The Inextinguishable”: II. Poco allegretto
- Symphony no. 4, op. 29 “The Inextinguishable”: III. Poco adagio quasi andante
- Symphony no. 4, op. 29 “The Inextinguishable”: IV. Allegro
Carl Nielsen: Symphony no. 3, op. 27 “Sinfonia espansiva”; Symphony no. 5, op. 50
- Symphony no. 3, op. 27 “Sinfonia espansiva”: I. Allegro espansivo (von Det Kongelige Kapel, Leonard Bernstein)
- Symphony no. 3, op. 27 “Sinfonia espansiva”: II. Andante pastorale (von Det Kongelige Kapel, Leonard Bernstein)
- Symphony no. 3, op. 27 “Sinfonia espansiva”: III. Allegretto un poco (von Det Kongelige Kapel, Leonard Bernstein)
- Symphony no. 3, op. 27 “Sinfonia espansiva”: IV. Finale. Allegro (von Det Kongelige Kapel, Leonard Bernstein)
- Symphony no. 5, op. 50: I. Tempo Giusto, Adagio non troppo
- Symphony no. 5, op. 50: II. Allegro, Andante un poco tranquillo
Sergei Sergeyevich Prokofiev: Symphony no. 1 in D major, op. 25 “Classical”; Symphony no. 5 in B‐flat major, op. 100
- Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro
- Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto
- Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. non troppo allegro
- Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace
- Symphony no. 5 in B‐flat major, op. 100: I. Andante
- Symphony no. 5 in B‐flat major, op. 100: II. Allegro marcato
- Symphony no. 5 in B‐flat major, op. 100: III. Adagio
- Symphony no. 5 in B‐flat major, op. 100: IV. Allegro giocoso
Camille Saint‐Saëns: Symphony no. 3 in C minor, op. 78 “Organ”; Franz Schubert: Symphony no. 5 in B‐flat major, D 485
- Symphony no. 3 in C minor, op. 78 “Organ”: I. Adagio
- Symphony no. 3 in C minor, op. 78 “Organ”: I. Allegro moderato
- Symphony no. 3 in C minor, op. 78 “Organ”: I. Poco adagio
- Symphony no. 3 in C minor, op. 78 “Organ”: II. Allegro moderato
- Symphony no. 3 in C minor, op. 78 “Organ”: II. Presto
- Symphony no. 3 in C minor, op. 78 “Organ”: II. Maestoso
- Symphony no. 3 in C minor, op. 78 “Organ”: II. Allegro
- Symphony no. 5 in B‐flat major, D 485: I. Allegro
- Symphony no. 5 in B‐flat major, D 485: II. Andante con moto
- Symphony no. 5 in B‐flat major, D 485: III. Menuetto. Allegro molto, Trio
- Symphony no. 5 in B‐flat major, D 485: IV. Allegro vivace
Franz Schubert: Symphony no. 8 in B minor, D 759 “Unfinished”; Symphony no. 9 in C major, D 944 “The Great”
- Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato
- Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto
- Symphony no. 9 in C major, D 944 “The Great”: I. Andante, Allegro ma non troppo
- Symphony no. 9 in C major, D 944 “The Great”: II. Andante con moto
- Symphony no. 9 in C major, D 944 “The Great”: III. Scherzo. Allegro vivace, Trio
- Symphony no. 9 in C major, D 944 “The Great”: IV. Finale. Allegro vivace
William Howard Schuman: Symphony no. 3; Symphony no. 5 for Strings; Symphony no. 8
- Symphony no. 3: I. Passacaglia and Fugue
- Symphony no. 3: II. Chorale and Toccata
- Symphony no. 5 for Strings: I. Molto agitato ed energico
- Symphony no. 5 for Strings: II. Larghissimo
- Symphony no. 5 for Strings: III. Presto
- Symphony no. 8: I. Lento sostenuto
- Symphony no. 8: II. Largo
- Symphony no. 8: III. Presto
Robert Schumann: Symphony no. 1 in B‐flat major, op. 38 “Spring”; Symphony no. 2 in C major, op. 61
- Symphony no. 1 in B‐flat major, op. 38 “Spring”: I. Andante un poco maestoso, Allegro molto vivace
- Symphony no. 1 in B‐flat major, op. 38 “Spring”: II. Larghetto
- Symphony no. 1 in B‐flat major, op. 38 “Spring”: III. Scherzo. Molto vivace, Trio I. Molto più vivace, Trio II
- Symphony no. 1 in B‐flat major, op. 38 “Spring”: IV. Allegro animato e grazioso
- Symphony no. 2 in C major, op. 61: I. Sostenuto assai, Allegro ma non troppo
- Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace , Trio I, Trio II
- Symphony no. 2 in C major, op. 61: III. Adagio espressivo
- Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
Robert Schumann: Symphony no. 3 in E‐flat major, op. 97 “Rhenish”; Symphony no. 4 in D minor, op. 120
- Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: I. Lebhaft
- Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: II. Scherzo. Sehr Mäßig
- Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: III. Nicht Schnell
- Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: IV. Feierlich
- Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: V. Lebhaft
- Symphony no. 4 in D minor, op. 120: I. Ziemlich Langsam, Lebhaft
- Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich Langsam
- Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft, Trio
- Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft
Harold Shapero: Symphony for Classical Orchestra; Igor Stravinsky: Symphony of Psalms
- Symphony for Classical Orchestra: I. Adagio, Allegro (von Columbia Symphony Orchestra, Leonard Bernstein)
- Symphony for Classical Orchestra: II. Adagietto (von Columbia Symphony Orchestra, Leonard Bernstein)
- Symphony for Classical Orchestra: III. Scherzo (von Columbia Symphony Orchestra, Leonard Bernstein)
- Symphony for Classical Orchestra: IV. Finale. Allegro Con Spirito (von Columbia Symphony Orchestra, Leonard Bernstein)
- Symphony of Psalms: I. Exaudi orationem meam (Psalmus XXXVIII 13, 14) (von English Bach Festival Chorus, London Symphony Orchestra, Leonard Bernstein)
- Symphony of Psalms: II. Expectans expectavi dominum (Psalmus XXXIX 1–3) (von English Bach Festival Chorus, London Symphony Orchestra, Leonard Bernstein)
- Symphony of Psalms: III. Alleluja. Laudate dominum (Psalmus CL) (von English Bach Festival Chorus, London Symphony Orchestra, Leonard Bernstein)
Dmitri Shostakovich: Symphony no. 1 in F minor, op. 10; Symphony no. 6 in B minor, op. 54
- Symphony no. 1 in F minor, op. 10: I. Allegretto, Allegro non troppo
- Symphony no. 1 in F minor, op. 10: II. Allegro
- Symphony no. 1 in F minor, op. 10: III. Lento
- Symphony no. 1 in F minor, op. 10: IV. Allegro molto
- Symphony no. 6 in B minor, op. 54: I. Largo
- Symphony no. 6 in B minor, op. 54: II. Allegro
- Symphony no. 6 in B minor, op. 54: III. Presto
Dmitri Shostakovich: Symphony no. 5 in D minor, op. 47; Symphony no. 9 in E‐flat major, op. 70
- Symphony no. 5 in D minor, op. 47: I. Moderato
- Symphony no. 5 in D minor, op. 47: II. Allegretto
- Symphony no. 5 in D minor, op. 47: III. Largo
- Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
- Symphony no. 9 in E‐flat major, op. 70: I. Allegro
- Symphony no. 9 in E‐flat major, op. 70: II. Moderato
- Symphony no. 9 in E‐flat major, op. 70: III. Presto
- Symphony no. 9 in E‐flat major, op. 70: IV. Largo
- Symphony no. 9 in E‐flat major, op. 70: V. Allegretto
Dmitri Shostakovich: Symphony no. 7 in C major, op. 60 “Leningrad”
- Symphony no. 7 in C major, op. 60 “Leningrad”: I. Allegretto
- Symphony no. 7 in C major, op. 60 “Leningrad”: II. Moderato (Poco allegretto)
- Symphony no. 7 in C major, op. 60 “Leningrad”: III. Adagio
- Symphony no. 7 in C major, op. 60 “Leningrad”: IV. Allegro non troppo
Dmitri Shostakovich: Symphony no. 14, op. 135; Jean Sibelius: Symphony no. 3 in C major, op. 52
- Symphony no. 14, op. 135: I. De profundis. Adagio
- Symphony no. 14, op. 135: II. Malagueña. Allegretto
- Symphony no. 14, op. 135: III. Loreley. Allegro molto, Adagio, A Tempo
- Symphony no. 14, op. 135: IV. The Suicide. Adagio
- Symphony no. 14, op. 135: V. On the Alert. Allegretto, Adagio, Allegretto
- Symphony no. 14, op. 135: VI. Look Here, Madame! Adagio
- Symphony no. 14, op. 135: VII. At the Santé Jail. Adagio
- Symphony no. 14, op. 135: VIII. Zaporozhye Cossacks’ Reply to the Sultan of Constantinople. Allegro
- Symphony no. 14, op. 135: IX. O Delvig, Delvig! Andante
- Symphony no. 14, op. 135: X. The Poet’s Death. Largo
- Symphony no. 14, op. 135: XI. Conclusion. Moderato
- Symphony no. 3 in C major, op. 52: I. Allegro moderato
- Symphony no. 3 in C major, op. 52: II. Andantino con moto, Quasi allegretto
- Symphony no. 3 in C major, op. 52: III. Moderato, Allegro (Ma non tanto)
Jean Sibelius: Symphony no. 1 in E minor, op. 39; Symphony no. 6 in D minor, op. 104
- Symphony no. 1 in E minor, op. 39: I. Andante, Ma non troppo, Allegro energico
- Symphony no. 1 in E minor, op. 39: II. Andante (Ma non troppo lento)
- Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro
- Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia). Andante, Allegro molto
- Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato
- Symphony no. 6 in D minor, op. 104: II. Allegretto moderato
- Symphony no. 6 in D minor, op. 104: III. Poco vivace
- Symphony no. 6 in D minor, op. 104: IV. Allegro molto, Allegro assai, Doppo più lento
Jean Sibelius: Symphony no. 2 in D major, op. 43; Symphony no. 7 in C major, op. 105
- Symphony no. 2 in D major, op. 43: I. Allegretto
- Symphony no. 2 in D major, op. 43: II. Tempo andante, Ma rubato
- Symphony no. 2 in D major, op. 43: III. Vivacissimo , Lento e suave
- Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato
- Symphony no. 7 in C major, op. 105: Adagio, Vivacissimo, Adagio, Allegro molto moderato, Allegro moderato, Vivace, Presto, Adagio, Largamente molto, Affettuoso
Jean Sibelius: Symphony no. 4 in A minor, op. 63; Symphony no. 5 in E‐flat major, op. 82
- Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, Quasi adagio
- Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace
- Symphony no. 4 in A minor, op. 63: III. Il Tempo largo
- Symphony no. 4 in A minor, op. 63: IV. Allegro
- Symphony no. 5 in E‐flat major, op. 82: I. Largamente, Tempo molto moderato
- Symphony no. 5 in E‐flat major, op. 82: I. Allegro moderato, Presto
- Symphony no. 5 in E‐flat major, op. 82: II. Andante mosso, Quasi allegretto
- Symphony no. 5 in E‐flat major, op. 82: III. Allegro molto, Un pochettino largamente, Largamente assai
Peter Ilyich Tchaikovsky: Symphony no. 1 in G minor, op. 13 “Winter Daydreams”; Symphony no. 2 in C minor, op. 17 “Little Russian”
- Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: I. Dreams of a Winter Journey. Allegro tranquillo
- Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: II. Land of Desolation, Land of Mists. Adagio cantabile ma non tanto
- Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: III. Scherzo. Allegro scherzando giocoso
- Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: IV. Finale. Andante lugubre, Andante moderato, Allegro maestoso, Allegro vivo
- Symphony no. 2 in C minor, op. 17 “Little Russian”: I. Andante sostenuto, Allegro vivo
- Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, Quasi moderato
- Symphony no. 2 in C minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace, Trio. L’istesso tempo
- Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Finale. Moderato assai, Allegro vivo
Peter Ilyich Tchaikovsky: Symphony no. 3 in D major, op. 29 “Polish”; Symphony no. 4 in F minor, op. 36 (Movement I)
- Symphony no. 3 in D major, op. 29 “Polish”: I. Introduzione. Moderato assai (Tempo di marcia funebre) Allegro brillante
- Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca. Allegro moderato e semplice
- Symphony no. 3 in D major, op. 29 “Polish”: III. Andante elegiaco
- Symphony no. 3 in D major, op. 29 “Polish”: IV. Scherzo. Allegro vivo
- Symphony no. 3 in D major, op. 29 “Polish”: V. Finale. Allegro con fuoco (Tempo di polacca)
- Symphony no. 4 in F minor, op. 36: I. Andante sostenuto , Moderato con anima, Moderato assai, Quasi andante, Allegro con anima, Allegro vivo
Peter Ilyich Tchaikovsky: Symphony no. 4 in F minor, op. 36 (Movements II–IV); Symphony no. 5 in E minor, op. 64
- Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
- Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato. Allegro
- Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
- Symphony no. 5 in E minor, op. 64: I. Andante, Allegro con anima
- Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
- Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
- Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso, Allegro vivace
Peter Ilyich Tchaikovsky: Symphony no. 6 in B minor, op. 74 “Pathétique”; Ralph Vaughan Williams: Symphony no. 4 in F minor
- Symphony no. 6 in B minor, op. 74 “Pathétique": I. Adagio, Allegro non troppo
- Symphony no. 6 in B minor, op. 74 “Pathétique": II. Allegro con grazia
- Symphony no. 6 in B minor, op. 74 “Pathétique": III. Allegro molto vivace
- Symphony no. 6 in B minor, op. 74 “Pathétique": IV. Finale. Adagio lamentoso, Andante
- Symphony no. 4 in F minor: I. Allegro
- Symphony no. 4 in F minor: II. Andante moderato
- Symphony no. 4 in F minor: III. Scherzo. Allegro molto
- Symphony no. 4 in F minor: IV. Finale. Allegro molto
- Symphony no. 4 in F minor: IV. Epilogo fugato. Con anima
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- Symphonie No. 2 c-moll: Vk. Mit Aufschwung, aber nicht eilen "O Schmerz, du Alldurchdringer"
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- Dybbuk Suite No.2: 2. Leah
- Dybbuk Suite No.2: 3. 5 Kabbalah Variations
- Dybbuk Suite No.1: 1. Invocation and Trance
- Dybbuk Suite No.1: 6. Exorcism
- Dybbuk Suite No.1: 4. Possession
- The Barber of Seville: Largo Al Factotum
- Inscape
- Connotations for Orchestra
- Concerto for Piano and Orchestra no. 2 in F major, op. 102: I . Allegro
- Symphony No. 4 in F Minor, Op. 36, IV. Finale: Allegro con fuoco
- El sombrero de tres picos: Suite no. 2: Danza final (Jota)
- Symphony No. 2 in C Minor "Resurrection": from V. Im Tempo des Scherzos
- Bachiana Brasileria No. 5: Aria
- El sombrero de tres picos: Suite no. 2: Danza del molinero (Farruca)
- El amor brujo: El círculo mágico: Romance del pescador
- Concerto for Orchestra: V. Finale. Pesante - Presto
- Le Sacre du Printemps : Le sacrifice : VI. Danse sacrale. L'élue
- Batuque
- Nocturnes: I. Nuages
- Symphony No. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
- Symphony no. 5 in E-flat major, op. 82: IV. Allegro molto - Un pochettino largamente - Largamente assai
- Hungarian Dance no. 6
- Farandole from “L’Arlésienne Suite no. 2”
- Waltz from “Serenade for Strings” op. 48
- Danza no. 1 from “La vida breve”
- German Dance no. 3 (“Sleigh Ride”)
- Slavonic Dances in C major, op. 46, no. 1
- Waltz from “Eugene Onegin” op. 24
- Hora Staccato
- Hungarian Dance no. 5
- Wedding of Kijé from “Lieutenant Kijé Suite”
- Norwegian Dance, op. 35, no. 2
- Anitra’s Dance from “Peer Gynt Suite no. 1”
- España
- Times Square from Three Dance Episodes from “On the Town”
- Menuet from “L’Arlésienne Suite no. 1”
- Valse triste from “Kuolema” op. 44
- Tritsch-Tratsch Polka, op. 214
- Symphonic Dances from “West Side Story”: I. Prologue. Allegro moderato
- Symphonic Dances from “West Side Story”: VI. Meeting Scene. Meno mosso
- Candide Overture: Allegro molto con brio
- Symphonic Dances from “West Side Story”: II. “Somewhere”. Adagio
- Symphonic Dances from “West Side Story”: III. Scherzo. Vivace leggiero
- Symphonic Dances from “West Side Story”: V. Cha-Cha (“Maria”). Andantino con grazia
- Symphonic Dances from “West Side Story”: IV. Mambo. Presto
- Symphonic Dances from “West Side Story”: VII. “Cool” Fugue. Allegretto
- Symphonic Dances from “West Side Story”: VIII. Rumble. Molto allegro
- Symphonic Dances from “West Side Story”: IX. Finale. Adagio
- Eugene Onegin, Op. 24: Waltz
- L'Arlésienne Suite no. 2: IV. Farandole: Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso
- Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance
- Carmen Suite no. 1: Les Toréadors: Allegro giocoso (Introduction to Act I)
- Nutcracker Suite, op. 71a: Dances caractéristiques
- Nutcracker Suite, op. 71a: Waltz of the Flowers
- Ouverture til Lohrengrin
- Concerto in C major RV558: I. Allegro molto
- Symfoniske danse fra West Side Story (5-9)
- Tristan und Isolde: Liebestod
- Le Sacre du printemps : Le Sacrifice : VI. Danse sacrale. L’Élue
- Symphonic Dances from “West Side Story”: V. Cha‐Cha (“Maria”). Andantino con grazia
- Carmen Suite no. 2: Nocturne. Andantino molto (Act III)
- "Dialogue of the Wind and the Sea'' From La Mer
- "Fetes'' from Nocturnes
- Afternoon of a Faun
- Jewels of the Madonna: Intermezzo, Act III
- Overture to "Candide"
- Sensemaya
- Danzón Cubano
- Aida: Ballet Music
- Serenade for Strings in C major, op. 48: II. Waltz
- "Petrushka": DANSE RUSSE (Russian Dance)
- On the Town: Dance: The Real Coney Island / Finale
- Dybbuk Suite No.2: 1. The Messengers
- Dansa Brasileira
- Die Fledermaus overture
- Gaîté Parisienne: VI. Grande valse
- Fancy Free Ballet
- Gaîté Parisienne: VIII. Barcarolle
- Peter and the Wolf: March & Finale
- Bachianas Brasileras 5: Dansa
- "Swan Lake": Act III. Hungarian Dance
- Act III of Lohengrin: Prelude
- Gaîté Parisienne: Cancan
- Oberon (Overture)
- The Sleeping Beauty, Op. 66: Valse. Allegro (Tempo di valse) (Act I)
- German Dance no. 8, K. 605, no. 3 "Sleigh Ride"
- Academic Festival Overture in C minor, Op. 80
- Polka from "The Age of Gold Ballet"
- Overture to Fidelio, op. 72b
- Overture "The Hebrides" ("Fingal's Cave"). Op. 26: Allegro moderato - Animato in tempo
- Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
- Variations on a Shaker Tune from Appalachian Spring Ballet
- Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente - Largamente assai
- Symphony no. 3, Part II: Toccata
- Symphony no. 2: 4. Lento maestoso
- Symphony no. 2: 1. Andante moderato
- Symphony no. 3, Part II: Chorale
- Symphony no. 3, Part I: Fugue
- Central Park in the Dark
- Music for the Theatre: I. Prologue
- Music for the Theatre: III. Interlude: Lento moderato
- Symphony no. 3
- Tone Roads No. 1
- Symphony no. 2: 2. Allegro
- Symphony no. 2: 5. Allegro molto vivace
- Music for the Theatre: V. Epilogue: Moderato - Molto moderato - Lento molto
- Symphony no. 2: 3. Adagio cantabile
- Symphony no. 3, Part I: Passacaglia
- Music for the Theatre: II. Dance: Allegro molto
- Music for the Theatre: IV. Burlesque: Allegro vivo
- The Gong on the Hook and Ladder or Fireman's Parade on Main Street
- Vienna Blood
- Voices of Spring
- Artist's Life
- Tattoo: 2. Moderato Maestoso - Omaggio a Nicolò Paganini
- Tattoo: 1. Moderato Maestoso
- Music for the Theatre (1925): IV. Burlesque
- Music for the Theatre (1925): III. Interlude
- Music for the Theatre (1925): V. Epilogue
- Music for the Theatre (1925): I. Prologue
- Music for the Theatre (1925): II. Dance
- Music for the Theatre: III. Interlude
- Music for the Theatre: V. Epilogue
- Music for the Theatre: IV. Burlesque
- Music for the Theatre: II. Dance
- Missa in Tempore Belli in C major, Hob. XXII:9: Dona Nobis Pacem. Allegro Con Spirito - Più Presto
- Voices of Spring, op. 410
- Artist's Life, op. 316
- Vienna Blood Waltz, op. 354
- The Sorcerer’s Apprentice
- Symfoni nr. 4 "Den uudslukkelige": Allegro
- Symfoni nr. 4 "Den uudslukkelige": Allegretto
- Symfoni nr. 4 "Den uudslukkelige": Poco adagio quasi andante
- Symphony No. 3 in F Major, Op. 90, III, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein)
- Symphony No. 3 in F Major, Op. 90, III, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein)
- Symphony No. 3 in F Major, Op. 90, III, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein)
- L’Arlésienne Suite no. 2: IV. Farandole. Allegro deciso (Tempo di marcia) – Allegro vivo e deciso
- L’Arlésienne Suite no. 1: II. Menuet. Allegro giocoso
- Symphonic Suite from On the Waterfront: III. Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento
- Pohjola's Daughter, op. 49
- Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso
- Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto
- Symphonic Suite from On the Waterfront: IV. Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso
- Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
- Symphonic Suite from On the Waterfront: VI. A tempo
- Symphonic Suite from On the Waterfront: I. Andante (with dignity) - Presto barbaro
- Symphony no. 7 in E minor: Ie. Subito Allegro I. Ziemlich ruhig
- Rodeo: I. Buckaroo Holiday: Allegro con spirito
- Le Sacre du printemps : L’Adoration de la terre : V. Jeux des cités rivales
- Le Sacre du printemps : Le Sacrifice : V. Action rituelle des ancêtres
- Symphony no. 7 in E minor: Vd. Sempre l'istesso tempo
- Symphony no. 7 in E minor: IIc. Tempo
- Symphony no. 7 in E minor: Ia. Langsam (Adagio)
- Symphony no. 7 in E minor: Ib. Nicht schleppen
- Symphony no. 7 in E minor: IVa. Nachtmusik II. Andante amoroso
- Le Sacre du printemps : L’Adoration de la terre : VI. Cortège du sage
- Symphony no. 7 in E minor: Ig. Maestoso. Allegro come prima
- Symphony no. 7 in E minor: IIa. Nachtmusik I. Allegro moderato
- Billy the Kid: Billy's Death
- Billy the Kid: The Open Prairie Again
- Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung)
- Le Sacre du printemps : Le Sacrifice : II. Cercles mysterieux des adolescentes
- Billy the Kid: Mexican Dance and Finale
- Symphony no. 7 in E minor: IIIb. Trio
- Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang (nicht eilen)
- Symphony no. 7 in E minor: Va. Rondo-Final. Tempo I (Allegro ordinario)
- Billy the Kid: The Open Prairie (introduction)
- Le Sacre du printemps : Le Sacrifice : I. Introduction (Largo)
- Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft, fließend, aber nicht zu schnell
- Le Sacre du printemps : L’Adoration de la terre : I. Introduction (Lento)
- Billy the Kid: Street in a Frontier Town
- Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo
- Le Sacre du printemps : Le Sacrifice : IV. Évocation des ancêtres
- Billy the Kid: Gun Battle
- Symphony no. 7 in E minor: IVb. [Figure 197]
- Le Sacre du printemps : L’Adoration de la terre : III. Jeu du rapt
- Symphony no. 7 in E minor: Vc. Tempo I (Halbe wie die Viertel des Tempo I)
- Symphony no. 7 in E minor: Vb. Gemessen! Nicht schnell! Tempo II (Allegro moderato ma energico)
- Billy the Kid: Prairie Night (Card Game at Night)
- Le Sacre du printemps : L’Adoration de la terre : IV. Rondes printanières
- Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo. Nicht eilen, sehr gemächlich
- Le Sacre du printemps : L’Adoration de la terre : VIII. Danse de la terre
- Le Sacre du printemps : L’Adoration de la terre : II. Les Augures pintaniers. Danses des adolecentes
- Rodeo: III. Saturday Night Waltz. Introduction: Slow Waltz
- Le Sacre du printemps : L’Adoration de la terre : VII. Adoration de la terre - Le Sage
- Le Sacre du printemps : Le Sacrifice : III. Glorification de l’élue
- Symphony no. 7 in E minor: Id. A tempo (sempre läistesso)
- Symphonie Fantastique, IV. March to the Scaffold, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Moldau, Part 3 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 16 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 20 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 4 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Moldau, Part 4 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 13 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein)
- Symphonie Fantastique, IV. March to the Scaffold, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 25 (New York Philharmonic feat. conductor: Leonard Bernstein)
- Symphonie Fantastique, IV. March to the Scaffold, Part 4 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Moldau, Part 5 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein)
- Symphonie Fantastique, IV. March to the Scaffold, Part 3 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 5 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 23 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Moldau, Part 6 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 18 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 10 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 6 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 9 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Moldau, Part 7 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 19 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 11 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 15 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Moldau, Part 1 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 2 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Moldau, Part 2 (New York Philharmonic Orchestra feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 12 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 7 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 24 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 1 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 8 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 22 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 17 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 21 (New York Philharmonic feat. conductor: Leonard Bernstein)
- The Young Person's Guide to the Orchestra, Part 14 (New York Philharmonic feat. conductor: Leonard Bernstein)
- Symphony no. 4 in G major: IV. Sehr behaglich. "Wir geniessen die himmlischen Freuden"
- Rapsodie espagnole, M.54: IV. Feria
- Symphony no. 3 in D minor: II. Tempo di menuetto
- Symphony no. 3 in D minor: III. Comodo. Scherzando
- Rapsodie espagnole, M.54: I. Prélude à la nuit
- Symphony no. 4 in G major: II. In gemaechlicher Bewegung. Ohne Hast
- Rapsodie espagnole, M.54: III. Habanera
- Rapsodie espagnole, M.54: II. Malagueña
- Symphony no. 4 in G major: I. Bedaechtig. Nicht eilen
- Symphony no. 3 in D minor: I. Kräftig
- La Valse
- Symphony no. 3 in D minor: VI. Langsam
- The Rite of Spring: Glorification of the Chosen One
- The Rite of Spring: Ritual Action of the Ancestors
- Music for Strings, Percussion and Celesta, Sz 106, BB 114: 1. Andante tranquillo
- Symphony no. 8: 2. Thema: Adagio - Variationen - Doppelfuge
- The Rite of Spring: Procession of the Sage
- The Rite of Spring: Ritual of the River Tribes
- Music for Strings, Percussion and Celesta, Sz 106, BB 114: 2. Allegro
- Short Symphony "Symphony no. 2": 2. Scherzo: Molto allegro
- Music for Strings, Percussion and Celesta, Sz 106, BB 114: 4. Allegro molto
- Concerto for Orchestra: 1. Allegro moderato ma energico
- The Rite of Spring: Mystic Circles of the Young Girls
- The Rite of Spring: Ritual of Abduction
- The Rite of Spring: The Sage
- Concerto for Orchestra: 2. Allegro vivace
- Symphony no. 4 "Sinfonía romántica": 1. Allegro
- Symphony no. 4 "Sinfonía romántica": 3. Finale: Vivo troppo mosso
- American Creed: Free to Dream
- The Rite of Spring: The Sacrifice: Introduction
- American Creed: Free to Build
- Symphony no. 5 in D minor, op. 47 (recording session)
- Serious Song
- Short Symphony "Symphony no. 2": 3. Finale: Lento
- Music for Strings, Percussion and Celesta, Sz 106, BB 114: 3. Adagio
- Symphony no. 4 "Sinfonía romántica": 2. Molto lento
- The Rite of Spring: Adorations of Earth: Introduction
- The Rite of Spring: The Augurs of Spring - Dances of the Young Girls
- The Rite of Spring: Dance of the Earth
- Short Symphony "Symphony no. 2": 1. Prelude: Andante
- Symphony no. 8: 1. Moderato - Adagio - Allegro vivo
- The Rite of Spring: Evocation of the Ancestors
- The Rite of Spring: Sacrificial Dance
- Concerto for Orchestra: 3. Adagio - Allegro moderato
- Billy the Kid (recording session)
- The Rite of Spring: Spring Rounds
- Lieutenant Kijé Suite: Troika
- The Nutcracker, Op. 71a: Trepak
- On The Town - Times Square
- The Nutcracker: Waltz of the Flowers
- Caucasian Sketches, Op. 10: Procession of the Sardar
- Wagner: Die Walküre - Ride of the Valkyries
- The Sleeping Beauty: Sleeping Beauty Waltz
- Appalachian Spring: Variations on a Shaker Tune
- Somewhere
- Prince Igor: Polovtsian Dance No. 2
- William Tell: William Tell Overture - Finale
- El Amor Brujo: Ritual Dance of Fire
- Swan Lake: Spanish Dance
- Carmen: Seguedilla
- Tritsch-Tratsch Polka
- Lohengrin: Act II - Prelude
- Russian Sailors' Dance
- Lieutenant Kijé Suite: Wedding of Kijé
- Radetzky March
- Rhapsody on a Theme of Paganini: 18th Variation
- Swan Lake: Swan Lake Theme
- Fancy Free: I. Enter Three Sailors
- Fancy Free: IV. Pas de deux
- Fancy Free: VII. Finale
- Carmen : Habanera
- "Feria" from Rapsodie Espagnole
- Alborada Del Gracioso
- Boléro
- Symphony No. 9 in C major, "The Great": III. Scherzo: Allegro vivace
- The Nutcracker: Suite, op. 71a: I. Ouverture miniature: Allegro giusto
- Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers
- Symphony no. 88 in G major: I. Adagio, Allegro
- Symphony no. 3 “Kaddish”: I. Invocation. Kaddish 1
- Symphony no. 2 in C minor, "Resurrection": II. Andante moderato
- The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse des mirlitons. Moderato assai
- Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck
- The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: March. Tempo di Marcia viva
- Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto
- A Faust Symphony: II. Gretchen
- Symphony no. 88 in G major: IV. Finale. Allegro Con Spirito
- Symphony of Psalms: I. Exaudi Orationem Meam (Psalmus XXXVIII 13, 14)
- Colonel Bogey
- The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse arabe. Allegretto
- Symphony of Psalms: III. Alleluja. Laudate Dominum (Psalmus CL)
- Symphony no. 5 in C-sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct
- A Faust Symphony: Chorus Mysticus: "Alles Vergängliche"
- The Nutcracker: Suite, Op. 71a: II. Danses caractéristiques: Danse de la fée Dragée. Andante non troppo
- Symphony of Psalms: II. Expectans Expectavi Dominum (Psalmus XXXIX 1-3)
- Symphony no. 6 in A minor, "Tragic": I. Allegro energico, ma non troppo
- Symphony no. 3 in D minor: IV. Sehr langsam; misterioso.
- Symphony no. 88 in G major: III. Menuetto. Allegretto, Trio
- Symphony no. 5 in C-sharp minor, Part III: V. Rondo - Finale. Allegro
- Anchors Aweigh
- Symphony in C major: II. Adagio
- Rule, Britannia!
- Symphony no. 6 in A minor, "Tragic": III. Andante moderato
- Symphony no. 5 in C-sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell
- Symphony no. 5: I. Tempo giusto - Adagio non troppo
- The National Emblem
- Symphony no. 7 in E minor: V. Rondo - Finale. Tempo I (Allegro ordinario)
- Symphony in C major: III. Scherzo. Allegro Vivace
- Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
- Symphony No. 9 in C major, "The Great": I. Andante; Allegro ma non troppo
- A Faust Symphony: I. Faust
- Symphony No. 9 in C major, "The Great": IV. Finale: Allegro vivace
- Symphony in C major: I. Allegro Vivo
- Symphony no. 3 “Kaddish”: III. Scherzo. Kaddish 3. Finale. Fugue‐tutti
- Symphony no. 6 in A minor, "Tragic": II. Scherzo. Wuchtig
- Symphony No. 9 in C major, "The Great": II. Andante con moto
- Mignon Overture
- Symphony in C major: IV. Finale. Allegro Vivace
- Symphony no. 9 in D major: IV. Adagio. Sehr langsam
- Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso
- Symphony no. 5: II. Allegro - Andante un poco tranquillo
- Symphony no. 88 in G major: II. Largo
- A Faust Symphony: III. Mephistopheles
- Symphony no. 3 “Kaddish”: II. Din‐Torah. Kaddish 2
- Symphony no. 2 in C minor, "Resurrection": III. In ruhig fliessender Bewegung
- The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse russe. Trépak Tempo di Trépak, molto vivace
- Symphony no. 6 in A minor, "Tragic": IV. Finale. Allegro moderato - Allegro energico
- Symphony no. 9 in D major: III. Rondo. Burleske
- La Carnaval des animaux: “Volière”
- The Young Person’s Guide to the Orchestra, op. 34: Themes A–F
- The Young Person’s Guide to the Orchestra, op. 34 Fugue: Allegro molto
- On the Town: Dance: The Real Coney Island
- Invitation to the Dance
- Three Dances from The Bartered Bride: Polka
- Three Dances from The Bartered Bride: Furiant
- The Blue Danube Waltz, op. 314
- The Nutcracker: Suite, op. 71a: II. Danses caractéristiques: Danse chinoise. Allegro moderato
- The Moldau, Part 3
- The Moldau, Part 4
- The Moldau, Part 1
- The Moldau, Part 2
- The Moldau, Part 7
- The Moldau, Part 5
- The Moldau, Part 6
- Symphony No. 3 in F Major, Op. 90, III, Part 3
- Symphony No. 3 in F Major, Op. 90, III, Part 2
- Symphony No. 3 in F Major, Op. 90, III, Part 1
- The Young Person's Guide to the Orchestra, Part 11
- The Young Person's Guide to the Orchestra, Part 19
- The Young Person's Guide to the Orchestra, Part 13
- The Young Person's Guide to the Orchestra, Part 15
- The Young Person's Guide to the Orchestra, Part 17
- The Young Person's Guide to the Orchestra, Part 20
- The Young Person's Guide to the Orchestra, Part 22
- The Young Person's Guide to the Orchestra, Part 24
- The Young Person's Guide to the Orchestra, Part 8
- The Young Person's Guide to the Orchestra, Part 7
- The Young Person's Guide to the Orchestra, Part 6
- The Young Person's Guide to the Orchestra, Part 5
- The Young Person's Guide to the Orchestra, Part 4
- The Young Person's Guide to the Orchestra, Part 3
- The Young Person's Guide to the Orchestra, Part 2
- The Young Person's Guide to the Orchestra, Part 1
- The Young Person's Guide to the Orchestra, Part 9
- The Young Person's Guide to the Orchestra, Part 25
- The Young Person's Guide to the Orchestra, Part 21
- The Young Person's Guide to the Orchestra, Part 23
- The Young Person's Guide to the Orchestra, Part 10
- The Young Person's Guide to the Orchestra, Part 12
- The Young Person's Guide to the Orchestra, Part 14
- The Young Person's Guide to the Orchestra, Part 16
- The Young Person's Guide to the Orchestra, Part 18
- Symphonie Fantastique, IV. March to the Scaffold, Part 3
- Symphonie Fantastique, IV. March to the Scaffold, Part 2
- Symphonie Fantastique, IV. March to the Scaffold, Part 4
- Symphonie Fantastique, IV. March to the Scaffold, Part 1
- Opera Overtures: Der Freischütz
- Opera Overtures: Euryanthe
- Opera Overtures: Donna Diana
- Opera Overtures: Die lustigen Weiber von Windsor
- La scala di seta: Overture
- Concert Music for String Orchestra and Brass, op. 50: Part Two: Lebhaft
- Appalachian Spring: V. Subito allegro
- Firebird Suite: IV. The Princesses’ Round
- Images pour orchestre: II. Iberia: Le matin d'un jour de fête
- Pulcinella Suite: III. c) Andantino
- Pulcinella Suite: I. Sinfonia (Ouverture). Allegro moderato
- Fancy Free: V. Competition Scene
- Romeo and Juliet Fantasy Overture
- Images pour orchestre: II. Iberia: Par les rues et par les chemins
- Symphony no. 5 in E-flat major, op. 82: I. Molto moderato – Allegro moderato – Presto
- Fancy Free: VI. Three Dance Variations: Variation I: Galop
- Pulcinella Suite: VIII. a) Minuetto. Molto moderato
- Pulcinella Suite: II. Serenata. Larghetto
- Concert Music for String Orchestra and Brass, op. 50: First Part: Mäßig schnell, mit Kraft
- Francesca da Rimini, op. 32: Symphonic Fantasy after Dante
- Music for Strings, Percussion and Celesta: I. Andante tranquillo
- Images pour orchestre: III. Rondes de Printemps
- Appalachian Spring: IV. Fast
- Appalachian Spring: VIII. Moderato. Coda
- "Genoveva" Overture, Op. 81
- Jeux
- Firebird Suite: I. Introduction
- Till Eulenspiegels lustige Streiche, op. 28: nach alter Schelmenweise - in Rondeauform
- Firebird Suite: VI. Lullaby
- Shéhérazade, M. 41: II. La flûte enchantée
- Nocturnes: II. Fêtes
- Music for Strings, Percussion and Celesta: III. Adagio
- Pulcinella Suite: III. b) Allegro
- Fancy Free: VI. Three Dance Variations: Variation III: Danzon
- Concert Music for String Orchestra and Brass, op. 50: Part Two: Im ersten Zeitmaß
- Facsimile, Part II: Allegretto - Subito allegro - Più mosso - Andante - Meno mosso - Rallentando - Adagio - Molto rallentando - Adagio, come prima
- Images pour orchestre: II. Iberia: Les parfums de la nuit
- Concert Music for String Orchestra and Brass, op. 50: First Part: Sehr breit, aber stets fließend
- Firebird Suite: II. The Firebird and its Dance
- Appalachian Spring: III. Moderato
- Pulcinella Suite: VI. Variazione II. Allegro piu tosto moderato
- L'Italiana in Algeri: Overture
- Fancy Free: II. Scene at the Bar
- Music for Strings, Percussion and Celesta: II. Allegro
- Appalachian Spring: II. Allegro
- Pulcinella Suite: IV. Tarantella
- Pulcinella Suite: V. Toccata. Allegro
- Shéhérazade, M. 41: I. Asie
- Pulcinella Suite: VIII. b) Finale. Allegro assai
- Marche Slave, op. 31
- Appalachian Spring: VI. As at first (slowly)
- Images pour orchestre: I. Gigues
- Appalachian Spring: I. Very slowly
- Fancy Free: III. Enter Two Girls
- Capriccio Italien, op. 45
- Pulcinella Suite: VI. Gavotta (con due variazioni). Allegro moderato
- Facsimile, Part I: Molto adagio - Più andante - Moderate waltz tempo - Sostenuto assai - Accelerando - A tempo
- Firebird Suite: III. Variation of the Firebird
- Music for Strings, Percussion and Celesta: IV. Allegro molto
- Fancy Free: VI. Three Dance Variations: Variation II: Waltz
- Pulcinella Suite: III. a) Scherzino
- Pulcinella Suite: VI. Variazione I. Allegretto
- Shéhérazade, M. 41: III. L’Indifférent
- 1812 Overture, op. 49
- Pulcinella Suite: VII. Vivo (Duetto)
- Concert Music for String Orchestra and Brass, op. 50: Part Two: Langsam
- Concerto for Orchestra: II. Giuoco delle coppie. Allegretto scherzando
- Concerto for Orchestra: III. Elegia. Andante, non troppo
- Concerto for Orchestra: IV. Intermezzo interrotto. Allegretto
- Concerto for Orchestra: I. Introduzione. Andante non troppo
- Oberon: Overture
- Aufforderung zum Tanz, op. 65: Overture
- Euryanthe: Overture
- Der Freischütz: Overture
- Symphony no. 3 in D minor: Part II. V. Lustig im Tempo und keck im Ausdruck “Es sungen drei Engel”
- Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube”
- Die lustigen Weiber von Windsor: Overture
- Le nozze di Figaro: Overture
- Die Fledermaus: Overture
- Donna Diana: Overture
- L’Arlésienne Suite no. 1: IV. Carillon. Allegro moderato – Andantino – Tempo I
- Gaîté Parisienne: IV. Galop
- Also sprach Zarathustra - Sunrise
- Galop from "The Dance of the Hours" from La Gioconda
- Fossils and Finale from Carnival Of The Animals
- The Nutcracker Suite, Op. 71a: VII. Dance of the Reed Flutes
- Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance
- Gaîté parisienne : IV. Galop
- Gaîté parisienne : VI. Grande Valse
- Carmen: Act III. Micaela's Aria
- Carmen: Act I. Seguidilla
- Carmen: Act I. Prélude
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: IV. Rezitativ: Und die Engel rührten ihr' unsterblichen Harfen
- Missa in Tempore Belli in C major, Hob. XXII:9: I. Kyrie: Kyrie Eleison. Largo - Allegro Moderato
- Missa in Angustiis in D minor, Hob. XXII:11: Qui Tollis Peccata Mundi. Adagio
- Missa in Angustiis in D minor, Hob. XXII:11: Et Resurrexit. Vivace
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: III. Rezitativ: Und Gott schuf große Walfische
- Missa in Angustiis in D minor, Hob. XXII:11: Et Incarnatus Est. Largo
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: IV. Sanctus: “Sanctus, sanctus”. Adagio - Allegro
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: V. Terzett: In holder Anmut stehn
- Missa in Tempore Belli in C major, Hob. XXII:9: Qui Tollis Peccata Mundi. Adagio
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XIV. Terzett: Zu dir, o Herr, blickt alles auf
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: II. Arie: Auf starkem Fittiche schwinget sich der Adler stolz
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XI. Arie: Mit Würd' und Hoheit angetan
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XI. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VIII. Rezitativ: Gleich öffnet sich der Erde Schoß
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VI. Terzett mit Chor: Der Herr ist groß in seiner Macht
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: I. Rezitativ: Aus Rosenwolken bricht
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: V. Rezitativ: O glücklich Parr, und glücklich immerfort
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VIII. Arie: Nun beut die Flur das frische Grün
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: IX. Arie: Nun scheint in vollem Glanze der Himmel
- Missa in Angustiis in D minor, Hob. XXII:11: II. Gloria: Gloria In Excelsis Deo. Allegro
- Missa in Tempore Belli in C major, Hob. XXII:9: IV. Sanctus: Sanctus, Sanctus. Adagio/Pleni Sunt Caeli. Allegro Con Spirito
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: VI. Schlußchor (mit Soli): "Singt dem Herren, alle Stimmen!
- Missa in Tempore Belli in C major, Hob. XXII:9: V. Benedictus: Benedictus Qui Venit. Andante
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: V. Rezitativ: Und Gott sprach: Es sammle sich das Wasser
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: IX. Rezitativ: Und die himmlischen Heerscharen verkündigten
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: II. Arie mit Chor: Nun schwanden vor dem heiligen Strahle - Verzweiflung, Wut und Schrecken
- Missa in Angustiis in D minor, Hob. XXII:11: III. Credo: Credo In Unum Deum. Allegro Con Spirito
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et ressurrexit”. Vivace
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: IV. Duett: Holde Gattin, dir zur Seite
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: X. Rezitativ: Und Gott schuf den Menschen
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: I. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor
- Missa in Tempore Belli in C major, Hob. XXII:9: III. Credo: Credo In Unum Deum. Allegro
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: III. Rezitativ: Und Gott machte das Firmament
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et vitam venturi”. Vivace
- Missa in Tempore Belli in C major, Hob. XXII:9: II. Gloria: Gloria In Excelsis Deo. Vivace
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XV. Chor: Vollendet ist das große Werk
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et incarnatus est”. Adagio
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XIII. Chor: Vollendet ist das große Werk
- Missa in Angustiis in D minor, Hob. XXII:11: IV. Sanctus: Sanctus, Sanctus. Adagio - Allegro/Pleni Sunt Caeli. (Allegro)
- Missa in Tempore Belli in C major, Hob. XXII:9: Et Resurrexit. Allegro
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Gratias agimus tibi”. Allegretto
- Missa in Tempore Belli in C major, Hob. XXII:9: Et Incarnatus Est. Adagio
- Missa in Tempore Belli in C major, Hob. XXII:9: Et Vitam Venturi. Vivace
- Missa in Angustiis in D minor, Hob. XXII:11: Quoniam Tu Solus Sanctus. Allegro
- Missa in Tempore Belli in C major, Hob. XXII:9: Quoniam Tu Solus Sanctus. Allegro
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VII. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XII. Rezitativ: Und Gott sah jedes Ding
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hevor
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: X. Chor: Stimmt and die Saiten
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: VI. Agnus Dei: “Dona nobis pacem”. Allegro con spirito
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: II. Duett mit Chor: Von deiner Güt', o Herr und Gott
- Missa in Angustiis in D minor, Hob. XXII:11: VI. Agnus Dei: Agnus Dei, Qui Tollis Peccata Mundi. Adagio
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: IV. Solo mit Chor: Mit Staunen sieht das Wunderwerk / Und laut ertönt aus ihren Kehlen
- Missa in Angustiis in D minor, Hob. XXII:11: V. Benedictus: Benedictus Qui Venit. Allegretto
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VI. Arie: Rollend in schäumenden Wellen
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Credo in unum Deum”. Vivace
- Missa in Angustiis in D minor, Hob. XXII:11: Osanna In Excelsis. Allegro
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: V. Benedictus: “Benedictus qui venit”. Allegro molto - Allegro
- Missa in Angustiis in D minor, Hob. XXII:11: I. Kyrie: Kyrie Eleison. Allegro Moderato
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Quoniam tu solus sanctus”. Allegro spiritoso
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XIII. Terzett mit Chor: Die Himmel erzählen die Ehre Gottes / Dem kommenden Tage sagt es der Tag
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: I. Kyrie: “Kyrie eleison”. Poco Adagio
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Gloria in excelsis Deo”. Vivace assai
- Missa in Angustiis in D minor, Hob. XXII:11: Dona Nobis Pacem. Vivace
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XII. Rezitativ: In vollem Glanze steiget jetzt
- Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: VI. Agnus Dei: “Agnus Dei”. Adagio
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: III. Rezitativ: Nun ist die erste Pflicht erfüllt
- Missa in Tempore Belli in C major, Hob. XXII:9: VI. Agnus Dei: Agnus Dei, Qui Tollis Peccata Mundi. Adagio
- Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: I. Einleitung: Die Vorstellung des Chaos / Recitativ mit Chor: Im Anfange schuf Gott Himmel und Erde
- Les préludes, S. 97
- Carmen Suite no. 1: Séguedille. Allegretto (Act I)
- Perpetuum mobile, A Musical Joke, op. 257
- Tritsch‐Tratsch‐Polka, op. 214
- Hunting, Fast Polka, op. 373