Michel Corboz Songtexte
Fuge, fuge anima mea (2 voci e violino)
Laetaniae della Beata Vergine (a 6 voci e B.C. - soprano-alto)
Sanctus (choeur)
Geboren am 14. Februar 1934, Gestorben am 02. September 2021
Michel Corboz Conducts Vivaldi (Compilation)
- Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa
- Vivaldi: Stabat Mater in F Minor, RV 621: II. Cujus animam gementem
- Vivaldi: Stabat Mater in F Minor, RV 621: III. O quam tristis
- Vivaldi: Stabat Mater in F Minor, RV 621: IV. Quis est homo
- Vivaldi: Stabat Mater in F Minor, RV 621: V. Quis non posset
- Vivaldi: Stabat Mater in F Minor, RV 621: VI. Pro peccatis
- Vivaldi: Stabat Mater in F Minor, RV 621: VII. Eja mater
- Vivaldi: Stabat Mater in F Minor, RV 621: VIII. Fac ut ardeat
- Vivaldi: Stabat Mater in F Minor, RV 621: IX. Amen
- Vivaldi: Gloria in D Major, RV 588: I. Gloria
- Vivaldi: Gloria in D Major, RV 588: II. Et in terra pax
- Vivaldi: Gloria in D Major, RV 588: III. Laudamus te
- Vivaldi: Gloria in D Major, RV 588: IV. Gratias agimus tibi
- Vivaldi: Gloria in D Major, RV 588: V. Domine Deus
- Vivaldi: Gloria in D Major, RV 588: VI. Domine Fili unigenite
- Vivaldi: Gloria in D Major, RV 588: VII. Domine Deus, Agnus Dei
- Vivaldi: Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi
- Vivaldi: Gloria in D Major, RV 588: IX. Qui sedes ad dexteram Patris
- Vivaldi: Gloria in D Major, RV 588: X. Quoniam tu solus Sanctus
- Vivaldi: Gloria in D Major, RV 588: XI. Cum Sancto Spiritu
- Vivaldi: Nisi Dominus in G Minor, RV 608: I. Nisi Dominus
- Vivaldi: Nisi Dominus in G Minor, RV 608: II. Vanum est vobis
- Vivaldi: Nisi Dominus in G Minor, RV 608: III. Surgite
- Vivaldi: Nisi Dominus in G Minor, RV 608: IV. Cum dederit
- Vivaldi: Nisi Dominus in G Minor, RV 608: V. Sicut sagittae
- Vivaldi: Nisi Dominus in G Minor, RV 608: VI. Beatus vir
- Vivaldi: Nisi Dominus in G Minor, RV 608: VII. Gloria Patri
- Vivaldi: Nisi Dominus in G Minor, RV 608: VIII. Sicut erat in principio
- Vivaldi: Nisi Dominus in G Minor, RV 608: IX. Amen
- Vivaldi: Kyrie in G Minor, RV 587: I. Kyrie eleison
- Vivaldi: Kyrie in G Minor, RV 587: II. Christe eleison
- Vivaldi: Kyrie in G Minor, RV 587: III. Kyrie eleison
- Vivaldi: Credo in E Minor, RV 591: I. Credo in unum Deum
- Vivaldi: Credo in E Minor, RV 591: II. Et incarnatus est
- Vivaldi: Credo in E Minor, RV 591: III. Crucifixus
- Vivaldi: Credo in E Minor, RV 591: IV. Et resurrexit
- Vivaldi: Beatus vir in C Major, RV 597: I. Beatus vir
- Vivaldi: Beatus vir in C Major, RV 597: II. Potens in terra
- Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae
- Vivaldi: Beatus vir in C Major, RV 597: IV. Exortum est
- Vivaldi: Beatus vir in C Major, RV 597: V. Juncundus homo
- Vivaldi: Beatus vir in C Major, RV 597: VI. In memoria aeterna
- Vivaldi: Beatus vir in C Major, RV 597: VII. Paratum coe ejus
- Vivaldi: Beatus vir in C Major, RV 597: VIII. Peccator videbit
- Vivaldi: Beatus vir in C Major, RV 597: IX. Gloria Patri
- Vivaldi: Magnificat in G Minor, RV 610: I. Magnificat
- Vivaldi: Magnificat in G Minor, RV 610: II. Et exultavit
- Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia
- Vivaldi: Magnificat in G Minor, RV 610: IV. Fecit potentiam
- Vivaldi: Magnificat in G Minor, RV 610: V. Deposuit potentes
- Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes
- Vivaldi: Magnificat in G Minor, RV 610: VII. Suscepit Israel
- Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est
- Vivaldi: Magnificat in G Minor, RV 610: IX. Gloria
- Vivaldi: Beatus vir, RV 598
- Vivaldi: O qui coeli terraeque serenitas, RV 631: I. O qui caeli
- Vivaldi: O qui coeli terraeque serenitas, RV 631: II. Fac ut sordescat tellus
- Vivaldi: O qui coeli terraeque serenitas, RV 631: III. Rosa quae moritur
- Vivaldi: O qui coeli terraeque serenitas, RV 631: IV. Alleluia
- Vivaldi: Dixit Dominus in D Major, RV 594: I. Dixit Dominus
- Vivaldi: Dixit Dominus in D Major, RV 594: II. Donec ponam inimicos tuos
- Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae
- Vivaldi: Dixit Dominus in D Major, RV 594: IV. Tecum principium
- Vivaldi: Dixit Dominus in D Major, RV 594: V. Juravit Dominus
- Vivaldi: Dixit Dominus in D Major, RV 594: VI. Dominus a dextris tuis
- Vivaldi: Dixit Dominus in D Major, RV 594: VII. Judicabit in nationibus
- Vivaldi: Dixit Dominus in D Major, RV 594: VIII. De torrente in via
- Vivaldi: Dixit Dominus in D Major, RV 594: IX. Gloria Patri
- Vivaldi: Dixit Dominus in D Major, RV 594: X. Sicut erat in principio
- Vivaldi: Lauda Jerusalem, RV 609
The Complete Erato Recordings: Baroque & Renaissance Eras (Compilation)
Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
- Missa a 4 voci da capella, SV 190: I. Kyrie (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa a 4 voci da capella, SV 190: II. Gloria (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa a 4 voci da capella, SV 190: III. Credo (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa a 4 voci da capella, SV 190: IV. Sanctus (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa a 4 voci da capella, SV 190: V. Benedictus (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa a 4 voci da capella, SV 190: VI. Agnus Dei (von Ensemble Vocal de Lausanne, Michel Corboz)
- Tenebrae factae sunt, motet (von Ensemble Vocal de Lausanne, Michel Corboz)
- Three Lamentations of Jeremiah: De Lamentatione Jeremiae
- Three Responses for the Matins of Holy Saturday: Sicut ovis (von Ensemble Vocal de Lausanne, Michel Corboz)
- Three Lamentations of Jeremiah: Aleph. Quomodo obscuratum est aurum
- Three Responses for the Matins of Holy Saturday: Jerusalem surge (von Ensemble Vocal de Lausanne, Michel Corboz)
- Three Lamentatione of Jeremiah: Incipit lamentatio Jeremiae
- Three Responses for the Matins of Holy Saturday: Plange quasivirgo (von Ensemble Vocal de Lausanne, Michel Corboz)
A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
- Intellige clamorem meum (von Ensemble Vocal de Lausanne, Michel Corboz)
- Salvum fac populum tuum (von Ensemble Vocal de Lausanne, Michel Corboz)
- Exaltabo te Domine quoniam (von Ensemble Vocal de Lausanne, Michel Corboz)
- Domine vivifica me (von Ensemble Vocal de Lausanne, Michel Corboz)
- Ad te Domine levavi (von Ensemble Vocal de Lausanne, Michel Corboz)
- Exsultate Deo adjutori (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa ad usum Capellae Pontificiae: I. Kyrie (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa ad usum Capellae Pontificiae: II. Gloria (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa ad usum Capellae Pontificiae: III. Credo (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa ad usum Capellae Pontificiae: IV. Sanctus (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa ad usum Capellae Pontificiae: V. Benedictus (von Ensemble Vocal de Lausanne, Michel Corboz)
- Missa ad usum Capellae Pontificiae: VI. Agnus Dei (von Ensemble Vocal de Lausanne, Michel Corboz)
Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
- Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: III. Nigra sum (Motetto ad una voce)
- Vespro della Beata Vergine, SV 206: IV. Laudate pueri Dominum (Psalm 112) (octo vocibus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)
- Vespro della Beata Vergine, SV 206: VI. Laetatus sum (Psalm 121) (a sei voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)
- Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus (Psalm 126) (a dieci voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)
- Vespro della Beata Vergine, SV 206: X. Lauda, Jerusalem (Psalm 147) (septem vocibus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
- Vespro della Beata Vergine, SV 206: XII. Sonata sopra Santa Maria pro nobis (a 8) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: XIII. Ave maris stella Hymnis (octo vocibus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIV. Magnificat (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XV. Anima mea Dominum (a 2 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVI. Et exultavit (a 3 voci)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVII. Quia respexit (ad una voce sola)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVIII. Quia fecit (a 6 voci in dialogo) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIX. Et misericordia (a 3 voci)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XX. Fecit potentiam (a 3 voci)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXI. Deposuit, et cantano doi (soprani in echo)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXII. Esurientes (a 2 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIII. Suscepit Israel (a 2 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIV. Sicut locutus est (a 5 voci in dialogo) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXV. Gloria Patri (a 6 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXVI. Sicut erat in principio (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVII. Magnificat (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVIII. Anima mea Dominum (ad una voce sola)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXIX. Et exultavit (a 3 voci)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXX. Quia respexit (ad una voce et sei instrumenti)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXI. Quia fecit (a 3 voici et doi instrumenti)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXII. Et misericordia (a 6 voci sole in dialogo) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIII. Fecit potentiam (ad una voce et tre instrumenti) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIV. Deposuit potentes (ad una voce et tre instrumenti)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXV. Et exultavit (ad una voce et tre instrumenti)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVI. Esurientes (a 2 voici et quattro instrumenti) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVII. Suscepit Israel (a 3 voci)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVIII. Sicut locutus est (ad una voce et sei instrumenti)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIX. Gloria Patri (a 3 voci due de le quali cantano in echo)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XL. Sicut erat in principio (tutti gli instrumenti et voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
- Laetatus sum, SV 198 (a 5 strumenti e 6 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Nisi Dominus, SV 200 (a 3 voci e due violini, B.C. - alto, baritono, basso) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Laudate pueri Dominum, SV 196 (a 5 voci e B.C.) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Laetaniae della Beata Virgine, SV 204 (a 5 voci e B.C. - soprano, alto) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Currite populi, SV 297 (a voce sola e B.C. - baritono)
- O beatae viae, SV 312 (a 2 voci e B.C. - soprano, alto) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Gloria, SV 258 (a 7 voci concertate con strumenti) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Salve Regina, SV 284 (a 2 voci e B.C. - 2 soprani) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
- Laudate Dominum jomnes gentes, SV 272a (a 5 voci concerto con 2 violini e B.C.) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Confitebor, SV 266 (a 3 voci concerto con 2 violini e B.C. - soprano, tenore, basso) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Magnificat, SV 282 (a 4 voci in genere da capella) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Dixit Dominus, SV 264 (a 8 voci, coro, soli e orchestra) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- O ciechi il tanto affaticar, SV 252 (coro e orchestra) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Voi ch'ascoltate, SV 253 (soli e orchestra) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- E questa vita un lampo, SV 254 (coro e 5 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Et iterum, SV 261 (2 tenori e baritono) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Deus tuorum militum, SV 280 (3 voci e 2 violini - alto, tenore, basso) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Laudate Dominum omnes gentes, SV 272 (voce sola)
- Magnificat, SV 281 (a 8 voci, coro, soili e orchestra) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
- Fuge, fuge, anima mea, SV 305 (2 voci e violino) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Adoramus, SV 289 (coro a 6 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Ego dormio, SV 300 (tenor e basso) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Venite, venite silientes, SV 335 (soprano e alto) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Confitebor, SV 267 (coro e soprano) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Spontava il di, SV 255 (alto, tenore, baritono) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Chi vol che m'innamori, SV 256 (alto, tenore, baritono e 2 violini) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Sanctorum meritis, SV 277 (voce sola e 2 violini) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Beatus vir, SV 269 (coro a 5 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Laudate pueri Dominum, SV 271 (coro a 5 voci e 2 tenori) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Jubilet tota civitas, SV 286 (soprano)
- Memento, SV 276 (coro a 8 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Ab aeterno, SV 262 (basso)
Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
- Nisi Dominus, SV 201 (coro a 6) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Confitebor, SV 296 (soprano e orchestra)
- Dixit Dominus, SV 192 (doppio coro) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Laudate Dominum, SV 197 (voce sola)
- Cantate Domino, SV 292 (a 2 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Christe adoramus te, SV 294 (coro a 5 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Salve Regina, SV 327 (voce sola) (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Domine, ne in furore, SV 298 (coro a 6 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Sancta Maria, SV 328 (soprano e alto) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Lauda Jerusalem, SV 203 (coro a 5 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Dixit Dominus, SV 263 (a 8 voci, coro, soli e orchestra) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Salve Regina, SV 285 (alto, tenore e basso) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
- Iste confessor, SV 279 (a 2 soprani e 2 violini) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Beatus vir, SV 268 (coro e orchestra) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Confitebor, SV 265 (contro-tenore, tenore, basso, coro) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Salve Regina, SV 283 (2 tenori e 2 violini) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Laudate Dominum, SV 273 (a 8 voci, coro e orchestra) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Et resurrexit, SV 260 (2 soprani e 2 violini) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Beatus vir, SV 195 (a 7 voci, coro, soli e orchestra) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Salve Regina, SV 326 (voce sola - soprano)
- Confitebor, SV 194 (2 voci e orchestra - soprano, tenor) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Dixit Dominus, SV 191 (a 8 voci, coro e soli) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
- O bone Jesu, SV 313 (a 2 voci - soprano, alto) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- O quam pulchra, SV 317 (voce sola - tenore)
- En gratulemur hodie, SV 302 (1 voce e 2 violini - tenore)
- Laetatus sum, SV 199 (coro a 5 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Laudate pueri Dominum, SV 270 (a 5 voci, coro, basso solo e orchestra) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Pianto della Madonna sopra il Lamento dell'Ariana, SV 288 (voce sola - alto)
- Crucifixus, SV 259 (coro a 4 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Sanctorum meritis, SV 278 (1 voce e 2 violini - tenore) (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Laudate Dominum, SV 274 (a 8, coro e soli - 2 soprani) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Cantate Domino, SV 293 (coro a 6 voci) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Lauda Jerusalem, SV 202 (contro-tenore, baritono e basso) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Ecce sacrum paratum, SV 299 (voce sola - tenore)
- Ego flos campi, SV 301 (voce sola - alto)
- Credidi procter, SV 275 (doppio coro) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
Monteverdi: Orfeo (beginning)
- Orfeo: Toccata
- Orfeo: Prologo: Ritornello (La Musica)
- Orfeo: Atto Primo. “In questo lieto e fortunato giorno”
- Orfeo: Atto Primo. “Vieni Imeneo”
- Orfeo: Atto Primo. “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, Chorus of Nymphs and Shepherds)
- Orfeo: Atto Primo. “Lasciate i monti”
- Orfeo: Atto Primo. “Ma tu, gentil cantor” - “Rosa del ciel, vita del mondo” / “Io non dirò qual sia” (Chorus of Nymphs and Shepherds, Shepherd 3, Orfeo, Euridice)
- Orfeo: Atto Primo. “Vieni Imeneo, deh, vieni” (Chorus of Nymphs and Shepherds)
- Orfeo: Atto Primo. “Ma s'il nostro gioir…” - Ritornello
- Orfeo: Atto Primo. “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, Chorus of Nymphs and Shepherds)
- Orfeo: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta”
- Orfeo: Atto Secondo. “In questo prato adorno” (Orfeo, Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)
- Orfeo: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)
- Orfeo: Atto Secondo. “Mira, deh mira” - “Ahi caso acerbol ahi fat' empio e crudele!” - “Tu se' morta, mia vita, ed io respiro?” (Messenger, Orfeo, Shepherds)
- Orfeo: Atto Secondo. “Ahi caso acerbo, ahi fat'empio e crudele!”
- Orfeo: Atto Secondo. “Maio ch'in questa lingua” (Messenger, Chorus of Nymphs and Shepherds)
- Orfeo: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, Chorus of Nymphs and Shepherds)
Monteverdi: Orfeo (conclusion)
- Orfeo: Sinfonia - “Scorto da te, mio Nume” (Orfeo)
- Orfeo: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)
- Orfeo: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte)
- Orfeo: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)
- Orfeo: Atto Terzo. “Sol tu, nobile dio, puoi darmi aita” (Caronte, Orfeo)
- Orfeo: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)
- Orfeo: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (Chorus of Infernal Spirits)
- Orfeo: Atto Quarto. “Signor, quell'infelice” (Proserpina)
- Orfeo: Atto Quarto. “Benchè severo ed”
- Orfeo: Atto Quarto. “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, Chorus of Infernal Spirits)
- Orfeo: Atto Quarto. “Qual onor di te fia degno” (Orfeo)
- Orfeo: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, Chorus of Infernal Spirits)
- Orfeo: Atto Quarto. “E' la virtute un raggio” - Sinfonia (Chorus of Infernal Spirits)
- Orfeo: Atto Quinto. Ritornello
- Orfeo: Atto Quinto. “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)
- Orfeo: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)
- Orfeo: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)
- Orfeo: Atto Quinto. Ritornello - “Vanne, Orfeo, felice appieno” - Moresca (Chorus)
La Chanson et la danse – Paris, vers 1540
- Il estoit une fillette: Chanson à quatre (1540)
- Il estoit une fillette: Ronde (1551)
- Il estoit une fillette: Chanson accompagnée
- Mari je songeois l'aultre jour: Chanson à quatre (1532)
- Mari je songeois l'aultre jour: Branle gay (1547)
- Mari je songeois l'aultre jour: Branle gay (1564)
- Pourquoi donc ne fringuerons-nous: Chanson à quatre (1533)
- Pourquoi donc ne fringuerons-nous: Rondo (1551)
- C'est grand plaisir: Chanson à trois (1529)
- C'est grand plaisir: Chanson transcrite pour clavier (1531)
- C'est grand plaisir: Tourdion (1547)
- Mille regretz: Chanson à quatre (1520)
- Mille regretz: Pavane (1551)
- C'est à grand tort: Chanson à quatre (1520)
- C'est à grand tort: Chanson transcrite pour clavier (1531)
- C'est à grand tort: Chanson transcrite pour deux instruments (1552)
- La Volonté: Basse danse (1547)
- La Volonté: Chanson à quatre (1543)
- Celle qui m'a le nom d'amy donné: Chanson à quatre (1543)
- Celle qui m'a le nom d'amy donné: Basse danse (1547)
- Ramonez-moi ma cheminée: Chanson à quatre (1539)
- Jectez-moi sur l'herbette: Chanson à quatre (1533)
- Suite de danseries, tirée du « Second livre » (1547): Pavane 47
- Suite de danseries, tirée du « Second livre » (1547): Gaillarde 49
- Suite de danseries, tirée du « Second livre » (1547): Gaillarde 50 (à cinq, sur La Romanesca)
- Suite de danseries, tirée du « Second livre » (1547): Basse danse 19
- Suite de danseries, tirée du « Second livre » (1547): Branle simple 21
- Suite de danseries, tirée du « Second livre » (1547): Branle simple 35
- Suite de danseries, tirée du « Second livre » (1547): Tourdion 9
- Suite de danseries, tirée du « Second livre » (1547): Tourdion 10
- Suite de danseries, tirée du « Second livre » (1547): Branle gay 36 “Que je chatouille ta fossette”
- Suite de danseries, tirée du « Second livre » (1547): Branle gay 23
- J'ay le rebours: Chanson à quatre (1562)
- J'ay le rebours: Pavane (1571)
- J'ay le rebours: Gaillarde (1571)
- Dont viens cela: Chanson à quatre (1530)
- Dont viens cela: Basse danse (1551)
- Auprès de vous: Chanson à quatre (1530)
- Auprès de vous: Basse danse (1547)
- Auprès de vous: Chanson transcrite pour clavier (1531)
- Fricassée: Chanson à quatre, accompagnée (1531)
La Chanson de Lausanne
- La Chère Maison
- Les Bonnes Dames de Saint‐Gervais
- J’ai descendu au verger
- Heureux celui qui revoit sa patrie
- Oh ! que la vie est douce chose
- La Jardinière du roy
- La Moisson
- Nous n’avons chez nous
- Nouthra Dona di Maortsé
- Trois jeunes tambours
- C’est le joly mois de may
- Gentil coqu’licot
- Mon père tôt m’a mariée
- La Marion
- J’ai vu le loup, le renard, le lièvre
- Rossignolet du bois
- Le Vira do minho
- Les Yeux de la Marianita
- Berceuse polonaise
- Le jour est là
- Chanson dans le vent “Pisnicka”
Goudimel: Mass “La Bien que j’ay” / Six Psalms
- “Or sus tous humains”
- “Que Dieu se montre seulement”
- “Laisse-moi désormais”
- “Mon cœur rempli”
- “O Seigneur”
- “Du fond de ma pensée”
- Mass “La Bien que j'ay”: I. Introit
- Mass “La Bien que j'ay”: II. Kyrie
- Mass “La Bien que j'ay”: III. Gloria
- Mass “La Bien que j'ay”: IV. Alleluia
- Mass “La Bien que j'ay”: V. Credo
- Mass “La Bien que j'ay”: VI. Offertoire
- Mass “La Bien que j'ay”: VII. Sanctus
- Mass “La Bien que j'ay”: VIII. Benedictus
- Mass “La Bien que j'ay”: IX. Communion
- Mass “La Bien que j'ay”: X. Agnus Dei
De Lalande: De profundis / Regina cœli
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: I. Symphonie - Récit et chœur: “De profundis clamavi” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: II. Quator: “Fiant aures tuae” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: III. Récit: “Si iniquitates observaveris Domine” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IV. Trio: “Quia apud te apropriatio est” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: V. Récit: “Sistinuit anima” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VI. Trio: “Sistinuit anima” - Récit: “A Custodia matutina” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VII. Due et chœur: “A Custodia matutina” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VIII. Récit: “Quia apud Dominum misericordia” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IX. Chœur: “Et ipse redimet Israel” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: X. Chœur: “Requiem aeternam” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: XI. Chœur: “Et lux perpetua” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Regina coeli, pour soli, chœur et orchestre, S. 53: I. Duo et chœur: “Regina coeli laetare” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Regina coeli, pour soli, chœur et orchestre, S. 53: II. Récit: “Quia quem meruisit” - Trio: “Resurrexit” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Regina coeli, pour soli, chœur et orchestre, S. 53: III. Chœur: “Ora pro nobis, Deum, Alleluia” (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
I Dolci Frutti: Venice before Monteverdi (I)
- Ricercare per sonar (in 8 parts: brass instruments)
- Risonanza di echo (8 solo voices)
- L'Olica, canzon per sonar (in 4 parts: violas)
- Non dispregiate i miserelli amanti (3 solo voices and violas da gamba)
- Padre del ciel (in 5 parts: organ)
- Boscareccia pastorale (12 voices triple chorus)
- Hor che nel suo bel seno (8 voices double chorus)
- Canone a l'unissono (in 8 parts: brass instruments and organ)
- Lieti fieri e felici, e ben nate erbe (in 5 parts: mezzo-soprano and violas)
- Sparve e ogni stella in cielo (in 6 parts: 2 trumpets and violas)
- Pasce la pecorella (in 5 parts: soprano, tenor, violas and harpsichord)
- Canzone prima: “La Spiratata” (in 4 parts: brass instruments, violas and continuo)
- Io mi sento morire (in 8 parts: brass instruments)
I Dolci Frutti: Venice before Monteverdi (II)
- Canzon fa-sol-la-ré (in 8 parts: double chorus, brass instruments, vioas da gamba and organ) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Niuna sconsolata (soprano and violas da gamba) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Canzon seconda (in 4 parts: organ) (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Poi ch'il mio largo pianto (5 solo voices) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Tratto fuora del Mare (in 6 parts: recorder, violas da gamba and harpsichord) (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Echo Vinegia bella (12 voices chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Canzon per sonar (in 4 parts: brass instruments) (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Battaglia (8 voices, first and second part) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Gravi pene in amor (in 5 parts: brass instruments) (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Amor è gratiosa e dolce voglia (5 solo voices) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Canzon per sonar (in 4 parts: violas) (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Non rumor di tamburi (7 solo voices) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Canzone (in 5 parts: recorder, violas da gamba and harpsichord) (von Ensemble Instrumental de Lausanne, Michel Corboz)
- A le guancie di rose (8 solo voices dialog) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Canzone quarta (in 4 parts: organ) (von Ensemble Instrumental de Lausanne, Michel Corboz)
Gabrieli: Sacrae Symphoniae vol. 1
- Plaudite omnis terra
- Miserere mei, Deus
- Domine exaudi orationem meam
- Cantate Domino
- Canzon noni toni
- Diligam te Domine
- Jubilate Deo
- Missa: Kyrie
- Missa: Gloria
- Missa: Sanctus
- Canzon primi toni
- Ego rogabo patrem
- Virtute magna
- Magnificat
Gabrieli: Sacrae Symphoniae vol. 2
- Magnificat
- O Domine Jesu Christe
- Hodie Christus natus est
- Hoc tegitur
- Sancta et immaculata Virginatas
- Angelus Domini descendit
- Nunc dimittis
- Jam non dicam vos servos
- Misericordias Domini
- Jubilate Deo
- O Jesu mi dulcissime
- Regina coeli
- Ego sum qui sum
Bach: Magnificat / Cantata BWV 187
- Magnificat in D major, BWV 243: I. Magnificat (chorus)
- Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)
- Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)
- Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)
- Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)
- Magnificat in D major, BWV 243: VI. Et misericordia (alto, tenor)
- Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)
- Magnificat in D major, BWV 243: VIII. Deposuit potentes (chorus)
- Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)
- Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)
- Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)
- Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)
- Cantata “Es wartet alles auf dich”, BWV 187: I. Chorus: “Es wartet alles auf dich”
- Cantata “Es wartet alles auf dich”, BWV 187: II. Recitative: “Was Kreaturen häit, das große Rund der Welt” (bass)
- Cantata “Es wartet alles auf dich”, BWV 187: III. Aria: “Du, Herr, du krönst allein das Jahr” (alto)
- Cantata “Es wartet alles auf dich”, BWV 187: IV. Aria: “Darum sollt ihr nicht sorgen” (bass)
- Cantata “Es wartet alles auf dich”, BWV 187: V. Aria: “Gott versorget alles Leben” (soprano)
- Cantata “Es wartet alles auf dich”, BWV 187: VI. Recitative: “Halt ich nur fest an ihm” (soprano)
- Cantata “Es wartet alles auf dich”, BWV 187: VII. Choral: “Gott hat die Erde zugericht” (chorus)
Bach: Mass in B minor, BWV 232 (beginning)
- Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
- Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)
- Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
- Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis (chorus)
- Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus)
- Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)
- Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
- Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)
- Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
- Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
- Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
- Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
Bach: Mass in B minor, BWV 232 (conclusion)
- Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)
- Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)
- Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano, mezzo-soprano)
- Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)
- Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)
- Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)
- Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)
- Mass in B minor, BWV 232: Credo. XIX. Confiteor
- Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)
- Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)
- Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)
- Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)
- Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)
- Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)
- Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)
Carissimi: Jephté et Trois motets
- Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vocasset in proelium” (Historicus, Jephte, chorus)
- Historia di Jephte, oratorio for soli, chorus and orchestra: “Et percussit Jephte” (Historicus)
- Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum autem victor Jephte” (Historicus, Filia, chorus)
- Historia di Jephte, oratorio for soli, chorus and orchestra: “Cantate mecum Domino” (Filia, chorus)
- Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vidisset Jephte” (Historicus, Jephte)
- Historia di Jephte, oratorio for soli, chorus and orchestra: “Pater mi, si voviste votum Domino” (Filia, Jephte)
- Historia di Jephte, oratorio for soli, chorus and orchestra: “Vade filia mea” (Jephte, Historicus a 4)
- Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate colles” (Filia, Eccho)
- Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate filii Israel” (chorus)
- Motet “O qual pulchra es”, for soprano, strings and continuo
- Motet “O vulnera dolorim”, for bass and organ
- Motet “Salve, salve puellule”, for tenor, strings and continuo
Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
- Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Aegrotante Ezechia” (Angeli, Dominus)
- Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Ezechia, hoc tibi dicit Dominus” (Isaias, Ezechias, Angeli)
- Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Obsecro, Domine” (Ezechias)
- Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Misertus est autem Dominus Ezechia et ait” (Angeli, Dominus, Ezechias)
- Historia di Ezechias, oratorio for 2 sopranos, 2 tenors, bass, chorus, orchestra and continuo: “Narrabimus omnes opera Domini” (chorus)
- Tolle Sponsa for soprano, bass, chorus and continuo
- Messa a otto voci, IGC 27: Kyrie
- Messa a otto voci, IGC 27: Gloria
- Messa a otto voci, IGC 27: Credo
- Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Tentavit Deus Abraham” (Historicus, Deus)
- Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Pater mi, ecce ignis” (Isaac, Historicus, Abraham)
- Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Non extendas manum tuam super Isaac” (Angelus, Abraham, Isaac)
- Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Vocavit et iterum Angelus Domini” (Historicus, Angelus, chorus)
- Historia di Abraham et Isaac, oratorio for 2 sopranos, 2 tenors, 2 basses, chorus, orchestra and continuo: “Qui misit Angelum” (Abraham, chorus)
Charpentier: Messe pour les trépassés (1)
- Messe pour les trépassés, H. 2: Symphonie - Kyrie
- Messe pour les trépassés, H. 2: Dies irae (H. 12)
- Messe pour les trépassés, H. 2: Liber scriptus
- Messe pour les trépassés, H. 2: Juste judex
- Messe pour les trépassés, H. 2: Oro supplex
- Motet pour les trépassés, H. 311: Symphonie - Miseremini mei
- Motet pour les trépassés, H. 311: Hei, hei mihi, Domine
- Motet pour les trépassés, H. 311: Ritournelle - Ah, ah poenis crucior nimis asperis
Charpentier: Messe pour les trépassés (2)
- Motet pour les trépassés, H. 311: Symphonie - Miseremini mei
- Messe pour les trépassés, H. 2: Symphonie - Sanctus
- Messe pour les trépassés, H. 2: Pie Jesu
- Messe pour les trépassés, H. 2: Benedictus
- Messe pour les trépassés, H. 2: Symphonie - Agnus Dei
- Miserere des Jésuites, H. 193: Prélude
- Miserere des Jésuites, H. 193: Miserere mei Deus (bass, chorus)
- Miserere des Jésuites, H. 193: Amplius lava me (soli)
- Miserere des Jésuites, H. 193: Ecce enim (soli, chorus)
- Miserere des Jésuites, H. 193: Asperges me hysopo (tenor)
- Miserere des Jésuites, H. 193: Auditui meo dabis gaudium (soli)
- Miserere des Jésuites, H. 193: Averte faciem tuam a peccatis meis (soli, chorus)
- Miserere des Jésuites, H. 193: Ne projicias me a facie tua (soprano, alto)
- Miserere des Jésuites, H. 193: Docedo iniquos vias tuas (chorus)
- Miserere des Jésuites, H. 193: Libera me de sanguinibus Deus (bass, tenor, chorus)
- Miserere des Jésuites, H. 193: Sacrificium Deo spiritus contribulatus (soprano)
- Miserere des Jésuites, H. 193: Benigne fac Domine (soprani)
- Miserere des Jésuites, H. 193: Tunc acceptabilis sacrificium iusititiae oblationes (chorus)
Bach: Missae breves I
- Mass in F major, BWV 233: Kyrie (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in F major, BWV 233: Gloria (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in F major, BWV 233: Domine Deus (bass) (von Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in F major, BWV 233: Qui tollis (soprano) (von Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in F major, BWV 233: Quoniam (alto) (von Claudine Perret, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in F major, BWV 233: Cum Sancto Spiritu (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in A major, BWV 234: Kyrie (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in A major, BWV 234: Gloria (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in A major, BWV 234: Domine Deus (bass) (von Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in A major, BWV 234: Qui tollis (soprano) (von Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in A major, BWV 234: Quoniam (alto) (von Hanna Schaer, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in A major, BWV 234: Cum Sancto Spiritu (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Sanctus in D minor, BWV 239 (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Sanctus in G major, BWV 240 (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Sanctus in D major, BWV 241 (double chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
Bach: Missae breves II
- Mass in G major, BWV 236: Kyrie (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in G major, BWV 236: Gloria (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in G major, BWV 236: Gratias agimus tibi (bass) (von Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in G major, BWV 236: Domine Deus (soprano, alto) (von Nicole Rossier, Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in G major, BWV 236: Quoniam (tenor) (von John Elwes, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz, Olivier Dufour)
- Mass in G major, BWV 236: Cum Sancto Spiritu (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in G minor, BWV 235: Kyrie (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in G minor, BWV 235: Gloria (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in G minor, BWV 235: Gratias agimus tibi (bass) (von Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in G minor, BWV 235: Domine fili (alto) (von Hanna Schaer, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in G minor, BWV 235: Qui tollis (tenor) (von Olivier Dufour, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Mass in G minor, BWV 235: Cum Sancto Spiritu (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Sanctus in D major, BWV 238 (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Christe eleison, BWV 242 (soprano, alto) (von Nicole Rossier, Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
- Sanctus in C major, BWV 237 (chorus) (von Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz)
Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
- Un gay bergier: Vocal version
- Un gay bergier: Instrumental version
- Anchor che co'l partire: Lute version
- Anchor che co'l partire: Vocal version
- Anchor che co'l partire: Instrumental version
- Ver'inferno: Vocal version
- Ver'inferno: Lute version
- Susanne un jour: Vocal version
- Susanne un jour: Instrumental version
- Frais et gaillart: Vocal version
- Frais et gaillart: Instrumental version
- Fantasia senza canto, for lute
- Tirsi morir volea, vocal version
Marcello: Seven Psalms I
- Salmo quarantesimosecondo “Judica me Deus” (Psalm 42), for bass and string orchestra
- Salmo quarto “Cum invocarem exaudivit” (Psalm 4), for alto, soprano, women's chorus and continuo
- Salmo vigesimonono “Exaltabo Te Domine” (Psalm 29), for tenor, baritone, chorus and orchestra
- Salmo quarantesimosesto “Omnes gentes plaudite manibus” (Psalm 46), for soprano and continuo
Marcello: Seven Psalms II
- Salmo decimo “In Domino confido” (Psalm 10), for soli, chorus, and orchestra
- Salmo undecimo “Salvum me fac Domine” (Psalm 11), for two altos, chorus and continuo
- Salmo trigesimosesto “Moli aemulari in malignantibus” (Psalm 36), for soli, chorus and continuo
Monteverdi: Madrigali I
- Lamento della ninfa, SV 163 (Book VIII, Canti amorosi)
- Ohimè ch'io cado, SV 316
- Si ch'io vorrei morire, SV 89 (Book IV)
- Bei pastor, SV 168 (Book IX)
- Eccomi pronta ai baci, SV 135 (Book VII)
- Ecco mormorar l'onde, SV 51 (Book II)
- Hor che'l ciel e la terra, SV 147 (Book VIII, Canti guerrieri)
- La mia turca, SV 310
- Perchè fuggi tra salci, SV 128 (Book VII)
- Presso un fiume tranquillo, SV 116 (Book VI)
Monteverdi: Madrigali II
- Si dolce è il tormento, SV 332
- Sfogava con le stelle, SV 78 (Book IV)
- Di far sempre gioire, SV 89 (Book IV)
- Maladetta sia l'aspetto, SV 246 (Scherzi musicali II)
- Non è di gentil core, SV 118 (Book VII)
- Io mi son giovinetta, SV 86 (Book IV)
- Questi vaghi concenti, SV 106 (Book V)
- Tirsi e Clori, SV 145 (Book VII)
- Ardo e scoprir, SV 158 (Book VIII, Canti amorosi)
- Vorei baciarti o Filli, SV 123 (Book VII)
- Lasciatemi morire, from Lamento d'Arianna a 5, SV 107 (Book VI)
Bach: Piano Concertos BWV 1052, 1055 & 1056
- Keyboard Concerto in D minor, BWV 1052: I. Allegro (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Keyboard Concerto in D minor, BWV 1052: II. Adagio (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Keyboard Concerto in D minor, BWV 1052: III. Allegro (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Keyboard Concerto in A major, BWV 1055: I. Allegro (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Keyboard Concerto in A major, BWV 1055: II. Larghetto (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Keyboard Concerto in A major, BWV 1055: III. Allegro ma non tanto (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Keyboard Concerto in F minor, BWV 1056: I. Allegro (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Keyboard Concerto in F minor, BWV 1056: II. Largo (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Keyboard Concerto in F minor, BWV 1056: III. Presto (von Maria João Pires, Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
Vivaldi: Sacred Music I
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: I. Gloria in excelsis Deo (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: II. Et in terra pax (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: III. Laudamus te (2 sopranos)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IV. Gratias agimus tibi (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: V. Procter magnam gloriam (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VI. Domine Deus (soprano)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VII. Domine Fili unigenite (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VIII. Domine Deus, Agnus Dei (alto, chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IX. Qui tollis peccata mundi (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: X. Qui sedes ad dexteram Patris (alto)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XI. Quoniam tu solus sanctus (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XII. Cum Sancto Spiritu (chorus)
- Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: I. Kyrie eleison (double chorus)
- Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: II. Christe eleison (2 sopranos, 2 altos)
- Kyrie in G minor, RV 587, for 2 sopranos, 2 altos, double chorus and double string orchestra: III. Kyrie eleison (double chorus)
- Credo in E minor, RV 591, for chorus and string orchestra: I. Credo in unum Deum (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Credo in E minor, RV 591, for chorus and string orchestra: II. Et in terra pax (chorus) (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Credo in E minor, RV 591, for chorus and string orchestra: III. Laudamus te (2 sopranos) (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Credo in E minor, RV 591, for chorus and string orchestra: IV. Gratias agimus tibi (chorus) (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
Monteverdi: Madrigali III-V (I)
- Altri canti d'amore, SV 146 (Book VIII, Canti guerrieri)
- Io son pur vezzosetta pastorella, SV 121 (Book VII)
- Gira il nemico insidioso amore, SV 148 (Book VIII, Canti guerrieri)
- Qual si può, SV 1 (Canzonette)
- Tempro la cetra, SV 117 (Book VII)
- Soave libertate, SV 130 (Book VII)
- Su, su, su, pastorelli vezzosi, SV 166 (Book VII, Canti amorosi)
- La fiera vista, SV 3 (Canzonette)
- O come sei gentile, SV 120 (Book VII)
- Ardo avvampo mi struggo, SV 152 (Book VII, Canti guerrieri)
- Non giacinti o narcisi, SV 43 (Book II)
- Tornate, i cari baci, SV 129 (Book VII)
- Zefiro torna, SV 108 (Book VI)
- S'andasse amor a caccia, SV 49 (Book II)
- Eri già tutta mia, SV 248 (Scherzi musicali II)
- Quel sguardo sdegnosetto, SV 247 (Scherzi musicali II)
Monteverdi: Madrigali III-V (II)
- Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Incenerite spoglie, avara tomba
- Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ditelo, o fiume e voi ch'udiste
- Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Darà la notte il sol
- Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Ma te raccoglie, o ninfa
- Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): O chiome d'or, neve gentil de seno
- Sestina: Lagrime d'amante al sepolcro dell amata, SV 111 (Book VI): Dunque amate reliquie
- Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Ninfa che scalza il piede
- Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Qui deh meco t'arresta
- Ninfa che scalza il piede, SV 160 (Book VIII, Canti amorosi): Dell'usate mie corde
- Dolcissimo uscignolo, SV 161 (Book VIII, Canti amorosi)
- Interrotte sepranze, SV 132 (Book VII)
- Non sono in queste rive, SV 45 (Book II)
- O viva fiamma, SV 122 (Book VII)
- Alcun non mi consigli, SV 169 (Book IX)
- Al lume delle stelle, SV 138 (Book VII)
- Ohimè dovè il mio ben (Romanesca), SV 140 (Book VII)
- S'el vostro cor madonna, SV 131 (Book VII)
- Raggi dov'è il mio bene?, SV 4 (Canzonette)
- Il mio martir, SV 6 (Canzonette)
- Son questi i crespi crini, SV 7 (Canzonette)
J.C. Bach: Fortepiano Concertos
- Keyboard Concerto in C major, op. 7 no. 1: I. Allegretto
- Keyboard Concerto in C major, op. 7 no. 1: II. Menuetto
- Keyboard Concerto in F major, op. 7 no. 2: I. (Allegro)
- Keyboard Concerto in F major, op. 7 no. 2: II. Tempo di menuetto
- Keyboard Concerto in B-flat major, op. 7 no. 4: I. Allegro giusto
- Keyboard Concerto in B-flat major, op. 7 no. 4: II. Allegro di molto
- Keyboard Concerto in D major, op. 7 no. 3: I. Allegro con spirito
- Keyboard Concerto in D major, op. 7 no. 3: II. Rondo: Allegretto
Vivaldi: Sacred Music II
- Beatus vir, RV 597, for soli, double chorus and orchestra: I. Beatus vir (chorus)
- Beatus vir, RV 597, for soli, double chorus and orchestra: II. Potens in terra (bass)
- Beatus vir, RV 597, for soli, double chorus and orchestra: III. Gloria e divitiae (2 sopranos)
- Beatus vir, RV 597, for soli, double chorus and orchestra: IV. Exortum est (chorus)
- Beatus vir, RV 597, for soli, double chorus and orchestra: V. Jucundus homo (soprano)
- Beatus vir, RV 597, for soli, double chorus and orchestra: VI. In memoria aeterna (chorus)
- Beatus vir, RV 597, for soli, double chorus and orchestra: VII. Paratum coe ejus (chorus)
- Beatus vir, RV 597, for soli, double chorus and orchestra: VIII. Peccator videbit (bass)
- Beatus vir, RV 597, for soli, double chorus and orchestra: IX. Gloria Patri (chorus)
- Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: I. Nulla in mundo pax sincera
- Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: II. Recitativo: Blanco colore oculos mundus decepit
- Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: III. Spirat anguis
- Nulla in mundo pax sincera, RV 630, motet for soprano, string orchestra and continuo: IV. Alleluia
- Lauda Jerusalem, RV 609 , for 2 sopranos, double chorus and orchestra
Vivaldi: Sacred Music III
- Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: I. Magnificat (chorus) (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: II. Et exultavit (soprano, alto, tenor, chorus)
- Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: III. Et misericordia (chorus) (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: IV. Fecit potentiam (chorus) (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: V. Deposuit potentes (chorus) (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VI. Esurientes (2 sopranos)
- Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VII. Suscepit Israel (chorus) (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: VIII. Sicut locutus est (chorus) (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Magnificat, RV 610, for 2 sopranos, alto, tenor, double chorus, orchestra and continuo: IX. Gloria … Qui tollis (chorus) (von Ensemble Vocal de Lausanne, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Canta in prato, RV 623, motet for soprano, string orchestra and continuo: I. Canta in prato
- Canta in prato, RV 623, motet for soprano, string orchestra and continuo: II. Recitativo: Saeva fulgescit nobis
- Canta in prato, RV 623, motet for soprano, string orchestra and continuo: III. Avenae rusticae
- Canta in prato, RV 623, motet for soprano, string orchestra and continuo: IV. Alleluia
- In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: I. In furore
- In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: II. Recitativo: Miserationum Pater piissime
- In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: III. Tunc meus fletus evadet laetus
- In furore iustissimae irae, RV 626, motet for soprano, string orchestra and continuo: IV. Alleluia
- Beatus vir, RV 598, for 2 sopranos, chorus, string orchestra and continuo
Vivaldi: Sacred Music IV
- Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: I. Dixit Dominus (chorus)
- Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: II. Donec ponam inimicos tuos (chorus)
- Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: III. Virgam virtutis tuae (soprano)
- Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IV. Tecum principium (soprano, alto)
- Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: V. Juravit Dominus (chorus)
- Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VI. Dominus e dextris tuis (soprano)
- Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VII. Judicabit (alto, chorus)
- Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: VIII. De torrente (alto)
- Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: IX. Gloria Patri / X. Sicut erat in principio (alto, tenor, bass, chorus)
- Dixit Dominus, RV 595, for soli, chorus, orchestra and continuo: XI. Et in saecula saeculorum
- O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: I. O qui caeli
- O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: II. Recitativo: Fac ut sordescat tellus
- O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: III. Rosa quae moritur
- O qui coeli terraeque serenitas, RV 631, motet for soprano and string orchestra: IV. Alleluia
Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
- Te Deum, H. 146, for soli, chorus, and orchestra: I. Prélude: Rondeau (von Bernard Gabel, Antoine Sibertin-Blanc, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Te Deum, H. 146, for soli, chorus, and orchestra: II. Te Deum laudamus (bass) (von José de Oliveira Lopes, Bernard Gabel, Antoine Sibertin-Blanc, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Te Deum, H. 146, for soli, chorus, and orchestra: III. Te aeternum Patrem (soprano I/II, altus, tenor, chorus)
- Te Deum, H. 146, for soli, chorus, and orchestra: IV. Te per orbem terrarum (altus, tenor, bass)
- Te Deum, H. 146, for soli, chorus, and orchestra: V. Tu devicto mortis aculeo (bass, chorus)
- Te Deum, H. 146, for soli, chorus, and orchestra: VI. Te ergo quaesumus (soprano I)
- Te Deum, H. 146, for soli, chorus, and orchestra: VII. Aeterna fac cum sanctus tuis (soprano II, altus, tenor, bass, chorus)
- Te Deum, H. 146, for soli, chorus, and orchestra: VIII. Dignare, Domine, die isto (soprano I/II, bass)
- Te Deum, H. 146, for soli, chorus, and orchestra: IX. Fiat misericordia tua, Domine, super nos (soprano I, bass)
- Te Deum, H. 146, for soli, chorus, and orchestra: X. In te, Domine, speravi (altus, tenor, bass, chorus)
- Salve Regina, H. 24, for 3 chorus and orchestra (von Bernard Gabel, Antoine Sibertin-Blanc, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Tenebrae factae sunt, H. 129, for bass and orchestra (von José de Oliveira Lopes, Bernard Gabel, Antoine Sibertin-Blanc, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- In nativitatem Domini canticum, H. 416: III. Nuit (Orchestral interlude) (von Bernard Gabel, Antoine Sibertin-Blanc, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Seniores populi, H. 117, for altus and orchestra
Vivaldi: Sacred Music V
- Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: I. Dixit Dominus (chorus)
- Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: II. Donec ponam inimicos tuos (chorus)
- Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: III. Virgam virtutis tuae (sopranos)
- Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IV. Tecum principium (alto)
- Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: V. Juravit Dominus (chorus)
- Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VI. Dominus a dextris tuis (tenor, bass)
- Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VII. Judicabit in nationibus (chorus)
- Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: VIII. De torrente (soprano, chorus)
- Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: IX. Gloria Patri (chorus)
- Dixit Dominus (Psalm 109), RV 594, for soli, double chorus and double orchestra: X. Sicut erat in principio (chorus)
- Stabat Mater, RV 621, for alto and string orchestra: I. Stabat Mater dolorosa
- Stabat Mater, RV 621, for alto and string orchestra: II. Cujus animam gementem
- Stabat Mater, RV 621, for alto and string orchestra: III. O quam tristis
- Stabat Mater, RV 621, for alto and string orchestra: IV. Quis est homo
- Stabat Mater, RV 621, for alto and string orchestra: V. Quis non posset
- Stabat Mater, RV 621, for alto and string orchestra: VI. Pro peccatis
- Stabat Mater, RV 621, for alto and string orchestra: VII. Eja Mater
- Stabat Mater, RV 621, for alto and string orchestra: VIII. Fac ut ardeat
- Stabat Mater, RV 621, for alto and string orchestra: IX. Amen
Bach: Cantatas I
- “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. I. Chorus: “Lass, Fürstin, lass noch einen Strahl”
- “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. II. Recitative (soprano): “Dein Sachsen, dein bestürzes Meissen”
- “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. III. Aria (soprano): “Verstummt, verstummt, ihr holden Saiten!”
- “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. IV. Recitative (alto): “Der Glocken bebendes Getön”
- “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. V. Aria (alto): “Wie starb die Heldin so vergnügt!”
- “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VI. Recitative (tenor): “Ihr Leben liess die Kunst zu Sterben”
- “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VII. Chorus: “An Dir, du Fürbild grosser Frauen”
- “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. VIII. Aria (tenor): “Der Ewigkeit saphirnes Haus”
- “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. IX. Recitative - Arioso - Recitative (bass): “Was Wunder ist's?”
- “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. X. Chorus: “Doch, Königin! du stirbest nicht”
- “Ach Gott, wie manches Herzeleid”, BWV 58: Choral & Aria (soprano, bass): “Ach Gott, wie manches Herzeleid”
- “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (bass): “Verfolgt dich gleich die arge Welt”
- “Ach Gott, wie manches Herzeleid”, BWV 58: Aria (soprano): “Ich bin vergnügt in meinem Leiden”
- “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (soprano): “Kann es die Welt nicht lassen”
- “Ach Gott, wie manches Herzeleid”, BWV 58: Aria & Chorale (soprano, bass): “Ich hab' vor mir ein' schwere Reis”
Bach: Cantatas II
- “Jesu, der du meine Seele”, BWV 78: I. Chorus: “Jesu, der du meine Seele”
- “Jesu, der du meine Seele”, BWV 78: II. Aria duetto (soprano, alto): “Wir eilen mit schwachen, doch emsigen Schritten”
- “Jesu, der du meine Seele”, BWV 78: III. Recitative (tenor): “Ach! Ich bin eine Kind der Sünden”
- “Jesu, der du meine Seele”, BWV 78: IV. Aria (tenor): “Das Blut, so meine Schuld durchstreicht”
- “Jesu, der du meine Seele”, BWV 78: V. Recitative (bass): “Die Wunden, Nägen, Kron und Grab”
- “Jesu, der du meine Seele”, BWV 78: VI. Aria (bass): “Nun du wirst mein Gewissen stillen”
- “Jesu, der du meine Seele”, BWV 78: VII. Chorale: “Herr, ich glaube, hilf mir Schwachen”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. I. Chorus: “Lobet Gott in seinen Reichen”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. II. Recitative (tenor): “Der Herr Jesus hub seine Hände auf”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. III. Recitative (bass): “Ach, Jesu, ist dein Abschied schon so nah?”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. IV. Aria (alto): “Ach, bleibe doch, Mein liebstes Leben”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. V. Recitative (tenor): “Und ward aufgehoben zusehends”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. VI. Chorale: “Nun lieget alles unter dir”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIa. Recitative (tenor, bass): “Und da sie ihm nachsahen gen Himmel fahren”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIb. Recitative (alto): “Ach ja! So komme bald zurück”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIc. Recitative (tenor): “Sie aber beteten ihn an”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIII. Aria (soprano): “Jesu, deine Gnadenblicke”
- “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. IX. Chorale: “Wenn soll es doch geschehen”
Bach: Johannes-Passion, BWV 245 (beginning)
- Johannes-Passion, BWV 245: No. 1. Chorus. “Herr, unser Herrscher” (chorus)
- Johannes-Passion, BWV 245: No. 2a. Recitative. “Jesus ging mit seinen Jüngern” (Evangelist, Jesus)
- Johannes-Passion, BWV 245: No. 2b. Chorus. “Jesum von Nazareth” (chorus)
- Johannes-Passion, BWV 245: No. 2c. Recitative. “Jesus spricht zu ihnen” (Evangelist, Jesus)
- Johannes-Passion, BWV 245: No. 2d. Chorus. “Jesus von Nazareth” (chorus)
- Johannes-Passion, BWV 245: No. 2e. Recitative. “Jesus antwortete” (Evangelist, Jesus)
- Johannes-Passion, BWV 245: No. 3. Chorale. “O große Lieb” (chorus)
- Johannes-Passion, BWV 245: No. 4. Recitative. “Auf daß das Wort erfüllet würde” (Evangelist, Jesus)
- Johannes-Passion, BWV 245: No. 5. Chorale. “Dein Will' gescheh” (chorus)
- Johannes-Passion, BWV 245: No. 6. Recitative. “Die Schar aber und der Oberhauptmann” (Evangelist)
- Johannes-Passion, BWV 245: No. 7. Aria. “Von den Stricken” (alto, 2 oboes and continuo)
- Johannes-Passion, BWV 245: No. 8. Recitative. “Simon Petrus aber folgete Jesu nach” (Evangelist)
- Johannes-Passion, BWV 245: No. 9. Aria. “Ich folge dir gleichfalls” (soprano, flute)
- Johannes-Passion, BWV 245: No. 10. Recitative. “Derselbige Jünger war dem Hohenpriester bekannt” (Evangelist, Petrus, Jesus)
- Johannes-Passion, BWV 245: No. 11. Chorale. “Wer hat dich so geschlagen” (chorus)
- Johannes-Passion, BWV 245: No. 12a. Recitative. “Und Hannas sandte ihn gebunden” (Evangelist)
- Johannes-Passion, BWV 245: No. 12b. Chorus. “Bist du nicht seiner Jünger einer” (chorus)
- Johannes-Passion, BWV 245: No. 12c. Recitative. “Er leugnete aber und sprach” (Evangelist, Petrus)
- Johannes-Passion, BWV 245: No. 13. Aria. “Ach, mein Sinn” (tenor)
- Johannes-Passion, BWV 245: No. 14. Chorale. “Petrus, der nicht denkt zurück” (chorus)
- Johannes-Passion, BWV 245: No. 15. Chorale. “Christus, der uns selig macht” (chorus)
- Johannes-Passion, BWV 245: No. 16a. Recitative. “Da führeten sie Jesum” (Evangelist, Pilatus)
- Johannes-Passion, BWV 245: No. 16b. Chorus. “Wäre dieser nicht ein Übeltäter” (chorus)
- Johannes-Passion, BWV 245: No. 16c. Recitative. “Da sprach Pilatus zu ihnen” (Evangelist, Pilatus)
- Johannes-Passion, BWV 245: No. 16d. Chorus. “Wir dürfen niemand töten” (chorus)
- Johannes-Passion, BWV 245: No. 16e. Recitative. “Auf daß erfüllet würde das Wort” (Evangelist, Pilatus, Jesus)
- Johannes-Passion, BWV 245: No. 17. Chorale. “Ach großer König” (chorus)
- Johannes-Passion, BWV 245: No. 18a. Recitative. “Da sprach Pilatus zu ihm” (Evangelist, Pilatus, Jesus)
- Johannes-Passion, BWV 245: No. 18b. Chorus. “Nicht diesen, sondern Barrabam” (chorus)
- Johannes-Passion, BWV 245: No. 18c. Recitative. “Barrabas aber war ein Mörder” (Evangelist)
- Johannes-Passion, BWV 245: No. 19. Arioso. “Betrachte, meine Seel', mit ängstlichem Vergnügen” (bass, 2 viole d'amore, lute)
- Johannes-Passion, BWV 245: No. 20. Aria. “Erwäge, wie sien blutgefärbter Rücken” (tenor, 2 viole d'amore)
Bach: Johannes-Passion, BWV 245 (conclusion)
- Johannes-Passion, BWV 245: No. 21a. Recitative. “Und die Kriegsknechte flochten eine Krone” (Evangelist)
- Johannes-Passion, BWV 245: No. 21b. Chorus. “Sei gegrüsset, lieber Judenkönig” (chorus)
- Johannes-Passion, BWV 245: No. 21c. Recitative. “Und gaben ihm Backenstreiche” (Evangelist, Pilatus)
- Johannes-Passion, BWV 245: No. 21d. Chorus. “Kreuzige, Kreuzige” (chorus)
- Johannes-Passion, BWV 245: No. 21e. Recitative. “Pilatus sprach zu ihnen” (Evangelist, Pilatus)
- Johannes-Passion, BWV 245: No. 21f. Chorus. “Wir haben ein Gesetz” (chorus)
- Johannes-Passion, BWV 245: No. 21g. Recitative: “Da Pilatus das Wort hörete” (Evangelist, Pilatus, Jesus)
- Johannes-Passion, BWV 245: No. 22. Chorale. “Durch dein Gefängnis, Gottes Sohn” (chorus)
- Johannes-Passion, BWV 245: No. 23a. Recitative. “Die Juden aber schrieen” (Evangelist)
- Johannes-Passion, BWV 245: No. 23b. Chorus. “Lässest du diesen los” (chorus)
- Johannes-Passion, BWV 245: No. 23c. Recitative. “Da Pilatus das Wort hörete” (Evangelist, Pilatus)
- Johannes-Passion, BWV 245: No. 23d. Chorus. “Weg, weg mit dem, Kreuzige ihn!” (chorus)
- Johannes-Passion, BWV 245: No. 23e. Recitative. “Spricht Pilatus zu ihnen” (Evangelist, Pilatus)
- Johannes-Passion, BWV 245: No. 23f. Chorus. “Wir haben keiner König denn den Kaiser” (chorus)
- Johannes-Passion, BWV 245: No. 23g. Recitative. “Da überantworte er ihn” (Evangelist)
- Johannes-Passion, BWV 245: No. 24. Aria & Chorus. “Eilt, ihr angefocht'nen Seelen” (bass, chorus)
- Johannes-Passion, BWV 245: No. 25a. Recitative. “Allda kreuzigten sie ihn” (Evangelist)
- Johannes-Passion, BWV 245: No. 25b. Chorus. “Schreibe nicht” (chorus)
- Johannes-Passion, BWV 245: No. 25c. Recitative. “Pilatus antwortet” (Evangelist, Pilatus)
- Johannes-Passion, BWV 245: No. 26. Chorale. “In meines Herzens Grune” (chorus)
- Johannes-Passion, BWV 245: No. 27a. Recitative. “Die Kriegsknechte aber” (Evangelist)
- Johannes-Passion, BWV 245: No. 27b. Chorus. “Lasset uns den nicht zerteilen” (chorus)
- Johannes-Passion, BWV 245: No. 27c. Recitative. “Auf daß erfüllet würde die Schrift” (Evangelist, Jesus)
- Johannes-Passion, BWV 245: No. 28. Chorale. “Er nahm alles wohl in acht” (chorus)
- Johannes-Passion, BWV 245: No. 29. Recitative. “Und von Stund an nahm sie der Jünger” (Evangelist, Jesus)
- Johannes-Passion, BWV 245: No. 30. Aria. “Es ist vollbracht” (alto, viola da gamba)
- Johannes-Passion, BWV 245: No. 31. Recitative. “Und neigt das Haupt und verschied” (Evangelist)
- Johannes-Passion, BWV 245: No. 32. Aria & Chorus. “Mein teurer Heiland” (bass, chorus)
- Johannes-Passion, BWV 245: No. 33. Recitative. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist)
- Johannes-Passion, BWV 245: No. 34. Arioso. “Mein Herz, in dem die ganze Welt” (tenor, flute, 2 oboes)
- Johannes-Passion, BWV 245: No. 35. Aria. “Zerfließe, mein Herze” (soprano, flute, cor anglais)
- Johannes-Passion, BWV 245: No. 36. Recitative. “Die Juden aber dieweil es der Rüsttag war” (Evangelist)
- Johannes-Passion, BWV 245: No. 37. Chorale. “O hilf, Christe, Gottes Sohn” (chorus)
- Johannes-Passion, BWV 245: No. 38. Recitative. “Darnach bat Pilatum Joseph von Arimathia” (Evangelist)
- Johannes-Passion, BWV 245: No. 39. Chorus. “Ruht wohl, ihr heiligen Gebeine” (chorus)
- Johannes-Passion, BWV 245: No. 40. Chorale. “Ach Herr, laß dein lieb Engelein” (chorus)
Vivaldi: Sacred Music VI
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: I. Gloria in excelsis (chorus)
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: II. Et in terra pax (chorus)
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: III. Laudamus te (2 sopranos)
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IV. Gratias agimus tibi (chorus)
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: V. Domine Deus (tenor)
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VI. Domine Fili unigenite (chorus)
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VII. Domine Deus, Agnus Dei (soprano)
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: VIII. Qui tollis peccata mundi (chorus)
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: IX. Qui sedes ad dexteram Patris (alto)
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: X. Quoniam tu solus sanctus (soprano)
- Gloria in D major, RV 588, for 2 sopranos, alto, tenor, chorus and orchestra: XI. Cum Sancto Spriritu (chorus)
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: I. Nisi Dominus
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: II. Vanum est vobis
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: III. Surgite
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: IV. Cum dederit
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: V. Sicut saggitae
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VI. Beatus vir
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VII. Gloria Patri
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VIII. Sicut erat in principio
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: IX. Amen
Charpentier: Le jugement dernier / Beatus vir
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: I. Récit de Dieu: “Audit coeli quae loquor” (bass) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: II. Chorus hominum: “O pavor, o tremor, o portentum” (soli, chorus)
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: III. Bruit de trompettes (von Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IV. Duo des Anges: “Adeste omnes gentes” (countertenor, alto)
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: V. Bruit de trompettes (von Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VI. Chorus hominum: “Et factus est subito sonus” (chorus)
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VII. Récit de Dieu (Part I): “Venite benedicti” (bass) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: VIII. Récit de Dieu (Part II): “Et vos maledicti” (bass) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: IX. Chœur des damnés: “O justa punitio” (soli, chorus)
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: X. Les Anges: “Vos autem electi” (countertenor, alto)
- Le jugement dernier (Extremum Dei judicum), oratorio for soli, chorus and orchestra, H. 401: XI. Chœur des élus: “Hymnum docamus Domine nostro” (soli, chorus)
- Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: I. instrumental prelude (von Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: II. Beatus vir (bass) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: III. Potens in terra (chorus)
- Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: IV. Exortum est in tenebris (soprano I, countertenor, tenor, bass)
- Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: V. In memoria aeterna (chorus)
- Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VI. Dispersit, dedit pauperibus (bass) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VII. Peccator videbit (chorus)
- Beatus vir (Psalm 111), for soli, double chorus and orchestra, H. 224: VIII. Gloria Patri (2 sopranos, chorus)
Monteverdi: Magrigali VI-VIII (I)
- Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Tancredi, que Clorinda homo stima
- Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Notte, che nei profondo oscuro seno
- Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Torna l'ira nei cori
- Combattimento di Tancredi e Clorina, SV 153 (Book VIII, Canti guerrieri): Amico, hai vinto
- Chiome d'oro, bel tesoro, SV 143 (Book VII)
- Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Altri canti di Marte e di sua schiera (Part I)
- Altri canti di Marte, SV 155 (Book VIII, Canti amorosi): Due belli occhi (Part II)
- Et è pur dunque verò, SV 250 (Scherzi musicali II)
- Batto qui pianse Ergasto, SV 115 (Book VI)
- Amorosa pupiletta, SV 238 (Scherzi musicali II)
- Lamento d'Arianna, SV 22
- Vago augelleto, SV 156 (Book VIII, Canti amorosi)
- Ecco di dolci raggi, SV 249 (Scherzi musicali II)
- Io che armato sin hor, SV 249a (Scherzi musicali II)
- Fugge il verno dei dolori, SV 232 (Scherzi musicali I)
- A dio Florida bella, SV 110 (Book VI)
- Misero alceo, SV 114 (Book VI)
Monteverdi: Madrigali VI-VIII (II)
- Il ballo (per l'imperatore Ferdinando), SV 154 (Book VIII, Canti guerrieri)
- Miei lettera amorosa (Se i languidi), SV 141 (Book VII)
- Lidia spina del mio core, SV 244 (Scherzi musicali I)
- Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Sinfonia
- Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): De l'implacabil Dio
- Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Bella madre d'amor
- Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): S'invan su l'arco tendi
- Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Udite, udite
- Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ecco ver noi l'adolorate squadre
- Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Entrata - Ballo
- Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Dal tenebroso orror del mio gran regno
- Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Ahi troppo è duro
- Partenza amorosa (Se pur destina e vole), SV 142 (Book VII)
- Dolci miei sospiri, SV 242 (Scherzi musicali I)
- Damigella tutta bella, SV 235 (Scherzi musicali I)
Bach: Mass in B minor, BWV 232 (beginning)
- Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus)
- Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano II, mezzo-soprano)
- Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus)
- Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis / V. Et in terra pax (chorus)
- Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano I)
- Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus)
- Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano I, tenor)
- Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus)
- Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
- Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
- Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus)
- Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)
- Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)
- Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano I, mezzo-soprano)
- Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)
- Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)
Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
- Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)
- Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)
- Mass in B minor, BWV 232: Credo. XIX. Confiteor (chorus)
- Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)
- Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)
- Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)
- Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)
- Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)
- Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)
- Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)
- Magnificat in D major, BWV 243: I. Magnificat (chorus)
- Magnificat in D major, BWV 243: II. Et exultavit spiritus meus (soprano II)
- Magnificat in D major, BWV 243: III. Quia respexit humilitatem (soprano I)
- Magnificat in D major, BWV 243: IV. Omnes generationes (chorus)
- Magnificat in D major, BWV 243: V. Quia fecit mihi magna (bass)
- Magnificat in D major, BWV 243: VI. Et misericorida (alto, tenor)
- Magnificat in D major, BWV 243: VII. Fecit potentiam (chorus)
- Magnificat in D major, BWV 243: VIII. Deposuit potentes (tenor)
- Magnificat in D major, BWV 243: IX. Esurientes implevit bonis (alto)
- Magnificat in D major, BWV 243: X. Suscepit Israel (soprano I & II, alto)
- Magnificat in D major, BWV 243: XI. Sicut locutus est (chorus)
- Magnificat in D major, BWV 243: XII. Gloria Patri (chorus)
Cavalli: Ercole amante (beginning)
- Ercole amante: Prologo. Sinfonia
- Ercole amante: Prologo. “Qual concorso indonivo” (Coro di Fiumi)
- Ercole amante: Prologo. “Ah ! che mentre la terra” (Il Tevere)
- Ercole amante: Prologo. “Ai di lei veri accenti” (Coro di Fiumi)
- Ercole amante: Prologo. Sinfonia
- Ercole amante: Prologo. “Ed ecco, o Gallia invita” (Cinthia)
- Ercole amante: Prologo. “Doppo belliche noie” (Coro di Fiumi)
- Ercole amante: Prologo. “E poiche quai doppo guerrieri onori” (Cinthia)
- Ercole amante: Prologo. “E veda ogn'un” (Coro di Fiumi)
- Ercole amante: Prologo. “O Gallia fortunata” (Coro di Fiumi)
- Ercole amante: Atto I. Sinfonia
- Ercole amante: Atto I, Scene 1. “Come si beffa amor” (Ercole)
- Ercole amante: Atto I, Scene 2. “Se Ninfa ai pianti” (Venere, le tre grazie)
- Ercole amante: Atto I, Scene 2. “Ogn'impero ha ribelli” (Venere)
- Ercole amante: Atto I, Scene 2. “Fugano a vo” (Ercole, Venere, le tre grazie)
- Ercole amante: Atto I, Scene 2. “Infelice e disperato” (Giunone)
- Ercole amante: Atto I, Scene 3. “E vuol dunque Ciprigna” (Giunone)
- Ercole amante: Atto II. Sinfonia
- Ercole amante: Atto II, Scene 1. “Amor ardo piu rari” (Hyllo, Jole)
- Ercole amante: Atto II, Scene 1. “Pure alfine il rispetto di figlio” (Hole, Hyllo, Il Paggio)
- Ercole amante: Atto II, Scene 2. “D'amore il foco” (Jole, Hyllo)
- Ercole amante: Atto II, Scene 3. “E che cos' è quest'Amore” (Il Paggio)
- Ercole amante: Atto II, Scene 4. “Buon di, gentil fanciullo” (Licco, il Paggio)
- Ercole amante: Atto II, Scene 5. “Misera, ohime ch'ascolto” (Dejanira)
- Ercole amante: Atto II, Scene 5. “Ah ! fu sempre in Amor” (Licco, Dejanira)
- Ercole amante: Atto II, Scene 5. “Ah, Dejanira ! Dunque tu temi” (Dejanira, Licco)
- Ercole amante: Atto II, Scene 6. “Mormorate, fiumicelli” (Pasitea)
- Ercole amante: Atto II, Scene 6. Coro
- Ercole amante: Atto II, Scene 7. “Sublime Dea” (Pasitea)
- Ercole amante: Atto II, Scene 7. “Zelo dell' onor mio a cui” (Giunone, Pasitea)
- Ercole amante: Atto II, Scene 7. “Le rugiade piu preziose” (Tutti)
- Ercole amante: Atto II, Scene 7. “Vanne e fa breve dimora” (Pasitea, tutti)
Cavalli: Ercole amante (continuing)
- Ercole amante: Atto III. Sinfonia
- Ercole amante: Atto III, Scene 1. “Sol s'inarca gl'Emisferi per stupor” (Venere)
- Ercole amante: Atto III, Scene 1. “E pe mi cangi o Dei” (Ercole, Venere)
- Ercole amante: Atto III, Scene 2. “Amor, contar ben puoi” (Ercole)
- Ercole amante: Atto III, Scene 2. “Sara com'hai disposo” (Il Paggio, Ercole)
- Ercole amante: Atto III, Scene 3. “Bella Jole e quando” (Ercole, Jole)
- Ercole amante: Atto III, Scene 3. “Ohime, che ascolto” (Hyllo, Ercole)
- Ercole amante: Atto III, Scene 4. “A che pensi Jole” (Ercole, Jole)
- Ercole amante: Atto III, Scene 5. “Sonno potente Nume” (Giunone)
- Ercole amante: Atto III, Scene 5. “O qual sonno produgioso” (Jole, Giunone)
- Ercole amante: Atto III, Scene 6. “D'Eutyro anima grande” (Jole, Hyllo)
- Ercole amante: Atto III, Scene 7. “Svegliati, Alcide e mira” (Mercurio, Ercole, Jole)
- Ercole amante: Atto III, Scene 8. “Piu di salvarlo tenti” (Ercole, Dejanira, Jole, Licco)
- Ercole amante: Atto III, Scene 9. “Figlio, tu prigionero” (Dejanira, Hyllo)
- Ercole amante: Atto III, Scene 10. “Addio paggio” (Licco, il Paggio)
- Ercole amante: Atto IV. Sinfonia
- Ercole amante: Atto IV, Scene 1. “Ahi che pena e gelosia” (Hyllo)
- Ercole amante: Atto IV, Scene 2. “Zefri che gite” (Il Paggio)
- Ercole amante: Atto IV, Scene 2. “Che novella m'arrechi” (Hyllo, Il Paggio)
- Ercole amante: Atto IV, Scene 3. “E chi fia piu vieti” (Hyllo)
- Ercole amante: Atto IV, Scene 4. “Salva, nettuno, ah! salva” (Giunone)
- Ercole amante: Atto IV, Scene 4. “Eccoti o Dea contenta” (Nettuno, Hyllo, Giunone)
- Ercole amante: Atto IV, Scene 5. “Congedo a gl'orridi” (Giunone)
- Ercole amante: Atto IV, Scene 6. “Ed a che peggio” (Dejanira, Licco)
- Ercole amante: Atto IV, Scene 6. “Ah Dejanira, io non son tanto accorto” (Licco)
Cavalli: Ercole amante (conclusion)
- Ercole amante: Atto IV, Scene 7. “Gradisci, o Re” (Coro)
- Ercole amante: Atto IV, Scene 7. “E se pur negl' estinti” (Jole)
- Ercole amante: Atto IV, Scene 7. “Che prieghi ingiurioso” (Ombra d'Eutyro, Jole, Dejanira)
- Ercole amante: Atto IV, Scene 7. “Hyllo il mio bene è morto” (Jole)
- Ercole amante: Atto IV, Scene 7. “Ferma ti prego” (Liggo, Dejanira, Jole)
- Ercole amante: Atto V. Sinfonia
- Ercole amante: Atto V, Scene 1. “Come solo ad un grido” (Ombra d'Eutyro)
- Ercole amante: Atto V, Scene 1. “Pera, mora il crudel” (Coro, Ombra di Clerica)
- Ercole amante: Atto V, Scene 1. “Pera, mora, il perverso” (Laomedonte, Coro)
- Ercole amante: Atto V, Scene 1. “Pera, more l'iniquio” (Ombra di Bussiride, Coro)
- Ercole amante: Atto V, Scene 1. “Su su dunque” (Ombra d'Eutyro, Coro)
- Ercole amante: Atto V, Scene 1. Sinfonia
- Ercole amante: Atto V, Scene 2. “Alfine il Ciel d'amor” (Ercole, Licco, Jole)
- Ercole amante: Atto V, Scene 2. “Pronuba e casta Dea” (Coro, Ercole, Jole)
- Ercole amante: Atto V, Scene 2. “Ma qual pungente arsura” (Ercole)
- Ercole amante: Atto V, Scene 2. “Che dici” (Licco, Jole)
- Ercole amante: Atto V, Scene 3. “Ah, Nesso mi tradi” (Dejanira, Jole, Licco, Hyllo)
- Ercole amante: Atto V, Scene 4. “Su, su allegrezza” (Giunone)
- Ercole amante: Atto V, Scene 4. “Oh Dea come n'arrequi” (Jole, Dejanira, Hyllo, Licco, Giunone)
- Ercole amante: Atto V, Scene 5. “Quel grande Eroe” (Coro)
- Ercole amante: Atto V, Scene 5. “Così un giorno” (Belezza, Ercole)
- Ercole amante: Atto V, Scene 5. “Virtu che soffre” (Coro)
Handel: Suites from Rodrigo & Il pastor fido
- Muzio Scevola, opera in three acts, HWV 13: Overture
- Rodrigo, opera in three acts, HWV 5: I. Overture
- Rodrigo, opera in three acts, HWV 5: II. Gigue
- Rodrigo, opera in three acts, HWV 5: III. Sarabande
- Rodrigo, opera in three acts, HWV 5: IV. Matelot
- Rodrigo, opera in three acts, HWV 5: V. Menuet
- Rodrigo, opera in three acts, HWV 5: VI. Bourrée
- Rodrigo, opera in three acts, HWV 5: VII. Menuet
- Rodrigo, opera in three acts, HWV 5: VIII. Passacaille
- Il pastor fido, opera in three acts, HWV 8: I. Overture
- Il pastor fido, opera in three acts, HWV 8: II. Largo
- Il pastor fido, opera in three acts, HWV 8: III. Allegro
- Il pastor fido, opera in three acts, HWV 8: IV. Menuet
- Il pastor fido, opera in three acts, HWV 8: V. Adagio
- Il pastor fido, opera in three acts, HWV 8: VI. Allegro
- Silla, opera in three acts, HWV 10: Overture
Charpentier: David et Jonathas, H. 490 (beginning)
- David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 1. “Où suis-je ? Qu'ai-je fait ?” (Saül)
- David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 2. “Dois-je enfin épouver le secours de vos charmes ?” (Saül, La Pythonisse)
- David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 3. “Retirez-vous affreux tonnerre” (La Pythonisse)
- David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 4. “Quelle importune voix vient troubler mon repos ?” (L'ombre de Samuel, Saül)
- David et Jonathas, opera in one prologue and five acts, H. 490: Prologue, Scene 5. “Est-ce assez ? Ai-je enfin épuisé ta colère ?” (Saül, La Pythonisse)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 1. “Du plus grand des héros” (Un guerrier, Un du peuple, Bergers, Captifs, Chorus)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 2. “Allez, le ciel vous attend” (David)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 3. “Ciel ! Quel triste combat” (David)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 4. “Le ciel enfin favourable à mes vœux” (Achis, David, Captifs, Chorus)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 1. “Quel inutile soin” (Joabel, David, Chorus)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 2. “Dépit jaloux, haine cruelle” (Joabel, Chorus)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 3. “À vostre bras vanqueur” (Jonathas, David, Un de la suite de Jonathas, Chorus, Bergers)
Charpentier: David et Jonathas, H. 490 (conclusion)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 1. “Ah ! Je dois assurer et ma vie et l'empire ?” (Saül, Achis)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 2. “Objet d'une implacable haine” (Saül)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3a. “David puet-il attendre un retour favorable ?” (Jonathas, Saül, David)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3b. “Achevons, mon bonheur passe mon espérance” (Joabel)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 1. “Souverain juge des mortels” (David)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 2. “Vous me fuyez !” (Jonathas, David)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 3. “A-t-on jamais souffert une plus rude peine ?” (Jonathas, Chorus)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 4. “Venez, Seigneur, venez” (Saül, Achis)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 5. “Enfin vous m'écoutez, Seigneur” (Joabel, Achis, Chorus)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 1. “Courez, Saül attend un secours nécessaire” (Jonathas)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 2. “Que vois-je ? Que je perds et mon fils et l'empire” (Saül, Jonathas, Chorus)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 3. “Victoire ! Victoire !” (Chorus)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 4. “Qu'on sauve Jonathas” (David, Jonathas, Chorus)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 5. “Voi traitre, et reconnoi ta nouvelle victime” (Saül, David)
- David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 6. “Joignez à vos exploits l'honneur du diadème” (Achis, David, Chorus)
Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
- Vespro della Beata Vergine, SV 206: I. Domine ad adjuvandum me (sex vocibus et sex instrumentis)
- Vespro della Beata Vergine, SV 206: II. Antiphon: Emmissiones tuae paradisus - Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)
- Vespro della Beata Vergine, SV 206: III. Nigra sum (Motetto ad una voce)
- Vespro della Beata Vergine, SV 206: IV. Antiphon: Quae est ista - Laudate pueri Dominum (Psalm 112) (octo vocibus)
- Vespro della Beata Vergine, SV 206: V. Pulchra es (a due voci)
- Vespro della Beata Vergine, SV 206: VI. Antiphon: Sicut lilium inter spinas - Laetatus sum (Psalm 121) (a sei voci)
- Vespro della Beata Vergine, SV 206: VII. Duo Seraphim (a tre voci)
- Vespro della Beata Vergine, SV 206: VIII. Antiphon: veniat dilectus meus in hortum suum - Nisi Dominus (Psalm 126) (a dieci voci)
- Vespro della Beata Vergine, SV 206: IX. Audi Coelum (sex vocibus)
Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
- Vespro della Beata Vergine, SV 206: X. Antiphon: Nigra sum - Lauda, Jerusalem (Psalm 147) (septem vocibus)
- Vespro della Beata Vergine, SV 206: XI. Sonata sopra Santa Maria pro nobis (a 8)
- Vespro della Beata Vergine, SV 206: XII. Ave maris stella Hymnis (octo vocibus)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Antiphon: Virgo prudentissima
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIII. Magnificat
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIV. Anima mea Dominum (a 2 voci)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XV. Et exultavit (a 3 voci)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVI. Quia respexit (ad una voce sola)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVII. Quia fecit (a 6 voci in dialogo)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XVIII. Et misericordia (a 3 voci)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XIX. Fecit potentiam (a 3 voci)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XX. Deposuit, et cantano doi (tenore in echo)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXI. Esurientes (a 2 voci)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXII. Suscepit Israel (a 2 voci)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIII. Sicut locutus est (a 5 voci in dialogo)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXIV. Gloria Patri (a 6 voci)
- Vespro della Beata Vergine, SV 206: Magnificat a 7 voci. XXV. Sicut erat in principio
Bach: Matthäus-Passion, BWV 244 (beginning)
- Matthäus-Passion, BWV 244: Part I. No. 1. Chorus. “Kommt, ihr Töchter helft mir klagen” (chorus I, II, soprano in ripieno)
- Matthäus-Passion, BWV 244: Part I. No. 2. Recitative. “Da Jesus diese Rede vollendet hatte” (Evangelist, Jesus)
- Matthäus-Passion, BWV 244: Part I. No. 3. Chorale. “Herzliebster Jesu, was hast du verbrochen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part I. No. 4. Recitative & Chorus. “Da versammelten sich die Hohepriester” (Evangelist, Jesus, chorus I, II)
- Matthäus-Passion, BWV 244: Part I. No. 5. Recitative. “Du lieber Heiland du” (alto)
- Matthäus-Passion, BWV 244: Part I. No. 6. Aria. “Buß und Reu” (alto)
- Matthäus-Passion, BWV 244: Part I. No. 7. Recitative. “Da ging hin der Zwölfen einer” (Evangelist, Judas)
- Matthäus-Passion, BWV 244: Part I. No. 8. Aria. “Blute nur, du liebes Herz!” (soprano)
- Matthäus-Passion, BWV 244: Part I. No. 9. Recitative & Chorus. “Aber am ersten Tage der süßen Brot” (Evangelist, Jesus, chorus I)
- Matthäus-Passion, BWV 244: Part I. No. 10. Chorale. “Ich bin's, ich sollte büßen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part I. No. 11. Recitative. “Er antwortete und sprach” (Evangelist, Jesus, Judas)
- Matthäus-Passion, BWV 244: Part I. No. 12. Recitative. “Wiewohl mein Herz in Tränen schwimmt” (soprano)
- Matthäus-Passion, BWV 244: Part I. No. 13. Aria. “Ich will dir mein Herz schenken” (soprano)
- Matthäus-Passion, BWV 244: Part I. No. 14. Recitative. “Und da sie den Lobgesang gesprochen hatten” (Evangelist, Jesus)
- Matthäus-Passion, BWV 244: Part I. No. 15. Chorale. “Erkenne mich, mein Hüter” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part I. No. 16. Recitative. “Petrus aber antwortete und sprach zu ihm” (Evangelist, Petrus, Jesus)
- Matthäus-Passion, BWV 244: Part I. No. 17. Chorale. “Ich will hier bei dir stehen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part I. No. 18. Recitative. “Da kam Jesus mit ihnen zu einem Hole” (Evangelist, Jesus)
- Matthäus-Passion, BWV 244: Part I. No. 19. Recitative & Chorale. “O Schmerz! Hier zittert das gequälte Herz!” (tenor, chorus II)
- Matthäus-Passion, BWV 244: Part I. No. 20. Aria & Chorus. “Ich will bei meinem Jesu wachen” (tenor, chorus II)
- Matthäus-Passion, BWV 244: Part I. No. 21. Recitative. “Und ging hin ein wenig” (Evangelist, Jesus)
- Matthäus-Passion, BWV 244: Part I. No. 22. Recitative. “Der Heiland fällt vor seinem Vater nieder” (bass)
- Matthäus-Passion, BWV 244: Part I. No. 23. Aria. “Gerne will ich mich bequemen” (bass) (von Orchestre de Chambre de Lausanne, Michel Corboz)
Bach: Matthäus-Passion, BWV 244 (continuing)
- Matthäus-Passion, BWV 244: Part I. No. 24. Recitative. “Und er kam zu seinem Jüngen” (Evangelist, Jesus)
- Matthäus-Passion, BWV 244: Part I. No. 25. Chorale. “Was emin Gott will, das g'scheh allzeit” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part I. No. 26. Recitative. “Und er kam und fand sie aber schlafen” (Evangelist, Jesus, Judas)
- Matthäus-Passion, BWV 244: Part I. No. 27. Aria (Duet) & Chorus. “So ist mein Jesus nun gefangen” (soprano, alto, chorus I, II)
- Matthäus-Passion, BWV 244: Part I. No. 28. Recitative. “Und siehe, einer aus denen” (Evangelist, Jesus)
- Matthäus-Passion, BWV 244: Part I. No. 29. Chorale. “O Mensch, bewein' dein' Sünde groß” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part II. No. 30. Aria & Chorus. “Ach, nun ist mein Jesus hin!” (alto, chorus II)
- Matthäus-Passion, BWV 244: Part II. No. 31. Recitative. “Die aber Jesum gegriffen hatten” (Evangelist)
- Matthäus-Passion, BWV 244: Part II. No. 32. Chorale. “Mir hat die Welt trüglich gericht” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part II. No. 33. Recitative. “Und wiewohl viel falsche” (Evangelist, Witnesses, High Priest)
- Matthäus-Passion, BWV 244: Part II. No. 34. Recitative. “Mein Jesus schweigt zu falschen Lügen stille” (tenor)
- Matthäus-Passion, BWV 244: Part II. No. 35. Aria. “Geduld!” (tenor)
- Matthäus-Passion, BWV 244: Part II. No. 36. Recitative & Chorus. “Und der Hohepriester antwort” (Evangelist, High Priest, Jesus, chorus I, II)
- Matthäus-Passion, BWV 244: Part II. No. 37. Chorale. “Wer hat dich so geschlagen” (chorus) (von Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part II. No. 38. Recitative & Chorus. “Petrus aber saß draußen im Palast” (Evangelist, Maids I/II, Petrus, chorus II)
- Matthäus-Passion, BWV 244: Part II. No. 39. Aria. “Erbarme dich” (alto) (von Carolyn Watkinson, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part II. No. 40. Chorale. “Bin ich gleich von dir gewichen” (chorus) (von Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part II. No. 41. Recitative & Chorus. “Des Morgens aber hielten alle Hohepriester” (Evangelist, Judas, High Priest I, II)
- Matthäus-Passion, BWV 244: Part II. No. 42. Aria. “Gebt mir meinen Jesum wieder” (bass)
- Matthäus-Passion, BWV 244: Part II. No. 43. Recitative. “Sie hielten aber einen Rat” (Evangelist, Pilatus, Jesus)
- Matthäus-Passion, BWV 244: Part II. No. 44. Chorale. “Befiehl du deine Wege” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part II. No. 45. Recitative & Chorus. “Auf das Fest aber hatte der Landpfleger” (Evangelist, Pilatus, Pilatus' wife, chorus I, II)
- Matthäus-Passion, BWV 244: Part II. No. 46. Chorale. “Wie wunderbarlich ist doch diese Strafe” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part II. No. 47. Recitative. “Der Landpfleger sagte” (Evangelist, Pilatus)
- Matthäus-Passion, BWV 244: Part II. No. 48. Recitative. “Er hat uns allen wohlgetan” (soprano)
- Matthäus-Passion, BWV 244: Part II. No. 49. Aria. “Aus Liebe will mein Heiland sterben” (soprano)
Bach: Matthäus-Passion, BWV 244 (conclusion)
- Matthäus-Passion, BWV 244: Part II. No. 50. Recitative & Chorus. “Sie schrien aber noch mehr” (Evangelist, Pilatus, chorus I, II)
- Matthäus-Passion, BWV 244: Part II. No. 51. Recitative. “Erbarm' es Gott” (alto)
- Matthäus-Passion, BWV 244: Part II. No. 52. Aria. “Können Tränen meinen Wangen” (alto)
- Matthäus-Passion, BWV 244: Part II. No. 53. Recitative & Chorus. “Da nahmen die Kriegsknechte” (Evangelist, chorus I, II)
- Matthäus-Passion, BWV 244: Part II. No. 54. Chorale. “O Haupt voll Blut und Wunden” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Matthäus-Passion, BWV 244: Part II. No. 55. Recitative. “Und da sie ihn versottet hatten” (Evangelist)
- Matthäus-Passion, BWV 244: Part II. No. 56. Recitative. “Ja freilich will in uns das Fleisch und Blut” (bass)
- Matthäus-Passion, BWV 244: Part II. No. 57. Aria. “Komm, süßes Kreuz, so will ich sagen” (bass)
- Matthäus-Passion, BWV 244: Part II. No. 58. Recitative & Chorus. “Und da sie an die Stätte kamen” (Evangelist, chorus I, II)
- Matthäus-Passion, BWV 244: Part II. No. 59. Recitative. “Ach Golgotha” (alto)
- Matthäus-Passion, BWV 244: Part II. No. 60. Aria & Chorus. “Sehet, Jesus hat die Hand” (alto, chorus II)
- Matthäus-Passion, BWV 244: Part II. No. 61. Recitative & Chorus. “Und von der sechsten Stunde an” (Evangelist)
- Matthäus-Passion, BWV 244: Part II. No. 62. Chorale. “Wenn ich einmal soll scheiden” (soprano, flute and continuo)
- Matthäus-Passion, BWV 244: Part II. No. 63. Recitative & Chorus. “Und siehe da, der Vorhang im Tempel zerriß” (Evangelist, Jesus, chorus I, II)
- Matthäus-Passion, BWV 244: Part II. No. 64. Recitative. “Am Abend, da es kühle war” (bass)
- Matthäus-Passion, BWV 244: Part II. No. 65. Aria. “Mache dich, mein Herze, rein” (bass)
- Matthäus-Passion, BWV 244: Part II. No. 66. Recitative & Chorus. “Und Joseph nahm den Leib” (Evangelist, Pilatus, chorus I, II)
- Matthäus-Passion, BWV 244: Part II. No. 67. Recitative & Chorus. “Nun ist der Herr zur Ruh gebracht” (bass, tenor, alto, soprano, chorus II)
- Matthäus-Passion, BWV 244: Part II. No. 68. Chorus. “Wir setzen uns mit Tränen nieder” (chorus I, II)
Bach: Weihnachtsoratorium, BWV 248 (beginning)
- Weihnachtsoratorium, BWV 248: Part I. No. 1. Chorus “Jauchzet, frohlocket, auf, preiset die Tage” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part I. No. 2. Recitative. “Es begab sich aber zu der Zeit” (Evangelist)
- Weihnachtsoratorium, BWV 248: Part I. No. 3. Recitative. “Nun wird mein liebster Bräutigam” (alto)
- Weihnachtsoratorium, BWV 248: Part I. No. 4. Aria. “Bereite dich, Zion, mit zärtlichen Trieben” (alto)
- Weihnachtsoratorium, BWV 248: Part I. No. 5. Chorale. “Wie soll ich dich empfangen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part I. No. 6. Recitative. “Und sie gebar ihren ersten Sohn” (Evangelist)
- Weihnachtsoratorium, BWV 248: Part I. No. 7. Chorale. “Er ist auf Erden kommen arm” (chorus) - Recitative. “Wer will die Liebe” (bass)
- Weihnachtsoratorium, BWV 248: Part I. No. 8. Aria. “Großer Herr, o starker König” (bass)
- Weihnachtsoratorium, BWV 248: Part I. No. 9. Chorale. “Ach mein herzliebes Jesulein” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part II. No. 10. Sinfonia (von Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part II. No. 11. Recitative. “Und es waren Hirten in derselben Gegend” (Evangelist)
- Weihnachtsoratorium, BWV 248: Part II. No. 12. Chorale. “Brich an, o schönes Morgenlicht” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part II. No. 13. Recitative. “Und der Engel sprach zu ihnen” (Evangelist, Angelus)
- Weihnachtsoratorium, BWV 248: Part II. No. 14. Recitative. “Was Gott dem Abraham verheißen” (bass)
- Weihnachtsoratorium, BWV 248: Part II. No. 15. Aria. “Frohe Hirten, eilt, ach eilet” (tenor)
- Weihnachtsoratorium, BWV 248: Part II. No. 16. Recitative. “Und das habt zum Zeichen” (Evangelist)
- Weihnachtsoratorium, BWV 248: Part II. No. 17. Chorale. “Schaut hin, dort liegt im finstern Stall” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part II. No. 18. Recitative. “So geht denn hin” (bass)
- Weihnachtsoratorium, BWV 248: Part II. No. 19. Aria. “Schlafe, mein Liebster” (alto)
- Weihnachtsoratorium, BWV 248: Part II. No. 20. Recitative. “Und alsobald war da bei dem Engel” (Evangelist)
- Weihnachtsoratorium, BWV 248: Part II. No. 21. Chorus. “Ehre sei Gott in der Höhe” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part II. No. 22. Recitative. “So recht, ihr Engel” (bass)
- Weihnachtsoratorium, BWV 248: Part II. No. 23. Chorale. “Wir singen dir in deinem Heer” (chorus) (von Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus. “Herrscher des Himmels, erhöre das Lallen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part III. No. 25. Recitative. “Und da die Engel von ihnen gen Himmel führen” (Evangelist)
- Weihnachtsoratorium, BWV 248: Part III. Nos. 26-27. Chorus & Recitative. “Lasset uns nun gehen gen Bethlehem” / No. 28. Chorale. “Dies hat er alles uns getan” (chorus, bass)
- Weihnachtsoratorium, BWV 248: Part III. No. 29. Duet. “Herr, dein Mitleid, dein Erbarmen” (soprano, bass)
- Weihnachtsoratorium, BWV 248: Part III. No. 30. Recitative. “Und sie kamen eilend” (Evangelist)
- Weihnachtsoratorium, BWV 248: Part III. No. 31. Aria. “Schließe, mein Herze, dies selige Wunder” (alto)
- Weihnachtsoratorium, BWV 248: Part III. No. 32. Recitative. “Ja, ja, mein Herz” (alto)
- Weihnachtsoratorium, BWV 248: Part III. No. 33. Chorale. “Ich will dich mit Fleiß bewahren” / No. 34. Recitative. “Und die Hirten kehrten wieder um” (chorus, Evangelist)
- Weihnachtsoratorium, BWV 248: Part III. No. 35. Chorale. “Seid froh dieweil” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus da capo. “Herrscher des Himmels, erhöre das Lallen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
Bach: Weihnachtsoratorium, BWV 248 (conclusion)
- Weihnachtsoratorium, BWV 248: Part IV. No. 36. Chorus. “Fallt mit Danken, fallt mit Loben” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part IV. No. 37. Recitative. “Und da acht Tage um waren” (Evangelist)
- Weihnachtsoratorium, BWV 248: Part IV. No. 38. Recitative & Arioso-Chorale. “Immaneuel, o süßes Wort” (bass, soprano)
- Weihnachtsoratorium, BWV 248: Part IV. No. 39. Aria. “Flößt, mein Heiland” (soprano, echo soprano)
- Weihnachtsoratorium, BWV 248: Part IV. No. 40. Recitative & Arioso-Chorale. “Wohlan, dein Name soll allein” (bass, soprano)
- Weihnachtsoratorium, BWV 248: Part IV. No. 41. Aria. “Ich will nur dir zu Ehren leben” (tenor)
- Weihnachtsoratorium, BWV 248: Part IV. No. 42. Chorale. “Jesus richte mein Beginnen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part V. No. 43. Chorus. “Ehre sei dir, Gott, gesungen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part V. No. 44. Recitative. “Da Jesus geboren war zu Bethlehem” / No. 45. Chorus & Recitative. “Wo ist der neugeborne König der Juden” (Evangelist, alto, chorus)
- Weihnachtsoratorium, BWV 248: Part V. No. 46. Chorale. “Dein Glanz all Finsternis verzehrt” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part V. No. 47. Aria. “Erleucht, auch meine finstre Sinnen” (bass)
- Weihnachtsoratorium, BWV 248: Part V. No. 48. Recitative. “Da das der König” / No. 49. Recitative. “Warum wollt ihr erschrecken” / No. 50. Recitative. “Und ließ versammeln” (Evangelist, alto)
- Weihnachtsoratorium, BWV 248: Part V. No. 51. Trio. “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor)
- Weihnachtsoratorium, BWV 248: Part V. No. 52. Recitative. “Mein Liebster herrschet schon” (alto)
- Weihnachtsoratorium, BWV 248: Part V. No. 53. Chorale. “Zwar ist solche Herzensstube” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part VI. No. 54. Chorus. “Herr, wenn die stolzen Feinde schnauben” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part VI. No. 55. Recitative. “Da bereif Herodes die Weisen heimlich” (Evangelist, bass)
- Weihnachtsoratorium, BWV 248: Part VI. No. 56. Recitative. “Du Falscher, suche nur den Herrn zu fällen” (soprano)
- Weihnachtsoratorium, BWV 248: Part VI. No. 57. Aria. “Nur ein Wink von seinen Händen” (soprano)
- Weihnachtsoratorium, BWV 248: Part VI. No. 58. Recitative. “Als sie nun den König gehöret hatten” (Evangelist)
- Weihnachtsoratorium, BWV 248: Part VI. No. 59. Chorale. “Ich steh an deiner Krippen hier” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
- Weihnachtsoratorium, BWV 248: Part VI. No. 60. Recitative. “Und Gott befahl ihnen im Traum” (Evangelist)
- Weihnachtsoratorium, BWV 248: Part VI. No. 61. Recitative. “So geht! Genug, mein Schatz geht nicht von hier” (tenor)
- Weihnachtsoratorium, BWV 248: Part VI. No. 62. Aria. “Nun mögt ihr stolzen Feinde schrecken” (tenor)
- Weihnachtsoratorium, BWV 248: Part VI. No. 63. Recitative. “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass)
- Weihnachtsoratorium, BWV 248: Part VI. No. 64. Chorale. “Nun seid ihr wohl gerochen” (chorus) (von Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz)
Monteverdi: Orfeo (beginning)
- Orfeo, favola in musica: Toccata (von Orchestre de l’Opéra de Lyon, Michel Corboz)
- Orfeo, favola in musica: Prologo: Ritornello (La Musica)
- Orfeo, favola in musica: Atto Primo. “In questo lieto e fortunato giorno” - “Vieni Imeneo” - “Muse, onor di Parnaso, amor del cielo” (Shepherd 1, Nymph, chorus of Nymphs and Shepherds, Shepherd 3)
- Orfeo, favola in musica: Atto Primo. “Lasciate i monti” - “Ma tu, gentil cantor” (chorus of Nymphs and Shepherds, Shepherd 3)
- Orfeo, favola in musica: Atto Primo. “Rosa del ciel, vita del mondo” (Orfeo)
- Orfeo, favola in musica: Atto Primo. “Io non dirò qual sia” (Euridice)
- Orfeo, favola in musica: Atto Primo. “Lasciate i monti” - “Vieni Imeneo, deh, vieni” (chorus of Nymphs and Shepherds)
- Orfeo, favola in musica: Atto Primo. “Ma s'il nostro…” - Ritornello - “Alcun non sia…” - Ritornello - “Chè, poichè nembo…” - Ritornello - “E dopo l'aspro…” - “Ecco Orfeo cui…” (Nymph, Shepherds, chorus of Nymphs and Shepherds)
- Orfeo, favola in musica: Atto Secondo. “Ecco pur ch'a voi ritorno” - “Mira ch'a sè n'alletta” - “In questo prato adorno” - “Qui Pan, dio de' pastori” - “Dunque fa degni, Orfeo” (Orfeo, Shepherd 1, Shepherd 2, chorus of Nymphs and Shepherds)
- Orfeo, favola in musica: Atto Secondo. “Vi ricorda, o bosch' ombrosi” (Orfeo)
- Orfeo, favola in musica: Atto Secondo. “Mira, deh mira, Orfeo, che d'ohni intorno” (Shepherd 2)
- Orfeo, favola in musica: Atto Secondo. “Ahi caso acerbo! ahi fat' empio e crudele!” (Messenger, Orfeo, Shepherds)
- Orfeo, favola in musica: Atto Secondo. “Tu se' morta, mia vita, ed io respiro?” (Orfeo)
- Orfeo, favola in musica: Atto Secondo. “Ahi caso acerbo, ahi fat' empio e crudele!” - “Ma io ch'in questa lingua” - Sinfonia (Messenger, chorus of Nymphs and Shepherds)
- Orfeo, favola in musica: Atto Secondo. “Chi ne consola, ahi lassi?” - “Ahi caso acerbo…” - “Ma dove, ah, dove or sono” - “Ahi caso acerbo…” - Ritornello (Shepherd 1, Shepherd 2, chorus of Nymphs and Shepherds)
Monteverdi: Orfeo (conclusion)
- Orfeo, favola in musica: Atto Terzo. Sinfonia - “Scorto da te, mio Nume” (Orfeo)
- Orfeo, favola in musica: Atto Terzo. “Ecco l'astra palude, ecco il nocchiero” - “Dove, ah, dove te 'n vai” (La Speranza, Orfeo)
- Orfeo, favola in musica: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte) (von Orchestre de l’Opéra de Lyon, Michel Corboz)
- Orfeo, favola in musica: Atto Terzo. “Possente spirto e formidabil Nume” (Orfeo)
- Orfeo, favola in musica: Atto Terzo. “Ben mi lusinga alquanto” - “Ahi, sventurato amante” - Sinfonia (Caronte, Orfeo)
- Orfeo, favola in musica: Atto Terzo. “Ei dorme, e la mia cetra” (Orfeo)
- Orfeo, favola in musica: Atto Terzo. Sinfonia - “Nulla impresa per uom si tenta invano” (chorus of Infernal Spirits)
- Orfeo, favola in musica: Atto Quarto. “Signor, quell'infelice” (Proserpina)
- Orfeo, favola in musica: Atto Quarto. “Benchè severo ed” - “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Proserpina, chorus of Infernal Spirits)
- Orfeo, favola in musica: Atto Quarto. “Ecco il gentil cantore” - “Qual onor di te fia degno” (Spirits, Orfeo)
- Orfeo, favola in musica: Atto Quarto. “Ahi, vista troppo dolce e troppo amara!” - “Torn'a l'ombre di morte” (Euridice, Spirit 1, Orfeo, chorus of Infernal Spirits)
- Orfeo, favola in musica: Atto Quarto. “E' la virtute un raggio” - Sinfonia (chorus of Infernal Spirits)
- Orfeo, favola in musica: Atto Quinto. Ritornello - “Questi i campi di Tracia…” - Sinfonia (Orfeo, Eco)
- Orfeo, favola in musica: Atto Quinto. “Perch'a lo sdegno ed al dolor in preda” (Apollo, Orfeo)
- Orfeo, favola in musica: Atto Quinto. “Saliam cantand' al cielo” (Apollo, Orfeo)
- Orfeo, favola in musica: Atto Quinto. “Vanne, Orfeo, felice appieno” - Moresca (chorus)
Purcell: Dido and Aeneas
- Dido and Aeneas, opera in three acts: Overture (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Dido and Aeneas, opera in three acts: Act 1. “Shake the cloud from off your brow” (Belinda, chorus)
- Dido and Aeneas, opera in three acts: Act 1. “Ah! Ah! Belinda, I am press'd with torment” (Dido)
- Dido and Aeneas, opera in three acts: Act 1. “Grief increases by concealing” (Belinda, Dido) / “When monarks unite, how happy their state” (chorus) / “Whence could so much virtue spring” (Dido, Belinda)
- Dido and Aeneas, opera in three acts: Act 1. “Fear no danger to ensue” (Belinda, Second Woman, chorus)
- Dido and Aeneas, opera in three acts: Act 1. “See, your royal guest appears” (Belinda, Aeneas, Dido) / “Cupid only throws the dart” (chorus)
- Dido and Aeneas, opera in three acts: Act 1. “If not for mine, for empire's sake” (Aeneas) / “Pursue thy conquest, Love” (Belinda) / “To the hills and the vales” (chorus)
- Dido and Aeneas, opera in three acts: Act 1. The Triumphing Dance (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Dido and Aeneas, opera in three acts: Act 2, Scene 1. Prelude for the Witches: “Ecco pur ch'a voi ritorno” (Sorceress, First Witch) / “Harm's our delight and mischief all our skill” (chorus)
- Dido and Aeneas, opera in three acts: Act 2, Scene 1. “The Queen of Carthage, whom we hate” (Sorceress) / “Ho, ho, ho” (chorus) / “Ruin'd ere the set of sun” (Witches, Sorceress) / “Ho, ho, ho” (chorus) / “But ere we this perform” (Witches)
- Dido and Aeneas, opera in three acts: Act 2, Scene 1. “In our deep-vaulted cell the charm we'll prepare” (chorus) / Echo Dance of Furies
- Dido and Aeneas, opera in three acts: Act 2, Scene 2. Ritornelle / “Thanks to these lonesome vales” (Belinda, chorus)
- Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Oft she visits this lone mountain” (Second Woman)
- Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Behold, upon my bending spear” (Aeneas, Dido) / “Haste, haste to town” (Belinda, chorus)
- Dido and Aeneas, opera in three acts: Act 2, Scene 2. “Stay, Prince, and hear great Jove's command” (Spirit, Aeneas)
- Dido and Aeneas, opera in three acts: Act 3. Prelude: “Come away, fellow sailors” (First Sailor, chorus) / The Sailor's Dance
- Dido and Aeneas, opera in three acts: Act 3. “See the flags and streamers curling” (Sorceress, Witches) / “Our next motion” (Sorceress)
- Dido and Aeneas, opera in three acts: Act 3. “Destruction's our delight” (chorus)
- Dido and Aeneas, opera in three acts: Act 3. The Witches' Dance (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Dido and Aeneas, opera in three acts: Act 3. “Your counsel all is urg'd in vain” (Dido, Belinda, Aeneas) / “Great minds against themselves conspire” (chorus)
- Dido and Aeneas, opera in three acts: Act 3. “Thy hand, Belinda, darkness shades me” (Dido)
- Dido and Aeneas, opera in three acts: Act 3. “When I am laid in earth” (Dido)
- Dido and Aeneas, opera in three acts: Act 3. Cupids' Dance: “With drooping wings ye Cupids come” (chorus)
Handel: Messiah, KV 572 (beginning)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!”
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II)
Handel: Messiah, KV 572 (conclusion)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus)
- Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus)
Bach: Mass in B minor, BWV 232 (beginning)
- Mass in B minor, BWV 232: Kyrie. I. Kyrie eleison I (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Kyrie. II. Christe eleison (soprano, mezzo-soprano)
- Mass in B minor, BWV 232: Kyrie. III. Kyrie eleison II (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Gloria. V. Et in terra pax (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Gloria. VI. Laudamus te (soprano)
- Mass in B minor, BWV 232: Gloria. VII. Gratias agimus tibi (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Gloria. VIII. Domine Deus (soprano, tenor)
- Mass in B minor, BWV 232: Gloria. IX. Qui tollis peccata mundi (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Gloria. X. Qui sedes ad dexteram Patris (mezzo-soprano)
- Mass in B minor, BWV 232: Gloria. XI. Quoniam tu solus sanctus (bass)
- Mass in B minor, BWV 232: Gloria. XII. Cum Sancto Spiritu (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
Bach: Mass in B minor, BWV 232 (conclusion)
- Mass in B minor, BWV 232: Credo. XIII. Credo in unum Deum (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Credo. XIV. Patrem omnipotentem (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Credo. XV. Et in unum Dominum (soprano, mezzo-soprano)
- Mass in B minor, BWV 232: Credo. XVI. Et incarnatus est (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Credo. XVII. Crucifixus (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Credo. XVIII. Et resurrexit (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Credo. XIX. Et in Spiritum Sanctum Dominum (baritone) (von Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Credo. XX. Confiteor (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Credo. XXI. Et expecto (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Sanctus. XXII. Sanctus (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Sanctus. XXIII. Osanna in excelsis (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Sanctus. XXIV. Benedictus (tenor)
- Mass in B minor, BWV 232: Sanctus. XXV. Osanna repetirur (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
- Mass in B minor, BWV 232: Sanctus. XXVI. Agnus Dei (mezzo-soprano)
- Mass in B minor, BWV 232: Sanctus. XXVII. Dona nobis pacem (chorus) (von Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz)
The Complete Erato Recordings: Classical & Romantic Eras (Compilation)
Martin: Golgotha (beginning)
- Golgotha: I. Chœur d'introduction (Chorus)
- Golgotha: II. Les Rameaux (Bass, Soprano, Alto, Tenor, Chorus, Jesus)
- Golgotha: III. Le Discours du Template (Chorus, Jesus, Soprano)
- Golgotha: IV. La Sainte Cène (Tenor, Jesus, Bass)
- Golgotha: V. Gethsémané (Alto, Tenor, Jesus, Bass, Soprano, Chorus)
Martin: Golgotha (end) / Et la vie l’emporta
- Golgotha: VI. Dialogue d'introduction: « Que dirais-je, que ferais-je ? » (Alto, Chorus)
- Golgotha: VII. Jésus devant le Sanhédrin (Chorus, Tenor, Bass, Jesus, Soprano, Alto)
- Golgotha: VIII. Jésus devant Pilate (Bass, Pilate, Chorus, Jesus)
- Golgotha: IX. Le Calvaire (Golgotha) (Chorus, Jesus, Tenor)
- Golgotha: X. Dialogue de conclusion: « O Mort ! Où est ton aiguillon ? » (Soprano, Alto, Tenor, Bass, Chorus)
- Et la vie l'emporta: I. Imploration
- Et la vie l'emporta: II. Combat
- Et la vie l'emporta: III. Offrande
Fauré: Requiem / Stravinsky: Les Noces
- Requiem, op. 48: I. Introit et Kyrie
- Requiem, op. 48: II. Offertoire
- Requiem, op. 48: III. Sanctus
- Requiem, op. 48: IV. Pie Jesu
- Requiem, op. 48: V. Agnus Dei
- Requiem, op. 48: VI. Libera me
- Requiem, op. 48: VII. In Paradisum
- Les Noces (French version by Charles Ferdinand Ramuz): Scène 1. La Tresse – The Tresses
- Les Noces (French version by Charles Ferdinand Ramuz): Scène 2. Chez le marié – At the Bridegroom’s House
- Les Noces (French version by Charles Ferdinand Ramuz): Scène 3. Le Départ de la mariée – The Bride’s Departure
- Les Noces (French version by Charles Ferdinand Ramuz): Scène 4. Le Repas de noces – The Wedding Feast
Puccini: Messa di Gloria
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Kyrie (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - In terra pax - Laudamus te (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gratias agimus tibi
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - Domine Deus, Rex coelestis (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Qui tollis peccata mundi (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Quoniam tu solus Sanctus (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Gloria. Cum Sancto Spiritu in gloria Patris - Gloria in excelsis Deo (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Credo in unum Deum (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et incarnatus est (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, William Johns, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Crucifixus (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et resurrexit (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et unam sanctam catholicam (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Et expecto resurrectionem (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Sanctus (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Benedictus (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Agnus Dei (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Philippe Huttenlocher, William Johns, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
Brahms: Motet op. 74 no. 1 / Marienlieder & Other Lieder
- Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Warum ist das Licht gegeben dem Mühseligen?” (Langsam und ausdrucksvoll)
- Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Lasset uns unser Herz samt den Händen aufheben” (Wenig bewegter)
- Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Siehe wir preisen selig, die erduldet haben” (Langsam und sanft)
- Motet “Warum ist das Licht gegeben dem Mühseligen?”, op. 74 no. 1: “Mit Fried und Freud ich fahr' dahin” (Chorale)
- Marienlieder, op. 22: Der englische Gruss
- Marienlieder, op. 22: Marias Kirchgang
- Marienlieder, op. 22: Marias Wallfahrt
- Marienlieder, op. 22: Der Jager 2.4
- Marienlieder, op. 22: Ruf zur Maria
- Marienlieder, op. 22: Magdalena
- Marienlieder, op. 22: Marias Lob
- Lieder, op. 62: No. 1 Rosmarin
- Lieder, op. 62: No. 3 Waldesnacht
- Lieder, op. 62: No. 4 Dein Herzlein mild
- Lieder, op. 62: No. 7 Vergangen ist mir Glück und Heil
- Lieder und Romanzen, op. 93a: No. 1 Der bucklichte Fiedler
- Lieder und Romanzen, op. 93a: No. 3 O süsser Mai
- Lieder und Romanzen, op. 93a: No. 6 Beherzigung
- Deutsche Volkslieder, WoO 34: No. 8 In Stiller Nacht, zur ersten Wacht
- Deutsche Volkslieder, WoO 34: No. 9 Abschiedslied
- Abschiedslieder, op. 104: No. 5 Im Herbst
Mozart: Requiem (1975)
- Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano) / II. Kyrie eleison (Chorus)
- Requiem in D minor, K. 626: III. Sequentia. Dies irae (Chorus)
- Requiem in D minor, K. 626: III. Sequentia. Tuba mirum (Solo Quartet)
- Requiem in D minor, K. 626: III. Sequentia. Rex tremendae (Chorus)
- Requiem in D minor, K. 626: III. Sequentia. Recordare (Solo Quartet)
- Requiem in D minor, K. 626: III. Sequentia. Confutatis (Chorus)
- Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus)
- Requiem in D minor, K. 626: IV. Offertorium. Domine Jesu Christe (Chorus, Solo Quartet)
- Requiem in D minor, K. 626: IV. Offertorium. Hostias et preces tibi (Chorus)
- Requiem in D minor, K. 626: V. Sanctus (Chorus)
- Requiem in D minor, K. 626: VI. Benedictus (Solo Quartet, Chorus)
- Requiem in D minor, K. 626: VII. Agnus Dei (Chorus)
- Requiem in D minor, K. 626: VIII. Communio. Lux aeterna (Soprano, Chorus)
Haydn: 3 Keyboard Concertos Hob. XVIII: 3, 9 & 11
- Keyboard Concerto in D major, Hob. XVIII:11: I. Vivace
- Keyboard Concerto in D major, Hob. XVIII:11: II. Un poco adagio
- Keyboard Concerto in D major, Hob. XVIII:11: III. Allegro assai
- Keyboard Concerto in G major, Hob. XVIII:9: I. Allegro
- Keyboard Concerto in G major, Hob. XVIII:9: II. Adagio
- Keyboard Concerto in G major, Hob. XVIII:9: III. Tempo di minuetto
- Keyboard Concerto in F major, Hob. XVIII:3: I. Allegro
- Keyboard Concerto in F major, Hob. XVIII:3: II. Largo cantabile
- Keyboard Concerto in F major, Hob. XVIII:3: III. Presto
Haydn: Theresienmesse
- Theresienmesse, Hob. XXII:12: Kyrie
- Theresienmesse, Hob. XXII:12: Gloria. Gloria in excelsis Deo
- Theresienmesse, Hob. XXII:12: Gloria. Gratias agimus tibi
- Theresienmesse, Hob. XXII:12: Gloria. Quaniam tu solus Sanctus
- Theresienmesse, Hob. XXII:12: Credo. Credo in unum Deum
- Theresienmesse, Hob. XXII:12: Credo. Et incarnatus est
- Theresienmesse, Hob. XXII:12: Credo. Et resurrexit
- Theresienmesse, Hob. XXII:12: Credo. Et vitam venturi saeculi
- Theresienmesse, Hob. XXII:12: Sanctus. Sanctus Dominus
- Theresienmesse, Hob. XXII:12: Sanctus. Pleni sunt coeli et terra
- Theresienmesse, Hob. XXII:12: Benedictus
- Theresienmesse, Hob. XXII:12: Agnus Dei. Agnus Dei
- Theresienmesse, Hob. XXII:12: Agnus Dei. Dona nobis pacem
Mendelssohn: Psalms 42 & 95
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: I. Chorus: “Wie der Hirsch schreit” (Chorus) (von Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz)
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: II. Aria: “Meine Seele dürstet nach Gott” (Soprano I)
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: III. Recitative: “Meine Tränen sind Meine speise” (Soprano I)
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: IV. Aria and Chorus: “Denn ich wollte gern hingehen” (Soprano I, Chorus)
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: V. Chorus: “Was betrübst du dich, meine Seele” (Chorus) (von Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz)
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VI. Recitative: “Meine Gott, betrübt ist meine Seele” (Soprano I)
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VII. Quintet: “Der Herr hat des Tages” (Chorus, Soprano I)
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VIII. Schlusschor: “Was betrübst du dich, meine Seele” (Chorus) (von Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz)
- Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: I. “Kommt, lasst uns anbeten” (Chorus, Tenor)
- Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: II. “Kommt, herzu” (Chorus, Soprano I)
- Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: III. “Denn in seiner Hand” (Soprano I & II)
- Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: IV. “Denn sein ist das Meer” (Chorus, Tenor)
- Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: V. “Heute, so ihr seine Stimme höret” (Chorus, Tenor)
Mozart: Great Mass in C minor
- Great Mass in C minor, K. 427/417a: Kyrie (Chorus, Soprano I)
- Great Mass in C minor, K. 427/417a: Gloria. Gloria in excelsis Deo (Chorus)
- Great Mass in C minor, K. 427/417a: Gloria. Laudamus Te (Soprano II)
- Great Mass in C minor, K. 427/417a: Gloria. Gratias agimus tibi (Chorus)
- Great Mass in C minor, K. 427/417a: Gloria. Domine Deus (Sopranos I & II)
- Great Mass in C minor, K. 427/417a: Gloria. Qui tollis peccata mundi (Chorus)
- Great Mass in C minor, K. 427/417a: Gloria. Quoniam tu solus sanctus (Sopranos I & II, Tenor)
- Great Mass in C minor, K. 427/417a: Gloria. Jesu Christe (Chorus)
- Great Mass in C minor, K. 427/417a: Gloria. Cum Sancto Spiritu (Chorus)
- Great Mass in C minor, K. 427/417a: Credo: Credo in unum Deum (Chorus)
- Great Mass in C minor, K. 427/417a: Credo: Et incarnatus est (Chorus)
- Great Mass in C minor, K. 427/417a: Sanctus (Chorus)
- Great Mass in C minor, K. 427/417a: Benedictus (Solo Quartet, Chorus)
Mendelssohn: Psalms 98 & 115 / Lauda Sion
- Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: I. Chorus: “Nicht unserm Namen, Herr” (von Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: II. Duet with Chorus: “Israel hofft auch dich” (Soprano, Tenor, Chorus)
- Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: III. Arioso: “Er segne euch je mehr und mehr” (Baritone) (von Philippe Huttenlocher, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Psalm 115 “Nicht unserm Namen, Herr”, op. 31, MWV A9: IV. Chorus: “Die Todten werden dich nicht loben” (von Chœur Symphonique de la Fondation Gulbenkian de Lisbonne, Orchestre de la Fondation Gulbenkian de Lisbonne, Michel Corboz)
- Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: I. “Singet dem Herrn ein neues Lied”
- Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: II. “Jauchzet dem Herrn”
- Psalm 98 “Singet dem Herrn ein neues Lied”, op. 91, MWV A23: III. “Es wird den Erdkreis richten”
- Lauda Sion, op. 73, MWV A24: I. Chorus: “Lauda Sion Salvatorem”
- Lauda Sion, op. 73, MWV A24: II. Chorus: “Laudis thema specialis”
- Lauda Sion, op. 73, MWV A24: III. Aria & Chorus: “Sit laus plena sit sonora” (Soprano, Chorus)
- Lauda Sion, op. 73, MWV A24: IV. Quartet: “In hac mensa novi regis” (Soloists)
- Lauda Sion, op. 73, MWV A24: V. Chorus: “Docti sacris institutis”
- Lauda Sion, op. 73, MWV A24: VI. Aria: “Caro cibus, sanguis potus” (Soprano)
- Lauda Sion, op. 73, MWV A24: VII. Aria & Chorus: “Sumit unus, sumunt mille” (Soloists, Chorus)
Schubert: Stabat Mater / Offertorium / Magnificat
- Stabat Mater in F minor, D. 383: I. Chorus: “Jesus Christus schwebt am Kreuze!”
- Stabat Mater in F minor, D. 383: II. Aria: “Bei des Mittlers Kreuze standen bang” (Soprano)
- Stabat Mater in F minor, D. 383: III. Chorus: “Liebend neiget er sein Antlitz”
- Stabat Mater in F minor, D. 383: IV. Duet: “Engel freuten sich der Wonne” (Soprano, Tenor)
- Stabat Mater in F minor, D. 383: V. Chorus: “Wer wird Zähren”
- Stabat Mater in F minor, D. 383: VI. Aria: “Ach, was hätten wir empfunden” (Tenor)
- Stabat Mater in F minor, D. 383: VII. Chorus: “Erben sollen sie am Throne”
- Stabat Mater in F minor, D. 383: VIII. Aria: “Sohn des Vaters, aber leiden” (Bass)
- Stabat Mater in F minor, D. 383: IX. Chorus: “O du herrlicher”
- Stabat Mater in F minor, D. 383: X. Trio: “Erdenfreuden und ihr Elend” (Soprano, Tenor, Bass)
- Stabat Mater in F minor, D. 383: XI. Trio with Chorus: “Dass dereinst wir, wenn im Tode” (Soprano, Tenor, Bass, Chorus)
- Stabat Mater in F minor, D. 383: XII. Chorus: “Amen”
- Offertorium, D. 963
- Magnificat, D. 486
Haydn: Stabat Mater in G minor
- Stabat Mater in G minor, Hob. XXbis: I. Stabat Mater (Chorus)
- Stabat Mater in G minor, Hob. XXbis: II. O quam tristis et afflicta (Alto)
- Stabat Mater in G minor, Hob. XXbis: III. Quis est homo (Chorus)
- Stabat Mater in G minor, Hob. XXbis: IV. Quis non posset (Soprano)
- Stabat Mater in G minor, Hob. XXbis: V. Pro peccatis suae gentis (Bass)
- Stabat Mater in G minor, Hob. XXbis: VI. Vidit suum dulcem natum (Tenor)
- Stabat Mater in G minor, Hob. XXbis: VII. Eja Mater, fons amoris (Chorus)
- Stabat Mater in G minor, Hob. XXbis: VIII. Sancta Mater, istud agas (Soprano, Tenor)
- Stabat Mater in G minor, Hob. XXbis: IX. Fac me vere tecum flere (Alto)
- Stabat Mater in G minor, Hob. XXbis: X. Virgo virginum praeclara (Soloists, Chorus)
- Stabat Mater in G minor, Hob. XXbis: XI. Flammis orci ne succendar (Bass)
- Stabat Mater in G minor, Hob. XXbis: XII. Fac me cruce custodiri (Tenor)
- Stabat Mater in G minor, Hob. XXbis: XIII. Quando corpus morietur (Soprano, Mezzo-soprano, Chorus) / Paradisi gloria (Soprano, Chorus)
Mendelssohn: Elias (beginning)
- Elias, op. 70, MWV A25: Part 1. Einleitung: “So wahr der Herr” (Bass)
- Elias, op. 70, MWV A25: Part 1. Ouverture
- Elias, op. 70, MWV A25: Part 1. No. 1 Chorus and Recitative: “Willst du uns denn gar vertilgen” - “Hilf, Herr!” (Chorus)
- Elias, op. 70, MWV A25: Part 1. No. 2 Duet with Chorus: “Herr, höre unser Gebet!” (Soprano, Alto)
- Elias, op. 70, MWV A25: Part 1. No. 3 Recitative: “Zerreißet eure Herzen” (Tenor)
- Elias, op. 70, MWV A25: Part 1. No. 4 Aria: “So ihr mich von ganzem Herzen suchet” (Tenor)
- Elias, op. 70, MWV A25: Part 1. No. 5 Chorus: “Aber der Herr sieht es nicht”
- Elias, op. 70, MWV A25: Part 1. No. 6 Recitative: “Elias! Gehe weg von hinnen” (Alto)
- Elias, op. 70, MWV A25: Part 1. No. 7a Double Quartet: “Denn er hat seinen Engeln befohlen” (Soprano, Alto, Tenor, Bass, Chorus)
- Elias, op. 70, MWV A25: Part 1. No. 7b Recitative: “Nun auch der Bach vertrocknet ist” (Soprano)
- Elias, op. 70, MWV A25: Part 1. No. 8 Recitative, Aria and Duet: “Was hast du an mir getan” (Soprano, Bass)
- Elias, op. 70, MWV A25: Part 1. No. 9 Chorus: “Wohl dem, der den Herrn fürchtet”
- Elias, op. 70, MWV A25: Part 1. No. 10 Recitative with Chorus: “So wahr der Herr Zebaoth lebet” (Bass, Chorus)
- Elias, op. 70, MWV A25: Part 1. No. 11 Chorus: “Baal, erhöre uns!”
- Elias, op. 70, MWV A25: Part 1. No. 12 Recitative and Chorus: “Rufet lauter! Denn er ist ja Gott!” (Bass, Chorus)
- Elias, op. 70, MWV A25: Part 1. No. 13 Recitative and Chorus: “Rufet lauter! Er hört euch nicht!” (Bass, Chorus)
- Elias, op. 70, MWV A25: Part 1. No. 14 Aria: “Kommt her, alles Volk” - “Herr Gott Abrahams” (Bass)
- Elias, op. 70, MWV A25: Part 1. No. 15 Quartet: “Wirf dein Anliegen auf den Herrn” (Soprano, Alto, Tenor, Bass)
- Elias, op. 70, MWV A25: Part 1. No. 16 Recitative with Chorus: “Der du deine Diener machst zu Geistern” (Bass)
- Elias, op. 70, MWV A25: Part 1. No. 17 Aria: “Ist nicht des Herrn Wort wie ein Feuer” (Bass)
- Elias, op. 70, MWV A25: Part 1. No. 18 Arioso: “Weh ihnen, dass sie von mir weichen!” (Alto)
- Elias, op. 70, MWV A25: Part 1. No. 19 Recitative with Chorus: “Hilf deinem Volk, du Mann Gottes!” (Tenor, Bass, Chorus, Soprano)
- Elias, op. 70, MWV A25: Part 1. No. 20 Chorus: “Dank sei dir Gott”
Mendelssohn: Elias (conclusion)
- Elias, op. 70, MWV A25: Part 2. No. 21 Arias and Recitative: “Höre, Israel, höre des Herrn Stimme!” (Soprano)
- Elias, op. 70, MWV A25: Part 2. No. 22 Chorus: “Fürchte dich nicht, spricht unser Gott”
- Elias, op. 70, MWV A25: Part 2. No. 23 Recitative with Chorus: “Der Herr hat dich erhoben” (Bass, Chorus)
- Elias, op. 70, MWV A25: Part 2. No. 24 Chorus: “Wehe ihm! Er muss sterben!”
- Elias, op. 70, MWV A25: Part 2. No. 25 Recitative: “Du Mann Gottes” (Tenor)
- Elias, op. 70, MWV A25: Part 2. No. 26 Aria: “Es ist genug!” (Bass)
- Elias, op. 70, MWV A25: Part 2. No. 27 Recitative: “Siehe, er schläft” (Tenor)
- Elias, op. 70, MWV A25: Part 2. No. 28 Trio: “Hebe deine Augen auf zu den Bergen” (Soprano, Soprano II, Alto)
- Elias, op. 70, MWV A25: Part 2. No. 29 Chorus: “Siehe, der Hüter Israels”
- Elias, op. 70, MWV A25: Part 2. No. 30 Recitative: “Stehe auf, Elias” (Alto)
- Elias, op. 70, MWV A25: Part 2. No. 31 Aria: “Sei stille dem Herrn” (Alto)
- Elias, op. 70, MWV A25: Part 2. No. 32 Chorus: “Wer bis an das Ende beharrt”
- Elias, op. 70, MWV A25: Part 2. No. 33 Recitative: “Herr, es wird Nacht um mich” (Bass)
- Elias, op. 70, MWV A25: Part 2. No. 34 Chorus: “Der Herr ging vorüber”
- Elias, op. 70, MWV A25: Part 2. No. 35 Recitative: “Seraphim standen über ihm” (Alto) - Quartet with Chorus: “Heilig ist Gott der Herr” (Soprano, Alto, Tenor, Bass, Chorus)
- Elias, op. 70, MWV A25: Part 2. No. 36 Chorus & Recitative: “Gehe wiederum hinab!” (Chorus)
- Elias, op. 70, MWV A25: Part 2. No. 37 Arioso: “Ja, es sollen wohl Berge weichen” (Bass)
- Elias, op. 70, MWV A25: Part 2. No. 38 Chorus: “Und der Prophet Elias brach hervor”
- Elias, op. 70, MWV A25: Part 2. No. 39 Aria: “Dann werden die Gerechten leuchten” (Tenor)
- Elias, op. 70, MWV A25: Part 2. No. 40 Recitative: “Darum ward gesendet der Prophet Elias” (Soprano)
- Elias, op. 70, MWV A25: Part 2. No. 41a Chorus: “Aber einer erwacht von Mitternacht”
- Elias, op. 70, MWV A25: Part 2. No. 41b Quartet: “Wohlan, alle, die ihr durstig seid” (Soprano, Alto, Tenor, Bass)
- Elias, op. 70, MWV A25: Part 2. No. 42 Schlusschor: “Alsdann wird euer Licht hervorbrechen”
Duruflé: Requiem
- Requiem, op. 9: I. Introit (Chorus)
- Requiem, op. 9: II. Kyrie (Chorus)
- Requiem, op. 9: III. Domine Jesu Christe (Baritone, Chorus)
- Requiem, op. 9: IV. Sanctus (Chorus)
- Requiem, op. 9: V. Pie Jesu (Mezzo-soprano, Chorus)
- Requiem, op. 9: VI. Agnus Dei (Chorus)
- Requiem, op. 9: VII. Lux aeterna (Chorus)
- Requiem, op. 9: VIII. Libera me (Baritone, Chorus)
- Requiem, op. 9: IX. In Paradisum (Chorus)
- Quatre Motets sur des thèmes grégoriens, op. 10: I. Ubi caritas et amor
- Quatre Motets sur des thèmes grégoriens, op. 10: II. Tota pulchra es
- Quatre Motets sur des thèmes grégoriens, op. 10: III. Tu es Petrus
- Quatre Motets sur des thèmes grégoriens, op. 10: IV. Tantum Ergo
Brahms: Ein deutsches Requiem (1986)
- Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”
- Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”
- Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich”
- Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!”
- Ein deutsches Requiem, op. 45: V. “Ihr habt nun Trarigkeit”
- Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”
- Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”
Mendelssohn: Paulus (beginning)
- Paulus, op. 36, MWV A14: Ouvertüre
- Paulus, op. 36, MWV A14: Part 1. No. 1 Chorus: “Herr, der du bist der Gott”
- Paulus, op. 36, MWV A14: Part 1. No. 2 Choral: “Allein Gott in der Höh' sei Ehr”
- Paulus, op. 36, MWV A14: Part 1. No. 3 Recitative and Duet: “Die Menge der Gläubigen” (Soprano, Bass)
- Paulus, op. 36, MWV A14: Part 1. No. 4 Chorus: “Dieser Mensch hört nicht auf zu reden Lästerworte”
- Paulus, op. 36, MWV A14: Part 1. No. 5 Recitative with Chorus: “Und sie sahen auf ihn alle” (Soprano, Tenor, Chorus)
- Paulus, op. 36, MWV A14: Part 1. No. 6 Aria: “Jerusalem, die du tötest die Propheten” (Soprano)
- Paulus, op. 36, MWV A14: Part 1. No. 7 Recitative and Chorus: “Sie aber stürmtenauf ihn ein” (Tenor, Chorus)
- Paulus, op. 36, MWV A14: Part 1. No. 8 Recitative and Choral: “Und sie steinigten ihn” (Tenor, Chorus)
- Paulus, op. 36, MWV A14: Part 1. No. 9 Recitative: “Und die Zeugen legten ab ihre Kleider” (Soprano) / No. 10 Chorus: “Siehe! Wir preisen selig”
- Paulus, op. 36, MWV A14: Part 1. No. 11 Recitative: “Saulus aber zerstörte die Gemeinde” (Tenor) / Aria: “Vertilge sie, Herr Zebaoth”
- Paulus, op. 36, MWV A14: Part 1. No. 12 Recitative: “Und zog mit einer Schar” / Arioso: “Doch der Herr vergisst die seinen nicht” (Alto)
- Paulus, op. 36, MWV A14: Part 1. No. 13 Recitative with Chorus: “Und als er auf dem Wege war” - “Saul, was verfolgst du mich?” (Tenor, Bass, Chorus)
- Paulus, op. 36, MWV A14: Part 1. No. 14 Chorus: “Mache dich auf! Werde Licht!” / No. 15 Choral: “Wachet auf! Ruft uns die Stimme”
- Paulus, op. 36, MWV A14: Part 1. No. 16 Recitative: “Die Männer aber, die seine Gafährten waren” (Tenor)
- Paulus, op. 36, MWV A14: Part 1. No. 17 Aria: “Gott sei mir gnädig nach deiner Güte” (Bass)
- Paulus, op. 36, MWV A14: Part 1. No. 18 Recitative: “Es war aber ein Jünger zu Damaskus” (Tenor, Soprano)
- Paulus, op. 36, MWV A14: Part 1. No. 19 Aria with Chorus: “Ich danke dir, Herr mein Gott” (Bass, Chorus)
- Paulus, op. 36, MWV A14: Part 1. No. 20 Recitative: “Und Ananias ging hin” (Soprano, Tenor) / No. 21 Chorus: “O welch eine Tiefe des Reichtums”
Mendelssohn: Paulus (end) / “Lass’, o Herr, mich Hülfe finden”
- Paulus, op. 36, MWV A14: Part 2. No. 22: “Der Erdkreis ist nun des Herrn”
- Paulus, op. 36, MWV A14: Part 2. No. 23 Recitative: “Und Paulus Kam zu der Gemeinde” (Soprano) / No. 24 Duettino: “So sind wir nun Botschafter” (Tenor, Bass)
- Paulus, op. 36, MWV A14: Part 2. No. 25 Chorus: “Wie lieblich sind die Boten”
- Paulus, op. 36, MWV A14: Part 2. No. 26 Recitative: “Und wie sie ausgesandt” / Arioso: “Lasst uns singen von der Grande des Herrn” (Soprano)
- Paulus, op. 36, MWV A14: Part 2. No. 27 Recitative and Chorus: “Da aber die Juden das Volk sahen” (Tenor, Chorus) / No. 28 Chorus & Choral: “Ist das nicht, der zu Jerusalem”
- Paulus, op. 36, MWV A14: Part 2. No. 28 Recitative: “Paulus aber und Barnabas sprachen” / No. 30 Duet: “Denn also hat uns der Herr geboten” (Tenor, Bass)
- Paulus, op. 36, MWV A14: Part 2. No. 31 Recitative: “Und es war ein Mann” / No. 32 Chorus: “Die Götter sind den Menschen” / No. 33 Recitative: “Und nannten Barnabas” (Soprano, Chorus)
- Paulus, op. 36, MWV A14: Part 2. No. 34 Chorus: “Seid uns gnädig, hohe Götter”
- Paulus, op. 36, MWV A14: Part 2. No. 35 Recitative and Aria: “Da das die Apostel hörten” / Chorus: “Aber unser Gott ist im Himmel” (Tenor, Bass, Chorus)
- Paulus, op. 36, MWV A14: Part 2. No. 36 Recitative: “Da ward das Volk erreget” / No. 37 Chorus: “Hier ist des Herren Tempel” / No. 38 Recitative: “Und sie alle verfolgten Paulus” (Soprano)
- Paulus, op. 36, MWV A14: Part 2. No. 39 Cavatine: “Sei getreu bis in den Tod” (Tenor, Chorus)
- Paulus, op. 36, MWV A14: Part 2. No. 40 Recitative: “Paulus sandte hin und ließ fordern” (Soprano, Bass) / No. 41 Chorus and Recitative: “Schone doch deiner selbst” (Chorus, Bass, Tenor)
- Paulus, op. 36, MWV A14: Part 2. No. 42 Chorus: “Sehet, welch eine Liebe hat uns der Vater erzeiget”
- Paulus, op. 36, MWV A14: Part 2. No. 43 Recitative: “Und wenn er gleich geopfert wird” (Soprano) / No. 44 Schlusschor: “Nicht aber ihm allein” (Chorus)
- “Lass', o Herr, mich Hülfe finden”, op. 96: “Lass', o Herr, mich Hülfe finden”
- “Lass', o Herr, mich Hülfe finden”, op. 96: Chorale
- “Lass', o Herr, mich Hülfe finden”, op. 96: “Herr, wir trau'n auf deine Güte”
- “Lass', o Herr, mich Hülfe finden”, op. 96: Fuga
Mendelssohn: Christus / Psalms 55 & 114 / Ave Maria / Te Deum…
- Christus, op. 97, MWV A26: I. (a) Recitative: “Da Jesus geboren ward zu Bethlehem” (Soprano) / Trio: “Wo ist der neugeboren König” (Tenor, Basses I & II)
- Christus, op. 97, MWV A26: I. (b) Chorus: “Es wird ein Stern aus Jacob aufgehn” (Chorus)
- Christus, op. 97, MWV A26: II. (a) Recitative: “Und der granze Haufe stand auf” (Tenor) / Chorus: “Diesen finden wir”
- Christus, op. 97, MWV A26: II. (b) Choral: “Er nimmt auf seinen Rücken”
- Psalm 55 “Hör mein Bitten, Herr”, WoO 15, MWV B49 (orch. 1847)
- Kirchenmusik, op. 23: No. 3 “Mitten wir im Leben sind” (Martin Luther), MWV B21
- Kirchenmusik, op. 23: No. 2 Ave Maria, MWV B19
- “Verleih' uns Frieden”, WoO 5, MWV A11
- Te Deum in A major, WoO 29, MWV B25
- Psalm 114 “Da Israel aus Aegypten zog”, op. 51
Rossini: Petite messe solennelle
- Petite messe solennelle: I. Kyrie - Christe (Soli, Chorus)
- Petite messe solennelle: II. Gloria - Laudamus te (Soli, Chorus)
- Petite messe solennelle: III. Gratias (Contralto, Tenor, Bass)
- Petite messe solennelle: IV. Domine Deus (Tenor)
- Petite messe solennelle: V. Qui tollis (Soprano, Contralto)
- Petite messe solennelle: VI. Quoniam (Bass)
- Petite messe solennelle: VII. Cum Sancto Spiritu (Soli, Chorus)
- Petite messe solennelle: VIII. Credo (Soli, Chorus)
- Petite messe solennelle: IX. Crucifixus (Soprano)
- Petite messe solennelle: X. Et resurrexit (Soli, Chorus)
- Petite messe solennelle: XI. Preludio religioso (keyboard)
- Petite messe solennelle: XII. Ritournelle (Harmonium) - Sanctus (Soli, Chorus)
- Petite messe solennelle: XIII. O Salutaris (Soprano)
- Petite messe solennelle: XIV. Agnus Dei (Contralto, Chorus)
Gounod: Messe chorale / Saint‐Saëns: Messe à quatre voix
- Messe chorale: I. Prélude - Kyrie
- Messe chorale: II. Intonation - Gloria
- Messe chorale: III. Intonation - Credo
- Messe chorale: IV. Sanctus - Benedictus
- Messe chorale: V. Agnus Dei
- Messe à quatre voix, op. 4: I. Kyrie
- Messe à quatre voix, op. 4: II. Gloria
- Messe à quatre voix, op. 4: III. Credo
- Messe à quatre voix, op. 4: IV. Sanctus
- Messe à quatre voix, op. 4: V. O salutaris
- Messe à quatre voix, op. 4: VI. Agnus Dei
Beethoven: Mass in C major / Meeresstille und glückliche Fahrt
- Mass in C major, op. 86: I. Kyrie (Soli, Chorus)
- Mass in C major, op. 86: II. Gloria (Soli, Chorus)
- Mass in C major, op. 86: III. Credo (Soli, Chorus)
- Mass in C major, op. 86: IV. Sanctus (Chorus)
- Mass in C major, op. 86: V. Benedictus (Soli, Chorus)
- Mass in C major, op. 86: VI. Agnus Dei (Soli, Chorus)
- Meeresstille und glückliche Fahrt, op. 112
Schumann: Requiem für Mignon / Mass in C minor
- Requiem für Mignon, op. 98b
- Mass in C minor, op. 147: I. Kyrie (Chorus) (von Coro Gulbenkian, Orquestra Gulbenkian, Michel Corboz)
- Mass in C minor, op. 147: II. Gloria (Soprano, Chorus)
- Mass in C minor, op. 147: III. Credo (Chorus) (von Coro Gulbenkian, Orquestra Gulbenkian, Michel Corboz)
- Mass in C minor, op. 147: IV. Offertorium (Soprano)
- Mass in C minor, op. 147: V. Sanctus (Tenor, Bass, Chorus)
- Mass in C minor, op. 147: VI. Agnus Dei (Chorus) (von Coro Gulbenkian, Orquestra Gulbenkian, Michel Corboz)
Mendelssohn: Die erste Walpurgisnacht / “O Haupt voll Blut und Wunden” / Kyrie in D minor
- Die erste Walpurgisnacht, op. 60, MWV D3: Overture: Das schlechte Wetter - Der Übergang zum Frühling
- Die erste Walpurgisnacht, op. 60, MWV D3: No. 1 “Es lacht der Mai!” (Allegro vivace non troppo) (Tenor, Chorus)
- Die erste Walpurgisnacht, op. 60, MWV D3: No. 2 “Könnt ihr so verwegen handeln?” (Allegro non troppo) (Alto, Chorus)
- Die erste Walpurgisnacht, op. 60, MWV D3: No. 3 “Wer Opfer heut' zu bringen” (Andante maestoso) (Baritone, Chorus)
- Die erste Walpurgisnacht, op. 60, MWV D3: No. 4 “Verteilt euch” (Allegro leggiero) (Chorus)
- Die erste Walpurgisnacht, op. 60, MWV D3: No. 5 Recitative: “Diese dumpfen Pfaffenchristen” (Allegro moderato) (Bass, Chorus)
- Die erste Walpurgisnacht, op. 60, MWV D3: No. 6 “Kommt mit Zacken und mit Gabeln!” (Chorus)
- Die erste Walpurgisnacht, op. 60, MWV D3: No. 7 “So weit gebracht” (Andante maestoso) (Baritone, Chorus)
- Die erste Walpurgisnacht, op. 60, MWV D3: No. 8 “Hilf, ach hilf mir, Kriegsgeselle!” (Allegro molto) (Tenor, Chorus)
- Die erste Walpurgisnacht, op. 60, MWV D3: No. 9 “Die Flamme reinigt sich vom Rauch” (Andante maestoso) (Baritone, Chorus)
- O Haupt voll Blut und Wunden, MWV A8: No. 1 “O Haupt voll Blut und Wunden” (Chorus)
- O Haupt voll Blut und Wunden, MWV A8: No. 2 “Du, dessen Todeswunden” (Bass)
- O Haupt voll Blut und Wunden, MWV A8: No. 3 Choral: “Ich will hier bei dir stehen” (Chorus)
- Kyrie in D minor, MWV A3
Honegger: La Danse des morts / Une Cantate de Noël
- La Danse des morts: I. Introduction / II. Dialogue (Speaker, Choir) (von Arthur Honegger)
- La Danse des morts: III. Lamento (Baritone solo) (von Arthur Honegger)
- La Danse des morts: IV. Sanglots (Choir) (von Arthur Honegger)
- La Danse des morts: V. La Réponse de Dieu (Speaker, Orchestra) (von Arthur Honegger)
- La Danse des morts: VI. Espérance dans la Croix (Soprano, Alto solo, Baritone, Choir) (von Arthur Honegger)
- Une Cantate de Noël (von Arthur Honegger)
Brahms: Ein deutsches Requiem (1989)
- Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”
- Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”
- Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich”
- Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth”
- Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”
- Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”
- Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”
Vierne, A. Alain, Langlais: Masses
- Messe solennelle in C-sharp minor, op. 16: I. Kyrie eleison (von Louis Vierne)
- Messe solennelle in C-sharp minor, op. 16: II. Gloria in excelsis Deo (von Louis Vierne)
- Messe solennelle in C-sharp minor, op. 16: III. Sanctus (von Louis Vierne)
- Messe solennelle in C-sharp minor, op. 16: IV. Benedictus (von Louis Vierne)
- Messe solennelle in C-sharp minor, op. 16: V. Agnus Dei (von Louis Vierne)
- Messe en l'honneur de saint Louis, op. 16: I. Kyrie eleison (von Albert Alain)
- Messe en l'honneur de saint Louis, op. 16: II. Gloria in excelsis Deo (von Albert Alain)
- Messe en l'honneur de saint Louis, op. 16: III. Sanctus (von Albert Alain)
- Messe en l'honneur de saint Louis, op. 16: IV. Benedictus (von Albert Alain)
- Messe en l'honneur de saint Louis, op. 16: V. Agnus Dei (von Albert Alain)
- Messe solennelle, op. 67: I. Kyrie eleison (von Jean Langlais)
- Messe solennelle, op. 67: II. Gloria in excelsis Deo (von Jean Langlais)
- Messe solennelle, op. 67: III. Sanctus (von Jean Langlais)
- Messe solennelle, op. 67: IV. Benedictus (von Jean Langlais)
- Messe solennelle, op. 67: V. Agnus Dei (von Jean Langlais)
Fauré: Requiem / Cantique de Jean Racine / 5 Motets / Messe basse
- Requiem, op. 48: I. Introit et Kyrie
- Requiem, op. 48: II. Offertoire
- Requiem, op. 48: III. Sanctus
- Requiem, op. 48: IV. Pie Jesu
- Requiem, op. 48: V. Agnus Dei
- Requiem, op. 48: VI. Libera me
- Requiem, op. 48: VII. In Paradisum
- Cantique de Jean Racine, op. 11 (von Ensemble Vocal de Lausanne, Michel Corboz)
- Maria Mater gratiae, op. 47 (von Ensemble Vocal de Lausanne, Michel Corboz)
- Ave verum, op. 65 no. 1
- Tantum ergo, op. 65 no. 2
- Tu es Petrus
- Tantum ergo
- Messe basse: I. Kyrie
- Messe basse: II. Sanctus
- Messe basse: III. Benedictus
- Messe basse: IV. Agnus Dei
Puccini: Messa di Gloria / Poulenc: Gloria
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Kyrie
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gloria in excelsis Deo / Et in Terra pax / Laudamus te
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gratias agimus tibi
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Gloria in excelsis Deo / Domine Deus, Rex coelestis
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Qui tollis peccata mundi
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Quoniam tu solus sanctus
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Gloria. Cum Sancto Spiritu in gloria Patris / Gloria in excelsis Deo
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Credo in unum Deum
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et incarnatus est
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Crucifixus
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et resurrexit
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et unam sanctam catholicam
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Credo. Et expecto resurrectionem
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Sanctus
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Benedictus
- Messa a quattro voci (Messa di Gloria), op. posth., SC 6: Agnus Dei
- Gloria, FP 177: I. Gloria
- Gloria, FP 177: II. Laudamus Te
- Gloria, FP 177: III. Domine Deus
- Gloria, FP 177: IV. Domine filii unigenite
- Gloria, FP 177: V. Domine Deus, Agnus Dei
- Gloria, FP 177: VI. Qui sedes ad dexteram Patris
Haydn: Missa “Sanctae Caeciliae”
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Kyrie eleison (Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Christe eleison (Tenor, Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Kyrie. Kyrie eleison (Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Gloria in excelsis Deo (Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Laudamus te (Soprano)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Gratias agimus (Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Domine Deus (Alto, Tenor, Bass)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Qui sedes (Alto, Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. Quoniam tu solus (Soprano, Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Gloria. In gloria Dei Patris (Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Credo (Soprano, Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et incarnatus est (Tenor)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Crucifixus (Bass, Alto)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et resurrexit (Chorus, Soloists)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Credo. Et vitam venturi saeculi (Chorus, Soloists)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Sanctus & Benedictus. Sanctus (Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Sanctus & Benedictus. Benedictus (Chorus)
- Missa “Sanctae Caeciliae”, Hob. XXII:5: Agnus Dei
Mendelssohn: Kirchenmusik / Psalms 2, 22, 43 & 55 / Geistliches Lieder…
- Kirchenmusik, op. 23: No. 1 “Aus tiefer Not schrei' ich zu dir” (De Profundis), MWV B20 (Martin Luther)
- Kirchenmusik, op. 23: No. 2 Ave Maria, MWV B19
- Kirchenmusik, op. 23: No. 3 “Mitten wir im Leben sind mit dem Tod umfangen”, MWV B21 (Martin Luther)
- Denn er hat seinen Engeln befohlen, MWV B53
- Psalm 55 “Hör mein Bitten, Herr”, WoO 15, MWV B49 (orig. version 1845)
- Three Psalms, op. posth. 78: No. 1 Psalm 2 “Warum toben die Heiden”, MWV B41
- Three Psalms, op. posth. 78: No. 2 Psalm 43 “Richte mich, Gott und führe meine Sache”, MWV B46
- Three Psalms, op. posth. 78: No. 3 Psalm 22 “Mein Gott, warum hast du mich verlassen”, MWV B51
- Geistliches Lieder, op. posth. 96, MWV A19: No. 1 “Lass, O Herr, mich Hilfe finden”
- Geistliches Lieder, op. posth. 96, MWV A19: No. 2 “Deines Kind's Gebet erhöre”
- Geistliches Lieder, op. posth. 96, MWV A19: No. 3 “Herr, wir traun'n deine Güte”
Verdi: Messa da Requiem
- Messa da Requiem: I. Requiem e Kyrie. Requiem aeternam (Chorus)
- Messa da Requiem: I. Requiem e Kyrie. Kyrie eleison (Tenor, Bass, Soprano, Mezzo-soprano)
- Messa da Requiem: II. Sequenza. Dies irae (Chorus)
- Messa da Requiem: II. Sequenza. Tuba mirum (Chorus)
- Messa da Requiem: II. Sequenza. Mors stupebit (Bass)
- Messa da Requiem: II. Sequenza. Liber scriptus (Mezzo-soprano, Chorus)
- Messa da Requiem: II. Sequenza. Quid sum miser (Soprano, Mezzo-soprano, Tenor)
- Messa da Requiem: II. Sequenza. Rex tremendae majestatis (Chorus, Soprano, Mezzo-soprano, Tenor, Bass)
- Messa da Requiem: II. Sequenza. Recordare (Soprano, Mezzo-soprano)
- Messa da Requiem: II. Sequenza. Ingemisco (Tenor)
- Messa da Requiem: II. Sequenza. Confutatis maledictis (Bass, Chorus)
- Messa da Requiem: II. Sequenza. Lacrymosa (Mezzo-soprano, Bass, Soprano, Tenor, Chorus)
- Messa da Requiem: III. Offertorio. Domine Jesu Christe / Hostias (Tenor, Mezzo-soprano, Soprano, Bass)
- Messa da Requiem: IV. Sanctus (Chorus)
- Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus)
- Messa da Requiem: VI. Communio. Lux aeterna (Mezzo-soprano, Tenor, Bass)
- Messa da Requiem: VII. Libera me (Soprano, Chorus)
Bomtempo: Requiem à memória de Camões
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Introitus. Requiem aeternam (Chorus) (von Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Introitus. Kyrie eleison (Soloists and Chorus)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Dies irae (Chorus) (von João Domingos Bomtempo)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Tuba mirum (Soloists and Chorus) (von João Domingos Bomtempo)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Judex ergo (Chorus) (von João Domingos Bomtempo)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Qui sum miser (Soloists and Chorus) (von João Domingos Bomtempo)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Juste judex chorus (Chorus) (von João Domingos Bomtempo)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Ingemisco & confutatis (Soprano, Mezzo-soprano, Chorus) (von João Domingos Bomtempo)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sequentia. Lacrymosa (Soloists and Chorus) (von João Domingos Bomtempo)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Domine Jesu Christe (Chorus) (von João Domingos Bomtempo)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Offertorium. Hostias (Soloists and Chorus) (von João Domingos Bomtempo)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sanctus & Benedictus: Sanctus (Chorus)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Sanctus & Benedictus: Benedictus (Soloists and Chorus)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Agnus Dei. Agnus Dei (Soprano, Chorus) (von João Domingos Bomtempo)
- Requiem to the memory of Luis Vas Camões in C minor, op. 23: Agnus Dei. Requiem aeternam (Chorus) (von João Domingos Bomtempo)
Mozart: Requiem (1995)
- Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano)
- Requiem in D minor, K. 626: II. Kyrie eleison (Chorus)
- Requiem in D minor, K. 626: III. Sequentia. Dies irae (Chorus)
- Requiem in D minor, K. 626: III. Sequentia. Tuba mirum (Solo Quartet)
- Requiem in D minor, K. 626: III. Sequentia. Rex tremendae (Chorus)
- Requiem in D minor, K. 626: III. Sequentia. Recordare (Solo Quartet)
- Requiem in D minor, K. 626: III. Sequentia. Confutatis (Chorus)
- Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus)
- Requiem in D minor, K. 626: IV. Offertorium. Domine Jesu Christe (Chorus, Solo Quartet)
- Requiem in D minor, K. 626: IV. Offertorium. Hostias et preces tibi (Chorus)
- Requiem in D minor, K. 626: V. Sanctus (Chorus)
- Requiem in D minor, K. 626: VI. Benedictus (Solo Quartet, Chorus)
- Requiem in D minor, K. 626: VII. Agnus Dei (Chorus)
- Requiem in D minor, K. 626: VIII. Communio. Lux aeterna (Soprano, Chorus)
Suppé: Requiem
- Requiem in D minor: Requiem aeternam. Kyrie eleison (Chorus)
- Requiem in D minor: Sequentia. Dies irae (Chorus) (von Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz)
- Requiem in D minor: Sequentia. Tuba mirum (Bass, Chorus)
- Requiem in D minor: Sequentia. Rex tremendae (Soloists, Chorus)
- Requiem in D minor: Sequentia. Recordare (Soloists, Chorus)
- Requiem in D minor: Sequentia. Confutatis (Soloists, Chorus) (von Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz)
- Requiem in D minor: Sequentia. Lacrimosa (Alto, Chorus)
- Requiem in D minor: Offertorium. Domine Jesu Christe (Chorus) (von Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz)
- Requiem in D minor: Offertorium. Hostias et preces tibi (Tenor, Chorus)
- Requiem in D minor: Sanctus. Sanctus (Chorus) (von Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz)
- Requiem in D minor: Sanctus. Benedictus (Soloists, Chorus)
- Requiem in D minor: Sanctus. Agnus Dei. Libera me (Soloists, Chorus)
- Requiem in D minor: Sanctus. Dies irae / Requiem aeternam (Chorus) (von Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz)
Mehr Songtexte
- Requiem-Kyrie
- Dies irae
- Tuba mirum
- Rex tremendæ
- Recordare
- Confutatis
- Lacrimosa
- Domine Jesu
- Hostias
- Sanctus
- Benedictus
- Agnus Dei
- Lux æterna
- Exsultate, Jubilate KV 165 : Allegro
- Exsultate, Jubilate KV 165 : Recitativo
- Exsultate, Jubilate KV 165 : Andante
- Exsultate, Jubilate KV 165 : Allegro (Alleluia)
- Laudate Dominum (voce sola)
- Confitebor Terzo (coro e soprano)
- Magnificat primo (a 8 voci, coro, soli e orchestra)
- Fuge, fuge anima mea (2 voci e violino)
- Dixit Dominus Secondo (a 8 voci, coro, soli e orchestra)
- Laetaniae della Beata Vergine (a 6 voci e B.C. - soprano-alto)
- Chi vol che m'innamori (alto, tenore, baritono e 2 violini)
- Salve Regina (2 tenori e 2 violini)
- Nisi Dominus (a 3 voci e due violini, B.C. - alto, baritono, basso)
- Confitebor Primo (contro-tenore, tenore, basso e coro)
- Magnificat Secondo (a quattro voci in genere da Capella)
- Laudate pueri Dominum Secondo (coro a 5 voci e 2 tenori)
- Dixit Dominus (doppio coro)
- Currite Populi (a voce sola e B.C. - baritono)
- Cantate Domino (2 voci)
- Laudate Dominum Secondo (a 8 voci, coro e orchestra)
- Et iterum (2 tenori e baritono)
- Confitebor (2 voci e orchestra)
- Voi ch'ascoltate (soli e orchestra)
- Laudate Dominum omnes gentes, Primo (a 5 voci concerto con due violini e B.C.)
- O ciechi ciechi (coro e orchestra)
- E questa vita un lampo (coro a 5 voci)
- O Beatae Viae (a 2 voci e B.C. - soprano-alto)
- Confitebor Secondo (a 3 voci concerto con due violini e B.C. - soprano, tenore, basso)
- Beatus vir Secondo (coro a 5 voci)
- Gloria (a 7 voci concertate con strumenti)
- Confitebor (sop. e orchestra)
- Adoramus (coro a 6 voci)
- Venite, venite (soprano e alto)
- Ego dormio (tenore e basso)
- Domine Ne In Furore (coro a 6 voci)
- Christe Adoramus Te (coro a 5 voci)
- Jubilet (soprano)
- Lauda Jerusalem (coro a 5 voci)
- Et ressurexit (2 soprani e 2 violini)
- Beatus vir Primo (coro e orchestra)
- Salve Regina (voce sola)
- Dixit Dominus Primo (a 8 voci, coro e orch.)
- Salve Regina (alto tenore e basso)
- Iste confessor (2 soprani e 2 violini)
- Beatus vir (a 7 voci, coro, soli e orchestra)
- Ab aeterno (basso)
- Dixit Dominus (a 8 voci, coro e soli)
- Laetatus sum (a 5 strumenti e 6 voci)
- Nisi Dominus (coro a 6 voci)
- Sanctorum meritis Primo (voce sola e 2 violini)
- Memento (coro a 8 voci)
- Sancta Maria (soprano e alto)
- Spontava il di (3 voci)
- Salve Regina (a 2 voci e B.C. - due soprani)
- Laudate Pueri Dominum (a 5 voci e B.C.)
- Deus tuorum militum (3 voci e 2 violini)
- Credidi (Doppio Coro)
- O Quam Pulchra (Voce Sola)
- en Gratulemur Hodie (1 Voce E 2 Violini)
- Lauda Jerusalem (Contro-Tenore, Baritono E Basso)
- Laudate Dominum Terzo (A 8, Coro E Soli)
- Ecce Sacrum Paratum (Voce Sola)
- Ego Flos Campi (Voce)
- Laetatus Sum (Coro a 5 Voci)
- O Bone Jesu (A 2 Voci)
- Laudate Pueri Dominum (A 5 Voci, Coro, Basso Solo E Orchestra)
- Pianto Della Madonna Sopra Il Lamento Dell'ariana (Voce Sola)
- Sanctorum Meritis Secondo (1 Voce E 2 Violini)
- Crucifixus (Coro a 4 Voci)
- Cantate Domino (Coro a 6 Voci)
- Motet - Ave verum, Op. 65 no.1
- Requiem III- Sanctus
- Motet - Tu es Petrus
- Messe Basse - I-Kyrie
- Motet - Maria Mater Gratiæ, Op. 45 no.2
- Messe Basse - IV- Agnus Dei
- Cantique de Jean Racine, Op. 11
- Requiem I- Introit & Kyrie
- Requiem VII- In paradisum
- Kyrie eleison
- Requiem II- Offertoire
- Requiem V- Agnus Dei
- Tantum ergo (1904)
- Messe Basse - III- Benedictus
- Requiem VI- Libera me
- Requiem IV- Pie Jesu
- Messe Basse - II- Sanctus
- Motet - Tantum ergo, Op. 65 no.2
- Requiem æternam
- Requiem: Kyrie (choeur, soprano)
- Benedictus (coli, choeur)
- Dies Irae (choeur)
- Confutatis (choeur)
- Tuba Mirum (soli)
- Recordare (soli)
- Rex Tremendae (choeur)
- Sanctus (choeur)
- Domine Jesu (choeur)
- Lacrimosa (choeur)
- Agnus Dei (choeur) Lux Aeterna (soprano, choeur)
- Hostias (choeur)
- Fricassée: Chanson à quatree, accompagnée (1531)
- Mass in F major, BWV 233: IV. Qui tollis
- Christe eleison in G minor, BWV 242
- Mass in G minor, BWV 235: V. Qui tollis
- Mass in G major, BWV 236: III. Gratias agimus tibi
- Mass in A major, BWV 234: V. Quoniam
- Mass in G major, BWV 236: V. Quoniam
- Mass in G major, BWV 236: IV. Domine Deus
- Mass in F major, BWV 233: III. Domine Deus
- Mass in A major, BWV 234: III. Domine Deus
- Mass in G minor, BWV 235: III. Gratias agimus tib
- Mass in A major, BWV 234: IV. Qui tollis
- Mass in F major, BWV 233: V. Quoniam
- Mass in G minor, BWV 235: IV. Domine Fili
- Gloria, RV 589: Qui Sedes
- Gloria, RV 589: Laudamus te
- Credo, RV 591: Et incarnatus est
- Kyrie, RV 587: Christe
- Gloria, RV 589: Domine Fili Unigenite
- Credo, RV 591: Credo in Unum Deum
- Gloria, RV 589: Propter Magnam Gloriam
- Gloria, RV 589: Qui Tollis
- Gloria, RV 589: Domine Deus
- Gloria, RV 589: Et in Terra Pax
- Gloria, RV 589: Gloria in Excelsis
- Gloria, RV 589: Gratias Agimus
- Gloria, RV 589: Cum Sancto Spiritu
- Gloria, RV 589: Quoniam tu Solus Sanctus
- Credo, RV 591: Et resurrexit
- Kyrie, RV 587: Kyrie
- Credo, RV 591: Crucifixus etiam pro nobis
- Nulla in mundo pax sincera: II. Recitativo
- Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Magnificat (choeur)
- Beatus Vir RV 597 pour soli, double choeur et orchestre: Pecator videbit
- Beatus Vir RV 597 pour soli, double choeur et orchestre: Paratum coe ejus
- Beatus Vir RV 597 pour soli, double choeur et orchestre: Gloria et divitiae
- Canta in prato: II. Recitativo
- Tenebrae factae sunt pour basse et orchestre
- Canta in prato: III. Allegro
- Nulla in mundo pax sincera: III. Allegro
- Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Esurientes
- Salve Regina pour 3 chœurs et orchestre
- Canta in prato: IV. Allegro (Alleluia)
- Nulla in mundo pax sincera: IV. Allegro
- Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Gloria (choeur)
- Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Et exultavit
- Nulla in mundo pax sincera: I. Larghetto
- Beatus Vir RV 597 pour soli, double choeur et orchestre: Exortum est
- Beatus Vir RV 597 pour soli, double choeur et orchestre: Beatus vir
- Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Sicut locutus est (choeur)
- Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Deposuit potentes (choeur)
- Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Fecit potentiam (choeur)
- Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Suscepit Israel (choeur)
- Beatus Vir RV 597 pour soli, double choeur et orchestre: Gloria Patri
- Beatus Vir RV 597 pour soli, double choeur et orchestre: In memoria aeterna
- Magnificat RV 610 pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Et misericordia (choeur)
- Canta in prato: I. Allegro
- Beatus Vir RV 597 pour soli, double choeur et orchestre: Jucuntus homo
- Beatus Vir RV 597 pour soli, double choeur et orchestre: Potens in terra
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: IV. Cum dederit
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: II. Vanum est vobis
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VI. Beatus vir
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VIII. Sicut erat in principio
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: III. Surgite
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: V. Sicut saggitae
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: IX. Amen
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: VII. Gloria Patri
- Nisi Dominus (Psalm 126 in G minor), RV 608, for alto, string orchestra and continuo: I. Nisi Dominus
- Matthäus-Passion, BWV 244: Part I. No. 10. Chorale. “Ich bin's, ich sollte büßen” (chorus)
- Matthäus-Passion, BWV 244: Part I. No. 29. Chorale. “O Mensch, bewein' dein' Sünde groß” (chorus)
- Matthäus-Passion, BWV 244: Part I. No. 15. Chorale. “Erkenne mich, mein Hüter” (chorus)
- Matthäus-Passion, BWV 244: Part I. No. 3. Chorale. “Herzliebster Jesu, was hast du verbrochen” (chorus)
- Matthäus-Passion, BWV 244: Part II. No. 44. Chorale. “Befiehl du deine Wege” (chorus)
- Matthäus-Passion, BWV 244: Part I. No. 25. Chorale. “Was emin Gott will, das g'scheh allzeit” (chorus)
- Matthäus-Passion, BWV 244: Part I. No. 17. Chorale. “Ich will hier bei dir stehen” (chorus)
- Matthäus-Passion, BWV 244: Part II. No. 32. Chorale. “Mir hat die Welt trüglich gericht” (chorus)
- Matthäus-Passion, BWV 244: Part II. No. 46. Chorale. “Wie wunderbarlich ist doch diese Strafe” (chorus)
- Matthäus-Passion, BWV 244: Part II. No. 40. Chorale. “Bin ich gleich von dir gewichen” (chorus)
- Matthäus-Passion, BWV 244: Part II. No. 37. Chorale. “Wer hat dich so geschlagen” (chorus)
- Matthäus-Passion, BWV 244: Part I. No. 23. Aria. “Gerne will ich mich bequemen” (bass)
- Weihnachtsoratorium, BWV 248: Part VI. No. 64. Chorale. “Nun seid ihr wohl gerochen” (chorus)
- Weihnachtsoratorium, BWV 248: Part II. No. 12. Chorale. “Brich an, o schönes Morgenlicht” (chorus)
- Weihnachtsoratorium, BWV 248: Part V. No. 46. Chorale. “Dein Glanz all Finsternis verzehrt” (chorus)
- Weihnachtsoratorium, BWV 248: Part V. No. 53. Chorale. “Zwar ist solche Herzensstube” (chorus)
- Weihnachtsoratorium, BWV 248: Part VI. No. 54. Chorus. “Herr, wenn die stolzen Feinde schnauben” (chorus)
- Weihnachtsoratorium, BWV 248: Part IV. No. 42. Chorale. “Jesus richte mein Beginnen” (chorus)
- Weihnachtsoratorium, BWV 248: Part I. No. 9. Chorale. “Ach mein herzliebes Jesulein” (chorus)
- Weihnachtsoratorium, BWV 248: Part II. No. 10. Sinfonia
- Weihnachtsoratorium, BWV 248: Part VI. No. 59. Chorale. “Ich steh an deiner Krippen hier” (chorus)
- Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus. “Herrscher des Himmels, erhöre das Lallen” (chorus)
- Weihnachtsoratorium, BWV 248: Part III. No. 35. Chorale. “Seid froh dieweil” (chorus)
- Weihnachtsoratorium, BWV 248: Part II. No. 23. Chorale. “Wir singen dir in deinem Heer” (chorus)
- Weihnachtsoratorium, BWV 248: Part IV. No. 36. Chorus. “Fallt mit Danken, fallt mit Loben” (chorus)
- Weihnachtsoratorium, BWV 248: Part I. No. 1. Chorus “Jauchzet, frohlocket, auf, preiset die Tage” (chorus)
- Weihnachtsoratorium, BWV 248: Part II. No. 17. Chorale. “Schaut hin, dort liegt im finstern Stall” (chorus)
- Weihnachtsoratorium, BWV 248: Part I. No. 4. Aria. “Bereite dich, Zion, mit zärtlichen Trieben” (altor)
- Weihnachtsoratorium, BWV 248: Part V. No. 43. Chorus. “Ehre sei dir, Gott, gesungen” (chorus)
- Weihnachtsoratorium, BWV 248: Part I. No. 5. Chorale. “Wie soll ich dich empfangen” (chorus)
- Weihnachtsoratorium, BWV 248: Part II. No. 21. Chorus. “Ehre sei Gott in der Höhe” (chorus)
- Weihnachtsoratorium, BWV 248: Part III. No. 24. Chorus da capo. “Herrscher des Himmels, erhöre das Lallen” (chorus)
- Orfeo: Atto IV. "Ecco il gentil cantore" / "Qual onor di te fia degno"
- Orfeo: Atto II. "Ahi caso acerbo, ahi fat' empio e crudele!" / "Ma io ch'in questa lingua"
- Orfeo: Atto I. "Lasciate i monti" / "Vieni Imeneo, deh, vieni"
- Orfeo: Atto III. "Ben mi lusinga alquanto" / "Ahi, sventurato amante" Sinfonia
- Orfeo: Atto IV. "E' la virtute un raggio" / Sinfonia
- Orfeo: Atto IV. "Signor, quell'infelice"
- Orfeo: Atto II. "Ecco pur ch'a voi ritorno" / "Mira ch'a sè n'alletta" / "In questo prato adorno" / "Qui Pan, dio de' pastori" / "Dunque fa degni, Orfeo"
- Orfeo: Atto II. "Mira, deh mira, Orfeo, che d'ogni intorno"
- Orfeo: Prologue
- Orfeo: Atto IV. "Ahi, vista troppo dolce e troppo amara!" / "Torn'a l'ombre di morte"
- Orfeo: Atto II. "Tu se' morta, mia vita, ed io respiro?"
- Orfeo: Atto II. "Vi ricorda, o bosch' ombrosi"
- Orfeo: Atto V. Ritornello "Questi i campi di Tracia..." / Sinfonia
- Orfeo: Atto III. "Possente spirto e formidabil Nume"
- Orfeo: Atto V. "Perch'a lo sdegno ed al dolor in preda"
- Orfeo: Atto V. "Saliam cantand' al cielo"
- Orfeo: Atto IV. "Benchè severo ed" / "O degli abitator... Pietade oggi e Amore"
- Orfeo: Atto III. "O tu ch'innanzi mort' a queste rive" / Sinfonia
- Orfeo: Atto III. "Ecco l'astra palude, ecco il nocchiero" / "Dove, ah, dove te 'n vai"
- Orfeo: Atto III. Sinfonia / "Scorto da te, mio Nume"
- Orfeo: Atto I. "Ma s'il nostro..." / Ritornello "Alcun non sia..." / Ritornello "Chè, poichè nembo..." Ritornello "E dopo l'aspro..." "Ecco Orfeo cui..."
- Orfeo: Atto I. "Io non dirò qual sia"
- Orfeo: Atto III. "Ei dorme, e la mia cetra"
- Orfeo: Atto I. "Lasciate i monti" / "Ma tu, gentil cantor"
- Orfeo: Atto I. "In questo lieto e fortunato giorno" / "Vieni Imeneo" / "Muse, onor di Parnaso, amor del cielo"
- Orfeo: Atto II. "Ahi caso acerbo! ahi fat' empio e crudele!"
- Orfeo: Atto III. Sinfonia / "Nulla impresa per uom si tenta invano"
- Orfeo: Atto II. "Chi ne consola, ahi lassi?" / "Ahi caso acerbo..." / "Ma dove, ah, dove or sono" / "Ahi caso acerbo..."
- Orfeo: Atto V. "Vanne, Orfeo, felice appieno" / Moresca
- Orfeo: Atto I. "Rosa del ciel, vita del mondo"
- Mass in B minor, BWV 232: Sanctus. XXV. Osanna repetirur (chorus)
- Mass in B minor, BWV 232: Credo. XIV. Patrem omnipotentem (chorus)
- Mass in B minor, BWV 232: Credo. XVI. Et incarnatus est (chorus)
- Mass in B minor, BWV 232: Credo. XX. Confiteor (chorus)
- Mass in B minor, BWV 232: Credo. XVIII. Et resurrexit (chorus)
- Mass in B minor, BWV 232: Credo. XIX. Et in Spiritum Sanctum Dominum (baritone)
- Mass in B minor, BWV 232: Sanctus. XXVII. Dona nobis pacem (chorus)
- Mass in B minor, BWV 232: Credo. XIII. Credo in unum Deum (chorus)
- Mass in B minor, BWV 232: Credo. XXI. Et expecto (chorus)
- Mass in B minor, BWV 232: Credo. XVII. Crucifixus (chorus)
- Mass in B minor, BWV 232: Sanctus. XXIII. Osanna in excelsis (chorus)
- Mass in B minor, BWV 232: Sanctus. XXII. Sanctus (chorus)
- Mass in B minor, BWV 232: Gloria. IV. Gloria in excelsis
- Credo in E minor, RV 591, for chorus and string orchestra: IV. Gratias agimus tibi (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: V. Procter magnam gloriam (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IV. Gratias agimus tibi (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XII. Cum Sancto Spiritu (chorus)
- Credo in E minor, RV 591, for chorus and string orchestra: II. Et in terra pax (chorus)
- Credo in E minor, RV 591, for chorus and string orchestra: III. Laudamus te (2 sopranos)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: X. Qui sedes ad dexteram Patris (alto)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: II. Et in terra pax (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VII. Domine Fili unigenite (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VI. Domine Deus (soprano)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: III. Laudamus te (2 sopranos)
- Credo in E minor, RV 591, for chorus and string orchestra: I. Credo in unum Deum
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: I. Gloria in excelsis Deo (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: IX. Qui tollis peccata mundi (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: XI. Quoniam tu solus sanctus (chorus)
- Gloria in D major, RV 589, for 2 sopranos, alto, chorus and orchestra: VIII. Domine Deus, Agnus Dei (alto, chorus)
- Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Et misericordia (choeur)
- Tenebrae factae sunt, H. 129, for bass and orchestra
- Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Suscepit Israel (choeur)
- Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Deposuit potentes (choeur)
- Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Fecit potentiam (choeur)
- Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Sicut locutus est (choeur)
- Magnificat, RV 610, pour 2 sopranos, alto, ténor, double choeur, orchestre et continuo (sol mineur): Gloria (choeur)
- Salve Regina, H. 24, for 3 chorus and orchestra
- Orfeo, favola in musica: Toccata
- Orfeo, favola in musica: Atto Terzo. “O tu ch'innanzi mort' a queste rive” - Sinfonia (Caronte)
- Orfeo, favola in musica: Atto Quarto. “Signor, quell'infelice” (Prosperina)
- Orfeo, favola in musica: Atto Quarto. “Benchè severo ed” - “O degli abitator… Pietade oggi e Amore” (Plutone, Spirits, Prosperina, chorus of Infernal Spirits)
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Credo. Et resurrexit
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - In terra pax - Laudamus te
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Gloria. Quomiam tu solus Sanctus
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Agnus Dei
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Credo. Et expecto resurrectionem
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Kyrie
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Credo. Et incarnatus est
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Gloria. Cum Sancto Spiritu in gloria Patris - Floria in excelsis Deo
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Credo. Crucifixus
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Credo. Credo in unum Deum
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Benedictus
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Credo. Et unam sanctam catholicam
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Gloria. Gloria in excelsis Deo - Domine Deus, Rex coelestis
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Gloria. Qui tollis peccata mundi
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Sanctus
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Gloria. Gratias agimus tibi
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VI. Recitative: “Meine Gott, betrübt ist meine Seele” (Soprano I)
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: III. Recitative: “Meine Tränen sind Meine speise” (Soprano I)
- Requiem in D minor K626: Domine Jesu
- Requiem in D minor K626: Confutatis
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: V. Chorus: “Was betrübst du dich, meine Seele” (Chorus)
- Requiem in D minor K626: Lacrimosa
- Requiem in D minor K626: Tuba mirum
- Requiem in D minor K626: Rex tremendae
- Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: III. “Denn in seiner Hand” (Soprano I & II)
- Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: V. “Heute, so ihr seine Stimme höret” (Chorus, Tenor)
- Requiem in D minor K626: Sanctus
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: IV. Aria and Chorus: “Denn ich wollte gern hingehen” (Soprano I, Chorus)
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VII. Schlusschor: “Was betrübst du dich, meine Seele” (Chorus)
- Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: II. “Kommt, herzu” (Chorus, Soprano I)
- Requiem in D minor K626: Dies irae
- Wie der Hirsch schreit from Psalm 42, op. 42
- Requiem in D minor K626: Benedictus
- Requiem in D minor K626: Requiem, Kyrie
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VII. Quintet: “Der Herr hat des Tages” (Chorus, Soprano I)
- Requiem in D minor K626: Hostias
- Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: IV. “Denn sein ist das Meer” (Chorus, Tenor)
- Psalm 95 “Kommt, lasst uns anbeten”, op. 46, MWV A16: I. “Kommt, lasst uns anbeten” (Chorus, Tenor)
- Requiem in D minor K626: Recordare
- Requiem in D minor K626: Lux aeterna
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: II. Aria: “Meine Seele dürstet nach Gott” (Soprano I)
- Requiem in D minor K626: Agnus Dei
- Psalm 115, op. 31 “Nicht unserm Namen, Herr”: Coro “Die Toten werden dich nicht loben”
- Psalm 115, op. 31 “Nicht unserm Namen, Herr”: Aria (Bariton) “Er segne euch”
- Psalm 115, op. 31 “Nicht unserm Namen, Herr”: Coro “Nicht unserm Namen, Herr”
- Ein Deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt
- Ein Deutsches Requiem, op. 45: III. Herr, lehre doch mich
- Ein Deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras
- Requiem, Op. 9 : III. Domine Jesu
- Requiem, Op. 9 : I. Introit
- Elias, op. 70, MWV A25: Part 2. No. 35 Recitative: “Seraphim standen über ihm” (Alto) - Quartet with Chorus: “Heilig ist Gott der Herr” (Soprano, Alto , Tenor, Bass, Chorus)
- Requiem, Op. 9 : II. Kyrie
- Requiem, Op. 9 : V. Pie Jesu
- Ein Deutsches Requiem, op. 45: VII. Selig sind die Toten, die in dem Herm sterben
- Requiem, Op. 9 : VII. Lux aeterna
- Ein Deutsches Requiem, op. 45: I. Salig sind, die da Leid tragen
- Ein Deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen
- Requiem, Op. 9 : VI. Agnus Dei
- Requiem, Op. 9 : VIII. Libera me
- Elias, op. 70, MWV A25: Part 2. No. 23 Recitative with Chorus: “Derr Herr hat dich erhoben” (Bass, Chorus)
- Requiem, Op. 9 : IV. Sanctus
- Ein Deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit
- Requiem, Op. 9 : IX. In Paradisum
- Messe, op. 4: O Salutaris
- Petite Messe solennelle : Cum Sancto Spiritu
- Petite Messe solennelle : Gloria - Laudamus te
- Petite Messe solennelle : Gratias
- Petite Messe solennelle : Et resurrexit
- Messe chorale: Prélude - Kyrie
- Petite Messe solennelle : Domine Deus
- Messe chorale: Sanctus - Benedictus
- Messe, op. 4: Agnus Dei
- Petite Messe solennelle : Quoniam
- Petite Messe solennelle : Kyrie - Christe
- Messe, op. 4: Sanctus
- Messe, op. 4: Kyrie
- Petite Messe solennelle : Crucifixus
- Petite Messe solennelle : O Salutaris
- Petite Messe solennelle : Preludio religioso
- Messe chorale: Agnus Dei
- Messe, op. 4: Credo
- Petite Messe solennelle : Credo
- Petite Messe solennelle : Agnus Dei
- Messe chorale: Intonation - Credo
- Petite Messe solennelle : Qui tollis
- Messe, op. 4: Gloria
- Messe chorale: Intonation - Gloria
- Petite Messe solennelle : Ritournelle - Sanctus
- Mass in C major, Op. 86: I. Kyrie
- Mass in C minor, op. 147: V. Sanctus
- Mass in C minor, op. 147: II. Gloria
- Mass in C minor, op. 147: IV. Offertorium
- Mass in C minor, op. 147: VI. Agnus Dei
- Mass in C minor, op. 147: I. Kyrie
- Mass in C minor, op. 147: III. Credo
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Credo. Crucifixus
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Credo. Et unam sanctam catholicam
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Gloria. Quoniam tu solus sanctus
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Gloria. Cum Sancto Spiritu in gloria Patris / Gloria in excelsis Deo
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Agnus Dei
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Kyrie
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Credo. Credo in unum Deum
- Messe basse: IV. Agnus
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Gloria. Gloria in excelsis Deo / Domine Deus, Rex coelestis
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Gloria. Gratias agimus tibi
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Credo. Et incarnatus est
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Sanctus
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Credo. Et expecto resurrectionem
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Gloria. Qui tollis peccata mundi
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Credo. Et resurrexit
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Benedictus
- Messa a quattro voici (Messa di Gloria), op. posth., SC 6: Gloria. Gloria in excelsis Deo / Et in Terra pax / Laudamus te
- Requiem in D minor: I. Requiem aeternam - Kyrie
- Geistliches Lieder, op. posth. 96, MWV A19: No. 3 “Herr, wor traun'n deine Güte”
- Requiem in D minor: XII. Agnus Dei - Libera Me
- Requiem in D minor: VII. Lacrimosa
- Requiem in D minor: IX. Offertorium: Hostias et preces
- Requiem in D minor: IV. Rex Tremendae
- Requiem in D minor: III. Tuba Mirum
- Requiem in D minor: V. Recordare
- Requiem in D minor: X. Sanctus
- Requiem in D minor: VI. Confutatis
- Requiem in D minor: XIII. Dies Irae - Requiem aeternam
- Requiem in D minor: VIII. Offertorium: Domine Jesu Christe
- Requiem in D minor: II. Dies irae
- Requiem in D minor: XI. Benedictus
- Requiem à la mémoire de Camões in C minor, op. 23: I. Introit - Requiem aeternam
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Gloria. Quoniam tu solus Sanctus
- Mass in C minor, op. 147: III. Credo (Chorus)
- Mass in C minor, op. 147: VI. Agnus Dei (Chorus)
- Mass in C minor, op. 147: I. Kyrie (Chorus)
- Requiem in D minor: Sequentia. Dies irae (Chorus)
- Requiem in D minor: Sanctus. Dies irae / Requiem aeternam (Chorus)
- Requiem in D minor: Sequentia. Confutatis (Soloists, Chorus)
- Requiem in D minor: Sanctus. Sanctus (Chorus)
- Requiem in D minor: Offertorium. Domine Jesu Christe (Chorus)
- Messa a quattro voici (Messa di Gloria), op. posth. SC 6: Gloria. Cum Sancto Spiritu in gloria Patris - Gloria in excelsis Deo
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: VIII. Schlusschor: “Was betrübst du dich, meine Seele” (Chorus)
- Psalm 42 “Wie der Hirsch schreit”, op. 42, MW A15: I. Chorus: “Wie der Hirsch schreit” (Chorus)
- Messa a quattro voci (Messa di Gloria), op. posth. SC 6: Credo. Crucifixus
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: III. Récit: “Si iniquitates observaveris Domine”
- Deus tuorum militum, SV 280 (3 voci e 2 violini - alto, tenore, basso)
- Domine, ne in furore, SV 298 (coro a 6 voci)
- Amor è gratiosa e dolce voglia (5 solo voices)
- Dixit Dominus, SV 263 (a 8 voci, coro, soli e orchestra)
- Vespro della Beata Vergine, SV 206: X. Lauda, Jerusalem (Psalm 147) (septem vocibus)
- Laudate Dominum jomnes gentes, SV 272a (a 5 voci concerto con 2 violini e B.C.)
- Laudate Dominum, SV 274 (a 8, coro e soli - 2 soprani)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VI. Trio: “Sistinuit anima” - Récit: “A Custodia matutina”
- Regina coeli, pour soli, chœur et orchestre, S. 53: I. Duo et chœur: “Regina coeli laetare”
- Sanctorum meritis, SV 277 (voce sola e 2 violini)
- Magnificat, SV 281 (a 8 voci, coro, soili e orchestra)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: X. Chœur: “Requiem aeternam”
- Vespro della Beata Vergine, SV 206: XII. Sonata sopra Santa Maria pro nobis (a 8)
- Beatus vir, SV 195 (a 7 voci, coro, soli e orchestra)
- Cantate Domino, SV 292 (a 2 voci)
- Poi ch'il mio largo pianto (5 solo voices)
- Crucifixus, SV 259 (coro a 4 voci)
- Non rumor di tamburi (7 solo voices)
- Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109) (sex vocibus et sex instrumentis)
- Spontava il di, SV 255 (alto, tenore, baritono)
- Nisi Dominus, SV 201 (coro a 6)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XL. Sicut erat in principio (tutti gli instrumenti et voci)
- Laudate Dominum, SV 273 (a 8 voci, coro e orchestra)
- Salve Regina, SV 283 (2 tenori e 2 violini)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: II. Quator: “Fiant aures tuae”
- Laetatus sum, SV 199 (coro a 5 voci)
- Sancta Maria, SV 328 (soprano e alto)
- Christe adoramus te, SV 294 (coro a 5 voci)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IV. Trio: “Quia apud te apropriatio est”
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXII. Et misericordia (a 6 voci sole in dialogo)
- Laudate pueri Dominum, SV 196 (a 5 voci e B.C.)
- A le guancie di rose (8 solo voices dialog)
- Vespro della Beata Vergine, SV 206: XIII. Ave maris stella Hymnis (octo vocibus)
- Venite, venite silientes, SV 335 (soprano e alto)
- Iste confessor, SV 279 (a 2 soprani e 2 violini)
- Fuge, fuge, anima mea, SV 305 (2 voci e violino)
- Beatus vir, SV 269 (coro a 5 voci)
- Confitebor, SV 266 (a 3 voci concerto con 2 violini e B.C. - soprano, tenore, basso)
- Regina coeli, pour soli, chœur et orchestre, S. 53: II. Récit: “Quia quem meruisit” - Trio: “Resurrexit”
- Memento, SV 276 (coro a 8 voci)
- Voi ch'ascoltate, SV 253 (soli e orchestra)
- Vespro della Beata Vergine, SV 206: VIII. Nisi Dominus (Psalm 126) (a dieci voci)
- Credidi procter, SV 275 (doppio coro)
- Beatus vir, SV 268 (coro e orchestra)
- Laudate pueri Dominum, SV 270 (a 5 voci, coro, basso solo e orchestra)
- O ciechi il tanto affaticar, SV 252 (coro e orchestra)
- Battaglia (8 voices, first and second part)
- Adoramus, SV 289 (coro a 6 voci)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXVI. Esurientes (a 2 voici et quattro instrumenti)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXVI. Sicut erat in principio
- Regina coeli, pour soli, chœur et orchestre, S. 53: III. Chœur: “Ora pro nobis, Deum, Alleluia”
- O bone Jesu, SV 313 (a 2 voci - soprano, alto)
- Lauda Jerusalem, SV 202 (contro-tenore, baritono e basso)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIV. Sicut locutus est (a 5 voci in dialogo)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXIII. Suscepit Israel (a 2 voci)
- Magnificat, SV 282 (a 4 voci in genere da capella)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VII. Due et chœur: “A Custodia matutina”
- Dixit Dominus, SV 264 (a 8 voci, coro, soli e orchestra)
- Cantate Domino, SV 293 (coro a 6 voci)
- Dixit Dominus, SV 192 (doppio coro)
- O beatae viae, SV 312 (a 2 voci e B.C. - soprano, alto)
- Laetaniae della Beata Virgine, SV 204 (a 5 voci e B.C. - soprano, alto)
- Chi vol che m'innamori, SV 256 (alto, tenore, baritono e 2 violini)
- Lauda Jerusalem, SV 203 (coro a 5 voci)
- Nisi Dominus, SV 200 (a 3 voci e due violini, B.C. - alto, baritono, basso)
- Confitebor, SV 194 (2 voci e orchestra - soprano, tenor)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: V. Récit: “Sistinuit anima”
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XV. Anima mea Dominum (a 2 voci)
- Canzon fa-sol-la-ré (in 8 parts: double chorus, brass instruments, vioas da gamba and organ)
- Echo Vinegia bella (12 voices chorus)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXXIII. Fecit potentiam (ad una voce et tre instrumenti)
- Niuna sconsolata (soprano and violas da gamba)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: I. Symphonie - Récit et chœur: “De profundis clamavi”
- Dixit Dominus, SV 191 (a 8 voci, coro e soli)
- Laetatus sum, SV 198 (a 5 strumenti e 6 voci)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: VIII. Récit: “Quia apud Dominum misericordia”
- Vespro della Beata Vergine, SV 206: IV. Laudate pueri Dominum (Psalm 112) (octo vocibus)
- Confitebor, SV 265 (contro-tenore, tenore, basso, coro)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: XI. Chœur: “Et lux perpetua”
- Vespro della Beata Vergine, SV 206: VI. Laetatus sum (Psalm 121) (a sei voci)
- Et iterum, SV 261 (2 tenori e baritono)
- Salve Regina, SV 285 (alto, tenore e basso)
- Laudate pueri Dominum, SV 271 (coro a 5 voci e 2 tenori)
- E questa vita un lampo, SV 254 (coro e 5 voci)
- Confitebor, SV 267 (coro e soprano)
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XIV. Magnificat
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XVIII. Quia fecit (a 6 voci in dialogo)
- Gloria, SV 258 (a 7 voci concertate con strumenti)
- Salve Regina, SV 284 (a 2 voci e B.C. - 2 soprani)
- Ego dormio, SV 300 (tenor e basso)
- De profundis (Psalm 129), grand motet pour soli, chœur et orchestre: IX. Chœur: “Et ipse redimet Israel”
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXV. Gloria Patri (a 6 voci)
- Et resurrexit, SV 260 (2 soprani e 2 violini)
- Vespro della Beata Vergine, SV 206: Magnificat septem vocibus et sex instrumentis: XXVII. Magnificat
- Vespro della Beata Vergine, SV 206: Magnificat a 6 voci. XXII. Esurientes (a 2 voci)