Michael Tilson Thomas Songtexte
Geboren am 21. Dezember 1944
Complete Deutsche Grammophon & Argo Recordings (Compilation)
- Symphony no. 1 in G minor, op. 13: I. Daydreams on a Wintry Road - Allegro tranquillo (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in G minor, op. 13: II. O land of gloom, O land of mist! - Andante cantabile ma non tanto (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in G minor, op. 13: III. Scherzo: Allegro scherzando giocoso (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in G minor, op. 13: IV. Finale: Andante lugubre - Allegro moderato - Allegro maestoso - Andante lugubre - Allegro vivo (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Piano and Orchestra in A minor, op. 54: Allegro affettuso
- Concerto for Piano and Orchestra in A minor, op. 54: Intermezzo: Andantino grazioso (attacca)
- Concerto for Piano and Orchestra in A minor, op. 54: Allegro vivace
- Concerto for Piano and Orchestra in A minor, op. 16: Allegro molto moderato
- Concerto for Piano and Orchestra in A minor, op. 16: Adagio (attacca)
- Concerto for Piano and Orchestra in A minor, op. 16: Allegro moderato molto e marcato
- Images pour orchestre: I. Gigues (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Images pour orchestre: II. Ibéria: a. Par les rues et par les chemins (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Images pour orchestre: II. Ibéria: b. Les parfums de la nuit (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Images pour orchestre: II. Ibéria: c. Le matin d’un jour de fête (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Images pour orchestre: III. Rondes de printemps (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Prélude à l'après-midi d'un faune , CD 87a
- Sonata for Violin and Piano in G minor: I. Allegro vivo (von Boston Symphony Chamber Players)
- Sonata for Violin and Piano in G minor: II. Intermède (Fantasque et léger) (von Boston Symphony Chamber Players)
- Sonata for Violin and Piano in G minor: III. Finale (Très animé) (von Boston Symphony Chamber Players)
- Sonata for Cello and Piano in D minor: I. Prologue (Lent) (von Boston Symphony Chamber Players)
- Sonata for Cello and Piano in D minor: II. Sérénade (Modérément animé) (von Jules Eskin, Michael Tilson Thomas)
- Sonata for Flute, Viola and Harp: I. Pastorale (von Boston Symphony Chamber Players)
- Sonata for Flute, Viola and Harp: II. Interlude (von Boston Symphony Chamber Players)
- Sonata for Flute, Viola and Harp: III. Finale (von Boston Symphony Chamber Players)
- Syrinx , CD 137 (von Doriot Anthony Dwyer)
- Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Three Places in New England: II. Putnam’s Camp, Redding, Connecticut (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Three Places in New England: III. The Housatonic at Stockbridge (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-Treader: Poco accelerando (bar 1) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-Treader: (bar 51a) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-Treader: Lento (bar 119) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-Treader: A tempo (bar 138a) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-Treader: Poco accelerando (bar 169) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-Treader: Serene, but with great expression (bar 191) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Roi des étoiles (Zvezdolikiy): Molto sostenuto – Maestoso e tranquillo – Tempo primo
- Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (lento) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: I. L’Adoration de la terre: II. Les augueres prinantiers. Danse des adolescentes (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: I. L’Adoration de la terre: VII. Adoration de la terre—Le Sage (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: II. Le Sacrifice: I. Introduction (Largo) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’Élue (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: II. Le Sacrifice: IV. Évocations des ancêtres (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: II. Le Sacrifice: V. Action rituelles des ancêtres (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale. L’Élue (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 2: I. Moderato (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 2: II. Adagio (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 2: III. Allegro (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Violin and Orchestra: Allegro risoluto
- Concerto for Violin and Orchestra: Adagio
- Cello Concerto no. 1, op. 107: I. Allegretto
- Cello Concerto no. 1, op. 107: II. Moderato
- Cello Concerto no. 1, op. 107: III. Cadenza
- Cello Concerto no. 1, op. 107: IV. Allegro con moto
- Cello Concerto no. 2, op. 126: I. Largo
- Cello Concerto no. 2, op. 126: II. Allegretto
- Cello Concerto no. 2, op. 126: III. Allegretto
- I Feel Like I'm Not Out of Bed Yet (von London Symphony Orchestra, Michael Tilson Thomas)
- New York, New York (von London Symphony Orchestra, Michael Tilson Thomas)
- Presentation of Miss Turnstiles (von London Symphony Orchestra, Michael Tilson Thomas)
- Gabey's Comin', Pickup Song (von London Symphony Orchestra, Michael Tilson Thomas)
- Taxi Number: Come Up to My Place (von London Symphony Orchestra, Michael Tilson Thomas)
- Carried Away (von London Symphony Orchestra, Michael Tilson Thomas)
- Lonely Town (von London Symphony Orchestra, Michael Tilson Thomas)
- High School Girls (von London Symphony Orchestra, Michael Tilson Thomas)
- Lonely Town, Pas de deux (von London Symphony Orchestra, Michael Tilson Thomas)
- Carnegie Hall Pavane (von London Symphony Orchestra, Michael Tilson Thomas)
- I Can Cook Too
- Lucky to Be Me (von London Symphony Orchestra, Michael Tilson Thomas)
- Times Square: Finale, Act 1 (von London Symphony Orchestra, Michael Tilson Thomas)
- So Long, Baby (von London Symphony Orchestra, Michael Tilson Thomas)
- I Wish I Was Dead (von London Symphony Orchestra, Michael Tilson Thomas)
- Ya Got Me (von London Symphony Orchestra, Michael Tilson Thomas)
- Ain't Got No Tears Left (von London Symphony Orchestra, Michael Tilson Thomas)
- Pitkin's Song (von London Symphony Orchestra, Michael Tilson Thomas)
- Subway Ride and Imaginary Coney Island (von London Symphony Orchestra, Michael Tilson Thomas)
- The Great Lover Displays Himself (von London Symphony Orchestra, Michael Tilson Thomas)
- Pas de deux (von London Symphony Orchestra, Michael Tilson Thomas)
- Some Other Time (von London Symphony Orchestra, Michael Tilson Thomas)
- The Real Coney Island (von London Symphony Orchestra, Michael Tilson Thomas)
- Finale (von London Symphony Orchestra, Michael Tilson Thomas)
- Appendix: The Intermission's Great (von London Symphony Orchestra, Michael Tilson Thomas)
- Arias and Barcarolles: Prelude (von London Symphony Orchestra, Michael Tilson Thomas)
- Arias and Barcarolles: Love Duet (von London Symphony Orchestra, Michael Tilson Thomas)
- Arias and Barcarolles: Little Smary (von London Symphony Orchestra, Michael Tilson Thomas)
- Arias and Barcarolles: The Love of My Life (von London Symphony Orchestra, Michael Tilson Thomas)
- Arias and Barcarolles: Greeting (von London Symphony Orchestra, Michael Tilson Thomas)
- Arias and Barcarolles: Oif Mayn Khas'neh(At My Wedding) (von London Symphony Orchestra, Michael Tilson Thomas)
- Arias and Barcarolles: Mr. and Mrs. Webb Say Goodnight (von London Symphony Orchestra, Michael Tilson Thomas)
- Arias and Barcarolles: Nachspiel(Postlude) (von London Symphony Orchestra, Michael Tilson Thomas)
- A Quiet Place: Prologue (von London Symphony Orchestra, Michael Tilson Thomas)
- A Quiet Place: Sam's Aria (von London Symphony Orchestra, Michael Tilson Thomas)
- A Quiet Place: Trio (von London Symphony Orchestra, Michael Tilson Thomas)
- A Quiet Place: Jass Trio(Mornin' Sun) (von London Symphony Orchestra, Michael Tilson Thomas)
- A Quiet Place: Chorale (von London Symphony Orchestra, Michael Tilson Thomas)
- A Quiet Place: Postlude to Act I (von London Symphony Orchestra, Michael Tilson Thomas)
- West Side Story: Prologue: Allegro moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- West Side Story: Somewhere: Adagio (von London Symphony Orchestra, Michael Tilson Thomas)
- West Side Story: Vivace leggiero (von London Symphony Orchestra, Michael Tilson Thomas)
- West Side Story: Mambo: Presto (von London Symphony Orchestra, Michael Tilson Thomas)
- West Side Story: Cha-Cha: Andantino con grazia (von London Symphony Orchestra, Michael Tilson Thomas)
- West Side Story: Meeting Scene: Meno mosso (von London Symphony Orchestra, Michael Tilson Thomas)
- West Side Story: Cool, Fugue: Allegretto (von London Symphony Orchestra, Michael Tilson Thomas)
- West Side Story: Rumble: Molto allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- West Side Story: Finale: Adagio (von London Symphony Orchestra, Michael Tilson Thomas)
- Prelude (von Elvis Costello)
- Overture (von Elvis Costello)
- Puck 1 (von Elvis Costello)
- The Court (von Elvis Costello)
- The State of Affairs (von Elvis Costello)
- Hermia and Lysander (von Elvis Costello)
- The Jealousy of Helena (von Elvis Costello)
- Workers’ Playtime (von Elvis Costello)
- Oberon and Titania (von Elvis Costello)
- The Conspiracy of Oberon and Puck (von Elvis Costello)
- Slumber (von Elvis Costello)
- Puck 2 (von Elvis Costello)
- The Identity Parade (von Elvis Costello)
- The Face of Bottom (von Elvis Costello)
- The Spark of Love (von Elvis Costello)
- Tormentress (von Elvis Costello)
- Oberon Humbled (von Elvis Costello)
- Twisted – Entangled – Transform and Exchange (von Elvis Costello)
- The Fairy and the Ass (von Elvis Costello)
- Sleep (von Elvis Costello)
- Bottom Awakes (von Elvis Costello)
- Lovers Arise (von Elvis Costello)
- The Play (von Elvis Costello)
- The Wedding (von Elvis Costello)
- Sinfonía india (Symphony no. 2) (von New World Symphony, Michael Tilson Thomas)
- Danzón cubano (von New World Symphony, Michael Tilson Thomas)
- Suite de ‘la rebambaramba’: I. Final del primer cuadro (von New World Symphony, Michael Tilson Thomas)
- Suite de ‘la rebambaramba’: II. Comparsa lucumi (von New World Symphony, Michael Tilson Thomas)
- Suite de ‘la rebambaramba’: III. Comparsa de la culebra (von New World Symphony, Michael Tilson Thomas)
- Suite de ‘la rebambaramba’: IV. Final de la obra (von New World Symphony, Michael Tilson Thomas)
- Sensemayá (von New World Symphony, Michael Tilson Thomas)
- Tres danzas cubanas: I. Danza del tambor (von New World Symphony, Michael Tilson Thomas)
- Tres danzas cubanas: II. Motivos de danzas (von New World Symphony, Michael Tilson Thomas)
- Tres danzas cubanas: III. Danza lucumi (von New World Symphony, Michael Tilson Thomas)
- Ritmica V (von New World Symphony, Michael Tilson Thomas)
- Tangazo (von New World Symphony, Michael Tilson Thomas)
- Danzas del ballet 'Estancia', op. 8a: I. Los trabajadores agrícolas (von New World Symphony, Michael Tilson Thomas)
- Danzas del ballet 'Estancia', op. 8a: II. Danza del trigo (von New World Symphony, Michael Tilson Thomas)
- Danzas del ballet 'Estancia', op. 8a: III. Los peones de hacienda (von New World Symphony, Michael Tilson Thomas)
- Danzas del ballet 'Estancia', op. 8a: IV. Danza final (Malambo) (von New World Symphony, Michael Tilson Thomas)
- Concerto for Alto Saxophone: I. Recitative
- Concerto for Alto Saxophone: II. Adagio. Passacaglia
- Concerto for Alto Saxophone: III. Rondo alla marcia. Allegro brioso
- Hymn (von New World Symphony, Michael Tilson Thomas)
- Music for Brass Instruments: I. Chorale Fantasy on Christ Lay in the Bonds of Death (von New World Symphony, Michael Tilson Thomas)
- Music for Brass Instruments: II. Intermezzo (von New World Symphony, Michael Tilson Thomas)
- Music for Brass Instruments: III. Fugue (von New World Symphony, Michael Tilson Thomas)
- The Tower of Saint Barbara: I. Barbara
- The Tower of Saint Barbara: II. The King
- The Tower of Saint Barbara: III. The Tower
- The Tower of Saint Barbara: IV. The Martyrdom
The Complete Columbia, CBS and Sony Recordings (Compilation)
McLaughlin: Apocalypse
- Power of Love (von Mahavishnu Orchestra)
- Vision Is a Naked Sword (von Mahavishnu Orchestra)
- Smile of the Beyond (von Mahavishnu Orchestra)
- Wings of Karma (von Mahavishnu Orchestra)
- Hymn to Him (von Mahavishnu Orchestra)
Silverman: Elephant Steps
- Elephant Steps: A Fearful Radio Show: Elephant Drone – Elephants
- Elephant Steps: A Fearful Radio Show: Elephant Heartbeats
- Elephant Steps: A Fearful Radio Show: Don’t You Believe? – My Ears
- Elephant Steps: A Fearful Radio Show: All Shook Up
- Elephant Steps: A Fearful Radio Show: Read My Palms – My Hands Are Inside the Wall – Gavotte
- Elephant Steps: A Fearful Radio Show: Read My Palm – Watch Me Move – I’m No Closer – Look at My Hands
- Elephant Steps: A Fearful Radio Show: Stop Seeing Reinhardt
- Elephant Steps: A Fearful Radio Show: Entr’Acte – Watch Me Put My Right Foot
- Elephant Steps: A Fearful Radio Show: I Am No Longer Beautiful – Beautiful as Is
- Elephant Steps: A Fearful Radio Show: We Sit in the Window
- Elephant Steps: A Fearful Radio Show: Gypsy Tango – Shoot Them
- Elephant Steps: A Fearful Radio Show: You’re on the Radio – Radio Waves
- Elephant Steps: A Fearful Radio Show: Dreaming of Reinhardt
- Elephant Steps: A Fearful Radio Show: Midnight Sun
- Elephant Steps: A Fearful Radio Show: Photograph Song
- Elephant Steps: A Fearful Radio Show: Madrigals
- Elephant Steps: A Fearful Radio Show: Vaudeville Chase – Stirring Soup – A Strange Thing
- Elephant Steps: A Fearful Radio Show: Finale
Orff: Carmina Burana
- Carmina Burana: Fortuna Imperatrix Mundi: no. 1 “O Fortuna”
- Carmina Burana: Fortuna Imperatrix Mundi: no. 2 “Fortune plango vulnera”
- Carmina Burana: I. Primo vere: no. 3 “Veris leta facies”
- Carmina Burana: I. Primo vere: no. 4 “Omnia Sol temperat”
- Carmina Burana: I. Primo vere: no. 5. “Ecce gratum”
- Carmina Burana: Uf dem anger: no. 6 Dance (von The Cleveland Orchestra, Michael Tilson Thomas)
- Carmina Burana: Uf dem anger: no. 7 “Floret silva nobilis”
- Carmina Burana: Uf dem anger: no. 8 “Chramer, gip die varwe mir”
- Carmina Burana: Uf dem anger: no. 9a Reie (von The Cleveland Orchestra, Michael Tilson Thomas)
- Carmina Burana: Uf dem anger: no. 9b “Swaz hie gat umbe” – “Chume, chum geselle min” – “Swaz hie gat umbe”
- Carmina Burana: Uf dem anger: no. 10 “Were diu werlt alle min”
- Carmina Burana: II. In taberna: no. 11 “Estuans interius”
- Carmina Burana: II. In taberna: no. 12 “Olim lacus colueram”
- Carmina Burana: II. In taberna: no. 13 “Ego sum abbas”
- Carmina Burana: II. In taberna: no. 14 “In taberna quando sumus”
- Carmina Burana: III. Cour d’amours: no. 15 “Amor volat undique”
- Carmina Burana: III. Cour d’amours: no. 16 “Dies, nox et omnia”
- Carmina Burana: III. Cour d’amours: no. 17 “Stetit puella”
- Carmina Burana: III. Cour d’amours: no. 18 “Circa mea pectora”
- Carmina Burana: III. Cour d’amours: no. 19 “Si puer cum puellula” (von The Cleveland Orchestra Chorus, Michael Tilson Thomas)
- Carmina Burana: III. Cour d’amours: no. 20 “Veni, veni, venias”
- Carmina Burana: III. Cour d’amours: no. 21 “In trutina”
- Carmina Burana: III. Cour d’amours: no. 22 “Tempus est iocundum”
- Carmina Burana: III. Cour d’amours: no. 23 “Dulcissime”
- Carmina Burana: Blanziflor et Helena: no. 24 “Ave, formosissima”
- Carmina Burana: Fortuna Imperatrix Mundi: no. 25 “O Fortuna”
Beethoven: König Stephan / Elegischer Gesang / Opferlied / Bundeslied / Meeresstille und glückliche Fahrt
- König Stephan, op. 117: Overture . Andante con moto – Presto (von London Symphony Orchestra, Michael Tilson Thomas)
- König Stephan, op. 117: Chorus: “Ruhen von seinen Thaten” (von Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas)
- König Stephan, op. 117: Chorus: “Auf dunkelm Irrweg in finstern Hainen” (von Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas)
- König Stephan, op. 117: Siegesmarsch (von London Symphony Orchestra, Michael Tilson Thomas)
- König Stephan, op. 117: Chorus: “Wo die Unschuld Blumen streute” (von Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas)
- König Stephan, op. 117: Chorus: “Eine neue strahlende Sonne” (von Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas)
- König Stephan, op. 117: Melodrama (von London Symphony Orchestra, Michael Tilson Thomas)
- König Stephan, op. 117: Geistlicher Marsch / Chorus: “Heil unserm Könige” (von London Symphony Orchestra, Michael Tilson Thomas)
- König Stephan, op. 117: Chorus: “Heil! Heil!” (von Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas)
- Elegischer Gesang, op. 118 (von Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas)
- Opferlied, op. 121b (von Lorna Haywood, Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas)
- Bundeslied, op. 122 (von Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas)
- Meeresstille und glückliche Fahrt, op. 112 (von Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas)
Gershwin: Rhapsody in Blue / An American in Paris
- Rhapsody in Blue (von George Gershwin, Columbia Jazz Band, Michael Tilson Thomas)
- An American in Paris
Dvořák: The American Flag / Suite in A major “American”
- The American Flag, op. 102: I. The Colors of the Flag
- The American Flag, op. 102: II. First Hymn to the Eagle
- The American Flag, op. 102: III. Second Hymn to the Eagle
- The American Flag, op. 102: IV. Orchestral Interlude: March
- The American Flag, op. 102: V. First Address to the Flag [The Foot‐Soldier]
- The American Flag, op. 102: VI. Second Address to the Flag [The Cavalryman]
- The American Flag, op. 102: VII. Third Address to the Flag [The Sailor]
- The American Flag, op. 102: VIII. Apotheosis [Prophetic]
- Suite in A Major, op. 98a, B. 190 “American”: I. Andante con moto
- Suite in A Major, op. 98a, B. 190 “American”: II. Allegro
- Suite in A Major, op. 98a, B. 190 “American”: III. Moderato alla polacca
- Suite in A Major, op. 98a, B. 190 “American”: IV. Andante
- Suite in A Major, op. 98a, B. 190 “American”: V. Allegro
Gershwin: Broadway Overtures
- Overture to “Oh, Kay!” (von Buffalo Philharmonic, Michael Tilson Thomas)
- Overture to “Funny Face” (von Buffalo Philharmonic, Michael Tilson Thomas)
- Overture to “Girl Crazy” (von Buffalo Philharmonic, Michael Tilson Thomas)
- Overture to “Strike Up the Band” (von Buffalo Philharmonic, Michael Tilson Thomas)
- Overture to “Of Thee I Sing” (von Buffalo Philharmonic, Michael Tilson Thomas)
- Overture to “Let ’em Eat Cake” (von George Gershwin)
The Complete Music of Carl Ruggles (1)
- Toys (for voice and piano)
- Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): I. Parting at Morning
- Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): II. Son of Mine
- Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): III. A Clear Midnight
- Men (von Buffalo Philharmonic, Michael Tilson Thomas)
- Angels (original trumpet version) (von Gerard Schwarz)
- Men and Mountains: I. Men (von Buffalo Philharmonic, Michael Tilson Thomas)
- Men and Mountains: II. Lilacs (von Buffalo Philharmonic, Michael Tilson Thomas)
- Men and Mountains: III. Marching Mountains (von Buffalo Philharmonic, Michael Tilson Thomas)
- Angels (trumpet/trombone version) (von Gerard Schwarz)
- Sun-Treader (von Buffalo Philharmonic, Michael Tilson Thomas)
The Complete Music of Carl Ruggles (2)
- Portals (for string orchestra) (von Buffalo Philharmonic, Michael Tilson Thomas)
- Evocations (original piano version): I. Largo (von John Kirkpatrick)
- Evocations (original piano version): II. Andante con fantasia (von John Kirkpatrick)
- Evocations (original piano version): III. Moderato appassionato (von John Kirkpatrick)
- Evocations (original piano version): IV. Adagio sostenuto (von John Kirkpatrick)
- Evocations (orchestral version): I. Largo (von Buffalo Philharmonic, Michael Tilson Thomas)
- Evocations (orchestral version): II. Andante con fantasia (von Buffalo Philharmonic, Michael Tilson Thomas)
- Evocations (orchestral version): III. Moderato appassionato (von Buffalo Philharmonic, Michael Tilson Thomas)
- Evocations (orchestral version): IV. Adagio sostenuto (von Buffalo Philharmonic, Michael Tilson Thomas)
- Organum (von Buffalo Philharmonic, Michael Tilson Thomas)
- Exaltation
Tchaikovsky: Orchestral Suite no. 3
- Orchestral Suite no. 3 in G major, op. 55: I. Elégie. Andante molto cantabile (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Orchestral Suite no. 3 in G major, op. 55: II. Valse mélancolique. Allegro moderato (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Orchestral Suite no. 3 in G major, op. 55: III. Scherzo. Presto (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Orchestral Suite no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto (von Los Angeles Philharmonic, Michael Tilson Thomas)
Beethoven: Symphony no. 6
- Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (von English Chamber Orchestra, Michael Tilson Thomas)
Respighi: Feste romane / Fontane di Roma
- Feste romane: I. Circenses (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Feste romane: II. The Jubilee (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Feste romane: III. The October Festival (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Feste romane: IV. The Epiphany (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Fountains of Rome: I. The Fountain of Valle Giulia at Dawn (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Fountains of Rome: II. The Triton Fountain in the Morning (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Fountains of Rome: III. The Fountain of Trevi at Midday (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Fountains of Rome: IV. The Villa Medici Fountain at Sunset (von Los Angeles Philharmonic, Michael Tilson Thomas)
Tchaikovsky: Manfred Symphony
- Manfred Symphony in B minor, op. 58: I. Lento lugubre (von London Symphony Orchestra, Michael Tilson Thomas)
- Manfred Symphony in B minor, op. 58: II. Vivace con spirito (von London Symphony Orchestra, Michael Tilson Thomas)
- Manfred Symphony in B minor, op. 58: III. Andante con moto (von London Symphony Orchestra, Michael Tilson Thomas)
- Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco (von London Symphony Orchestra, Michael Tilson Thomas)
Tchaikovsky: Orchestral Suites nos. 2 & 4
- Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": I. Jeu de Sons (von Philharmonia Orchestra, Michael Tilson Thomas)
- Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": II. Valse (von Philharmonia Orchestra, Michael Tilson Thomas)
- Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": III. Scherzo burlesque (von Philharmonia Orchestra, Michael Tilson Thomas)
- Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": IV. Rêves d'enfant (von Philharmonia Orchestra, Michael Tilson Thomas)
- Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": V. Danse baroque (von Philharmonia Orchestra, Michael Tilson Thomas)
- Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": I. Gigue (von Philharmonia Orchestra, Michael Tilson Thomas)
- Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet (von Philharmonia Orchestra, Michael Tilson Thomas)
- Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera (von Philharmonia Orchestra, Michael Tilson Thomas)
- Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": IV. Théme et variations (von Philharmonia Orchestra, Michael Tilson Thomas)
Stravinsky: Petrouchka
- Petrouchka: Scene I. The Shrovetide Fair
- Petrouchka: Scene I. The Magic Trick
- Petrouchka: Scene I. Russian Dance
- Petrouchka: Scene II. Petrouchka’s Room
- Petrouchka: Scene III. The Moor’s Room
- Petrouchka: Scene III. Dance of the Ballerina
- Petrouchka: Scene III. Waltz. The Ballerina and the Moor
- Petrouchka: Scene IV. The Shrovetide Fair
- Petrouchka: Scene IV. The Wet Nurses’ Dance
- Petrouchka: Scene IV. The Peasant and the Bear
- Petrouchka: Scene IV. The Jovial Merchant with Two Gypsy Girls
- Petrouchka: Scene IV. Dance of the Coachmen and the Grooms
- Petrouchka: Scene IV. The Masqueraders
- Petrouchka: Scene IV. The Fight. The Moor and Petrouchka
- Petrouchka: Scene IV. Death of Petrouchka
- Petrouchka: Scene IV. The Police and the Juggler
- Petrouchka: Scene IV. Apparition of Petrouchka’s Ghost
- Scherzo a la Russe (von Philharmonia Orchestra, Michael Tilson Thomas)
Gershwin Live!
- Medley from Porgy and Bess: Introduction - Summertime - It Ain’t Necessarily So - I Loves You, Porgy
- Medley: But Not for Me - Love Is Here to Stay - Embraceable You - Someone to Watch Over Me
- Sweet and Low-Down
- Fascinating Rhythm
- Do It Again !
- My Man’s Gone Now
- The Man I Love
- Medley: Nice Work If You Can Get It - They Can’t Take That Away From Me - ’S Wonderful - Swanee - Strike Up the Band
- Encore: I’ve Got a Crush on You - A Foggy Day
Beethoven: Symphony no. 4 / “Ah! perfido!”
- Symphony no. 4 in B‐flat major, op. 60: I. Adagio – Allegro vivace (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 4 in B‐flat major, op. 60: II. Adagio (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo (von English Chamber Orchestra, Michael Tilson Thomas)
- Scene and Aria for Soprano and Orchestra, op. 65 “Ah! perfido!”
Ives: Symphony no. 2
- Symphony no. 2: I. Andante moderato
- Symphony no. 2: II. Allegro
- Symphony no. 2: III. Adagio cantabile - Andante
- Symphony no. 2: IV. Lento maestoso
- Symphony no. 2: V. Allegro molto vivace
Prokofiev: Lieutenant Kijé Suite / Suite from “The Love for Three Oranges”
- Lieutenant Kijé Suite, op. 60: I. The Birth of Kijé (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Lieutenant Kijé Suite, op. 60: II. Romance
- Lieutenant Kijé Suite, op. 60: III. The Wedding of Kijé (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Lieutenant Kijé Suite, op. 60: IV. Troika (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Lieutenant Kijé Suite, op. 60: V. Burial of Kijé (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Suite from "The Love for Three Oranges", op. 33a: I. Les ridicules (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Suite from "The Love for Three Oranges", op. 33a: II. Le magicien Tchélo et Fata Morgana jouent aux cartes (Scène infernale) (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Suite from "The Love for Three Oranges", op. 33a: III. Marche (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Suite from "The Love for Three Oranges", op. 33a: IV. Scherzo (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Suite from "The Love for Three Oranges", op. 33a: V. Le prince et la princesse (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Suite from "The Love for Three Oranges", op. 33a: VI. La fuite (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Overture in B-flat major, op. 42 “American” (von Los Angeles Philharmonic, Michael Tilson Thomas)
Beethoven: Symphony no. 5 / Egmont Overture
- Symphony no. 5 in C minor, op. 67: I. Allegro con brio (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 5 in C minor, op. 67: II. Andante con moto (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 5 in C minor, op. 67: III. Allegro (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 5 in C minor, op. 67: IV. Allegro (von English Chamber Orchestra, Michael Tilson Thomas)
- Egmont Overture, op. 84 (von English Chamber Orchestra, Michael Tilson Thomas)
Debussy: La Mer / Nocturnes
- La Mer, L. 109 : I. De l'aube à midi sur la mer (von Philharmonia Orchestra, Michael Tilson Thomas)
- La Mer, L. 109 : II. Jeux de vagues (von Philharmonia Orchestra, Michael Tilson Thomas)
- La Mer, L. 109 : III. Dialogue du vent et de la mer (von Philharmonia Orchestra, Michael Tilson Thomas)
- Nocturnes, L. 91 : I. Nuages (von Philharmonia Orchestra, Michael Tilson Thomas)
- Nocturnes, L. 91 : II. Fêtes (von Philharmonia Orchestra, Michael Tilson Thomas)
- Nocturnes, L. 91 : III. Sirènes
Mendelssohn: Violin Concerto / Saint‐Saëns: Violin Concerto no. 3
- Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato
- Concerto for Violin and Orchestra in E minor, op. 64: II. Andante
- Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace (von Cho-Liang Lin, Philharmonia Orchestra, Michael Tilson Thomas)
- Concerto for Violin and Orchestra no. 3 in B minor, op. 61: I. Allegro non troppo (von Cho-Liang Lin, Philharmonia Orchestra, Michael Tilson Thomas)
- Concerto for Violin and Orchestra no. 3 in B minor, op. 61: II. Andantino quasi allegretto (von Cho-Liang Lin, Philharmonia Orchestra, Michael Tilson Thomas)
- Concerto for Violin and Orchestra no. 3 in B minor, op. 61: III. Molto moderato e maestoso – Allegro non troppo (von Cho-Liang Lin, Philharmonia Orchestra, Michael Tilson Thomas)
Beethoven: Symphony no. 7
- Symphony no. 7 in A major, op. 92: I. Poco sostenuto, Vivace (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 7 in A major, op. 92: II. Allegretto (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 7 in A major, op. 92: III. Presto (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 7 in A major, op. 92: IV. Allegro con brio (von English Chamber Orchestra, Michael Tilson Thomas)
Ives: Symphony no. 3 / Orchestral Set no. 2
- Symphony no. 3 “The Camp meeting”: I. Old Folks Gatherin’. Andante maestoso (von Concertgebouw Orchestra, Michael Tilson Thomas)
- Symphony no. 3 “The Camp meeting”: II. Children’s Day. Allegro (von Concertgebouw Orchestra, Michael Tilson Thomas)
- Symphony no. 3 “The Camp meeting”: III. Communion. Largo (von Concertgebouw Orchestra, Michael Tilson Thomas)
- Orchestral Set no. 2: I. An Elegy to Our Forefathers. Very slowly (von Concertgebouw Orchestra, Michael Tilson Thomas)
- Orchestral Set no. 2: II. The Rockstrewn Hills Join in the People’s Outdoor Meeting. Allegro (von Concertgebouw Orchestra, Michael Tilson Thomas)
- Orchestral Set no. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose. Very slowly
Bernstein on Broadway
- West Side Story: Prologue
- West Side Story: Something’s Coming
- West Side Story: Maria
- West Side Story: Tonight (Balcony Scene)
- West Side Story: Cool
- West Side Story: One Hand, One Heart
- West Side Story: I Feel Pretty
- West Side Story: Somewhere
- On the Town: Subway Ride
- On the Town: Some Other Time
- Mass: A Simple Song
- Mass: Pax: Communion (“Secret Songs”)
Gershwin: Rhapsody in Blue / 3 Preludes / Second Rhapsody
- Rhapsody in Blue (von Los Angeles Philharmonic, Michael Tilson Thomas)
- 3 Preludes for Piano (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Short Story (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Melody no. 40 “Violin Piece” (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Second Rhapsody for Orchestra with Piano (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Melody no. 79 “For Lily Pons” (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Melody no. 17 “Sleepless Night” (von Los Angeles Philharmonic, Michael Tilson Thomas)
- Promenade (“Walking the Dog”) (von Los Angeles Philharmonic, Michael Tilson Thomas)
Beethoven: Symphonies nos. 1 & 2
- Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 2 in D major, op. 36: II. Larghetto (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 2 in D major, op. 36: IV. Allegro molto (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace – Trio (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in C major, op. 21: IV. Finale. Adagio – Allegro molto e vivace (von English Chamber Orchestra, Michael Tilson Thomas)
Brahms: Piano Quartet / J.S. Bach: Chorale Preludes
- Piano Quartet In G Minor, op. 25: I. Allegro (von Symphonieorchester des Bayerischen Rundfunks, Michael Tilson Thomas)
- Piano Quartet In G minor, op. 25: II. Intermezzo. Allegro ma non troppo (von Symphonieorchester des Bayerischen Rundfunks, Michael Tilson Thomas)
- Piano Quartet In G Minor, op. 25: III. Andante con moto (von Symphonieorchester des Bayerischen Rundfunks, Michael Tilson Thomas)
- Piano Quartet In G minor, op. 25: IV. Rondo alla Zingarese. Presto (von Symphonieorchester des Bayerischen Rundfunks, Michael Tilson Thomas)
- Chorale Prelude “Schmücke dich, o liebe Seele”, BWV 654 (von Symphonieorchester des Bayerischen Rundfunks, Michael Tilson Thomas)
- Chorale Prelude “Komm, Gott Schopfer, Heiliger Geist”, BWV 631 (von Symphonieorchester des Bayerischen Rundfunks, Michael Tilson Thomas)
Beethoven: Symphony no. 8
- Symphony no. 8 in F major, op. 93: I. Allegro vivace con brio (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 8 in F major, op. 93: III. Tempo di menuetto (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 8 in F major, op. 93: IV. Allegro vivace (von English Chamber Orchestra, Michael Tilson Thomas)
Beethoven: Symphony no. 9
- Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto - (von English Chamber Orchestra, Michael Tilson Thomas)
- Symphony no. 9 in D minor, op. 125 “Choral”: Rezitativo: "O Freunde, nicht diese Töne!"
Copland: Old American Songs / Canticle of Freedom / 4 Motets
- Old American Songs, Set I: no. 1. The Boatmen’s Dance
- Old American Songs, Set I: no. 2. The Dodger
- Old American Songs, Set I: no. 3. Long Time Ago (von The Tabernacle Choir at Temple Square, Utah Symphony, Michael Tilson Thomas)
- Old American Songs, Set I: no. 4. Simple Gifts (von The Tabernacle Choir at Temple Square, Utah Symphony, Michael Tilson Thomas)
- Old American Songs, Set I: no. 5. I Bought Me a Cat (von The Tabernacle Choir at Temple Square, Utah Symphony, Michael Tilson Thomas)
- Old American Songs, Set II: no. 1. The Little Horses (von The Tabernacle Choir at Temple Square, Utah Symphony, Michael Tilson Thomas)
- Old American Songs, Set II: no. 2. Zion’s Walls (von The Tabernacle Choir at Temple Square, Utah Symphony, Michael Tilson Thomas)
- Old American Songs, Set II: no. 3. The Golden Willow Tree (von The Tabernacle Choir at Temple Square, Utah Symphony, Michael Tilson Thomas)
- Old American Songs, Set II: no. 4. At The River (von The Tabernacle Choir at Temple Square, Utah Symphony, Michael Tilson Thomas)
- Old American Songs, Set II: no. 5. Ching‐a‐ring Chaw (von The Tabernacle Choir at Temple Square, Utah Symphony, Michael Tilson Thomas)
- Canticle of Freedom (von The Tabernacle Choir at Temple Square, Utah Symphony, Michael Tilson Thomas)
- Four Motets: no. 1. Help Us, O Lord
- Four Motets: no. 2. Thou, O Jehovah, Abideth Forever
- Four Motets: no. 3. Have Mercy on Us, O my Lord
- Four Motets: no. 4. Sing Ye Praises to Our King
Gershwin: Of Thee I Sing
- Of Thee I Sing: Overture (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- Of Thee I Sing: Wintergreen for President
- Of Thee I Sing: Who Is the Lucky Girl to Be?
- Of Thee I Sing: The Dimple on My Knee
- Of Thee I Sing: Because, Because
- Of Thee I Sing: Never Was There a Girl So Fair
- Of Thee I Sing: Some Girls Can Bake a Pie
- Of Thee I Sing: Love Is Sweeping the Country
- Of Thee I Sing: Of Thee I Sing
- Of Thee I Sing: Supreme Court Judges
- Of Thee I Sing: A Kiss for Cinderella – Some Girls Can Bake a Pie (Reprise) – Of Thee I Sing (Reprise)
- Of Thee I Sing: Hello, Good Morning
- Of Thee I Sing: Who Cares?
- Of Thee I Sing: The Illegitimate Daughter – Because, Because (Reprise)
- Of Thee I Sing: Who Cares? (Reprise)
- Of Thee I Sing: The Senator from Minnesota
- Of Thee I Sing: The Senate
- Of Thee I Sing: Jilted – I’m About to Be a Mother
- Of Thee I Sing: Posterity Is Just Around the Corner
- Of Thee I Sing: Trumpeter Blow Your Golden Horn
- Of Thee I Sing: Finale Ultimo
- Of Thee I Sing: Of Thee I Sing (Reprise)
Gershwin: Let ’Em Eat Cake
- Let ’Em Eat Cake: Overture (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- Let ’Em Eat Cake: Tweedledee for President
- Let ’Em Eat Cake: Union Square
- Let ’Em Eat Cake: Store Scene: Shirts by the Millions
- Let ’Em Eat Cake: Comes the Revolution
- Let ’Em Eat Cake: Mine
- Let ’Em Eat Cake: Climb Up the Social Ladder (The New Blue D.A.R.)
- Let ’Em Eat Cake: The Union League (Cloistered from the City Noise)
- Let ’Em Eat Cake: On and On and On
- Let ’Em Eat Cake: Introduction
- Let ’Em Eat Cake: I’ve Brushed My Teeth
- Let ’Em Eat Cake: The General’s Gone to a Party
- Let ’Em Eat Cake: Mothers of the Nation
- Let ’Em Eat Cake: Let ’Em Eat Cake
- Let ’Em Eat Cake: Blue, Blue, Blue
- Let ’Em Eat Cake: Who’s the Greatest?
- Let ’Em Eat Cake: The League of Nations
- Let ’Em Eat Cake: No Comprenez, No Capish, No Versteh?
- Let ’Em Eat Cake: When Nations Get Together
- Let ’Em Eat Cake: Why Speak of Money? – Who’s the Greatest? (Reprise)
- Let ’Em Eat Cake: Up and at ’Em
- Let ’Em Eat Cake: The Trial of Throttlebottom: That’s What He Did
- Let ’Em Eat Cake: I Know a Foul Ball
- Let ’Em Eat Cake: Throttle Throttlebottom
- Let ’Em Eat Cake: The Trial of Wintergreen: It Isn’t What You Did
- Let ’Em Eat Cake: Mine (Reprise)
- Let ’Em Eat Cake: First Lady and First Gent
- Let ’Em Eat Cake: Hanging Throttlebottom in the Morning
- Let ’Em Eat Cake: Fashion Show
- Let ’Em Eat Cake: Finale Ultimo – Of Thee I Sing (Reprise)
Ives: New England Holidays / The Unanswered Question / Central Park in the Dark / The Unanswered Question
- A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day
- The Unanswered Question, S. 50 (revised version) (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- Central Park in the Dark, S. 34 (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- The Unanswered Question, S. 50 (original version) (von Chicago Symphony Orchestra, Michael Tilson Thomas)
Beethoven: Symphony no. 3 / 12 Contredanses
- Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace – Trio (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto – Poco Andante – Presto (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 1 in C major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 2 in A major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 3 in D major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 4 in B‐flat major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 5 in E‐flat major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 6 in C major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 7 in E‐flat major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 8 in C major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 9 in A major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 10 in C major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 11 in G major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
- 12 Contredanses for Orchestra, WoO 14: no. 12 in E‐flat major (von Orchestra of St. Luke’s, Michael Tilson Thomas)
Mahler: Symphony no. 3 (Mvts. I‐III)
- Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part I: I. Langsam. Schwer (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part I: I. Tempo I (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part I: I. A Tempo (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part I: I. Immer dasselbe Tempo (Marsch) (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part I: I. Allegro Moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part I: I. Tempo I (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: II. A Tempo. (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: II. Ganz plötzlich gemächlich. Tempo di Menuetto (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, wie zu Anfang (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: III. Sehr gemächlich (Posthorn) (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: III. Tempo I (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, beinahe langsam (von London Symphony Orchestra, Michael Tilson Thomas)
Mahler: Symphony no. 3 (Mvts. IV‐VI) / Rückert‐Lieder
- Symphony no. 3 in D minor, Part II: IV. Sehr Langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!” (von Dame Janet Baker, London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: IV. Più mosso subito (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck Im Ausdruck “Es sungen drei Engel”
- Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: VI. Tempo I. Ruhevoll (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: VI. A Tempo (Etwas bewegter) (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: VI. Tempo I (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 3 in D minor, Part II: VI. Langsam. Tempo I (von London Symphony Orchestra, Michael Tilson Thomas)
- Rückert‐Lieder: Ich atmet’ einen linden Druft (von Dame Janet Baker, London Symphony Orchestra, Michael Tilson Thomas)
- Rückert‐Lieder: Blicke mir nicht in die Lieder! (von Dame Janet Baker, London Symphony Orchestra, Michael Tilson Thomas)
- Rückert‐Lieder: Um Mitternacht (von Dame Janet Baker, London Symphony Orchestra, Michael Tilson Thomas)
- Rückert‐Lieder: Liebst du um Schönheit (von Dame Janet Baker, London Symphony Orchestra, Michael Tilson Thomas)
- Rückert‐Lieder: Ich bin der Welt abhanden gekommen (von Dame Janet Baker, London Symphony Orchestra, Michael Tilson Thomas)
Weill: Die Sieben Todsünden / Kleine Dreigroschenmusik
- Die Sieben Todsünden: Prologue (von Julia Migenes, London Symphony Orchestra, Michael Tilson Thomas)
- Die Sieben Todsünden: I. Faulheit
- Die Sieben Todsünden: II. Stolz (von Stuart Kale, Roderick Kennedy, Julia Migenes, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas)
- Die Sieben Todsünden: III. Zorn
- Die Sieben Todsünden: IV. Völlerei
- Die Sieben Todsünden: V. Unzucht (von Stuart Kale, Roderick Kennedy, Julia Migenes, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas)
- Die Sieben Todsünden: VI. Habsucht
- Die Sieben Todsünden: VII. Neid (von Stuart Kale, Roderick Kennedy, Julia Migenes, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas)
- Die Sieben Todsünden: Epilogue (von Julia Migenes, London Symphony Orchestra, Michael Tilson Thomas)
- Kleine Dreigroschenmusik: I. Overture (von London Symphony Orchestra, Michael Tilson Thomas)
- Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer (von London Symphony Orchestra, Michael Tilson Thomas)
- Kleine Dreigroschenmusik: III. Anstatt-dass-Song (von London Symphony Orchestra, Michael Tilson Thomas)
- Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben (von London Symphony Orchestra, Michael Tilson Thomas)
- Kleine Dreigroschenmusik: V. Pollys Lied (von London Symphony Orchestra, Michael Tilson Thomas)
- Kleine Dreigroschenmusik: VI. Tango-Ballade (von London Symphony Orchestra, Michael Tilson Thomas)
- Kleine Dreigroschenmusik: VII. Kanonen-Song (von London Symphony Orchestra, Michael Tilson Thomas)
- Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale (von London Symphony Orchestra, Michael Tilson Thomas)
Ravel: Ma mère l’Oye / Rapsodie espagnole / Boléro
- Ma mère l’Oye, M. 60 : Prélude (von London Symphony Orchestra, Michael Tilson Thomas)
- Ma mère l’Oye, M. 60 : Tableau I : Danse du rouet et scène (von London Symphony Orchestra, Michael Tilson Thomas)
- Ma mère l’Oye, M. 60 : Tableau II : Pavane de la Belle au bois dormant (von London Symphony Orchestra, Michael Tilson Thomas)
- Ma mère l’Oye, M. 60 : Tableau III : Les Entretiens de la Belle et de la Bête (von London Symphony Orchestra, Michael Tilson Thomas)
- Ma mère l’Oye, M. 60 : Tableau IV : Petit Poucet (von London Symphony Orchestra, Michael Tilson Thomas)
- Ma mère l’Oye, M. 60 : Tableau V : Laideronnette, impératrice des pagodes (von London Symphony Orchestra, Michael Tilson Thomas)
- Ma mère l’Oye, M. 60 : Apothéose : Le Jadin féerique (von London Symphony Orchestra, Michael Tilson Thomas)
- Fanfare from ballet “L’Éventail de Jeanne”, M. 80/1 (von London Symphony Orchestra, Michael Tilson Thomas)
- Rapsodie espagnole, M. 54 : I. Prélude à la nuit (von London Symphony Orchestra, Michael Tilson Thomas)
- Rapsodie espagnole, M. 54 : II. Malagueña (von London Symphony Orchestra, Michael Tilson Thomas)
- Rapsodie espagnole, M. 54 : III. Habanera (von London Symphony Orchestra, Michael Tilson Thomas)
- Rapsodie espagnole, M. 54 : IV. Feria (von London Symphony Orchestra, Michael Tilson Thomas)
- Vocalise‐étude en forme de habanera, M. 51
- Boléro, M. 81 (von London Symphony Orchestra, Michael Tilson Thomas)
R. Strauss: Ein Heldenleben / Till Eulenspiegels lustige Streiche
- Ein Heldenleben, op. 40: I. Der Held (von Alexander Barantschik, London Symphony Orchestra, Michael Tilson Thomas)
- Ein Heldenleben, op. 40: II. Des Helden Widersacher (von Alexander Barantschik, London Symphony Orchestra, Michael Tilson Thomas)
- Ein Heldenleben, op. 40: III. Des Helden Gefährtin (von Alexander Barantschik, London Symphony Orchestra, Michael Tilson Thomas)
- Ein Heldenleben, op. 40: Mäßig langsam (von Alexander Barantschik, London Symphony Orchestra, Michael Tilson Thomas)
- Ein Heldenleben, op. 40: IV. Des Helden Walstatt (von Alexander Barantschik, London Symphony Orchestra, Michael Tilson Thomas)
- Ein Heldenleben, op. 40: V. Des Helden Friedenswerke (von Alexander Barantschik, London Symphony Orchestra, Michael Tilson Thomas)
- Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung (von Alexander Barantschik, London Symphony Orchestra, Michael Tilson Thomas)
- Till Eulenspiegels lustige Streiche, op. 28 (von London Symphony Orchestra, Michael Tilson Thomas)
Prokofiev: Piano Concertos nos. 1 & 2
- Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: I. Allegro brioso
- Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: II. Meno mosso
- Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: III. Andante assai
- Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: IV. Allegro scherzando
- Concerto for Piano and Orchestra no. 2 in G minor, op. 16: I. Andantino
- Concerto for Piano and Orchestra no. 2 in G minor, op. 16: II. Scherzo. Vivace
- Concerto for Piano and Orchestra no. 2 in G minor, op. 16: III. Intermezzo. Allegro moderato
- Concerto for Piano and Orchestra no. 2 in G minor, op. 16: IV. Finale. Allegro tempestoso
- 10 Pieces for Piano from “Romeo and Juliet”, op. 75: No. 10. Romeo and Juliet before Parting (von Vladimir Feltsman)
McLaughlin: Guitar Concerto / Duos for Guitar and Piano
- Concerto for Guitar & Orchestra “The Mediterranean”: I. Rhythmic (von John McLaughlin, London Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Guitar & Orchestra “The Mediterranean”: II. Slow & Sad (von John McLaughlin, London Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Guitar & Orchestra “The Mediterranean”: III. Animato (von John McLaughlin, London Symphony Orchestra, Michael Tilson Thomas)
- 5 Duos for Guitar and Piano: No. 1. Brise de cœur
- 5 Duos for Guitar and Piano: No. 2. Montana
- 5 Duos for Guitar and Piano: No. 3. Two Sisters
- 5 Duos for Guitar and Piano: No. 4. Until Such Time
- 5 Duos for Guitar and Piano: No. 5. Zakir
Puccini: Tosca (Act I)
- Tosca: Atto I. “Ah ! Finalmente!”
- Tosca: Atto I. “È sempre lava!”
- Tosca: Atto I. “Dammi i colori! Recondita armonia”
- Tosca: Atto I. “Gente là dentro!“
- Tosca: Atto I. “Mario! Mario! Mario!”
- Tosca: Atto I. “Non la sospiri la nostra casetta”
- Tosca: Atto I. “Ah, quegli occhi!“ … “Qual occhio al mondo”
- Tosca: Atto I. “È buona la mia Tosca”
- Tosca: Atto I. “Sommo giubilo, eccellenza!”
- Tosca: Atto I. “Un tal baccano in chiesa!”
- Tosca: Atto I. “Or tutto é chiaro” … “Tosca? Che non mi veda”
- Tosca: Atto I. “Ed io venivo a lui tutta dogliosa”
- Tosca: Atto I. Finale I: “Tre sbirri, una carrozza”
Puccini: Tosca (Act II & III)
- Tosca: Atto II. “Tosca è un buon falco!”
- Tosca: Atto II. “Ha più forte sapore”
- Tosca: Atto II. “O galantuomo, come andò la caccia?”
- Tosca: Atto II. “Meno male!”
- Tosca: Atto II. “Ov’è Angelotti?“
- Tosca: Atto II. “Ed or fra noi parliam da buoni amici”
- Tosca: Atto II. “Sciarrone: che dice il cavalier?”
- Tosca: Atto II. “Orsù, Tosca, parlate”
- Tosca: Atto II. “Nel pozzo, nel giardino!”
- Tosca: Atto II. “Nel pozzo del giardino! Va’, Spoletta!”
- Tosca: Atto II. “Salvatelo!” … “lo? Voi!”
- Tosca: Atto II. “Se la giurata fede devo tradir”
- Tosca: Atto II. “Vissi d’arte”
- Tosca: Atto II. “Vedi" … "le man giunte io stendo”
- Tosca: Atto II. “E qual via scegliete?”
- Tosca: Atto III. “lo de’ sospiri te ne rimanno tanti”
- Tosca: Atto III. “Mario Cavaradossi? A voi”
- Tosca: Atto III. “E lucevan le stelle”
- Tosca: Atto III. “Ah! Franchigia a Floria Tosca”
- Tosca: Atto III. “Oh dolci mani mansuete e pure”
- Tosca: Atto III. “Senti, l’ora è vicina”
- Tosca: Atto III. “E non giungono”
- Tosca: Atto III. “Come è lunga l’attesa!” (von Éva Marton, Hungarian State Orchestra, Michael Tilson Thomas)
- Tosca: Atto III. “Presto, su! Mario!”
Brahms: Serenade no. 1 / Tragische Ouvertüre / Akademische Festouvertüre
- Serenade no. 1 in D major, op. 11: I. Allegro molto (von London Symphony Orchestra, Michael Tilson Thomas)
- Serenade no. 1 in D major, op. 11: II. Scherzo. Allegro non troppo – Trio. Poco più moto (von London Symphony Orchestra, Michael Tilson Thomas)
- Serenade no. 1 in D major, op. 11: III. Adagio non troppo (von London Symphony Orchestra, Michael Tilson Thomas)
- Serenade no. 1 in D major, op. 11: IV. Menuetto I – Menuetto II (von London Symphony Orchestra, Michael Tilson Thomas)
- Serenade no. 1 in D major, op. 11: V. Scherzo. Allegro – Trio (von London Symphony Orchestra, Michael Tilson Thomas)
- Serenade no. 1 in D major, op. 11: VI. Rondo. Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Tragische Ouvertüre, op. 81 (von London Symphony Orchestra, Michael Tilson Thomas)
- Akademische Festouvertüre, op. 80 (von London Symphony Orchestra, Michael Tilson Thomas)
Ives: Symphonies nos. 1 & 4 / Hymns
- Symphony no. 1 in D minor, S. 1: I. Allegro (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in D minor, S. 1: II. Adagio molto (sostenuto) (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in D minor, S. 1: III. Scherzo: Vivace (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in D minor, S. 1: IV. Allegro molto (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- Sweet By and By
- Beulah Land (von Richard Webster)
- Ye Christian Heralds
- Jesus, Lover of My Soul
- Nearer, My God, to Thee
- Symphony no. 4, S. 4: I. Prelude: Maestoso
- Symphony no. 4, S. 4: II. Comedy: Allegretto (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 4, S. 4: III. Fugue: Andante moderato con moto (von Chicago Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 4, S. 4: IV. Finale: Very slowly - Largo maestoso
R. Strauss: Also sprach Zarathustra / Don Juan
- Also sprach Zarathustra, op. 30: Introduction (von London Symphony Orchestra, Michael Tilson Thomas)
- Also sprach Zarathustra, op. 30: Of the Backworldsmen (von London Symphony Orchestra, Michael Tilson Thomas)
- Also sprach Zarathustra, op. 30: Of the Great Longing (von London Symphony Orchestra, Michael Tilson Thomas)
- Also sprach Zarathustra, op. 30: Of Joys and Passions (von London Symphony Orchestra, Michael Tilson Thomas)
- Also sprach Zarathustra, op. 30: The Song of the Grave (von Alexander Barantschik, London Symphony Orchestra, Michael Tilson Thomas)
- Also sprach Zarathustra, op. 30: Of Science and Learning (von London Symphony Orchestra, Michael Tilson Thomas)
- Also sprach Zarathustra, op. 30: The Convalescent (von London Symphony Orchestra, Michael Tilson Thomas)
- Also sprach Zarathustra, op. 30: Ziemlich langsam (von London Symphony Orchestra, Michael Tilson Thomas)
- Also sprach Zarathustra, op. 30: The Dance-Song (von Alexander Barantschik, London Symphony Orchestra, Michael Tilson Thomas)
- Also sprach Zarathustra, op. 30: Song of the Night Wanderer (von London Symphony Orchestra, Michael Tilson Thomas)
- Also sprach Zarathustra, op. 30: Langsam (von London Symphony Orchestra, Michael Tilson Thomas)
- Don Juan, op. 20 (von London Symphony Orchestra, Michael Tilson Thomas)
Tchaikovsky: Swan Lake (1)
- Swan Lake: Introduction: Moderato assai - Allegro non troppo - Tempo I (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, I. Scène: Allegro giusto (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, II. Valse: Tempo di valse (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, III. Scène: Allegro moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, IV. Pas de trois: I. Intrada: Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, IV. Pas de trois: II. Andante sostenuto (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, IV. Pas de trois: III. Allegro simplice - Presto (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, IV. Pas de trois: IV. Moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, IV. Pas de trois: V. Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, IV. Pas de trois: VI. Coda: Allegro vivace (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, V. Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, V. Pas de deux: II. Andante - Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, V. Pas de deux: III. Tempo di valse (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, V. Pas de deux: IV. Coda: Allegro molto vivace (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, VI. Pas d'action: Andantino quasi moderato - Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, VII. Sujet (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, VIII. Danse des coupes: Tempo di polacca (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act I, IX. Finale: Sujet: Andante (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act II, X. Scène: Moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act II, XI. Scène: Allegro moderato - Moderato - Allegro vivo (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act II, XII. Scène: Allegro - Moderato assai quasi andante (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act II, XIII. Danses des cygnes: I. Tempo di valse (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act II, XIII. Danses des cygnes: II. Moderato assai (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act II, XIII. Danses des cygnes: III. Tempo di valse (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act II, XIII. Danses des cygnes: IV. Allegro moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act II, XIII. Danses des cygnes: V. Pas d'action: Andante - Andante non troppo - Tempo I - Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
Tchaikovsky: Swan Lake (2)
- Swan Lake: Act II, XIII. Danses des cygnes: VI. Tempo di valse (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act II, XIII. Danses des cygnes: VII. Coda: Allegro vivo (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act II, XIV. Scène: Moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XV. Allegro giusto (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XVI. Danses du corps de ballet et des nains: Moderato assai - Allegro vivo (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XVII. Scène. Sortie des invites et valse: Allegro - Tempo di valse (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XVIII. Scène: Allegro - Allegro giusto (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XIX. Pas de six. Intrada: Moderato assai (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XIX. Pas de six: Variation I: Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XIX. Pas de six: Variation II: Andante con moto (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XIX. Pas de six: Variation III: Moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XIX. Pas de six: Variation IV: Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XIX. Pas de six: Variation V: Moderato - Allegro simplice (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XIX. Pas de six: Coda: Allegro molto (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XX. Danse hongroise. Czardas: Moderato assai - Allegro moderato - Vivace (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XXa. Danse russe: Moderato - Andante simplice - Allegro vivo - Presto (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XXI. Danse espagnole: Allegro non troppo (Tempo di bolero) (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XXII. Danse napolitaine: Allegro moderato - Andantino quasi moderato - Presto (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XXIII. Mazurka: Tempo di mazurka (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act III, XXIV. Scène: Allegro - Valse - Allegro vivo (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act IV, XXV. Entr'acte: Moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act IV, XXVI. Scène: Allegro non troppo (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act IV, XXVII. Danses des petits cygnes: Moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act IV, XXVIII. Scène: Allegro agitato - Molto meno mosso - Allegro vivace (von London Symphony Orchestra, Michael Tilson Thomas)
- Swan Lake: Act IV, XXIX. Scène finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato (von London Symphony Orchestra, Michael Tilson Thomas)
Adam: Giselle ou Les Wilis
- Giselle: 1. Act: no. 1. Introduction (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 2. Joyful entrance of the grape-pickers (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 3. Albrecht enters, accompanied by his squire Wilfried (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 4. Albrecht is left alone, Gisele enters (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 5. Love scene (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 6. The grape-pickers return (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 7. Valse (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 8. Pas de deux, Giselle and Albrecht (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 9. The hunt (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 10. The wine-pickers' march (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 11. Variation Giselle (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 12. Galop général (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 13. Hilarion rushes into the crowd (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 14. Scene of dilirium (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 15. Scene of dilirium (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 1. Act: no. 16. Memories return to Giselle, she dies (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 1. Introduction (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 2. Hilarion finds Giselle's grave (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 3. Myrtha makes her ghostly appearance (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 4. Myrtha plucks a branch of rosemary (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 5. Apparition of Giselle (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 6. The Wilis are startlet by sounds of men approaching and hide, Albrecht enters (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 7. Albrecht perceives the spectre of Giselle (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 8. Pas de deux, Giselle and Albrecht (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 9. Pas de deux, Giselle and Albrecht (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 10. Scene of the Wilis, Hilarion enters (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 11. The Wilis notice Albrecht (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 12. Grand Pas de deux, Giselle and Albrecht
- Giselle: 2. Act: no. 13. Grand Pas de deux, Giselle and Albrecht
- Giselle: 2. Act: no. 14. Variation Albrecht (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 15. Variation Giselle (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 16. Ensemble of the Wilis (von London Symphony Orchestra, Michael Tilson Thomas)
- Giselle: 2. Act: no. 17. Finale (von London Symphony Orchestra, Michael Tilson Thomas)
Brahms: Serenade no. 2 / Variations on a Theme by Joseph Haydn / Hungarian Dances
- Serenade no. 2 for Small Orchestra in A major, op. 16: I. Allegro moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Serenade no. 2 for Small Orchestra in A major, op. 16: II. Scherzo. Vivace - Trio (von London Symphony Orchestra, Michael Tilson Thomas)
- Serenade no. 2 for Small Orchestra in A major, op. 16: III. Adagio non troppo (von London Symphony Orchestra, Michael Tilson Thomas)
- Serenade no. 2 for Small Orchestra in A major, op. 16: IV. Quasi menuetto - Trio (von London Symphony Orchestra, Michael Tilson Thomas)
- Serenade no. 2 for Small Orchestra in A major, op. 16: V. Rondo. Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII: Presto non troppo (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante (von London Symphony Orchestra, Michael Tilson Thomas)
- Hungarian Dance no. 1 in G minor: Allegro molto (von London Symphony Orchestra, Michael Tilson Thomas)
- Hungarian Dance no. 3 in F major: Allegretto (von London Symphony Orchestra, Michael Tilson Thomas)
- Hungarian Dance no. 10 in F major: Presto (von London Symphony Orchestra, Michael Tilson Thomas)
- Hungarian Dance no. 17 in F-sharp minor: Andantino (von London Symphony Orchestra, Michael Tilson Thomas)
- Hungarian Dance no. 18 in D major: Molto vivace (von London Symphony Orchestra, Michael Tilson Thomas)
- Hungarian Dance no. 19 in B minor: Allegretto (von London Symphony Orchestra, Michael Tilson Thomas)
- Hungarian Dance no. 20 in E minor: Poco Allegretto - Vivace (von London Symphony Orchestra, Michael Tilson Thomas)
- Hungarian Dance no. 21 in E minor: Vivace (von London Symphony Orchestra, Michael Tilson Thomas)
Janáček: Glagolitic Mass / Sinfonietta
- Glagolitic Mass: I. Úvod (Introduction) (von London Symphony Orchestra, Michael Tilson Thomas)
- Glagolitic Mass: II. Gospodi pomiluj (Kyrie)
- Glagolitic Mass: III. Slava (Gloria)
- Glagolitic Mass: IV. Věruju (Credo)
- Glagolitic Mass: V. Svet (Sanctus)
- Glagolitic Mass: VI. Agneče Božij (Agnus Dei)
- Glagolitic Mass: VII. Varhany solo (Organ)
- Glagolitic Mass: VIII. Intrada (von London Symphony Orchestra, Michael Tilson Thomas)
- Sinfonietta: I. Allegretto (von London Symphony Orchestra, Michael Tilson Thomas)
- Sinfonietta: II. Andante - Allegretto (von London Symphony Orchestra, Michael Tilson Thomas)
- Sinfonietta: III. Moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Sinfonietta: IV. Allegretto (von London Symphony Orchestra, Michael Tilson Thomas)
- Sinfonietta: V. Andante con moto (von London Symphony Orchestra, Michael Tilson Thomas)
Debussy: Prélude à l’après‐midi d’un faune / La boîte à joujoux / Jeux
- Prélude à l’après‐midi d’un faune, L. 86 (von London Symphony Orchestra, Michael Tilson Thomas)
- La boîte à joujoux, L. 128 : Prélude. Le Sommeil de la boîte (von London Symphony Orchestra, Michael Tilson Thomas)
- La boîte à joujoux, L. 128 : I. Le Magasin de jouets (von London Symphony Orchestra, Michael Tilson Thomas)
- La boîte à joujoux, L. 128 : II. Le Champ de bataille (von London Symphony Orchestra, Michael Tilson Thomas)
- La boîte à joujoux, L. 128 : III. La Bergerie à vendre (von London Symphony Orchestra, Michael Tilson Thomas)
- La boîte à joujoux, L. 128 : IV. Après fortune faite (von London Symphony Orchestra, Michael Tilson Thomas)
- La boîte à joujoux, L. 128 : Épilogue (von London Symphony Orchestra, Michael Tilson Thomas)
- Jeux, L. 126 (von London Symphony Orchestra, Michael Tilson Thomas)
Prokofiev: Symphonies nos. 1 & 5
- Symphony no. 5 in B‐flat major, op. 100: I. Andante (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 5 in B‐flat major, op. 100: II. Allegro marcato (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 5 in B‐flat major, op. 100: III. Adagio (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 5 in B‐flat major, op. 100: IV. Allegro giocoso (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale. Molto vivace (von London Symphony Orchestra, Michael Tilson Thomas)
Debussy: Le Martyre de saint Sébastien
- Le Martyre de saint Sébastien, L. 124 : I. La cour des lys : No. 1. Prélude. Lent – “Frère, que sera‐t‐il le monde”
- Le Martyre de saint Sébastien, L. 124 : I. La cour des lys : No. 2. “Sébastien! Sébastien! Sébastien!” (von London Symphony Orchestra, London Symphony Chorus, Michael Tilson Thomas)
- Le Martyre de saint Sébastien, L. 124 : I. La cour des lys : No. 3. “Danse extatique de Sébastien sur le charbons embrasés’”
- Le Martyre de saint Sébastien, L. 124 : II. La chambre magique : No. 1. Prélude. Très modéré (von London Symphony Orchestra, Michael Tilson Thomas)
- Le Martyre de saint Sébastien, L. 124 : II. La chambre magique : No. 2. “Je fauchais l’épi de froment”
- Le Martyre de saint Sébastien, L. 124 : II. La chambre magique : No. 3. “Qui pleure mon enfant si doux”
- Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 1. Prélude – No. 2. Modéré (von London Symphony Orchestra, Michael Tilson Thomas)
- Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 3. “Paian, Lyre d’or, Arc d’argent!” (von London Symphony Orchestra, London Symphony Chorus, Michael Tilson Thomas)
- Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 4. “Avez‐vous vu celui que j’aime”
- Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 5. “Ne pleurez plus!” – “Cessez! Ô pleureuses!”
- Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 6. “Io! Io! Adoniastes!”
- Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 7. “Il est mort, le bel Adonis” (von London Symphony Orchestra, London Symphony Chorus, Michael Tilson Thomas)
- Le Martyre de saint Sébastien, L. 124 : IV. Le laurier blessé : No. 1. Prélude. Sombre et Lent (von London Symphony Orchestra, Michael Tilson Thomas)
- Le Martyre de saint Sébastien, L. 124 : IV. Le laurier blessé : No. 2. “Il est là, le pasteur. Regardez”
- Le Martyre de saint Sébastien, L. 124 : IV. Le laurier blessé : No. 3. “Hélas!” (von London Symphony Orchestra, London Symphony Chorus, Michael Tilson Thomas)
- Le Martyre de saint Sébastien, L. 124 : V. Le Paradis : No. 1. Interlude. Modéré (von London Symphony Orchestra, Michael Tilson Thomas)
- Le Martyre de saint Sébastien, L. 124 : V. Le Paradis : No. 2. “Gloire! sous nos armures”
Bartók: Violin Concerto no. 2 / Violin Rhapsodies nos. 1 & 2
- Concerto for Violin and Orchestra no. 2 in B minor, Sz. 112: I. Allegro non troppo
- Concerto for Violin and Orchestra no. 2 in B minor, Sz. 112: II. Andante tranquillo
- Concerto for Violin and Orchestra no. 2 in B minor, Sz. 112: III. Allegro molto
- Rhapsody for Violin and Orchestra no. 1, Sz. 87: I. “Lassù”. Moderato
- Rhapsody for Violin and Orchestra no. 1, Sz. 87: II. “Friss”. Allegretto moderato
- Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. “Lassù”. Moderato
- Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. “Friss”. Allegro moderato
Beethoven: Piano Concerto no. 1 / Mozart: Flute & Harp Concerto in C major
- Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
- Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
- Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando
- Concerto for Flute, Harp and Orchestra in C major, K. 299: I. Allegro (von James Galway, London Symphony Orchestra, Michael Tilson Thomas, Marisa Robles)
- Concerto for Flute, Harp and Orchestra in C major, K. 299: II. Andantino (von James Galway, Marisa Robles, London Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Flute, Harp and Orchestra in C major, K. 299: III. Rondeau. Allegro (von James Galway, London Symphony Orchestra, Michael Tilson Thomas, Marisa Robles)
Rachmaninoff: Piano Concerto no. 2 / Saint‐Saëns: The Swan · Cello Concerto no. 1 / Copland: Clarinet Concerto / Jenkins: Goodbye
- Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato (von Barry Douglas, London Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto (von Barry Douglas, London Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando (von Barry Douglas, London Symphony Orchestra, Michael Tilson Thomas)
- Le Cygne from “Le Carnaval des animaux”, R. 125 (von London Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Cello and Orchestra no. 1, op. 33: I. Allegro non troppo (von Camille Saint‐Saëns; Steven Isserlis, London Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Cello and Orchestra no. 1, op. 33: II. Allegretto con moto (von Camille Saint‐Saëns; Steven Isserlis, London Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Cello and Orchestra no. 1, op. 33: III. Molto allegro (von Camille Saint‐Saëns; Steven Isserlis, London Symphony Orchestra, Michael Tilson Thomas)
- Concerto for Clarinet and String Orchestra
- Goodbye (In Memory of Benny)
Stravinsky: Symphony of Psalms / Symphony in C / Symphony in 3 Movements
- Symphony of Psalms: I. Exaudi orationem meam, Domine (von London Symphony Chorus, London Symphony Orchestra, Michael Tilson Thomas)
- Symphony of Psalms: II. Expectans expectavi Dominum (von London Symphony Chorus, London Symphony Orchestra, Michael Tilson Thomas)
- Symphony of Psalms: III. Alleluja, laudate Dominum (von London Symphony Chorus, London Symphony Orchestra, Michael Tilson Thomas)
- Symphony in C: I. Moderato alla breve (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony in C: II. Larghetto concertante (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony in C: III. Allegretto (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony in C: IV. Largo – Tempo giusto, alla breve (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony in Three Movements: I. Overature. Allegro (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony in Three Movements: II. Andante – Interlude. L’istesso tempo (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony in Three Movements: III. Con moto (von London Symphony Orchestra, Michael Tilson Thomas)
R. Strauss: Lieder
- Brentano‐Lieder, op. 68: No. 1. An die Nacht
- Brentano‐Lieder, op. 68: No. 2. Ich wollt ein Sträußlein binden
- Brentano‐Lieder, op. 68: No. 3. Säusle, lieb Myrthe!
- Brentano‐Lieder, op. 68: No. 4. Als mir dein Lied erklang
- Brentano‐Lieder, op. 68: No. 5. Amor
- Brentano‐Lieder, op. 68: No. 6. Lied der Frauen
- Zueignung, op. 10 no. 1
- Muttertändelei, op. 43 no. 2
- Meinem Kinde, op. 37 no. 3
- Die heiligen drei Könige aus Morgenland, op. 56 no. 6
- Frühlingsfeier, op. 56 no. 5
- Vier letzte Lieder, TrV 296: No. 1. Frühling
- Vier letzte Lieder, TrV 296: No. 2. September
- Vier letzte Lieder, TrV 296: No. 3. Beim Schlafengehen
- Vier letzte Lieder, TrV 296: No. 4. Im Abendrot
Prokofiev: Romeo and Juliet
- Romeo and Juliet, op. 64: No. 1. Introduction to Act I (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 2. Romeo (reflective). Andante (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 3. The Street Awakens. Allegretto (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 5. The Quarrel. Allegro brusco (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 6. The Fight. Presto (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 7. The Prince’s Decree. Andante (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 8. Interlude (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 9. Preparations for the Ball (Juliet and the Nurse). Andante assai. Scherzando (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 10. Juliet the Young Girl. Vivace (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 11. Arrival of the Guests (Minuet). Assai moderato (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 13. The Knights’ Dance (Juliet’s and Paris’s Dance). Allegro pesante (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 15. Mercutio. Allegro giocoso (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 16. Madrigal. Andante tenero (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 18. Gavotte (Departure of the Guests). Allegro (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 19. Balcony Scene. Larghetto (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 37. Introduction to Act III. Andante (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 22. Folk Dance (Introduction to Act II). Allegro giocoso (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 25. Dance with Mandolins. Vivace (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 30. The People Continue to Make Merry. Vivo (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 32. Tybalt Meets Mercutio. Moderato (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 33. Tybalt and Mercutio Fight. Precipitato (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 35. Romeo Resolves to Avenge Mercutio’s Death. Andante. Animato – Presto (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 36. Finale of Act III (Cortège with Tybalt’s Body). Adagio dramatico (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 38. Romeo and Juliet. Lento (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 39. The Last Farewell. Andante – Adagio (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 43. Interlude. Adagio (L’istesso tempo) (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 47. Juliet Alone. Andante – Adagio – Andante (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 51. Juliet’s Funeral (and Romeo’s death). Adagio funebre (von San Francisco Symphony, Michael Tilson Thomas)
- Romeo and Juliet, op. 64: No. 52. Death of Juliet. Adagio (meno mosso del tempo precedente) (von San Francisco Symphony, Michael Tilson Thomas)
Villa‐Lobos: Bachianas Brasileiras nos. 4, 5, 7 & 9 / Chôros no. 10
- Bachianas Brasileiras no. 4: I. Prelúdio (Introdução). Lento (von New World Symphony, Michael Tilson Thomas)
- Bachianas Brasileiras no. 4: II. Coral (Canto do Sertão). Largo (von New World Symphony, Michael Tilson Thomas)
- Bachianas Brasileiras no. 4: III. Ária (Cantiga). Moderato (von New World Symphony, Michael Tilson Thomas)
- Bachianas Brasileiras no. 4: IV. Dansa (Miudinho). Molto animato (von New World Symphony, Michael Tilson Thomas)
- Bachianas Brasileiras no. 5: I. Ária (Cantilena). Adagio
- Bachianas Brasileiras no. 5: II. Dança (Martelo). Allegretto
- Bachianas Brasileiras no. 7: I. Prelúdio (Ponteio). Adagio (von New World Symphony, Michael Tilson Thomas)
- Bachianas Brasileiras no. 7: II. Giga (Quadrilha Caipira). Allegretto scherzando (von New World Symphony, Michael Tilson Thomas)
- Bachianas Brasileiras no. 7: III. Tocata (Desafío). Andantino quasi allegretto (von New World Symphony, Michael Tilson Thomas)
- Bachianas Brasileiras no. 7: IV. Fuga (Conversa). Andante (von New World Symphony, Michael Tilson Thomas)
- Bachianas Brasileiras no. 9: I. Prelúdio. Vagaroso e mistico (von New World Symphony, Michael Tilson Thomas)
- Bachianas Brasileiras no. 9: II. Fuga. Poco apressado (von New World Symphony, Michael Tilson Thomas)
- Chôros no. 10 “Rasga o coração”: Animé – Lent – Animé – Très peu animé
Copland: Piano Concerto / Orchestral Variations / Symphony no. 2 / Symphonic Ode
- Concerto for Piano and Orchestra: I. Andante sostenuto
- Concerto for Piano and Orchestra: II. Molto moderato – Allegro assai
- Orchestral Variations (von San Francisco Symphony, Michael Tilson Thomas)
- Symphony no. 2 “Short Symphony”: I. Incisivo (von San Francisco Symphony, Michael Tilson Thomas)
- Symphony no. 2 “Short Symphony”: II. Espressivo (von San Francisco Symphony, Michael Tilson Thomas)
- Symphony no. 2 “Short Symphony”: III. Preciso e ritmico (von San Francisco Symphony, Michael Tilson Thomas)
- Symphonic Ode (von San Francisco Symphony, Michael Tilson Thomas)
Stravinsky in America
- The Star‐Spangled Banner (von London Symphony Orchestra, Michael Tilson Thomas)
- Circus Polka (von London Symphony Orchestra, Michael Tilson Thomas)
- Ode (von London Symphony Orchestra, Michael Tilson Thomas)
- Scherzo à la russe (von London Symphony Orchestra, Michael Tilson Thomas)
- Scènes de ballet (von London Symphony Orchestra, Michael Tilson Thomas)
- Concertino (von London Symphony Orchestra, Michael Tilson Thomas)
- Agon (von London Symphony Orchestra, Michael Tilson Thomas)
- Greeting Prelude (von London Symphony Orchestra, Michael Tilson Thomas)
- Canon on a Russian Popular Tune (von London Symphony Orchestra, Michael Tilson Thomas)
- Variations : Aldous Huxley in Memoriam (von London Symphony Orchestra, Michael Tilson Thomas)
Mahler: Das Klagende Lied
- Das Klagende Lied: I. Waldmärchen (von San Francisco Symphony Chorus, San Francisco Symphony, Michael Tilson Thomas)
- Das Klagende Lied: II. Der Spielmann (von San Francisco Symphony Chorus, San Francisco Symphony, Michael Tilson Thomas)
- Das Klagende Lied: III. Hochzeitsstück (von San Francisco Symphony Chorus, San Francisco Symphony, Michael Tilson Thomas)
Berlioz: Symphonie fantastique / Lélio, ou Le Retour à la vie
- Symphonie fantastique, op. 14 : I. Rêveries – Passions (von San Francisco Symphony, Michael Tilson Thomas)
- Symphonie fantastique, op. 14 : II. Un bal (von San Francisco Symphony, Michael Tilson Thomas)
- Symphonie fantastique, op. 14 : III. Scène aux champs (von San Francisco Symphony, Michael Tilson Thomas)
- Symphonie fantastique, op. 14 : IV. Marche au supplice (von San Francisco Symphony, Michael Tilson Thomas)
- Symphonie fantastique, op. 14 : V. Songe d’une nuit du sabbat (von San Francisco Symphony, Michael Tilson Thomas)
- Lélio, ou Le Retour à la vie, op. 14b : II. Chœur d’ombres (von San Francisco Symphony Chorus, San Francisco Symphony, Michael Tilson Thomas)
- Lélio, ou Le Retoiu à la vie, op. 14b : VI. Fantaisie sur La Tempête de Shakespeare (von San Francisco Symphony Chorus, San Francisco Symphony, Michael Tilson Thomas)
Gershwin: Catfish Row Suite / Second Rhapsody
- Catfish Row Suite With Scenes From Porgy and Bess: Catfish Row – Summertime (von San Francisco Symphony, Michael Tilson Thomas)
- Catfish Row Suite With Scenes From Porgy and Bess: Porgy Sings (von San Francisco Symphony, Michael Tilson Thomas)
- Catfish Row Suite With Scenes From Porgy and Bess: Fugue (von San Francisco Symphony, Michael Tilson Thomas)
- Catfish Row Suite With Scenes From Porgy and Bess: Bess, You Is My Woman Now (von San Francisco Symphony, Michael Tilson Thomas)
- Catfish Row Suite With Scenes From Porgy and Bess: Hurricane (von San Francisco Symphony, Michael Tilson Thomas)
- Catfish Row Suite With Scenes From Porgy and Bess: My Man’s Gone Now (von San Francisco Symphony, Michael Tilson Thomas)
- Catfish Row Suite With Scenes From Porgy and Bess: There’s a Boat Dat’s Leavin’ Soon (von San Francisco Symphony, Michael Tilson Thomas)
- Catfish Row Suite With Scenes From Porgy and Bess: Good Mornin’ Sistuh! (von San Francisco Symphony, Michael Tilson Thomas)
- Second Rhapsody for Orchestra with Piano (von San Francisco Symphony, Michael Tilson Thomas)
Gershwin: An American in Paris / Concerto in F
- An American in Paris (von San Francisco Symphony, Michael Tilson Thomas)
- Concerto in F for Piano and Orchestra: I. Allegro
- Concerto in F for Piano and Orchestra: II. Adagio – Andante con moto
- Concerto in F for Piano and Orchestra: III. Allegro agitato
New World Jazz
- Lollapalooza (von New World Symphony, Michael Tilson Thomas)
- Rhapsody in Blue
- Prelude, Fugue and Riffs
- La Création du monde (von New World Symphony, Michael Tilson Thomas)
- Ebony Concerto
- Ragtime (von New World Symphony, Michael Tilson Thomas)
- A Jazz Symphony
- Theme from The Bad and the Beautiful (von New World Symphony, Michael Tilson Thomas)
Mahler: Symphony no. 7 (Mvts. I–III)
- Symphony no. 7: I. Langsam (Adagio) – Allegro risoluto, ma non troppo (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 7: II. Nachtmusik. Allegro moderato (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 7: III. Scherzo. Schattenhaft (von London Symphony Orchestra, Michael Tilson Thomas)
Mahler: Symphony no. 7 (Mvts. IV–V)
- Symphony no. 7: IV. Nachtmusik. Andante amoroso (von London Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 7: V. Rondo‐Finale. Tempo I (Allegro ordinario) (von London Symphony Orchestra, Michael Tilson Thomas)
Stravinsky: L’Oiseau de feu
- The Firebird: Introduction (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: The Enchanted Garden of Kashchei (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Apparition of the Firebird followed by Ivan Tsarevitch (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Dance of the Firebird (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Capture of the Firebird by Ivan Tsarevitch (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Plea of the Firebird / Apparition of the Thirteen Enchanted Princesses (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Play of the Princesses With the Golden Apples (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Sudden Apparition of Ivan Tsarevitch (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Chorovod (Round) Of the Princesses (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Sunrise / Ivan Tsarevitch Penetrates the Palace of Kashchei (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Magical Chimes / Apparition of the Monsters / Guards of Kashchei and Capture of Ivan Tsarevitch (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Dance of the Suite of Kashchei Enchanted by the Firebird (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Infernal Dance of All the Subjects of Kashchei (von San Francisco Symphony, Michael Tilson Thomas)
- The Firebird: Disappearance of the Palace and of the Magic Spells of Kashchei / Animation of the Petrified Knights / All Rejoice (von San Francisco Symphony, Michael Tilson Thomas)
Stravinsky: Le Sacre du printemps
- The Rite of Spring: Part I (The Adoration of the Earth). Introduction (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part I (The Adoration of the Earth). The Augurs of Spring (Dances of the Young Girls) (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part I (The Adoration of the Earth). Ritual of Abduction (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part I (The Adoration of the Earth). Spring Rounds (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part I (The Adoration of the Earth). Ritual of the Rival Tribes (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part I (The Adoration of the Earth). Procession of the Sage (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part I (The Adoration of the Earth). The Sage (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part I (The Adoration of the Earth). Dance of the Earth (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part II (The Sacrifice). Introduction (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part II (The Sacrifice). Mystic Circles of the Young Girls (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part II (The Sacrifice). Glorification of the Chosen Victim (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part II (The Sacrifice). Evocation of the Ancestors (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part II (The Sacrifice). Ritual Action of the Ancestors (von San Francisco Symphony, Michael Tilson Thomas)
- The Rite of Spring: Part II (The Sacrifice). Sacrificial Dance (Chosen One) (von San Francisco Symphony, Michael Tilson Thomas)
Stravinsky: Perséphone
- Perséphone: I. The Abduction of Perséphone
- Perséphone: II. Perséphone in the Underworld
- Perséphone: III. Perséphone Reborn
Copland: Billy the Kid Suite / Appalachian Spring Suite / 4 Dance Episodes from “Rodeo” / Fanfare for the Common Man
- Billy the Kid Suite: I. Introduction. The Open Prairie (von San Francisco Symphony, Michael Tilson Thomas)
- Billy the Kid Suite: II. Street in a Frontier Town (von San Francisco Symphony, Michael Tilson Thomas)
- Billy the Kid Suite: III. Mexican Dance and Finale (von San Francisco Symphony, Michael Tilson Thomas)
- Billy the Kid Suite: IV. Prairie Night (Card Game at Night) (von San Francisco Symphony, Michael Tilson Thomas)
- Billy the Kid Suite: V. Gun Battle (von San Francisco Symphony, Michael Tilson Thomas)
- Billy the Kid Suite: VI. Celebration (after Billy’s Capture) (von San Francisco Symphony, Michael Tilson Thomas)
- Billy the Kid Suite: VII. Billy’s Death (von San Francisco Symphony, Michael Tilson Thomas)
- Billy the Kid Suite: VIII. The Open Prairie Again (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: I. Very slowly (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: II. Allegro (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: III. Moderato (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: IV. Fast (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: V. Subito allegro (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: VI. As at first (slowly) (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: VIIa. Doppio movimento (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: VIIb. Rather Slow (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: VIIc. Molto allegro ed agitato (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: VIId. Meno mosso ancora (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring Suite: VIII. Moderato – Coda (von San Francisco Symphony, Michael Tilson Thomas)
- 4 Dance Episodes from “Rodeo”: I. Buckaroo Holiday (von San Francisco Symphony, Michael Tilson Thomas)
- 4 Dance Episodes from “Rodeo”: II. Corral Nocturne (von San Francisco Symphony, Michael Tilson Thomas)
- 4 Dance Episodes from “Rodeo”: III. Saturday Night Waltz (von San Francisco Symphony, Michael Tilson Thomas)
- 4 Dance Episodes from “Rodeo”: IV. Hoe Down (von San Francisco Symphony, Michael Tilson Thomas)
- Fanfare for the Common Man (von San Francisco Symphony, Michael Tilson Thomas)
Mackey: Tuck and Roll / Lost and Found / Eating Greens
- Tuck and Roll: I. Anthem
- Tuck and Roll: IIa. Guitar Solo (von Steven Mackey)
- Tuck and Roll: IIb. Dark Caprice (von Steven Mackey)
- Tuck and Roll: III. Intrigue
- Tuck and Roll: IV. Puffe
- Lost and Found (von New World Symphony, Michael Tilson Thomas)
- Eating Greens: Part One: Religion, Food, Art: I. (Lethargical) Reformation (von New World Symphony, Michael Tilson Thomas)
- Eating Greens: Part One: Religion, Food, Art: II. Waffling (sic) (von New World Symphony, Michael Tilson Thomas)
- Eating Greens: Part One: Religion, Food, Art: III. Whim and Rigor (Homage to Henri Matisse) (von New World Symphony, Michael Tilson Thomas)
- Eating Greens: Part Two: Loose Ends: I. The Title Is Almost as Long as the Piece Itself (von New World Symphony, Michael Tilson Thomas)
- Eating Greens: Part Two: Loose Ends: II. Ouija (wee-gee) Baby (von New World Symphony, Michael Tilson Thomas)
- Eating Greens: Part Three: Five Chords: I. Bread and Wine (von New World Symphony, Michael Tilson Thomas)
- Eating Greens: Part Three: Five Chords: II. Drunk Monk (Tribute to Thelonius Monk) (von New World Symphony, Michael Tilson Thomas)
Charles Ives – An American Journey
- From the Steeples and the Mountains, S. 65 (von San Francisco Symphony, Michael Tilson Thomas)
- The Things Our Fathers Loved, S. 372 (von Thomas Hampson, Michael Tilson Thomas)
- The Pond (Remembrance), S. 40
- Memories, S. 297 (von Thomas Hampson, Michael Tilson Thomas)
- Charlie Rutlage, S. 14/iii (von Thomas Hampson, San Francisco Symphony, Michael Tilson Thomas)
- The Circus Band, S. 33 (von San Francisco Girls Chorus, San Francisco Symphony Chorus, San Francisco Symphony, Michael Tilson Thomas)
- Three Places in New England, S. 7: I. The “St. Gaudens” in Boston Common (von San Francisco Symphony, Michael Tilson Thomas)
- Three Places in New England, S. 7: II. Putnam’s Camp, Redding, Connecticut (von San Francisco Symphony, Michael Tilson Thomas)
- Three Places in New England, S. 7: III. The Housatonic at Stockbridge (von San Francisco Symphony Chorus, San Francisco Symphony, Michael Tilson Thomas)
- In Flanders Fields, S. 277 (von Thomas Hampson, San Francisco Symphony, Michael Tilson Thomas)
- They Are There! (A War Song March), S. 188 (von San Francisco Girls Chorus, San Francisco Symphony Chorus, San Francisco Symphony, Michael Tilson Thomas)
- Tom Sails Away, S. 378 (von Thomas Hampson, Michael Tilson Thomas)
- Symphony no. 4, S. 4: III. Fugue (von San Francisco Symphony, Michael Tilson Thomas)
- Psalm 100, S. 153
- Serenity, S. 347 (von Thomas Hampson, San Francisco Symphony, Michael Tilson Thomas)
- General William Booth Enters into Heaven, S. 181
- The Unanswered Question, S. 50
Tchaikovsky: Violin Concerto / Méditation / Dance russe
- Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato
- Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
- Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
- Méditation, op. 42/1
- “Dance russe” from Swan Lake, op. 20
Rachmaninoff: Piano Concerto no. 2 / Liszt: Piano Concerto no. 1
- Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato
- Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto
- Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando
- Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso
- Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio
- Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: III. Allegretto vivace – Allegro animato
- Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato – Presto
Tchaikovsky: Piano Concerto no. 1 / Stravinsky: Pétrouchka
- Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso
- Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice
- Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco
- Pétrouchka : Tableau I. Fête populaire de la semaine grasse (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau I. Le Tour de passe-passe (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau I. Danse russe (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau II. Chez Pétrouchka (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau III. Chez le Maure (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau III. Danse de la ballerine (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau III. Valse de la ballerine et du Maure (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau IV. Danse des nounous (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau IV. L'Ours et un paysan (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau IV. Un marchand fêtard avec deux tziganes (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau IV. Danse des cochers et des palefreniers (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau IV. Les Déguisés (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau IV. La Rixe. Le Maure et Pétrouchka (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau IV. Mort de Pétrouchka (von Igor Stravinsky)
- Pétrouchka : Tableau IV. La Police et le charlatan (von Boston Symphony Orchestra, Seiji Ozawa)
- Pétrouchka : Tableau IV. Apparition du double de Pétrouchka (von Boston Symphony Orchestra, Seiji Ozawa)
The Essence of America (Compilation)
- Concerto for Piano and Orchestra: I. Andante sostenuto
- Concerto for Piano and Orchestra: II. Molto moderato; Allegro assai
- Orchestral Variations (von San Francisco Symphony, Michael Tilson Thomas)
- Symphony no. 2 "Short Symphony": I. Incisivo (von San Francisco Symphony, Michael Tilson Thomas)
- Symphony no. 2 "Short Symphony": II. Espressivo (von San Francisco Symphony, Michael Tilson Thomas)
- Symphony no. 2 "Short Symphony": III. Preciso e ritmico (von San Francisco Symphony, Michael Tilson Thomas)
- Symphonic Ode (von San Francisco Symphony, Michael Tilson Thomas)
- Billy the Kid (von San Francisco Symphony, Michael Tilson Thomas)
- Appalachian Spring (von San Francisco Symphony, Michael Tilson Thomas)
- Rodeo: I. Buckaroo Holiday (von San Francisco Symphony, Michael Tilson Thomas)
- Rodeo: II. Corral Nocturne (von San Francisco Symphony, Michael Tilson Thomas)
- Rodeo: III. Saturday Night Waltz (von San Francisco Symphony, Michael Tilson Thomas)
- Rodeo: IV. Hoe-Down (von San Francisco Symphony, Michael Tilson Thomas)
- Fanfare for the Common Man, for Brass & Percussion (From Symphony No. 3) (von Aaron Copland)
- Introduction to "The Modernist" and Symphonic Ode
- Concerto for Piano & Orchestra
- Orchestral Variations
- Short Symphony
- Introduction to "The Populist"
- Billy the Kid
- Appalachian Spring
- Rodeo
- On First Meeting Aaron Copland and Aaron Copland the Man
- Introduction to Fanfare for the Common Man
- Fanfare for the Common Man, for Brass & Percussion (From Symphony No. 3) (von Aaron Copland)
Mehr Songtexte
- Street Song
- Short Story
- Second Rhapsodhy for Orchestra With Piano
- Violin Piece
- For Lily Pons
- Sleepless Night
- Promenade
- Preludes For Piano
- Fanfare for the Common Man
- Prélude à l'Après-midi d'un Faune, L. 86
- Three Preludes for Piano: III. Allegro ben ritmato e deciso
- Three Preludes for Piano: I. Allegro ben ritmato e deciso
- Three Preludes for Piano: II. Andante con moto e poco rubato
- Broadway Overtures: Of Thee I Sing
- Broadway Overtures: Let ’em Eat Cake
- Broadway Overtures: Oh, Kay!
- Broadway Overtures: Funny Face
- Broadway Overtures: Girl Crazy
- Rhapsody in Blue, Original Version - The 1925 Piano Roll
- Broadway Overtures: Strike Up the Band
- Suite de ‘la rebambaramba’: II. Comparsa lucumi
- Sinfonía india (Symphony no. 2)
- Tangazo
- Tres danzas cubanas: III. Danza lucumi
- Suite de ‘la rebambaramba’: IV. Final de la obra
- Danzón cubano
- Danzas del ballet 'Estancia', op. 8a: II. Danza del trigo
- Suite de ‘la rebambaramba’: III. Comparsa de la culebra
- Danzas del ballet 'Estancia', op. 8a: I. Los trabajadores agrícolas
- Suite de ‘la rebambaramba’: I. Final del primer cuadro
- Tres danzas cubanas: II. Motivos de danzas
- Danzas del ballet 'Estancia', op. 8a: IV. Danza final (Malambo)
- Sensemayá
- Music for Brass Instruments: II. Intermezzo
- Danzas del ballet 'Estancia', op. 8a: III. Los peones de hacienda
- Hymn
- Tres danzas cubanas: I. Danza del tambor
- Music for Brass Instruments: III. Fugue
- Ritmica V
- Music for Brass Instruments: I. Chorale Fantasy on Christ Lay in the Bonds of Death
- König Stephan, op. 117: Men’s Chorus: “Ruhen von seinen Thaten”
- König Stephan, op. 117: Chorus: “Eine neue strahlende Sonne”
- König Stephan, op. 117: Final Chorus: “Heil! Heil unsern Enkeln!”
- König Stephan, op. 117: Men’s Chorus: “Auf dunkelm Irrweg in finstern Hainen wandelten”
- Bundeslied, op. 122 “In allen guten Stunden”
- Elegischer Gesang, op. 118
- König Stephan, op. 117: Women’s Chorus: “Wo die Unschuld Blumen streute”
- Opferlied, op. 121b
- Meeresstille und glückliche Fahrt, op. 112
- Ein Heldenleben, op. 40: V. Des Helden Friedenswerke
- Le martyre de saint Sébastien: II - La chambre magique, 1 Prélude, Très Modéré
- Tuck and Roll: II. Dark Caprice
- Symphony no. 4, S. 4: III. Fugue: Andante moderato con moto
- Le martyre de saint Sébastien: III - Le concile des faux dieux, 1-2 Prélude, Modéré
- Roméo et Juliette, op. 17: Part 3: V. Finale: Oath of Reconciliation
- Ein Heldenleben, op. 40: IV. Des Helden Walstatt
- Rückert-Lieder: Ich Atmet' Einen Linden Druft
- Old American Songs: V. I Bought Me a Cat
- Rückert-Lieder: Liebst du Um Schönheit
- Symphony no. 2: I. Andante moderato / II. Allegro
- A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday
- Symphony no. 1 in D minor, S. 1: IV. Allegro molto
- Symphony no. 4, S. 4: II. Comedy: Allegretto
- Rückert-Lieder: Um Mitternacht
- Le martyre de saint Sébastien: IV - Le laurier blessé, 1 Prélude, Sombre et Lent
- Ein Heldenleben, op. 40: III. Des Helden Gefährtin
- Central Park in the Dark, S. 34
- Symphony no. 3: II. Children’s Day: Allegro
- Le martyre de saint Sébastien: IV - Le laurier blessé, 3 "Hélas!"
- Le martyre de saint Sébastien: I - La cour des lys, 2 "Sebastien"
- Simple Gifts
- Concerto for Guitar & Orchestra "The Mediterranean": Rhythmic
- Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung
- Symphony no. 2: IV. Lento maestoso / V. Allegro molto vivace
- Le martyre de saint Sébastien: III - Le concile des faux dieux, 3 "Paian, lyre d'or, arc d'argent!"
- Le martyre de saint Sébastien: III - Le concile des faux dieux, 7 "Il est mort, le bel Adonis"
- Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
- Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace
- Old American Songs: VII. Zion’s Walls
- Symphony no. 1 in D minor, S. 1: II. Adagio molto (sostenuto)
- Roméo et Juliette, op. 17: Part 3: IV. Finale: Friar Laurence’s Recitative and Aria –
- Old American Songs: III. Long Time Ago
- Roméo et Juliette, op. 17: Part 1: I. Introduction and Prologue
- Symphony no. 3: III. Communion: Largo
- The Unanswered Question, S. 50
- Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
- Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- Old American Songs: VI. The Little Horses
- Canticle of Freedom
- Ein Heldenleben, op. 40: I. Der Held
- Symphony no. 1 in D minor, S. 1: III. Scherzo: Vivace
- Rückert-Lieder: Ich Bin der Welt Abhanden Gekommen
- Die Sieben Todsünden: Epilogue
- Symphony no. 2: III. Adagio cantabile
- Symphony no. 1 in D minor, S. 1: I. Allegro
- Rückert-Lieder: Blicke Mir Nicht in Die Lieder
- Orchestral Set No. 2: I. An Elegy to Our Forefathers
- Old American Songs: IX. At The River
- Die Sieben Todsünden: Envy
- Die Sieben Todsünden: Lust
- A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July
- Ein Heldenleben, op. 40: Mässig langsam
- Symphony no. 3: I. Old Folks Gatherin’: Andante maestoso
- Egmont Overture, Op. 84
- Le martyre de saint Sébastien: V - Le Paradis, 1 Interlude, Modéré
- Romeo Bids Juliet Farewell (Lento) No. 10 From Ten Pieces for Piano From Romeo and Juliet, Op. 75
- Old American Songs: X. Ching‐a‐ring Chaw
- Die Sieben Todsünden: Prologue
- A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day
- Die Sieben Todsünden: Pride
- Ein Heldenleben, op. 40: II. Des Helden Widersacher
- Old American Songs: VIII. The Golden Willow Tree
- Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
- Cello Concerto no.1, op.33:
- Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile
- Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto -
- Symphony no. 3: IV. Sehr Langsam. Misterioso. Durchaus Ppp.
- Symphony no. 3: V. Lustig Im Tempo Unk Keck Im Ausdruck
- Concerto for Guitar and Orchestra: III. Animato
- Concerto for Guitar and Orchestra: II. Slow and Sad