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Malcolm Dalglish & Grey Larsen Songtexte
Paddy Concannon's Reel / The Wise Maid Thunderhead

The Essential Guide to Irish Flute and Tin Whistle

Songtexte von Malcolm Dalglish & Grey Larsen - The Essential Guide to Irish Flute and Tin Whistle

  1. Figure 1-1: The Seven So Called Church Modes (Concertina) (von Grey Larsen)
  2. Figure 1-2: Comparison Between the Ionian and Mixolydian Modes and Theaeolian and Dorian Modes (Fl) (von Grey Larsen)
  3. Figure 1-4: Examples of the Two Pentatonic Modes Found in Irish Music (Flute) (von Grey Larsen)
  4. Figure 1-5: The First Part of 'Turtle's Reel' In D Dorian (Concertina) (von Grey Larsen)
  5. Figure 1-6: The First Part of 'Turtle's Reel' Transposed Up to E Dorian (Whistle in C) (von Grey Larsen)
  6. Figure 1-7: An Example of the Use of Slur Notation (Whistle) (von Grey Larsen)
  7. Figure 1-10: The Opening Bars of the March 'Lord Mayo' (Whistle) (von Grey Larsen)
  8. Exercise 7-1: Practicing Cuts on Repeated D's (Whistle) (von Grey Larsen)
  9. Exercise 7-7: F-Sharp to a Cut G (Flute) (von Grey Larsen)
  10. Figure 7-15: A Version of 'The Lonesome Jig', Which Makes Use of Cuts Only on Repeated Notes and St (von Grey Larsen)
  11. Exercise 7-12: D to a Cut F-Sharp (Whistle) (von Grey Larsen)
  12. Exercise 7-13: D to a Cut G (Whistle) (von Grey Larsen)
  13. Exercise 7-14: D to a Cut A (Whistle) (von Grey Larsen)
  14. Exercise 7-15: D to a Cut B (Whistle) (von Grey Larsen)
  15. Exercise 7-22: G Down to a Cut F-Sharp (Flute) (von Grey Larsen)
  16. Exercise 7-27: F-Sharp Down to a Cut D (Flute) (von Grey Larsen)
  17. Figure 7-16: A Version of the Slip Jog 'the Boys of Ballisodare' Thatmakes Use of Examples of Ever (von Grey Larsen)
  18. Figure 7-17: The First Two Bars of the Slip Jig 'Hardiman the Fiddler' With a Cut Placed at the Ons (von Grey Larsen)
  19. Figure 7-19: The First Two Parts of the Slip Jig 'Hardiman the Fiddler' With a Cut Placed at the Mi (von Grey Larsen)
  20. Exercise 8-1: Practicing Repeated Strikes on G (Flute) (von Grey Larsen)
  21. Exercise 8-8: Practicing Strikes on F-Sharp When Descending From G (Flute) (von Grey Larsen)
  22. Figure 8-15: A Version of the Hornpipe 'Bantry Bay' Using Cuts and Strikes Only on Repeated Notes A (von Grey Larsen)
  23. Exercise 18-13: Practising Strikes on E When Descending From G (Whistle) (von Grey Larsen)
  24. Figure 8-16: A Version of the Hornpipe 'Bantry Bay' Using Cuts and a Variety of Strikes (Whistle) (von Grey Larsen)
  25. Figure 9-1: Sliding Up From E to F-Sharp (Flute) (von Grey Larsen)
  26. Figure 9-6: The Opening Bars From 'The Blarney Pilgrim' With a Simpleslides From B Up to C-Natural (von Grey Larsen)
  27. Figure 9-8: An Excerpt From a Variation on the Beginning of the Jig 'The Cliffs of Moher' (Flute) (von Grey Larsen)
  28. Figure 9-9a: The Opening Bars of 'The Star Above the Garter' With an Added-Finger Slide Up to G Fol (von Grey Larsen)
  29. Figure 9-9b: Played Again, This Time Using a Struck Slide as Described in the Text (Whistle) (von Grey Larsen)
  30. Figure 9-10: The Opening Bars of 'Willie Coleman's Jig' (Flute) (von Grey Larsen)
  31. Exercise 10-1: Practicing Long Rolls on G (Flute) (von Grey Larsen)
  32. Figure 10-5: The Jig 'The Sporting Pitchfork' With Long Rolls on G, F-Sharp and E (Whistle) (von Grey Larsen)
  33. Figure 10-6: The Jig 'The Sporting Pitchfork' With Long Rolls on B, a, G, F-Sharp and E (Whistle) (von Grey Larsen)
  34. Figure 10-16: The First Two Bars of the Reel 'The Banshee' With Long Rolls on G (Flute) (von Grey Larsen)
  35. Figure 10-18: The First Two Bars of 'Whelan's Jig' With Long Roll on E (Flute) (von Grey Larsen)
  36. Figure 10-20: The First Two Bars of the Reel 'The Drunken Landlady' With Long Rolls on E, Which Beg (von Grey Larsen)
  37. Figure 10-22: The First Two Bars of the Reel 'The Gravel Walk' With Along a Roll Beginning on The (von Grey Larsen)
  38. Figure 10-24: The First Two Bars of a Variation on 'The Monaghan Jig'With a Long Roll on E Beginni (von Grey Larsen)
  39. Figure 10-26: The First Four Bars of the B Part of 'the Rose in the Heather', Which Includes a Long (von Grey Larsen)
  40. Figure 10-30: Sliding Into Long Rolls on the Start of the Reel 'Roaring Mary' (Whistle) (von Grey Larsen)
  41. Exercise 11-1: Practicing Short Rolls on G (Whistle) (von Grey Larsen)
  42. Figure 11-6: A Setting of 'The Sporting Pitchfork' Using Short Rolls on G, F-Sharp and E (Flute) (von Grey Larsen)
  43. Figure 11-7: A Setting of 'The Sporting Pitchfork' Using Short Rolls on B, a, G, F-Sharp and E (Flu) (von Grey Larsen)
  44. Figure 11-18: A Variant on the Start of 'Lad O'Beirne's Reel' Demonstrating an Awkward-Sounding Sho (von Grey Larsen)
  45. Figure 11-19: A More Musical Variant on the Start of 'Lad O'Beirne's Reel' (Whistle) (von Grey Larsen)
  46. Figure 11-10: A Short Roll in the Second Bar of 'The Lonesome Jig' (Flute) (von Grey Larsen)
  47. Figure 11-11: A Short Roll in the Second Bar of 'The Lonesome Jig' (Flute) (von Grey Larsen)
  48. Figure 11-12: Short Rolls in the Opening Bar of the Jig 'Tripping Up the Stairs' (Flute) (von Grey Larsen)
  49. Figure 11-14: A Variant on the Opening Bars of the Jig 'The Frost Is All Over' (Flute) (von Grey Larsen)
  50. Figure 11-15: An Example of a Short Roll Preceded by an Eighth Note of the Same Pitch (Whistle) (von Grey Larsen)
  51. Figure 11-19: The First Part of the Reel 'The Drunken Landlady' (Whistle) (von Grey Larsen)
  52. Figure 11-20: The Opening Bars of 'Old Joe's Jig' Beginning With a Long Roll (Whistle) (von Grey Larsen)
  53. Figure 11-21: The Opening Bars of 'Old Joe's Jig' Beginning With an Ascending Roll (Whistle) (von Grey Larsen)
  54. Figure 12-4: Four Different Ways to Play the Beginning of 'The Glen Allen Reel' (Whistle) (von Grey Larsen)
  55. Exercise 12-1: Practicing Condensed Long Rolls on G (Flute) (von Grey Larsen)
  56. Figure 12-7: A Setting of 'The Sporting Pitchfork' Using Condensed Long Rolls on G, F-Sharp and E () (von Grey Larsen)
  57. Figure 12-8: A Setting of 'The Sporting Pitchfork' Using Condensed Long Rolls on B, a, G, F-Sharp A (von Grey Larsen)
  58. Figure 13-6: A Condensed Short Roll on F-Sharp in the Third Bar of the Polka 'Maids of Ardagh' (Whi) (von Grey Larsen)
  59. Exercise 13-1: Practicing Condensed Short Rolls on G (Whistle) (von Grey Larsen)
  60. Figure 13-9: A Setting of 'The Sporting Pitchfork' Using Condensed Short Rolls on G, F-Sharp and E (von Grey Larsen)
  61. Figure 13-10: A Setting of 'The Sporting Pitchfork' Using Condensed Short Rolls on B, a, G, F-Sharp (von Grey Larsen)
  62. Exercise 15-1: Practicing Long Double-Cut Rolls on G (Flute) (von Grey Larsen)
  63. Figure 15-4: A Setting of the Reel 'The Skylark' Using Long Double-Cut Rolls on a, G, F-Sharp and E (von Grey Larsen)
  64. Exercise 15-5: Practicing Short Double-Cut Rolls on G (Whistle) (von Grey Larsen)
  65. Figure 15-9: A Setting of the Reel 'The Skylark' Using Short Double-Cut Rolls on a, G, F-Sharp And (von Grey Larsen)
  66. Exercise 15-9: Practicing Condensed Long Double-Cut Rolls on G (Flute) (von Grey Larsen)
  67. Figure 15-13: A Setting of the Reel 'The Skylark' Using Condensed Long Double Cut Rolls on F-Sharp (von Grey Larsen)
  68. Exercise 15-13: Practicing Condensed Short Double-Cut Rolls on G (Whistle) (von Grey Larsen)
  69. Figure 15-17: A Setting of the Reel 'The Skylark' Using Condensed Short Double-Cut Rolls on a, G, F (von Grey Larsen)
  70. Exercise 16-1: Practicing Long Cranns on D (Whistle) (von Grey Larsen)
  71. Figure 16-6: A Setting of the Reel 'The Trip to Durrow' Which Makes Use of Long Cranns on D and E () (von Grey Larsen)
  72. Exercise 16-3: Practicing Short Cranns on Low D (Whistle) (von Grey Larsen)
  73. Figure 16-11: A Setting of the Jig 'Garret Barry' Which Short and Long Cranns on D (Whistle) (von Grey Larsen)
  74. Figure 16-13: The First Two Bars of the Jig 'The Humours of Ballyloughlin' With a Long Crann on D () (von Grey Larsen)
  75. Figure 16-14: A Variant of the First Two Bars of the Reel 'The Lady on the Island' With a Long Cran (von Grey Larsen)
  76. Figure 16-16: The First Two Bars of the Third Part of the Reel 'The Boys of Ballisodare' With a Lon (von Grey Larsen)
  77. Figure 16-18: A Variant on the First Two Bars of the Reel 'The Lady on the Island' With a Long Cran (von Grey Larsen)
  78. Figure 16-20: The First Two Bars of the Third Part of the Jig 'The Battering Ram' With a Long Crann (von Grey Larsen)
  79. Figure 16-22: The First Two Bars of the Second Part of 'Old Joe's Jig' With a Short Crann on D (Whi) (von Grey Larsen)
  80. Figure 16-24: The Ending of the First, Third and Fourth Parts of the Jig 'The Humours of Ballylough (von Grey Larsen)
  81. Figure 16-30: A Variant on the First Two Bars of 'the Home Ruler' With Condensed Long Cranns on D () (von Grey Larsen)
  82. Figure 16-32: A Variant on the First Two Bars of the Jig 'The Blarneypilgrim' With a Condensed Sho (von Grey Larsen)
  83. Figure 18-6: An Expert From the Second Part of the Hornpipe 'Bantry Bay' With a Single Troll on E () (von Grey Larsen)
  84. Figure 18-8: The First Two Bars of the Slip Jig 'The Whinny Hills of Leitrim' With a Single Troll O (von Grey Larsen)
  85. Figure 18-10: The First Two Bars of the Slip Jig 'The Whinny Hills Ofleitrim' With a More Elaborat (von Grey Larsen)
  86. Figure 18-12: An Excerpt From the Second Part of Mary Bergin's Version of 'Old Joe's Jig' With an E (von Grey Larsen)
  87. Figure 18-17: The Most Common Notes for a Tight Triplet (Played in Both of the Variants Described I) (von Grey Larsen)
  88. Figure 18-18: Another Note Sequence Which Can Be Played as a Tight Triplet (Flute) (von Grey Larsen)
  89. Figure 18-19: A Setting of the First Part of the Jig 'Garrett Barry' With a Quadruplet in Measure F (von Grey Larsen)
  90. Figure 19-1: A Typical Way of Playing the First Two Bars of 'The Glenallen Reel' (Whistle) (von Grey Larsen)
  91. Figure 19-2: Another Way to Play the First Two Bars of 'The Glen Allen Reel' Using the Melodic Vari (von Grey Larsen)
  92. Figure 19-5: A Melodic Alternative to a Long Crann on D (A long Crannis Played First) (Flute) (von Grey Larsen)
  93. Figure 19-6: The First Two Bars of the Jig 'Scotsman Over the Border' (Flute) (von Grey Larsen)
  94. Figure 19-8: A Melodic Alternative to a Short Crann on Low D (A Shortcrann Is Played First) (Whist) (von Grey Larsen)
  95. Figure 19-9: A Melodic Alternative to a Short Crann on High D (A short Crann Is Played First) (Whis) (von Grey Larsen)
  96. Figure 19-10: A Setting of the Jig 'Garrett Barry' Showing How Melodic Variants Can Be Used to Repl (von Grey Larsen)
  97. Figure 19-11: Four Melodic Variants on the Long G Roll Found in the First Bar of the Reel 'The Shas (von Grey Larsen)
  98. Figure 19-13: Three Melodic Variants of the Beginning of the Fourth Part of the Reel 'The Gravel Wa (von Grey Larsen)
  1. Figure 19-16: The Beginning of a Basic Version of the First Part of the Hornpipe 'The Rights of Man (von Grey Larsen)
  2. Figure 19-19: The First Part of 'Jimmy Ward's Jig', With Tasteful Melodic Ornaments That Make Use O (von Grey Larsen)
  3. Figure 19-20: The First Part of 'Jimmy Ward's Jig', With Melodic Ornaments That Interfere With The (von Grey Larsen)
  4. Figure 20-1: The First Two Parts of the Reel 'the Gravel Walk', Showing Possible Single and Double (von Grey Larsen)
  5. Figure 20-2: Slurs Are Feasible on Some Intervals That Ascend Across the Register Break (Flute) (von Grey Larsen)
  6. Figure 20-3: A Rendition of the Jug 'the Sporting Pitchfork' Showing Possible Single, Double, and T (von Grey Larsen)
  7. Figure 20-4: Two Settings of the Second Part of the Jig 'The Banks of Lough Gowana' (Whistle) (von Grey Larsen)
  8. Figure 21-1 (Staff Two) The Second of Three Settings of the Jig 'The Banks of Lough Gowana' (Whist) (von Grey Larsen)
  9. Figure 21-1 (Staff Three) The Third of Three Settings of the Jug 'Thebanks of Lough Gowana' (Whis) (von Grey Larsen)
  10. Figure 21-2: The First Two Bars of the Reel 'The Drunken Landlady' (Whistle) (von Grey Larsen)
  11. Figure 21-3: The Firs Two Bars of the Reel 'The Drunken Landlady' Showing an Example of Inarticulat (von Grey Larsen)
  12. Figure 21-5: The First Two Bars of the Reel 'The Trip to Durrow' Withan Example of Inarticulate Br (von Grey Larsen)
  13. Figure 21-6: An Example of an Articulate Breathing Spot in the First Two Bars of the Reel 'The Trip (von Grey Larsen)
  14. Figure 21-7: Another Example of an Articulate Breathing Spot in the First Two Bars of the Reel 'The (von Grey Larsen)
  15. Study 1: Cuts in a Jig on Repeated Notes That Fall on the First and Second Subdivisions of the Puls (von Grey Larsen)
  16. Study 2: Cuts in a Jig on Repeated Notes That Fall Mostly on the Third Subdivisions of the Pulse () (von Grey Larsen)
  17. Study 3: Cuts in a Jig on Repeated Notes That Fall on the First and Second Subdivisions of the Puls (von Grey Larsen)
  18. Study 4: A Variety of Cuts on Repeated Notes in a Jig (Whistle) (von Grey Larsen)
  19. Study 5: Cuts in a Reel on Ascending Notes That Fall on the Secondarypulse (Flute) (von Grey Larsen)
  20. Study 6: Cuts in a Reel on Ascending Notes That Fall on the Primary and Secondary Pulse (Flute) (von Grey Larsen)
  21. Study 7: Cuts in a Jig on Leap Wise Ascending Notes (Whistle) (von Grey Larsen)
  22. Study 8: Adding a Few More Cuts on Leap Wise Ascending Notes (Whistle) (von Grey Larsen)
  23. Study 9: Adding Still More Cuts on Leap Wise Ascending Notes (Whistle) (von Grey Larsen)
  24. Study 10: Cuts in a Reel on Stepwise Descending Notes That Fall on the Secondary Pulse (Flute) (von Grey Larsen)
  25. Study 11: Cuts in a Reel on Stepwise Descending Notes That Fall on the Primary and Secondary Pulse (von Grey Larsen)
  26. Study 12: A Few More Cuts on Stepwise Descending Notes That Fall on the Primary and Secondary Pulse (von Grey Larsen)
  27. Study 13: Cuts in a Jig on Leap Wise Descending Notes (Flute) (von Grey Larsen)
  28. Study 14: A Variety of Cuts in a Reel, Including Mid-Note Cuts (Flute) (von Grey Larsen)
  29. Study 15: A Larger Variety of Cuts in a Reel (Whistle) (von Grey Larsen)
  30. Study 16: A Variety of Cuts in a Jig, Including Mid-Note Cuts (Flute) (von Grey Larsen)
  31. Study 17: A Larger Variety of Cuts in a Jig (Flute) (von Grey Larsen)
  32. Study 18: Strikes on Repeated Notes in a Jig (Whistle) (von Grey Larsen)
  33. Study 19: Strikes in a Reel on Stepwise Descending Notes (Whistle) (von Grey Larsen)
  34. Study 20: More Strikes in a Reel on Stepwise Descending Notes (Whistle) (von Grey Larsen)
  35. Study 21: Strikes on Leap Wise Descending Notes in a Jig (Whistle) (von Grey Larsen)
  36. Study 22: Strikes in a Jig on Ascending Notes That Cross the Registerbreak (Flute) (von Grey Larsen)
  37. Study 23: Stepwise Simple Slides (Whistle) (von Grey Larsen)
  38. Study 24: Simple Slides That Ascend by a Third (Whistle) (von Grey Larsen)
  39. Study 25: Simple Slides That Ascending by a Fourth (Whistle) (von Grey Larsen)
  40. Study 26: Simple Slides That Ascend by a Fifth (Whistle) (von Grey Larsen)
  41. Study 27: Stepwise Added-Finger Slides (Flute) (von Grey Larsen)
  42. Study 28: Added-Finger Slides on Notes That Descend by a Third (Flute) (von Grey Larsen)
  43. Study 29: Added-Finger Slides on Notes That Descend by a Fourth (Flute) (von Grey Larsen)
  44. Study 30: Added-Finger Slides on Notes That Descend by a Fifth (Flute) (von Grey Larsen)
  45. Study 31: Simple and Added-Finger Slides in a Jig (Whistle) (von Grey Larsen)
  46. Study 32: More Simple and Added-Finger Slides in a Jig (Whistle) (von Grey Larsen)
  47. Study 33: In a Jig, Long Rolls That Begin on the Pulse (Flute) (von Grey Larsen)
  48. Study 34: In a Jig, Long Rolls That Begin on the Second Subdivision of the Pulse (Flute) (von Grey Larsen)
  49. Study 35: In a Jig, Long Rolls That Begin on the Third Subdivision Ofthe Pulse (Flute) (von Grey Larsen)
  50. Study 36: In a Reel, Long Rolls That Begin on the Primary Pulse (Whistle) (von Grey Larsen)
  51. Study 37: In a Reel, Long Rolls That Begin on the Second Subdivision of the Primary Pulse (Whistle) (von Grey Larsen)
  52. Study 38: In a Reel, Long Rolls That Begin on the Third Subdivision of the Primary Pulse (Whistle) (von Grey Larsen)
  53. Study 39: In a Reel, Long Rolls That Begin on the Fourth Subdivision of the Primary Pulse (Whistle) (von Grey Larsen)
  54. Study 40: A Jig Containing Long Rolls That Begin on Each of the Threesubdivisions of the Pulse (Fl) (von Grey Larsen)
  55. Study 41: A Reel Containing Long Rolls That Begin on Each of the Foursubdivisions of the Primary P (von Grey Larsen)
  56. Study 42: Stepwise Ascending Short Rolls in a Jig (Flute) (von Grey Larsen)
  57. Study 43: Stepwise Descending Short Rolls in a Jig (Flute) (von Grey Larsen)
  58. Study 44: Leap Wise Descending Short Rolls in a Reel (Flute) (von Grey Larsen)
  59. Study 45: Stepwise Ascending Short Rolls in a Reel (Whistle) (von Grey Larsen)
  60. Study 46: Stepwise Descending Short Rolls in a Reel (Whistle) (von Grey Larsen)
  61. Study 47: Leap Wise Descending Short Rolls in a Reel (Whistle) (von Grey Larsen)
  62. Study 48: A Jig Containing a Variety of Short Rolls (Flute) (von Grey Larsen)
  63. Study 49: A Reel Containing a Variety of Short Rolls (Whistle) (von Grey Larsen)
  64. The Battering Ram (Whistle) (von Grey Larsen)
  65. The Blarney Pilgrim (Whistle) (von Grey Larsen)
  66. The Cliffs of Moher (Whistle) (von Grey Larsen)
  67. Tom Billy's Jig (Flute) (von Grey Larsen)
  68. The Frost Is All Over (Flute) (von Grey Larsen)
  69. The Humours of Ballyloughlin (Flute) (von Grey Larsen)
  70. Jimmy Ward's Jig (Whistle) (von Grey Larsen)
  71. The Monaghan Jig (Whistle) (von Grey Larsen)
  72. Old Joe's Jig (Whistle) (von Grey Larsen)
  73. The Rose in the Heather (Flute) (von Grey Larsen)
  74. Scotsman Over the Border (Flute) (von Grey Larsen)
  75. Tripping Up the Stairs (Flute) (von Grey Larsen)
  76. Whelan's Jig (Whistle) (von Grey Larsen)
  77. Willie Coleman's Jig (Whistle) (von Grey Larsen)
  78. The Star Above the Garter (Whistle) (von Grey Larsen)
  79. A Fig for a Kiss (Flute) (von Grey Larsen)
  80. Hardiman the Fiddler (Flute) (von Grey Larsen)
  81. The Whinny Hills of Leitrim (Flute) (von Grey Larsen)
  82. Christmas Eve (Whistle) (von Grey Larsen)
  83. The Banshee (Whistle) (von Grey Larsen)
  84. The Boys of Ballisodare (Whistle) (von Grey Larsen)
  85. Roaring Mary (Flute) (von Grey Larsen)
  86. The Drunken Landlady (Flute) (von Grey Larsen)
  87. The Glen Allen Reel (Flute) (von Grey Larsen)
  88. The Gravel Walk (Whistle) (von Grey Larsen)
  89. John Stenson's Reel (Whistle) (von Grey Larsen)
  90. Lad O'Beirne's Reel (Whistle) (von Grey Larsen)
  91. Lady on the Island (Flute) (von Grey Larsen)
  92. The Mountain Road (Flute) (von Grey Larsen)
  93. The Shaskeen (Flute) (von Grey Larsen)
  94. Tuttle's Reel, Notated in E Dorian Sounding in D Dorian Playing on a Whistle in C (Whistle) (von Grey Larsen)
  95. The Home Ruler (Whistle) (von Grey Larsen)
  96. The Rights of Man (Whistle) (von Grey Larsen)
  97. Maids of Ardagh (Flute) (von Grey Larsen)
  98. Lord Mayo (Flute) And Give Me Your Hand (Flute) (von Grey Larsen)

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