Ad modum tubae (Live)
Ars supernova
Gothic Winds
- Virgo dulces
- Das haizt for trumpet & winds
- A L'Arme, A L'Arme, virelai for 4 voices
- Chose Loyset
- Ballaam
- Estampie
- Estampie
- Retrove
- Saltarello
- Dal bel castel, madrigal
- Regina gloriosa, motet
- Ach Vlaendere Vrie for 3 voices
- Bobik blazen
- Auxci bonloure delabonnestrenne
- Kum, liebster Man
- Trois filliez
- Je suis povere de leesse, basse danse for 3 voices
- Petit riense
- Le hault et le bas
- Anello
- Quene note
Mehr Songtexte
- Piva (Giovanni Ambosia Dalza, Venice 1506)
- Pastorella (traditional Italian), Alif ya soultani (traditional Turkish)
- Merçe o morte, Johannes Ciconia (c. 1370-1412)
- Tuba gallicalis, anonym (late 14th century)
- If Music Be the Food of Love, Henry Purcell (1659-1695)
- Caçando un giorno, Johannes Ciconia (c. 1370 - 1412)
- Chançoneta tedescha, anon. Italian c. 1400
- Bektashi Nefes / Audite principes, anonym (13th century)
- Muiñeiras, Ian Harrison
- Estampie, anonym (c. 1360)
- Introitus de tuba (David Yacus)
- Donnés l'assault, Guillaume Du Fay
- Lamento di tristano, anon. Italian c. 1400
- Navré je suis (Guillame Du Fay), Puis fortuna (Anonymous, Italian c. 1470), Se la face ay pale (Guillaume Du Fay)
- Trotto (Anonymous, Italian c. 1400)
- La rotta , anon. Italian c. 1400
- Aires de Bollschweil, Ian Harrison (1962- )
- Doctorum principem, Johannes Ciconia
- Chansonetta Tedesca (Anonymous, Italian c. 1400)
- Mein hertz das ist versert, Oswald von Wolkenstein
- La Tierche estampie royal, anon. French 13th cent.
- Neva cheng-i-harbi (Ali Ufki, 1610 - c. 1675)
- La Manfredina (Anonymous, Italian c. 1400), Improvisation (Michael Metzler), La Capirese (traditional, Puglia, arr. Andrea Piccioni)
- J'aime bien celuy, Pierre Fontaine (c. 1380 - c. 1450)
- La folia, anon. 17th c.
- Das nachthorn, Mönch von Salzburg (fl. c. 1400)
- Naslenkino Horo (traditional Bulgarian)
- Gloria ad modum Tubae (Guillaume Du Fay, 1400-1476)
- Douce dame jolie, Guillaume de Machaut (1300-1377)
- La Danse de cleves (Anonymous, late 15th-century)
- Quene note, Frankes 15th c.
- Chançona Tedescha (III), anonym (c. 1400)
- Chançona Tedescha (IV), anonym (c. 1400)
- Das Taghorn, Mönch von Salzburg (fl. c. 1400)
- Sones ces nachares, anonym (late 14th century)
- Stand auff maredel, Oswald von Wolkenstein
- A l'arme, Magister Grimace (late 14th century)
- Douce Dame Jolie (Guillaume Machaut, 1300-1377)
- Wol auff wir wellen slauffen, Oswald von Wolkenstein
- Resvelons nous, Guillaume Du Fay (c. 1397 - 1474)
- Ce jour de l'an, Guillaume Du Fay (c. 1400-1474)
- Prologo, anon. Spain, Cantigas de Santa Maria, 13th century; Muito devemos, anon. Cantigas de Santa Maria
- Chançona tedescha, anon. Italian c. 1400
- Revellies vous, Guillaume Du Fay (c. 1397 - 1474)
- Wach auff mein hort, O. v. Wolkenstein (c. 1376 - 1445)
- Adieu ces bons vins, Guillaume Du Fay
- Benchè lontan / Férito Già, Antonio Zacara da Teramo
- Credo cursor, Antonio Zacara da Teramo (c. 1355 - c. 1415)
- La Danse de cleves, anon. Burgundian late 15th cent.
- Saltarello, Ian Harrison
- Dy Trumpet (Mönch von Salzburg c. 1400)
- Ce jour de l'an (Guillame Du Fay)
- Donnés l'assault
- Das Taghorn
- Credo cursor
- Doctorum principem
- Caçando un giorno
- Sones ces nachares
- Wach auff mein hort
- Benchè lontan / Férito Già
- Mein hertz das ist versert
- Stand auff maredel
- A l'arme
- Tuba gallicalis
- Bektashi Nefes / Audite principes
- Chançona Tedescha (III)
- Revellies vous
- Wol auff wir wellen slauffen
- Chançona Tedescha (IV)
- Resvelons nous
- Adieu ces bons vins
- J'aime bien celuy