Kurt Masur Songtexte
Geboren am 18. Juli 1927, Gestorben am 19. Dezember 2015
Gewandhausorchester Leipzig (Compilation)
Johann Sebastian Bach: Die Violinkonzerte (Compilation)
Kurt Masur conducts the Berlin Radio Symphony Orchestra
- Sinfonie Nr. 96 in D-Dur, "The Miracle" (6. Londoner Sinfonie), I. Adagio – Allegro
- Sinfonie Nr. 96 in D-Dur, "The Miracle" (6. Londoner Sinfonie), II. Andante
- Sinfonie Nr. 96 in D-Dur, "The Miracle" (6. Londoner Sinfonie), III. Menuetto
- Sinfonie Nr. 96 in D-Dur, "The Miracle" (6. Londoner Sinfonie), IV. Finale – vivace Assai
- Sinfonia in D-Dur, KV 19, I. Allegro
- Sinfonia in D-Dur, KV 19, II. Andante
- Sinfonia in D-Dur, KV 19, III. Presto
- Jeux d'enfants, Op. 22, I. Marche "Trompette et tambour"
- Jeux d'enfants, Op. 22, II. Berceuse "La pupée"
- Jeux d'enfants, Op. 22, III. Impromptu "La toupie"
- Jeux d'enfants, Op. 22, IV. Duo "Petit mari, petite femme"
- Jeux d'enfants, Op. 22, V. Galop "Le bal"
- Capriccio Italien, Op. 45
Kurt Masur The Complete Warner Classics Edition
Prokofiev: Les Cinq Concertos
- Piano Concerto No. 1 in D-flat major, Op. 10: I. Allegro brioso (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 1 in D-flat major, Op. 10: II. Andante assai (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 1 in D-flat major, Op. 10: III. Allegro scherzando (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestuoso (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Overture on Hebrew Themes in C minor
Prokofiev: Les Cinq Concertos
- Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro
- Piano Concerto No. 3 in C major, Op. 26: II. Thème et variations
- Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo
- Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": I. Vivace (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": II. Andante (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": III. Moderato (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": IV. Vivace (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 5 in G major, Op. 55: I. Allegro con brio (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 5 in G major, Op. 55: II. Moderato ben accentuato (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 5 in G major, Op. 55: III. Toccata. Allegro con fuocco (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 5 in G major, Op. 55: IV. Larghetto (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Piano Concerto No. 5 in G major, Op. 55: V. Vivo (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
L'oeuvre pour piano et orchestre
- Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro Maestoso - (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Quasi Adagio - (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegretto Vivace-Allegro Animato - (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro Marziale Animato (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Adagio Sostenuto Assai- (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Agitato Assai - (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Moderato - (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Deciso - (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Marziale Un Poco Meno Allegro - (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Animato (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Schubert: Wanderer-Fantasie, D760 (Transcr. Liszt c.1852), S366 (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Weber: Polonaise Brillante «L'Hilarité», J268 (Transcr. Liszt c.1851), S367 (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
L'oeuvre pour piano et orchestre
- Fantasie Hongroise pour piano et orchestre (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Fantasie pour piano et orchestre sur des thèmes des "Ruines d'Athènes", op. 113 de Beethoven (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Grande Fantaisie Symphonique Sur Des Thèmes De «Lélio» De Berlioz (1834), S120 (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Malédiction (1833), S121 (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
- Totentanz, Paraphrase Über "Dies Irae" (1849), S126 (von Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur)
Weimar Symphonic Poems Nos. 1-4
- Ce qu'on entend sur la montage (1848-9) After Hugo, S. 95 (von Gewandhausorchester Leipzig, Kurt Masur)
- Tasso: Lamento e trionfo (1849) After Byron, S. 96 (von Gewandhausorchester Leipzig, Kurt Masur)
- Les Préludes (1848) After Lamartine, S. 97 (von Gewandhausorchester Leipzig, Kurt Masur)
- Orpheus (1853-4), S. 98 (von Gewandhausorchester Leipzig, Kurt Masur)
Weimar Symphonic Poems Nos. 5-8, Mephisto-Waltz
- No. 5: Prometheus (1850), S. 99 (von Gewandhausorchester Leipzig, Kurt Masur)
- No. 6: Mazeppa (1851) After Hugo, S. 100 (von Gewandhausorchester Leipzig, Kurt Masur)
- No. 7: Festklänge (1853), S. 101 (von Gewandhausorchester Leipzig, Kurt Masur)
- No. 8: Héroïde Funèbre (1849-50), S. 102 (von Gewandhausorchester Leipzig, Kurt Masur)
- Mephisto Waltz No.2 (1880-81), S. 111 (von Gewandhausorchester Leipzig, Kurt Masur)
Weimar Symphonic Poems Nos. 9-12
- No. 9: Hungaria (1854), S. 103 (von Gewandhausorchester Leipzig, Kurt Masur)
- No. 10: Hamlet (1858) After Shakespeare, S. 104 (von Gewandhausorchester Leipzig, Kurt Masur)
- No. 11: Hunnenschlacht (1856-57) After Kaulbach, S. 105 (von Gewandhausorchester Leipzig, Kurt Masur)
- No. 12: Die Ideale (1857) After Schiller, S. 106 (von Gewandhausorchester Leipzig, Kurt Masur)
Weimar Symphonic Poem No. 13, A Faust Symphony
- No. 13, Von der Wiege bis zur Bahre: I. Die Wiege (von Gewandhausorchester Leipzig, Kurt Masur)
- No. 13, Von der Wiege bis zur Bahre: Der Kampf Um's Dasein (von Gewandhausorchester Leipzig, Kurt Masur)
- No. 13, Von der Wiege bis zur Bahre: Zum Grabe (Die Wiege Des Zukünftigen Lebens) (von Gewandhausorchester Leipzig, Kurt Masur)
- Eine Faust-Symphonie, S. 108: I. Faust (Lento assai - Allegro impetuoso - Allegro agitato ed apassionato assai) (von Gewandhausorchester Leipzig, Kurt Masur)
- Eine Faust-Symphonie, S. 108: II. Gretchen (Andante soave) (von Gewandhausorchester Leipzig, Kurt Masur)
- Eine Faust-Symphonie, S. 108: III. Mephistopheles (Andante mistico) (von Gewandhausorchester Leipzig, Kurt Masur)
Zwei Episoden aus Lenaus Faust - A Dante Symphony
- Zwei Episoden aus Lenaus Faust, S. 110: I. Der nächtliche Zug (von Gewandhausorchester Leipzig, Kurt Masur)
- Zwei Episoden aus Lenaus Faust, S. 110: II. Der Tanz in Der Dorfschenke (Mephisto Waltz No.1) (von Gewandhausorchester Leipzig, Kurt Masur)
- A Dante Symphony, S. 109: I. Inferno (von Gewandhausorchester Leipzig, Kurt Masur)
- A Dante Symphony, S. 109: II. Purgatorio (von Gewandhausorchester Leipzig, Kurt Masur)
Beethoven: Violin Concerto, Op. 61
- Violin Concerto in D major, Op. 61: I. Allegro, Ma Non Troppo
- Violin Concerto in D Major, Op. 61: II. Larghetto
- Violin Concerto in D Major, Op. 61: III. Rondo (Allegro)
Beethoven: Triple Concerto & Violin Romances
- Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: I. Allegro
- Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: II. Largo
- Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: III. Rondo alla polacca
- Violin Romance No. 1 in G Major, Op. 40
- Violin Romance No. 2 in F Major, Op. 50
Violin Concerto / Finlandia / The Swan of Tuonela / Karelia Overture
- Violin Concerto in D minor, op. 47: I. Allegro moderato
- Violin Concerto in D minor, op. 47: II. Adagio di molto
- Violin Concerto in D minor, op. 47: III. Allegro ma non tanto
- Finlandia, op. 26 (von Gewandhausorchester Leipzig, Kurt Masur)
- The Swan of Tuonela, op. 22 no. 2 (von Gewandhausorchester Leipzig, Kurt Masur)
- Karelia Overture, op. 10 (von Gewandhausorchester Leipzig, Kurt Masur)
Tchaikovsky Symphony No. 4
- Symphony No. 4 in F minor, Op. 36: I. Andante sostenuto – Moderato con anima (von Gewandhausorchester Leipzig, Kurt Masur)
- Symphony No. 4 in F minor, Op. 36: II. Andantino in modo di canzona (von Gewandhausorchester Leipzig, Kurt Masur)
- Symphony No. 4 in F minor, Op. 36: III. Scherzo. Pizzicato ostinato – Allegro (von Gewandhausorchester Leipzig, Kurt Masur)
- Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco (von Gewandhausorchester Leipzig, Kurt Masur)
Symphony No. 6 "Pathétique"
- Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo (von Leipzig Gewandhaus Orchestra, Kurt Masur)
- Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia (von Leipzig Gewandhaus Orchestra, Kurt Masur)
- Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace (von Leipzig Gewandhaus Orchestra, Kurt Masur)
- Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso (von Leipzig Gewandhaus Orchestra, Kurt Masur)
Tchaikovsky Symphony No. 5 in E minor, Op. 64
- Symphony No. 5 in E minor, Op. 64: I. Andante – Allegro con anima (von Gewandhausorchester Leipzig, Kurt Masur)
- Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza (von Gewandhausorchester Leipzig, Kurt Masur)
- Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato (von Gewandhausorchester Leipzig, Kurt Masur)
- Symphony No. 5 in E minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace (von Gewandhausorchester Leipzig, Kurt Masur)
Mendelssohn Symphony No 3 "Scottish" & No 4 "Italian"
- Symphony No. 3 in A Minor, Op. 56, "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato Andante come prima
- Symphony No. 3 in A Minor, Op. 56, "Scottish": II. Vivace non troppo
- Symphony No. 3 in A Minor, Op. 56, "Scottish": III. Adagio
- Symphony No. 3 in A Minor, Op. 56, "Scottish": IV. Allegro vivacissimo
- Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace
- Symphony No. 4 in A Major, Op. 90, "Italian": II. Andante con moto
- Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato
- Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto)
Mendelssohn Piano Concertos Nos. 1, 2
- Piano Concerto No. 1 in G minor, Op. 25: I. Molto allegro con fuoco
- Piano Concerto No. 1 in G minor, Op. 25: II. Andante
- Piano Concerto No. 1 in G minor, Op. 25: III. Presto - Molto allegro vivace
- Capriccio billant in B minor for piano and orchestra, Op. 40
- Piano Concerto No. 2 in D minor, Op. 40: I. Allegro appassionato
- Piano Concerto No. 2 in D minor, Op. 40: II. Adagio
- Piano Concerto No. 2 in D minor, Op. 40: III. Finale: Presto scherzando
Tchaikovsky Piano Concerto 2 / Piano Sonata op. 37
- Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante e molto vivace
- Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo
- Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco
- Piano Sonata no. 1 in G major, op. 37: I. Moderato e risoluto (von Elisabeth Leonskaja)
- Piano Sonata no. 1 in G major, op. 37: II. Andante non troppo quasi moderato (von Elisabeth Leonskaja)
- Piano Sonata no. 1 in G major, op. 37: III. Scherzo. Allegro giocoso (von Elisabeth Leonskaja)
- Piano Sonata no. 1 in G major, op. 37: IV. Finale. Allegro vivace (von Elisabeth Leonskaja)
Sinfonie No. 2 "Lobgesang"
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ia. Maestoso con moto - Allegro - Maestoso con moto come I (von Gewandhausorchester Leipzig, Kurt Masur)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ib. Allegretto un poco agitato (von Gewandhausorchester Leipzig, Kurt Masur)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": Ic. Adagio religioso (von Gewandhausorchester Leipzig, Kurt Masur)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIa. Allegro moderato maestoso - Animato - Allegro di molto (Chor)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIb. Molto più moderato ma con fuoco (Sopran, Chor)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIa. Rezitativ (Tenor)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IIIb. Allegro moderato (Tenor)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IV. Chor. A tempo moderato (Chor)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": V. Andante (Sopran I & II, Chor)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VI. Allegro un poco agatito (Tenor, Sopran)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VII. Allegro maestoso e molto vivace (Chor)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": VIII. Andante con moto (Chor)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": IX. Andante sostenuto assai (Tenor, Sopran)
- Sinfonie No. 2 B-dur, Op. 52 "Lobgesang": X. Allegro non troppo (Chor)
Mendelssohn Symphony no. 1 / Symphony no. 5 "Reformation"
- Symphony No. 1 in C minor op. 11: I. Allegro di molto (von Leipzig Gewandhaus Orchestra, Kurt Masur)
- Symphony No. 1 in C minor op. 11: II. Andante (von Leipzig Gewandhaus Orchestra, Kurt Masur)
- Symphony No. 1 in C minor op. 11: III. Menuetto. Allegro molto - Trio (von Leipzig Gewandhaus Orchestra, Kurt Masur)
- Symphony No. 1 in C minor op. 11: IV. Allegro con fuoco (von Leipzig Gewandhaus Orchestra, Kurt Masur)
- Symphony No. 5 in D Major, op. 107: I. Andante - Allegro con fuoco (von Leipzig Gewandhaus Orchestra, Kurt Masur)
- Symphony No. 5 in D Major, op. 107: II. Allegro vivace (von Leipzig Gewandhaus Orchestra, Kurt Masur)
- Symphony No. 5 in D Major, op. 107: III. Andante (von Leipzig Gewandhaus Orchestra, Kurt Masur)
- Symphony No. 5 in D Major, op. 107: IV. Choral: Ein feste Burg ist unser Gott! Andante con moto - Allegro vivace - Allegro maestoso (von Leipzig Gewandhaus Orchestra, Kurt Masur)
Symphony no. 1 "Winter Dreams" / Francesca da Rimini
- Symphony No. 1 in G minor, Op. 13 "Winter Dreams": I. Allegro tranquillo (von Gewandhausorchester Leipzig, Kurt Masur)
- Symphony No. 1 in G minor, Op. 13 "Winter Dreams": II. Adagio cantabile ma non tanto (von Gewandhausorchester Leipzig, Kurt Masur)
- Symphony No. 1 in G minor, Op. 13 "Winter Dreams": III. Scherzo. Allegro scherzando giocoso (von Gewandhausorchester Leipzig, Kurt Masur)
- Symphony No. 1 in G minor, Op. 13 "Winter Dreams": IV. Finale. Andante lugubre – Allegro moderato – Allegro maestoso (von Gewandhausorchester Leipzig, Kurt Masur)
- Francesca da Rimini, Op. 32, Orchestral fantasy after Dante (von Gewandhausorchester Leipzig, Kurt Masur)
Tchaikovsky: Piano Concerto No 1 - Schumann: Piano Concerto
- Piano Concerto no. 1 in B-flat minor, op. 23: Allegro non troppo e molto maestoso - Allegro con spirito
- Piano Concerto no. 1 in B-flat minor, op. 23: Andantino semplice - Prestissimo - Tempo I
- Piano Concerto no. 1 in B-flat minor, op. 23: Allegro con fuoco
- Piano Concerto in A minor, op. 54: I. Allegro affettuoso - Andante Espressivo
- Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso
- Piano Concerto in A minor, op. 54: III. Allegro vivace
Schumann: Symphonies Nos. 1 & 4
- Symphony No. 1 B flat major op. 38: I. Andante un poco maestoso (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 1 B flat major op. 38: II. Larghetto (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 1 B flat major op. 38: III. Scherzo - Molto vivace (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 1 B flat major op. 38: IV. Allegro animato e grazioso (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 4 d minor op. 120: Andante con moto - vivace (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 4 d minor op. 120: Andante (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 4 d minor op. 120: Scherzo - Presto (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 4 d minor op. 120: Largo - Allegro vivace - Presto (von London Philharmonic Orchestra, Kurt Masur)
Tchaikovsky Symphony No. 2 - Romeo & Juliet
- Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo
- Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andante marziale, quasi moderato
- Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo (Allegro molto vivace)
- Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale (Moderato assai)
- Romeo and Juliet, TH 42, fantasy overture
Schumann Symphonies Nos. 2 & 3 "Rhenish"
- Symphonie No. 2 C-dur, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo (von London Philharmonic Orchestra, Kurt Masur)
- Symphonie No. 2 C-dur, Op. 61: II. Scherzo: Allegro vivace (von London Philharmonic Orchestra, Kurt Masur)
- Symphonie No. 2 C-dur, Op. 61: III. Adagio espressivo (von London Philharmonic Orchestra, Kurt Masur)
- Symphonie No. 2 C-dur, Op. 61: IV. Allegro molto vivace (von London Philharmonic Orchestra, Kurt Masur)
- Symphonie No. 3 Es-dur, Op. 97 "Rheinische": I. Lebhaft (von London Philharmonic Orchestra, Kurt Masur)
- Symphonie No. 3 Es-dur, Op. 97 "Rheinische": II. Scherzo: Sehr mäßig (von London Philharmonic Orchestra, Kurt Masur)
- Symphonie No. 3 Es-dur, Op. 97 "Rheinische": III. Nicht schnell (von London Philharmonic Orchestra, Kurt Masur)
- Symphonie No. 3 Es-dur, Op. 97 "Rheinische": IV. Feierlich (von London Philharmonic Orchestra, Kurt Masur)
- Symphonie No. 3 Es-dur, Op. 97 "Rheinische": V. Lebhaft (von London Philharmonic Orchestra, Kurt Masur)
Mendelssohn Ein Sommernachtstraum
- Ein Sommernachtstraum, Op. 61, MWV M13: Ouvertüre
- Ein Sommernachtstraum, Op. 61, MWV M13: Text "Hier ist das Blatt"
- Ein Sommernachtstraum, Op. 61, MWV M13: No. 1 Scherzo
- Ein Sommernachtstraum, Op. 61, MWV M13: No. 2 Melodram "Über Täler und Höh'n"
- Ein Sommernachtstraum, Op. 61, MWV M13: Elfenmarsch
- Ein Sommernachtstraum, Op. 61, MWV M13: No. 3 Lied mit Chor "Kommt! Einen Ringel"
- Ein Sommernachtstraum, Op. 61, MWV M13: No. 4 Melodram "Was du wirst erwachend seh'n"
- Ein Sommernachtstraum, Op. 61, MWV M13: No. 5 Intermezzo
- Ein Sommernachtstraum, Op. 61, MWV M13: No. 6 Melodram. "Welch hausgebackenes Volk"
- Ein Sommernachtstraum, Op. 61, MWV M13: Notturno
- Ein Sommernachtstraum, Op. 61, MWV M13: Text "Nun, toller Geist" - No. 8 "Melodram als wäre nichts geschehen"
- Ein Sommernachtstraum, Op. 61, MWV M13: No. 9 Hochzeitsmarsch
- Ein Sommernachtstraum, Op. 61, MWV M13: Text "Nun kommt!" - No.10 Melodram "Was das bedeuten soll"
- Ein Sommernachtstraum, Op. 61, MWV M13: Text "Beliebt es Euer Hoheit"
- Ein Sommernachtstraum, Op. 61, MWV M13: No. 11 Ein Tanz von Rüpeln
- Ein Sommernachtstraum, Op. 61, MWV M13: Text "Zu Bett geliebte Freunde!"
- Ein Sommernachtstraum, Op. 61, MWV M13: No. 12 Melodram "Jetzt beheult der Wolf den Mond"
- Ein Sommernachtstraum, Op. 61, MWV M13: No. 13 Finale "Bei des Feuers mattem Flimmern"
Mussorgsky: Pictures at an Exhibition / Prokofiev: Classical Symphony
- Pictures at an Exhibition: Promenade (von Modest Mussorgsky)
- Pictures at an Exhibition: 1. Gnomus (von London Philharmonic Orchestra, Kurt Masur)
- Pictures at an Exhibition: Promenade (von Modest Mussorgsky)
- Pictures at an Exhibition: 2. Il vecchio castello (von Modest Mussorgsky)
- Pictures at an Exhibition: Promenade (von Modest Mussorgsky)
- Pictures at an Exhibition: 3. Tuileries (von Modest Mussorgsky)
- Pictures at an Exhibition: 4. Bydlo (von London Philharmonic Orchestra, Kurt Masur)
- Pictures at an Exhibition: Promenade (von Modest Mussorgsky)
- Pictures at an Exhibition: 5. Ballet of the Unhatched Chickens (von London Philharmonic Orchestra, Kurt Masur)
- Pictures at an Exhibition: 6. Samuel Goldenberg and Schmuyle (von Modest Mussorgsky)
- Pictures at an Exhibition: Promenade (von Modest Mussorgsky)
- Pictures at an Exhibition: 7. Limoges (von London Philharmonic Orchestra, Kurt Masur)
- Pictures at an Exhibition: 8. Catacombae. Sepulchrum romanum (von London Philharmonic Orchestra, Kurt Masur)
- Pictures at an Exhibition: Cum mortuis in lingua mortua (von London Philharmonic Orchestra, Kurt Masur)
- Pictures at an Exhibition: 9. The Hut on Hen's Legs (Baba-Yaga) (von London Philharmonic Orchestra, Kurt Masur)
- Pictures at an Exhibition: 10. The Great Gate of Kiev (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 1 in D major: I. Allegro (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 1 in D major: II. Larghetto (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 1 in D major: III. Non troppo allegro. Gavotte (von London Philharmonic Orchestra, Kurt Masur)
- Symphony No. 1 in D major: IV. Molto vivace. Finale (von London Philharmonic Orchestra, Kurt Masur)
Prokofiev: Alexander Nevsky / Scythian Suite
- Alexander Nevsky, Op. 78: Russia Under the Mongolian Yoke
- Alexander Nevsky, Op. 78: Song About Alexander Nevsky
- Alexander Nevsky, Op. 78: The Crusaders in Pskov
- Alexander Nevsky, Op. 78: Arise, Ye Russian People
- Alexander Nevsky, Op. 78: The Battle on Ice
- Alexander Nevsky, Op. 78: The Field of the Dead
- Alexander Nevsky, Op. 78: Alexander's Entrance Into Pskov
- Scythian Suite, Op. 20: The Adoration of Weles and Ala
- Scythian Suite, Op. 20: Tshushbog and the Dance of the Spirits of Darkness
- Scythian Suite, Op. 20: The Night
- Scythian Suite, Op. 20: Departure of Lolli and Followers to the Sun
Tchaikovsky: Manfred Symphony
- Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante
- Manfred Symphony in B minor, op. 58: II. Vivace con spirito
- Manfred Symphony in B minor, op. 58: III. Andante con moto
- Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco
Schumann, Schnittke: Cello Concertos
- Cello Concerto in A minor, op. 129: 1. Nicht zu schnell
- Cello Concerto in A minor, op. 129: 2. Langsam - Etwas labhafter - Schneller
- Cello Concerto in A minor, op. 129: 3. Sehr lebhaft - Kadenz - Tempo 1
- Cello Concerto no. 1: 1. Pesante - Moderato
- Cello Concerto no. 1: 2. Largo
- Cello Concerto no. 1: 3. Allegro vivace
- Cello Concerto no. 1: 4. Largo
Tchaikovsky: Symphony No. 3
- Symphony no. 3 in D major, Op. 29 "Polish": I. Introduzione e Allegro Moderato assai
- Symphony no. 3 in D major, Op. 29 "Polish": II. Alla tedesca
- Symphony no. 3 in D major, Op. 29 "Polish": III. Andante elegiaco
- Symphony no. 3 in D major, Op. 29 "Polish": IV. Scherzo. Allegro vivo – Trio
- Symphony no. 3 in D major, Op. 29 "Polish": V. Finale. Allegro con fuoco
- Mazeppa: Gopak (Act 1), TH 7
- Festival Coronation March in D Major, Op. 49
Kurt Masur Inaugural Concert as Music Director of New York Philharmonic, Bruckner Symphony No. 7
- Symphony no. 7: I. Allegro Moderato (von New York Philharmonic, Kurt Masur)
- Symphony no. 7: II. Adagio - Sehr feierlich und sehr langsam (von New York Philharmonic, Kurt Masur)
- Symphony no. 7: III. Scherzo - Sehr Schnell (von New York Philharmonic, Kurt Masur)
- Symphony no. 7: IV. Finale - Bewegt, doch nicht schnell (von New York Philharmonic, Kurt Masur)
Symphony no. 9 "From the New World" / Slavonic Dances
- Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio, Allegro molto (von New York Philharmonic Orchestra, Kurt Masur)
- Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo (von New York Philharmonic Orchestra, Kurt Masur)
- Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace (von New York Philharmonic Orchestra, Kurt Masur)
- Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco (von New York Philharmonic Orchestra, Kurt Masur)
- Slavonic Dances no. 2 in E minor, op. 72: Dumka (von New York Philharmonic, Kurt Masur)
- Slavonic Dances no. 6 in B-flat major, op. 46: Sousedská (von New York Philharmonic Orchestra, Kurt Masur)
- Slavonic Dances no. 8 in G minor, op. 46: Furiant (von New York Philharmonic Orchestra, Kurt Masur)
Brahms: Haydn Variations / Reger: Mozart Variations / Ives/Schuman: Variations on America
- Variations on "America": Theme (von New York Philharmonic, Kurt Masur)
- Variations on "America": Variation 1 (von New York Philharmonic, Kurt Masur)
- Variations on "America": Variation 2 (von New York Philharmonic, Kurt Masur)
- Variations on "America": Interlude (von New York Philharmonic, Kurt Masur)
- Variations on "America": Variation 3 (von New York Philharmonic, Kurt Masur)
- Variations on "America": Variation 4 (von New York Philharmonic, Kurt Masur)
- Variations on "America": Interlude (von New York Philharmonic, Kurt Masur)
- Variations on "America": Variation 5 (von New York Philharmonic, Kurt Masur)
- Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante (von New York Philharmonic, Kurt Masur)
- Variations on a Theme by Joseph Haydn, op. 56a: Var. I. Poco più animato (von New York Philharmonic, Kurt Masur)
- Variations on a Theme by Joseph Haydn, op. 56a: Var. II. Più vivace (von New York Philharmonic, Kurt Masur)
- Variations on a Theme by Joseph Haydn, op. 56a: Var. III. Con moto (von New York Philharmonic, Kurt Masur)
- Variations on a Theme by Joseph Haydn, op. 56a: Var. IV. Andante con moto (von New York Philharmonic, Kurt Masur)
- Variations on a Theme by Joseph Haydn, op. 56a: Var. V. Vivace (von New York Philharmonic, Kurt Masur)
- Variations on a Theme by Joseph Haydn, op. 56a: Var. VI. Vivace (von New York Philharmonic, Kurt Masur)
- Variations on a Theme by Joseph Haydn, op. 56a: Var. VII. Grazioso (von New York Philharmonic, Kurt Masur)
- Variations on a Theme by Joseph Haydn, op. 56a: Var. VIII. Presto non trope (von New York Philharmonic, Kurt Masur)
- Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante (von New York Philharmonic, Kurt Masur)
- Variations and Fugue on a Theme by Mozart, op. 132: Andante grazioso (von New York Philharmonic, Kurt Masur)
- Variations and Fugue on a Theme by Mozart, op. 132: Variation I. L'istesso tempo (von New York Philharmonic, Kurt Masur)
- Variations and Fugue on a Theme by Mozart, op. 132: Variation II. Poco agitato (von New York Philharmonic, Kurt Masur)
- Variations and Fugue on a Theme by Mozart, op. 132: Variation III. Con moto (von New York Philharmonic, Kurt Masur)
- Variations and Fugue on a Theme by Mozart, op. 132: Variation IV. Vivace (von New York Philharmonic, Kurt Masur)
- Variations and Fugue on a Theme by Mozart, op. 132: Variation V. Quasi presto (von New York Philharmonic, Kurt Masur)
- Variations and Fugue on a Theme by Mozart, op. 132: Variation VI. Sostenuto (von New York Philharmonic, Kurt Masur)
- Variations and Fugue on a Theme by Mozart, op. 132: Variation VII. Andante grazioso (von New York Philharmonic, Kurt Masur)
- Variations and Fugue on a Theme by Mozart, op. 132: Variation VIII. Molto sostenuto (von New York Philharmonic, Kurt Masur)
- Variations and Fugue on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso) (von New York Philharmonic, Kurt Masur)
Mendelssohn: Elias Teil 1
- Elias, Op. 70: Einleitung. "So wahr der Herr, der Gott Israels lebet"
- Elias, Op. 70: Ouvertüre
- Elias, Op. 70: Chor. "Hilf, Herr!"
- Elias, Op. 70: Duett im Chor. "Herr, höre unser Gebet"
- Elias, Op. 70: Rezitativ. "Zerreisset eure Herzen"
- Elias, Op. 70: Arie. "So ihr mich von ganzem Herzen suchet"
- Elias, Op. 70: Chor. "Aber der Herr sieht es nicht"
- Elias, Op. 70: Rezitativ. "Elias, gehe weg von hinnen!"
- Elias, Op. 70: Doppelquartett. "Denn er hat seinen Engeln befohlen"
- Elias, Op. 70: Rezitativ. "Nun auch der Bach vertrocknet ist"
- Elias, Op. 70: Rezitativ, "Arie und Duett. Was hast du an mir getan"
- Elias, Op. 70: Chor. "Wohl dem, der den Herrn fürchtet"
- Elias, Op. 70: Rezitativ mit Chor. "So wahr der Herr Zebaoth lebet"
- Elias, Op. 70: Chor. "Baal, erhöre uns!"
- Elias, Op. 70: Rezitativ mit Chor. "Rufet lauter!"
- Elias, Op. 70: Rezitativ mit Chor. "Rufet lauter! Er hört euch nicht"
- Elias, Op. 70: "Kommt her, alles Volk"
- Elias, Op. 70: Quartett. "Wirf dein Anliegen auf den Herrn"
- Elias, Op. 70: Rezitativ mit Chor. "Der du deine Diener machst zu Geistern"
- Elias, Op. 70: Arie. "Ist nicht der Herrn Wort wie ein Feuer"
- Elias, Op. 70: Arioso. "Weh ihnen, dass sie von mir weichen!"
- Elias, Op. 70: Rezitativ mit Chor. "Hilf deinem Volk, du Mann Gottes!"
- Elias, Op. 70: Chor. "Dank sei dir Gott"
Mendelssohn: Elias Teil 2
- Elias, Op. 70: Arie. "Höre, Israel höre des Herrn Stimme"
- Elias, Op. 70: "So spricht der Herr: Ich bin euer Tröster"
- Elias, Op. 70: Chor. "Fürchte dich nicht, spricht unser Gott"
- Elias, Op. 70: Rezitativ mit Chor. "Der Herr hat dich erhoben"
- Elias, Op. 70: Chor. "Wehe ihm, er muss sterben!"
- Elias, Op. 70: Rezitativ. "Du Mann Gottes"
- Elias, Op. 70: Arie. "Es ist genug!"
- Elias, Op. 70: Rezitativ. "Siehe, er schläft"
- Elias, Op. 70: Terzett. "Hebe deine Augen auf zu den Bergen"
- Elias, Op. 70: Chor. "Siehe, der Hüter Israels"
- Elias, Op. 70: Rezitativ. "Stehe auf, Elias"
- Elias, Op. 70: Arie. "Sei stille dem Herrn"
- Elias, Op. 70: Chor. "Wer bis an das Ende beharrt"
- Elias, Op. 70: Rezitativ. "Herr, es wird Nacht um mich"
- Elias, Op. 70: Chor. "Der Herr ging vorüber"
- Elias, Op. 70: Rezitativ. "Seraphim standen über ihm"
- Elias, Op. 70: Quartett mit Chor. "Heilig ist Gott der Herr"
- Elias, Op. 70: Chor-Rezitativ. "Gehe wiederum hinab!"
- Elias, Op. 70: Arioso. "Ja, es sollen wohl Berge weichen"
- Elias, Op. 70: Chor. "Und der Prophet Elias brach hervor"
- Elias, Op. 70: Arie. "Dann werden die Gerechten leuchten"
- Elias, Op. 70: Rezitativ. "Darum ward gesendet der Prophet Elias"
- Elias, Op. 70: Chor. "Aber einer erwacht von Mitternacht"
- Elias, Op. 70: Quartett. "Wohlan, alle, die ihr durstig seid"
- Elias, Op. 70: Chor. "Alsdann wird euer Licht hervorbrechen"
Franck: Symphony in D minor / Les Eolides
- Symphony in D minor: I. Lento - Allegro non troppo (von New York Philharmonic, Kurt Masur)
- Symphony in D minor: II. Allegretto (von New York Philharmonic, Kurt Masur)
- Symphony in D minor: III. Allegro non troppo (von New York Philharmonic, Kurt Masur)
- Les Eolides (Symphonic poem) (von New York Philharmonic, Kurt Masur)
Brahms: Symphony No. 2 / Academic Festival Overture
- Symphony No. 2 in D Major, Op. 73: I. Allegro Non Troppo (von New York Philharmonic, Kurt Masur)
- Symphony No. 2 in D Major, Op. 73: II: Adagio Non Troppo (von New York Philharmonic, Kurt Masur)
- Symphony No. 2 in D Major, Op. 73: III: Allegretto Grazioso - Presto Ma Non Assai (von New York Philharmonic, Kurt Masur)
- Symphony No. 2 in D Major, Op. 73: IV. Allegro Con Sprito (von New York Philharmonic, Kurt Masur)
- Academic Festival Overture, Op. 80 (von New York Philharmonic, Kurt Masur)
Mahler: Symphony no. 1 / Lieder eines fahrenden Gesellen
- Symphony no. 1 in D major "Titan": Langsam - Schleppend - Wie ein Naturlaut (von New York Philharmonic, Kurt Masur)
- Symphony no. 1 in D major "Titan": Kräftig bewegt, doch nicht zu schnell (von New York Philharmonic, Kurt Masur)
- Symphony no. 1 in D major "Titan": Feierlich und gemessen, ohne zu schleppen (von New York Philharmonic, Kurt Masur)
- Symphony no. 1 in D major "Titan": Stürmisch bewegt (von New York Philharmonic, Kurt Masur)
- Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
- Lieder eines fahrenden Gesellen: Ging heut' Morgen übers Feld
- Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer
- Lieder eines fahrenden Gesellen: Die zwei blauen Augen
Beethoven: Symphony No. 5 / Egmont
- Symphony No. 5 in C minor, Op. 67: I. Allegro con brio (von New York Philharmonic, Kurt Masur)
- Symphony No. 5 in C minor, Op. 67: II. Andante con moto (von New York Philharmonic, Kurt Masur)
- Symphony No. 5 in C minor, Op. 67: III. Allegro (von New York Philharmonic, Kurt Masur)
- Symphony No. 5 in C minor, Op. 67: IV. Allegro (von New York Philharmonic, Kurt Masur)
- Egmont, Op. 84: Ouverture (von New York Philharmonic, Kurt Masur)
- Egmont, Op. 84: Lied "Die Trommel gerühret!" (Klärchen) (von New York Philharmonic, Kurt Masur)
- Egmont, Op. 84: Zwischenakt I (von New York Philharmonic, Kurt Masur)
- Egmont, Op. 84: Zwischenakt II (von New York Philharmonic, Kurt Masur)
- Egmont, Op. 84: Lied "Freudvoll und leidvoll" (Klärchen) (von New York Philharmonic, Kurt Masur)
- Egmont, Op. 84: Zwischenakt III (von New York Philharmonic, Kurt Masur)
- Egmont, Op. 84: Zwischenakt IV (von New York Philharmonic, Kurt Masur)
- Egmont, Op. 84: Musik, Klärchens Tod bezeichnend (von New York Philharmonic, Kurt Masur)
- Egmont, Op. 84: Melodrama "Süßer Schlaf" (von New York Philharmonic, Kurt Masur)
- Egmont, Op. 84: Siegessymphonie (von New York Philharmonic, Kurt Masur)
Liszt: Mazeppa; Kodály: Háry János Suite
- Mazeppa, S. 100: Symphonic poem after Victor Hugo (von Franz Liszt)
- Mephisto Waltz No. 1, S110: "Der Tanz in der Dorfschenke" (von Franz Liszt)
- Theatre Overture (von Zoltán Kodály)
- Háry János, Suite: I. Prelude The Fairy tale begins (von Zoltán Kodály)
- Háry János, Suite: II. Viennese Musical Clock (von Zoltán Kodály)
- Háry János, Suite: III. Song (von Zoltán Kodály)
- Háry János, Suite: IV. The battle and defeat of Napoleon (von Zoltán Kodály)
- Háry János, Suite: V. Intermezzo (von Zoltán Kodály)
- Háry János, Suite: VI. Entrance of the emperor and his court (von Zoltán Kodály)
Tchaikovsky: Piano Concertos 2 & 3
- Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante e molto vivace
- Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo
- Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco
- Piano Concerto no. 3 in E-flat major, op. posth.75: Allegro brillante
Shostakovich: Symphony no. 13 "Babi Yar"
- Babi Yar (recitation) (von Yevgeny Aleksandrovich Yevtushenko)
- Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": I. Babi Yar: Adagio
- Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": II. Humour: Allegretto
- Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": III. In the Store: Adagio
- Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": IV. Fears: Largo
- Symphony no. 13 in B-flat minor, op. 113 "Babi Yar": V. Career: Allegretto
- The Loss (recitation) (von Yevgeny Aleksandrovich Yevtushenko)
Dvorak: Symphony No. 8 / Janacek: Sinfonietta
- Symphony No. 8 in G, Op. 88: I. Allegro con brio (von New York Philharmonic, Kurt Masur)
- Symphony No. 8 in G, Op. 88: II. Adagio (von New York Philharmonic, Kurt Masur)
- Symphony No. 8 in G, Op. 88: III. Allegretto grazioso - Molto vivace (von New York Philharmonic, Kurt Masur)
- Symphony No. 8 in G, Op. 88: IV. Allegro ma non troppo (von New York Philharmonic, Kurt Masur)
- Sinfonietta: I. Allegretto (von New York Philharmonic, Kurt Masur)
- Sinfonietta: II. Andante (von New York Philharmonic, Kurt Masur)
- Sinfonietta: III. Moderato (von New York Philharmonic, Kurt Masur)
- Sinfonietta: IV. Allegretto (von New York Philharmonic, Kurt Masur)
- Sinfonietta: V. Andante con moto (von New York Philharmonic, Kurt Masur)
Brahms: Symphony No. 3 / Dvorak: Nature, Life and Love
- Symphony No. 3 in F major, Op. 90: I. Allegro con brio
- Symphony No. 3 in F major, Op. 90: II. Andante
- Symphony No. 3 in F major, Op. 90: III Poco allegretto
- Symphony No. 3 in F major, Op. 90: IV. Allegro
- Nature, Life and Love: In Nature's Realm, Op. 91 (von Antonín Dvořák)
- Nature, Life and Love: Carnival, Op. 92 (von Antonín Dvořák)
- Nature, Life and Love: Othello, Op. 93 (von Antonín Dvořák)
Debussy: Prélude à l’après-midi d’un faune / Rapsodie pour saxophone / La Mer / Ravel: La Valse / Bolero
- Prélude à l’après-midi d’un faune
- Rapsodie pour orchestre et saxophone
- La Mer: De l’Aube à midi sur la mer (von New York Philharmonic, Kurt Masur)
- La Mer: Jeux de vagues (von New York Philharmonic, Kurt Masur)
- La Mer: Dialogue du vent et de la mer (von New York Philharmonic, Kurt Masur)
- La Valse (von New York Philharmonic, Kurt Masur)
- Boléro (von New York Philharmonic, Kurt Masur)
Bruch & Mendelssohn: Violin Concertos
- Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato
- Violin Concerto no. 1 in G minor, op. 26: II. Adagio
- Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico
- Violin Concerto in E minor, op. 64: I. Allegro molto appassionato
- Violin Concerto in E minor, op. 64: II. Andante
- Violin Concerto in E minor, op. 64: III. Allegretto non troppo · Allegro molto vivace
Bruckner: Symphony no. 4 "Romantic"
- Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell (von New York Philharmonic, Kurt Masur)
- Symphony no. 4 in E-flat major "Romantic": II. Andante, quasi allegretto (von New York Philharmonic, Kurt Masur)
- Symphony no. 4 in E-flat major "Romantic": III. Scherzo. Bewegt (von New York Philharmonic, Kurt Masur)
- Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell (von New York Philharmonic, Kurt Masur)
Weill: Die sieben Todsünden / Berg: Lulu Suite
- Die sieben Todsünden: Prolog
- Die sieben Todsünden: I. Faulheit
- Die sieben Todsünden: II. Stolz
- Die sieben Todsünden: III. Zorn
- Die sieben Todsünden: IV. Völlerei
- Die sieben Todsünden: V. Unzucht
- Die sieben Todsünden: VI. Habsucht
- Die sieben Todsünden: VII. Neid
- Die sieben Todsünden: Epilog
- Lulu Suite: I. Rondo. Andante und Hymne
- Lulu Suite: II. Ostinato. Allegro
- Lulu Suite: III. Lied der Lulu. Comodo
- Lulu Suite: IV. Variationen. Moderato
- Lulu Suite: V. Adagio. Sostenuto lento grave
Brahms: Piano Concerto No. 2
- Piano Concerto No. 2 in B-flat major, Op.83: I. Allegro non troppo
- Piano Concerto No. 2 in B-flat major, Op.83: II. Allegro appassionato
- Piano Concerto No. 2 in B-flat major, Op.83: III. Andante
- Piano Concerto No. 2 in B-flat major, Op.83: IV. Allegretto grazioso
Brahms: Symphony No. 1 / Tragic Overture
- Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro (von New York Philharmonic, Kurt Masur)
- Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto (von New York Philharmonic, Kurt Masur)
- Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso (von New York Philharmonic, Kurt Masur)
- Symphony No. 1 in C minor, Op. 68: I. Adagio - Più andante - Allegro non troppo, ma con brio (von New York Philharmonic, Kurt Masur)
- Tragic Overture, Op. 81 (von New York Philharmonic, Kurt Masur)
Mahler: Symphony No. 9
- Symphony no. 9 in D major: Andante comodo (von New York Philharmonic, Kurt Masur)
- Symphony no. 9 in D major: Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (von New York Philharmonic, Kurt Masur)
- Symphony no. 9 in D major: Rondo-Burleske: Allegro assai. Sehr trotzig (von New York Philharmonic, Kurt Masur)
- Symphony no. 9 in D major: Adagio (von New York Philharmonic, Kurt Masur)
Prokofiev: Symphony No. 5 in B flat major, op. 100 / Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, op. 64
- Symphony no. 5 in B-flat major, op. 100: I. Andante (von New York Philharmonic, Kurt Masur)
- Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato (von New York Philharmonic, Kurt Masur)
- Symphony no. 5 in B-flat major, op. 100: III. Adagio (von New York Philharmonic, Kurt Masur)
- Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso (von New York Philharmonic, Kurt Masur)
- Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: The Montagues and the Capulets (von New York Philharmonic, Kurt Masur)
- Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Juliet the Young Girl (von New York Philharmonic, Kurt Masur)
- Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Masks (von New York Philharmonic, Kurt Masur)
- Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Romeo and Juliet (von New York Philharmonic, Kurt Masur)
- Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Tybalt's Death (von New York Philharmonic, Kurt Masur)
- Romeo & Juliet, Excerpts from Suites Nos. 1 & 2, Op. 64: Romeo at Juliet's Grave (von New York Philharmonic, Kurt Masur)
Tchaikovsky: Famous Waltzes
- Swan Lake: Act 3, No. 17 Entrance and Waltz of the Special Guests
- Swan Lake: Act 3, No. 1, No. 2 Waltz
- Eugene Onegin: Waltz
- The Sleeping Beauty: Act 1, No. 7 Waltz
- Hamlet: Interlude Waltz
- The Nutcracker: Act 1, No. 9 Waltz of the Snowflakes
- The Nutcracker: Act 2, No. 13 Waltz of the Flowers
- The Nutcracker: Act 2, No. 15 Final Waltz and Apotheosis
- Symphony Nr. 5, Op. 64: III. Valse (Allegro Moderato)
- Symphony Nr. 6, Op. 74 "Pathétique": II. Allegro con grazia
- Serenade for strings, Op. 48: II. Moderato (Tempo Di Valse)
Tchaikovsky: Piano Concerto No. 1 / Concert Fantasia
- Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
- Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I
- Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
- Concert Fantasia in G major, op. 56: I. Quasi rondo. Andante mosso
- Concert Fantasia in G major, op. 56: II. Contrastes. Andante cantabile - Molto vivace
Beethoven & Mozart: Piano Concertos Nos. 1
- Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio
- Piano Concerto No. 1 in C major, Op. 15: II. Largo
- Piano Concerto No. 1 in C major, Op. 15: III. Rondo (Allegro scherzando)
- Piano Concerto no. 23 in A major, K488: I. Allegro
- Piano Concerto no. 23 in A major, K488: II. Adagio
- Piano Concerto no. 23 in A major, K488: III. Allegro assai
Brahms: Symphony No.4 / Schicksalslied
- Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo (von New York Philharmonic, Kurt Masur)
- Symphony No. 4 in E minor, Op. 98: II. Andante moderato (von New York Philharmonic, Kurt Masur)
- Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso (von New York Philharmonic, Kurt Masur)
- Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato (von New York Philharmonic, Kurt Masur)
- Schicksalslied, Op. 54
Brahms: Ein deutsches Requiem
- Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: I. Selig sind, die da Leid tragen
- Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: II. Denn alles Fleish, es ist wie Gras
- Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: III. Herr, lehre doch mich
- Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: IV. Wie lieblich sind Deine Wohnungen, Herr Zebaoth
- Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: V. Ihr habt nun Traurigkeit
- Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: VI. Denn wir haben hie keine bleibende Statt
- Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: Selig sind die Toten, die in dem Herren sterben
Dvorák: Violin Concerto in A minor, op. 53 / Elgar: Sonata for Violin and Piano in E minor, op. 82
- Violin Concerto in A minor, op. 53: I. Allegro ma non troppo (von Maxim Vengerov, New York Philharmonic, Kurt Masur)
- Violin Concerto in A minor, op. 53: II. Adagio ma non troppo (von Maxim Vengerov, New York Philharmonic, Kurt Masur)
- Violin Concerto in A minor, op. 53: III. Finale : Allegro giocoso, ma non troppo (von Maxim Vengerov, New York Philharmonic, Kurt Masur)
- Sonata for Violin and Piano in E minor, op. 82: I. Allegro
- Sonata for Violin and Piano in E minor, op. 82: II. Andante
- Sonata for Violin and Piano in E minor, op. 82: III. Allegro non troppo
Weber: Clarinet concerto 1 & 2 - Grand Duo Concertant
- Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Allegro
- Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Adagio, ma non troppo
- Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Rondo - allegretto
- Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Allegro
- Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Andante con moto
- Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Alla polacca
- Grand Duo Concertant for Clarinet and Piano, op. 48: Allegro con fuego (von Itamar Golan, Sharon Kam)
- Grand Duo Concertant for Clarinet and Piano, op. 48: Andante con moto (von Itamar Golan, Sharon Kam)
- Grand Duo Concertant for Clarinet and Piano, op. 48: Rondo (von Itamar Golan, Sharon Kam)
Mozart: Piano Concerto No. 21 / Mendelssohn: Piano Concerto No. 1
- Piano Concerto No. 21 in C major, K 467: I. Allegro maestoso
- Piano Concerto No. 21 in C major, K 467: II. Andante
- Piano Concerto No. 21 in C major, K 467: III. Allegro vivace assai
- Piano Concerto No. 1 in G minor, Op. 25: I. Molto allegro con fuoco
- Piano Concerto No. 1 in G minor, Op. 25: II. Andante
- Piano Concerto No. 1 in G minor, Op. 25: III. Presto - Molto allegro vivace
- Capriccio brilliant in B minor, Op. 22
Britten: War Requiem part 1
- War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam Te decet hymnus
- War Requiem, op. 66: I. Requiem aeternam: What passing-bells for these who die as cattle? Kyrie eleison
- War Requiem, op. 66: II. Dies irae: Dies irae, dies illa (von Westminster Symphonic Choir)
- War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air (von Thomas Hampson)
- War Requiem, op. 66: II. Dies irae: Liber scriptus profertur
- War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death
- War Requiem, op. 66: II. Dies irae: Recordae, Jesu pie (von Westminster Symphonic Choir)
- War Requiem, op. 66: II. Dies irae: Be slowly lifted up (von Thomas Hampson)
- War Requiem, op. 66: II. Dies irae: Dies irae, dies illa (von Westminster Symphonic Choir)
- War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa
- War Requiem, op. 66: II. Dies irae: Move him into the sun, Pie Jesu, Domine
- War Requiem, op. 66: III. Offertorium: Domine Jesu Christe Sed signifer scantus Michael
- War Requiem, op. 66: III. Offertorium: So Abram rose, Hostais et preces tibi, Quam olim Abrahae promisisti
Britten: War Requiem part 2
- War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus. Pleni sunt coeli et terra. Benedictus
- War Requiem, op. 66: IV. Sanctus: After the blast of lightening from the East (von Thomas Hampson)
- War Requiem, op. 66: V. Agnus dei: One ever hangs where shelled roads part/Agnus dei Agnus Dei/Dona nobis pacem
- War Requiem, op. 66: VI. Libera me: Libera me, Domine
- War Requiem, op. 66: VI. Libera me: It seemed that out of the battle I escaped
- War Requiem, op. 66: VI. Libera me: Let us sleep now/ In paradisum
Rimsky-Korsakov: Scheherazade / Capriccio Espagnol / Flight of the Bumble Bee
- Flight of the Bumble Bee (From the opera The Tale of Tsar Saltan) (von New York Philharmonic, Kurt Masur)
- Scheherazade. Symphonic Suite, op. 35: I. The Sea and Sindbad’s Ship
- Scheherazade. Symphonic Suite, op. 35: II. The Story of the Kalandar Prince
- Scheherazade. Symphonic Suite, op. 35: III. The Young Prince and Princess
- Scheherazade. Symphonic Suite, op. 35: IV. Festival in Baghdad - The Sea - The ship breaks up against a cliff surmounted by a bronze horseman - Conclusion
- Capriccio espagnol, op. 34: I. Alborada (von New York Philharmonic, Kurt Masur)
- Capriccio espagnol, op. 34: II. Variazioni (von New York Philharmonic, Kurt Masur)
- Capriccio espagnol, op. 34: III. Alborada (von New York Philharmonic, Kurt Masur)
- Capriccio espagnol, op. 34: IV. Scena e canto gitano (von New York Philharmonic, Kurt Masur)
- Capriccio espagnol, op. 34: V. Fandango Asturiano (von New York Philharmonic, Kurt Masur)
Schubert: Symphonies nos. 3 & 8 “Unfinished” / Wanderer-Fantasie
- Symphony no. 3 in D major, D200: I. Adagio maestoso – Allegro con brio (von New York Philharmonic, Kurt Masur)
- Symphony no. 3 in D major, D200: II. Allegretto (von New York Philharmonic, Kurt Masur)
- Symphony no. 3 in D major, D200: III. Menuetto: Vivace (von New York Philharmonic, Kurt Masur)
- Symphony no. 3 in D major, D200: IV. Presto vivace (von New York Philharmonic, Kurt Masur)
- Fantasy in C major, D760 “Wanderer-Fantasie”
- Symphony no. 8 in B minor, D759 “Unfinished”: I. Allegro moderato (von New York Philharmonic, Kurt Masur)
- Symphony no. 8 in B minor, D759 “Unfinished”: II. Andante con moto (von New York Philharmonic, Kurt Masur)
Shostakovich: Symphony no. 7 "Leningrad"
- Symphony no. 7 "Leningrad": Allegretto (von New York Philharmonic, Kurt Masur)
- Symphony no. 7 "Leningrad": Moderato (Poco allegretto) (von New York Philharmonic, Kurt Masur)
- Symphony no. 7 "Leningrad": Adagio (von New York Philharmonic, Kurt Masur)
- Symphony no. 7 "Leningrad": Allegro non troppo (von New York Philharmonic, Kurt Masur)
Richard Strauss: Don Juan / Tod und Verklärung / Vier letzte Lieder
- Don Juan, op. 20 (von Richard Strauss)
- Tod und Verklärung, Op. 24 (von Richard Strauss)
- Vier Letzte Lieder, Op. 150: Frühling (von Richard Strauss)
- Vier Letzte Lieder, Op. 150: September (von Richard Strauss)
- Vier Letzte Lieder, Op. 150: Beim Schlafengehen (von Richard Strauss)
- Vier Letzte Lieder, Op. 150: Im Abendrot (von Richard Strauss)
Fazil Say: Gershwin
- I Got Plenty O' Nuttin'
- Summertime (I)
- Summertime (II)
- It Ain't Necessarily So
- Rhapsody in Blue
- Rialto Ripples (Rag) (von Fazıl Say)
- Impromptu in Two Keys (von Fazıl Say)
- Merry Andrew (von Fazıl Say)
- Three-Quarter Blues (von Fazıl Say)
- Promenade (von Fazıl Say)
- "I Got Rhythm" Variations
- Sleepless night (Kay Swift version, 1946) (von Fazıl Say)
- Novelette in Fourths (von Fazıl Say)
- Rubato (von Fazıl Say)
- Prelude I (von Fazıl Say)
- Blue Lullaby (von Fazıl Say)
- Spanish Prelude (von Fazıl Say)
Beethoven: Piano Concerto no. 4 / Piano Sonatas opp. 109 & 110
- Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven)
- Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
- Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven)
- Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo (von Hélène Grimaud)
- Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo (von Hélène Grimaud)
- Piano Sonata No. 30 in E Major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo (von Hélène Grimaud)
- Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo (von Hélène Grimaud)
- Piano Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto (von Hélène Grimaud)
- Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo (von Hélène Grimaud)
Bruch, Brahms: Violin Concertos
- Violin Concerto no. 1 in G minor op. 26: I. Vorspiel : Allegro moderato
- Violin Concerto no. 1 in G minor op. 26: II. Adagio
- Violin Concerto no. 1 in G minor op. 26: III. Finale : Allegro energico
- Violin Concerto in D op. 77: I. Allegro non troppo
- Violin Concerto in D op. 77: II. Adagio
- Violin Concerto in D op. 77: III. Allegro giocoso, ma non troppo vivace
Mehr Songtexte
- Symphony No.7 in A, Op 92 - Presto - Assai meno presto
- Symphony No.8 in F, Op 93 - Allegretto scherzando
- Symphony No.7 in A, Op 92 - Allegro con brio
- Symphony No.8 in F, Op 93 - Allegro vivace e con brio
- Symphony No.7 in A, Op 92 - Poco sostenuto - Vivace
- Symphony No.8 in F, Op 93 - Tempo di menuetto
- Symphony No.7 in A, Op 92 - Allegretto
- Symphony No.8 in F, Op 93 - Allegro vivace
- Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace
- Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestuoso
- Piano Concerto No. 5 in G major, Op. 55: V. Vivo
- Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": I. Vivace
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Deciso -
- Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Marziale Un Poco Meno Allegro -
- Totentanz, Paraphrase Über "Dies Irae" (1849), S126
- Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": IV. Vivace
- Slavonic Dances no. 6 in B-flat major, op. 46: Sousedská
- Fantasie Über Ungarische Volksmelodien (1852), S123
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Agitato Assai -
- Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro Maestoso -
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Adagio Sostenuto Assai-
- Piano Concerto No. 5 in G major, Op. 55: III. Toccata. Allegro con fuocco
- Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Quasi Adagio -
- Malédiction (1833), S121
- Fantasie Über Motive Aus Beethovens "Ruinen Von Athen" (?1837), S122
- Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace
- Slavonic Dances no. 8 in G minor, op. 46: Furiant
- Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco
- Piano Concerto No. 5 in G major, Op. 55: I. Allegro con brio
- Grande Fantaisie Symphonique Sur Des Thèmes De «Lélio» De Berlioz (1834), S120
- Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro Marziale Animato
- Piano Concerto No. 1 in D major, Op. 10: II. Andante assai
- Piano Concerto No. 5 in G major, Op. 55: IV. Larghetto
- Schubert: Wanderer-Fantasie, D760 (Transcr. Liszt c.1852), S366
- Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": II. Andante
- Piano Concerto No. 1 in D major, Op. 10: I. Allegro brioso
- Piano Concerto No. 1 in D major, Op. 10: III. Allegro scherzando
- Piano Concerto No. 4 in B-flat major, Op. 53 "For the left hand": III. Moderato
- Piano Concerto No. 5 in G major, Op. 55: II. Moderato ben accentuato
- Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio, Allegro molto
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Animato
- Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Moderato -
- Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato
- Weber: Polonaise Brillante «L'Hilarité», J268 (Transcr. Liszt c.1851), S367
- Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegretto Vivace-Allegro Animato -
- Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo
- Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: III. Rondo alla polacca
- Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: II. Largo
- Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: I. Allegro