John Ogdon Songtexte
Étude in F-sharp minor, op. 39 no. 10: Concerto for solo piano: III. Allegretto alla barbaresca
Geboren am 27. Januar 1937, Gestorben am 01. August 1989
70th Anniversary Edition (Compilation)
- Piano Concerto no. 2 in C minor, op. 18: I. Moderato (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Introduction (allegro vivace) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var I (Precedente) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Tema (L'istesso tempo) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var II (L'istesso tempo) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var III (L'istesso tempo) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var IV (Più vivo) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var V (Tempo precedente) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var VI (L'istesso tempo) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var VII (Meno mosso, a tempo moderato) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var VIII (Tempo I) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var IX (L'istesso tempo) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var X (crochet=crotchet) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XI (Moderato) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XII (Tempo di Minuetto) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XIII (Allegro) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XIV (L'istesso tempo) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XV (Più vivo. Scherzando) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XVI (Allegretto) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XVII (crochet=crotchet) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XVIII (Andante cantabile) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XIX (A tempo vivace) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XX (Un poco più vivo) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XXI (Un poco più vivo) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XXII (Un poco più vivo - Alla breve) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XXIII (L'istesso tempo) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Var XXIV (A tempo un poco meno mosso) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Ballade in F-sharp, op. 19 (von John Ogdon, City of Birmingham Symphony Orchestra, Louis Frémaux)
- Scherzo (Concerto symphonique no. 4 in D minor, op. 102) (von John Ogdon, City of Birmingham Symphony Orchestra, Louis Frémaux)
- Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Symphonic Variations: Poco allegro (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Symphonic Variations: Allegretto quasi Andante (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Symphonic Variations: Molto più lento (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Symphonic Variations: Allegro non troppo (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Hungarian Fantasia, S. 123: Andante mesto (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Hungarian Fantasia, S. 123: Allegro eroico (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Hungarian Fantasia, S. 123: Molto adagio, quasi fantasia (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Hungarian Fantasia, S. 123: Allegretto alla Zingarese (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Hungarian Fantasia, S. 123: Vivace assai (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Rhapsodie espagnole, S. 254: Lento (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsodie espagnole, S. 254: Andante moderato (Folies d'Espagne) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsodie espagnole, S. 254: Allegro (Jota aragonese) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsodie espagnole, S. 254: Non troppo allegro (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Piano Concerto no. 1, Sz 83: Allegro moderato - Allegro - Allegro moderato (von John Ogdon, Philharmonia Orchestra, Sir Malcolm Sargent)
- Piano Concerto no. 1, Sz 83: Andante (von John Ogdon, Philharmonia Orchestra, Sir Malcolm Sargent)
- Piano Concerto no. 1, Sz 83: Allegro molto (von John Ogdon, Philharmonia Orchestra, Sir Malcolm Sargent)
- Piano Concerto no. 1 in F minor, op. 92: I. Allegro moderato II. Tema con variazioni (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Tema (Andantino tranquillo) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Var 1 (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Var 2. Cromatica (Andantino) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Var 3. Eroica (Allegro moderato) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Var 4. Lyrica (Adagio) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Var 5. Intermezzo (Allegro) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Var 6. Quasi una fantasia (Lento) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Var 7. Mazurka (Allegretto) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Var 8. Scherzo (Allegro ma non troppo) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Var 9. Finale (Allegro moderato) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1: Energico (von John Ogdon, Royal Philharmonic Orchestra, Lawrence Foster)
- Piano Concerto no. 1: Moderato languido (von John Ogdon, Royal Philharmonic Orchestra, Lawrence Foster)
- Piano Concerto no. 1: Presto (von John Ogdon, Royal Philharmonic Orchestra, Lawrence Foster)
- Piano Sonata: I. Allegro
- Piano Sonata: II. Andante
- Piano Sonata: III. Allegro
- Theme and Variations: Theme (Moderato)
- Theme and Variations: Var 1 (Con fuoco)
- Theme and Variations: Var 2 (Vivace)
- Theme and Variations: Var 3 (Allegretto)
- Theme and Variations: Var 4 (Andante)
- Theme and Variations: Var 5 (Andante)
- Theme and Variations: Var 6 (Prestissimo)
- Theme and Variations: Var 7 (Andantino)
- Theme and Variations: Var 8 (Marziale)
- Theme and Variations: Var 9 (Scherzando)
- Theme and Variations: Var 10 Quodlibet (Capriccioso)
- Piano Sonata in B minor, S. 178: Lento assai
- Piano Sonata in B minor, S. 178: Development, part 1
- Piano Sonata in B minor, S. 178: Andante sostenuto [Slow movement]
- Piano Sonata in B minor, S. 178: Development, part 2
- Piano Sonata in B minor, S. 178: [Recapitulation]
- Piano Sonata in B minor, S. 178: Presto [Coda]
- Hungarian Rhapsody no. 15 in A minor, S. 244 no. 15
- Valse oubliée no. 1, S. 215 no. 1
- Csárdás macabre, S. 224
- En rêve - Nocturne, S. 207
Great Pianists of the 20th Century, Volume 72: John Ogdon I (Compilation)
- Piano Sonata no. 2 in B-flat minor, op. 36: I. Allegro agitato
- Piano Sonata no. 2 in B-flat minor, op. 36: II. Non allegro - Lento
- Piano Sonata no. 2 in B-flat minor, op. 36: III. L'istesso tempo - Allegro molto
- Piano Sonata no. 4 in F-sharp major, op. 30: I. Andante
- Piano Sonata no. 4 in F-sharp major, op. 30: II. Prestissimo volando
- Étude in G-sharp minor, op. 39 no. 8: Concerto for solo piano: I. Allegro assai
- Étude in C-sharp minor, op. 39 no. 9: Concerto for solo piano: II. Adagio
- Étude in F-sharp minor, op. 39 no. 10: Concerto for solo piano: III. Allegretto alla barbaresca
- Variations and Fugue on Prelude in C minor by Frédéric Chopin, op. 22
- Piano Concerto in C major, op. 39: I. Prologo e introito (von John Ogdon, Royal Philharmonic Orchestra, Daniell Revenaugh)
- Piano Concerto in C major, op. 39: II. Pezzo giocoso (von John Ogdon, Royal Philharmonic Orchestra, Daniell Revenaugh)
- Piano Concerto in C major, op. 39: III. Pezzo serioso (von John Ogdon, Royal Philharmonic Orchestra, Daniell Revenaugh)
- Piano Concerto in C major, op. 39: IV. All'italiana (von John Ogdon, Royal Philharmonic Orchestra, Daniell Revenaugh)
- Piano Concerto in C major, op. 39: V. Cantico
Great Pianists of the 20th Century, Volume 73: John Ogdon II (Compilation)
- Prelude in C-sharp minor, op. 3 no. 2
- Prelude in G minor, op. 23 no. 5
- Prelude in G major, op. 32 no. 5
- Prelude in G-sharp Minor, op. 32 no. 12
- Etudes-Tableaux in F minor, op. 33 no. 1
- Etudes-Tableaux in C major, op. 33 no. 2
- Etudes-Tableaux in C minor, op. 33 no. 3
- Etudes-Tableaux in D minor, op. 33 no. 4
- Etudes-Tableaux in E-flat minor, op. 33 no. 5
- Etudes-Tableaux in E-flat, op. 33 no. 6
- Etudes-Tableaux in G minor, op. 33 no. 7
- Etudes-Tableaux in C-sharp minor, op. 33 no. 8
- Etudes-Tableaux in C major, op. 39 no. 1
- Etudes-Tableaux in A minor, op. 39 no. 2
- Etudes-Tableaux in F-sharp minor, op. 39 no. 3
- Etudes-Tableaux in B minor, op. 39 no. 4
- Etudes-Tableaux in E-flat minor, op. 39 no. 5
- Etudes-Tableaux in A minor, op. 39 no. 6
- Etudes-Tableaux in C minor, op. 39 no. 7
- Etudes-Tableaux in D minor, op. 39 no. 8
- Etudes-Tableaux in D major, op. 39 no. 9
- Islamey, an Oriental Fantasy
Legendary British Virtuoso (Compilation)
- Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco
- Piano Concerto no. 1 in G minor, op. 25: II. Andante
- Piano Concerto no. 1 in G minor, op. 25: III. Presto – Molto allegro e vivace
- Piano Concerto no. 2 in D minor, op. 40: I. Allegro appassionato
- Piano Concerto no. 2 in D minor, op. 40: II. Adagio
- Piano Concerto no. 2 in D minor, op. 40: III. Finale: Presto scherzando
- Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso – Andante espressivo – Tempo 1 – Cadenza – Allegro molto
- Concerto for Piano and Orchestra in A minor, op. 54:II. Intermezzo (Andantino grazioso)
- Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace
- Rondo brillant in E‐flat major, op. 29
- Piano Concerto in A minor, op. 16: I. Allegro molto moderato
- Piano Concerto in A minor, op. 16: II. Adagio
- Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato
- Piano Concerto No. 1 in F Minor, Op. 92: I. Allegro moderato (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: II. Tema con variazioni (Andante tranquillo) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Variation 1 (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Variation 2: Cromatica (Andantino) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Variation 3: Eroica (Allegro moderato) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Variation 4: Lyrica (Adagio) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Variation 5: Intermezzo (Allegro) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Variation 6: Quasi una fantasia (Lento) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Variation 7: Mazurka (Allegretto) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Variation 8: Scherzo (Allegro ma non troppo) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Piano Concerto no. 1 in F minor, op. 92: Variation 9: Finale (Allegro moderato) (von John Ogdon, Bournemouth Symphony Orchestra, Paavo Berglund)
- Ten Variations on Chopin’s Prelude in C minor, op. 22
- Piano Concerto no. 1 In B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 1 In B‐flat minor, op. 23: II. Andante semplice – Prestissimo – Tempo I (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Piano Concerto no. 1 In B‐flat minor, op. 23: III. Allegro con fuoco (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Symphonic Variations: Poco allegro (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Symphonic Variations: Allegretto quasi Andante (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Symphonic Variations: Molto più lento (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Symphonic Variations: Allegro non troppo (von John Ogdon, Philharmonia Orchestra, Sir John Barbirolli)
- Fantasia on Hungarian Folktunes, S. 123: Andante mesto (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Fantasia on Hungarian Folktunes, S. 123: Allegro eroico (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Fantasia on Hungarian Folktunes, S. 123: Molto adagio, quasi fantasia (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Fantasia on Hungarian Folktunes, S. 123: Allegretto alla zingarese (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Fantasia on Hungarian Folktunes, S. 123: Vivace assai (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsodie espagnole, S. 254: Lento (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsodie espagnole, S. 254: Andante moderato (Folies d’Espagne) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsodie espagnole, S. 254: Allegro (Jota aragonese) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsodie espagnole, S. 254: Non troppo allegro (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Concerto for Piano, Orchestra and Male Chorus, op. 39: I. Prologo e introit (von John Ogdon, Royal Philharmonic Orchestra, Daniell Revenaugh)
- Concerto for Piano, Orchestra and Male Chorus, op. 39: II. Pezzo giocoso (von John Ogdon, Royal Philharmonic Orchestra, Daniell Revenaugh)
- Concerto for Piano, Orchestra and Male Chorus, op. 39: III. Pezzo serioso (Introductio – Prima pars – Altera pars – Ultima pars) (von John Ogdon, Royal Philharmonic Orchestra, Daniell Revenaugh)
- Concerto for Piano, Orchestra and Male Chorus, op. 39: IV. All’italiana (Tarantella) (von John Ogdon, Royal Philharmonic Orchestra, Daniell Revenaugh)
- Concerto for Piano, Orchestra and Male Chorus, op. 39: V. Cantico
- Turandots Frauengemach (Intermezzo) (N° 4 of Elegies)
- Sonatina no. 6 (Chamber Fantasy on Bizet’s Carmen)
- Piano Concerto no. 2 in C minor, op. 18: I. Moderato (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Introduction. Allegro vivace (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation I. Precedente (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Thema. L’istesso tempo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation II. L’istesso tempo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation III. L’istesso tempo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation IV. Più vivo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation V. L’istesso tempo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation VI. L’istesso tempo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation VII. Meno mosso, a tempo moderato (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation VIII. Tempo 1 (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation IX. L’istesso tempo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation X (♩ = ♩) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XI. Moderato (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XII. Tempo di minuetto (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XIII. Allegro (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XIV. L’istesso tempo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XV. Più vivo, scherzando (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XVI. Allegretto (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XVII (♩ = ♩.) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XIX. A tempo vivace (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XX. Un poco più vivo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XXI. Un poco più vivo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XXII. Un poco più vivo (Alla breve) (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XXIII. L’istesso tempo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Rhapsody on a Theme of Paganini, op. 43: Variation XXIV. A tempo un poco meno mosso – Più vivo (von John Ogdon, Philharmonia Orchestra, Sir John Pritchard)
- Ballade in F‐sharp major, op. 19
- Scherzo (Concerto Symphonique no. 4 in D minor, op. 102) (von John Ogdon, City of Birmingham Symphony Orchestra, Louis Frémaux)
- Etude in E major, op. 10 no. 3
- Etude in C minor, op. 10 no. 12
- Nocturne in E‐flat, op. 9 no. 2
- Nocturne in F‐sharp, op. 15 no. 2
- Ballade no. 1 in G minor, op. 23
- Prelude in A, op. 28 no. 7. Andantino
- Prelude in D‐flat, op. 28 no. 15. Sostenuto
- Mazurka in B‐flat, op. 7 no. 1
- Mazurka in D, op. 33 no. 2
- Scherzo no. 3 in C‐sharp minor, op. 39
- Polonaise in A major, op. 40 no. 1 “Military”
- Polonaise in A‐flat major, op. 53 “Héroique”
- Waltz no. 1 in D‐flat “minute”
- Waltz no. 2 in C‐sharp minor
- Fantaisie‐impromptu in C‐sharp minor, op. 66
- Un sospiro (Trois Études de concert, S 144)
- Liebesträume no. 1 in A‐flat
- Liebesträume no. 3 in A‐flat
- Piano Sonata in B minor, S 178: I. Lento assai – Allegro energico – Grandioso
- Piano Sonata in B minor, S 178: II. Allegro energico – Recitativo
- Piano Sonata in B minor, S 178: III. Andante sostenuto – Quasi adagio
- Piano Sonata in B minor, S 178: IV. Allegro energico (Fugue)
- Piano Sonata in B minor, S 178: V. (Recapitulation) – Più mosso – Stretta quasi presto
- Piano Sonata in B minor, S 178: VI. (Coda) Presto – Prestissimo – Andante sostenuto – Allegro moderato – Lento assai
- Zwei Konzertstüdien, S 145: No. 1. Waldesrauschen
- Zwei Konzertstüdien, S 145: No. 2. Gnomenreigen
- Trauervorspeil und Trauermarsch, S 206: Trauervorspeil
- Trauervorspeil und Trauermarsch, S 206: Trauermarsch
- En rêve – Nocturne. Andantino, S 207
- Réminiscenses de Don Juan, S 418
- Réminiscences de Simone Boccanegra, S 438
- Après une lecture du Dante: Fantasia quasi sonata (Années de pélerinage: 2e Année, Italie, S 161)
- Mephisto Waltz no. 1 “Der Tanz in der Dorfschenke”, S 514
- Mephisto Waltz no. 3, S 216
- Csárdás macabre, S 224
- Polonaise no. 2 in E major, S .223
- Hungarian Rhapsody no. 15 in A minor (Rákóczi March), S 244
- Études d’exécution transcendante d’après Paganini, S 140: No. 2 in E‐flat (Octaves)
- Études d’exécution transcendante d’après Paganini, S 140: No. 3 in G‐sharp minor (La campanella)
- Funérailles (Harmonies poétiques et religieuses, S 173)
- Valse oubliée no. 1, S 215
- Études Tableaux, op. 33: No. 1 in F minor: Allegro non troppo
- Études Tableaux, op. 33: No. 2 in C major: Allegro
- Études Tableaux, op. 33: No. 3 in C minor: Grave
- Études Tableaux, op. 33: No. 4 in D minor: Moderato
- Études Tableaux, op. 33: No. 5 in E‐flat minor: Non allegro – Presto
- Études Tableaux, op. 33: No. 6 in E‐flat major: Allegro con fuoco
- Études Tableaux, op. 33: No. 7 in G minor: Moderato
- Études Tableaux, op. 33: No. 8 in C‐sharp minor: Grave
- Études Tableaux, op. 39: No. 1 in C minor. Allegro agitato
- Études Tableaux, op. 39: No. 2 in A minor. Lento assai
- Études Tableaux, op. 39: No. 3 in F‐sharp minor. Allegro molto
- Études Tableaux, op. 39: No. 4 in B minor. Allegro assai
- Études Tableaux, op. 39: No. 5 in E‐flat minor. Appassionato
- Études Tableaux, op. 39: No. 6 in A minor. Allegro
- Études Tableaux, op. 39: No. 7 in C minor. Lento
- Études Tableaux, op. 39: No. 8 in D minor. Allegro moderato
- Études Tableaux, op. 39: No. 9 in D major. Allegro moderato
- Prelude in C‐sharp minor, op. 3 no. 2
- Piano Concerto no. 1, Sz83: I. Allegro moderato – Allegro – Allegro moderato (von John Ogdon, Philharmonia Orchestra, Sir Malcolm Sargent)
- Piano Concerto no. 1, Sz83: II. Andante (von John Ogdon, Philharmonia Orchestra, Sir Malcolm Sargent)
- Piano Concerto no. 1, Sz83: III. Allegro molto (von John Ogdon, Philharmonia Orchestra, Sir Malcolm Sargent)
- Piano Concerto no. 3 in E major, Sz119: I. Allegretto (von John Ogdon, Philharmonia Orchestra, Sir Malcolm Sargent)
- Piano Concerto no. 3 in E major, Sz119: II. Adagio religioso (von John Ogdon, Philharmonia Orchestra, Sir Malcolm Sargent)
- Piano Concerto no. 3 in E major, Sz119: III. Allegro vivace (von John Ogdon, Philharmonia Orchestra, Sir Malcolm Sargent)
- Sonata for Two Pianos & Percussion, Sz110: I. Assai lento – Allegro molto
- Sonata for Two Pianos & Percussion, Sz110: II. Lento, ma non troppo
- Sonata for Two Pianos & Percussion, Sz110: III. Allegro non troppo
- Piano Sonata in E‐flat minor: Modérément vite
- Piano Sonata in E‐flat minor: Calme – Un peu lent – Très soutenu
- Piano Sonata in E‐flat minor: Vivement, avec légèreté
- Piano Sonata in E‐flat minor: Très lent – Animé
- Deux Mirages, op. 70: N° 1. Et Pan, au fond des blés lunaires, s'accouda
- Deux Mirages, op. 70: N° 2. La Tragique Chevauchée
- Piano Sonata: I. Allegro con moto
- Piano Sonata: II. Lied – Assez lent
- Piano Sonata: III. Choral et variations
- Piano Concerto: I. Allegro non troppo (von John Ogdon, Philharmonia Orchestra, Sir Colin Davis)
- Piano Concerto: II. Molto lento e tranquillo (von John Ogdon, Philharmonia Orchestra, Sir Colin Davis)
- Piano Concerto: III. Vivace (von John Ogdon, Philharmonia Orchestra, Sir Colin Davis)
- Piano Sonata no. 1: I. Allegro
- Piano Sonata no. 1: II. Andante molto tranquillo
- Piano Sonata no. 1: III. Presto
- Piano Sonata no. 1: IV. Rondo giocoso con moto
- Piano Sonata no. 2
- Ballade
- Piano Concerto no. 2 in F, op. 102: I. Allegro (von John Ogdon, Royal Philharmonic Orchestra, Lawrence Foster)
- Piano Concerto no. 2 in F, op. 102: II. Andante (von John Ogdon, Royal Philharmonic Orchestra, Lawrence Foster)
- Piano Concerto no. 2 in F, op. 102: III. Allegro (von John Ogdon, Royal Philharmonic Orchestra, Lawrence Foster)
- Piano Concerto no. 1: I. Energico (von John Ogdon, Royal Philharmonic Orchestra, Lawrence Foster)
- Piano Concerto no. 1: II. Moderato languido (von John Ogdon, Royal Philharmonic Orchestra, Lawrence Foster)
- Piano Concerto no. 1: III. Presto (von John Ogdon, Royal Philharmonic Orchestra, Lawrence Foster)
- Piano Sonata: I. Allegro
- Piano Sonata: II. Andante
- Piano Sonata: III. Allegro
- Theme & Variations: Theme. Moderato
- Theme & Variations: Var. 1. Con fuoco
- Theme & Variations: Var. 2. Vivace
- Theme & Variations: Var. 3. Allegretto
- Theme & Variations: Var. 4. Andante
- Theme & Variations: Var. 5. Andante
- Theme & Variations: Var. 6. Prestissimo
- Theme & Variations: Var. 7. Andantino
- Theme & Variations: Var. 8. Marziale
- Theme & Variations: Var 9. Scherzando
- Theme & Variations: Var 10. Quodlibet. Capriccioso
- Suite: I. Prelude
- Suite: II. Ostinato
- Suite: III. Intermezzo
- Suite: IV. Scherzo
- Suite: V. Second Ostinato
- Suite: VI. Recitative and Chorale
- Sonata in One Movement, op. 2
- Three Pieces, op. 18: No. 1. Largamete
- Three Pieces, op. 18: No. 2. Andante
- Three Pieces, op. 18: No. 3. Molto allegro
- Précis
- Five Pieces, op. 2: No. 1. Andante
- Five Pieces, op. 2: No. 2. Allegro
- Five Pieces, op. 2: No. 3. Andante
- Five Pieces, op. 2: No. 4. Adagio non troppo
- Five Pieces, op. 2: No. 5. Allegretto
- Variations for Piano
- Toccata
- Sonata no. 2, op. 27: I. Moderato
- Sonata no. 2, op. 27: II. Adagio
- Sonata no. 2, op. 27: III. Allegro
- Piano Sonata no. 2: I. Tempo I & II
- Piano Sonata no. 2: II. L’istesso tempo
- Piano Sonata no. 2: III. Flexible tempo
- Passacaglia on DSCH: Pars prima: Sonata. Allegro moderato – Andantino – Allegro moderato
- Passacaglia on DSCH: Pars prima: Waltz in Rondo Form
- Passacaglia on DSCH: Pars prima: Comodo “Improvisando” – Suite: Prelude – Sarabande – Jig – Sarabande – Minuet – Jig – Gavotte – Polonaise
- Passacaglia on DSCH: Pars prima: Pibroch Urlar. Lament for the Children
- Passacaglia on DSCH: Pars prima: Episode. Arabesque Variations – Nocturne
- Passacaglia on DSCH: Pars altera: Fantasy‐reverie: Moderato – Fantastico
- Passacaglia on DSCH: Pars altera: Fanfare. Allegro moderato – Forebodings – Alarm. Glimpse of a War Vision
- Passacaglia on DSCH: Pars altera: Variations. “Peace, Bread and the Land” (1917). Allegro moderato
- Passacaglia on DSCH: Pars altera: Symphonic March. Alla marcia – Episode
- Passacaglia on DSCH: Pars altera: Nello stile di un fandango
- Passacaglia on DSCH: Pars altera: Pedal‐point. “To Emergent Africa” – Episode
- Passacaglia on DSCH: Pars altera: Variations in C minor. Prestissimo
- Passacaglia on DSCH: Pars tertia: Tribute to Bach. Adagio
- Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 1st Subject. Allegro moderato
- Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 2nd Subject. B‐A‐C‐H
- Passacaglia on DSCH: Pars tertia: Triple Fugue Over Ground Bass: 3rd Subject. Dies Irae (In memoriam the Six Million)
- Passacaglia on DSCH: Pars tertia: Final Variations on a Theme Derived from Ground Bass. Adagissimo barocco
- Cantéyodjayã
- Prelude & Fugue in D, BWV 850 (From “The Well‐Tempered Clavier”, no. 5)
- Fantasia in D minor, K.397
- Andante favori in F, WoO 57
- Nachtstück in F, op. 23 no. 4
- Clair de lune (from Suite bergamasque, no. 3)
- La Danse de Puck (from Préludes Book 1, no. 11)
- La Fille aux cheveux de lin (from Préludes, Book 1, no. 8)
- Chorale Prelude: Jesus bleibet meine Freude (from Cantata no. 147)
- Bagatelle in A minor, WoO 60 “Für Elise”
- Valse in E major, op. 34 no. 1
- Études de concert, op. 35 no. 2 “Automne”
- Histoires no. 2 “Le Petit Âne blanc”
- Mouvements perpétuels: No. 1. Assez modéré
- Tango in D, op. 165 no. 2
- Goyescas no. 4 “Quejas o La maja y el ruiseñor”
- Bryllupsdag på Troldhaugen (from Lyric Pieces, Book 8), op. 65
- Concert Study “Rustle of Spring”, op. 32 no. 3
- The Holy Boy
- April
- Lotus Land, op. 47 no. 1
- Danse nègre, op. 58 no. 5