John Goldsby Songtexte
Étude - "Rythm", Fast Tempo (Ch. 71, Ex. 4)
Geboren am 10. Dezember 1958
Gruppen
Songtexte
- Étude - "Rythm", Fast Tempo (Ch. 71, Ex. 4)
- Thumb Position (Ch. 73, Ex. F and G)
- Swing-Style Bass Line in Four Through All 12 Keys in the Style of Wellman Braud (Ch. 1, Ex.3)
- Play-Along Track: "All Them Leaves"
- "Read This!" (Ch. 69, Ex. 1)
- Étude "You Are All the Things" (Ch. 71, Ex. 5)
- Minor IIm-V-I Progression, Cyccle of 5ths (Ch. 57, Ex.14)
- Altered Blues Étude (Ch. 64, Ex. 1)
- Étude - "Megafun Blues" (Ch. 71, Ex. 3)
- Tumbao Bass Line (Ch. 21, Ex. 3)
- Minor 7 Chords, Two Bars Each, Cycle of 5ths (Ch. 65, Ex. 17)
- Étude - "What Impressions?" (Ch. 71, Ex. 2)
- Thumb Position (Ch. 73, Ex. H Through L)
- Domnant 7 Chords in the Cycle of 5ths, Walking Bass in the Style of Walter Page (Ch. 1, Ex.8)
- Étude - "Countdown" (Ch. 72, Ex. 8)
- Étude - "Ode Drip", Faster Tempo, Arco (Ch. 71, Ex. 1)
- Major IIm-V-I Progressions, Decending in Half-Steps (Ch. 56, Ex. 12)
- Bossa Bass Line (Ch. 21, Ex. 1)
- Bossa Bass Line (Ch. 21, Ex. 2)
- Bossa Bass Line (Ch. 21, Ex. 3)
- Étude - "Rythm", Slow Tempo (Ch. 71, Ex. 4)
- Étude - "Rythm", Medium Tempo (Ch. 71, Ex. 4)
- Thumb Position (Ch. 73, Ex. D and E)
- Étude - "Great Big Steps", Slow Tempo (Ch. 72, Ex. 7)
- Major 7 Chords in the Cycle of 5ths, Faster Tempo, Walking Bass Line in the Style of Ray Brown (Ch. 1)
- Swing-Style Bass Line in Two in the Style of Wellman Braud (Ch. 1, Ex.1)
- Minor IIm-V-I Progressions, Acending in Half-Steps (Ch. 57, Ex. 10)
- Major 7 Chords, Two Bars Each, Cycle of 5ths (Ch. 65, Ex. 16)
- Play-Along Track: "You Are All the Things"
- Play-Along Track: "Ode Drip"
- Tuning Chord, Concert Em
- Étude - "Ode Drip" (Ch. 71, Ex. 1)
- Étude - "All Them Leaves" (Ch. 70)
- Adding Rythmic Interest to Walking Bass Lines (Ch. 59, Ex. 4 Through 8)
- Dominant 7 Chords, Two Bars Each, Cycle of 5ths, Faster Tempo (Ch. 65, Ex. 12)
- Thumb Position (Ch. 73, Ex. A and B)
- Domnant 7 Chords in the Cycle of 5ths, Faster Tempo, Walking Bass in the Style of Walter Page (Ch. 1, Ex.8)
- Tuning Note, Concert G
- Ten Choruses of Blues (Ch. 55)
- Dominant 7 Blues Étude (Ch. 62, Ex. 1)
- Dominant 7 Chords, Two Bars Each, Cycle of 5ths (Ch. 65, Ex. 11)
- Bowing Techniques (Ch. 74, Ex. 4 Through 8)
- Étude - "Great Big Steps", Fast Tempo (Ch. 72, Ex. 7)
- Étude - "All Them Leaves", Faster Tempo (Ch. 70)
- Major 7 Chords in the Cycle of 5ths, Walking Bass Line in the Style of Ray Brown (Ch. 1)
- Slap Bass in the Style of Wellman Braud (Ch.1, Ex. 4)
- Major IIm-V-I Progressions, Acending in Half-Steps (Ch. 56, Ex. 24)
- Adding Rythmic Interest to Walking Bass Lines (Ch. 59, Examples 4 through 8)
- Bowing Techniques (Ch. 74, Examples 4 through 8)
- Thumb Position (Ch. 73, Examples H through L)
- Dominant 7 Chords in the Cycle of 5ths, Walking Bass in the Style of Walter Page (Ch. 1, Ex.8)
- Étude - "Rhythm", Medium Tempo (Ch. 71, Ex. 4)
- Dominant 7 Chords in the Cycle of 5ths, Faster Tempo, Walking Bass in the Style of Walter Page (Ch. 1, Ex.8)
- Adding Rhythmic Interest to Walking Bass Lines (Ch. 59, Examples 4 through 8)
- Étude - "Rhythm", Slow Tempo (Ch. 71, Ex. 4)
- Étude - "Rhythm", Fast Tempo (Ch. 71, Ex. 4)
