John Cage Songtexte
Living Room Music, for Percussion and Speech Quartet: Movement 2: Once Upon a Time the World Is Round (Gertrude Stein), Dedicated to Xenia
Aria
ear for EAR (Antiphonies)
The City Wears a Slouch Hat: Holdup
Williams Mix
Geboren am 05. September 1912, Gestorben am 12. August 1992
Variations IV (Live)
- Performance Introduction (von John Cage, David Tudor)
- Variations IV: Excerpts: 7pm to 8pm (von John Cage, David Tudor)
- Variations IV: Excerpts: 8pm to 9pm (von John Cage, David Tudor)
- Variations IV: Excerpts: 9pm to 10pm (von John Cage, David Tudor)
- Variations IV: Excerpts: 10pm to 11pm (von John Cage, David Tudor)
- Variations IV: Excerpts: 11pm to 12am (von John Cage, David Tudor)
- Variations IV: Excerpts: 12am to 1am (von John Cage, David Tudor)
Winter Music
Works for Piano & Prepared Piano (1943-1952) (Compilation)
- A Room for piano (von Joshua Pierce)
- "She Is Asleep", Duet for voice & prepared piano
- "She Is Asleep", Quartet for twelve tom-toms (von Paul Price Percussion Ensemble)
- A Room for prepared piano (von Joshua Pierce)
- In a Landscape for piano (von Joshua Pierce)
- Seven Haiku for piano: # 1 for Elsa (von Joshua Pierce)
- Seven Haiku for piano: # 2 for Merle Armitage (von Joshua Pierce)
- Seven Haiku for piano: # 3 for Aghavni Vomini (von Joshua Pierce)
- Seven Haiku for piano: # 4 for Richard Lippold (von Joshua Pierce)
- Seven Haiku for piano: # 5 for Maro (von Joshua Pierce)
- Seven Haiku for piano: # 6 for Willem de Kooning (von Joshua Pierce)
- Seven Haiku for piano: # 7 for Sonja Sekula (von Joshua Pierce)
- Totem Ancestor for prepared piano (von Joshua Pierce)
- Two Pastorales for prepared piano: # 1 (von Joshua Pierce)
- Two Pastorales for prepared piano: # 2 (von Joshua Pierce)
- And the Earth Shall Bear Again for prepared piano: for Valerie Bettis (von Joshua Pierce)
- Waiting for piano (von Joshua Pierce)
- For M.C. and D.T. for piano (von Joshua Pierce)
Works for Prepared Piano
- Mysterious Adventure (von Markus Hinterhäuser)
- A Room (von Markus Hinterhäuser)
- Tossed as It Is Untroubled (von Markus Hinterhäuser)
- Primitive (von Markus Hinterhäuser)
- Music for Marcel Duchamp (von Markus Hinterhäuser)
- Totem Ancestor (von Markus Hinterhäuser)
- A Valentine Out of Season: I (von Markus Hinterhäuser)
- A Valentine Out of Season: II (von Markus Hinterhäuser)
- A Valentine Out of Season: III (von Markus Hinterhäuser)
- Spontaneous Earth (von Markus Hinterhäuser)
- Root of an Unfocus (von Markus Hinterhäuser)
- The Perilous Night: I (von Markus Hinterhäuser)
- The Perilous Night: II (von Markus Hinterhäuser)
- The Perilous Night: III (von Markus Hinterhäuser)
- The Perilous Night: IV (von Markus Hinterhäuser)
- The Perilous Night: V (von Markus Hinterhäuser)
- The Perilous Night: VI (von Markus Hinterhäuser)
- Daughters of the Lonesome Isle (von Markus Hinterhäuser)
- The Unavailable Memory of (von Markus Hinterhäuser)
- And the Earth Shall Bear Again (von Markus Hinterhäuser)
- Triple Paced (von Markus Hinterhäuser)
- Bacchanale (von Markus Hinterhäuser)
- Prelude for Meditation (von Markus Hinterhäuser)
- In the Name of the Holocaust (von Markus Hinterhäuser)
- Our Spring Will Come (von Markus Hinterhäuser)
- Two Pastorales I (von Markus Hinterhäuser)
- Two Pastorales II (von Markus Hinterhäuser)
Mehr Songtexte
- The Perilous Night, No. 1
- The Perilous Night, No. 2
- The Perilous Night, No. 3
- The Perilous Night, No. 4
- The Perilous Night, No. 5
- The Perilous Night, No. 6
- Tossed as It Is Untroubled
- Daughters of the Lonesome Isle
- Root of an Unfocus
- Primitive
- Mysterious Adventure
- And the Earth Shall Bear Again
- The Unavailable Memory of
- Music For Marcel Duchamp
- Totem Ancestor
- A Room
- Prelude for Meditation
- Music for Four (1987/1988)
- Music for Four (cont.)
- Thirty Pieces for String Quartet (1983)
- Thirty Pieces for String Quartet (cont.)
- Sonata I
- Sonata II
- Sonata III
- Sonata IV
- First Interlude
- Sonata V
- Sonata VI
- Sonata VII
- Sonata VIII
- Second Interlude
- Music for Carillon No. 1
- Williams Mix, for 8 Channels of Pre-recorded Tape
- Concert for Piano & Orchestra, for Piano & 13 Other Instruments in Any Combination
- Europera 5
- Two Squared (1989)
- Experiences (1945)
- Three Dances (1944-45), No.1
- Three Dances (1944-45), No.2
- Three Dances (1944-45), No.3
- Part 1
- Part 4
- Part 5
- Part 6
- Part 7
- Part 8
- String Quartet in Four Parts: 1. Quietly Flowing Along
- String Quartet in Four Parts: 2. Slowly Rocking
- String Quartet in Four Parts: 3. Nearly Stationary
- String Quartet in Four Parts: 4. Quodlibet
- 'Four': 1. Part One
- 'Four': 2. Part Two
- Four
- Two
- Quartet I: Moderate
- Quartet II. Very Slow
- Quartet III: Axial Asymmetry. Slow
- Quartet IV: Fast
- Trio I: Allegro
- Trio II: March
- Trio III: Waltz
- Imaginary Landscape No 1
- Living Room Music I: To Begin
- Living Room Music II: Story
- Living Room Music III: Melody
- Living Room Music IV: End
- Double Music
- Third Interlude
- Sonata IX
- Sonata X
- Sonata XI
- Sonata XII
- Fourth Interlude
- Sonata XIII
- Sonatas XIV and XV Gemini (After Richard Lippold)
- Sonata XVI
- Sonatas XIV and XV
- Credo In Us
- Quartet: Moderate
- Quartet: Very Slow
- Quartet: Axial Asymmetry - Slow
- Quartet: Fast
- She's Asleep
- Sonata XIV and XV "Gemini" (after the work by Richard Lippold)
- Duo I
- Duo II
- Duo III
- Solo I
- Duo IV
- Duo V
- Duo VI
- Solo II
- Duo VII
- Duo VIII
- Duo IX
- Roaritorio
- Six Melodies 01 (1950)
- Six Melodies 02 (1950)
- Six Melodies 03 (1950)
- Six Melodies 04 (1950)
- Six Melodies 05 (1950)
- Six Melodies 06 (1950)
- Nocturne for Violine and Piano (1947)
- Eight Whiskus for Violin 01 (1985)
- Eight Whiskus for Violin 02 (1985)
- Eight Whiskus for Violin 03 (1985)
- Eight Whiskus for Violin 04 (1985)
- Eight Whiskus for Violin 05 (1985)
- Eight Whiskus for Violin 06 (1985)
- Eight Whiskus for Violin 07 (1985)
- Eight Whiskus for Violin 08 (1985)
- Two6 for Violin and Piano (1992)
- One10 for Violin (1992)
- Metamorphosis 1 (1938)
- Metamorphosis 2 (1938)
- Metamorphosis 3 (1938)
- Metamorphosis 4 (1938)
- Metamorphosis 5 (1938)
- In a Landscape (1948)
- Quest (1935)
- Seven Haiku (1952)
- Ophelia (1946)
- Two Pieces for Piano - Piece N° 1 (1946)
- Two Pieces for Piano - Piece N° 2 (1946)
- ASLSP (1985)
- Suite for Toy Piano - Part I (1948)
- Suite for Toy Piano - Part II (1948)
- Suite for Toy Piano - Part III (1948)
- Suite for Toy Piano - Part IV (1948)
- Suite for Toy Piano - Part V (1948)
- One (1987)
- Dream (1948)
- Seventy-Four (Version I)
- The Seasons: Prelude I, Winter
- The Seasons: Prelude II, Spring
- The Seasons: Prelude III, Summer
- The Seasons: Prelude IV, Fall
- Concerto for Prepared Piano and Orchestra: First Part
- Concerto for Prepared Piano and Orchestra: Second Part
- Concerto for Prepared Piano and Orchestra: Third Part
- Seventy-Four (Version II)
- Suite for Toy Piano: I
- Suite for Toy Piano: II
- Suite for Toy Piano: III
- Suite for Toy Piano: IV
- Suite for Toy Piano: V
- Suite for Toy Piano (orchestration: Lou Harrison): I
- Suite for Toy Piano (orchestration: Lou Harrison): II
- Suite for Toy Piano (orchestration: Lou Harrison): III
- Suite for Toy Piano (orchestration: Lou Harrison): IV
- Suite for Toy Piano (orchestration: Lou Harrison): V
- 45', 34'46.776'', 3157.9864'', 27'10.554'', 26'1.1499 (English)
- 4'33'' (No.2) (0'00) - Peter Pfister, electronic realization
- Two for Flute and Piano (Blum, Schroeder)
- 45', 34'46.776'', 31'57.9864'', 27'10.554'', 26'1.1499 (German)
- Music for Five
- Performance Introduction
- Excerpts - 7pm to 8pm
- Excerpts - 8pm to 9pm
- Excerpts - 9pm to 10pm
- Excerpts - 10pm to 11pm
- Excerpts - 11pm to 12am
- Excerpts - 12am to 1am
- Bacchanale (1940)
- Totem Ancestor (1942)
- And the Earth Shall Bear Again (1942)
- Primitive (1942)
- In the Name of the Holocaust (1942) - I
- In the Name of the Holocaust (1942) - II
- Our Spring will come (1943)
- A Room (1943)
- Tossed as it is Untroubled (1943)
- The Perilous Night (1943/44) - I
- The Perilous Night (1943/44) - II
- The Perilous Night (1943/44) - III
- The Perilous Night (1943/44) - IV
- The Perilous Night (1943/44) - V
- The Perilous Night (1943/44) - VI
- Root of an Unfocus (1944)
- The Unavailable Memory of (1944)
- Spontaneous Earth (1944)
- Triple Paced (1944)
- A Valentine Out of Season I (1944)
- A Valentine Out of Season II (1944)
- A Valentine Out of Season III (1944)
- Prelude For Meditation (1944)
- Mysterious Adventure (1945)
- Daughters of the Lonesome Isle (1945)
- Music for Marcel Duchamp (1947)
- Two Pastorales I (1952)
- Two Pastorales II (1952)
- Sonata I (prepared piano)
- Sonata II (prepared piano)
- Sonata III (prepared piano)
- Sonata IV (prepared piano)
- Interlude I (prepared piano)
- Sonata V (prepared piano)
- Sonata VI (prepared piano)
- Sonata VII (prepared piano)
- Sonata VIII (prepared piano)
- Interlude II (prepared piano)
- Interlude III (prepared piano)
- Sonata IX (prepared piano)
- Sonata X (prepared piano)
- Sonata XI (prepared piano)
- Sonata XII (prepared piano)
- Interlude IV (prepared piano)
- Sonata XIII (prepared piano)
- Sonata XIV (prepared piano)
- Sonata XV (prepared piano)
- Sonata XVI (prepared piano)
- Sonata XIV
- Sonata XV
- I
- II
- III
- Etudes Boreales - I
- Etudes Boreales - II
- Etudes Boreales - III
- Etudes Boreales - IV
- 26'1.1499' for a String Player (1953-55)
- Solo for Cello (1957-1958)
- Variations I
- Variations II
- Variations III
- A Dip in the Lake - Tenquicksteps
- A Dip in the Lake - Sixty One Waltzes
- A Dip in the Lake - Fifty Six Marxhes
- Lecture on Nothing
- Sonata 1
- Sonata 2
- Sonata 3
- Sonata 4
- Interlude I
- Sonata 5
- Sonata 6
- Sonata 7
- Sonata 8
- Interlude II
- Interlude III
- Sonata 9
- Sonata 10
- Sonata 11
- Sonata 12
- Interlude IV
- Sonata 13
- Sonata 14 & 15
- Sonata 16
- A Room, for Piano
- She Is Asleep Duet, for Voice & Prepared Piano
- She Is Asleep Quartet, for Twelve Tom-Toms
- A Room, for Prepared Piano
- In a Landscape, for Piano
- Seven Haiku, for Piano
- Totem Ancestor, for Piano
- Two Pastorales, for Prepered Piano, 1
- Two Pastorales, for Prepered Piano, 2
- And the Earth Shall Bear Again, for Prepared Piano
- Waiting, for Piano
- For MC and D.T., for Piano
- First Construction (In Metal) (1939)
- A Flower (1950)
- Second Construction (1940)
- Forever and Sunsmell (1942)
- Third Construction (1941)
- Imaginary Landscape
- IV
- V
- VI
- VII
- VIII
- IX
- X
- XI
- XII
- XIII
- XIV AND XV
- XVI
- The Perilous Night (1944): 1
- The Perilous Night (1944): 2
- The Perilous Night (1944): 3
- The Perilous Night (1944): 4
- The Perilous Night (1944): 5
- The Perilous Night (1944): 6
- Four Walls (1944): Scene I
- Four Walls (1944): Scene II
- Four Walls (1944): Scene III
- Four Walls (1944): Scene IV
- Four Walls (1944): Scene V
- Four Walls (1944): Scene VI
- Four Walls (1944): Scene VII
- Four Walls (1944): Scene VIII
- Four Walls (1944): Scene IX
- Four Walls (1944): Scene X
- Four Walls (1944): Scene XI
- Four Walls (1944): Scene XII
- Four Walls (1944): Scene XIII
- Europera 3
- Europera 4
- Etude 1
- Etude 2
- Etude 3
- Etude 4
- Etude 5
- Etude 6
- Etude 7
- Etude 8
- Etude 9
- Etude 10
- Etude 11
- Etude 12
- Etude 13
- Etude 14
- Etude 15
- Etude 16
- Part I
- Five Stone Wind
- In a Landscape
- Souvenir
- A Valentine Out of Season
- Suite for Toy Piano
- Bacchanale
- Dream
- Music of Changes: Buch I
- Music of Changes: Buch II
- Music of Changes: Buch III
- Music of Changes: Buch IV
- Bird Cage, Part 1
- Bird Cage, Part 2
- Bird Cage, Part 3
- Bird Cage, Part 4
- Bird Cage, Part 5
- Bird Cage, Part 6
- Bird Cage, Part 7
- Bird Cage, Part 8
- Bird Cage, Part 9
- Excepts From a Conversation With John Cage
- Winter Music and Atlas Eclipticalis
- Music of Changes: I
- Music of Changes: II
- Music of Changes: III
- Music of Changes: IV
- A Flower
- Mirakus
- Eight Whiskers
- Nowth Upon Nacht
- Sonnekus
- Forever and Sunsmell
- Solo for Voice 49
- Solo for Voice 52
- Solo for Voice 67
- Music for Two (By One)
- Music for Seventeen
- Bacchanale (prepared piano)
- Daughter of the Lonesome Isle (prepared piano)
- The Seasons (Ballet in One Act): Prelude I
- The Seasons (Ballet in One Act): Winter
- The Seasons (Ballet in One Act): Prelude II
- The Seasons (Ballet in One Act): Spring
- The Seasons (Ballet in One Act): Prelude III
- The Seasons (Ballet in One Act): Summer
- The Seasons (Ballet in One Act): Prelude IV
- The Seasons (Ballet in One Act): Fall
- The Seasons (Ballet in One Act): Finale (Prelude I)
- Suite for Toy Piano: 1
- Suite for Toy Piano: 2
- Suite for Toy Piano: 3
- Suite for Toy Piano: 4
- Suite for Toy Piano: 5
- Ophelia
- In The Name Of The Holocaust: A (string piano)
- In The Name Of The Holocaust: B (string piano)
- Music for Piano #2 (bowed piano)
- Imaginary Landscape No. 2
- Imaginary Landscape No. 3
- Imaginary Landscape No. 4
- Imaginary Landscape No. 5
- But What About the Noise...?
- One2, for 1- 4 Pianos
- One, for Piano
- Etudes Boreales: I
- Etudes Boreales: II
- Etudes Boreales: III
- Etudes Boreales: V
- The Beatles 1962-1970, for Six Taped Channels of Piano
- ASLSP: I
- ASLSP: II
- ASLSP: III
- ASLSP: IV
- ASLSP: V
- ASLSP: VI
- ASLSP: VII
- ASLSP: VIII
- One5
- A Valentine Out of Season: I
- A Valentine Out of Season: II
- A Valentine Out of Season: III
- Spontaneous Earth
- The Perilous Night: I
- The Perilous Night: II
- The Perilous Night: III
- The Perilous Night: IV
- The Perilous Night: V
- The Perilous Night: VI
- Triple Paced
- In the Name of the Holocaust
- Our Spring Will Come
- Two Pastorales I
- Two Pastorales II
- Two (4) For Violin and Sho
- Two (4) For Violin and Piano
- Interlude 1
- Interlude 2
- Interlude 3
- Interlude 4
- Sonatas 14 And 15 "Gemini"
- Two4 (1991)
- Five2 (1991)
- Seven (1988)
- The Seasons: Prelude I
- The Seasons: Winter
- The Seasons: Prelude II
- The Seasons: Spring
- The Seasons: Prelude III
- The Seasons: Summer
- The Seasons: Prelude IV
- The Seasons: Fall
- The Seasons: Finale (Prelude I)
- Metamorphosis: I
- Metamorphosis: II
- Metamorphosis: III
- Metamorphosis: IV
- Metamorphosis: V
- Two Pieces for Piano: I. Slowly
- Two Pieces for Piano: II. Quite Fast
- Quest
- Two Pieces for Piano: I
- Two Pieces for Piano: II
- Four(2) - Version 1
- Living Room Music: I. To Begin
- Living Room Music: II. Story
- Living Room Music: III. Melody
- Living Room Music: IV. End
- ear for EAR (Antiphonies)
- Four(2) - Version 2
- Four Solos
- Hymns and Variations
- Credo in U.S.
- The Wonderful Widow of Eighteen Spring
- Amores No. 1: Solo for Prepared Piano
- Amores No. 2: Trio
- Amores No. 3: Trio
- Amores No. 4: Solo for Prepared Piano
- Trio: I. Allegro
- Trio: II. March
- Trio: III. Waltz
- Trio: IV. Aria
- sub Aria
- The Perilous Night: I.
- The Perilous Night: II.
- The Perilous Night: III.
- The Perilous Night: IV.
- The Perilous Night: V.
- The Perilous Night: VI.
- Tossed as It Is Untroubled (Meditation)
- In the Name of the Holocaust, Part 1
- In the Name of the Holocaust, Part 2
- A Valentine Out of Season, Part 1
- A Valentine Out of Season, Part 2
- A Valentine Out of Season, Part 3
- Two Pastorales, Part 1
- Two Pastorales, Part 2
- Two5 for Piano and Tenor Trombone
- Variations I for Trombone and Piano
- Music for Two for Trombone and Piano
- HPSCHD, Part 1
- HPSCHD, Part 2
- HPSCHD, Part 3
- HPSCHD, Part 4
- HPSCHD, Part 5
- HPSCHD, Part 6
- HPSCHD, Part 7
- HPSCHD Demo, Part 1
- HPSCHD Demo, Part 2
- Amore Si
- Amores II
- Amores III
- Amores IV
- She Is Asleep I
- She Is Asleep II
- Fifty-Eight 1 (Pannonisches Blasorchester feat. conductor: Wim van Zutphen)
- Fifty-Eight 2 (Pannonisches Blasorchester feat. conductor: Wim van Zutphen)
- 0'9.032
- 1'55.635
- 3'46.742
- 5'23.314
- 7'13.980
- 9'33.672
- 11'35.809
- 13'19.881
- 15'38.504
- 17'48.512
- 19'36.044
- 21'33.769
- 23'24.029
- 25'19.629
- 27'16.170
- 29'27.224
- 31'21.997
- 33'31.277
- 35'06.467
- 36'52.652
- 38'37.444
- 40'32.429
- 42'14.040
- 44'06.053
- 45'55.651
- 47'46.085
- 49'32.665
- 51'40.328
- 53'27.140
- 55'36.568
- 57'46.623
- 60'06.593
- 62'33.528
- 65'07.755
- 67'16.893
- 70'19.669
- Solo With Obbligato Accompaniment: Grave Adagio
- Solo With Obbligato Accompaniment: Invention No.1
- Solo With Obbligato Accompaniment: Invention No.2
- Solo With Obbligato Accompaniment: Invention No.3
- Solo With Obbligato Accompaniment: Invention No.4
- Solo With Obbligato Accompaniment: Invention No.5
- Solo With Obbligato Accompaniment: Invention No.6
- Three: I.1.
- Three: II. A
- Three: III. B
- Three: IV. C
- Three: V.D.
- Three: VI. E
- Three: VII. F
- Three: VIII. G
- Three: IX. H
- Three: X.I.
- Three: XI. 2
- Four Walls (Act 1 part 1)
- Four Walls (Act 1 part 2)
- Four Walls (Act 1 part 3)
- Four Walls (Act 1 part 4)
- Four Walls (Act 1 part 5)
- Four Walls (Act 1 part 6)
- Four Walls (Act 1 part 7)
- Four Walls (Act 1 part 8)
- Four Walls (Act 2 part 1)
- Four Walls (Act 2 part 2)
- Four Walls (Act 2 part 3)
- Four Walls (Act 2 part 4)
- Four Walls (Act 2 part 5)
- Series re Morris Graves
- Series re Morris Graves, Page 19
- Series re Morris Graves, Page 20
- Series re Morris Graves, Page 21
- Series re Morris Graves, Page 22
- Series re Morris Graves, Applause
- What You Say, Introduction
- What You Say, Cage reads Jasper John's Text
- What You Say
- Art is Either a Compliment or do Something Else, Introduction
- Art is Either a Compliment or do Something Else, Cage reads Jasper John's statement
- Art is Either a Compliment or do Something Else, Cage describes the Mesostatic
- Art is Either a Compliment or do Something Else, Mesostatic 1
- Art is Either a Compliment or do Something Else, Mesostatic 2
- Art is Either a Compliment or do Something Else, Mesostatic 3
- Art is Either a Compliment or do Something Else, Mesostatic 4
- Art is Either a Compliment or do Something Else, Mesostatic 5
- Art is Either a Compliment or do Something Else, Mesostatic 6
- Art is Either a Compliment or do Something Else, Mesostatic 7
- Art is Either a Compliment or do Something Else, Mesostatic 8
- Art is Either a Compliment or do Something Else, Mesostatic 9
- Art is Either a Compliment or do Something Else, Mesostatic 10
- Art is Either a Compliment or do Something Else, Mesostatic 11
- Art is Either a Compliment or do Something Else, Mesostatic 12
- Art is Either a Compliment or do Something Else, Mesostatic 13
- Art is Either a Compliment or do Something Else, Applause
- Part II
- Concerto for Prepared Piano and Orchestra (1951) - 1st Part
- Concerto for Prepared Piano and Orchestra (1951) - 2nd Part
- Concerto for Prepared Piano and Orchestra (1951) - 3rd Part
- Concert for Piano and Orchestra (1957-1958)
- Fourteen (1990)
- Mysterious Adventure, For Prepared Piano (1945)
- TV Koeln, For Piano (1958)
- Daughters Of The Lonesome Isle, For Prepared Piano (1945)
- Dream, For Piano (1948)
- The Perilous Night, For Prepared Piano: No.1 (1948)
- The Perilous Night, For Prepared Piano: No.2 (1948)
- The Perilous Night, For Prepared Piano: No.3 (1948)
- The Perilous Night, For Prepared Piano: No.4 (1948)
- The Perilous Night, For Prepared Piano: No.5 (1948)
- The Perilous Night, For Prepared Piano: No.6 (1948)
- Nocturne, For Violin & Piano (1947)
- Three Dances, For Two Prepared Pianos: No.1 (1944-45)
- Three Dances, For Two Prepared Pianos: No.2 (1944-45)
- Three Dances, For Two Prepared Pianos: No.3 (1944-45)
- Suite for Toy Piano: I.
- Suite for Toy Piano: II.
- Suite for Toy Piano: III.
- The Seasons / Ballet in One Act: I.
- The Seasons / Ballet in One Act: II.
- The Seasons / Ballet in One Act: III.
- The Seasons / Ballet in One Act: IV.
- The Seasons / Ballet in One Act: V.
- The Seasons / Ballet in One Act: VI.
- The Seasons / Ballet in One Act: VII.
- The Seasons / Ballet in One Act: VIII.
- The Seasons / Ballet in One Act: IX.
- Music for Amplified Toy Pianos
- A Book of Music: I.
- A Book of Music: II.
- Litany for the Whale
- Aria No. 2
- Solo for Voice 22, from Songbooks
- Experiences No. 2
- 36 Mesostics re and not re Marcel Duchamp
- Aria
- The Year Begins to Be Ripe
- Sonatas 1 & 2
- Sonata 5 & 6
- Book Three: Etude 17
- Book Three: Etude 18
- Book Three: Etude 19
- Book Three: Etude 20
- Book Three: Etude 21
- Book Three: Etude 22
- Book Three: Etude 23
- Book Three: Etude 24
- Book Four: Etude 25
- Book Four: Etude 26
- Book Four: Etude 27
- Book Four: Etude 28
- Book Four: Etude 29
- Book Four: Etude 30
- Book Four: Etude 31
- Book Four: Etude 32
- Variations I (1958)
- Seven haiku (1951/1952)
- Solo for Flute, Alto Flute and Piccolo (1957/1958)
- Quodlibet
- Twenty-Three
- The Wondeful Widow of Eighteen Springs
- Apartment House 1776: Harmony 5 "The Lord Descended" (William Billings)
- Four Dances: Dance IV
- 4'33' (studio version): I
- Sculptures Musicale: VIII
- Experiences
- Sonatas and Interludes for Prepared Piano: Sonata No. 13
- Solo With Obbligato Accompaniment: Invention No. 2
- 4'33" (Calm Before the Storm remix by Mr Scruff)
- Party Pieces: VIII
- Works Of Calder (1949-50) - 1
- The City Wears a Slouch Hat: Nightclub
- Four Dances: Dance I
- Melodies for Violin and Keyboard: Melody 6
- Inlets
- Four Dances: Dance II
- Roaratorio, Part Three (To Line 594)
- Apartment House 1776: Harmony 21 "Heath" (William Billings)
- Back,/Torcause/Incalduced/One/Physibe/Conterest/Changed/This/Part./Ment
- Sculptures Musicale: VII
- Sonatas and Interludes for Prepared Piano: Sonata No. 1
- 108 A
- 4'33' (open windows version): I
- Sonatas and Interludes for Prepared Piano: Sonata No. 5
- Sonatas and Interludes for Prepared Piano: Sonata No. 4
- Part 6 (Version IV)
- Two³: 8.
- Sonatas and Interludes for Prepared Piano: Sonata No. 3
- Twenty-Nine
- Sonatas and Interludes for Prepared Piano: Sonata No. 2
- Amores for prepared piano & percussion (1943) - 1
- Part 8 (Version I, 14.12.2003, 6.00 PM)
- Freeman Etudes n. 1
- Room/Sentences./Prayamana:/Col/Between
- Party Pieces: XVIII
- Sonatas and Interludes for Prepared Piano: Sonata No. 8
- Sonatas and Interludes for Prepared Piano: Sonata No. 9
- Sonatas and Interludes for Prepared Piano: Sonata No. 6
- Radio Music for 5 Radio Performers
- Sonatas and Interludes for Prepared Piano: Sonata No. 7
- The City Wears a Slouch Hat: Streetfight
- Sonatas & Interludes (1946-8) - Sonata 14 & 15 'Gemini'
- Ams/Seaphytes/Arturesons/(Which/Gesthro
- Two³: 9.
- Melodies for Violin and Keyboard: Melody 2
- Sonatas & Interludes (1946-8) - Sonata 8
- Book 3: XVIII
- Book 2: Etude #13
- A Valentine Out Of Season (1944) - 1
- Sonatas & Interludes (1946-8) - Sonata 4
- The City Wears a Slouch Hat: Woman in the Rain
- Dance Music (for EIfrid Ide, 1940): III. With Spirit
- One⁵ for piano solo
- Music for Piano 14-18
- Four Walls: Act I: Scene III: Dance
- Party Pieces: XVII
- Book 3: XVII
- Suite for Toy piano (version for piano): II.
- Two³: 6.
- Tiescor/You/Posbilten/Forpened/Isidehapgot/Dan/Large/Hoop/Start/Mimes
- Totem Ancestor (1943)
- Music for Piano 2
- Book 4: Etude #25
- Solo for Voice 22, From "Songbooks"
- Writing for the Second Time Through Finnegans Wake, Part Four (To End)
- Sim/Channels,/Ure/Chi/Pose
- 4'33' (studio version): III
- Suite for Toy piano (version for piano): I.
- 4'33' (studio version): II
- Book 3: Etude #22
- Music for Piano 20
- Three: F.
- A Book of Music, Part 2
- Music for Piano 4-5
- Three: G.
- Twenty-Six with Twenty-Eight & Twenty-Nine
- Hymnkus
- Four Walls: Act I: Scene V
- The Perilous Night (1943-4) - 2
- Amores: IV. Solo: Prepared Piano
- Part 3 (Version II, 15.12.2003, 6.00 AM)
- Four⁴
- Quartet: II. Very Slow
- Two³: 7.
- Morning/Life/World/Crossing/Less
- Harmpomu/Beicom/Sapertionimsusi/Call/Ingless
- Two³: 10.
- Twenty-Six
- Music for Piano 31-36
- Sonatas and Interludes for Prepared Piano: Interlude No. 4
- Specralcle/Muu/Natsicta/Plants,/Is/Man/Legs/Forth/Was/Sum
- The City Wears a Slouch
- Solo With Obbligato Accompaniment: Invention No. 6
- Two³: 4.
- Otsecadmy/Move/Lyilarsim.)/Charia/Movement
- Book 4: Etude #29
- Radio Music
- One¹⁰
- Concerto For Prepared Piano And Chamber Orchestra (1950-1) - Part 1
- Living Room Music, for Percussion and Speech Quartet: Movement 2: Once Upon a Time the World Is Round (Gertrude Stein), Dedicated to Xenia
- Com/Well/Muer/Othsic,/Weight
- Dance Music (for EIfrid Ide, 1940): I. Fast
- Four⁶ (version for Amplified Saxophone Quartet)
- Im/Rooted/Run/Dicartiony/Ple
- Trio - 7 Woodblocks, Not Chinese -
- Music of Changes: Book III
- Three: B.
- Two³: 5.
- Apartment House 1776: Harmony 14 "Brunswick" (James Lyon)
- Solo For Prepared Piano
- Facts/Your/Find/Proments/T'ai/Persons/Movegram/Each/A/Mak
- The Perilous Night (1943-4) - 6
- Much/Ments/Ro/Cours/Like
- Music for Carillon, Part 1
- One⁴
- Apartment House 1776: Harmony 11 "Wheeler's Point" (William Billings)
- Mors/Metal/Paralsdox/Cu/Moraes
- One⁷
- Music of Changes, Book I
- Pieco/Maltumes/Doscencos,/Gymnosperms./Sit/Tinct/Irigcrees/Chris/Dance/Men
- Music for Piano 53-68
- Roaratorio, Part Four (To End)
- 27' 10.554'' for a Percussionist
- Sonatas and Interludes for Prepared Piano: Sonata No. 14
- Solo With Obbligato Accompaniment: Invention No. 1
- Suite for Toy piano (version for piano): IV.
- 4'33"
- Works Of Calder (1949-50) - 2
- Book 2: Etude #9
- Book 1: IV
- Dence/Sicductor/Once/In/Premise/On/Gy/Short/Stead/Mucon
- Sonatas & Interludes (1946-8) - Sonata 16
- Music for 4 Pianos
- Much/Up/Chance/Ing/Piyev/Un/Meretunthing,/Abranched/Stage/Sumer
- Sonatas & Interludes (1946-8) - Sonata 11
- Sonatas & Interludes (1946-8) - Sonata 12
- Sonatas & Interludes (1946-8) - Sonata 13
- Fads and Fancies in the Academy: Reactionaries
- Fads and Fancies in the Academy: Pessimist
- Sonatas & Interludes (1946-8) - Sonata 10
- Five for 5 voices or instruments
- Three Dances: I.
- Music of Changes (Book III)
- Living Room Music for percussion and speech quartet: I. To Begin
- Book 3: Etude #19
- Apartment House 1776: Harmony 26 "Judea" (William Billings)
- Sonatas & Interludes (1946-8) - Sonata 1
- Three: X. I
- Fontana Mix / Sextet for Low Woodwinds
- Two Pastorales (1952) - No.1
- Mir/The/Pre/Crown/We
- Chor/Used/Sion,/An/(This/Front/Reg/Ish/Fast,/Com
- Book 1: III
- Four Walls: Act II: Scene XII
- Music for Piano 28-30
- Book 2: XVI
- Fads and Fancies in the Academy: III. Vistas of the Future: A. Pessimist
- Amores: I. Solo: Prepared Piano
- Party Pieces: VI
- 108 B
- Fifty-Eight
- Amores for prepared piano & percussion (1943) - 2
- Sculptures Musicales
- Freeman Etudes n. 2
- Living Room Music for percussion and speech quartet: II. Story
- From/Soablute,/Er/Con/Space
- Fads and Fancies in the Academy: III. Vistas of the Future: B. Optimist
- Book 1: II
- Gamut/Stayed/Fer/Wench/These
- Dance Music (for EIfrid Ide, 1940): II.
- Music for Piano 45-48
- Music for Piano 69
- She Is Asleep: I. For 12 Tom-Toms
- Music for Two
- Book 1: I
- Living Room Music, for Percussion and Speech Quartet: Movement 3 (Solo)
- Music for Piano 41-44
- Melodies for Violin and Keyboard: Melody 3
- Book 2: X
- Book 2: Etude #12
- Book 1: V
- Sonatas & Interludes (1946-8) - Sonata 9
- Miror/Ex/Rath/Escribrori/Ies
- Book 2: IX
- Cambery)/Qui/Ons/Anre/Trier/Dances/Amongst/The/Danc/Amemo
- A Valentine Out Of Season (1944) - 2
- Four Walls: Act II: Scene XIII
- Sonatas & Interludes (1946-8) - Sonata 5
- Two Squared
- A Book of Music, Part 1
- Book 3: Etude #21
- Book 3: XX
- Three: E.
- Confines/Cuse/Sioned/Nu/Ci/Ceno/Tressyscolmugists./Hers./That/Sitem
- Cheap Imitation: II.
- Music for Piano 19
- Three: H.
- Mal/These/Series/Black/Japanese
- Four A
- Four B
- Four C
- Performance I
- Music for Eight
- Four Walls: Act I: Scene VII
- Music for Piano 1
- Untitled
- Party Pieces: Xi
- Dance/Lus/Een/(Anthe/Which/Calrition/Girl/French/Cepatexgel)/Mi
- One⁶: B
- One⁶: C
- Book 2: Etude #16
- Book 3: XXI
- Party Pieces: VII
- Four Walls: Act I: Scene VI
- Sonatas and Interludes for Prepared Piano: Interlude No. 3
- Two⁶ for violin and piano
- Party Pieces: XX
- Quietly Flowing Along
- Party Pieces: IV
- In The Name Of The Holocaust (1942)
- The Perilous Night (1943-4) - 1
- Dance./Though,/Run/On/Nir/Num/Rhiguage/Huge/Has/Lanzome
- Mis/Place/Origlynali/Block/Leaps
- Must/GraspedHands/Present/Each/Evidence,
- Music for Piano 49-52
- Sonata for Two Voices
- Twenty-Six with Twenty-Nine
- Sixteen Dances: Anger / Interlude / Humor / Interlude / Sorrow / Interlude / The Heroic / Interlude / The Odius / Interlude / The Wondrous / Interlude / Fear / Interlude / The Erotic / Tranquility
- Performance II
- Four Walls: Act I: Scene IV: Dance
- Writing for the Second Time Through Finnegans Wake, Part Two (To Line 406)
- Roaratorio: An Irish Circus on Finnegans Wake, Part Two (To Line 406)
- The City Wears a Slouch Hat: Mirthogram
- ear for EAR for widely separated single voices (Antiphonies)
- Mat/Next/Shrine/Duct/Steam
- Three Dances: II.
- Nearly Stationary
- Three: A.
- Apartment House 1776: Harmony 42 "Rapture" (Supply Belcher)
- Solo With Obbligato Accompaniment: Invention No. 5
- Trio - 9 Tomtoms, Pod Rattle -
- Three: 2.
- Book 4: Etude #28
- One⁶: A
- Ryoanji for Contrabass and Tape
- Concerto For Prepared Piano And Chamber Orchestra (1950-1) - Part 2
- Party Pieces: XII
- Party Pieces: I
- Him/Like/Ra/Which/Career
- Music for 3 Pianos
- Com/Dur/Now/Conuntor/I/And/Ducgulant!/With/What/Man
- Mix/Lyjectiveob/Wrong/Ack,/Suite
- Party Pieces: XIV
- Party Pieces: V
- Ma/Becoming,/Her;/Can/The
- Party Pieces: XIX
- Party Pieces: X
- Book 1: VIII
- The City Wears a Slouch Hat: Street Poetry
- Book 4: XXVIII
- Prelude for 6 Instruments in a Minor
- The Perilous Night (1943-4) - 5
- Netmagic/Ous/Found/Thing/It/Ment/Og/Slight/Heads,/Arm
- The City Wears a Slouch Hat: Phone Call
- Four³ for 12 rainsticks, violin, and 2 pianos
- Sonatas & Interludes (1946-8) - Sonata 2
- Suite for Toy piano (version for piano): III.
- Book 4: Etude #30
- Book 3: Etude #18
- Book 1: VII
- Writing for the Second Time Through Finnegans Wake, Part One (To Line 22)
- Space/Logue/And/Know/Tive/Une/Yranged/Pho/Janperaru/Arformed
- Two Pastorales (1952) - No.2
- Teming/(The/Afterestpo/Cul/Inter
- Melodies for Violin and Keyboard: Melody 4
- Experience 1
- Fads and Fancies in the Academy: The Pupil Is Eager to Learn
- Four Walls: Act I: Scene VII: Vocal Interlude
- Slowly Rocking
- Music for Piano 71
- Music for Piano 72
- Roaratorio: An Irish Circus on Finnegans Wake, Part One (To Line 220)
- Four Solos for solo quartet
- Music for Piano 70
- Book 1: VI
- Four Dances: Dance III
- Music for Piano 79
- Action./Muceed/Sicteen/Prosixings/Swift/Ances,/Leg/Throw/Bar/Mind
- Quartets I - VIII
- Music for Piano 77
- Music for Piano 78
- Music for Piano 75
- Twenty-Eight with Twenty-Nine
- Imitations II
- Music for Piano 76
- Music for Piano 73
- Music for Piano 74
- Might/Rune/Growing/Civ/Knees;
- Music of Changes: Book I
- Suite for Toy piano (version for piano): V.
- Form/Peoples/Other/Spect/Des
- Sonatas and Interludes for Prepared Piano: Sonata No. 10
- Jump/Have/Courts,/Danc/Ningeve
- Dream (version for piano and contrabass)
- Sonatas and Interludes for Prepared Piano: Sonata No. 11
- Part 1 (Version IV, 15./16.12.2003, 12.00 PM / 00.00 AM)
- Four Walls: Act II: Scene IX
- Music for Piano 3
- Chad/Would/Con/Erned/Light/Point/Bridge;/Hisicos/Has/Polmorytanto
- Mon/Ten/Three/Sicords/Posreimble
- Music of Changes: Book II
- A Valentine Out Of Season (1944) - 3
- Sonatas & Interludes (1946-8) - Sonata 6
- Book 2: Etude #11
- Cheap Imitation: III.
- The City Wears a Slouch Hat: Passersby
- Two²
- Quartet: IV. Fast
- The City Wears a Slouch Hat: Holdup
- Roaratorio: An Irish Circus on Finnegans Wake, Part Four (To End)
- Two⁵
- Thingtioncatak/Accustomed/Imen/Experiment/If/Con/Budg/Through/Gal/Someply
- Living Room Music, for Percussion and Speech Quartet: Movement 4 (For Household Objects)
- Sixty-Two Mesostics Re Merce Cunningham (Frammenti)
- Music for 2 Pianos I
- Imsationvipro/Tries/Sar/Rec/En
- She Is Asleep
- Fads and Fancies in the Academy: Revolutionaries/Pitched Battle
- Sonatas & Interludes (1946-8) - Interlude 3
- Sonatas & Interludes (1946-8) - Interlude 2
- Cheap Imitation
- Sonatas & Interludes (1946-8) - Interlude 1
- Roaratorio, Part Two (To Line 406)
- 108 C
- Hymns and Variations for 12 amplified voices
- Apartment House 1776: Harmony 19 "New York" (Andrew Law)
- Sonatas and Interludes for Prepared Piano
- Freeman Etudes n. 3
- Music for Piano 37-40
- Part 9: Repetition Of Part 5 (Version I)
- Music for 2 Pianos II
- Amores for prepared piano & percussion (1943) - 3
- Part 4 (Collage Of Versions I-IV)
- Sonatas & Interludes (1946-8) - Interlude 4
- Experiences II
- Electronic Music for 2 Pianos
- Entrance/Our/(Behind:/Sense,/bit/Green/Rag/Where/Passe/Meet
- Sonatas and Interludes for Prepared Piano: Sonata No. 15
- Four Walls: Act I: Scene VIII
- 45' for a Speaker
- Music of Changes: Book IV
- Party Pieces: XIII
- The Perilous Night (1943-4) - 4
- The City Wears a Slouch Hat: Introduction
- Sonatas and Interludes for Prepared Piano: Interlude No. 2
- Music for Piano 21-27
- Three: V. D
- Book 2: XV
- Book 2: Etude #15
- Perpetual Tango
- Four Walls: Act II: Scene X
- Part 5 (Version III)
- Book 4: XXXII
- Swinging
- Warmth./Movement/There's/Seconds,/Clue
- Concerto For Prepared Piano And Chamber Orchestra (1950-1) - Part 3
- Book 3: Etude #20
- Three: D.
- Four Walls: Act II: Scene XI
- Three: I.
- Book 1: Etude #7
- Book 1: Etude #6
- Book 4: XXXI
- Book 1: Etude #8
- Comex/Could,/An/Plorplexing,/Time/Stone/Tiongain./Rhyth/Allowaa/Tempt
- Book 1: Etude #3
- Book 1: Etude #2
- Book 1: Etude #5
- Book 1: Etude #4
- Living Room Music for percussion and speech quartet: III. Melody
- Book 1: Etude #1
- Quartet: I. Moderate
- Picks/Laugh/Ness/Reigns/Cit/In/Go/There/And/Move
- Roaratorio, Part One (To Line 220)
- A Book of Music
- The City Wears a Slouch Hat: Kidnapping
- Three: 1.
- Book 4: Etude #27
- Book 4: XXVII
- Solo With Obbligato Accompaniment: Invention No. 4
- Feelcreasin/Out/Walksubround/Ne/Piece/Maliation/Inging/Should/Charts/My
- Living Room Music for percussion and speech quartet: IV. End
- Book 2: XI
- Amores: III. Trio: Seven Wood-Blocks
- Book 4: XXIX
- 4′33″
- Book 3: Etude #24
- Book 4: XXVI
- Music for Piano 80
- Music for Piano 81
- Three: I. 1
- Music for Piano 82
- Four Walls: Act I: Scene III
- Music for Piano 83
- Music for Piano 84
- Music for Piano 85
- Twenty-Eight
- Part 7 (Version II)
- The City Wears a Slouch Hat: Opening Stroll
- Sonatas & Interludes (1946-8) - Sonata 3
- Part 3
- Book 2: XIII
- Book 2: XII
- Part 2
- Version I
- Book 3: Etude #17
- Book 4: Etude #31
- Two³: 3.
- Melodies for Violin and Keyboard: Melody 5
- Four Walls: Act I: Scene II
- Fads and Fancies in the Academy: I. Axioms: B. The Pupil Is Constitutionally Lazy
- Three²
- Four Walls: Act I: Scene I
- Book 3: XXII
- ConLo/Cretetus,/Plant/Foun/Smile,/Tions/Mag/Chez/At/Came
- Book 2: XIV
- Sonatas and Interludes for Prepared Piano: Sonata No. 12
- Laughtears, Conversation on Roaratorio
- Four² for mixed chorus (version 2)
- Freeman Etudes: Book 1: Etude 11
- Version II
- Fads and Fancies in the Academy: We Deal With the Total Child
- Music for Piano 6-13
- Solo for Voice 79, From "Songbooks"
- Two³: 2.
- Concerto for Piano and Orchestra
- Fads and Fancies in the Academy: II. A Short Historical Sketch: B. Revolutionaries - Pitched Battle
- Sculptures Musicale: V
- Sonata for Clarinet
- Sculptures Musicale: II
- Mint./E/Sert/Cross/Raephymacintog,
- Melodies for Violin and Keyboard: Melody 1
- Four Walls: Act II: Scene XIV
- Four² for mixed chorus (version 1)
- Man,/Been/BlueGrey/Spec/Mense
- From/Zen/Works/Ac/Be
- Cartridge Music / 11 Instruments
- Monga/We/Tried/Ic/Er
- Sculptures Musicale: IV
- Living Room Music, for Percussion and Speech Quartet: Movement 1 (For Household Objects)
- Sonatas & Interludes (1946-8) - Sonata 7
- Two³: 1.
- Sculptures Musicale: IX
- Book 2: Etude #10
- Sonatas and Interludes for Prepared Piano: Sonata No. 16
- 4:33 (In Tre Parti: 0:30/2:23/1:40)
- Freeman Etudes n. 5
- Part 2 (Version III, 15.12.2003, 6.00 PM)
- 108 D
- Freeman Etudes n. 4
- Music for Six
- Roaratorio: An Irish Circus on Finnegans Wake, Part Three (To Line 594)
- Amores for prepared piano & percussion (1943) - 4
- Apartment House 1776: Harmony 18 "Old North" (William Billings)
- Sonatas and Interludes for Prepared Piano: Interlude No. 1
- Fads and Fancies in the Academy: The Pupil Is Constitutionally Lazy
- The City Wears a Slouch Hat: Along the River
- Book 2: Etude #14
- Party Pieces: XV
- Amores: II. Trio: Nine Tom-Toms, Pod Rattle
- 4'33' (open windows version): II
- The City Wears a Slouch Hat: Off in the Ocean
- 4'33' (open windows version): III
- Four Walls: Act I: Scene IV
- Book 4: XXV
- Arms/PosrEim/For/SilicAA/Ifetyble,
- Book 4: XXX
- Mandala,/Leaves./Per/Tach/Three
- Gym/Get/Tionnerfi/Speciismman/Read
- Applaus
- The Perilous Night (1943-4) - 3
- Book 4: Etude #32
- Chance/Duc/Mun/Dance/Im/Lent/Great/Geth/An/Moned
- Sculptures Musicale: VI
- Sculptures Musicale: I
- Three: C.
- Writing for the Second Time Through Finnegans Wake, Part Three (To Line 594)
- Book 3: XIX
- Fads and Fancies in the Academy: I. Axioms: A. The Pupil Is Eager to Learn
- Dancer/Suc/Hands/Lysentpre/Media/Danc/Stronged/There./Flash/Come
- Book 3: XXIV
- Tripled Paced (version 2) (1944)
- Music for 5 Pianos
- A Chant With Claps
- Book 3: XXIII
- Cheap Imitation: I.
- Maroningi/Re/Either/Dancchi/Time
- Fads and Fancies in the Academy: II. A Short Historical Sketch: A. Reactionaries
- Three Dances: III.
- Nocturne For Violin And Piano
- Music of Changes (Book IV)
- She Is Asleep: II. For Voice and Prepared Piano
- Party Pieces: IX
- The City Wears a Slouch Hat: Up in the Sky
- Sonata 14+15
- Composition in Retrospect - Lecture by John Cage
- Rhythm/Need/Her/Athletic/There
- Fads and Fancies in the Academy: I. Axioms: C. We Deal With the Total Child
- Book 3: Etude #23
- Sculptures Musicale: III
- Party Pieces: II
- Party Pieces: III
- Book 4: Etude #26
- Party Pieces: XVI
- Solo With Obbligato Accompaniment: Invention No. 3
- Fads and Fancies in the Academy: Optimist
- Four Walls: Act I: Dance
- Rozart Mix
- Amores: IV. Solo for Prepared Piano
- Amores: II. Trio: Nine Tom–toms, Pod Rattle
- 4′ 33″
- Amores: III. Trio: Seven Woodblocks
- Amores: I. Solo for Prepared Piano
- Sonnekus² 1
- Sonnekus² 3
- Sonnekus² 4
- 108 D + Silence
- 108 B + Silence
- 108 A + Silence
- 108 C + Silence
- Dance Music for Elfrid Ide: III
- Dance Music for Elfrid Ide: I
- Dance Music for Elfrid Ide: II
- So That Each Person Is in Charge of Himself
- Perpetual Tango (II)
- Perpertual Canon
- Variations III for Voices and Percussion With Solos
- Sonatas and Interludes for Prepared Piano: First Interlude
- Music for Piano 21, 22, 26, 29, 34, 36
- Variation I
- Music for Piano 27, 21, 32, 35, 36
- Music for Piano 27
- Music for Piano 27, 21, 32, 36
- Music for Piano 22, 21, 32, 36
- Composed Improvisations for Steinberg Bass Guitar and Snare Drum
- Sonatas and Interludes for prepared piano: V.
- Sonatas and Interludes for prepared piano: XIV-XV. 'Gemini'
- Sonatas and Interludes for prepared piano: XIII.
- Sonatas and Interludes for prepared piano: XI.
- Sonatas and Interludes for Prepared Piano: Sonata No.2
- 4:33
- Two Pieces for Harp: In a Landscape
- Two Pieces for Harp: A room
- Sonata XIV Gemini
- Sonata XV Gemini
- Bacchanale: I.
- String Quartet in Four Parts: IV. Quodlibet
- String Quartet in Four Parts: II. Slowly Rocking
- String Quartet in Four Parts: III. Nearly Stationary
- String Quartet In Four Parts: I. Quietly Flowing Along
- Suite for Toy Piano: Part 2
- Suite for Toy Piano: Part 1
- Suite for Toy Piano: Part 4
- Suite for Toy Piano: Part 3
- Suite for Toy Piano: Part 5
- Five Songs: 1. little four paws
- Five Songs: 3. in Just-
- Fear
- The Erotic
- Three Songs: III. At East and ingedients
- Humor
- The Heroic
- Experiences No.2
- Dream, var.
- Sorrow
- Empty Words With Music For (piano)
- Five Songs: 4. hist whist
- Three Songs: I. Twenty years after
- The Wonderous
- 26'55.988" for 2 Pianists & a String Player
- Tranquility
- Sonata XV (Gemini)
- Interlude
- Anger
- The Odious
- Sonata XIV (Gemini)
- Five Songs: 5. Tumbling hair
- Five Songs: 2. little Christmas tree
- Three Songs: II. Is it as it was
- Fontana Mix / Feed
- Story (1940)
- Imaginary Landscape No. 4 (March No. 2)
- But What About the Noise of Crumpling Paper Which He Used to Do in Order to Paint the Series of "Papiers froissés" or Tearing Up Paper to Make "Papiers déchirées"? Arp Was Stimulated by Water (Sea, Lake, and Flowing Waters Like Rivers), Forests
- Imaginary Landscape No. 2 (March No. 1)
- Sonatas and Interludes for Prepared Piano, Sonata No. 2, Part 1 (prepared piano: Julie Steinberg)
- Sonatas and Interludes for Prepared Piano, Sonata No. 2, Part 2 (prepared piano: Julie Steinberg)
- Suite for Toy Piano (n°I-II)
- Sonatas & Interludes (First Interlude)
- Three Dances: Dance No. 2
- Three Dances: Dance No. 3
- Three Dances: Dance No. 1
- A Dip in the Lake: Fifty Six Marxhes
- A Dip in the Lake: Sixty One Waltzes
- A Dip in the Lake: Tenquicksteps
- Etudes Boreales: IV
- Spring
- Summer
- Finale (Prelude I Reprise)
- Prelude II
- Winter
- Prelude
- Etude Australe N. VIII, Book I (1974-1975)
- Prelude IV
- Fall
- Prelude III
- 103, Part 1
- Atlas Eclipticalis & Winter Music, Part 2
- Atlas Eclipticalis & Winter Music, Part 1
- 103, Part 2
- Apartment House 1776: Harmony 38 "The Lord is Ris'n" (William Billings)
- Apartment House 1776: Harmony 44 "Bloomfield" (Andrew Law)
- Apartment House 1776: Harmony 15 "Bellingham" (William Billings)
- Apartment House 1776: Harmony 35 "Framingham" (William Billings)
- Apartment House 1776: Harmony 28 "Greenwich" (Andrew Law)
- Fontana Mix With Aria (1958)
- Wbai (1960)
- 0’00’’ (1962)
- Variations I (1960)
- Imaginary Landscape N°.5 (1952)
- Cartridge Music (1960)
- Music for Piano No 52-56
- Amores I
- Little Four Paws
- Dream (Version For Archlute And Bass Viol)
- Story
- Art Is Either a Complaint or Do Something Else, Part 1
- Art Is Either a Complaint or Do Something Else, Part 2
- Perpetual Canon (vers. A)
- WBAI
- Imaginary Landscape N°.5
- 0’00’’
- Three Dances: #2
- Three Dances: #1
- Three Dances: #3
- Nocturne
- Concerto for Piano and Orchestra / Solo for Voice I / Solo for Voice II
- Series re Morris Graves: Page 5
- Series re Morris Graves: Page 4
- Series re Morris Graves: Page 7
- Series re Morris Graves: Page 6
- Series re Morris Graves: Page 1
- Series re Morris Graves: Page 3
- Series re Morris Graves: Page 2
- Art is Either a Complaint or do Something Else: Mesostatic 7
- Art is Either a Complaint or do Something Else: Mesostatic 6
- Art is Either a Complaint or do Something Else: Mesostatic 1
- Art is Either a Complaint or do Something Else: Mesostatic 8
- Art is Either a Complaint or do Something Else: Mesostatic 9
- Art is Either a Complaint or do Something Else: Mesostatic 5
- Art is Either a Complaint or do Something Else: Mesostatic 4
- Art is Either a Complaint or do Something Else: Mesostatic 3
- Art is Either a Complaint or do Something Else: Mesostatic 2
- Art is Either a Complaint or do Something Else: Mesostatic 11
- Art is Either a Complaint or do Something Else: Mesostatic 10
- Series re Morris Graves: Page 14
- Series re Morris Graves: Page 13
- Series re Morris Graves: Page 12
- Series re Morris Graves: Page 15
- Series re Morris Graves: Page 16
- Series re Morris Graves: Page 10
- Series re Morris Graves: Page 19
- Series re Morris Graves: Page 18
- Series re Morris Graves: Page 17
- Series re Morris Graves: Page 11
- What You Say: Introduction
- Series re Morris Graves: Page 9
- Series re Morris Graves: Page 8
- Art is Either a Complaint or do Something Else: Introduction
- Diary: Part 1
- Diary: Part 3
- Diary: Part 2
- Diary: Part 5
- Series re Morris Graves: Page 21
- Diary: Part 4
- Series re Morris Graves: Page 22
- Series re Morris Graves: Page 20
- What You Say: What You Say
- Art is Either a Complaint or do Something Else: Cage describes the Mesostatic
- Art is Either a Complaint or do Something Else: Cage reads Jasper John's statement
- Art is Either a Complaint or do Something Else: Mesostatic 13
- Art is Either a Complaint or do Something Else: Mesostatic 12
- What You Say: Cage reads Jasper John's Text
- Series re Morris Graves: Introduction
- Diary: Part 7
- Diary: Part 6
- Diary: Part 8
- Empty Words (Silent Solo)
- Empty Words (Vocal Solo)
- Song Books I-II / Empty Words III
- Some Of "The Harmony Of Maine"
- Postcard From Heaven
- Verging Lightfall: I Libnas ikon: path
- Thirteen Harmonies-The Lord Descended -Billings
- Verging Lightfall: III Wintered Stars, The Slow Fire
- Thirteen Harmonies-Greenwich-Law
- Thirteen Harmonies-Bloomfield-Law
- Thirteen Harmonies-Judea-Billings
- Verging Lightfall: II Moetnas frond
- Thirteen Harmonies-Rapture-Supply Belcher
- Thirteen Harmonies-Framingham-Billings
- Thirteen Harmonies-Brunswick-James Lyon
- Thirteen Harmonies-The Lord Is Risen -Billings
- Thirteen Harmonies-Old North-William Billings
- Thirteen Harmonies-Heath-Biillings
- Thirteen Harmonies-Mix
- Thirteen Harmonies-New York-Andrew Law
- Thirteen Harmonies-Wheeler's Point -Billings
- Thirteen Harmonies- Bellingham-Billins
- Questions and Answers
- Questions and Answers (continued)
- Reading Mesostic IV (continued)
- Reading Mesostic IV
- Song Books 1971
- 27' 10.554"
- 26 1 1499
- 27 10 554 Side 2
- 27 10 554 side 1
- Four Walls, Act I, Scene 3: Dance
- Four Walls: Act II, Scene 9
- Four Walls: Act I, Scene 1
- Four Walls: Act I, Scene 2
- Four Walls: Act I, Scene 5
- Four Walls: Act I, Scene 6
- Four Walls: Act I, Scene 7
- Four Walls: Act I, Scene 8
- Four Walls, Act I, Scene 4: Dance
- Four Walls: Act II, Scene 10
- Four Walls: Act II, Scene 11
- Four Walls: Act II, Scene 12
- Four Walls: Act II, Scene 13
- One⁷ (1992)
- Four⁶ (1992)
- Cartridge Music (1960) / II Instruments (2005)
- Fontana Mix (1958) / Sextet For Low Woodwinds (2005)
- Fontana Mix (1958)
- Sonatas and Interludes for Prepared Piano: Sonata XII
- Sonatas and Interludes for Prepared Piano: Second Interlude
- Sonatas and Interludes for Prepared Piano: Sonata X
- Sonatas and Interludes for Prepared Piano: Sonata I
- Sonatas and Interludes for Prepared Piano: Sonata V
- Book of Changes, Book One
