Igor Stravinsky Songtexte
Renard the Fox
Contento forse vivere
Petrouchka: 2ème tableau (New York Philharmonic feat. conductor: Pierre Boulez)
Der Feuervogel: Höllentanz des Königs Kaschtschei
Der Feuervogel: Variation: Der Feuervogel
Geboren am 17. Juni 1882, Gestorben am 06. April 1971
The Complete Columbia Album Collection (Compilation)
Le Sacre du printemps (1940)
- The Rite of Spring: Part I "Adoration of the Earth", Introduction (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", The Augurs of Spring - Dances of the Young Girls (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Ritual of Abduction (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Spring Rounds (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Games of the Rival Clans (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Procession of the Wise Elder (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", The Wise Elder (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Dance of the Earth (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Introduction (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Mystic Circles of the Young Girls (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Glorification of the Chosen One (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", The Summoning of the Ancients (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Ritual of the Ancients (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Sacrificial Dance (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- A propos of Le Sacre (Commentary by Igor Stravinsky About the History of a Musical Landmark)
Petrushka Suite (1940) / Scènes de ballet (1945) / Divertimento from Fairy's Kiss (1940-41)
- Petrushka Ballet Suite: Legerdemain Scene (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Russian Dance (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Petrushka's Room (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Dance of the Wet-Nurses (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Dance of the Peasant and the Bear (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Dance of the Gypsy Girls (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: Dance of the Coachmen and the Grooms (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Petrushka Ballet Suite: The Masqueraders (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Scènes de ballet: Introduction
- Scènes de ballet: Danses (Corps de ballet & Ballerine)
- Scènes de ballet: Pantomime I
- Scènes de ballet: Pas de deux
- Scènes de ballet: Pantomime II
- Scènes de ballet: Variations (Danseur & Ballerine)
- Scènes de ballet: Pantomime III
- Scènes de ballet: Danses (Corps de ballet)
- Scènes de ballet: Apothéose
- Divertimento from Le Baiser de la fée: I. Sinfonia
- Divertimento from Le Baiser de la fée: II. Danses suisses
- Divertimento from Le Baiser de la fée: III. Scherzo
- Divertimento from Le Baiser de la fée: IV. Pas de deux (Adagio - Variation - Coda)
The Firebird Suite (1946)
- The Firebird: Introduction (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Prelude and Dance of the Firebird (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Pas de deux - Firebird and Ivan Tsarevich (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Scherzo - Dance of the Princesses (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Rondo (Khorovod) (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Infernal Dance (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Lullaby (The Firebird) (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- The Firebird: Final Hymn (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
Symphony of Psalms (1946) / Symphony in 3 Movements (1946)
- Symphony of Psalms: I. Exaudi orationem meam, Domine
- Symphony of Psalms: II. Exspectans exspectavi Dominum
- Symphony of Psalms: III. Alleluia - Laudate Dominum
- Symphony in Three Movements: I. [q = 160] (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Symphony in Three Movements: II. Andante - Interlude - L'istesso tempo (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
- Symphony in Three Movements: III. Con moto (von Philharmonic-Symphony Orchestra of New York, Igor Stravinsky)
Concerto for Two Solo Pianos; Russian Music for Two Pianos (1945, 1947)
- Concerto for Two Solo Pianos: I. Con moto
- Concerto for Two Solo Pianos: II. Notturno - Adagietto
- Concerto for Two Solo Pianos: III. Quattro variazioni
- Concerto for Two Solo Pianos: IV. Preludio e Fuga
- Scherzo a la Russe
- The Snow Maiden: Dance of the Tumblers
- Russian Village
- Suite No. 1 for Two Pianos, Op. 15: Waltz
- Sadko: Cradle Song
- Circus Polka
- Tango
Orpheus (1949) / Mass (1949)
- Orpheus: Premier tableau: Orpheus Weeps for Eurydice - Lento sostenuto
- Orpheus: Premier tableau: Air de danse
- Orpheus: Premier tableau: L'Ange de la Mort et sa danse
- Orpheus: Premier tableau: Interlude
- Orpheus: Deuxième tableau: Pas des Furies
- Orpheus: Deuxième tableau: Air de danse - Interlude - Air de danse
- Orpheus: Deuxième tableau: Pas d'action I
- Orpheus: Deuxième tableau: Pas de deux
- Orpheus: Deuxième tableau: Interlude
- Orpheus: Deuxième tableau: Pas d'action II
- Orpheus: Troisième tableau: Apothéose d'Orphée
- Mass for Mixed Chorus and Double Wind Quintet: I. Kyrie
- Mass for Mixed Chorus and Double Wind Quintet: II. Gloria
- Mass for Mixed Chorus and Double Wind Quintet: III. Credo
- Mass for Mixed Chorus and Double Wind Quintet: IV. Sanctus
- Mass for Mixed Chorus and Double Wind Quintet: V. Agnus Dei
Duo concertant (1945) / Pastorale (1946) / Bloch: Baal Shem (1940)
- Duo Concertant for Violin and Piano: I. Cantilene
- Duo Concertant for Violin and Piano: II. Eclogue I
- Duo Concertant for Violin and Piano: III. Eclogue II
- Duo Concertant for Violin and Piano: IV. Gigue
- Duo Concertant for Violin and Piano: V. Dithyrambe
- Baal Shem: I. Vidui (Contrition)
- Baal Shem: II. Nigun (Improvisation)
- Baal Shem: III. Simchas Torah (Rejoicing)
- Pastorale, Song without Words for Violin & Woodwind Quartet - Remastered
Divertimento from "Le Baiser de la fée" (1947) / Danses concertantes (1947) / Concerto for Piano and Wind Instruments (1950)
- Divertimento from Le baiser de la fée: I. Sinfonia
- Divertimento from Le Baiser de la fée: II. Danses suisses
- Divertimento from Le baiser de la fée: III. Scherzo (Au Moulin)
- Divertimento from Le baiser de la fée: IV. Pas de deux
- Danses concertantes for Chamber Orchestra: I. Marche - Introduction
- Danses concertantes for Chamber Orchestra: II. Pas d'action
- Danses concertantes for Chamber Orchestra: III. Theme varie
- Danses concertantes for Chamber Orchestra: IV. Pas de deux
- Danses concertantes for Chamber Orchestra: V. Marche - Conclusion
- Concerto for Piano and Wind Instruments: I. Largo - Allegro - Maestoso
- Concerto for Piano and Wind Instruments: II. Largo
- Concerto for Piano and Wind Instruments: III. Allegro
- Scherzo a la Russe
- Pater noster (Revised 1949 Version)
- Ave Maria (Revised 1949 Version)
Apollon musagète (1950) / Concerto in D Major "Basle Concerto" (1950)
- Apollon musagète: Naissance d'Apollon
- Apollon musagète: Variation d'Apollon I
- Apollon musagète: Pas d'action
- Apollon musagète: Variation de Calliope
- Apollon Musagete: Variation de Polymnie
- Apollon Musagete: Variation de Terpsichore
- Apollon musagète: Variation d'Apollon II
- Apollon musagète: Pas de deux
- Apollon musagète: Coda
- Apollon Musagete: Apotheose
- Concerto en Re (pour orchestre a cordes) "Basle Concerto": I. Vivace
- Concerto en Re (pour orchestre a cordes) "Basle Concerto": II. Arioso - Andantino
- Concerto en Re (pour orchestre a cordes) "Basle Concerto": III. Rondo - Allegro
Meet the Composer (1946)
- Fireworks, Op. 4 (von New York Philharmonic, Igor Stravinsky)
- Ode, Elegiacal Chant in 3 Parts for Orchestra: I. Eulogy (von New York Philharmonic, Igor Stravinsky)
- Ode, Elegiacal Chant in 3 Parts for Orchestra: II. Eclogue (von New York Philharmonic, Igor Stravinsky)
- Ode, Elegiacal Chant in 3 Parts for Orchestra: III. Epitaph (von New York Philharmonic, Igor Stravinsky)
- Russian Maiden's Song
- Ebony Concerto: I. Allegro moderato
- Ebony Concerto: II. Andante
- Ebony Concerto: III. Moderato - Con moto - Moderato - Vivo
- Four Norwegian Moods: I. Intrada (von New York Philharmonic, Igor Stravinsky)
- Four Norwegian Moods: II. Song (von New York Philharmonic, Igor Stravinsky)
- Four Norwegian Moods: III. Wedding Dance (von New York Philharmonic, Igor Stravinsky)
- Four Norwegian Moods: IV. Cortège (von New York Philharmonic, Igor Stravinsky)
- Circus Polka (von New York Philharmonic, Igor Stravinsky)
Oedipus Rex (1951)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Prologue: "Spectateurs! Vous allez entendre une version latine d' Oedipe-Roi" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Caedit nos pestis" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Liberi, vos liberabo" (Oedipus, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Respondit deus" (Creon)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Non reperias vetus scelus" (Oedipus, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Oedipe interroge la fontaine de verite" (Narrator, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Dicere non possum" (Tiresias, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Rex peremptor regis est" - "Invidia fortunam odit" (Tiresias, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte I: "Gloria!" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "La dispute des princes attire Jocaste" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Gloria!" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Nonn' erubescite, reges" (Jocasta)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Ne probentur oracula" (Jocasta)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Cave oracula!" - "Trivium, trivium" (Jocasta, Chorus, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Oracula mentiuntur" (Jocasta, Chorus, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Le témoin du meurtre sort de l'ombre" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Adest omniscius pastor" (Chorus, Messenger)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Oportebat tacere" (Shepherd)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Nonne monstrum rescituri" (Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "In monte reppertus est" (Shepherd, Messenger)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Natus sum quo nefastum est" (Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Et maintenant, vous allez entendre" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Divum Iocastea caput mortuum!" (Messenger, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Acte II: "Ecce! Regem Oedipoda" (Chorus)
The Rake's Progress (1953) [disc 1]
- The Rake’s Progress: Act I. Prelude
- The Rake’s Progress: Act I, Scene 1. Duet and Trio: “The Woods Are Green” – Recitative: “Anne, My Dear” (Anne, Rakewell, Trulove)
- The Rake’s Progress: Act I, Scene 1. Recitative: “Here I stand” – Aria: “Since It Is Not by Merit” (Rakewell)
- The Rake’s Progress: Act I, Scene 1. Recitative: “Tom Rakewell?” – Recitative: “Fair Lady, Gracious Gentlemen” – Quartet: “I Wished But Once” – Recitative: “I’ll Call the Coachman, Sir” (Shadow, Rakewell, Anne, Trulove)
- The Rake’s Progress: Act I, Scene 1. Duettino: “Farewell for Now” – Recitative: “All Is Ready, Sir” – Arioso: “Dear Father Truelove” – Terzettino: “Laughter and Light” (Anne, Rakewell, Trulove, Shadow)
- The Rake’s Progress: Act I, Scene 2. Chorus: “With Air Commanding and Weapon Handy” (Chorus)
- The Rake’s Progress: Act I, Scene 2. Recitative and Scene: “Come, Tom” – Chorus: “Soon Dawn Will Glitter” – Recitative: “Sisters of Venus, Brothers of Mars” (Shadow, Rakewell, Mother Goose, Chorus)
- The Rake’s Progress: Act I, Scene 2. Cavatina: “Love, too Frequently Betrayed” – Chorus: “How Sad a Song” – Chorus: “The Sun Is Bright, the Grass Is Green” (Rakewell, Chorus, Mother Goose)
- The Rake’s Progress: Act I, Scene 2. Chorus: “Lanterloo, My Lady” (Chorus, Shadow)
- The Rake’s Progress: Act I, Scene 3. Recitative: “No Word from Tom” – Aria: “Quietly, Night” – Recitative: “My Father! Can I Desert Him” (Anne, Truelove)
- The Rake’s Progress: Act I, Scene 3. Cabaletta: “I Go, I Go to Him” (Anne)
- The Rake’s Progress: Act II, Scene 1. Aria: “Vary the Song, O London, Change!” – Recitative: O Nature, Green Unnatural Mother" – Aria (reprise): “Always the Quarry” (Rakewell)
- The Rake’s Progress: Act II, Scene 1. Recitative: “Master, Are You Alone?” – Aria: “In Youth the Panting Slave” (Shadow, Rakewell)
- The Rake’s Progress: Act II, Scene 1. Duet‐Finale: “My Tale Shall Be Told” (Rakewell, Shadow)
- The Rake’s Progress: Act II, Scene 2. Introduction – Recitative: “How Strange” – Arioso: “O Heart Be Stronger” (Anne)
- The Rake’s Progress: Act II, Scene 2. Duet: “Anne! Here!” – Recitative: “My Love, Am I to Remain in Here for Ever?” (Rakewell, Anne, Baba)
- The Rake’s Progress: Act II, Scene 2. Trio: “Could It Then Have Been Known” – Finale: “I Have Not Run Away” (Anne, Rakewell, Baba)
The Rake's Progress (1953) [disc 2]
- The Rake’s Progress: Act II, Scene 3. Aria: “As I Was Saying” – Baba’s Song: “Come, Sweet, Come” – Aria: “Scorned! Abused!” – Recitative: “My Heart Is Cold, I Cannot Weep” – Pantomime: “Fa la la” – Recitative: “Oh, I Wish It Were True” (Baba, Rakewell ...
- The Rake’s Progress: Act II, Scene 3. Arioso‐Recitative: “You! O Nick, I’ve Had the Strangest Dream” – Duet: “Thanks to This Excellent Device” – Recitative: “Forgive Me, Master” (Rakewell, Shadow)
- The Rake’s Progress: Act III, Scene 1. “Ruin, Disaster, Shame” (Chorus, Anne)
- The Rake’s Progress: Act III, Scene 1. “Aha!” (Sellem, Chorus)
- The Rake’s Progress: Act III, Scene 1. Aria: “Sold! Annoyed!” – Recitative: “Now What Was That!” – Duet: “You Love Him” – Ballad Tune: “If Boys Had Wings” (Baba, Chorus, Rakewell, Shadow, Anne, Sellem)
- The Rake’s Progress: Act III, Scene 1. Stretto‐Finale: “I Go to Him” – Ballad Tune (reprise): “Who Cares a Fig” (Anne, Baba, Sellem, Chorus, Rakewell)
- The Rake’s Progress: Act III, Scene 2. Prelude
- The Rake’s Progress: Act III, Scene 2. Duet: “How Dark and Dreadful Is This Place” (Rakewell, Shadow)
- The Rake’s Progress: Act III, Scene 2. Recitative: “Very Well, Then, My Dear and Good Tom” – Duet: “Well, Then” – “My heart Is Wild with Fear” (Shadow, Rakewell, Anne)
- The Rake’s Progress: Act III, Scene 2. “I Burn! I Burn! I Freeze!” (Shadow, Rakewell)
- The Rake’s Progress: Act III, Scene 3. Arioso: “Prepare Yourselves, Heroic Shades” – Dialogue: “Madmen’s Words Are All Untrue” – Chorus‐Minuet: “Leave All Love and Hope Behind” (Rakewell, Chorus)
- The Rake’s Progress: Act III, Scene 3. Recitative: “There He Is. Have no Fear” – Arioso: “I Have Waited” – Duet: “In a Foolish Dream” – Recitative: “I Am Exceedingly Weary” (Keeper, Anne, Rakewell)
- The Rake’s Progress: Act III, Scene 3. Lullaby: “Gently, Little Boat” – Recitative: “Anne, My Dear, the Tale Is Ended Now” – Duettino: “Every Wearied Body” (Anne, Truelove)
- The Rake’s Progress: Act III, Scene 3. Finale‐Recitative: “Where Art Thou, Venus?” – Mourning Chorus: “Mourn for Adonis” (Rakewell, Chorus)
- The Rake’s Progress: Act III, Scene 3. Epilogue: “Good People, Just a Moment” (Anne, Baba, Rakewell, Shadow, Truelove)
Pulcinella (1952)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Overture. Allegro moderato (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Serenata. Larghetto - "Mentre l'erbetta, pasce l'agnella"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Scherzino. Allegro (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Poco più vivo - Allegro (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegretto - "Contento forse vivere"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (alla breve) - "Con queste paroline"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Largo - "Sento dire: no nc' è pace" - "Chi disse cà la femmena"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro - "Nce sta quacuna pò" - "Una te fa la nzemprece"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Presto - "Una te fa la nzemprece"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo I (Largo) (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro alle breve (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tarantella (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino - "Se tu m'ami"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Gavotta con due variazioni. Allegro moderato (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. I. Allegretto (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. II. Allegro più tosto moderato (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Vivo (von The Cleveland Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo di minuetto - "Pupillette, fiammette d'amore"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai (von The Cleveland Orchestra, Igor Stravinsky)
Symphony in C (1952) / Cantata (1952)
- Symphony in C: I. Moderato alla breve
- Symphony in C: II. Larghetto concertante
- Symphony in C: III. Allegretto
- Symphony in C: IV. Largo - Tempo giusto, alla breve
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus I (Prelude): "This ae Nighte"
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: Ricercar I: "The Maidens Came"
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus II (First Interlude): "If Ever Thou Gav'st Hos'n and Shoon"
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: Ricercar II (Sacred History): "Tomorrow Shall Be"
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus III (Second Interlude): "From Whinnymuir When Thou May'st Pass"
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: Westron Wind
- Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: A Lyke-Wake Dirge - Versus IV (Postlude) - "If Ever Thou Gav'st Meat or Drink"
The Soldier's Tale Suite (1954) / Octet for Wind Instruments (1954) / Symphonies of Wind Instruments (1951)
- L'Histoire du Soldat, Suite: The Soldier's March
- L'Histoire du Soldat, Suite: Airs by a Stream
- L'Histoire du Soldat, Suite: Pastorale
- L'Histoire du Soldat, Suite: The Royal March
- L'Histoire du Soldat, Suite: The Little Concerto
- L'Histoire du Soldat, Suite: Tango
- L'Histoire du Soldat, Suite: Waltz
- L'Histoire du Soldat, Suite: Ragtime
- L'Histoire du Soldat, Suite: The Devil's Dance
- L'Histoire du Soldat, Suite: Great Chorale
- L'Histoire du Soldat, Suite: Triumphal March of the Devil
- Octet for Wind Instruments: I. Sinfonia
- Octet for Wind Instruments: II. Tema con variazioni
- Octet for Wind Instruments: Variazione A
- Octet for Wind Instruments: Variazione B
- Octet for Wind Instruments: Variazione A (Reprise I)
- Octet for Wind Instruments: Variazione C
- Octet for Wind Instruments: Variazione D
- Octet for Wind Instruments: Variazione A (Reprise II)
- Octet for Wind Instruments: Variazione E
- Octet for Wind Instruments: Finale (Tempo giusto)
- Symphonies of Wind Instruments (Revised Version, 1947)
Chamber Works 1911-1954 Conducted by the Composer (1954-55)
- In Memorium Dylan Thomas: Dirge-Canons (Prelude)
- In Memorium Dylan Thomas: Do Not Go Gentle into That Good Night
- In Memorium Dylan Thomas: Dirge-Canons (Postlude)
- Three Songs from William Shakespeare: I. Musick to Heare
- Three Songs from William Shakespeare: II. Full Fadom Five
- Three Songs from William Shakespeare: III. When Dasies Pied
- Septet: I. [sonata allegro] quarter note = 88
- Septet: II. Passacaglia
- Septet: III. Gigue
- Four Russian Songs for Soprano, Flute, Harp and Guitar: I. The Drake
- Four Russian Songs for Soprano, Flute, Harp and Guitar: II. A Russian Spiritual
- Four Russian Songs for Soprano, Flute, Harp and Guitar: III. Geese and Swans
- Four Russian Songs for Soprano, Flute, Harp and Guitar: IV. Tilim-bom
- Two Poems of Konstantin Balmont: I. Forget-me-nots
- Two Poems of Konstantin Balmont: II. The Dove
- Three Japanese Lyrics: I. Akahito
- Three Japanese Lyrics: II. Mazatsumi
- Three Japanese Lyrics: III. Tsaraiuki
- Three Little Songs "Recollections of my Childhood": I. The Magpie
- Three Little Songs "Recollections of my Childhood": II. The Rook
- Three Little Songs "Recollections of my Childhood": III. The Jackdaw
- Four Russian Peasant Songs for Female Choir "Saucer": I. On Saints' Days in Chigisakh
- Four Russian Peasant Songs for Female Choir "Saucer": II. Ovsen
- Four Russian Peasant Songs for Female Choir "Saucer": III. The Pike
- Four Russian Peasant Songs for Female Choir "Saucer": IV. Master Portly
The Fairy's Kiss (1955)
- The Fairy's Kiss: Scene I: Prologue. The Lullaby in the Storm (Andante - Allegro sostenuto - Vivace agitato) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Scene II: A Village Fête (Tempo giusto - Valse, poco più lento - Tempo I) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Scene III: At the Mill (Moderato - Allegretto grazioso) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Pas de deux: a) Entrée (Moderato) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Pas de deux: b) Adagio (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Pas de deux: c) Variation (Allegretto grazioso) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Pas de deux: d) Coda (Presto) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Scène (Andante non tanto - Più lento) (von The Cleveland Orchestra, Igor Stravinsky)
- The Fairy's Kiss: Scene IV: Epilogue. Berceuse of the Eternal Dwellings (L'istesso tempo - Andante non tanto) (von The Cleveland Orchestra, Igor Stravinsky)
Perséphone (1957)
- Perséphone, Melodrame en Trois Tableaux: I. Perséphone Ravie
- Perséphone, Melodrame en Trois Tableaux: II. Perséphone aux Enfers
- Perséphone, Melodrame en Trois Tableaux: III. Perséphone renaissante
Agon (1957) / Canticum sacrum (1957)
- Agon, Ballet for Twelve Dancers: Pas de quatre
- Agon, Ballet for Twelve Dancers: Double pas de quatre
- Agon, Ballet for Twelve Dancers: Triple pas de quatre
- Agon, Ballet for Twelve Dancers: Prelude
- Agon, Ballet for Twelve Dancers: Sarabande-Step
- Agon, Ballet for Twelve Dancers: Gailliarde
- Agon, Ballet for Twelve Dancers: Coda I
- Agon, Ballet for Twelve Dancers: Interlude I
- Agon, Ballet for Twelve Dancers: Bransle simple
- Agon, Ballet for Twelve Dancers: Bransle gay
- Agon, Ballet for Twelve Dancers: Bransle double
- Agon, Ballet for Twelve Dancers: Interlude II
- Agon, Ballet for Twelve Dancers: Pas de deux
- Agon, Ballet for Twelve Dancers: Coda II
- Agon, Ballet for Twelve Dancers: Four Duos
- Agon, Ballet for Twelve Dancers: Four Trios - Coda
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): Dedicatio: "Urbi Venetiae, in laude Sancti sui Presidis"
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): I. "Euntes in mundum"
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): II. "Surge, aquilo"
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): III. Ad Tres Virtutes Hortationes (Caritas - Spes - Fides): "Diliges Dominus Deum tuum"
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): IV. Brevis Motus Cantilenea: "Jesus autem ait illi"
- Canticum Sacrum (Ad Honorem Sancti Marci Nominis): V. "Illi autem profecti"
Threni (1959)
- Threni: Introduction: "Incipit lamentatio Jeremiae Prophetae"
- Threni: De elegia prima: "Aleph. Quomodo sedet sola civitas" - Diphona I: "Plorans ploravit" - Diphona II: "Vide, Domino"
- Threni: De elegia tertia: I Querimonia: "Aleph. Ego vir videns" - II Sensus spei: "Heth. Misericordiae Domini" - III Solacium: "Res. Judicasti, Domine"
- Threni: De elegia quinta: "Oratio Jeremiae Prophetae"
Stravinsky Conducts 1960: The Rite of Spring (1960) / Petrushka (1960)
- The Rite of Spring: Part I "Adoration of the Earth", Introduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", The Augurs of Spring - Dances of the Young Girls (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Ritual of Abduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Spring Rounds (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Games of the Rival Clans (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Procession of the Wise Elder (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", The Wise Elder (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part I "Adoration of the Earth", Dance of the Earth (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Introduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Mystic Circles of the Young Girls (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Glorification of the Chosen One (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", The Summoning of the Ancients (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Ritual of the Ancients (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Rite of Spring: Part II "The Sacrifice", Sacrificial Dance (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau I: The Shrovetide Fair (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau I: The Crowds (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau I: The Charlatan's Booth (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau I: Russian Dance (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau II: Petrushka's Room (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau III: The Moor's Room (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau III: Dance of the Ballerina (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau III: Waltz (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Grand Carnival (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Wet Nurses' Dance (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Peasant and Bear (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Dance of the Gipsy Girls (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Dance of the Coachmen (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: The Masqueraders (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka: Tableau IV: Death of Petrushka (von Columbia Symphony Orchestra, Igor Stravinsky)
Charles Rosen Plays Stravinsky & Schoenberg (1960)
Stravinsky Conducts 1961: Movements for Piano and Orchestra, Octet, The Soldier’s Tale
- Movements for Piano and Orchestra: I. Eighth Note = 110
- Movements for Piano and Orchestra: II. Quarter Note = 52
- Movements for Piano and Orchestra: III. Eighth Note = 72
- Movements for Piano and Orchestra: IV. Eighth Note = 80
- Movements for Piano and Orchestra: V. Eighth Note = 104
- Double Canon "Raoul Dufy in Memoriam" for String Quartet
- Epitaphium (For the Tombstone of Prince Max Egon zu Fürstenberg)
- Octet for Wind Instruments: I. Sinfonia
- Octet for Wind Instruments: II. Tema con variazioni
- Octet for Wind Instruments: Variazione A
- Octet for Wind Instruments: Variazione B
- Octet for Wind Instruments: Variazione A (Reprise I)
- Octet for Wind Instruments: Variazione C
- Octet for Wind Instruments: Variazione D
- Octet for Wind Instruments: Variazione A (Reprise II)
- Octet for Wind Instruments: Variazione E
- Octet for Wind Instruments: III. Finale
- The Soldier's Tale Suite: I. The Soldier's March
- The Soldier's Tale Suite: II. Airs by a Stream
- The Soldier's Tale Suite: III. Pastorale
- The Soldier's Tale Suite: IV. The Royal March
- The Soldier's Tale Suite: V. The Little Concert
- The Soldier's Tale Suite: VI. Three Dances: Tango - Waltz - Ragtime
- The Soldier's Tale Suite: VII. The Devil's Dance
- The Soldier's Tale Suite: VIII. Great Chorale
- The Soldier's Tale Suite: IX. Triumphal March of the Devil
Gesualdo: Madrigals; Stravinsky: Monumentum pro Gesualdo di Venosa (1960-61)
- Volgi, mia luce , Madrigal for 6 Voices
- O dolorosa gioia , Madridgal for 5 Voices
- Ardo per te, mio bene , Madrigal for 5 Voices
- Gagliarda (von E. Power Biggs)
- Quando ridente e bella , Madrigal for 5 Voices
- Dolcissima mia vita , Madrigal for 5 Voices
- Recessit pastor noster , Motet for 6 Voices
- Che fai meco , Madrigal for 5 Voices
- Questa crudele e pia , Madrigal for 5 Voices
- Ardita zanzaretta , Madrigal for 5 Voices
- Aestimatus sum , Madrigal for 6 Voices
- Canzon francese del principe (von Carol Rosenstiel)
- Monumentum pro Gesualdo di Venosa ad CD Annum: I. Asciugate i begli occhi (Book V/14) (von Columbia Symphony Orchestra, Igor Stravinsky)
- Monumentum pro Gesualdo di Venosa ad CD Annum: II. Ma tu, cagion di quella (Book V/18) (von Columbia Symphony Orchestra, Igor Stravinsky)
- Monumentum pro Gesualdo di Venosa ad CD Annum: III. Beltà, poi che t'assenti (Book VI/2) (von Columbia Symphony Orchestra, Igor Stravinsky)
- Illumina nos, Motet for 7 Voices
The Nightingale (1960)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Introduction - Act I: "Nevod brosal nebesny dukh" - "Akh! S neba vysoty blesnuv" - "Vat i dostigli my opushki lesa" (Fisherman; Nightingale; Cook; Chorus; Chamberlain; Bonze)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Act II: Entr'acte (Courants d'air) - "Ognya, ognya" (Chorus; Cook; Chamberlain)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Chinese March - "Veliky imperator!" (Chamberlain)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Song of the Nightingale: "Akh! Serdtse dobroye" (Nightingale; Emperor)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Ocharovatel'no! Kakoye miloye koketstvo" (Chorus; Chamberlain)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Kogda solntse zashlo" (Japanese Envoys)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Performance of the Mechanical Nightingale
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Tsk, tsk, tsk, tsk..." (Chorus; Emperor; Chamberlain; Fisherman)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Act III: Introduction
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "My vse pred toboy" (Chorus; Emperor)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Akh, muzyki, muzyki!" (Nightingale; Death; Emperor)
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: Solemn Procession
- The Nightingale, Musical Fairy Tale in 3 Acts after Hans Christian Andersen: "Zdravstvuyte!" (Emperor; Fisherman)
The Firebird (complete ballet) (1961)
- L'Oiseau de feu: Introduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Le Jardin enchanté de Kachtchei (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Danse de l'Oiseau de feu (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Capture de l'Oiseau de feu par Ivan Tsarévitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Supplication de l'Oiseau de feu (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Apparition des treize princesses enchantées (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Jeu des princesses avec les pommes d'or (Scherzo) (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Brusque apparition d'Ivan Tsarévitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Khorovod: Ronde des princesses (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtchei (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Carillon féerique, apparition des monstres-gardiens de Kachtchei et capture d'Ivan Tsarévitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Arrivée de Kachtchei L'Immortel (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Dialogue de Kachtchei avec Ivan Tsarévitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Intercession des princesses (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Apparition de l'Oiseau de feu (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Danse de la suite de Kachtchei, enchantée par l'Oiseau de feu (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Danse infernale de tous les sujets de Kachtchei (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Berceuse (L'Oiseau de feu) (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Réveil de Kachtchei (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Mort de Kachtchei - Profonds ténèbres (von Columbia Symphony Orchestra, Igor Stravinsky)
- L'Oiseau de feu: Disparition du palais et des sortilèges de Kachtchei, animation des chevaliers pétrifiés, allégresse générale (von Columbia Symphony Orchestra, Igor Stravinsky)
Concerto in D & Symphony in 3 Movements (1961)
- Concerto in D Major for Violin and Orchestra: I. Toccata
- Concerto in D Major for Violin and Orchestra: II. Aria I
- Concerto in D Major for Violin and Orchestra: III. Aria II
- Concerto in D Major for Violin and Orchestra: IV. Cappricio
- Symphony in 3 Movements: I. Overture - Allegro (von Columbia Symphony Orchestra, Igor Stravinsky)
- Symphony in 3 Movements: II. Andante - Interlude. L'istesso tempo (von Columbia Symphony Orchestra, Igor Stravinsky)
- Symphony in 3 Movements: III. Con moto (von Columbia Symphony Orchestra, Igor Stravinsky)
Works for Two Pianos and Four Hands (1961)
- Concerto for Two Solo Pianos: I. Con moto
- Concerto for Two Solo Pianos: II. Notturno. Adagietto
- Concerto for Two Solo Pianos: III. Quattro variazioni
- Concerto for Two Solo Pianos: IV. Preludio e fuga. Lento - Fuga a 4 voci
- Three Easy Pieces for Piano Duet: 1. March
- Three Easy Pieces for Piano Duet: 2. Waltz
- Three Easy Pieces for Piano Duet: 3. Polka
- Five Easy Pieces for Piano Duet: 1. Andante
- Five Easy Pieces for Piano Duet: 2. Española
- Five Easy Pieces for Piano Duet: 3. Balalaika
- Five Easy Pieces for Piano Duet: 4. Napolitana
- Five Easy Pieces for Piano Duet: 5. Galop
- Sonata for Two Pianos: I. Moderato
- Sonata for Two Pianos: II. Thème avec variations. Largo - Var. 1-4
- Sonata for Two Pianos: III. Allegretto
The Flood (1962) / Mass (1960)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): Prelude: "Te Deum laudamus" (von Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): Melodrama: "In a Worm's Likeness Will He Wend" (von Columbia Symphony Orchestra, Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Building of the Ark (Choreography) (von Columbia Symphony Orchestra, Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Catalogue of the Animals: "The Lord Bade That I Should Bring" (von Columbia Symphony Orchestra, Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Comedy (Noah and His Wife): "Wife, Come in!" (von Columbia Symphony Orchestra, Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Flood (Choreography) (von Columbia Symphony Orchestra, Robert Craft)
- The Flood, A Musical Play (Adapted from the York & Chester Cycles of Miracle Plays & the Book of Genesis): The Covenant of the Rainbow: "A Covenant, Noah, With Thee I Make" (von Columbia Symphony Orchestra, Robert Craft)
- Mass for Mixed Chorus and Double Wind Quintet: Kyrie
- Mass for Mixed Chorus and Double Wind Quintet: Gloria
- Mass for Mixed Chorus and Double Wind Quintet: Credo
- Mass for Mixed Chorus and Double Wind Quintet: Sanctus
- Mass for Mixed Chorus and Double Wind Quintet: Agnus Dei
Les Noces (1959) Renard & Rag-Time (1962)
- Les Noces: Premier tableau: Chez la mariée (La Tresse)
- Les Noces: Deuxieme tableau: Chez le marié
- Les Noces: Troisieme tableau: Le Départ de la mariee
- Les Noces: Quatrieme tableau: Le Repas de noces
- Renard, Histoire burlesque chantée et jouée
- Ragtime
Oedipus Rex (1962)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Prologue (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Caedit nos pestis" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Liberi, vos liberabo" (Oedipus, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Respondit deus" (Creon)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Non reperias vetus scelus" (Oedipus, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Oedipus Questions Teiresias the Seer" (Narrator, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Dicere non possum" (Tiresias, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Rex peremptor regis est" - "Invidia fortunam odit" (Tiresias, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act I: "Gloria!" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "The Dispute of the Princes Summons Jocasta" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Gloria!" (Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Nonn' erubescite, reges" (Jocasta)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Ne probentur oracula" (Jocasta)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Cave oracula!" - "Trivium, trivium" (Jocasta, Chorus, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Oracula mentiuntur" (Jocasta, Chorus, Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "A Messenger Announces that King Polybus of Corinth is Dead" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Adest omniscius pastor" (Chorus, Messenger)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Oportebat tacere" (Shepherd)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Nonne monstrum rescituri" (Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "In monte reppertus est" (Shepherd, Messenger)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Natus sum quo nefastum est" (Oedipus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "And Now, You Will Hear the Messenger" (Narrator)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Divum Jocastae caput mortuum!" (Messenger, Chorus)
- Oedipus Rex, Opera-Oratorio in two acts after Sophocles: Act II: "Ecce! Regem Oedipoda" (Chorus)
Symphony of Psalms (1963) / Symphony in C Major (1962)
- Symphony of Psalms (1948 Version): I. Exaudi orationem meam, Domine (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Symphony of Psalms (1948 Version): II. Exspectans exspectavi Dominum (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Symphony of Psalms (1948 Version): III. Alleluia. Laudate Dominum (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Symphony in C Major: I. Moderato alla breve (von CBC Symphony Orchestra, Igor Stravinsky)
- Symphony in C Major: II. Larghetto concertante (von CBC Symphony Orchestra, Igor Stravinsky)
- Symphony in C Major: III. Allegretto (von CBC Symphony Orchestra, Igor Stravinsky)
- Symphony in C Major: IV. Largo - Tempo giusto, alla breve (von CBC Symphony Orchestra, Igor Stravinsky)
Orpheus & Apollon musagète (1964)
- Orphée, Ballet en trois tableux: Premier Tableau: Orphée pleure Eurydice
- Orphée, Ballet en trois tableux: Air de danse. Andante con moto
- Orphée, Ballet en trois tableux: L'ange de la mort et sa danse
- Orphée, Ballet en trois tableux: Interlude. L'istesso tempo
- Orphée, Ballet en trois tableux: Deuxieme Tableau: Pas des furies. Agitato in piano
- Orphée, Ballet en trois tableux: Air de danse - Interlude - Air de danse (Conclusion). Grave
- Orphée, Ballet en trois tableux: Pas d'action. Andantino leggiadro
- Orphée, Ballet en trois tableux: Pas de deux. Andante sostenuto
- Orphée, Ballet en trois tableux: Interlude. Moderato assai
- Orphée, Ballet en trois tableux: Pas d'action. Vivace
- Orphée, Ballet en trois tableux: Troisieme Tableau: Apothéose d'Orphée
- Apollon musagète, Ballet en deux tableux: Premier Tableau: Naissance d'Apollon. Largo - Allegro - Tempo I (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Variation d'Apollon. Apollon et les Muses (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Pas d'action. Apollon et les trois Muses: Calliope, Polymnie et Terpsichore. Moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Variation de Calliope (l'Alexandrine). Allegretto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Variation de Polymnie. Allegro (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Variation de Terpsichore. Allegretto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Variation d'Apollon. Lento (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Pas de deux: Apollon et Terpsichore. Adagio (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Coda: Apollon et les Muses. Vivo - Tempo sostenuto - Agitato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Apollon musagète, Ballet en deux tableux: Apothéose. Largo et tranquillo (von Columbia Symphony Orchestra, Igor Stravinsky)
Stravinsky Conducts Favorite Short Pieces (1962-63)
- Greeting Prelude (von Columbia Symphony Orchestra, Igor Stravinsky)
- Concerto in E-Flat Major for Chamber Orchestra "Dumbarton Oaks": I. Tempo giusto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Concerto in E-Flat Major for Chamber Orchestra "Dumbarton Oaks": II. Allegretto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Concerto in E-Flat Major for Chamber Orchestra "Dumbarton Oaks": III. Con moto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Eight Instrumental Miniatures for Fifteen Players: I. Andantino
- Eight Instrumental Miniatures for Fifteen Players: II. Vivace
- Eight Instrumental Miniatures for Fifteen Players: III. Lento
- Eight Instrumental Miniatures for Fifteen Players: IV. Allegretto
- Eight Instrumental Miniatures for Fifteen Players: V. Moderato alla breve
- Eight Instrumental Miniatures for Fifteen Players: VI. Tempo di Marcia
- Eight Instrumental Miniatures for Fifteen Players: VII. Larghetto
- Eight Instrumental Miniatures for Fifteen Players: VIII. Tempo di Tango
- Quatre Études pour Orchestre: I. Danse. Con moto (von CBC Symphony Orchestra, Igor Stravinsky)
- Quatre Études pour Orchestre: II. Excentrique. Moderato (von CBC Symphony Orchestra, Igor Stravinsky)
- Quatre Études pour Orchestre: III. Cantique. Largo (von CBC Symphony Orchestra, Igor Stravinsky)
- Quatre Études pour Orchestre: IV. Madrid. Allegro con moto (von CBC Symphony Orchestra, Igor Stravinsky)
- Circus Polka (von CBC Symphony Orchestra, Igor Stravinsky)
- Suite No. 1 for Small Orchestra: I. Andante
- Suite No. 1 for Small Orchestra: II. Napolitana
- Suite No. 1 for Small Orchestra: III. Espanola
- Suite No. 1 for Small Orchestra: IV. Balalaika
- Suite No. 2 for Small Orchestra: I. Marche
- Suite No. 2 for Small Orchestra: II. Valse
- Suite No. 2 for Small Orchestra: III. Polka
- Suite No. 2 for Small Orchestra: IV. Galop
Stravinsky Conducts Ballet Music (1963-64)
- Jeu de Cartes, Ballet en trois donnes: Première donne (von Cleveland Orchestra, Igor Stravinsky)
- Jeu de Cartes, Ballet en trois donnes: Deuxième donne (von Cleveland Orchestra, Igor Stravinsky)
- Jeu de Cartes, Ballet en trois donnes: Troisième donne (von Cleveland Orchestra, Igor Stravinsky)
- The Sleeping Beauty: Bluebird Pas de Deux: Adagio (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Sleeping Beauty: Bluebird Pas de Deux: Variation I (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Sleeping Beauty: Bluebird Pas de Deux: Variation II (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Sleeping Beauty: Bluebird Pas de Deux: Coda (von Columbia Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Introduction . Andante (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Danses (Corps de ballet). Moderato - Variation (Ballerine). Con moto (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Pantomime . Lento (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Pas de deux . Adagio (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Pantomime . Agitato ma tempo giusto (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Variations: (Danseur) Risoluto - (Ballerine) Andantino (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Pantomime . Andantino (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Danses (Corps de ballet) . Con moto (von CBC Symphony Orchestra, Igor Stravinsky)
- Scènes de ballet: Apothéose . Poco meno mosso (von CBC Symphony Orchestra, Igor Stravinsky)
Stravinsky Conducts His Choral Music (1962-63)
- Le Roi des étoiles (Zvezdolikiy) (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Anthem "The Dove Descending Breaks the Air"
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Chorale (von CBC Symphony Orchestra, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation I (In Canone all' Ottava) (von CBC Symphony Orchestra, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation II (Alio modo in Canone alla Quinta) (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation III (In Canone alla Settima) (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation IV (In Canone all' Ottava per augmentationem) (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Chorale Variations on the Christmas Carol "Vom Himmel hoch da komm' ich her", BWV 769: Variation V (L'altra sorte del Canone al rovescio) (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Babel
- A Sermon, a Narrative, and a Prayer: I. A Sermon (From St. Paul) (von Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky)
- A Sermon, a Narrative, and a Prayer: II. A Narrative (von Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky)
- A Sermon, a Narrative, and a Prayer: III. A Prayer (von Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra, Igor Stravinsky)
The Rake's Progress (1964) [disc 1]
- The Rake's Progress, Opera in 3 Acts: Act I: Prelude (von Royal Philharmonic Orchestra, Igor Stravinsky)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Duet and Trio: "The Woods Are Green" - Recitative: "Anne, My Dear" (Anne, Rakewell, Trulove)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Recitative: "Here I stand" - Aria: "Since It Is Not by Merit" (Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Recitative: "Tom Rakewell?" - Recitative: "Fair Lady, Gracious Gentlemen" - Quartet: "I Wished But Once" - Recitative: "I'll Call the Coachman, Sir" (Shadow, Rakewell, Anne, Trulove)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 1: Duettino: "Farewell for Now" - Recitative: "All Is Ready, Sir" - Arioso: "Dear Father Truelove" - Terzettino: "Laughter and Light" (Anne, Rakewell, Trulove, Shadow)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Chorus: "With Air Commanding and Weapon Handy" (Chorus)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Recitative and Scene: "Come, Tom" - Chorus: "Soon Dawn Will Glitter" - Recitative: "Sisters of Venus, Brothers of Mars" (Shadow, Rakewell, Mother Goose, Chorus)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Cavatina: "Love, too Frequently Betrayed" - Chorus: "How Sad a Song" - Chorus: "The Sun Is Bright, the Grass Is Green" (Rakewell, Chorus, Mother Goose)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 2: Chorus: "Lanterloo, My Lady" (Chorus, Shadow)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 3: Recitative: "No Word from Tom" - Aria: "Quietly, Night" - Recitative: "My Father! Can I Desert Him" (Anne, Truelove)
- The Rake's Progress, Opera in 3 Acts: Act I, Scene 3: Cabaletta: "I Go, I Go to Him" (Anne)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 1: Aria: "Vary the Song, O London, Change!" - Recitative: O Nature, Green Unnatural Mother" - Aria (reprise): "Always the Quarry" (Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 1: Recitative: "Master, Are You Alone?" - Aria: "In Youth the Panting Slave" (Shadow, Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 1: Duet-Finale: "My Tale Shall Be Told" (Rakewell, Shadow)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 2: Introduction - Recitative: "How Strange" - Arioso: "O Heart Be Stronger" (Anne)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 2: Duet: "Anne! Here!" - Recitative: "My Love, Am I to Remain in Here for Ever?" (Rakewell, Anne, Baba)
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 2: Trio: "Could It Then Have Been Known" - Finale: "I Have Not Run Away" (Anne, Rakewell, Baba)
The Rake's Progress (1964) [disc 2]
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 3: Aria: "As I Was Saying" - Baba's Song: "Come, Sweet, Come" - Aria: "Scorned! Abused!" - Recitative: "My Heart Is Cold, I Cannot Weep" - Pantomime: "Fa la la" - Recitative: "Oh, I Wish It Were True ...
- The Rake's Progress, Opera in 3 Acts: Act II, Scene 3: Arioso-Recitative: "You! O Nick, I've Had the Strangest Dream" - Duet: "Thanks to This Excellent Device" - Recitative: "Forgive Me, Master" (Rakewell, Shadow)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: "Ruin, Disaster, Shame" (Chorus, Anne)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: "Aha!" (Sellem, Chorus)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: Aria: "Sold! Annoyed!" - Recitative: "Now What Was That!" - Duet: "You Love Him" - Ballad Tune: "If Boys Had Wings" (Baba, Chorus, Rakewell, Shadow, Anne, Sellem)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 1: Stretto-Finale: "I Go to Him" - Ballad Tune (reprise): "Who Cares a Fig" (Anne, Baba, Sellem, Chorus, Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: Prelude (von Royal Philharmonic Orchestra, Igor Stravinsky)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: Duet: "How Dark and Dreadful Is This Place" (Rakewell, Shadow)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: Recitative: "Very Well, Then, My Dear and Good Tom" - Duet: "Well, Then" - "My heart Is Wild with Fear" (Shadow, Rakewell, Anne)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 2: "I Burn! I Burn! I Freeze!" (Shadow, Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Arioso: "Prepare Yourselves, Heroic Shades" - Dialogue: "Madmen's Words Are All Untrue" - Chorus-Minuet: "Leave All Love and Hope Behind" (Rakewell, Chorus)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Recitative: "There He Is. Have no Fear" - Arioso: "I Have Waited" - Duet: "In a Foolish Dream" - Recitative: "I Am Exceedingly Weary" (Keeper, Anne, Rakewell)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Lullaby: "Gently, Little Boat" - Recitative: "Anne, My Dear, the Tale Is Ended Now" - Duettino: "Every Wearied Body" (Anne, Truelove)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Finale-Recitative: "Where Art Thou, Venus?" - Mourning Chorus: "Mourn for Adonis" (Rakewell, Chorus)
- The Rake's Progress, Opera in 3 Acts: Act III, Scene 3: Epilogue: "Good People, Just a Moment" (Anne, Baba, Rakewell, Shadow, Truelove)
The Fairy's Kiss (1965)
- The Fairy's Kiss, Ballet in 4 Scenes: Scene 1: Prologue. The Lullaby in the Storm. Andante - Allegro sostenuto - Vivace agitato (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: Scene 2: A Village Fête. Tempo giusto - Valse. Poco più lento - Tempo I (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: Scene 3: At the Mill. Moderato - Allegretto grazioso (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: Pas de deux. a) Entrée. Moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: b) Adagio (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: c) Variation. Allegretto grazioso (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: d) Coda. Presto (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: Scène. Andante non tanto - Più lento (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Fairy's Kiss, Ballet in 4 Scenes: Scene 4: Epilogue. Berceuse of the Eternal Dwellings. L'istesso tempo - Andante non tanto (von Columbia Symphony Orchestra, Igor Stravinsky)
Meeting at the Summit: Benny Goodman Plays Jazz-Classics with Leonard Bernstein, Aaron Copland, Morton Gould & Igor Stravinsky (1963, 1965)
- Prelude, Fugue & Riffs: I. Prelude (von Columbia Jazz Combo, Leonard Bernstein, Benny Goodman)
- Prelude, Fugue & Riffs: II. Fugue (von Columbia Jazz Combo, Leonard Bernstein, Benny Goodman)
- Prelude, Fugue & Riffs: III. Riffs
- Concerto for Clarinet, Strings & Harp
- Ebony Concerto: I. Allegro moderato
- Ebony Concerto: II. Andante
- Ebony Concerto: III. Moderato - Con moto
- Derivations for Clarinet and Band: I. Warm-up
- Derivations for Clarinet and Band: II. Contrapuntal Blues
- Derivations for Clarinet and Band: III. Rag
- Derivations for Clarinet and Band: IV. Ride-Out
Pulcinella (1965)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Overture. Allegro moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Serenata. Larghetto - "Mentre l'erbetta, pasce l'agnella" (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Scherzino. Allegro
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Poco più vivo - Allegro
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegretto - "Contento forse vivere"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (alla breve) - "Con queste paroline"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Largo - "Sento dire: no nc'è pace" - "Chi disse cà la femmena"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro - "Nce sta quacuna pò" - "Una te fa la nzemprece"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Presto - "Una te fa la nzemprece"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo I (Largo)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro (alle breve)
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tarantella
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Andantino - "Se tu m'ami"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Gavotta con due variazioni. Allegro moderato
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. I. Allegretto
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Var. II. Allegro più tosto moderato
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Vivo
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Tempo di minuetto - "Pupillette, fiammette d'amore"
- Pulcinella, Ballet in One Act for Small Orchestra with 3 Solo Voices after Pergolesi: Allegro assai
Perséphone (1966)
- Perséphone, Melodrame en Trois Tableaux: I. Perséphone ravie
- Perséphone, Melodrame en Trois Tableaux: II. Perséphone aux enfers
- Perséphone, Melodrame en Trois Tableaux: III. Perséphone renaissante
Symphony in E-Flat Major, Op. 1 (1966)
- Symphony in E-Flat Major, Op.1: I. Allegro moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Symphony in E-Flat Major, Op.1: II. Scherzo. Allegretto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Symphony in E-Flat Major, Op.1: III. Largo (von Columbia Symphony Orchestra, Igor Stravinsky)
- Symphony in E-Flat Major, Op.1: IV. Finale. Allegro molto (von Columbia Symphony Orchestra, Igor Stravinsky)
Mavra (1964) / Les Noces (1965)
- Mavra, Opera buffa in One Act: Overture (von CBC Symphony Orchestra, Igor Stravinsky)
- Mavra, Opera buffa in One Act: "Drug moy milyy" (Parasha)
- Mavra, Opera buffa in One Act: "Kolokol'chiki zvenyat" (Hussar, Parasha)
- Mavra, Opera buffa in One Act: "U pesen vsekh slova odni" (Parasha, Hussar)
- Mavra, Opera buffa in One Act: "Moya strast' sil'neye stanovitsya" (Parasha, Hussar)
- Mavra, Opera buffa in One Act: "Izbavi Bog prislugu" (Mother, Parasha)
- Mavra, Opera buffa in One Act: "Net, ne zabyt' vo veki mne pokoynitsu" (Mother)
- Mavra, Opera buffa in One Act: "Zhelayu zdravstvovat'! " (Neighbour, Mother)
- Mavra, Opera buffa in One Act: "Gde tak dolgo ty byla?" (Mother, Neighbour, Parasha, Cook)
- Mavra, Opera buffa in One Act: "Parasha!" / "Ya, Vasiliy milyy!" (Parasha, Cook)
- Mavra, Opera buffa in One Act: "Ya pamyat'yu ne izmenyu" (Parasha, Cook)
- Mavra, Opera buffa in One Act: "Parasha!" / "Slyshish'?" (Mother, Parasha, Cook)
- Mavra, Opera buffa in One Act: "Ya zhdu, ya zhdu pokorno" (Cook)
- Mavra, Opera buffa in One Act: "Pozhaluy vremya nastupilo pobrit'sya" (Cook, Mother, Parasha, Neighbour)
- Les Noces (1923): Part I, Scene 1: Chez le mariée "Kosal moya ko"
- Les Noces (1923): Part I, Scene 2: che le marié "Prechistaya Mat, khodi"
- Les Noces (1923): Part I, Scene 3: Le départ de la mariée "Blagoslavyalsya svetyol mesyats"
- Les Noces (1923): Part II, Scene 4: Le repas de noces
Stravinsky Conducts Cantata, Mass, In Memoriam Dylan Thomas and Other Works (1964-67)
- Cantata on Old English Texts: A Lyke-Wake Dirge - Versus I (Prelude): "This Ae Nighte"
- Cantata on Old English Texts: Ricercar I: "The Maidens Came"
- Cantata on Old English Texts: A Lyke-Wake Dirge - Versus II (First Interlude): "If Ever Thou Gav'st Hos'n and Shoon"
- Cantata on Old English Texts: Ricercar II (Sacred History): "Tomorrow Shall Be"
- Cantata on Old English Texts: A Lyke-Wake Dirge - Versus III (Second Interlude): "From Whinnymuir When Thou May'st Pass"
- Cantata on Old English Texts: Westron Wind
- Cantata on Old English Texts: A Lyke-Wake Dirge - Versus IV (Postlude): "If Ever Thou Gav'st Meat or Drink"
- Mass for Mixed Chorus and Double Wind Quintet: I. Kyrie
- Mass for Mixed Chorus and Double Wind Quintet: II. Gloria
- Mass for Mixed Chorus and Double Wind Quintet: III. Credo
- Mass for Mixed Chorus and Double Wind Quintet: IV. Sanctus
- Mass for Mixed Chorus and Double Wind Quintet: V. Agnus Dei
- In Memorium Dylan Thomas: Dirge-Canons (Prelude)
- In Memorium Dylan Thomas: Do Not Go Gentle into That Good Night
- In Memorium Dylan Thomas: Dirge-Canons (Postlude)
- Fanfare for a New Theatre
- The Owl and the Pussy-Cat
- Septet: I. [Sonata Allegro] Quarter Note = 88 (von Columbia Chamber Ensemble, Igor Stravinsky)
- Septet: II. Passacaglia (von Columbia Chamber Ensemble, Igor Stravinsky)
- Septet: III. Gigue (von Columbia Chamber Ensemble, Igor Stravinsky)
- Elegy for J.F.K.
Firebird Suite (1967) / Petrushka Suite (1960, 1967)
- The Firebird Suite: Introduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Prelude and Dance of the Firebird (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Variations (Firebird) (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Pantomime I (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Pas de deux. Firebird and Ivan Tsarevitch (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Pantomime II (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Scherzo. Dance of the Princesses (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Pantomime III (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Rondo (Khorovod) (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Infernal Dance (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Lullabye (The Firebird) (von Columbia Symphony Orchestra, Igor Stravinsky)
- The Firebird Suite: Final Hymn (von Columbia Symphony Orchestra, Igor Stravinsky)
- Petrushka Suite: The Shrovetide Fair
- Petrushka Suite: The Crowds
- Petrushka Suite: The Charlatan's Booth
- Petrushka Suite: Russian Dance
- Petrushka Suite: Petruchka's Room
- Petrushka Suite: The Shrovetide Fair (Towards Evening)
- Petrushka Suite: Dance of the Wet-Nurses
- Petrushka Suite: Dance of the Peasant and the Bear
- Petrushka Suite: Dance of the Gypsy Girls
- Petrushka Suite: Dance of the Coachmen and the Grooms
- Petrushka Suite: The Masqueraders
Capriccio for Piano and Orchestra (1966) / Concerto for Piano and Wind Instruments (1964)
- Capriccio for Piano and Orchestra: I. Presto (von Philippe Entremont, Columbia Symphony Orchestra, Robert Craft)
- Capriccio for Piano and Orchestra: II. Andante rapsodico (von Philippe Entremont, Columbia Symphony Orchestra, Robert Craft)
- Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo guisto (von Philippe Entremont, Columbia Symphony Orchestra, Robert Craft)
- Concerto for Piano and Wind Instruments: I. Largo - Allegro
- Concerto for Piano and Wind Instruments: II. Largo
- Concerto for Piano and Wind Instruments: III. Allegro
Pulcinella Suite (1965) / Scherzo fantastique (1962) / Fireworks & Scherzo à la russe (1963)
- Pulcinella Suite: I. Sinfonia (Ouverture). Allegro moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: II. Serenata. Larghetto (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: IIIa. Scherzino (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: IIIb. Allegro (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: IIIc. Andantino (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: IV. Tarantella (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: V. Toccata. Allegro (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: VI. Gavotta con due variazioni. Allegro moderato - Var. I. Allegretto - Var. II. Allegro più tosto moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: VII. Vivo (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: VIIIa. Minuetto. Molto moderato (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pulcinella Suite: VIIIb. Finale. Allegro assai (von Columbia Symphony Orchestra, Igor Stravinsky)
- Scherzo Fantastique, Op. 3 (von CBC Symphony Orchestra, Igor Stravinsky)
- Fireworks , Op.4 (von Columbia Symphony Orchestra, Igor Stravinsky)
- Scherzo à la russe (von Columbia Symphony Orchestra, Igor Stravinsky)
The New Stravinsky: Huxley Variations (1966) / Abraham and Isaac (1967, 1969) / Requiem Canticles (1966)
- Variations, Aldous Huxley in Memoriam (von Columbia Symphony Orchestra, Robert Craft)
- Abraham and Isaac , Sacred Ballad for Baritone and Chamber Orchestra (von Columbia Symphony Orchestra, Robert Craft)
- Introitus , T.S. Elliot in Memoriam
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): I. Prelude (von Columbia Symphony Orchestra, Robert Craft)
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): II. Exaudi
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): III. Dies irae
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): IV. Tuba mirum
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): V. Interlude (von Columbia Symphony Orchestra, Robert Craft)
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): VI. Rex tremendae
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): VII. Lacrimosa
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): VIII. Libera me
- Requiem Canticles (To the Memory of Helen Buchanan Seeger): IX. Postlude (von Columbia Symphony Orchestra, Robert Craft)
Songs (1964-1968)
- The Faun and the Shepherdess, Op. 2: I. The Shepherdess (von CBC Symphony Orchestra, Igor Stravinsky)
- The Faun and the Shepherdess, Op. 2: II. The Faun (von CBC Symphony Orchestra, Igor Stravinsky)
- The Faun and the Shepherdess, Op. 2: III. The River (von CBC Symphony Orchestra, Igor Stravinsky)
- Two Poems by Paul Verlaine, Op. 9: La Lune blanche (von Columbia Symphony Orchestra, Igor Stravinsky)
- Two Poems by Paul Verlaine, Op. 9: Un grand sommeil noir (von Columbia Symphony Orchestra, Igor Stravinsky)
- 2 Poems by Konstantin Balmont: I. Forget-me-nots
- 2 Poems by Konstantin Balmont: II. The Dove
- 3 Japanese Lyrics: I. Akahito (à Maurice Delage) (von Columbia Symphony Orchestra, Robert Craft)
- 3 Japanese Lyrics: II. Mazatsumi (à Florent Schmitt) (von Columbia Symphony Orchestra, Robert Craft)
- 3 Japanese Lyrics: III. Tsaraiuki (à Maurice Ravel) (von Columbia Symphony Orchestra, Robert Craft)
- Three Little Songs "Recollections of My Childhood": I. The Magpie (von Columbia Symphony Orchestra, Igor Stravinsky)
- Three Little Songs "Recollections of My Childhood": II. The Rook (von Columbia Symphony Orchestra, Igor Stravinsky)
- Three Little Songs "Recollections of My Childhood": III. The Jackdaw (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pleasant Songs (Pribaoutki): I. Uncle Armand (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pleasant Songs (Pribaoutki): II. The Oven (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pleasant Songs (Pribaoutki): III. The Colonel (von Columbia Symphony Orchestra, Igor Stravinsky)
- Pleasant Songs (Pribaoutki): IV. The Old Man and the Hare (von Columbia Symphony Orchestra, Igor Stravinsky)
- Tilim-bom (von Columbia Symphony Orchestra, Robert Craft)
- Cat's Cradle Song: I. On the Stove (von Columbia Symphony Orchestra, Igor Stravinsky)
- Cat's Cradle Song: II. At Home (von Columbia Symphony Orchestra, Igor Stravinsky)
- Cat's Cradle Song: III. Lullaby (von Columbia Symphony Orchestra, Igor Stravinsky)
- Cat's Cradle Song: IV. The Cat Has... (von Columbia Symphony Orchestra, Igor Stravinsky)
- 4 Russian Songs for Voice, Flute, Harp and Guitar: I. The Drake
- 4 Russian Songs for Voice, Flute, Harp and Guitar: II. A Russian Spiritual
- 4 Russian Songs for Voice, Flute, Harp and Guitar: III. Geese and Swans
- 4 Russian Songs for Voice, Flute, Harp and Guitar: IV. Tilim-bom
- Three Songs from William Shakespeare: I. Musick to Heare
- Three Songs from William Shakespeare: II. Full Fadom Five
- Three Songs from William Shakespeare: III. When Dasies Pied
Danses concertantes (1967) / 4 Norwegian Moods (1963) / Ode (1964) / Concerto in D (1963)
- Danses Concertantes for Chamber Orchestra: I. Marche - Introduction (von Columbia Chamber Orchestra, Robert Craft)
- Danses Concertantes for Chamber Orchestra: II. Pas d'action. Con moto (von Columbia Chamber Orchestra, Robert Craft)
- Danses Concertantes for Chamber Orchestra: III. Thème varié. Lento - Var. 1. Allegretto - Var. 2. Scherzando - Var. 3. Andantino - Var. 4. Tempo giusto (von Columbia Chamber Orchestra, Robert Craft)
- Danses Concertantes for Chamber Orchestra: IV. Pas de deux. Risoluto - Andante sostenuto (von Columbia Chamber Orchestra, Robert Craft)
- Danses Concertantes for Chamber Orchestra: V. Marche - Conclusion (von Columbia Chamber Orchestra, Robert Craft)
- Four Norwegian Moods for Orchestra: I. Intrada (von CBC Symphony Orchestra, Igor Stravinsky)
- Four Norwegian Moods for Orchestra: II. Song (von CBC Symphony Orchestra, Igor Stravinsky)
- Four Norwegian Moods for Orchestra: III. Wedding Dance (von CBC Symphony Orchestra, Igor Stravinsky)
- Four Norwegian Moods for Orchestra: IV. Cortège (von CBC Symphony Orchestra, Igor Stravinsky)
- Ode, Elegiacal Chant in Three Parts for Orchestra: I. Eulogy. Lento (von Cleveland Orchestra, Igor Stravinsky)
- Ode, Elegiacal Chant in Three Parts for Orchestra: II. Eclogue. Con moto (von Cleveland Orchestra, Igor Stravinsky)
- Ode, Elegiacal Chant in Three Parts for Orchestra: III. Epitaph. Lento (von Cleveland Orchestra, Igor Stravinsky)
- Concerto in D for String Orchestra "Basle Concerto": I. Vivace (von Columbia Symphony Orchestra, Igor Stravinsky)
- Concerto in D for String Orchestra "Basle Concerto": II. Arioso. Andantino (von Columbia Symphony Orchestra, Igor Stravinsky)
- Concerto in D for String Orchestra "Basle Concerto": III. Rondo. Allegro (von Columbia Symphony Orchestra, Igor Stravinsky)
Stravinsky Conducts Music for Chamber and Jazz Ensembles (1964-65) / Bonus: Stravinsky in Rehearsal
- Praeludium
- Pastorale (Version for Violin & Chamber Ensemble)
- Tango , Version for 19 Instruments, 1953
- Concertino for 12 Instruments (von Columbia Chamber Ensemble, Igor Stravinsky)
- The Star-Spangled Banner (von Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky)
- Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: I. On Saints' Days in Chigisakh
- Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: II. Ovsen
- Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: III. The Pike
- Four Russian Peasant Songs "Saucers", For Equal Voices with Four Horns: IV. Master Portly
- Ave Maria (Revised 1949 version)
- Credo (Revised 1964 version)
- Pater Noster (Revised 1949 Version)
- Pastorale, Song Without Words for Soprano and Piano
- Stravinsky in Rehearsal: Apollon musagète
- Stravinsky in Rehearsal: The Sleeping Beauty: Bluebird Pas de deux
- Stravinsky in Rehearsal: 3 Little Songs "Recollections of My Childhood" with Cathy Berberian
- Stravinsky in Rehearsal: Pulcinella
- Stravinsky in Rehearsal: Concerto for Piano and Wind Instruments with Philippe Entremont
- Stravinsky in Rehearsal: Symphony in C
- Stravinsky in His Own Words: Excerpts from Portrait of Stravinsky
- Rehearsal Fragment: Symphony in C (Near End of the First Movement)
Symphony of Wind Instruments (1966) / Les Noces (1973) / Chant du Rossignol (1967)
- Symphonies of Wind Instruments - Revised 1947 version
- Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part I, Scene 1: Chez la mariée "Kosal moya ko"
- Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part I, Scene 2: Chez le mariée "Prechistaya Mat, khodi"
- Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part I, Scene 3: Le Départ de la mariée "Blagoslavyalsya svetyol mesyats"
- Les Noces (1917 version for Solo Voices, Chorus and Orchestra): Part II, Scene 4: Le Repas de noces "Yagoda s yagodoi sokatilasya"
- Les Noces (1919 version for Solo Voices, Chorus, Pianola, 2 Cimbaloms, Harmonium and Percussion): Scene 1: Chez la mariée "Kosal moya ko"
- Les Noces (1919 version for Solo Voices, Chorus, Pianola, 2 Cimbaloms, Harmonium and Percussion): Scene 2: Chez le marié "Prechistay Mat, khodi"
- Chant du rossignol: I. Introduction (von Columbia Symphony Orchestra, Robert Craft)
- Chant du rossignol: II. Marche chinoise (von Columbia Symphony Orchestra, Robert Craft)
- Chant du rossignol: III. Chant du rossignol (von Columbia Symphony Orchestra, Robert Craft)
- Chant du rossignol: IV. Jeu du rossignol mécanique (von Columbia Symphony Orchestra, Robert Craft)
Tashi Plays Stravinsky (1976)
- The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): I. The Soldier's March
- The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): II. The Soldier's Violin
- The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): III. The Little Concert
- The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): IV. Tango - Waltz - Ragtime
- The Soldier's Tale, Version for Clarinet, Violin and Piano (1919): V. The Devil's Dance
- Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: I. [Sonata allegro] Quarter Note = 88
- Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: II. Passacaglia
- Septet for Clarinet, Bassoon, Horn, Piano, Violin, Viola & Cello: III. Gigue
- Pastorale , Song Without Words Version for Violin and Piano (1933)
- Three Pieces for Clarinet: I. Sempre piano e molto tranquillo
- Three Pieces for Clarinet: II. Eighth Note = 168
- Three Pieces for Clarinet: III. Eighth Note = 160
- Suite italienne, Arrangement for Cello and Piano from "Pulcinella": I. Introduzione. Allegro moderato
- Suite italienne, Arrangement for Cello and Piano from "Pulcinella": II. Serenata. Larghetto
- Suite italienne, Arrangement for Cello and Piano from "Pulcinella": III. Aria. Allegro alla breve
- Suite italienne, Arrangement for Cello and Piano from "Pulcinella": IV. Tarantella. Vivace
- Suite italienne, Arrangement for Cello and Piano from "Pulcinella": V. Minuetto e Finale. Moderato - Molto vivace
The Soldier's Tale [Narrated by Jeremy Irons] (1961, 1967, 2005)
- The Soldier's Tale: Part 1: Introduction: The Soldier's March
- The Soldier's Tale: Part 1: Music for Scene One: Airs by a Stream
- The Soldier's Tale: Part 1: The Soldier's March (Reprise)
- The Soldier's Tale: Part 1: Music for Scene Two: Pastorale
- The Soldier's Tale: Part 1: Airs by a Stream (Reprise)
- The Soldier's Tale: Part 1: Music for Scene Three: Airs by a Stream (Reprise)
- The Soldier's Tale: Part 2: The Soldier's March (Reprise)
- The Soldier's Tale: Part 2: The Royal March
- The Soldier's Tale: Part 2: The Little Concert
- The Soldier's Tale: Part 2: Three Dances: 1. Tango
- The Soldier's Tale: Part 2: Three Dances: 2. Valse
- The Soldier's Tale: Part 2: Three Dances: 3. Ragtime
- The Soldier's Tale: Part 2: The Devil's Dance
- The Soldier's Tale: Part 2: Little Chorale
- The Soldier's Tale: Part 2: The Devil's Song
- The Soldier's Tale: Part 2: Great Choral
- The Soldier's Tale: Part 2: Triumphal March of the Devil
The Essential Igor Stravinsky (Compilation)
- Feu d'artifice, Op. 4
- L'Oiseau de feu: "Danse infernale de Kachtcheï et de ses sujets"
- L'Oiseau de feu: "Berceuse (l'Oiseau de feu)"
- L'Oiseau de feu: "Réveil de Kachtcheï"
- L'Oiseau de feu: "Mort de Kachtcheï" - "Ténèbres"
- L'Oiseau de feu: "Écroulement du palais de Kachtcheï et dissolution des enchantements"
- Petrushka: Scene I. Opening
- Petrushka: Scene I. "The Shrovetide Fair"
- Petrushka: Scene I. "The Charlatan's Booth"
- Petrushka: Scene I. "Russian Dance"
- Petrushka: Scene II. "Petrushka's Room"
- Le Sacre du printemps: Part I. Introduction (von Columbia Symphony Orchestra, Igor Stravinsky)
- Le Sacre du printemps: Part I. "Augures printaniers" - "Danses des adolescentes"
- Le Sacre du printemps: Part I. "Jeu du rapt"
- Le Sacre du printemps: Part I. "Rondes printanlères"
- Le Sacre du printemps: Part I. "Jeu des cités rivales"
- Le Sacre du printemps: Part I. "Cortège du Sage" (von Columbia Symphony Orchestra, Igor Stravinsky)
- Le Sacre du printemps: Part I. "L'Adoration de la terre (Le Sage)"
- Le Sacre du printemps: Part I. "Danse de la terre"
- Suite No. 1 for Chamber Orchestra: I. Andante
- Suite No. 1 for Chamber Orchestra: II. Napolitana
- Suite No. 1 for Chamber Orchestra: III. Española
- Suite No. 1 for Chamber Orchestra: IV. Balalaika
- Ragtime for 11 Players
- Histoire du Soldat: "Marche royale"
- Histoire du Soldat: "Petit concert"
- Piano rag music
- Pulcinella: Sinfonia (Ouverture)
- Pulcinella: Gavotta con due variazioni
- Octet for Winds: I. Sinfonia
- Concerto for Piano and Wind Instruments: III. Allegro
- Symphony of Psalms: Part I. Exaudi orationem meam
- Concerto in D for Violin and Orchestra: IV. Capriccio
- Pastorale: Chant sans paroles
- Jeu de cartes: Premiere donne
- Concerto in E-flat (Dumbarton Oaks): I. Tempo giusto
- Symphony in C: III. Allegretto
- The Star-Spangled Banner
- Four Norwegian Moods: I. Intrada
- Circus Polka (for a young elephant)
- Scherzo a la Russe
- Symphony in Three Movements: III. Con moto
- Ebony Concerto: I. Allegreo moderato
- The Rake's Progress: Epilogue "Good people, just a moment"
- Tango
- Greeting Prelude (von Columbia Symphony Orchestra, Igor Stravinsky)
- Monumentum pro Gesualdo di Venosa ad CD annum: II. "Ma tu, cagion di quella: Madrigale XVIII, Libro quinto"
- Elegy for J.F.K.
- Fanfare for a New Theatre
- Requiem Canticles: II. Exaudi
- Requiem Canticles: III. Dies Irae
- Requiem Canticles: IV. Tuba Mirum
- The Owl and the Pussycat
- Stravinsky in His Own Words
The Firebird - Le sacre du printemps
- The Firebird (Version 1919): Introduction
- The Firebird (Version 1919): L'oiseau de feu et sa danse
- The Firebird (Version 1919): Variation de l'oiseau de feu
- The Firebird (Version 1919): Ronde des princesses
- The Firebird (Version 1919): Danse infernale du roi Kastchei
- The Firebird (Version 1919): Berceuse
- The Firebird (Version 1919): Final
- Le sacre du printemps: L'adoration de la terre
- Le sacre du printemps: Le sacrifice
The Firebird Suite, Pulcinella Suite, Scherzo Fantastique, Suites Nos.1 & 2 for Small Orchestra ( Boulez/BBC/New York)
- The Firebird Suite: I. Introduction, The Enchanted Garden of Kashchei and Dance of the Firebird (von BBC Symphony Orchestra, Pierre Boulez)
- The Firebird Suite: II. The Firebird's Entreaties (von BBC Symphony Orchestra, Pierre Boulez)
- The Firebird Suite: III. The Princesses' Game with the Golden Apples (von BBC Symphony Orchestra, Pierre Boulez)
- The Firebird Suite: IV. The Princesses' Round (von BBC Symphony Orchestra, Pierre Boulez)
- The Firebird Suite: V. Infernal dance of Kaschchei's Subjects (von BBC Symphony Orchestra, Pierre Boulez)
- Pulcinella (Suite): I. Sinfonia (Overture) (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): II. Serenata (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): III. a) Scherzino (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): III. b) Allegro (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): III. c) Andantino (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): IV. Tarantella (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): V. Toccata (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): VI. Gavotta (con due variazioni) (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): VI. Variazione I. Allegretto (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): VI. Variazione II. Allegro piu tosto (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): VII. Vivo (Duetto) (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): VIII. a) Minuetto (von New York Philharmonic, Pierre Boulez)
- Pulcinella (Suite): VIII. b) Finale (von New York Philharmonic, Pierre Boulez)
- Scherzo fantastique (von New York Philharmonic, Pierre Boulez)
- Suite No.1 for Small Orchestra: I. Andante (von Ensemble intercontemporain, Pierre Boulez)
- Suite No.1 for Small Orchestra: I. Napolitana (von Ensemble intercontemporain, Pierre Boulez)
- Suite No.1 for Small Orchestra: III. Española (von Ensemble intercontemporain, Pierre Boulez)
- Suite No.1 for Small Orchestra: IV. Balalaika (von Ensemble intercontemporain, Pierre Boulez)
- Suite No.2 for Small Orchestra: I. Marche (von Ensemble intercontemporain, Pierre Boulez)
- Suite No.2 for Small Orchestra: II. Valse (von Ensemble intercontemporain, Pierre Boulez)
- Suite No.2 for Small Orchestra: III. Polka (von Ensemble intercontemporain, Pierre Boulez)
- Suite No.2 for Small Orchestra: IV. Galop (von Ensemble intercontemporain, Pierre Boulez)