Harry Partch Songtexte
Revelation in the Courthouse Park - Chorus One
Geboren am 24. Juni 1901, Gestorben am 03. September 1974
17 Lyrics of Li Po
- The Long Departed Lover
- On the City Street
- An Encounter In The Field
- The Intruder
- On Ascending the Sin-Ping Tower
- In the Springtime on the South Side of the Yangtze Kiang
- The Night of Sorrow
- On Hearing the Flute in the Yellow Crane House
- On Hearing the Flute at Lo-Cheng One Spring Night (2)
- A Dream
- On Seeing Off Meng Hao-Jan
- On the Ship of Spice-wood
- With A Man Of Leisure
- A Midnight Farewell (2)
- Before The Cask Of Wine (2)
- By The Great Wall
- I Am A Peach Tree
Enclosure 5
- Ulysses Departs From the Edge of the World
- Revelation in the Courthouse Park - Chorus One
- Chorus Three, in Part
- From Scene One: Hymn to Dionysus: Holy Joy and Get Religion
- From Scene Two: Hymn to Dionysus: What the Majority Believes
- From Scene Two: Hymn to Dionysus: Glory to the Male Womb
- End of Scene Three and All of Chorus Four
- End of Scene Four and Coda
- Introduction to King Oedipus
- King Oedipus: Introduction
- King Oedipus: Opening Scene
- King Oedipus: First Chorus
- King Oedipus: Tiresias Scene (Beginning)
- King Oedipus: Tiresias Scene (Continued)
- King Oedipus: Second Chorus
- King Oedipus: Creon Scene
- King Oedipus: Jocasta Scene
- King Oedipus: Incidental Music
- King Oedipus: Third Chorus
- King Oedipus: Messenger Scene
- King Oedipus: Fourth Chorus
- King Oedipus: Herdsman Scene
- King Oedipus: Oedipus Scene
- King Oedipus: Fifth Chorus
- King Oedipus: Instrumental Commentary
- King Oedipus: Antiphony
- King Oedipus: Exit Oedipus - Dance-Pantomime
- King Oedipus: Final Chorus
- Johann Krieger: Menuet From Partita in G
- Douglas Moore: Come Away, Death
- Come Away, Death From December, 1942
- By The Rivers Of Babylon (137th Psalm)
- Introduction to the Bewitched
- The Bewitched: Prologue
- Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall
- Scene 2: Background for the Permutation of Exercises in Harmony and Counterpoint
- Scene 3: Background for the Inspired Romancing of a Pathological Liar
- Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music
- Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room
- Scene 6: Background for the Euphoria on a Sausalito Stairway
- Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit
- Scene 8: Background for the Apotheosis of a Court in Its Own Contempt
- Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise
- Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails
- The Bewitched: Epilogue
The Harry Partch Collection, Volume 1 (Compilation)
- Study on Olympos' Pentatonic
- Study on Archytas' Enharmonic
- The Rose
- The Crane
- The Waterfall
- The Wind
- The Street
- Lover
- Soldiers - War - Another War
- Vanity
- Cloud-Chamber Music
- Castor
- Pollux
- Ring Around the Moon, Phase One
- Ring Around the Moon, Phase Two
- Ring Around the Moon, Phase Three
- Ring Around the Moon, Phase Four
- Even Wild Horses, Act I Scene 1
- Even Wild Horses, Act I Scene 2
- Even Wild Horses, Act I Scene 3
- Even Wild Horses, Act II Scene 1
- Even Wild Horses, Act II Scene 2
- Even Wild Horses, Act II Scene 3
- Even Wild Horses, Act III Scene 1
- Even Wild Horses, Act III Scene 2
- Ulysses at the Edge
