Live at the Bassment Club
Mehr Songtexte
- Alternate Picking (Examples 1.23–1.26)
- Sweep/Economy Picking (Examples 2.13–2.17)
- Emulating Other Instruments (Examples 9.16–9.17)
- Eight-Finger Tapping (Examples 5.13–5.18)
- Organ Backing Track (Backing Track 2a)
- Extended Scales (Examples 8.1–8.4)
- Pick And Fingers (Examples 6.4–6.5)
- Intro/Tuning Notes
- Emulating Other Instruments (Example 9.15)
- Extending The Fretboard (Examples 7.14–7.18)
- Pick And Fingers (Examples 6.9–6.10)
- Emulating Other Instruments (Example 9.13)
- Extending The Fretboard (Examples 7.8–7.9)
- Fake Slide Guitar (Demo 3)
- Tapping (Examples 4.9–4.12)
- Emulating Other Instruments (Examples 9.1–9.5)
- Organi Backing Track (Backing Track 2b)
- Extending The Fretboard (Examples 7.1–7.2)
- Tapping (Examples 4.15–4.18)
- Sweep/Economy Picking (Examples 2.9–2.12)
- Japanese Track (Backing Track 1)
- Alternate Picking (Examples 1.1–1.9)
- Emulating Other Instruments (Examples 9.8–9.10)
- Eight-Finger Tapping (Examples 5.10–5.12)
- Japanese Track (Demo 1)
- Organ Track (Demo 2)
- Goodbye
- Alternate Picking (Examples 1.27–1.38)
- Sweep/Economy Picking (Examples 2.1–2.8)
- Fake Slide Guitar (Backing Track 3)
- Legato (Examples 3.16–3.19)
- Tapping (Examples 4.1–4.4)
- Pick And Fingers (Examples 6.1–6.3)
- Alternate Picking (Examples 1.15–1.22)
- New Chordal Ideas (Examples 10.1–10.6)
- Tapping (Examples 4.13–4.14)
- Extended Scales (Examples 8.5–8.9)
- Emulating Other Instruments (Example 9.11)
- Alternate Picking (Examples 1.39–1.44)
- Eight-Finger Tapping (Example 5.23)
- Emulating Other Instruments (Examples 9.6–9.7)
- Alternate Picking (Examples 1.10–1.14)
- Emulating Other Instruments (Example 9.14)
- Emulating Other Instruments (Example 9.12)
- Legato (Examples 3.1–3.7)
- Extending The Fretboard (Examples 7.10–7.13)
- Emulating Other Instruments (Example 9.18)
- Tapping (Examples 4.5–4.8)
- Pick And Fingers (Examples 6.6–6.8)
- Extending The Fretboard (Examples 7.3–7.7)
- Eight-Finger Tapping (Examples 5.5–5.8)
- Tapping (Examples 4.19–4.22)
- Legato (Examples 3.20–3.23)
- Eight-Finger Tapping (Examples 5.1–5.4)
- Jelly Bean
- Uptown
- Hollywood Woman
- Heart of the City
- Lost in Rio
- Where We Started
- Beautiful Imperfection
- T&C
- The Blue Room
- The Cost of Loving
- Seventh Heaven
- Mercy, Mercy
- Can't Dance
- The Chicken
- Access Denied
- G Locrian Shapes (Examples 4.53)
- G Minor 7 Arpeggios (Example 4.46)
- Connecting Pentatonic Shapes In Groups Of Three (Example 4.24)
- Intro - Tuning Notes
- Pentatonic Patterns (Example 4.34)
- G Dorian Shapes (Example 4.51)
- G Dominant 7 Arpeggios (Example 4.47)
- Lydian Improvisation (Demo 7)
- G Aeolian Shapes (Example 4.51)
- Pentatonic Pattern (Example 4.28)
- A Major Pentatonic Scale Shapes (Example 4.14)
- Backing Track 1
- Hendrix-Style Chordal Embellishments (Demo 1a)
- Backing Track 9
- Connecting Pentatonic Shapes (Examples 4.23)
- Backing Track 3
- Backing Track 2
- Backing Track 4
- Backing Track 5
- Backing Track 6
- Backing Track 7
- Backing Track 8
- G Mixolydian Shapes (Examples 4.52)
- Pentatonic Patterns (Example 4.27)
- Combining Pentatonic (Demo 3)
- Pentatonic Patterns (Example 4.33)
- G Major Arpeggios (Example 4.43)
- Metal Rhytm (Demo 9)
- A Minor Pentatonic Scale Shapes (Example 4.13)
- Aeolian Blues (Demo 4)
- G Ionian Shapes (Example 4.52)
- African Style Triads (Demo 2a)
- G Lydian Shapes (Example 4.52)
- Pentatonic Patterns (Example 4.26)
- G Minor Arpeggios Example 4.44)
- Pentatonic Patterns (Example 4.32)
- Sliding Ideas (Examples 4.20-4.22)
- Tower Of Power Style Funk Rhythm (Demo 5)
- Minor Pentatonic Bends (Examples 4.15-4.19)
- Pentatonic Patterns (Example 4.25)
- Pentatonic Patterns (Example 4.35)
- G Major 7 Arpeggios (Example 4.45)
- Pentatonic Patterns (Example 4.31)
- String Bend Solo (Demo 1b)
- Pentatonic Patterns (Example 4.29)
- African Style Solo (Demo 2b)
- G Minor 7 Flat 5 Arpeggios (Example 4.48)
- Pentatonic Patterns (Example 4.30)
- Dominant Arpeggio Blues (Demo 6)
- G Phrygian Shapes (Example 4.51)
- Pentatonic Key Changes (Demo 8)
