Instruments of the Middle Ages and Renaissance
The Middle Ages
- Saltarello
- Shepherd’s tune
- (a) Saltarello (b) Ballade “Dame, se vous m’estés”
- Pastourelle “Au tans d’aost”
- A prisai qu’en chantant plour
- Ach owê, daz nâch liebe ergât
- Dou tres douz non
- Virelai “Gracïeuse”
- Dansa “Ben volgra, s’esser poges”
- English Te Deum
- Chansonnette “Quan je voi iver retorner”
- Madrigal “Ay, sconsolato ed amoroso”
- Estampie
- Chanson “Joliveté et bone amor”
- Ellend du hast
- (a) Fanfare “Untarn slaf tut den sumer wol” (b) Fanfare “Ad modum tubae”
- (a) Ballade “De moi doloureus” (b) Das Nachthorn (c) Geisslerlied “Maria muoter reinû maît” (d) Der Trumpet
- (a) Lai “Qui porroit un guierredon” (b) Dance tune
- Goliard melody “O Roma nobilis”
- Hymn to St Magnus “Nobilis humilis”
- Madrigal “Tanto soavemente”
- Madrigal “Di novo è giunto”
- Chanson “Amours que porra”
- Aquel que de voontade
- Virelai “Quant je sui mis”
- English dance
- La septime estampie real
- Ballata “Poi che da te mi convien”
- Virelai “Comment qu’a moy”
- Improvised fanfare Motet “Quant ie le voi — Bon vin doit — Cis chans veult boire”
The Renaissance
- Two courantes
- Chanson “Ce qui souloit”
- Caro ortolano
- Padouana
- Bicinium “Le cuer de vous”
- Bicinium “Mon petit cuer”
- Three Bransles Doubles
- Chanson “Amor me poingt”
- Chanson “Hellas! Amour”
- The Fairie Round (von David Munrow, Early Music Consort of London)
- Entrada réal
- (a) Prelude “Ascensus simplex” (b) “Min Hertz hat sich ser gefröwet”
- Toccata from the Naples MS
- Variations on the Romanesca
- Ballo Francese
- (a) Unmuted Toccata from Orfeo, 1607 (b) Muted Toccata from Orfeo, 1607
- (a) Solo: Adagio and Allegro (b) Consort “Lobt Gott ihr Christen alle gleich”
- Canzona for “due canti”
- Bicinium “Amour cruel”
- Canzona Quarta for “basso solo”
- Orlando sleepeth
- A Fancy — Praelude, or Voluntary
- Ballo Anglese
- Galliarde for cittern and bass
- Toccata prima
- Galliard
- Duet “Le Rossignol”
- Fantasia XI from El maestro, 1536
- Pavana (Variations on the Romanesca)
- (a) Consort: Fantasy in four parts (b) Lyra viol: Duet “Forget me not”
- La volta
Music for Ferdinand and Isabella of Spain (Compilation)
- Cancionero de Palacio: Donde se sufre, Juana (von Early Music Consort of London)
- Cancionero de Palacio: La tricotea Samartín la vea (von Early Music Consort of London)
- Viva el gran Re Don Fernando con la Reina Don Isabella (von Early Music Consort of London)
- Ut queant laxis (von Early Music Consort of London)
- Virgen bendita sin par (von Early Music Consort of London)
- El maestro: Fantasia for vihuela No. 11 (von Early Music Consort of London)
- Tres libros de musica en cifras para vihuela: Claros y frescos rios (von Early Music Consort of London)
- El Cervel (von Early Music Consort of London)
- En Memoria d'Alixandre "Romance on the fall of Baza" (von Early Music Consort of London)
- Cancionero de Palacio: Sola me dexaste / Minno amor, dexiste ay (von Early Music Consort of London)
- Tres libros de musica en cifras para vihuela, Book III: Tiento para harpa u órgano (von Early Music Consort of London)
- Fantasia No. 1 (von Early Music Consort of London)
- Fantasia No. 11 (von Early Music Consort of London)
- Fantasia No. 25 (von Early Music Consort of London)
- Tres libros de musica en cifras para vihuela: Aquel caballero, madre (von Early Music Consort of London)
- L'amor, dona, ch'io te porto (von Early Music Consort of London)
- In te Domine speravi (von Early Music Consort of London)
- Cancionero de Palacio: Guarda, donna, el mío tormento (von Early Music Consort of London)
- Diferencias sobre "La Milanesa" (von Early Music Consort of London)
- Cancionero de Palacio: Ave Virgo, gratia plena (von Early Music Consort of London)
- Ave maris stella "Sumens illud" (von Early Music Consort of London)
- Cancionero de Palacio: Dios te salve, Cruz preciosa (von Early Music Consort of London)
- Trattado de Glosas: Recercada quarta sobre la Folía (von Early Music Consort of London)
- Trattado de Glosas: Recardada settima sobre la Romanesca (von Early Music Consort of London)
- Triste España sin ventura (von Early Music Consort of London)
- Jançu, Janto (von Early Music Consort of London)
- Il primo libro di balli a quattro voci No. 4: Caro ortolano (von Early Music Consort of London)
- Bicinia gallica et latina: Le cuer de vous (von Early Music Consort of London)
- Bicinia gallica et latina: Mon petit cueur (von Early Music Consort of London)
- Chansons musicales, Book II: Amor me poingt (von Early Music Consort of London)
- Chansons musicales, Book II: Hellas! Amour (von Early Music Consort of London)
- Entrada Réal (von Early Music Consort of London)
- Naples MS: Toccata (von Early Music Consort of London)
- Bicinia gallica et latina: Amour organ (von Early Music Consort of London)
- Il primo libro di balli a quattro voci No. 19: Ballo anglese (von Early Music Consort of London)
- El maestro: Fantasia for vihuela No. 11 (von Early Music Consort of London)
- Braye Lute Book: Pavana and Variations on the Romanesca (von Early Music Consort of London)
- La Volta (von Early Music Consort of London)
Music of the Gothic Era
- Viderunt omnes fines terre
- Viderunt Omnes
- Alle psallite cum luya
- Amor potest
- S’on me regarde
- In mari miserie
- O Mitissima
- Aucun ont trouve
- De me dame vient
- J’os bien a m’amie parler (von David Munrow, Early Music Consort of London)
- Le mesnie fauveline
- Impudentur circumivi
- Cum statua nabucodonasor
- Clap, clap, par un matin
- Febus mundo oriens
- Qui es promesses de fortune
- Lasse! comment oublieray
- Inter densas deserti meditans
- Hoquetus David
Music of the Gothic Era (Compilation)
- Viderunt omnes
- Alleluya Pascha nostrum (von Léonin)
- Gaude Maria Virgo (von Léonin)
- Locus iste (von Léonin)
- Viderunt Omnes
- Sederunt Principes
- Alle, psallite cum luya
- Amor potest
- S'on me regarde
- In mari miserie
- On parole de batre
- En mai, quant rosier sont flouri
- Dominator Domine
- El mois de mai
- O Mitissima
- Hoquetus I - VII
- Aucun ont trouvé (von Petrus de Cruce)
- De ma dame vient (von Adam de la Halle)
- J'os bien a m'amie parler (von David Munrow, Early Music Consort of London)
- La mesnie fauveline
- Quant je le voi
- Zelus Familie
- Quasi non ministerium
- Impudenter Circumivi
- Cum statua
- Pantheon abluitur (von Bernard de Cluny)
- Clap, clap, par un matin
- Ida capillorum (von Henri Gilles de Pusieux)
- Rachel plorat filios (von Henri Gilles de Pusieux)
- Lés l'ormel a la turelle
- O Philippe, Franci qui generis
- Febus mundo oriens
- Lasse! Comment oublieray (von Paul Elliott, Martyn Hill, Geoffrey Shaw, David Munrow)
- Qui es promesses
- Hoquetus David
- Christe, qui lux es (von James Bowman, Charles Brett, Early Music Consort of London, David Munrow)
- Degentis vita
- Inter densas deserti meditans
- Rex Karole, Johannis genite (von Philippe Royllart)