City of Birmingham Symphony Orchestra, Simon Rattle Songtexte
The Dream of Gerontius: Low-born clods of brute earth (chorus)
Leaving Home, an Introduction to 20th-Century Music, 1: Rhythm / Eastern Europe / After the Wake (Compilation)
- Dans sacrale (L'élue) (Le Sacre du Printemps - conclusion) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Ionisation (conclusion) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Rituel in memoriam Bruno Maderna (sections 1 - 7) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Der Abschied (Das Lied von der Erde - 6th movement - excerpt)
- Joie du sang des étoiles (Turangalîla-symphonie - 5th movement) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Lake of Tears (Bluebeard's Castle)
- Music for strings, percussion and celesta (2nd movement - opening) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 14: stanzas 8 & 9. Zaphorazhye Cossaks' Reply to the Sultan of Constantinople & O Delvig, Delvig
- Symphony no. 3 (conclusion) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Jeux vénitien (3rd movement) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Gailliard, Coda, Interlude & Four Duos - Four Trios - Coda (Agon) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- A Survivor from Warsaw
- Im Abendrot (Vier Letzte Lieder - 4th song)
Leaving Home, an Introduction to 20th-Century Music, 2: Tonality / Colour / America / Music Now (Compilation)
- Symphony no. 7: 3rd Movement (opening)
- Denn du bist klug (Elektra)
- Fünf Stücke für Orchester (nos. 3 - 5)
- Violin Concerto (conclusion)
- Jeux (conclusion)
- Et exspecto ressurrectionem mortuorum (4th movement opening)
- Dream/Window
- Decoration Day (conclusion)
- Rhapsody in Blue (jazzband version - opening) (von Wayne Marshall, City of Birmingham Symphony Orchestra, Simon Rattle)
- A Celebration of some 100 x 150 notes
- Symphonic Dances From West Side Story (excerpt)
- Symphony no. 8: 2nd Movement (conclusion)
- Zeitgestalten (3rd movement)
- Drowned Out (excerpt)
- Flourish with Fireworks
Simon Rattle: The CBSO Years (Compilation)
- Mša glagolskaja: I. Úvod
- Mša glagolskaja: II. Gospodi pomiluj
- Mša glagolskaja: III. Slava
- Mša glagolskaja: IV. Vĕruju
- Mša glagolskaja: V. Svet
- Mša glagolskaja: VI. Agneče Božij
- Mša glagolskaja: VII. Postludium: Varhany sólo (von Jane Parker‐Smith)
- Mša glagolskaja: VIII. Intrada
- War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam dona esi Domine (chorus/boys)
- War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle? (tenor) (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, op. 66: I. Requiem aeternam: Kyrie eleison (chorus) (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, op. 66: II. Dies irae. Dies irae, dies illa (chorus) (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, op. 66: II. Dies irae. Bugles sang, saddening the evening air (baritone) (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, op. 66: II. Dies irae. Liber scriptus proferetur (soprano/semi-chorus)
- War Requiem, op. 66: II. Dies irae. Out there, we've walked quite friendly up to Death (tenor/baritone)
- War Requiem, op. 66: II. Dies irae. Recordare Jesu pie (chorus) (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, op. 66: II. Dies irae. Be slowly lifted up, thou long black arm (baritone) (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, op. 66: II. Dies irae. Dies irae, dies illa (chorus) (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, op. 66: II. Dies irae. Lacrimosa dies illa (soprano/chorus)
- War Requiem, op. 66: II. Dies irae. Move him into the sun (tenor/soprano/chorus) / Pie Jesu (chorus)
- War Requiem, op. 66: III. Offertorium. Domine Jesu Christe (boys/chorus)
- War Requiem, op. 66: III. Offertorium. So Abram rose, and clave the wood, and went (tenor/baritone/boys)
- War Requiem, op. 66: IV. Sanctus. Sanctus, sanctus, sanctus (soprano/chorus)
- War Requiem, op. 66: IV. Sanctus. Benedictus qui venit in nomine Domini (soprano/chorus)
- War Requiem, op. 66: IV. Sanctus. After the blast of lightning from the East (baritone) (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, op. 66: V. Agnus Dei (tenor/chorus)
- War Requiem, op. 66: VI. Libera me. Libera me, Domine, de morte aeterna (soprano/chorus)
- War Requiem, op. 66: VI. Libera me. It seemed that out of battle I escaped (tenor/baritone)
- War Requiem, op. 66: VI. Libera me. "Let us sleep now...In paradisum" (tenor/baritone/boys/soprano/chorus)
- An American Overture
- Ballad of Heroes, op. 14: I. Funeral March (Swingler) - (von City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- Ballad of Heroes, op. 14: II. Scherzo (Auden) - (von City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- Ballad of Heroes, op. 14: III. Recitative and Choral (Auden/Swingler)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Theme - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var I: Recitative - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var. II: Romance - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var III. Variation 3: March - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var IV: Arabesque - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var V: Chant - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var VI: Nocturne - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var VII: Badinerie - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var VIII: Burlesque - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var IX: Toccata I - Toccata II - Cadenza - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var X: Adagio - (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, op. 21 for Piano (left hand) and Orchestra: Var XI: Finale (Tarantella) (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- The Building of the House, op. 79 (von City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- Praise We Great Men (ed. & orch. by Colin Matthews): Praide we great men -
- Praise We Great Men (ed. & orch. by Colin Matthews): Praise we the just -
- Praise We Great Men (ed. & orch. by Colin Matthews): (Coda)
- Suite on English Folk Tunes "A Time There Was", op. 90: I. Cakes and Ale
- Suite on English Folk Tunes "A Time There Was", op. 90: II. The Bitter Withy
- Suite on English Folk Tunes "A Time There Was", op. 90: III. Hankin Booby
- Suite on English Folk Tunes "A Time There Was", op. 90: IV. Hunt the Squirrel
- Suite on English Folk Tunes "A Time There Was", op. 90: V. Lord Melbourne
- Canadian Carnival, op. 19
- Young Apollo, op. 16
- Quatre Chansons françaises: No. 1. Les Nuits de Juin (von Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle)
- Quatre Chansons françaises: No. 2. Sagesse
- Quatre Chansons françaises: No. 3. L'Enfance
- Quatre Chansons françaises: No. 4. Chanson d'automne (von Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle)
- Scottish Ballad, op. 26
- Occasional Overture, op. 38
- Sinfonia da Requiem, op. 20: I. Lacrymosa: Andante ben marcato -
- Sinfonia da Requiem, op. 20: II. Dies irae: Allegro con fuoco -
- Sinfonia da Requiem, op. 20: III. Requiem aeternam: Andante molto tranquillo
- Die sieben Todsünden: Prolog
- Die sieben Todsünden: I. Faulheit (Family)
- Die sieben Todsünden: II. Stolz (Anna I / Family)
- Die sieben Todsünden: III. Zorn (Anna I & II / Family)
- Die sieben Todsünden: IV. Völlerei (Family)
- Die sieben Todsünden: V. Unzucht (Anna I & II / Family)
- Die sieben Todsünden: VI. Habsucht (Family)
- Die sieben Todsünden: VII. Neid (Anna I / Family)
- Die sieben Todsünden: Epilog (Anna I & II)
- On Wenlock Edge: No. 1. On Wenlock Edge (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: No. 2. From Far, From Eve and Morning (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: No. 3. Is My Team Ploughing (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: No. 4. Oh, When I Was in Love With You (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: No. 5. Bredon Hill (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- On Wenlock Edge: No. 6. Clun (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- Song of Travel: No. 1. The Vagabond (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Song of Travel: No. 2. Let Beauty Awake (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Song of Travel: No. 3. The Roadside Fire (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Song of Travel: No. 4. Youth and Love (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Song of Travel: No. 5. In Dreams (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Song of Travel: No. 6. The Infinite Shining Heavens (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Song of Travel: No. 7. Whither Must I Wander (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Song of Travel: No. 8. Bright Is the Ring of Words (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Song of Travel: No. 9. I Have Trod the Upward and Downward Slope (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- Symphonic Dances, op. 45: I. Non allegro
- Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse)
- Symphonic Dances, op. 45: III. Lento assai - Allegro vivace
- Vocalise, op. 34 no. 14
- Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso
- Symphony no. 2 in C minor “Resurrection”: II. Andante moderato
- Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung
- Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht
- Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wild herausfahrend -
- Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder sehr breit -
- Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Ritardando...Maestoso -
- Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Wieder zurückhaltend -
- Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Langsam. Misterioso -
- Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Etwas bewegter -
- Symphony no. 2 in C minor “Resurrection”: V. Im tempo des Scherzos: Mit Aufschwung aber nicht eilen -
- Das klagende Lied: I. Waldmärchen
- Das klagende Lied: II. Der Spielmann
- Das klagende Lied: III. Hochzeitsstück
- Piano Quartet no. 1 in G minor, op. 25: I. Allegro
- Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro, ma non troppo
- Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto
- Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla zingarese: Presto (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig
- Symphony no. 6 in A minor: II. Andante moderato
- Symphony no. 6 in A minor: III. Scherzo: Wuchtig
- Symphony no. 6 in A minor: IV. Finale: Allegro moderato
- Symphony no. 1 in E minor, op. 39: I. Allegro, ma non troppo - Allegro energico (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia: Andante - Allegro molto (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato - Presto (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 5 in E-flat, op. 82: III. Allegro molto - Un pochettino largamente (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 2 in D, op. 43: I. Allegretto (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 2 in D, op. 43: III. Vivacissimo (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 2 in D, op. 43: IV. Finale: Allegro moderato (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 3 in C, op. 52: I. Allegro moderato (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 3 in C, op. 52: II. Andantino con moto, quasi allegretto (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 3 in C, op. 52: III. Moderato - Allegro (ma non tanto) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony No. 4 in A minor, Op. 63: I. Tempo molto moderato, quasi adagio (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony No. 4 in A minor, Op. 63: II. Allegro molto vivace (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony No. 4 in A minor, Op. 63: III. Il tempo largo (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony No. 4 in A minor, Op. 63: IV. Allegro (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony No. 6 in D minor, Op. 104: I. Allegro molto moderato (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony No. 6 in D minor, Op. 104: II. Allegretto moderato (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony No. 6 in D minor, Op. 104: III. Poco vivace (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 6 in D minor, op. 104: IV. Allegro - Allegro assai (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Oceanides, op. 73 (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 7 in C, op. 105: I. Adagio -
- Symphony no. 7 in C, op. 105: II. Un pochettino meno allegro - Vivacissimo - Adagio -
- Symphony no. 7 in C, op. 105: III. Allegro molto moderato -
- Symphony no. 7 in C, op. 105: IV. Vivace - Presto - Adagio
- Kuolema, op. 44: Scene with Cranes (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Pan and Syrinx, op. 49
- Symphony no. 4, op. 29 "The Inextinquishable": I. Allegro -
- Symphony no. 4, op. 29 "The Inextinquishable": II. Poco allegretto -
- Symphony no. 4, op. 29 "The Inextinquishable": III. Poco adagio quasi andante -
- Symphony no. 4, op. 29 "The Inextinquishable": IV. Allegro
- Turangalîla-Symphonie: I. Introduction
- Turangalîla-Symphonie: II. Chant d'amour I
- Turangalîla-Symphonie: III. Turangalîla I
- Turangalîla-Symphonie: IV. Chant d'amour II
- Turangalîla-Symphonie: V. Joie du sang des étoiles
- Turangalîla-Symphonie: VI. Jardin du sommeil d'amour
- Turangalîla-Symphonie: VII. Turangalîla II
- Turangalîla-Symphonie: VIII. Développement de l'amour
- Turangalîla-Symphonie: IX. Turangalîla III
- Turangalîla-Symphonie: X. Final
- The Dream of Gerontius, op. 38: Part I. Prelude: Lento, mistico - Moderato - Andantino - Come prima
- The Dream of Gerontius, op. 38: Part I. Jesu, Maria - I am near to death (Gerontius)
- The Dream of Gerontius, op. 38: Part I. So pray for me... Kyrie eleison... Holy Mary, pray for him (Gerontius, semi-chorus, chorus)
- The Dream of Gerontius, op. 38: Part I. Rouse thee, my fainting soul... Be merciful (Gerontius, chorus)
- The Dream of Gerontius, op. 38: Part I. Sanctus fortis, Sanctus Deus (Gerontius)
- The Dream of Gerontius, op. 38: Part I. I can no more (Gerontius)
- The Dream of Gerontius, op. 38: Part I. Rescue him, O Lord (chorus)
- The Dream of Gerontius, op. 38: Part I. Novissima hora est (semi-chorus, chorus, Gerontius)
- The Dream of Gerontius, op. 38: Part I. Proficiscere, anima Christiana (Priest)
- The Dream of Gerontius, op. 38: Part I. Go in the name of Angels (chorus, Priest, semi-chorus)
- The Dream of Gerontius, op. 38: Part I. Go forth upon thy Journey (chorus, Priest, semi-chorus)
- The Dream of Gerontius, op. 38: Part II. (Andantino)
- The Dream of Gerontius, op. 38: Part II. I went to sleep (Soul of Gerontius)
- The Dream of Gerontius, op. 38: Part II. Another marvel
- The Dream of Gerontius, op. 38: Part II. My work is done (Angel, Soul)
- The Dream of Gerontius, op. 38: Part II. It is a member of that family... A presage falls upon thee (Angel, Soul)
- The Dream of Gerontius, op. 38: Part II. But hark! Upon my senses (Soul)
- The Dream of Gerontius, op. 38: Part II. Low-born clods of brute earth (chorus)
- The Dream of Gerontius, op. 38: Part II. Dispossessed, aside thrust (chorus)
- The Dream of Gerontius, op. 38: Part II. The mind bold and independent (chorus)
- The Dream of Gerontius, op. 38: Part II. I see not those false spirits (Soul)
- The Dream of Gerontius, op. 38: Part II. There was a mortal (Angel)
- The Dream of Gerontius, op. 38: Part II. Praise to the Holiest (semi-chorus, chorus, Angel)
- The Dream of Gerontius, op. 38: Part II. The Sound is like the rushing of the wind (Soul)
- The Dream of Gerontius, op. 38: Part II. Glory to Him (semi-chorus, chorus)
- The Dream of Gerontius, op. 38: Part II. They sing of thy approaching agony (Soul, Angel, chorus)
- The Dream of Gerontius, op. 38: Part II. But hark! a grand mysterious harmony (Soul, Angel, chorus)
- The Dream of Gerontius, op. 38: Part II. And now on the threshold (Angel)
- The Dream of Gerontius, op. 38: Part II. Praise to the Holiest (chorus)
- The Dream of Gerontius, op. 38: Part II. Thy judgment now is near (Angel, Soul)
- The Dream of Gerontius, op. 38: Part II. Jesu! by that shuddering dread (Angel of the Agony, Soul)
- The Dream of Gerontius, op. 38: Part II. Be merciful, be gracious (semi-chorus, chorus)
- The Dream of Gerontius, op. 38: Part II. Praise to His Name! (Angel)
- The Dream of Gerontius, op. 38: Part II. Take me away (Soul)
- The Dream of Gerontius, op. 38: Part II. Lord, Thou hast been our refuge (chorus)
- The Dream of Gerontius, op. 38: Part II. Softly and gently (Angel, chorus, semi-chorus)
- Petrushka (1947 version): Tableau I. Fete populaire de la semaine grasse
- Petrushka (1947 version): Tableau I. Le tour de passe-passe - Danse russe (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Petrushka (1947 version): Tableau II. Chez Petrushka
- Petrushka (1947 version): Tableau III. Chez le maure - Danse de la ballerine
- Petrushka (1947 version): Tableau III. Valse - La ballerine et le maure
- Petrushka (1947 version): Tableau IV. Fête populaire de la semaine grasse
- Petrushka (1947 version): Tableau IV. Danse des nounous
- Petrushka (1947 version): Tableau IV. Paysan et l'ours
- Petrushka (1947 version): Tableau IV. Bohémien et marchand malhonnête
- Petrushka (1947 version): Tableau IV. Danse des cochers et des palefreniers
- Petrushka (1947 version): Tableau IV. Les déguisés
- Petrushka (1947 version): Tableau IV. Le rixe: Le maure et Petrushka
- Petrushka (1947 version): Tableau IV. Mort de Petrushka
- Petrushka (1947 version):Tableau IV. Police et l'enchanteur - Vocifération du double de Petrushka
- Symphony In Three Movements: I. [Crotchet: 160]
- Symphony In Three Movements: II. Andante - Interlude (L'istesso tempo)
- Symphony in Three Movements: III. Con moto
- L'Oiseau de feu (1947 version): Introduction
- L'Oiseau de feu (1947 version): Tableau I. Le jardin enchanté de Kachtcheï - Apparition de l'Oiseau de feu poursuivi par Ivan Tsarévitch
- L'Oiseau de feu (1947 version): Tableau I. Danse de l'Oiseau de feu - Capture de l'Oiseau de feu par Ivan Tsarévitch - Supplications de l'Oiseau de feu - Apparition des treize princesses enchantées
- L'Oiseau de feu (1947 version): Tableau I. Brusque apparition d'Ivan Tsarévitch - Khorovode des princesses (Ronde) - Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtcheï - Carillon féerique - Apparition des monstres-gardiens de Kachtche ...
- L'Oiseau de feu (1947 version): Tableau I. Danse de la suite de Kachtcheî enchantée par l'Oiseau de feu - Danse infernale de tous les sujets de Kachtcheï
- L'Oiseau de feu (1947 version): Tableau I. Berceuse (L'Oiseau de feu) - Réveil de Kachtcheï - Mort de Kachtcheï - Profonds ténébres
- L'Oiseau de feu (1947 version): Tableau II. Disparation de palais et des sortilèges de Kachtcheï - Animation des chevaliers pétrifiés - Allégresse générale
- Scherzo à la Russe (jazz band version)
- Four Studies: I. Danse
- Four Studies: II. Excentrique
- Four Studies: III. Cantique
- Four Studies: IV. Madrid
- Scherzo à la Russe (orchestral version)
- Apollo: Tableau I. Naissance d'Apollon
- Apollo: Tableau II. Variation d'Apollon (Apollon et les Muses)
- Apollo: Tableau II. Pas d'action (Apollon et les Muses: Calliope, Polymnie et Terpsichore)
- Apollo: Tableau II. Variation de Calliope (l'Alexandrin)
- Apollo: Tableau II. Variation de Polymnie
- Apollo: Tableau II. Variation de Terpsichore
- Apollo: Tableau II. Variation d'Apollon
- Apollo: Tableau II. Pas de deux (Apollon et Terpsichore)
- Apollo: Tableau II. Coda (Apollon et les Muses)
- Apollo: Tableau II. Apothéose
- Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Introduction - Les augures printaniers - Danses des adolescents - Jeu du rapt
- Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Rondes printaniéres - Jeux des cités rivales - Cortège du sage
- Le Sacre du printemps: Premiére Partie: L'Adoration de la terre: Le sage - Danse de la terre
- Le Sacre du printemps: Seconde Partie: Le Sacrifice: Introduction
- Le Sacre du printemps: Seconde Partie: Le Sacrifice: Cercles mystérieux des adolescents
- Le Sacre du printemps: Seconde Partie: Le Sacrifice: Glorification de l´élue - Èvocation des ancêtres - Action rituelle des ancêtres
- Le Sacre du printemps: Seconde Partie: Le Sacrifice: Danse sacrale (L'élue)
- Five Orchestral Pieces, op. 16: I. Vorgefühle: Sehr rasch
- Five Orchestral Pieces, op. 16: II. Vergangenes: Mässige Viertel
- Five Orchestral Pieces, op. 16: III. Farben: Mässige Viertel
- Five Orchestral Pieces, op. 16: IV. Peripetie: Sehr rasch
- Five Orchestral Pieces, op. 16: V. Das obligate Rezitativ: Bewegte Achtel
- Six Orchestral Pieces, op. 6: I. Langsam
- Six Orchestral Pieces, op. 6: II. Bewegt
- Six Orchestral Pieces, op. 6: III. Mässig
- Six Orchestral Pieces, op. 6: IV. Sehr mässig
- Six Orchestral Pieces, op. 6: V. Sehr langsam
- Six Orchestral Pieces, op. 6: VI. Langsam
- Lulu Suite: I. Rondo: Andante und Hymne
- Lulu Suite: II. Ostinato: Allegro
- Lulu Suite: III. Lied der Lulu: Comodo (von Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle)
- Lulu Suite: IV. Variationen: Moderato
- Lulu Suite: V. Adagio (von Arleen Augér, City of Birmingham Symphony Orchestra, Simon Rattle)
- Le Roi Lear (orch. by Roger-Ducasse): Fanfare d’ouverture
- Le Roi Lear (orch. by Roger-Ducasse): Le Sommeil de Lear
- Jeux ("Poème dansé")
- Images: I. Gigues
- Images: II. Ibéria: 1. Par les rues et par les chemins
- Images: II. Ibéria: 2. Les Parfums de la nuit -
- Images: II. Ibéria: 3. Le matin de jour de fête
- Images: III. Gigues
- The Creation, Hob. XXI:2: Part I. Overture: Representation of Chaos (orchestra) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 1. In the beginning (Raphael/chorus/Uriel) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 2. Now vanish before the holy beams (Uriel/chorus) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 3. And God made the firmament (Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 4. The marvellous work (Gabriel/chorus) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 5. And God said, Let the waters (Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 6. Rolling in foaming billows (Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 7. And God said, Let the earth (Gabriel) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 8. With verdure clad (Gabriel)
- The Creation, Hob. XXI:2: Part I, no. 9. And the heavenly host (Uriel) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus)
- The Creation, Hob. XXI:2: Part I, no. 11. And God said, Let there be lights (Uriel) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 12. In splendour bright (Uriel) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part I, no. 13. The heavens are telling (chorus/Gabgiel/Uriel/Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 14. And God said, Let the waters (chorus/Gabriel/Uriel/Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 15. On mighty pens (Gabriel) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 16. And God created great whales (Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 17. And the angels (Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 18. Most beautiful appear (Gabriel/Uriel/Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 19. The Lord is great (chorus/Gabriel/Uriel/Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 20. And God said, Let the earth (Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 21. Straight opening her fertile womb (Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 22. Now heaven in all her glory shines (Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 23. So God created Man (Uriel) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 24. In native worth (Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 25. And God saw everything (Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 26. Achieved is the glorious work (chorus) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 27. On thee each living soul (Gabriel/Uriel/Raphael) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part II, no. 28. Achieved is the glorious work (chorus) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part III, no. 29. In rosy mantle (Uriel) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part III, no. 30. The Creation: By thee with bliss (Adam/Eve/chorus) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part III, no. 30. The Creation: Of stars the fairest (Adam/Eve/chorus) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part III, no. 30. Hail! bounteous Lord! (chorus) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part III, no. 31. Our duty we have now performed (Adam) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part III, no. 32. Graceful consort (Adam/Eve) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part III, no. 32. The dew-dropping morn (Adam/Eve) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part III, no. 33. O happy pair (Uriel) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- The Creation, Hob. XXI:2: Part III, no. 34. Sing the Lord (chorus and soloists) (von City of Birmingham Symphony Orchestra, City of Birmingham Symphony Orchestra Chorus, Simon Rattle)
- Symphony no. 60 in C, Hob. I:60 "The Distracted": I. Adagio - Allegro di molto
- Symphony no. 60 in C, Hob. I:60 "The Distracted": II. Andante
- Symphony no. 60 in C, Hob. I:60 "The Distracted": III. Menuetto & Trio
- Symphony no. 60 in C, Hob. I:60 "The Distracted": IV. Presto (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 60 in C, Hob. I:60 "The Distracted": V. Adagio (di Lamentatione)
- Symphony no. 60 in C, Hob. I:60 "The Distracted": VI. Finale (Prestissimo)
- Symphony no. 70 in D, Hob. I:70: I. Vivace con brio
- Symphony no. 70 in D, Hob. I:70: II. Specie d'un canone in contrapunto doppio (Andante)
- Symphony no. 70 in D, Hob. I:70: III. Menuet (Allegretto) & Trio
- Symphony no. 70 in D, Hob. I:70: IV. Finale (Allegro con brio)
- Symphony no. 90 in C, Hob. I:90: I. Adagio - Allegro assai
- Symphony no. 90 in C, Hob. I:90: II. Andante
- Symphony no. 90 in C, Hob. I:90: III. Menuet & Trio
- Symphony no. 90 in C, Hob. I:90: IV. Finale
- Fanfare (for the ballet L'Éventail de Jeanne)
- Shéhérazade: I. Asie (von Maria Ewing, City of Birmingham Symphony Orchestra, Simon Rattle)
- Shéhérazade: II. La Flûte enchantée (von Maria Ewing, City of Birmingham Symphony Orchestra, Simon Rattle)
- Shéhérazade: III. L'Indifférent (von Maria Ewing, City of Birmingham Symphony Orchestra, Simon Rattle)
- Alborada del gracioso
- Miroirs - La Vallée des cloches
- Ma Mère l'Oye: Prélude -
- Ma Mère l'Oye: Danse du Rouet et Scène -
- Ma Mère l'Oye: Pavane de la Belle au bois dormant -
- Ma Mère l'Oye: (Interlude) - Les Entretiens de la Belle et de la Bête -
- Ma Mère l'Oye: (Interlude) - Petit poucet -
- Ma Mère l'Oye: (Interlude) - Laideronnette, Impératrice des Pagodes -
- Ma Mère l'Oye: Le Jardin Féerique
- La Valse ("Poème chorégraphique")
- Daphnis et Chloé: Première Partie. Introduction et Danse religieuse ...
- Daphnis et Chloé: Première Partie. Les jeunes filles attirent Daphnis et l'entourent de leurs danses / Danse générale -
- Daphnis et Chloé: Première Partie. Danse grotesque de Dorcon
- Daphnis et Chloé: Première Partie. Danse légère et gracieuse de Daphnis
- Daphnis et Chloé: Première Partie. Tous invitent Daphnis à recevoir la récompense... / Danse de Lyceion
- Daphnis et Chloé: Première Partie. L'on perçoit des bruits d'armes, des cries de guerre qui se rapprochent / Fou de désespoir, il maudit les divinités qui n'ont su protéger la jeune fille Chloé et tombe évanoui, à l'entrée de la grotte
- Daphnis et Chloé: Première Partie. Une lumière iréelle enveloppe le paysage / Danse lente et mystérieuse / Elles invoquent le dieu Pan / Daphnis se prosterne suppliant. Tout s'éteint
- Daphnis et Chloé: Première Partie. Interlude
- Daphnis et Chloé: Deuxiéme Partie. Bryaxis ordonne d'amener la captive. Chloé est traînée par deux pirates / Danse suppliante de Chloé
- Daphnis et Chloé: Deuxiéme Partie. Bryaxis veut l'entraîner / Le chef l'emporte, triomphant / Soudain l'atmosphère semble chargée d'éléments insolites / La terre s'entr'ouvre. Formidable, l'ombre de Pan se profile sur les montagnes du fond. Tous fuien ...
- Daphnis et Chloé: Troisiéme Partie. Lever du jour
- Daphnis et Chloé: Troisiéme Partie. Le vieux berger Lammon explique que, si Pan a suavé Chloé / Daphnis et Chloé miment l'aventure de Pan et de Syrinx
- Daphnis et Chloé: Troisiéme Partie. Devant l'autel des Nymphes, il jure sa foi sur deux brebis / Entre un groupe de jeunes filles costumées en bacchantes / Daphnis et Chloé s'enlacent tendrement / Joyeux tumulte / Danse générale
- Boléro
- Symphony no. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo
- Symphony no. 7 in E minor: II. Nachtmusik I: Allegro Moderato
- Symphony no. 7 in E minor: III. Scherzo: Schattenhaft
- Symphony no. 7 in E minor: IV. Nachtmusik II: Andante Amoroso
- Symphony no. 7 in E minor: V. Rondo - Finale
- Blumine
- Symphony no. 1 in D: I. Langsam. Schleppend - Im Anfang sehr gemächlich
- Symphony no. 1 in D: II. Kräftig bewegt, doch nicht zu schnell
- Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen -
- Symphony no. 1 in D: IV. Stürmisch bewegt
- Symphony no. 5 in B-flat, op. 100: I. Andante
- Symphony no. 5 in B-flat, op. 100: II. Allegro marcato
- Symphony no. 5 in B-flat, op. 100: III. Adagio
- Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso
- Scythian Suite, op. 20 "Ala and Lolli": I. The Adoration of Veles and Ala: Allegro feroce
- Scythian Suite, op. 20 "Ala and Lolli": II. The Alien God and the Dance of the Evil Spirits: Allegro sostenuto
- Scythian Suite, op. 20 "Ala and Lolli": III. Night: Andantino
- Scythian Suite, op. 20 "Ala and Lolli": IV. Lolli's March and the Cortege of the Sun
- Barcarola
- Symphony no. 7: I. Tanz - Lebhaft und beseelt
- Symphony no. 7: II. Ruhig bewegt
- Symphony no. 7: III. Unablässig in Bewegung
- Symphony no. 7: IV. Ruhig, verhalten
- The Young Person's Guide to the Orchestra, op. 34: Theme (Allegro maestoso e largamente) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation A: Flutes and piccolo (PrestO) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation B: Oboes (Lento) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation C: Clarinets (Moderato) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation D: Bassoons (Allegro alla marcia) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation E: Violins Brillante: alla polacca) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation F: Violas (Meno mosso) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation G: Cellos (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation H: Double basses (Comminciando lento ma poco a poco accel. al Allegro) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation I: Harp (Maestoso) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation J: Horns (L'istesso tempo) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation K: Trumpets (Vivace) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation L: Trombones and bass tuba (Allegro pomposo) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Variation M: Percussion (Moderato) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Young Person's Guide to the Orchestra, op. 34: Fugue (Allegro molto) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Odyssey: Introduction (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Odyssey: Part I (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Odyssey: Part II (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Odyssey: Part III (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Odyssey: Part IV (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Odyssey: Part V (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": Theme (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": I. C.A.E. (the composer's wife) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": II. H.D.S.P. (Hed David Steuart-Powell) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": III. R.B.T. (Richard Baxter Townshend) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": IV. W.M.B. (William Meath Baker) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": V. R.P.A. (Richard Penrose Arnold) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": VI. Ysobel (Isabel Fitton) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": VII. Troyte (Troyte Griffit) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": VIII. W.N. (Winifred Norbury)
- Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod (A.J. Jaeger)
- Variations on an Original Theme, op. 36 "Enigma": X. Intermezzo: Dorabella (Dora Penny) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": XI. G.R.S. (George Robertson Sinclair) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": XII. B.G.N. (Basil G. Nevinson) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": XIII. Romanza: *** (Lady Mary Lygon) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Variations on an Original Theme, op. 36 "Enigma": XIV. Finale: E.D.U. (the composer) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Grania and Diarmid, op. 42: Incidental Music (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Grania and Diarmid, op. 42: Funeral March (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Falstaff - Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Falstaff - Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head. Revelry and Sleep - (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Falstaff - Symphonic Study in C minor, op. 68: Dream Interlude (Poco allegretto): "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Falstaff - Symphonic Study in C minor, op. 68: III. Falstaff's March - The Return (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Falstaff - Symphonic Study in C minor, op. 68: Interlude: Gloucestershire. Shallow's Orchard (Allegretto) - The New King - The Hurried Ride to London (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Falstaff - Symphonic Study in C minor, op. 68: IV. King Henry V's progress - The Repudiation of Falstaff, And His Death (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Harmonielehre: Part I
- Harmonielehre: Part II: The Anfortas Wound
- Harmonielehre: Part III: Meister Eckhardt and Quackie
- The Chairman Dances "Foxtrot for Orchestra"
- Two Fanfares: Tromba lontana
- Two Fanfares: Short Ride in a Fast Machine
- Drowned Out
- Three Screaming Popes
- Momentum
- Asyla, op. 17: I . (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Asyla, op. 17: II . (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Asyla, op. 17: III. Ecstasio (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Asyla, op. 17: IV . (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- The Miraculous Mandarin, op. 19: The Beginning
- The Miraculous Mandarin, op. 19: First Seduction Game
- The Miraculous Mandarin, op. 19: Second Seduction Game
- The Miraculous Mandarin, op. 19: Third Seduction Game - The Mandarin Enters
- The Miraculous Mandarin, op. 19: Dance of the Girl
- The Miraculous Mandarin, op. 19: The Chase
- The Miraculous Mandarin, op. 19: Suddenly the Mandarin's Head Appears, (von City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- The Miraculous Mandarin, op. 19: The Mandarin Falls to the Floor
- Concerto for Orchestra, Sz. 116: Introduzione: Andante non troppo - Allegro vivace
- Concerto for Orchestra, Sz. 116: Giuoco delle coppie: Allegretto scherzando
- Concerto for Orchestra, Sz. 116: Elegia: Andante non troppo
- Concerto for Orchestra, Sz. 116: Intermezzo interrotto: Allegretto
- Concerto for Orchestra, Sz. 116: Finale: Pesante - Presto
- Erwartung, op. 17: I. Szene: Hier hinein? Man sieht den Weg nicht...
- Erwartung, op. 17: II. Szene: Ist das noch der Weg? Hier ist es eben.
- Erwartung, op. 17: III. Szene: Da kommt ein Licht!
- Erwartung, op. 17: IV. Szene: Er ist auch nicht da...
- Erwartung, op. 17: IV. Szene: Das Mondlicht... nein, dort...
- Erwartung, op. 17: IV. Szene: Was soll ich tun...
- Erwartung, op. 17: IV. Szene: Aber so seltsam ist dein Auge...
- Erwartung, op. 17: IV. Szene: Du siehst wieder dort hin?...
- Erwartung, op. 17: IV. Szene: Oh! Nicht einmal die Gnade...
- Erwartung, op. 17: IV. Szene: Liebster, Liebster, der Morgen kommt...
- Variations for Orchestra: Introduction and Theme -
- Variations for Orchestra: Variation I: Moderato
- Variations for Orchestra: Variation II: Adagio
- Variations for Orchestra: Variation III: Mässig
- Variations for Orchestra: Variation IV: Walzer - Tempo
- Variations for Orchestra: Variation V: Bewegt
- Variations for Orchestra: Variation VI: Andante
- Variations for Orchestra: Variation VII: Langsam
- Variations for Orchestra: Variation VIII: Sehr rasch
- Variations for Orchestra: Variation IX: L'istesso tempo
- Variations for Orchestra: Finale
- Stabat Mater, op. 53: I. Stała Matka bolejąca (Stabat Mater dolorosa)
- Stabat Mater, op. 53: II. I któż widział tak cierpiącą (Quis est homo qui non fleret)
- Stabat Mater, op. 53: III. O Matko Źródło Wszechmiłości (Eia Mater, fons amoris)
- Stabat Mater, op. 53: IV. Spraw niech płaczę z Tobą razem (Fac me tecum pie flere)
- Stabat Mater, op. 53: V. Panno słodka racz mozołem (Virgo virginum praeclare)
- Stabat Mater, op. 53: VI. Chrystus niech mi będzie grodem (Christe, cum sit hinc exire)
- Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro
- Litany to the Virgin Mary, op. 59: II. Jak krzak skarlały
- Symphony no. 3, op. 27 "Song of the Night": I. Moderato assai
- Symphony no. 3, op. 27 "Song of the Night": II. Vivace, scherzando
- Symphony no. 3, op. 27 "Song of the Night": III. Largo
- Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": I. Adagio
- Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": II. Presto
- Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": III. Menuetto & Trio
- Symphony no. 22 in E-flat, Hob. I:22 "The Philosopher": IV. Finale: Presto
- Symphony no. 102 in B-flat, Hob. I:102: I. Largo - Vivace
- Symphony no. 102 in B-flat, Hob. I:102: II. Adagio
- Symphony no. 102 in B-flat, Hob. I:102: III. Menuet: Allegro & Trio
- Symphony no. 102 in B-flat, Hob. I:102: IV. Finale: Presto
- Symphony no. 86 in D: I. Adagio - Allegro spiritoso
- Symphony no. 86 in D: II. Capriccio: Largo
- Symphony no. 86 in D: III. Menuet (Allegretto) & Trio
- Symphony no. 86 in D: IV. Finale: Allegro con spirito
- Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - (Tempo I)
- Symphony no. 4 in C minor, op. 43: II. Moderato con moto
- Symphony no. 4 in C minor, op. 43: III. Largo - Allegro
- Russian Funeral: Andante alla marcia - Un pochissimo animando - Tempo primo più maestoso (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
- Das Lied von der Erde: II. Der Einsame im Herbst
- Das Lied von der Erde: III. Von der Jugend
- Das Lied von der Erde: IV. Von der Schönheit
- Das Lied von der Erde: V. Der Trunkene im Frühling
- Das Lied von der Erde: VI. Der Abschied
- Symphony no. 7 in E: I. Allegro moderato
- Symphony no. 7 in E: II. Adagio (Sehr feierlich und sehr langsam)
- Symphony no. 7 in E: III. Scherzo: Sehr schnell - Trio (Etwas langsamer) - Scherzo da capo
- Symphony no. 7 in E: IV. Finale: Bewegt, doch nicht schnell
- In a Nutshell: I. Arrival Platform Humlet
- In a Nutshell: II. “Gay but Wistful” (Tune in a Popular London Style)
- In a Nutshell: III. Pastoral
- In a Nutshell: IV. “The Gum-Suckers” March
- Train Music
- Country Gardens
- La Vallée des cloches
- A Lincolnshire Posy: I. Lisbon (Sailor’s Song)
- A Lincolnshire Posy: II. Horkstow Grange (The Miser and His Man - a local tragedy)
- A Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song)
- A Lincolnshire Posy: IV. The Brisk Young Sailor (who returned to wed his True Love)
- A Lincolnshire Posy: V. Lord Melbourne (War Song)
- A Lincolnshire Posy: VI. The Lost Lady Found (Dance Song)
- Pagodes
- The Warriors (Music to an Imaginary Ballet)
- Symphony no. 4 in G: I. Bedächtig. Nicht eilen
- Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast
- Symphony no. 4 in G: III. Ruhevoll
- Symphony no. 4 in G: IV. Sehr behaglich
- Symphony no. 1 in B-flat minor: I. Allegro assai
- Symphony no. 1 in B-flat minor: II. Presto, con malizia
- Symphony no. 1 in B-flat minor: III. Andante con malinconia
- Symphony no. 1 in B-flat minor: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso
- Belshazzar's Feast: Thus Spake Isaiah : Maestoso -
- Belshazzar's Feast: Babylon Was a Great City : Quasi recitativo -
- Belshazzar's Feast: Thus in Babylon, the Mighty City : Allegro molto -
- Belshazzar's Feast: And in That Same Hour as They Feasted : Quasi recitativo -
- Belshazzar's Feast: Then Sing Aloud to God Our Strength: Lento - Allegro giocoso
- Belshazzar's Feast: Then Sing Aloud to God Our Strength: Allegro
- Symphony no. 3 in D minor: I. Kräftig. Entschieden (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 3 in D minor: IV. Sehr langsam . Misterioso, Durchaus ppp
- Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck
- Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Des Knaben Wunderhorn: Der Schildewache Nactlied
- Des Knaben Wunderhorn: Verlor'ne Muüh'
- Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht
- Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
- Des Knaben Wunderhorn: Revelge
- Des Knaben Wunderhorn: Der Tambourg'sell
- Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
- Des Knaben Wunderhorn: Ablösung im Sommer (Orch. L. Berio)
- Król Roger, op. 46: Act I. "Hagios! Hagios!" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act I. "Boże pobłogosław Panie praodwieczny" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act I. "Czyś słyszał?" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act I. "Oto bluźnierca!" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act I. "Mój Bóg jest piękny jako ja" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act I. "W jego uśmiechu!" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act I. "Niech odejdzie Pasterz" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. (Orchestra) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. "Niepokój bladych gwiazd" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. "A ...!...Roksana! Jej śpiew!" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. "Ktoś mglisty przeszedł między strażą!" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. "O przychodzę sam, jako kazałeś, Królu" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. "A ...! Uśpij swój lęk i gniew, Rogerze!" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. "Tajemnych głębin życia żar wszechmocną" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. Dance of the Shepherd's followers (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. Roxana's Entrance. "A...! W radosnym tańcu" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. "Kto śmie mój czar łańcuchem pętać rabów?" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act II. "Słuchajcie ... W ciszy nocy, słuchajcie" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Appendix (Roxana's Aria With Concert Ending). "A ...!...Roksana! Jej śpiew!" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act III. (Orchestra) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act III. "Wokół martwota głazów" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act III. "Rogerze! Rogerze!" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act III. "Na sąd, na sąd staw się Królu" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act III. "Syć ofiarny" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act III. "Edrisi, już świt!" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Król Roger, op. 4: Act III. "Słońce! Słońce! Edrisi!" (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 4 (Symphonie Concertante), op. 60: I. Moderato. Tempo comodo
- Symphony no. 4 (Symphonie Concertante), op. 60: II. Andante molto sostenuto
- Symphony no. 4 (Symphonie Concertante), op. 60: III. Allegro non troppo, ma agitato ed ansioso
- Symphony no. 8 in E-flat major: Erster Teil. Veni, creator spiritus
- Symphony no. 8 in E-flat major: Erster Teil. Imple superna gratia
- Symphony no. 8 in E-flat major: Erster Teil. Infirma nostri corporis
- Symphony no. 8 in E-flat major: Erster Teil. [Tempo I: Allegro, etwas hastig]
- Symphony no. 8 in E-flat major: Erster Teil. Infirma nostri corporis
- Symphony no. 8 in E-flat major: Erster Teil. Accende lumen sensibus
- Symphony no. 8 in E-flat major: Erster Teil. Qui paraclitus diceris
- Symphony no. 8 in E-flat major: Erster Teil. Gloria patri domino
- Symphony no. 8 in E-flat major: Zweiter Teil. [Poco adagio] (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 8 in E-flat major: Zweiter Teil. [Più mosso: Allegro moderato] (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Symphony no. 8 in E-flat major: Zweiter Teil. Waldung, sie schwankt heran (chorus and echo)
- Symphony no. 8 in E-flat major: Zweiter Teil. Ewiger Wonnebrand (Pater Ecstaticus)
- Symphony no. 8 in E-flat major: Zweiter Teil. Wie Felsenabgrund mir zu Füßen (Pater Profundus)
- Symphony no. 8 in E-flat major: Zweiter Teil. Gerettet ist das edle Glied (chorus of angels)
- Symphony no. 8 in E-flat major: Zweiter Teil. Uns bleibt ein Erdenrest (chorus of angels)
- Symphony no. 8 in E-flat major: Zweiter Teil. Ich spür' soeben (chorus of young angels)
- Symphony no. 8 in E-flat major: Zweiter Teil. Höchste Herrscherin der Welt! (Doctor Marianus)
- Symphony no. 8 in E-flat major: Zweiter Teil. Dir, der Unberührbaren (chorus)
- Symphony no. 8 in E-flat major: Zweiter Teil. Bei der Liebe, die den Füßen (Magna Peccatrix)
- Symphony no. 8 in E-flat major: Zweiter Teil. Neige, neige, du Ohnegleiche (Una Poenitentium (Gretchen))
- Symphony no. 8 in E-flat major: Zweiter Teil. Er überwächst uns schon (chorus of blessed boys)
- Symphony no. 8 in E-flat major: Zweiter Teil. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa/chorus)
- Symphony no. 8 in E-flat major: Zweiter Teil. Blicket auf zum Retterblick (Doctor Marianus/chorus)
- Symphony no. 8 in E-flat major: Zweiter Teil. Alles Vergängliche ist nur ein Gleichnis (chorus mysticus)
- Symphony no. 8 in E-flat major: Zweiter Teil. Alles Vergängliche ist nur ein Gleichnis (chorus mysticus)
- Songs of a Fairy-tale Princess, op. 31: The Lonely Moon
- Songs of a Fairy-tale Princess, op. 31: The Nightingale
- Songs of a Fairy-tale Princess, op. 31: Dance
- Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 1. Driving the Sheep (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 2. Mimed Scene (Courtship) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 3. The Tatra Robbers' March
- Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 4. Mimed Scene (The Harnaś and the girl) (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Harnasie, op. 55: Tableau I "In the Highland Pasture": No. 5. The Tatra Robbers' Dance. Finale (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Harnasie, op. 55: Tableau II "In the Inn": No. 6a. The Wedding
- Harnasie, op. 55: Tableau II "In the Inn": No. 6b. Entry of the Bride
- Harnasie, op. 55: Tableau II "In the Inn": No. 6c. Drinking Song
- Harnasie, op. 55: Tableau II "In the Inn": No. 7. The Tatra Highlanders' Dance
- Harnasie, op. 55: Tableau II "In the Inn": No. 8. Raid of the Harnasie. Dance
- Harnasie, op. 55: Tableau II "In the Inn": No. 9. Epilogue
- Love Songs of Hafiz, op. 26: Desires
- Love Songs of Hafiz, op. 26: The Infatuated East Wind
- Love Songs of Hafiz, op. 26: Dance
- Love Songs of Hafiz, op. 26: Pearls of My soul
- Love Songs of Hafiz, op. 26: Eternal Youth
- Love Songs of Hafiz, op. 26: Your Voice
- Love Songs of Hafiz, op. 26: Drinking Song
- Love Songs of Hafiz, op. 26: Hafiz' Grave
Mehr Songtexte
- Dream / Window
- Zeitgestalten (3rd movement)
- Music for strings, percussion and celsta (2nd movement - opening)
- The Rite of Spring, Part I (The Adoration of the Earth): Spring Rounds, Ritual of the Rival Tribes, Procession of the Sage
- The Rite of Spring, Part I (The Adoration of the Earth): Introduction, the Augurs of Spring, Dances of the Young Girls, Ritual of Abduction
- Holidays Symphony: Decoration Day (conclusion)
- Three Occasions for Orchestra: A Celebration of Some 100 X 150 Notes
- Rhapsody in Blue (opening)
- Symphony no. 6 in D minor: III. Poco vivace
- Joie du sang des étoiles (Turangalîla-symphonie - 5th movement)
- Music for strings, percussion and celesta (2nd movement - opening)
- Musique pour Le Roi Lear: Fanfare
- Asyla, op. 17: I
- Asyla, op. 17: III. Ecstasio
- Pomp and Cicumstance March no. 4 in G
- Asyla, op. 17: II
- Asyla, op. 17: IV
- Kai
- Symphony No. 3 in D minor: III. Comodo. Scherzando. Ohne Hast
- Symphony No. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig. Ja nicht eilen!
- Symphony No. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden
- Symphony No. 3 in D minor: I. Kräftig. Entschieden
- Symphonie No. 3: IV. Sehr langsam
- Lulu Suite: V. Adagio: Sostenuto - Lento - Grave
- 6 Orchesterstücke op. 6, V. Sehr langsam
- 5 Orchesterstücke op. 16, III. Farben, mäßige Viertel
- Lulu Suite: II. Ostinato: Allegro
- 5 Orchesterstücke op. 16, I. Vorgefühle, sehr rasch
- 6 Orchesterstücke op. 6, I. Langsam
- 6 Orchesterstücke op. 6, VI. Langsam
- Lulu Suite: I. Rondo: Andante (Introduzione) - Hymne: Sostenuto
- 6 Orchesterstücke op. 6, III. Mäßig
- 5 Orchesterstücke op. 16, V. Das obligate Rezitativ, bewegte Achtel
- Lulu Suite: IV. Variationen: Moderato (Grandioso - Grazioso - Funèbre - Affettuoso) - Thema: Subito tempo moderato
- Lulu Suite: III. Lied der Lulu: Comodo
- 6 Orchesterstücke op. 6, II. Bewegt
- 6 Orchesterstücke op. 6, IV. Sehr mäßig
- 5 Orchesterstücke op. 16, II. Vergangenes, mässige Viertel
- The Rite of Spring: Part 1: The Adoration of the Earth: The Sage - Dance of the Earth
- Rhapsody in Blue (jazzband version - opening)
- Glagolitic Mass: VII. Organ solo (Postlude)
- Five Orchestral Pieces, Op.16: II. Vergangenes. Mäßige Viertel
- Five Orchestral Pieces, Op.16: I. Vorgefühle, Sehr rasch
- Five Orchestral Pieces, Op.16: V. Das obligate Rezitativ. Bewegte Achtel
- Variations for Orchestra,Op.31: Variation 5
- Variations for Orchestra,Op.31: Variation 6
- Variations for Orchestra,Op.31: Variation 3
- Variations for Orchestra,Op.31: Variation 4
- Variations for Orchestra,Op.31: Variation 9
- Variations for Orchestra,Op.31: Variation 7
- Variations for Orchestra,Op.31: Variation 8
- Variations for Orchestra,Op.31: Variation 1
- Variations for Orchestra,Op.31: Variation 2
- Variations for Orchestra,Op.31: Introduction & Theme
- Variations for Orchestra,Op.31: Finale
- Five Orchestral Pieces, Op.16: III. Farben. Mäßige Viertel
- Five Orchestral Pieces, Op.16: IV. Peripetie. Sehr rasch
- Short Ride in a Fast Machine
- Sinfonie Nr. 1 D-dur "Der Titan": III. Feierlich und gemessen, ohne zu schleppen
- Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction
- Le Sacre du printemps: Première Partie: L'adoration de la terre. Cercles mystérieux des adolescentes
- Sinfonie Nr. 5 Es-dur, op. 82: III. Il tempo largo
- Sinfonie Nr. 60 C-dur, Hob. I:60 "Il Distratto": VI. Finale (Prestissimo)
- Stabat Mater, op. 53: VI. "Chrystus niech mi będzie grodem" (Christus, cum sit hinc exire)
- Sinfonie Nr. 8 B-dur, op. 100: II. Allegro marcato
- Sinfonie Nr. 7: III. Unablässig in bewegung
- Klavierkonzert a-moll, op. 16: III. Allegro moderato molto e marcato
- Henry V - Soundtrack: "Non nobis, Domine"
- 5 Orchesterstücke, op. 16: IV. Peripetie: Sehr rasch
- Symphony no. 1 in B-flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso
- ‘Non Nobis, Domine’
- Symphony no. 1 in B-flat minor: I: Allegro assai
- Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- Symphony no. 1 in B-flat minor: III: Andante con malinconia
- Symphony no. 1 in B-flat minor: II: Presto, con malizia
- The Firebird (conclusion)
- Young Person´s Guide to the Orchestra: Fugue (Allegro molto)
- Pomp and Circumstance March no. 4 in G
- Symphony No. 10 in E minor, Op. 93: Allegro
- Trois Images pour orchestre: II. Ibéria: b) Les Parfums de la nuit
- Trois Images pour orchestre: II. Ibéria: c) Le Matin d'un jour de fête
- Trois Images pour orchestre: III. Rondes de printemps
- Apollo: Premiere Tableau (prologue). Naissance d'Apollon
- Jeux
- Trois Images pour orchestre: I. Gigues
- Trois Images pour orchestre: II. Ibéria: a) Par les rues et par les chemins
- 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce)
- Musique pour Le Roi Lear: Le Sommeil de Lear
- 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato)