Charles Ives Songtexte
A Christmas Carol
Central Park in the Dark
Slow March
Like a Sick Eagle
Memories
Geboren am 20. Oktober 1874, Gestorben am 19. Mai 1954
The Complete Songs of Charles Ives, Volume 3
- He Is There!, S. 262
- Weil' auf mir, S. 387 (von Dora Ohrenstein, Phillip Bush)
- The Cage, S. 221 (von Paul Sperry, Irma Vallecillo)
- My Native Land, S. 304 (von Mary Ann Hart, Dennis Helmrich)
- The Childrens' Hour, S. 227 (von Mary Ann Hart, Dennis Helmrich)
- Old Home Day, S. 315
- Soliloquy, S. 352 (von Dora Ohrenstein, Phillip Bush)
- Ilmenau, S. 272 (von Mary Ann Hart, Dennis Helmrich)
- The See'r, S. 344 (von Paul Sperry, Irma Vallecillo)
- Autumn, S. 217 (von William Sharp, Steven Blier)
- Pictures, S. 327 (von Dora Ohrenstein, Phillip Bush)
- Walt Whitman, S. 384 (von Paul Sperry, Irma Vallecillo)
- Mists, S. 301 (von Dora Ohrenstein, Phillip Bush)
- Walking, S. 383 (von Mary Ann Hart, Dennis Helmrich)
- A Farewell to Land, S. 248 (von Dora Ohrenstein, Phillip Bush)
- Luck and Work, S. 293 (von William Sharp, Steven Blier)
- Camp Meeting, S. 222 (von Mary Ann Hart, Gerard Hecht, Dennis Helmrich)
- Charlie Rutlage, S. 226 (von Paul Sperry, Irma Vallecillo)
- His Exaltation, S. 265 (von William Sharp, Steven Blier)
- Watchman!, S. 386 (von Mary Ann Hart, Dennis Helmrich)
- Vote for Names, S. 381 (von Paul Sperry, Irma Vallecillo)
- From "Lincoln, the Great Commoner", S. 289 (von William Sharp, Steven Blier)
- Like a Sick Eagle, S. 288 (von Paul Sperry, Irma Vallecillo)
- From "The Swimmers", S. 366 (von Mary Ann Hart, Dennis Helmrich)
- At The River, S. 214 (von William Sharp, Steven Blier)
- Requiem, S. 333 (von Dora Ohrenstein, Phillip Bush)
- Afterglow, S. 207 (von Paul Sperry, Irma Vallecillo)
- General William Booth Enters Into Heaven, S. 255 (von William Sharp, Steven Blier)
- To Edith, S. 376 (von Dora Ohrenstein, Phillip Bush)
- Religion, S. 331 (von Dora Ohrenstein, Phillip Bush)
- The New River, S. 308 (von Paul Sperry, Irma Vallecillo)
- Down East, S. 236 (von Paul Sperry, Irma Vallecillo)
- The Things Our Fathers Loved, S. 372 (von Mary Ann Hart, Dennis Helmrich)
- In Flanders Fields, S. 277 (von William Sharp, Steven Blier)
- Tom Sails Away, S. 378 (von William Sharp, Steven Blier)
- They Are There, S. 371
The Complete Songs of Charles Ives, Volume 4
- The Innate, S. 284 (von William Sharp, Steven Blier)
- The Collection, S. 230 (von Dora Ohrenstein, Phillip Bush)
- Premonitions, S. 328 (von Paul Sperry, Irma Vallecillo)
- Grantchester, S. 258 (von Mary Ann Hart, Dennis Helmrich)
- Thoreau, S. 373 (von William Sharp, Steven Blier)
- West London, S. 388 (von Dora Ohrenstein, Phillip Bush)
- Serenity, S. 347 (von Mary Ann Hart, Dennis Helmrich)
- On the Counter, S. 320 (von Paul Sperry, Irma Vallecillo)
- Hymn, S. 267 (von Dora Ohrenstein, Phillip Bush)
- August, S. 216 (von William Sharp, Steven Blier)
- September, S. 346 (von Mary Ann Hart, Dennis Helmrich)
- December, S. 234 (von Paul Sperry, Irma Vallecillo)
- Cradle Song, S. 233 (von William Sharp, Steven Blier)
- From "Paracelsus", S. 324 (von Paul Sperry, Irma Vallecillo)
- Disclosure, S. 235 (von Dora Ohrenstein, Phillip Bush)
- Maple Leaves, S. 295 (von Mary Ann Hart, Dennis Helmrich)
- La fède, S. 249 (von William Sharp, Steven Blier)
- The Indians, S. 283 (von Paul Sperry, Irma Vallecillo)
- Two Slants, S. 380 No. 1: Duty (von Dora Ohrenstein, Phillip Bush)
- Two Slants, S. 380 No. 2: Vita (von Dora Ohrenstein, Phillip Bush)
- From the "Incantation", S. 280 (von Mary Ann Hart, Dennis Helmrich)
- An Election, S. 313 (von Paul Sperry, Irma Vallecillo)
- At Sea, S. 213 (von William Sharp, Steven Blier)
- The Last Reader, S. 286 (von Dora Ohrenstein, Phillip Bush)
- The Greatest Man, S. 259 (von Paul Sperry, Irma Vallecillo)
- The Housatonic at Stockbridge, S. 266 (von Mary Ann Hart, Dennis Helmrich)
- Resolution, S. 334 (von Dora Ohrenstein, Phillip Bush)
- Two Little Flowers, S. 379 (von William Sharp, Steven Blier)
- Evening, S. 244 (von Paul Sperry, Irma Vallecillo)
- Immortality, S. 273 (von Mary Ann Hart, Dennis Helmrich)
- Yellow Leaves, S. 399 (von Dora Ohrenstein, Phillip Bush)
- Ann Street, S. 211 (von William Sharp, Steven Blier)
- Peaks, S. 325 (von Dora Ohrenstein, Phillip Bush)
- The White Gulls, S. 391 (von William Sharp, Steven Blier)
- 1, 2, 3, S. 321 (von Paul Sperry, Irma Vallecillo)
- Majority, S. 294 (von Mary Ann Hart, Gerard Hecht, Dennis Helmrich)
- Remembrance, S. 332 (von Paul Sperry, Irma Vallecillo)
- The One Way, S. 322 (von Dora Ohrenstein, Phillip Bush)
- The Rainbow (So May It Be!), S. 330 (von William Sharp, Steven Blier)
- The Side Show, S. 348 (von Paul Sperry, Irma Vallecillo)
- A Sea Dirge, S. 342 (von Dora Ohrenstein, Phillip Bush)
- In the Mornin', S. 441 (von Mary Ann Hart, Dennis Helmrich)
Mehr Songtexte

- Piano Sonata No. 2 "Concord, Mass., 1840-60": I. "Emerson"
- Piano Sonata No. 2 "Concord, Mass., 1840-60": II. "Hawthorne"
- Piano Sonata No. 2 "Concord, Mass., 1840-60": III. "The Alcotts"
- Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. "Thoreau"
- Three Quarter-Tone Pieces for Two Pianos: I. Largo
- Three Quarter-Tone Pieces for Two Pianos: II. Allegro
- Three Quarter-Tone Pieces for Two Pianos: III. Choral
- Symphony No. 2: I. Andante moderato
- Symphony No. 2: II. Allegro
- Symphony No. 2: III. Adagio cantablile
- Symphony No. 2: IV. Lento maestoso
- Symphony No. 2: V. Allegro molto vivace
- The Gong on the Hook and Ladder or Fireman's Parade on Main Street
- Tone Roads No. 1
- Hymn: Largo Cantabile
- Hallowe'en
- Central Park in the Dark
- The Unanswered Question
- Varied Air and Variations
- Waltz-Rondo
- Invention in D
- Allegro
- Study No. 2
- Piano Cadenza From Scherzo: Over the Pavements
- Andante
- Impression of the 'St. Gardens' In Boston Common
- The Celestial Railroad
- Minuetto, Op.4
- Allegro Moderato
- Moderato Con Anima
- I. Largo
- II. Allegro
- III. Chorale
- Fourth Fugue
- March No. 1 for Piano, With 'Yeah of the Jubilee'
- March No. 2 for Piano, With Son of a Gambler'
- March No. 3 for Piano, With 'Omega Lambda Chi'
- March in G and C for Piano, With 'See the Conquering Hero Comes'
- March for Piano: 'the Circus Band'
- March No. 5 for Piano, With 'Annie Lisle'
- March No. 6 for Piano, With 'Here's to Good Old Yale'
- From the Steeples and the Mountains, S. 65
- The Things Our Fathers Loved, S. 372
- The Pond (Remembrance), S. 40
- Memories, S. 297
- Charlie Rutlage, S. 14iii
- The Circus Band, S. 33 No. 3
- Three Places in New England, S. 7: The "St. Gaudens" in Boston Common
- Three Places in New England, S. 7: Putnam's Camp, Redding, Connecticut
- Three Places in New England, S. 7: The Housatonic at Stockbridge
- In Flanders Fields, S. 277 (arr. David Del Tredici)
- They Are There! (A War Song March), S. 188
- Tom Sails Away, S. 378
- Symphony No. 4, S. 4: III. Fugue
- Psalm 100, S. 153
- Serenity, S. 177 (arr. John Adams)
- General William Booth Enters Into Heaven, S. 181
- The Unanswered Question (I & II), S. 50
- Robert Browning Overture, S. 27
- Symphony No. 2, S. 2: I. Andante moderato
- Symphony No. 2, S. 2: II. Allegro
- Symphony No. 2, S. 2: III. Adagio cantabile
- Symphony No. 2, S. 2: IV. Lento maestoso
- Symphony No. 2, S. 2: V. Allegro molto vivace
- Tom Sails Away
- Ann Street
- Thoreau
- Maple Leaves
- The Cage
- «1, 2, 3.»
- Evening
- Serenity - A unison chant
- The New River
- The White Gulls
- Slugging a Vampire
- West London - A sonnet
- Fron the «Incantation»
- Charlie Rutlage
- Slow March
- The Indians
- Walt Withman - from 20th Stanza
- Afterglow
- His Exaltation
- At the River
- In the Mornin'
- The Camp Meeting
- The Circus Band
- From Paracelsus
- Premonitions
- On the Counter
- A sea Dirge
- Like a Sick Eagle
- Soliloquy - or a Study in 7th and Other Things
- Memories
- The One Way
- Remembrance
- A Farewell to Land
- Three Short Pieces, Op. 15: I. Hymn. Largo cantabile.
- Three Short Pieces, Op. 15: II. Scherzo, "Holding Your Own"
- Three Short Pieces, Op. 15: III. Adagio cantabile, "The Innate"
- Second String Quartet, Op. 19: I. Discussions
- Second String Quartet, Op. 19: II. Arguements
- Second String Quartet, Op. 19: III. The Call of the Mountains
- Largo Risoluto No. 1, Op. 12 "As to the Law of Diminishing Returns"
- Largo risoluto No. 2, Op. 13 "A Shadow Made a Silhouette"
- Hallowe'en, Op. 11
- Intermezzo
- In re con moto et al., Op. 20
- A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday
- A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day
- A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July
- A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day
- The Unanswered Question, S. 50
- Central Park in the Dark, S. 34
- Slow March, S. 349 (baritone: William Sharp, piano: Steven Blier)
- There is a Certain Garden, S. 369 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- In Autumn, S. 276 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Friendship, S. 253 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- A Song for Anything, S. 355 (baritone: William Sharp, piano: Steven Blier)
- Canon "Not only in my lady's eyes", S. 223 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Rock of Ages, S. 335 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Ballad from Rosamunde, S. 337 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- At Parting, S. 212 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Circus Band, S. 229 (baritone: William Sharp, piano: Steven Blier)
- When Stars are in the Quiet Skies, S. 389 / Country Celestial, S. 232 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Mirage, S. 299 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- An Old Flame, S. 314 (baritone: William Sharp, piano: Steven Blier)
- Qu'il m'irait bien, S. 329 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Chanson de Florian, S. 225 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- My Native Land, S. 303 (baritone: William Sharp, piano: Steven Blier)
- World's Wanderers, S. 398 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Abide with Me, S. 205 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Christmas Carol, S. 228 (baritone: William Sharp, piano: Steven Blier)
- Scotch Lullaby, S. 341 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Through Night and Day, S. 375 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- A Perfect Day, S. 326 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- A Night Song, S. 310 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- In the Alley, S. 279 (baritone: William Sharp, piano: Steven Blier)
- My Lou Jennine, S. 302 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- William Will, S. 396 (baritone: William Sharp, piano: Steven Blier)
- From "Amphion", S. 210 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Nature's Way, S. 306 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Far from my Heavenly Home, S. 246 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Ein Ton, S. 241 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Marie, S. 296 No. 1 (baritone: William Sharp, piano: Steven Blier)
- Song "She is not fair to outward view", S. 354 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Memories, S. 297 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Waltz, S. 385 (baritone: William Sharp, piano: Steven Blier)
- Songs My Mother Taught Me, S. 361 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Son of a Gambolier, S. 353 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, kazoos: Jeanette Thompson, Eva Kokoris, Jerrold Seigel. Albert K. Webster & Eric Zivian)
- The Things Our Fathers Loved, S. 372 (mezzo-soprano: Susan Graham)
- The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Susan Graham)
- Swimmers, S. 366 (mezzo-soprano: Susan Graham)
- Memories, S. 297 (mezzo-soprano: Susan Graham)
- Ann Street, S. 211 (mezzo-soprano: Susan Graham)
- Serenity, S. 347 (mezzo-soprano: Susan Graham)
- 1, 2, 3, S. 321 (mezzo-soprano: Susan Graham)
- Songs My Mother Taught Me, S. 361 (mezzo-soprano: Susan Graham)
- The Circus Band, S. 229 (mezzo-soprano: Susan Graham)
- The Cage, S. 221 (mezzo-soprano: Susan Graham)
- The Indians, S. 283 (mezzo-soprano: Susan Graham)
- Like a Sick Eagle, S. 288 (mezzo-soprano: Susan Graham)
- Remembrance, S. 332 (mezzo-soprano: Susan Graham)
- September, S. 346 (mezzo-soprano: Susan Graham)
- Soliloquy, S. 352 (mezzo-soprano: Susan Graham)
- A Farewell to Land, S. 248 (mezzo-soprano: Susan Graham)
- Thoreau, S. 373 (mezzo-soprano: Susan Graham)
- Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: I. "Emerson"
- Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: II. "Hawthorne"
- Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: III. "The Alcotts"
- Piano Sonata No. 2 "Concord, Mass., 1840-60", S. 88: IV. "Thoreau"
- Piano Sonata No. 2 'Concord, Mass., 1840-1860': I. Emerson (Slowly - Slowly and Quietly)
- II. Hawthorne (Very Fast)
- III. The Alcotts
- IV. Thoreau (Starting Slowly and Quietly)
- Three Places in New England: I. The 'Saint-Gaudens' in Boston Common
- II. Putnam's Camp, Redding, Connecticut
- III. The Housatonic at Stockbridge
- Piano Sonata No.2 - Emerson
- Piano Sonata No.2 - Hawthorne
- Piano Sonata No.2 - The Alcotts
- Piano Sonata No.2 - Thoreau
- Study No.21, some South-Paw Pitching!
- March in G and D 'Here's To Good Old Yale'
- Study No 20, Even durations - unevenly divided
- Study No 21, some South-Paw Pitching!
- Study No 22
- Varied Air and Variations - Study # 2 for Ears and Mental
- Three-Page Sonata
- Study No 9, the Anti-Abolitionist Riots in the 1830's and 1840's
- Three Quarter-tone Pieces for Two Pianos
- Symphony No. 1: I. Allegro
- Symphony No. 1: II. Adagio molto (sostenuto)
- Symphony No. 1: III. Scherzo: Vivace
- Symphony No. 1: IV. Allegro molto
- Symphony No. 4: I. Prelude: Maestoso
- Symphony No. 4: II. Allegretto
- Symphony No. 4: II. Fugue: Andante moderato
- Symphony No. 4: IV. Largo maestoso
- Orchestral Set No. 2: I. An Elegy to Our Forefathers
- Orchestral Set No. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting
- Orchestral Set No. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose
- Symphony No.2-1 Andante moderato
- Symphony No.2-2 Allegro
- Symphony No.2-3 Adagio cantabile
- Symphony No.2-4 Lento maestoso
- Symphony No.2-5 Allegro molto vivace
- Symphony No.3-1 Old folks gatherin'
- Symphony No.3-2 Childrens day
- Symphony No.3-3 Communion
- Three places in New England-1 The "St Gaudens" in Boston Common
- Three places in New England-2 Putnam's Camp, Redding, Connecticut
- Three places in New England-3 The Housatonic at Stockbridge
- Symphony No. 1 in D minor: I. Allegro
- Symphony No. 1 in D minor: II. Adagio molto (Sostenuto)
- Symphony No. 1 in D minor: III. Scherzo. Vivace
- Symphony No. 1 in D minor: IV. Allegro molto
- Three Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
- Three Places in New England: II. Putnam's Camp, Redding, Connecticut
- Three Places in New England: III. 'The Housatonic at Stockbridge
- Robert Browning Overture
- Emerson Concerto: I.
- Emerson Concerto: II.
- Emerson Concerto: III.
- Emerson Concerto: IV.
- Symphony No. 1: I. Allegro con moto
- Symphony No. 1: II. Adagio molto
- Symphony No. 1: III. Scherzo
- The Innate, S. 284 (baritone: William Sharp, piano: Steven Blier)
- The Collection, S. 230 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Premonitions, S. 328 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Grantchester, S. 258 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Thoreau, S. 373 (baritone: William Sharp, piano: Steven Blier)
- West London, S. 388 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Serenity, S. 347 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- On the Counter, S. 320 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Hymn, S. 267 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- August, S. 216 (baritone: William Sharp, piano: Steven Blier)
- September, S. 346 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- December, S. 234 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Cradle Song, S. 233 (baritone: William Sharp, piano: Steven Blier)
- From "Paracelsus", S. 324 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Disclosure, S. 235 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Maple Leaves, S. 29 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- La fède, S. 249 (baritone: William Sharp, piano: Steven Blier)
- The Indians, S. 283 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Two Slants, S. 380 No. 1: Duty (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Two Slants, S. 380 No. 2: Vita (soprano: Dora Ohrenstein, piano: Phillip Bush)
- From the "Incantation", S. 280 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- An Election, S. 313 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- At Sea, S. 213 (baritone: William Sharp, piano: Steven Blier)
- The Last Reader, S. 286 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The Greatest Man, S. 259 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- The Housatonic at Stockbridge, S. 266 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Resolution, S. 334 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Two Little Flowers, S. 379 (baritone: William Sharp, piano: Steven Blier)
- Evening, S. 244 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Immortality, S. 273 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Yellow Leaves, S. 399 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Ann Street, S. 211 (baritone: William Sharp, piano: Steven Blier)
- Peaks, S. 325 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The White Gulls, S. 391 (baritone: William Sharp, piano: Steven Blier)
- 1, 2, 3, S. 321 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Majority, S. 294 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich & Gerard Hecht)
- Remembrance, S. 332 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- The One Way, S. 322 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The Rainbow (So May It Be!), S. 330 (baritone: William Sharp, piano: Steven Blier)
- The Side Show, S. 348 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- A Sea Dirge, S. 342 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- In the Mornin', S. 441 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Three Places in New England - 1. The Saint-Gaudens in Boston Common
- Three Places in New England - 2. Putnams' Camp, Redding, Connecticut
- Three Places in New England - 3. The Housatonic at Stockbridge
- A Set of Pieces - 1. In the Cage
- A Set of Pieces - 2. In the Inn
- A Set of Pieces - 3. In the Night
- Symphony No.3 - I. Old Folks Gatherin'
- Symphony No.3 - II. Children's Day
- Symphony No.3 - III. Communion
- Set No.1 - 1. The Seer
- Set No.1 - 2. A Lecture (Tolerance)
- Set No.1 - 3. The Ruined River (The New River)
- Set No.1 - 4. Like a Sick Eagle
- Set No.1 - 5. Calcium Light Night
- Set No.1 - 6. Allegretto Sombreoso
- I Travelled Among Unknown Men, S. 270 (baritone: William Sharp, piano: Steven Blier)
- Allegro, S. 208 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Feldeinsamkeit, S. 250 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Harpalus, S. 261 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The Light That Is Felt, S. 287 (baritone: William Sharp, piano: Steven Blier)
- Du alte Mutter, S. 239 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- God Bless and Keep Thee, S. 256 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Du alte Mutter, S. 239 (baritone: William Sharp, piano: Steven Blier)
- Slugging a Vampire, S. 350 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Tarrant Moss, S. 367 (baritone: William Sharp, piano: Steven Blier)
- Kären, S. 285 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Dreams, S. 238 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The World's Highway, S. 397 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Because of You, S. 218 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Romanzo di Central Park, S. 336 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Because Thou Art, S. 219 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- I Knew and Loved a Maid, S. 269 (baritone: William Sharp, piano: Steven Blier)
- Her Gown Was Vermilion Silk, S. 264 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Flag Song, S. 251 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Spring Song, S. 363 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Ich grolle nicht, S. 271 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Widmung, S. 393 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- We Melodien, S. 394 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- There Is a Lane, S. 370 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Élégie, S. 242 (baritone: William Sharp, piano: Steven Blier)
- Evidence, S. 245 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Berceuse, S. 220 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Rough Wind, S. 339 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- South Wind, S. 362 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- No More, S. 312 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- On Judge's Walk, S. 318 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- A Night Thought, S. 311 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Song of the Dead, S. 357 (baritone: William Sharp, piano: Steven Blier)
- Where the Eagle, S. 390 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Tolerance, S. 377 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- The Love Song of Har Dyal, S. 292 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Omens and Oracles, S. 317 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Those Evening Bells, S. 374 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Frühlingslied, S. 254 (baritone: William Sharp, piano: Steven Blier)
- Symphony No. 2: I - Andante Moderato, II - Allegro
- Symphony No. 2: III - Adagio Cantabile
- Symphony No. 2: IV - Lento Maestoso, V - Allegro Molto Vivace
- Symphony No. 3: I - Old Folks Gatherin': Andante Maestoso
- Symphony No. 3: II - Children's Day: Allegro
- Symphony No. 3: III - Communion: Largo
- Violin Sonata 1 - 1. Andante
- Violin Sonata 1 - 2. Largo Cantabile
- Violin Sonata 1 - 3. Allegro
- Violin Sonata 2 - 1. Autumn
- Violin Sonata 2 - 2. In the Barn
- Violin Sonata 2 - 3. The Revival
- Violin Sonata 3 - 1. Adagio-Andante-Allegretto-Adagio
- Violin Sonata 3 - 2. Allegro
- Violin Sonata 3 - 3. Adagio Cantabile
- Violin Sonata 4 - 1. Allegro
- Violin Sonata 3 - 2. Largo
- Violin Sonata 3 - 3. Allegro
- The Housatonic at Stockbridge
- Soliloquy, or a Study in 7ths and Other Things
- On the Antipodes
- The Gong on the Hook and Ladder
- In Re Con Moto et al, Op. 20
- Sunrise
- Aeschylus and Sophocles
- Five Take-offs: The Seen and Unseen? (Sweet and Tough)
- Five Take-offs: Rough and Ready et al and / or The Jumping Frog
- Five Take-offs: Song Without (Good) Words
- Five Take-offs: Scene Episode
- Five Take-offs: Bad Resolutions and Good WAN! (Jan. 1, 1907)
- Three Quarter-Tone Pieces: Largo
- Three Quarter-Tone Pieces: Allegro
- Three Quarter-Tone Pieces: Chorale
- He Is There!, S. 262 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich, fife: Les Scott)
- Weil' auf mir, S. 387 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The Cage, S. 221 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- My Native Land, S. 304 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- The Childrens' Hour, S. 227 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Old Home Day, S. 315 (baritone: William Sharp, piano: Steven Blier, piccolo: Jayn Rosenfeld)
- Soliloquy, S. 352 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Ilmenau, S. 272 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- The See'r, S. 344 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Autumn, S. 217 (baritone: William Sharp, piano: Steven Blier)
- Pictures, S. 327 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Walt Whitman, S. 384 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Mists, S. 301 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Walking, S. 383 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- A Farewell to Land, S. 248 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Luck and Work, S. 293 (baritone: William Sharp, piano: Steven Blier)
- Camp Meeting, S. 222 (mezzo-soprano: Mary Ann Hart, pianos: Dennis Helmrich, Gerard Hecht)
- Charlie Rutlage, S. 226 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- His Exaltation, S. 265 (baritone: William Sharp, piano: Steven Blier)
- Watchman!, S. 386 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- Vote for Names, S. 381 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- From "Lincoln, the Great Commoner", S. 289 (baritone: William Sharp, piano: Steven Blier)
- Like a Sick Eagle, S. 288 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- From "The Swimmers", S. 366 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- At The River, S. 214 (baritone: William Sharp, piano: Steven Blier)
- Requiem, S. 333 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Afterglow, S. 207 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- General William Booth Enters Into Heaven, S. 255 (baritone: William Sharp, piano: Steven Blier)
- To Edith, S. 376 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- Religion, S. 331 (soprano: Dora Ohrenstein, piano: Phillip Bush)
- The New River, S. 308 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- Down East, S. 236 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray)
- The Things Our Fathers Loved, S. 372 (mezzo-soprano: Mary Ann Hart, piano: Dennis Helmrich)
- In Flanders Fields, S. 277 (baritone: William Sharp, piano: Steven Blier)
- Tom Sails Away, S. 378 (baritone: William Sharp, piano: Steven Blier)
- They Are There, S. 371 (tenor: Paul Sperry, piano: Irma Vallecillo-Gray, piccolo: Jayn Rosenfeld)
- Song Without (Good) Words
- Study No. 9" Anti-Abolitionists Riots'
- Study No. 22" 22'
- Study No. 20
- Study No. 18
- Study No. 15
- Study No. 8
- Study No. 7
- Study No. 6
- Study No. 5
- Rough and Ready
- Scene Episode
- Symphony No. 3 "The Camp Meeting", S. 3: I. Old Folks Gatherin'
- Symphony No. 3 "The Camp Meeting", S. 3: II. Children's Day
- Symphony No. 3 "The Camp Meeting", S. 3: III. Communion
- Holidays symphony: Decoration Day
- Symphony No. 3: I. Old Folks Gatherin'
- Symphony No. 3: II. Children's Day
- Symphony No. 3: III. Communion
- They Are There!, S. 371 (arr. John Geist)
- Scherzo: Holding Your Own
- Variations on "America" (arr. Schuman)
- Symphony No. 3 "The Camp Meeting": II. Children's Day
- Violin Sonata 2: I. Autumn
- Ich grolle nicht
- Violin Sonata 4: II. Largo
- Violin Sonata 1: I. Andante
- Largo Cantabile: Hymn
- Set for Theatre Orchestra: In the Cage
- Serenity
- The Things Our Fathers Loved
- When Stars are in the Quiet Skies
- West London
- Postlude in F
- Three Places in New England: The "Saint-Gaudens" in Boston Common
- Fugue in Four Keys on "The Shining Shore"
- March III with the air "Old Kentucky Home"
- Violin Sonata 4: I. Allegro
- '1, 2, 3'
- Weil' auf mir
- Set of Four Ragtime Dances: Ragtime Dance No. 2 (Allegro moderato)
- Swimmers
- Walking
- Feldeinsamkeit
- Violin Sonata 4: III. Allegro
- Elégie
- Symphony No. 3 "The Camp Meeting": III. Communion
- Yale-Princeton Football Game
- Violin Sonata 3: II. Allegro
- Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin'
- Violin Sonata 1: III. Allegro
- Violin Sonata 3: I. Adagio-Andante-Allegretto-Adagio
- Yellow Leaves
- Violin Sonata 3: III. Adagio Cantabile
- Three Places In New England: The Housatonic at Stockbridge
- Memories: (A) Very Pleasant; (B) Rather Sad
- Set of Four Ragtime Dances: Ragtime Dance No. 1 (Allegro moderato)
- Du alte Mutter
- Berceuse
- General William Booth Enters into Heaven
- Tolerance
- Three Places in New England: Putnam's Camp, Redding, Connecticut
- A Song - For Anything
- Set for Theatre Orchestra: In the Night
- Set for Theatre Orchestra: In the Inn
- The Greatest Man
- Calcium Light Night
- Set of Four Ragtime Dances: Ragtime Dance No. 4 (Allegro)
- Set of Four Ragtime Dances: Ragtime Dance No. 3 (Allegro)
- Where the Eagle
- The Side Show
- Violin Sonata 1: II. Largo Cantabile
- Three Places in New England: I. The "St. Gaudens" in Boston Common
- Violin Sonata 2: II. In the Barn
- Violin Sonata 2: III. The Revival
- "Country Band" March
- Symphony No. 3 "The Camp Meeting": I. Andante maestoso "Old Folks Gatherin'" (National Gallery Orchestra feat. conductor: Richard Bales)
- Piano Sonata No. 1: V. Andante maestoso
- Three Places in New England: I. The "Saint Gaudens" in Boston Common (Col. Shaw and His Colored Regiment) (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- Piano Sonata No. 1: I. Adagio con moto(feat. piano: William Masselos)
- Symphony No. 4, S. 4: III. Fugue: Andante moderato
- Three Places in New England: II. General Putnam's Camp, Redding, Connecticut (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- Piano Sonata No. 1: II. Allegro moderato
- Symphony No. 4, S. 4: IV. Finale: Very slowly - Largo maestoso
- Symphony No. 4, S. 4: I. Prelude: Maestoso
- Symphony No. 3 "The Camp Meeting": III. Largo "Communion" (National Gallery Orchestra feat. conductor: Richard Bales)
- Three Places in New England: III. The Housatonic at Stockbridge (The American Recording Society Orchestra feat. conductor: Walter Hendl)
- Piano Sonata No. 1: IV. Allegro
- Symphony No. 3 "The Camp Meeting": II. Allegro "Children's Day" (National Gallery Orchestra feat. conductor: Richard Bales)
- Symphony No. 4, S. 4: II. Comedy: Allegretto
- Piano Sonata No. 1: III. Largo; allegro
- Symphony No. 4: IV. Very slowly (Largo maestoso)
- Symphony No. 4: II. Comedy: Allegretto
- Symphony No. 4: III. Fugue: Andante moderato con moto
- Symphony No. 1: I. Allegro (con moto)
- Symphony No. 3 "The Camp Meeting": I. Old Folks Gatherin': Andante maestoso
- Symphony No. 3 "The Camp Meeting": III. Communion: Largo
- Symphony No. 2: III. Adagio cantabile
- General Booth Enters Into Heaven
- Symphony No. 3 "The Camp Meeting": II. Children's Day: Allegro
- Symphony No. 2: II. Allegro molto (con spirito)
- Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': III. 'The Alcotts'
- Four Transcriptions from 'Emerson', No.1
- Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': I. 'Emerson'
- Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': II. 'Hawthorne'
- Sonata No. 2 for Piano, 'Concord, Mass.: 1840-60': IV. 'Thoreau'
- Variations of 'America'
- The Unanswered Question: Largo molto sempre
- The Unanswered Question (New York Philharmonic feat. conductor: Leonard Bernstein)
- Holidays symphony: Decoration Day (Conclusion)
- Trio for Violin, Cello and Piano: II. "TSIAJ". Presto
- Trio for Violin, Cello and Piano: I. Moderato
- Trio for Violin, Cello and Piano: III. Moderato con moto
- Scherzo, S. 84 No. 2 "Holding Your Own"
- String Quartet No. 2, S. 58: I. Discussions: Andante moderato - Andante con spirito - Adagio molto
- String Quartet No. 2, S. 58: II. Arguments: Allegro con spirito - Andante emasculata - Allegro con fisto - Presto - Largo sweetota - Allegro con fisto - Largo - Allegro - Largo soblato - Allegro con fuoco - Andante con scratchy - Allegro con fistiswatto
- String Quartet No. 1, S. 57 "From the Salvation Army": I. Andante con moto
- String Quartet No. 1, S. 57 "From the Salvation Army": III. Adagio cantabile - Allegretto - Andante con moto - Adagio cantabile
- String Quartet No. 1, S. 57 "From the Salvation Army": IV. Allegro marziale - Poco andante con moto - Allegro marziale
- String Quartet No. 1, S. 57 "From the Salvation Army": II. Allegro - Allegro con spirito - Quasi andante
- String Quartet No. 2, S. 58: III. The Call of the Mountains: Adagio - Andante - Andante con spirito - Adagio primo - Adagio maestoso
- Three Places in New England "Putnam's Camp / Redding / Connecticut"
- The Unanswered Question (New York Philharmonic feat. conductor: Leonard Bernstein), Part 2
- Second Orchestral Set: II. The Rockstrewn Hills Join in the People's Outdoor Meeting (Royal Concertgebouw Orchestra feat. conductor: Michael Tilson Thomas), Part 2
- The Unanswered Question (New York Philharmonic feat. conductor: Leonard Bernstein), Part 1
- Orchestral Set No.2, II, "The Rockstrewn Hills Join in the People's Outdoor Meeting"
- Second Orchestral Set: I. The Rockstrewn Hills Join in the People's Outdoor Meeting (Royal Concertgebouw Orchestra feat. conductor: Michael Tilson Thomas), Part 1
- Variations on "America"
- Sonata No. 4 for Violin and Piano "Children's Day at the Camp Meeting": II. Largo, Allegro, Andante Con Spirito, Adagio Cantabile / Largo Cantabile
- Sonata No. 4 for Violin and Piano "Children's Day at the Camp Meeting": I. Allegro / Allegro Molto
- Sonata No. 4 for Violin and Piano "Children's Day at the Camp Meeting": III. Allegro / Allegro Molto
- A Christmas Carol
- 'Gyp the Blood' or Hearst - Which Is Worst? (1912) - No. 2 of Set No. 2
- May 11, 1937 - Symphony No.1 / rejected mvt. 2 (Largo)
- Sonata No. 2: In the Barn
- The Ruined River (1912) - No. 3 of Set No. 1
- II - The Rockstrewn Hills Join in the People's Outdoor Meeting
- The Indians (1912) - No. 1 of Set No. 2
- Allegretto Sombreoso From 'Incantation' (1909) - No. 6 of Setno. 1
- May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (middle)
- IVa. (ohne Tempoangabe) - IVb. Allegro - Presto
- Sonata No. 4, Children's Day at the Camp Meeting: Allegro
- Study No. 21, "Some South-Paw Pitching!"
- Hallowe’en
- The Rainbow (So May It Be!) (1914)
- Waltz: Rondo
- May 11, 1937 - Sonata No.2 for Piano: Concord, Mass., 'Hawthorne'
- Over the Pavements (1906-13)
- Sunrise (1926)
- May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (beg.)
- Psalm 150
- On the Antipodes (1915-23)
- Varied Air and Variations - Study # 2 for Ears or Aural and Mental Exercise!!!
- Mists (1910)
- V. Andante maestoso - A tempo - Adagio cantabile - Allegro - Andante
- Piano Sonata No. 2: Thoreau
- Sonata No. 2: Autumn
- Aeschylus and Sophocles (1922)
- All the Way Around and Back (1906)
- Psalm 54
- The Pond (Remembrance) (1906)
- May 11, 1937 - Study No.23 (partial)
- Sonata No. 2: Revival
- Psalm 14
- May 11, 1937 - Study No.2 with false starts
- The See'r (1912) - No. 1 of Set Nr. 1
- Symphony No. 3 "The Camp Meeting", S. 3: I. "Old Folks Gatherin'", Andante maestoso
- IIa. Allegro moderato - Andante
- May 11, 1937 - Study No.23 (partial, v2)
- III - Communion
- Study No. 22 "22"
- Psalm 90
- From the Steeples and the Mountains (1901)
- The Bells of Yale (Battell Chimes or Chapel Chimes) (1897)
- No. 3: In the Night
- May 11, 1937 - Study No.20 (partial)
- Symphony No. 3 "The Camp Meeting", S. 3: III. "Communion", Largo
- Study No. 9 "Anti-Abolitionists Riots"
- Sonata No. 1: Largo cantabile
- May 11, 1937 - Study No.11
- Psalm 100
- A Lecture by President Arthur Twining Hadley (1912) - No. 2 of Set No. 1
- Sonata No. 3: Allegro
- Like a Sick Eagle (1909) - No. 4 of Set No. 1
- Psalm 135
- June 12, 1933 - Improvisations on a passage in Study No.23, Four Transcriptions from 'Emerson,' No.2, and Emerson Overtre's Cadenza No.4 (with false start)
- A Set of Pieces for Theater or Chamber Orchestra - No. 1: Inthe Cage
- Orchestral Set No. 2: I - An Elegy to Our Forefathers
- III. Largo - Allegro - Largo
- "Central Park in the Dark", Molto Adagio
- The Gong on the Hook and Ladder (Fireman's Parade on Main Street) (1912)
- Piano Sonata No. 2: The Alcotts
- Sonata No. 1: Allegro
- May 11, 1937 - Study No.2 (end)
- Piano Sonata No. 2: Emerson
- Sonata No. 4, Children's Day at the Camp Meeting: Largo
- May 11, 1937 - Unidentified (improvisation on the 'Sunrise' Candenza)
- III - From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose
- May 11, 1937 - Study No.2 (beg.)
- Symphony No. 3 "The Camp Meeting", S. 3: II. "Children's Day", Allegro
- II - Children's Day
- Psalm 42
- Sonata No. 1: Andante - Allegro vivace
- IIb. Allegro »In the Inn«
- May 11, 1937 - Four Transcriptions from 'Emerson,' No.3 (end)
- March in G and D, "Here's to Good Old Yale"
- Psalm 25
- Psalm 24
- Psalm 67
- No. 2: In the Inn (Potpourri)
- Symphony No. 3: I - Old Folks Gatherin'
- May 11, 1937 - Three Improvisations, No.1
- May 11, 1937 - Three Improvisations, No.3
- Sonata No. 3: Adagio (Catabile)
- May 11, 1937 - Four Transcriptions from 'Emerson,' No.1 (abandoned)
- May 11, 1937 - Study No.9: The Anti-Abolitionist Riots
- Adagio Sostenuto (At Sea) (1912-17)
- Tone Roads No. 1 (1911)
- Calcium Light Night (1912) - No. 5 of Set No. 1
- I. Adagio con moto - Andante con moto - Allegro risoluto
- Sonata No. 3: Allegro - Allegretto - Adagio
- Piano Sonata No. 2: Hawthorne
- Tone Roads No. 3 (1915)
- General W. Booth Enters Into Heaven (1914)
- Three Places in New England (Orchestral Set No. 1): II. Putnam's Camp, Redding, Connecticut
- Three Places in New England (Orchestral Set No. 1): I. The "St. Gaudens" in Boston Common (Col. Robert Gould Shaw' and his Colored Regiment)
- Three Places in New England (Orchestral Set No. 1): III. The Housatonic at Stockbridge
- In the Morning
- Fugue in C (1998-05-24, conducted by Timothy W. Foley)
- Country Band March (1998-01-26, conducted by Leonard Slatkin)
- Holidays (Symphony): III. The Fourth of July
- Holidays (Symphony): I. Washington's Birthday
- Holidays (Symphony): IV. Thanksgiving (Forefathers' Day)
- Holidays (Symphony): II. Decoration Day
- Symphony No. 4: III. Fugue: Andante moderato
- Scherzo: Fast - Slow - Fast
- Old Home Days: II. The Collection
- Old Home Days: III. The Opera House/Old Home Day
- Old Home Days: V. London Bridge is Fallen Down
- Old Home Days: I. Waltz
- Old Home Days: IV. Slow March
- Sixty-Seventh Psalm
- Three Page Sonata
- Decoration Day (Conclusion)
- Variations on America
- II. Hawthorne
- I. Emerson
- IV. Thoreau
- Variations of "America"
- Sunrise for Voice, Violin and Piano
- Song (She Is Not Fair)
- The All-Enduring
- The Fourth of July
- Du bist wie eine Blume
- Third Sonata for Violin and Piano: Allegro
- First Sonata for Violin and Piano: Allegro
- Fourth Sonata for Violin and Piano “Children’s Day at the Camp Meeting": Largo
- Third Sonata for Violin and Piano: Adagio
- Second Sonata for Violin and Piano: Autumn
- Second Sonata for Violin and Piano: The Revival
- Third Sonata for Violin and Piano: Verse 1 (Adagio) — Verse 2 (Andante) — Verse 3 (Allegretto) — Refrain (Adagio)
- Second Sonata for Violin and Piano: In the Barn
- First Sonata for Violin and Piano: Andante — Allegro vivace
- First Sonata for Violin and Piano: Largo cantabile
- Fourth Sonata for Violin and Piano “Children’s Day at the Camp Meeting": Allegro
- At Parting, S. 212
- Song "She is not fair to outward view", S. 354
- An Old Flame, S. 314
- A Night Song, S. 310
- Scotch Lullaby, S. 341
- Ballad from Rosamunde, S. 337
- Christmas Carol, S. 228
- Circus Band, S. 229
- In the Alley, S. 279
- Mirage, S. 299
- Nature's Way, S. 306
- Chanson de Florian, S. 225
- There is a Certain Garden, S. 369
- Abide with Me, S. 205
- When Stars are in the Quiet Skies, S. 389
- Qu'il m'irait bien, S. 329
- Ein Ton, S. 241
- My Native Land, S. 303
- Marie, S. 296 No. 1
- Rock of Ages, S. 335
- Canon "Not only in my lady's eyes", S. 223
- Waltz, S. 385
- Friendship, S. 253
- Through Night and Day, S. 375
- World's Wanderers, S. 398
- A Perfect Day, S. 326
- William Will, S. 396
- Slow March, S. 349
- Songs My Mother Taught Me, S. 361
- In Autumn, S. 276
- My Lou Jennine, S. 302
- A Song for Anything, S. 355
- From "Amphion", S. 210
- Far from my Heavenly Home, S. 246
- Anthem - Processional
- Piano Sonata No. 1: First Movement
- Baseball Take-Off
- Allegretto (Invention)
- Piano Sonata No. 1: Third Movement
- Storm And Distress
- Piano Sonata No. 1: Second Movement
- The Seen And Unseen
- Piano Sonata No. 1: Fourth Movement
- Bad Resolution And Good
- The Celestial Railroad, A Phantasie For Piano Solo
- Piano Sonata No. 1: Fifth Movement
- Little star of Bethlehem
- Hymn: Largo cabtabile
- Variations on "America": Variation 2 (Andante)
- Variations on "America": Variation 1 (Moderato)
- Variations on "America": Interlude, Variation 5 (Finale)
- Variations on "America": Variation 4 (Polonaise)
- Variations on "America": Introduction and Theme
- Variations on "America": Interlude, Variation 3 (Allegro)
- Symphony no. 2: I. Allegro moderato
- Piano Sonata No. 2 "Concord, Mass., 1840-60": III. The Alcotts
- Piano Sonata No. 2 "Concord, Mass., 1840-60": I. Emerson
- Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. Thoreau
- Piano Sonata No. 2 "Concord, Mass., 1840-60": II. Hawthorne
- 3 Places in New England: I. The "Saint-Gaudens" in Boston Common (Col. Shaw and his Colored Regiment)
- Symphony no. 3 "The Camp Meeting": I. Old Folks Gatherin'. Andante maestoso
- Symphony no. 3 "The Camp Meeting": II. Children's Day. Allegro
- 3 Places in New England: III. The Housatonic at Stockbridge
- 3 Places in New England: II. Putnam's Camp, Redding, Connecticut
- Symphony no. 3 "The Camp Meeting": III. Communion. Largo
- Fugue in 4 Keys on "The Shining Shore"
- Second Piano Sonata: "Concord, Mass., 1840-60": II. Hawthorne
- Second Piano Sonata: "Concord, Mass., 1840-60": IV. Thoreau
- Emerson [most of recapitulation]
- The Alcotts [complete]
- Second Piano Sonata: "Concord, Mass., 1840-60": III. The Alcotts
- Emerson [end of exposition]
- Emerson [transcription No. 1 with interpolated improvisations]
- Emerson [transcription No. 3 with interpolated improvisations]
- Hawthorne [fragment]
- Second Piano Sonata: "Concord, Mass., 1840-60": I. Emerson
- Three Places in New England: I. The Saint-Gaudens in Boston Common (Col. Shaw and His Colored Regiment)
- String Quartet No. 2: II. Arguments
- String Quartet No. 2: I. Discussions
- String Quartet No. 2: III. The Call Of The Mountains
- String Quartet No. 2: Scherzo for String Quartet
- "Decoration Day" from Holidays Symphony
- Charlie Rutledge
- Violin Sonata No. 2: II. In the Barn
- Violin Sonata No. 1: II. Largo cantabile; Più mosso; Largo
- Violin Sonata No. 3: I. Adagio; Andante; Allegretto; Adagio
- Violin Sonata No. 2: III. The Revival
- Violin Sonata No. 4 (“Children’s Day at the Camp Meeting”): II. Largo
- Violin Sonata No. 4 (“Children’s Day at the Camp Meeting”): III. Allegro
- Violin Sonata No. 1: III. Allegro
- Violin Sonata No. 4 (“Children’s Day at the Camp Meeting”): I. Allegro
- Violin Sonata No. 3: II. Allegro
- Violin Sonata No. 3: III Adagio cantabile
- Violin Sonata No. 1: I. Andante; Allegro vivace; Andante
- Violin Sonata No. 2: I. Autumn
- Evidence
- Friendship
- Disclosure
- Forward into Light
- The Ending Year
- Dreams
- Down East
- Far From My Heavenly Home
- Grace
- God Bless and Keep Thee
- Le Fede
- December
- Far In The Wood
- Eyes So Dark
- Frühlingslied
- Grantchester
- Flag Song
- Gruss
- Symphony no. 2: III. Adagio cantabile - Andante
- Piano Sonata No. 1: IIb. Allegro "In the Inn"
- Piano Sonata No. 1: IVb. Allegro - Presto
- Piano Sonata No. 1: III. Largo - Allegro - Largo, come prima
- Piano Sonata No. 1: Iva.
- Piano Sonata No. 1: IIa. Allegro moderato
- Piano Sonata No. 1: I. Adagio con moto
- Songs: (Walking)
- Songs: (The See'r)
- Songs: (The Housatonic At Stockbridge)
- Songs: (Ann Street - Broadway)
- Songs: (In The Mornin')
- Largo
- Songs: (Like A Sick Eagle)
- Songs: (The Cage)
- Songs: (The Things Our Fathers Loved)
- Songs: (Serenity)