Boston Symphony Orchestra Songtexte
The Planets, op. 32: VII. Neptune, the Mystic
Anfang 1881
Mitgliedschaften
- Ronald Barron
- Norman Carol
- Peter Chapman
- James David Christie
- Doriot Anthony Dwyer
- Frank Epstein
- Adam Esbensen
- Jules Eskin
- Harold Farberman
- Ronald Feldman
- Burton Fine
- Armand Hamelin
- Gaston Hamelin
- Anton Hekking
- Willy Hess
- Billy Hill
- Martin Hoherman
- Si Jing Huang
- Joseph Knecht
- Joseph Kneer
- Ronald Knudsen
- Sato Knudsen
- Valeria Kuchment
- Alexandre Lecarme
- Ronan Lefkowitz
- Luis Leguía
- Benjamin Levy
- Lucia Lin
- Georges Longy
- Malcolm Lowe
- Mark Ludwig
- Bracha Malkin
- Georges Miquelle
- Toby Oft
- Karel Ondříček
- James Pappoutsakis
- Joseph De Pasquale
- Ann Hobson Pilot
- Aza Raykhtsaum
- Robert Ripley
- Charles Schlueter
- Yizhak Schotten
- Richard Sebring
- Robert Sheena
- Jascha Silberstein
- Tamara Smirnova
- James Sommerville
- Gustav Strube
- Louis Svećenski
- Felix Viscuglia
- Harold Wright
- Owen Young
- Rebecca Young
- Jessica Zhou
Boston Symphony Orchestra: Complete Recordings on Deutsche Grammophon (Compilation)
Debussy: Nocturnes, L.91 / Ravel: Daphnis et Chloé Suite No.2, M.57b; Pavane pour une infante défunte, M.19; Le Poème de l'Extase, Op.54
- Nocturnes, L. 91: I. Nuages. Modéré (von Boston Symphony Orchestra, Claudio Abbado)
- Nocturnes, L. 91: II. Fêtes. Animé et très rythmé (von Boston Symphony Orchestra, Claudio Abbado)
- Nocturnes, L. 91: III. Sirènes. Modérément animé
- Daphnis et Chloé Suite no. 2, M. 57b
- Pavane pour une infante défunte, M.19 (von Boston Symphony Orchestra, Claudio Abbado)
- Le Poème de l'Extase, Op .54 (von Boston Symphony Orchestra, Claudio Abbado)
Tchaikovsky: Symphony No.1 In G Minor, Op.13, TH.24 - "Winter Reveries"
- Symphony no. 1 in G minor, op. 13, TH.24: "Winter Reveries": I. Allegro tranquillo (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in G minor, op. 13, TH.24: "Winter Reveries": II. Adagio cantabile ma non tanto (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in G minor, op. 13, TH.24: "Winter Reveries": III. Scherzo (Allegro scherzando giocoso) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 1 in G minor, op. 13, TH.24: "Winter Reveries": IV. Finale (Andante lugubre - Allegro maestoso) (von Boston Symphony Orchestra, Michael Tilson Thomas)
R. Strauss: Also sprach Zarathustra, Op.30, TrV 176 / Holst: The Planets, Op.32
- Also sprach Zarathustra, op. 30, TrV 176: I. Einleitung, oder Sonnenaufgang (von Boston Symphony Orchestra, William Steinberg)
- Also sprach Zarathustra, op. 30, TrV 176: II. Von den Hinterweltlern (von Boston Symphony Orchestra, William Steinberg)
- Also sprach Zarathustra, op. 30, TrV 176: III. Von der großen Sehnsucht (von Boston Symphony Orchestra, William Steinberg)
- Also sprach Zarathustra, op. 30, TrV 176: IV. Von den Freuden und Leidenschaften (von Boston Symphony Orchestra, William Steinberg)
- Also sprach Zarathustra, op. 30, TrV 176: V. Das Grablied
- Also sprach Zarathustra, op. 30, TrV 176: VI. Von der Wissenschaft (von Boston Symphony Orchestra, William Steinberg)
- Also sprach Zarathustra, op. 30, TrV 176: VII. Der Genesende (von Boston Symphony Orchestra, William Steinberg)
- Also sprach Zarathustra, op. 30, TrV 176: VIII. Das Tanzlied: Das Nachtlied (von Boston Symphony Orchestra, William Steinberg)
- Also sprach Zarathustra, op. 30, TrV 176: IX. Das Nachtwandlerlied (von Boston Symphony Orchestra, William Steinberg)
- The Planets, op. 32: I. Mars, the Bringer of War (von Boston Symphony Orchestra, William Steinberg)
- The Planets, op. 32: II. Venus, the Bringer of Peace (von Boston Symphony Orchestra, William Steinberg)
- The Planets, op. 32: III. Mercury, the Winged Messenger (von Boston Symphony Orchestra, William Steinberg)
- The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (von Boston Symphony Orchestra, William Steinberg)
- The Planets, op. 32: V. Saturn, the Bringer of Old Age (von Boston Symphony Orchestra, William Steinberg)
- The Planets, op. 32: VI. Uranus, the Magician (von Boston Symphony Orchestra, William Steinberg)
- The Planets, op. 32: VII. Neptune, the Mystic
Ruggles: Sun-Treader / W. H. Schuman: Concerto For Violin And Orchestra / Piston: Symphony No.2
- Sun-treader: 1.Quarter note= 69 Poco accelerando (bar/Takt/mesure 1) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-treader: II. Tempo eighth note = 126 (bar 51a) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-treader: III. Lento (bar 119) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-treader: IV. A tempo (bar 138a) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-treader: V. Quarter note = 69 Poco accelerando (bar 169) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Sun-treader: VI. Serene, but with great expression (bar 191) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Concerto For Violin And Orchestra: I. Allegro risoluto: Cadenza
- Concerto For Violin And Orchestra: II. Introduzione. Adagio: Allegretto
- Symphony no. 2: I. Moderato (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 2: II. Adagio (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 2: III. Allegro (von Boston Symphony Orchestra, Michael Tilson Thomas)
Debussy: Images For Orchestra, L. 122; Prélude à l'après-midi d'un faune, L.86 / Tchaikovsky: Romeo And Juliet, Fantasy Overture, TH.42
- Images For Orchestra, L. 122: I. Gigues (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Images For Orchestra, L. 122, II. Ibéria: I. Par les rues et par les chemins (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Images For Orchestra, L. 122, II. Ibéria: 2. Les parfums de la nuit (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Images For Orchestra, L. 122, II. Ibéria: III. Le matin d'un jour de fête (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Images For Orchestra, L. 122: III. Rondes de printemps (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Prelude a L'Apres-Midi D'Un Faune , L. 86
- Romeo and Juliet, TH 42: Andante non tanto quasi Moderato: Allegro giusto - Moderato assai (von Boston Symphony Orchestra, Claudio Abbado)
Smetana: Má Vlast, JB1:112
- Má Vlast, JB1:112: I. Vysehrad (von Boston Symphony Orchestra, Rafael Kubelík)
- Má Vlast, JB1:112: II. Vltava (von Boston Symphony Orchestra, Rafael Kubelík)
- Má Vlast, JB1:112: III. Sarka (von Boston Symphony Orchestra, Rafael Kubelík)
- Má Vlast, JB1:112: IV. Z ceskych luhu a haju (von Boston Symphony Orchestra, Rafael Kubelík)
- Má Vlast, JB1:112: V. Tábor (von Boston Symphony Orchestra, Rafael Kubelík)
- Má Vlast, JB1:112: VI. Blanik (von Boston Symphony Orchestra, Rafael Kubelík)
Stravinsky: Le Sacre du Printemps; Le Roi des étoiles / Hindemith: Symphonie "Mathis der Maler"; Konzertmusik Für Streichorchester Und Blechbläser, Op. 50
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: I. Introduction (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: II. Les augures printaniers: Danses des adolescentes (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: III. Jeu du rapt (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: IV. Rondes printanières (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: V. Jeux des cités (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: VI. Cortège du sage: Le sage (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: 7b. Dance of the Earth (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: VII. Danse de la terre (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 2: Le Sacrifice: I. Introduction (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 2: Le Sacrifice: II. Cercles mysteriéux des adolescentes (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 2: Le Sacrifice: III. Glorification d'élue (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 2: Le Sacrifice: IV. Évocation des ancêtres (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 2: Le Sacrifice: V. Action rituelle des ancêtres (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Sacre du Printemps, Pt 2: Le Sacrifice: VI. Danse sacrale: l'élue (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Le Roi des étoiles: Molto sostenuto-Maestoso e tranquillo-Tempo primo
- Symphonie "Mathis der Maler": I. Engelkonzert (von Boston Symphony Orchestra, William Steinberg)
- Symphonie "Mathis der Maler": II. Grablegung (von Boston Symphony Orchestra, William Steinberg)
- Symphonie "Mathis der Maler": III. Versuchung des heiligen Antonius (von Boston Symphony Orchestra, William Steinberg)
- Konzertmusik Für Streichorchester Und Blechbläser, op. 50: Part 1 (von Boston Symphony Orchestra, William Steinberg)
- Konzertmusik Für Streichorchester Und Blechbläser, op. 50: Part 2 (von Boston Symphony Orchestra, William Steinberg)
Mozart: Symphony No.41 In C Major, K.551 - "Jupiter" / Schubert: Symphony No.8 In B Minor, D.759 "Unfinished"
- Symphony no. 41 in C major, K. 551: "Jupiter": I. Allegro vivace (von Boston Symphony Orchestra, Eugen Jochum)
- Symphony no. 41 in C major, K. 551: "Jupiter": II. Andante cantabile (von Boston Symphony Orchestra, Eugen Jochum)
- Symphony no. 41 in C major, K. 551: "Jupiter": III. Menuetto (Allegretto) (von Boston Symphony Orchestra, Eugen Jochum)
- Symphony no. 41 in C major, K. 551: "Jupiter": IV. Molto allegro (von Boston Symphony Orchestra, Eugen Jochum)
- Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato (von Boston Symphony Orchestra, Eugen Jochum)
- Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto (von Boston Symphony Orchestra, Eugen Jochum)
Berlioz: Symphonie Fantastique, Op.14, H 48
- Symphonie fantastique, op. 14, H 48: I. Rêveries. Passions (Largo: Allegro agitato ed appassionato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14, H 48: II. Un bal (Valse: Allegro non troppo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14, H 48: III. Scène aux champs (Adagio) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphonie fantastique, op. 14, H 48: V. Songe d'une nuit du Sabbat (Larghetto: Allegro - Ronde du Sabbat: Poco meno mosso) (von Boston Symphony Orchestra, Seiji Ozawa)
Beethoven: Symphony No.5 In C Minor, Op.67; Piano Concerto No.5 In E Flat Major Op.73 -"Emperor"
- Symphony no. 5 in C minor, op. 67: I. Allegro con brio (von Boston Symphony Orchestra, Rafael Kubelík)
- Symphony no. 5 in C minor, op. 67: II. Andante con moto (von Boston Symphony Orchestra, Rafael Kubelík)
- Symphony no. 5 in C minor, op. 67: III. Allegro (von Boston Symphony Orchestra, Rafael Kubelík)
- Symphony no. 5 in C minor, op. 67: IV. Allegro (von Boston Symphony Orchestra, Rafael Kubelík)
- Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": I. Allegro (von Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso (von Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": III. Rondo (Allegro) (von Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa)
Berlioz: La Damnation de Faust, Op.24
- La Damnation de Faust, op. 24, H 111, Pt. 1: Scène I. "Le vieil hiver a fait place au printemps" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 1: Ronde des Paysans. "Les bergers quittent": Scène II. "Mais d'un éclat guerrier" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 1: Marche hongroise (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène III. "Sans regrets j'ai quitté les riantes campagnes" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Chant de la fête de Pâques. "Christ vient de ressusciter!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène IV. "O pure émotion!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène V. Choeur de buveurs. "A boire encor!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Fugue sur le thème de la chanson. "Amen" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Méphistophélès. "Une puce gentille" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène VI. Air de Méphistophélès. "Voici des roses" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Songe de Faust. "Dors! heureux Faust" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène VII. "Margarita!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 2: Choeurs de Soldats et Chanson d'Etudiants. "Villes entourées": "Jam nox stellata velamina pandit" (von Boston Symphony Orchestra, Seiji Ozawa)
Berlioz: La Damnation de Faust, Op.24
- La Damnation de Faust, op. 24, H 111, Pt. 3: (Prélude: La retraite) (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: "Merci, doux crépuscule!": "Je l'entends!" (Faust / Méphistophélès, Faust) (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène X. "Que l'air est étouffant" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Le roi de Thulé (Chanson gothique). "Autrefois un roi de Thulé" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1I. Evocation. "Esprits des flammes inconstantes" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1II. "Maintenant chantons à cette belle" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Sérénade de Méphistophélès. "Devant la maison" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1III. "Grands dieux!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1IV. "Allons, il est trop tard!" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1V. Romance. "D'amour l'ardente flamme" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: "Au son des trompettes" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VI. Invocation à la Nature. "Nature immense" (von Stuart Burrows, Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VII. Récitatif et Chasse. "A la voûte azurée" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VIII. La course à l'abîme. "Dans mon choeur retentit sa voix" (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: "Has! Irimirukarabrao! Has!": "Alors, l'Enfers se tut" (Choeur, Méphistophélès / Une Voix, Choeur) (von Boston Symphony Orchestra, Seiji Ozawa)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 2I. Le Ciel. "Laus! Laus!": Apothéose de Marguerite. "Remonte au ciel, âme naïve" (von Boston Symphony Orchestra, Seiji Ozawa)
Ravel: Boléro, M.81; Une barque sur l'océan, M. 43; Menuet antique, M. 7; Alborada del gracioso - Orchestral version, M. 43; Pavane pour une infante défunte, M. 19; La valse, M.72
- Boléro , M. 81: Original Version, M. 81 (von Boston Symphony Orchestra, Seiji Ozawa)
- Miroirs, M.43, Orch. Ravel: III. Une barque sur l'océan (von Boston Symphony Orchestra, Seiji Ozawa)
- Menuet antique: for Orchestra (von Boston Symphony Orchestra, Seiji Ozawa)
- Alborada del gracioso , M 43: Orchestral version (von Boston Symphony Orchestra, Seiji Ozawa)
- Pavane pour une infante défunte , M.19 (von Charles Kavaloski, Boston Symphony Orchestra, Seiji Ozawa)
- La Valse , M.72 (von Boston Symphony Orchestra, Seiji Ozawa)
Ravel: Le Tombeau de Couperin, M.68; Ma mère l'oye, M.60; Rapsodie espagnole, M.54
- Le Tombeau de Couperin, M. 68, Orchestral version: I. Prélude (von Boston Symphony Orchestra, Seiji Ozawa)
- Le Tombeau de Couperin, M. 68, Orchestral version: II. Forlane (von Boston Symphony Orchestra, Seiji Ozawa)
- Le Tombeau de Couperin, M. 68, Orchestral version: III. Menuet (von Boston Symphony Orchestra, Seiji Ozawa)
- Le Tombeau de Couperin, M. 68, Orchestral version: IV. Rigaudon (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Prélude (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Danse du rouet et scène: Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Pavane de la Belle au bois dormant (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Les entretiens de la Belle et de la Bête (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Petit Poucet (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Laideronnette, Impératrice des Pagodes (von Boston Symphony Orchestra, Seiji Ozawa)
- Ma mère l'Oye, M. 60, Orchestral version: Apothéose: Le jardin féerique (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole, M. 54: I. Prélude à la nuit (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole, M. 54: II. Malagueña (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole, M. 54: III. Habanera (von Boston Symphony Orchestra, Seiji Ozawa)
- Rapsodie espagnole, M. 54: IV. Feria (von Boston Symphony Orchestra, Seiji Ozawa)
Ravel: Daphnis et Chloé, M. 57; Valses nobles et sentimentales, M.61
- Daphnis et Chloé, M. 57, Première partie: Introduction: Lent - Trè modéré (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Danse religieuse: Modéré (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Un peu plus lent (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Les jeunes filles dansent - Vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Les jeunes filles dansent - Vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Danse générale (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Vif - Plus modéré - Très modéré - Pesant (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Danse légère et gracieuse de Daphnis: Assez lent - Animé - Vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Lent - Moins lent - Très libre (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Danse de Lyceion - Scène (Les pirates) (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Modérément animé - Très animé - Lent - Très agité (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Modéré - Plus lent (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Première partie: Scène: Danse lente et mystérieuse (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Scène: Même mouvement (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Danse guerrière (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Scène: Un peu moins animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Scène: Danse suppliante de Chloé (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Scène: Assez animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Deuxième partie: Scène: Lent - Plus animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Troisième partie: Lever du jour: Scène (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Troisième partie: Daphnis et Chloé miment l'aventure de Pan et Syrinx (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Troisième partie: Scène: Très lent (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Troisième partie: Scène: Lent - Animé - Lent - Animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Daphnis et Chloé, M. 57, Troisième partie: Danse générale (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: I. Modéré: très franc (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: II. Assez lent: avec une expression intense (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: III. Modéré (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: IV. Assez animé (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: V. Presque lent: dans un sentiment intime (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: VI. Assez vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: VII. Moins vif (von Boston Symphony Orchestra, Seiji Ozawa)
- Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) (von Boston Symphony Orchestra, Seiji Ozawa)
Bartók: The Miraculous Mandarin Suite , BB 82, Sz. 73; Concerto For Orchestra, Sz. 116
- The Miraculous Mandarin, BB 82, op. 19 (Sz.73): Suite (von Boston Symphony Orchestra, Seiji Ozawa)
- Concerto For Orchestra, BB 123, Sz.116: I. Introduzione (Andante non troppo: Allegro vivace) (von Boston Symphony Orchestra, Rafael Kubelík)
- Concerto For Orchestra, BB 123, Sz.116: II. Giuoco della coppie (Allegretto scherzando) (von Boston Symphony Orchestra, Rafael Kubelík)
- Concerto For Orchestra, BB 123, Sz.116: III. Elegia (Andante, non troppo) (von Boston Symphony Orchestra, Rafael Kubelík)
- Concerto For Orchestra, BB 123, Sz.116: IV. Intermezzo interrotto (Allegretto) (von Boston Symphony Orchestra, Rafael Kubelík)
- Concerto For Orchestra, BB 123, Sz.116: V. Finale (Pesante: Presto) (von Boston Symphony Orchestra, Rafael Kubelík)
Glazunov: Chant du Ménestrel, Op.71 / Shostakovich: Cello Concerto No.2, Op.126 / de Falla: El sombrero de tres picos
- Chant du ménestrel, op. 71 (von Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa)
- Cello Concerto no. 2, op. 126: I. Largo (von Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa)
- Cello Concerto no. 2, op. 126: II. Allegretto (von Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa)
- Cello Concerto no. 2, op. 126: III. Allegretto (von Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Introducción (von Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Atardecer (von Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Danza de la molinera (Fandango) (von Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 1: Las uvas (von Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza de los vecinos (Seguidillas) (von Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza del molinero (Farruca) (von Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza del corregidor (von Boston Symphony Orchestra, Seiji Ozawa)
- El sombrero de tres picos, Text: Gregorio Martínez Sierra, Pt. 2: Danza final (Jota) (von Boston Symphony Orchestra, Seiji Ozawa)
Berlioz: Roméo et Juliette, Op.17, H.79
- Roméo et Juliette, op. 17, H.79, Part 1: Introduction (von Seiji Ozawa, Boston Symphony Orchestra)
- Roméo et Juliette, op. 17, H.79, Part 1: Prologue: "D'anciennes haines endormies" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 1: Strophe 1: "Premiers transports que nul n'oublie" (von Seiji Ozawa, Boston Symphony Orchestra, Julia Hamari, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 1: Récitatif et Scherzetto: "Bientôt de Roméo": "Mab! la messagère" - "Bientôt la mort est souveraine" (von Seiji Ozawa, Boston Symphony Orchestra, Jean Dupouy, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 2: Roméo seul: Tristesse - Concert et bal. (von Seiji Ozawa, Boston Symphony Orchestra)
- Roméo et Juliette, op. 17, H.79, Part 3: "Ohé! Capulets": Scène d'amour (von Boston Symphony Orchestra, Seiji Ozawa, New England Conservatory Chorus, Lorna Cooke deVaron)
Berlioz: Roméo et Juliette, Op.17, H.79
- Roméo et Juliette, op. 17, H.79, Part 4: Scherzo. La Reine Mab ou la Fée des songes (von Boston Symphony Orchestra, Seiji Ozawa)
- Roméo et Juliette, op. 17, H.79, Part 5: Convoi funebre "Jetez des fleurs pour la vierge expirée" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 6: Romeo au tombeau des Capulets (von Seiji Ozawa, Boston Symphony Orchestra)
- Roméo et Juliette, op. 17, H.79, Part 4: Invocation: Réveil de Juliette (von Seiji Ozawa, Boston Symphony Orchestra)
- Roméo et Juliette, op. 17, H.79, Part 4: Joie délirante, désespoir "Dernières angoisses et mort" (von Seiji Ozawa, Boston Symphony Orchestra)
- Roméo et Juliette, op. 17, H.79, Part 7: Final. "Quoi! Roméo de retour! Roméo" (von Seiji Ozawa, Boston Symphony Orchestra, José van Dam, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 7: Final. "Pauvres enfants que je pleure" (von Seiji Ozawa, Boston Symphony Orchestra, José van Dam)
- Roméo et Juliette, op. 17, H.79, Part 7: Final. "Mais notre sang rougit leur glaive" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
- Roméo et Juliette, op. 17, H.79, Part 7: Final. "Jurez donc, par l'auguste symbole" (von Seiji Ozawa, Boston Symphony Orchestra, New England Conservatory Chorus, Lorna Cooke deVaron)
Ives: 3 Places In New England; Symphony No.4; Central Park In The Dark
- 3 Places in New England: I. The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) (von Boston Symphony Orchestra, Michael Tilson Thomas)
- 3 Places in New England: II. Putnam's Camp, Redding, Connecticut (von Boston Symphony Orchestra, Michael Tilson Thomas)
- 3 Places in New England: III. From "The Housatonic at Stockbridge" by Robert Underwood Johnson (von Boston Symphony Orchestra, Michael Tilson Thomas)
- Symphony no. 4: I. Prelude (Walt Whitman) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 4: II. Allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 4: III. Fugue. Andante moderato (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 4: IV. Very slowly: Largo maestoso (von Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Central Park in The Dark (von Boston Symphony Orchestra, Seiji Ozawa)
Tchaikovsky: Symphony No.5 In E Minor, Op.64, TH.29
- Symphony no. 5 in E minor, op. 64, TH.29: I. Andante: Allegro con anima (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: II. Andante cantabile, con alcuna licenza: Moderato con anima (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: III. Valse (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 5 in E minor, op. 64, TH.29: IV. Finale (Andante maestoso: Allegro vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
Brahms: Symphony No.1 In C Minor, Op.68
- Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto: Allegro - Meno allegro (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in C minor, op. 68: II. Andante sostenuto (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in C minor, op. 68: IV. Adagio: Piu andante - Allegro non troppo, ma con brio - Piu allegro (von Boston Symphony Orchestra, Seiji Ozawa)
Respighi: Pines Of Rome, P. 141; Roman Festivals, P. 157; Fountains Of Rome, P. 106
- Pines of Rome, P. 141: The Pines Of Villa Borghese (I pini di Villa Borghese) (von Boston Symphony Orchestra, Seiji Ozawa)
- Pines of Rome, P. 141: The Pines near a Catacomb (Pini presso una catacomba) (von Boston Symphony Orchestra, Seiji Ozawa)
- Pines of Rome, P. 141: The Pines of the Janiculum (I pini del Gianicolo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Pines of Rome, P. 141: The Pines of the Appian Way (I pini della Via Appia) (von Boston Symphony Orchestra, Seiji Ozawa)
- Roman Festivals, P. 157: I. Circenses (von Boston Symphony Orchestra, Seiji Ozawa)
- Roman Festivals, P. 157: II. Giubileo (von Boston Symphony Orchestra, Seiji Ozawa)
- Roman Festivals, P. 157: III. L'Ottobrata (von Boston Symphony Orchestra, Seiji Ozawa)
- Roman Festivals, P. 157: IV. La Befana (von Boston Symphony Orchestra, Seiji Ozawa)
- Fountains of Rome, P. 106: I. The Valle Giulia Fountain at Daybreak (La fontana de Valle Giulia à l'alba) (von Boston Symphony Orchestra, Seiji Ozawa)
- Fountains of Rome, P. 106: II. The Triton Fountain in the Morning (La Fontana del Tritone al mattino) (von Boston Symphony Orchestra, Seiji Ozawa)
- Fountains of Rome, P. 106: III. The Trevi Fountain at Midday (La Fontana di Trevi al meriggio) (von Boston Symphony Orchestra, Seiji Ozawa)
- Fountains of Rome, P. 106: IV. The Villa Medici Fountain at Sunset (La Fontana di Villa Medici al tramonto) (von Boston Symphony Orchestra, Seiji Ozawa)
Respighi: Ancient Airs And Dances, Suites No.1-3
- Ancient Airs And Dances, Suite no. 1, P. 109: I. Balletto detto "Il Conte Orlando" (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 1, P. 109: II. Gagliarda (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 1, P. 109: III. Villanella (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 1, P. 109: IV. Passo mezzo e Mascherada (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 2, [P. 138]: I. Laura soave: balletto con gagliarda, saltarello e canario (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 2, [P. 138]: II. Danza rustica (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 2, [P. 138]: III. Campanae parisienses: Aria (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 2, [P. 138]: IV. Bergamasca (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 3, P. 172: I. Italiana (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 3, P. 172: II. Arie di corte (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 3, P. 172: III. Siciliana (von Boston Symphony Orchestra, Seiji Ozawa)
- Ancient Airs And Dances, Suite no. 3, P. 172: IV. Passacaglia (von Boston Symphony Orchestra, Seiji Ozawa)
Liszt: A Faust Symphony, S.108
- A Faust Symphony, S. 108: I. Faust (von Boston Symphony Orchestra, Leonard Bernstein)
- A Faust Symphony, S. 108: II. Gretchen (von Boston Symphony Orchestra, Leonard Bernstein)
- A Faust Symphony, S. 108: III. Mephistopheles And Final Chorus
Rimsky-Korsakov: Scheherazade, Op.35 / Bartók: Music For Strings, Percussion And Celesta, Sz. 106
- Scheherazade, op. 35: I. The Sea And Sinbad's Ship (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
- Scheherazade, op. 35: II. The Story Of The Calender Prince (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
- Scheherazade, op. 35: III. The Young Prince And The Young Princess (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
- Scheherazade, op. 35: IV. Festival At Bagdad: The Sea - The Shipwreck Against A Rock Surmounted By A Bronze Warrior (von Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): I. Andante tranquillo (von Boston Symphony Orchestra, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): II. Allegro (von Boston Symphony Orchestra, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): III. Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- Music for Strings, Percussion and Celesta, BB 114 (Sz.106): IV. Allegro molto (von Boston Symphony Orchestra, Seiji Ozawa)
Mahler: Symphony No.1 In D Major
- Symphony no. 1 in D major: I. Langsam. Schleppend (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D major: "Blumine". Andante allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D major: II. Kräftig bewegt (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 1 in D major: IV. Stürmisch bewegt (von Boston Symphony Orchestra, Seiji Ozawa)
Berg: Violin Concerto "To The Memory Of An Angel" / Stravinsky: Violin Concerto In D Major
- Violin Concerto "To the Memory of an Angel": I. Andante: Allegro (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto "To the Memory of an Angel": II. Allegro: Adagio (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto in D major: I. Toccata (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto in D major: II. Aria I (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto in D major: III. Aria II (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto in D major: IV. Capriccio (von Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa)
Tchaikovsky: Swan Lake, Op.20, TH.12
- Swan Lake, op. 20, TH. 12: Introduction (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 1 Scène (Allegro giusto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 2 Valse (Corps de Ballet) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 3 Scène (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4a Pas de trois: Intrada (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4b Pas de trois: Andante sostenuto (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4c Pas de trois: Allegro semplice (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4d Pas de trois: Moderato (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4e Pas de trois: Allegro (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 4f Pas de trois: Coda (Allegro vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 5 Pas de deux: a) Intrada-Valse: b) Andante (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 5c Pas de deux: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 5d Pas de deux: Coda (Allegro molto vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 6 Pas d'action und No. 7 Sujet (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 8 Danse des coupes (Tempo di polacca) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 1: no. 9 Finale (Andante) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 10 Scène (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 11 Scène (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 12 Scène (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13a Danse des cygnes: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13b Danse des cygnes: Odette solo/Première danse de la reine des cygnes (Moderato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13c Danse des cygnes: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13d Danse des petits cygnes (Allegro moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
Tchaikovsky: Swan Lake, Op.20, TH.12
- Swan Lake, op. 20, TH. 12, Act 2: no. 13e Danse des cygnes: Pas d'action: Odette et le prince/Deuxième danse de la reine des cygnes (Andante) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13f Danse des cygnes: Danse générale (Valse) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 13g Danse des cygnes: Coda (Allegro vivace) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 2: no. 14 Scène (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 15 Danse de fançailles (Allegro giusto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 16 Danses du corps de ballet et des nains (Moderato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 17 Scène: Entrée des invités (Fanfares) et la valse (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 18 Scène (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Intrada (moderato assai) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Var. I (Allegro) und Var.II (Andante c.m.) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Var. III (Moderato) und Var.IV (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: Pas de six: Var. V (Moderato) und Coda (Allegro molto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 20 Danse hongroise (Czárdás) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: Danse russe (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 21 Danse espagnole (Allegro non troppo. Tempo di bolero) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 22 Danse napolitaine (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 23 Mazurka (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 3: no. 24 Scène (Allegro: Valse - Allegro vivo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 4: no. 25 Entr'acte und No. 26 Scène (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 4: no. 27 Danses des petits cygnes (Moderato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 4: no. 28 Scène (Allegro agitato) (von Boston Symphony Orchestra, Seiji Ozawa)
- Swan Lake, op. 20, TH. 12, Act 4: no. 29 Scène finale (Andante) (von Boston Symphony Orchestra, Seiji Ozawa)
Mozart: Clarinet Concerto In A, K.622; Bassoon Concerto In B Flat, K.191 / Takemitsu: Quatrain; A Flock Descends Into The Pentagonal Garden
- Clarinet Concerto in A major, K. 622: I. Allegro (von Harold Wright, Boston Symphony Orchestra, Seiji Ozawa)
- Clarinet Concerto in A major, K. 622: II. Adagio (von Harold Wright, Boston Symphony Orchestra, Seiji Ozawa)
- Clarinet Concerto in A major, K. 622: III. Rondo (Allegro) (von Harold Wright, Boston Symphony Orchestra, Seiji Ozawa)
- Bassoon Concerto in B-Flat major, K. 191, Cadenza: Walter Guetter: I. Allegro (von Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa)
- Bassoon Concerto in B-Flat major, K. 191, Cadenza: Walter Guetter: II. Andante ma Adagio (von Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa)
- Bassoon Concerto in B-Flat major, K. 191, Cadenza: Walter Guetter: III. Rondo. Tempo di Menuetto (von Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa)
- Quatrain
- A Flock Descends into the Pentagonal Garden
Fauré: Pelléas et Mélisande, Op.80; Après un Rêve Op.7, No.1; Pavane, Op.50; Elégie, Op.24; Dolly, Op.56
- Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- Pelléas et Mélisande, op. 80: II. Fileuse. Andantino quasi Allegretto (von Boston Symphony Orchestra, Seiji Ozawa)
- Pelléas et Mélisande, op. 80: Chanson de Mélisande
- Pelléas et Mélisande, op. 80: IV. Sicilienne (von Boston Symphony Orchestra, Seiji Ozawa)
- Pelléas et Mélisande, op. 80: VI. Molto adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- Après un Rêve op.7, no.1 (Arr. by Arkadij Dubenskij) (von Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa)
- Pavane, op. 50
- Elégie, op. 24: Molto adagio (von Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: I. Berceuse (von Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: II. Mi-A-Ou (von Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: III. Le Jardin de Dolly (von Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: IV. Kitty-Valse (von Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: V. Tendresse (von Boston Symphony Orchestra, Seiji Ozawa)
- Dolly Suite, op. 56: VI. Le pas Espagnol (von Boston Symphony Orchestra, Seiji Ozawa)
Prokofiev: Romeo And Juliet, Op.64
- Romeo and Juliet, op. 64: I. Introduction (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: II. Romeo (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: III. The street awakens (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: IV. Morning dance (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: V. The quarrel (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: VI. The fight (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: VII. The duke's command (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: VIII. Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: IX. At the Capulets' (Preparations for the ball) (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: X. The young Juliet (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 1I. Arrival of the guests (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 1II. Masks (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 1III. Dance Of The Knights (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 1IV. Juliet's variation (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 1V. Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 1VI. Madrigal (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 1VII. Tybalt recognizes Romeo (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 1VIII. Gavotte (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 1IX. Balcony scene (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 20. Romeo's variation (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 1: 2I. Love dance (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2II. Folk dance (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2III. Romeo and Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2IV. Dance of the five couples (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2V. Dance with mandolins (von Boston Symphony Orchestra, Seiji Ozawa)
Prokofiev: Romeo And Juliet, Op.64
- Romeo and Juliet, op. 64, Act 2: 2VI. Nurse (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2VII. The nurse and Romeo (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2VIII. Romeo at friar Laurence's (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 2IX. Juliet at friar Laurence's (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 30. Public merrymaking (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3I. Further public festivities (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3II. Meeting of Tybalt and Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3III. The duel (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3IV. Death of Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3V. Romeo decides to avenge Mercutio (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 2: 3VI. Finale (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 3VII. Introduction (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 3VIII. Romeo and Juliet (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 3IX. Romeo bids Juliet farewell (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 40. Nurse (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4I. Juliet refuses to marry Paris (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4II. Juliet alone (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4III. Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4IV. At friar Laurence's cell (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4V. Interlude (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4VI. Juliet's room (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4VII. Juliet alone (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4VIII. Aubade (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 4IX. Dance of the girls with lilies (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 3: 50. At Juliet's bedside (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 4: 5I. Juliet's funeral (von Boston Symphony Orchestra, Seiji Ozawa)
- Romeo and Juliet, op. 64, Act 4: 5II. Juliet's death (von Boston Symphony Orchestra, Seiji Ozawa)
Liszt: Piano Concerto No.1 In E Flat, S.124; Piano Concerto No.2 In A, S.125; Totentanz, S. 525
- Piano Concerto no. 1 in E-Flat major, S. 124: I. Allegro maestoso (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 1 in E-Flat major, S. 124: II. Quasi adagio: Allegretto vivace - Allegro animato (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 1 in E-Flat major, S. 124: III. Allegro marziale animato (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai: Allegro agitato assai (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
- Piano Concerto no. 2 in A major, S. 125: II. Allegro moderato: Allegro deciso (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
- Piano Concerto no. 2 in A major, S. 125: III. Marziale un poco meno allegro (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
- Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato: Stretto (molto accelerando) (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
- Totentanz, S. 525 (von Boston Symphony Orchestra, Seiji Ozawa, Krystian Zimerman)
Chabrier: España - Rhapsody For Orchestra / Gounod: Faust, Ballet Music / Thomas: Overture From 'Mignon' / Offenbach: Gaîté parisienne
- España: Rhapsody for Orchestra (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: I. Les Nubiennes, valse (Allegretto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: II. Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: III. Danse antique (Allegretto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: IV. Variations de Cléopatre (Moderato maestoso) (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: V. Les Troyennes (Moderato con moto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: VI. Variations du miroir (Allegretto) (von Boston Symphony Orchestra, Seiji Ozawa)
- Faust, Ballet Music: VII. Danse de Phryné (Allegro vivo) (von Boston Symphony Orchestra, Seiji Ozawa)
- Mignon: Overture (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne, Arranged by M. Rosenthal: I. Overture (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne, Arranged by M. Rosenthal: Polka (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne, Arranged by M. Rosenthal: (Allegro) (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne, Arranged by M. Rosenthal: IX. Valse lente (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne, Arranged by M. Rosenthal: Valse-Allegro vivo-Valse-Allegro misterioso (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne, Arranged by M. Rosenthal: Allegro: Cancan (von Boston Symphony Orchestra, Seiji Ozawa)
- Gaîté parisienne, Arranged by M. Rosenthal: Vivo: Barcarolle - Allegro moderato (von Boston Symphony Orchestra, Seiji Ozawa)
Poulenc: Gloria, FP 177; Stabat Mater FP 148
- Gloria, FP 144: I. Gloria
- Gloria, FP 144: II. Laudamus te
- Gloria, FP 144: III. Domine Deus (von John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Gloria, FP 144: IV. Domini Fili Unigenite
- Gloria, FP 144: V. Domine Deus, Agnus Dei (von John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Gloria, FP 144: VI. Qui sedes ad dexteram Patris (von John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa)
- Stabat Mater, FP 148: I. Stabat Mater dolorosa
- Stabat Mater, FP 148: II. Cujus animam gementem
- Stabat Mater, FP 148: III. O quam tristis
- Stabat Mater, FP 148: IV. Quae moerebat
- Stabat Mater, FP 148: V. Quis est homo
- Stabat Mater, FP 148: VI. Vidit suum
- Stabat Mater, FP 148: VII. Eja mater
- Stabat Mater, FP 148: VIII. Fac ut ardeat
- Stabat Mater, FP 148: IX. Sancta mater
- Stabat Mater, FP 148: X. Fac ut portem
- Stabat Mater, FP 148: 1I. Inflammatus et accensus
- Stabat Mater, FP 148: 1II. Quando corpus
Bartók: Violin Concerto No.2, BB 117, Sz.112 / Moret: En reve
- Violin Concerto no. 2, BB 117 (Sz. 112): I. Allegro non troppo (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto no. 2, BB 117 (Sz. 112): II. Andante tranquillo (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- Violin Concerto no. 2, BB 117 (Sz. 112): III. Allegro molto (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- En reve: I. Lumière vaporeuse (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- En reve: II. Dialogue avec l'Étoile (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
- En reve: III. Azur fascinant (Sérénade tessinoise) (von Anne‐Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa)
Britten: Four Sea Interludes From "Peter Grimes", Op.33a / Beethoven: Symphony No.7 In A, Op.92
- Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn (von Boston Symphony Orchestra, Leonard Bernstein)
- Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning (von Boston Symphony Orchestra, Leonard Bernstein)
- Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight (von Boston Symphony Orchestra, Leonard Bernstein)
- Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm (von Boston Symphony Orchestra, Leonard Bernstein)
- Symphony no. 7 in A major, op. 92: I. Poco sostenuto: Vivace (von Boston Symphony Orchestra, Leonard Bernstein)
- Symphony no. 7 in A major, op. 92: II. Allegretto (von Boston Symphony Orchestra, Leonard Bernstein)
- Symphony no. 7 in A major, op. 92: III. Presto : Assai meno presto (von Boston Symphony Orchestra, Leonard Bernstein)
- Symphony no. 7 in A major, op. 92: IV. Allegro con brio (von Boston Symphony Orchestra, Leonard Bernstein)
Poulenc: Concerto For Organ, Strings And Percussion In G Minor, FP 93; Concert Champêtre, FP 49 / Gubaidulina: Offertorium - Concerto For Violin And Orchestra
- Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante
- Concerto for Organ, Strings and Percussion in G minor, FP 93: Subito andante moderato
- Concerto for Organ, Strings and Percussion in G minor, FP 93: Tempo allegro, molto agitato
- Concert Champêtre, FP 49: I. Allegro molto (von Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa)
- Concert Champêtre, FP 49: II. Andante (von Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa)
- Concert Champêtre, FP 49: III. Finale (von Trevor Pinnock, Boston Symphony Orchestra, Seiji Ozawa)
- Offertorium (1980): Concerto For Violin And Orchestra
Mendelssohn: Overture "A Midsummer Night's Dream", Op.21; A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13
- Overture "A Midsummer Night's Dream", op. 21, MWV P 3 (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 1 Scherzo (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. II. L'istesso tempo (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: Fairies' March (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 3 Song with Chorus: "Bunte Schlangen, zweigezüngt" (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 4 The Speels (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 5 Intermezzo (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 7 Notturno (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 8 Melodram (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 9 Wedding March (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 10 a) Prologue (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 10 b) Funeral March (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: no. 11 Dance of the Clowns (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: 1II. Allegro vivace come 1 (von Boston Symphony Orchestra, Seiji Ozawa)
- A Midsummer Night's Dream, Incidental Music, op. 61, MWV M 13: Finale: "Bei des Feuers mattem Flimmern" (von Boston Symphony Orchestra, Seiji Ozawa)
Tchaikovsky: The Nutcracker, Op.71, TH.14
- The Nutcracker, op. 71, TH 14: Overture (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 1 The Christmas Tree (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 2 March (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 3 Galop and Dance of the Parents (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 4 Dance Scene: The Presents of Drosselmeyer (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 5 Scene: Grandfather Dance (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 6 Clara and the Nutcracker (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 7 The Nutcracker Battles the Army of the Mouse King: He Wins and Is Transformed into Prince Charming (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 8 in the Christmas Tree (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 1: no. 9 Scene and Waltz of the Snowflakes
- The Nutcracker, op. 71, TH 14, Act 2: no. 10 The Magic Castle on the Mountain of Sweets (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 2: no. 11 Clara and Prince Charming (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 2: no. 12 Divertissement (von Boston Symphony Orchestra, Seiji Ozawa)
Tchaikovsky: The Nutcracker, Op.71, TH.14; The Sleeping Beauty, Suite, Op.66a, TH 234
- The Nutcracker, op. 71, TH 14, Act 2: no. 13 Waltz of the Flowers (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 2: no. 14 Pas de deux: Intrada: Variation I/II - Coda (von Boston Symphony Orchestra, Seiji Ozawa)
- The Nutcracker, op. 71, TH 14, Act 2: no. 15 Final Waltz and Apotheosis
- The Sleeping Beauty, Suite, op. 66a, TH 234: Introduction: The Lilac Fairy (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, Suite, op. 66a, TH 234: Pas d'action: Rose Adagio (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, Suite, op. 66a, TH 234: Pas de caractère: Puss in Boots (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, Suite, op. 66a, TH 234: Panorama (andantino) (von Boston Symphony Orchestra, Seiji Ozawa)
- The Sleeping Beauty, Suite, op. 66a, TH 234: Valse (von Boston Symphony Orchestra, Seiji Ozawa)
Rachmaninov: Piano Concerto No.1 In F Sharp Minor, Op.1; Piano Concerto No.2 In C Minor, Op.18
- Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 2 in C minor, op. 18: I. Moderato (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
- Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando (von Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa)
Williams: TreeSong; Concerto For Violin And Orchestra; Three Pieces From Schindler's List For Solo Violin And Orchestra
- TreeSong for Gil Shaham: Doctor Hu and the Meta Sequoia (von Gil Shaham, Boston Symphony Orchestra, John Williams)
- TreeSong for Gil Shaham: Trunks, Branches and Leaves (von Gil Shaham, Boston Symphony Orchestra, John Williams)
- TreeSong for Gil Shaham: The Tree Sings (von Gil Shaham, Boston Symphony Orchestra, John Williams)
- Concerto For Violin And Orchestra: I. Moderato (von Gil Shaham, Boston Symphony Orchestra, John Williams)
- Concerto For Violin And Orchestra: II. Slowly (In Peaceful Contemplation) (von Gil Shaham, Boston Symphony Orchestra, John Williams)
- Concerto For Violin And Orchestra: III. Broadly (Maestoso): Quickly (von Gil Shaham, Boston Symphony Orchestra, John Williams)
- Three Pieces From Schindler's List For Solo Violin And Orchestra: Theme From "Schindler's List" (von Gil Shaham, Boston Symphony Orchestra, John Williams)
- Three Pieces From Schindler's List For Solo Violin And Orchestra: Jewish Town (von Gil Shaham, Boston Symphony Orchestra, John Williams)
- Three Pieces From Schindler's List For Solo Violin And Orchestra: Remembrances (von Gil Shaham, Boston Symphony Orchestra, John Williams)
Previn: Violin Concerto "Anne-Sophie"; Double Concerto For Violin, Contrabass And Orchestra
- Violin Concerto "Anne-Sophie": I. Moderato (von Anne‐Sophie Mutter, Boston Symphony Orchestra, André Previn)
- Violin Concerto "Anne-Sophie": II. Cadenza: Slowly (von Anne‐Sophie Mutter, Boston Symphony Orchestra, André Previn)
- Violin Concerto "Anne-Sophie": III. Andante (von Anne‐Sophie Mutter, Boston Symphony Orchestra, André Previn)
- Double Concerto For Violin, Contrabass And Orchestra: I. Allegro (von Anne‐Sophie Mutter, Roman Patkoló, Boston Symphony Orchestra, André Previn)
- Double Concerto For Violin, Contrabass And Orchestra: Interlude (von Anne‐Sophie Mutter, Roman Patkoló, Boston Symphony Orchestra, André Previn)
- Double Concerto For Violin, Contrabass And Orchestra: II. Slowly (von Anne‐Sophie Mutter, Roman Patkoló, Boston Symphony Orchestra, André Previn)
- Double Concerto For Violin, Contrabass And Orchestra: III. Allegro (von Anne‐Sophie Mutter, Roman Patkoló, Boston Symphony Orchestra, André Previn)
Shostakovich: Passacaglia From "Lady Macbeth Of The Mtsensk District", Op.29; Symphony No.10 In E Minor, Op.93
- Lady Macbeth Of The Mtsensk District, op. 29, Act 2: Passacaglia (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 10 in E minor, op. 93: I. Moderato (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 10 in E minor, op. 93: II. Allegro (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 10 in E minor, op. 93: III. Allegretto (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 10 in E minor, op. 93: IV. Andante: Allegro (von Boston Symphony Orchestra, Andris Nelsons)
Shostakovich: Symphony No.9 In E Flat, Op.70; Symphony No.5 In D Minor, Op.47
- Symphony no. 9 in E-flat major, op. 70: I. Allegro (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 9 in E-flat major, op. 70: II. Moderato (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 9 in E-flat major, op. 70: III. Presto - (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 9 in E-flat major, op. 70: IV. Largo - (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 9 in E-flat major, op. 70: V. Allegretto (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 5 in D minor, op. 47: I. Moderato (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 5 in D minor, op. 47: II. Allegretto (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 5 in D minor, op. 47: III. Largo (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo (von Boston Symphony Orchestra, Andris Nelsons)
Shostakovich: Suite From Hamlet, Op.32a; Symphony No.8 In C Minor, Op.65
- Suite From Hamlet, op. 32a: I. Introduction And Night Patrol (von Boston Symphony Orchestra, Andris Nelsons)
- Suite From Hamlet, op. 32a: II. Funeral March (von Boston Symphony Orchestra, Andris Nelsons)
- Suite From Hamlet, op. 32a: III. Flourish And Dance Music (von Boston Symphony Orchestra, Andris Nelsons)
- Suite From Hamlet, op. 32a: IV. The Hunt (von Boston Symphony Orchestra, Andris Nelsons)
- Suite From Hamlet, op. 32a: IX. Ophelia's Song (von Boston Symphony Orchestra, Andris Nelsons)
- Suite From Hamlet, op. 32a: X. Cradle Song (von Boston Symphony Orchestra, Andris Nelsons)
- Suite From Hamlet, op. 32a: 1I. Requiem (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 8 in C minor, op. 65: I. Adagio (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 8 in C minor, op. 65: II. Allegretto (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 8 in C minor, op. 65: III. Allegro non troppo (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 8 in C minor, op. 65: IV. Largo (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 8 in C minor, op. 65: V. Allegretto (von Boston Symphony Orchestra, Andris Nelsons)
Shostakovich: Symphony No.6 In B Minor, Op.54
- Symphony no. 6 in B minor, op. 54: I. Largo (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 6 in B minor, op. 54: II. Allegro (von Boston Symphony Orchestra, Andris Nelsons)
- Symphony no. 6 in B minor, op. 54: III. Presto (von Boston Symphony Orchestra, Andris Nelsons)
Debussy: Prélude à l'après-midi d'un faune, L. 86 (Arr. For Ensemble); Sonata In G Minor For Violin And Piano, L. 140; Sonata In D Minor For Cello And Piano, L.135; Sonata For Flute, Viola And Harp, L. 137; Syrinx, L.129
- Prélude à l'après-midi d'un faune, L. 86 (Arranged by Benno Sachs) (von Boston Symphony Chamber Players)
- Sonata for Violin and Piano in G minor, L. 140: I. Allegro vivo (von Joseph Silverstein, Michael Tilson Thomas)
- Sonata for Violin and Piano in G minor, L. 140: II. Intermède. Fantasque et léger (von Joseph Silverstein, Michael Tilson Thomas)
- Sonata for Violin and Piano in G minor, L. 140: III. Finale. Très animé (von Joseph Silverstein, Michael Tilson Thomas)
- Sonata in D minor For Cello & Piano, L.135: I. Prologue (lent) (von Jules Eskin, Michael Tilson Thomas)
- Sonata in D minor For Cello & Piano, L.135: II. Sérénade (Modérément animé) (von Jules Eskin, Michael Tilson Thomas)
- Sonata for Flute, Viola and Harp, L. 137: I. Pastorale
- Sonata for Flute, Viola and Harp, L. 137: II. Interlude
- Sonata for Flute, Viola and Harp, L. 137: III. Finale
- Syrinx, L. 129 (von Doriot Anthony Dwyer)
Carter: Sonata For Flute, Oboe, Violoncello And Harpsichord / Ives: Largo For Violin, Clarinet And Piano / Porter: Quintet For Oboe And String Quartet / Dvorák: String Quintet No.2 In G Major, Op.77, B.49
- Sonata For Flute, Oboe, Violoncello And Harpsichord: I. Risoluto (von Boston Symphony Chamber Players)
- Sonata For Flute, Oboe, Violoncello And Harpsichord: II. Lento (von Boston Symphony Chamber Players)
- Sonata For Flute, Oboe, Violoncello And Harpsichord: III. Allegro (von Boston Symphony Chamber Players)
- Largo For Violin, Clarinet & Piano (von Boston Symphony Chamber Players)
- Quintet For Oboe And String Quartet: I. Andante: Allegro - Tempo di Andante (von Boston Symphony Chamber Players)
- Quintet For Oboe And String Quartet: II. Adagio, molto espressivo (von Boston Symphony Chamber Players)
- Quintet For Oboe And String Quartet: III. Lento: Allegro moderato - Allegretto - Lento (von Boston Symphony Chamber Players)
- Quintet For Oboe And String Quartet: IV. Adagio (von Boston Symphony Chamber Players)
- String Quintet no. 2 in G major, op. 77, B.49: I. Allegro con fuoco (von Boston Symphony Chamber Players)
- String Quintet no. 2 in G major, op. 77, B.49: II. Intermezzo. Andante religioso. Molto Adagio (von Boston Symphony Chamber Players)
- String Quintet no. 2 in G major, op. 77, B.49: III. Scherzo. Allegro vivace: Trio. L'Istesso tempo, quasi Allegretto (von Boston Symphony Chamber Players)
- String Quintet no. 2 in G major, op. 77, B.49: IV. Poco Andante (von Boston Symphony Chamber Players)
- String Quintet no. 2 in G major, op. 77, B.49: V. Finale. Allegro assai (von Boston Symphony Chamber Players)
Stravinsky: Histoire du soldat; Septet
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: I. The Soldier's March (von Boston Symphony Chamber Players, Sir John Gielgud)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: II. Narrator: "Phew, this isn't a bad sort of spot" (von Sir John Gielgud, Tom Courtenay)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: III. Music for Scene 1: Airs by a Stream
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: IV. Narrator: "Enter the Devil" (von Boston Symphony Chamber Players, Sir John Gielgud, Tom Courtenay, Ron Moody)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: V. The Soldier's March (von Boston Symphony Chamber Players, Sir John Gielgud)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: VI. Narrator: "Hurray, here we are! We're home at last" (von Boston Symphony Chamber Players, Sir John Gielgud)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: VII. Music for Scene 2: pastorale (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: VIII. Narrator: "The Devil was standing therre" (von Tom Courtenay, Ron Moody)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: IX. Music for the end of Scene 2 (score p. 18) (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: X. Narrator: "He took the book" (von Sir John Gielgud)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XI. Music for the end of Scene 2: Airs by a Stream (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XII. Narrator: "They have nothing: and yet they have it all" (von Sir John Gielgud, Tom Courtenay, Ron Moody)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XIII. Music for Scene 3: Airs by a Stream (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XIV. The Soldier's March (von Boston Symphony Chamber Players, Sir John Gielgud)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XV. Narrator: "Now he comes to another land" (von Sir John Gielgud)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XVI. The Royal March (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XVII. Narrator: "They have the word for the band to play (von Sir John Gielgud, Tom Courtenay, Ron Moody)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XVIII. The Little Concert (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XIX. Tango (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XX. Valse (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXI. Ragtime (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXII. The Devil's Dance (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXIII. Little Chorale (von Boston Symphony Chamber Players)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXIV. The Devil's Song (von Boston Symphony Chamber Players, Ron Moody)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXV. Great Chorale (von Boston Symphony Chamber Players, Sir John Gielgud)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXVI. Narrator: "I have everything, he thinks" (von Boston Symphony Chamber Players, Sir John Gielgud)
- L'Histoire du soldat, English Version by Michael Flanders & Kitty Black: XXVII. Triumphal March of the Devil (von Boston Symphony Chamber Players)
- Septet: I. I (von Boston Symphony Chamber Players, Joseph Silverstein, Burton Fine, Jules Eskin, Harold Wright, Sherman Walt, Charles Kavaloski, Gilbert Kalish)
- Septet: II. Passacaglia (von Boston Symphony Chamber Players, Joseph Silverstein, Burton Fine, Jules Eskin, Harold Wright, Charles Kavaloski, Gilbert Kalish, Sherman Walt)
- Septet: III. Gigue (von Boston Symphony Chamber Players, Joseph Silverstein, Burton Fine, Jules Eskin, Harold Wright, Sherman Walt, Charles Kavaloski, Gilbert Kalish)
J. Strauss II: Waltz Transcriptions / Stravinsky: Chamber Music
- Kaiserwalzer, op. 437: Transcription Arnold Schönberg (von Boston Symphony Chamber Players)
- Rosen aus dem Süden, op. 388: Transcription Arnold Schönberg (von Boston Symphony Chamber Players)
- Wein, Weib und Gesang, op. 333: Transcription Alban Berg (von Boston Symphony Chamber Players)
- Schatzwalzer, op. 418: Arr. Webern (von Boston Symphony Chamber Players)
- Octet for Wind Instruments, rev. version 1952: I. Sinfonia (Lento: Allegro moderato) (von Boston Symphony Chamber Players)
- Octet for Wind Instruments, rev. version 1952: II. Tema con variazioni (von Boston Symphony Chamber Players)
- Octet for Wind Instruments, rev. version 1952: III. Finale (von Boston Symphony Chamber Players)
- Pastorale: arr. for Violin an 4 Wind Instruments 1934 (Collab. S. Dushkin) (von Boston Symphony Chamber Players)
- Ragtime (von Boston Symphony Chamber Players)
- Concertino: arr. (1952) of original work for string quartet (1920) (von Boston Symphony Chamber Players)
Schoenberg: Chamber Symphony No.1, Op.9 / Berg: 2. Adagio From "Chamber Concerto"
- Chamber Symphony no. 1, op. 9, Arr. Anton Webern: Langsam (von Boston Symphony Chamber Players)
- Chamber Symphony no. 1, op. 9, Arr. Anton Webern: sehr rasch (38) (von Boston Symphony Chamber Players)
- Chamber Symphony no. 1, op. 9, Arr. Anton Webern: viel langsamer, aber doch fließend (60) (von Boston Symphony Chamber Players)
- Chamber Symphony no. 1, op. 9, Arr. Anton Webern: viel langsamer (77) (von Boston Symphony Chamber Players)
- Chamber Symphony no. 1, op. 9, Arr. Anton Webern: Etwas bewegter (T.415/Ziff. 86) (von Boston Symphony Chamber Players)
- Chamber Concerto: II. Adagio (von Boston Symphony Chamber Players)
Schoenberg: Suite, Op.29; Phantasy For Violin And Piano, Op.47
- Suite, op. 29: I. Ouvertüre: Allegretto (von Boston Symphony Chamber Players)
- Suite, op. 29: II. Tanzschritte: Moderato (von Boston Symphony Chamber Players)
- Suite, op. 29: III. Theme and variations (von Boston Symphony Chamber Players)
- Suite, op. 29: IV. Gigue (von Boston Symphony Chamber Players)
- Phantasy For Violin And Piano, op. 47 (von Joseph Silverstein, Gilbert Kalish)
Brahms: Symphony No. 2 In D Major, Op. 73 / Rossini: Overture From "Semiramide" / Paganini: Moto perpetuo, Op.11
- Symphony no. 2 in D major, op. 73: I. Allegro non troppo (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 2 in D major, op. 73: II. Adagio non troppo: L'istesso tempo, ma grazioso (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi andantino): Presto ma non assai (von Boston Symphony Orchestra, Seiji Ozawa)
- Symphony no. 2 in D major, op. 73: IV. Allegro con spirito (von Boston Symphony Orchestra, Seiji Ozawa)
- Semiramide: Overture (von Boston Symphony Orchestra, Seiji Ozawa)
- Moto perpetuo, op. 11 (von Boston Symphony Orchestra, Seiji Ozawa)
Debussy & Ravel - Charles Munch - Boston Symphony Orchestra
- Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, CD 87 (L. 86) Play Settings 20: (von Charles Munch & Boston Symphony Orchestra)
- Printemps , symphonic suite for chorus, piano & orchestra, CD 68 (L. 61): Modéré (von Charles Munch & Boston Symphony Orchestra)
- La valse, M. 72 (von Charles Munch & Boston Symphony Orchestra)
- Nocturnes, for female chorus & orchestra, CD 98 (L. 91): I. Nuages: Modéré - Un peu animé (von Charles Munch & Boston Symphony Orchestra)
- Nocturnes, for female chorus & orchestra, CD 98 (L. 91): II. Fêtes: Animé et très rythmé - Modéré mais toujours très rythmé (von Charles Munch & Boston Symphony Orchestra)
- Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 (von Charles Munch & Boston Symphony Orchestra)
- Boléro, ballet for orchestra, M. 81 (von Charles Munch & Boston Symphony Orchestra)
Debussy: La mer, Prélude à l'après-midi d'un faune, etc. (RCA Victor Basic 100, Vol. 7)
- La Mer: De L'Aube a Midi Sur La Mer (von Boston Symphony Orchestra, Charles Munch)
- La Mer: Jeux Des Vagues
- La Mer: Dialogue Du Vent Et de La Mer
- Prelude a L'Apres-Midi D'Un Faune
- Nuages
- Nocturnes: Fetes
- Iberia: Par Les Rues Et Par Les Chemins
- Iberia: Les Parfums de La Nuit
- Iberia: Le Matin D'Un Jour de Fete
Mehr Songtexte
- Ecossaise
- The Oprichnik
- Romeo and Juliet
- Valse
- Polonaise
- Ouverture solennelle "1812"
- A Hero's Life, Op. 40
- Symphony No. 36 in C, K.425 "Linzer", Adagio; Allegro spiritoso
- Symphony No. 36 in C, K.425 "Linzer", Poco adagio
- Symphony No. 39 in E-Flat, K.543, Menuetto; Allegretto; Trio
- Eine kleine Nachtmusik Serenade in G, K.525, Rondo; Allegro
- Symphony No. 39 in E-Flat, K.543, Adagio; Allegro
- Symphony No. 39 in E-Flat, K.543, Adante con moto
- Eine kleine Nachtmusik Serenade in G, K.525, Menuetto; Allegro; Trio
- Symphony No. 39 in E-Flat, K.543, Finale; Allegro
- Symphony No. 36 in C, K.425 "Linzer", Presto
- Eine kleine Nachtmusik Serenade in G, K.525, Romanze; Andante
- Symphony No. 36 in C, K.425 "Linzer", Menuetto; Trio
- Eine kleine Nachtmusik Serenade in G, K.525, Allegro
- Ravel: Pavane pour une infante défunte
- Ravel: Alborada del gracioso - Orchestral version
- Ravel: Boléro
- Ravel: Rapsodie espagnole - 2. Malagueña
- Ravel: Rapsodie espagnole - 4. Feria
- Ravel: La Valse
- Ravel: Rapsodie espagnole - 3. Habanera
- Ravel: Rapsodie espagnole - 1. Prélude à la nuit
- Les Heures
- Ariel Maléfique
- Vague de Lumière
- Dominante Bleu ?
- Mémoire des Ombres
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1V. Romance. "D'amour l'ardente flamme"
- La Damnation de Faust, op. 24, H 111, Pt. 2: Choeurs de Soldats et Chanson d'Etudiants. "Villes entourées": "Jam nox stellata velamina pandit"
- The Planets, op. 32: VII. Neptune, the Mystic
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène VI. Air de Méphistophélès. "Voici des roses"
- Piano Concerto no. 1 in E-Flat major, S. 124: III. Allegro marziale animato
- Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante
- Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1IV. "Allons, il est trop tard!"
- Le Sacre du Printemps, Pt 2: Le Sacrifice: III. Glorification d'élue
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: 7b. Dance of the Earth
- Cello Concerto no. 2, op. 126: II. Allegretto
- Le Sacre du Printemps, Pt 2: Le Sacrifice: IV. Évocation des ancêtres
- Cello Concerto no. 2, op. 126: I. Largo
- La Damnation de Faust, op. 24, H 111, Pt. 1: Scène I. "Le vieil hiver a fait place au printemps"
- Also sprach Zarathustra, op. 30, TrV 176: VIII. Das Tanzlied: Das Nachtlied
- Piano Concerto no. 1 in E-Flat major, S. 124: II. Quasi adagio: Allegretto vivace - Allegro animato
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 2I. Le Ciel. "Laus! Laus!": Apothéose de Marguerite. "Remonte au ciel, âme naïve"
- Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato: Stretto (molto accelerando)
- La Damnation de Faust, op. 24, H 111, Pt. 3: "Merci, doux crépuscule!": "Je l'entends!" (Faust / Méphistophélès, Faust)
- La Damnation de Faust, op. 24, H 111, Pt. 4: "Au son des trompettes"
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: II. Les augures printaniers: Danses des adolescentes
- Cello Concerto no. 2, op. 126: III. Allegretto
- La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Méphistophélès. "Une puce gentille"
- Concerto For Violin And Orchestra: I. Allegro risoluto: Cadenza
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène III. "Sans regrets j'ai quitté les riantes campagnes"
- Piano Concerto no. 1 in E-Flat major, S. 124: I. Allegro maestoso
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène IV. "O pure émotion!"
- La Damnation de Faust, op. 24, H 111, Pt. 1: Ronde des Paysans. "Les bergers quittent": Scène II. "Mais d'un éclat guerrier"
- La Damnation de Faust, op. 24, H 111, Pt. 3: Le roi de Thulé (Chanson gothique). "Autrefois un roi de Thulé"
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VII. Récitatif et Chasse. "A la voûte azurée"
- La Damnation de Faust, op. 24, H 111, Pt. 2: Fugue sur le thème de la chanson. "Amen"
- Le Sacre du Printemps, Pt 2: Le Sacrifice: II. Cercles mysteriéux des adolescentes
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1III. "Grands dieux!"
- La Damnation de Faust, op. 24, H 111, Pt. 3: Sérénade de Méphistophélès. "Devant la maison"
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VI. Invocation à la Nature. "Nature immense"
- Totentanz, S. 525
- Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando
- Le Sacre du Printemps, Pt 2: Le Sacrifice: I. Introduction
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène X. "Que l'air est étouffant"
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1I. Evocation. "Esprits des flammes inconstantes"
- La Damnation de Faust, op. 24, H 111, Pt. 2: Chant de la fête de Pâques. "Christ vient de ressusciter!"
- Chant du ménéstrel, op. 71
- La Damnation de Faust, op. 24, H 111, Pt. 4: "Has! Irimirukarabrao! Has!": "Alors, l'Enfers se tut" (Choeur, Méphistophélès / Une Voix, Choeur)
- La Damnation de Faust, op. 24, H 111, Pt. 4: Scène 1VIII. La course à l'abîme. "Dans mon choeur retentit sa voix"
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: VII. Danse de la terre
- La Damnation de Faust, op. 24, H 111, Pt. 2: Songe de Faust. "Dors! heureux Faust"
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: VI. Cortège du sage: Le sage
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: III. Jeu du rapt
- Le Sacre du Printemps, Pt 2: Le Sacrifice: VI. Danse sacrale: l'élue
- Le Roi des étoiles: Molto sostenuto-Maestoso e tranquillo-Tempo primo
- Piano Concerto no. 2 in A major, S. 125: III. Marziale un poco meno allegro
- Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai: Allegro agitato assai
- Pavane pour une infante défunte, M.19
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
- Prélude à l'après-midi d'un faune, L. 86
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: V. Jeux des cités
- La Damnation de Faust, op. 24, H 111, Pt. 3: Scène 1II. "Maintenant chantons à cette belle"
- La Damnation de Faust, op. 24, H 111, Pt. 2: Scène V. Choeur de buveurs. "A boire encor!"
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: IV. Rondes printanières
- Piano Concerto no. 2 in C minor, op. 18: I. Moderato
- Daphnis et Chloé, M. 57, Troisième partie: Scène: Très lent
- Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace
- Le Sacre du Printemps, Pt 1: L'Adoration de la Terre: I. Introduction
- Piano Concerto no. 2 in A major, S. 125: II. Allegro moderato: Allegro deciso
- Le Sacre du Printemps, Pt 2: Le Sacrifice: V. Action rituelle des ancêtres
- La Damnation de Faust, op. 24, H 111, Pt. 2: Chanson de Brander. "Certain rat, dans une cuisine"
- Concerto For Violin And Orchestra: II. Introduzione. Adagio: Allegretto
- Concerto in G minor for Organ, Strings and Timpani: I. Andante, Allegro giocoso
- A Midsummer Night's Dream, Op. 61 No. 7: Notturno
- A Midsummer Night's Dream, Op. 61 No. 9: Wedding March. Allegro vivace
- Offertorium, Concerto for Violin and Orchestra
- Gloria: VI. Qui sedes ad dexteram Patris
- A Midsummer Night's Dream, Op. 61 No. 10a: Prologue
- A Midsummer Night's Dream, Op. 61 No. 12: Allegro vivace come 1
- Gloria: V. Domine Deus, Agnus Dei
- Gloria: III. Domine Deus
- A Midsummer Night's Dream, Op. 61: March of the Fairies. Allegro vivace
- Prélude à l’après-midi d’un faune
- Cello Concerto no. 2 in G major, op. 126: III. Allegretto
- A Midsummer Night's Dream, Op. 61 No. 3: Song with Chorus "Bunte Schlangen, zweigezüngt". Allegro ma non troppo
- A Midsummer Night's Dream, Op. 61 No. 8: Melodram. Andante
- A Midsummer Night's Dream, Op. 61: Finale "Bei des Feuers mattem Flimmern"
- A Midsummer Night's Dream, Op. 61 No. 10b: Marcia funebre. Allegro comodo
- Cello Concerto no. 2 in G major, op. 126: I. Largo
- A Midsummer Night's Dream, Op. 61 No. 1: Scherzo - Allegro vivace
- A Midsummer Night's Dream, Op. 61 No. 11: Dance of the Clowns
- Daphnis et Chloé, Suite no. 2
- A Midsummer Night's Dream, Op. 61 No. 5: Intermezzo. Allegro appassionato
- Overture "A Midsummer Night's Dream", Op. 21
- A Midsummer Night's Dream, Op. 61 No. 2: L'istesso tempo
- Trois Nocturnes: III. Sirènes. Modérément animé
- A Midsummer Night's Dream, Op. 61 No. 4: The Speels. Andante - Allegro molto
- Cello Concerto no. 2 in G major, op. 126: II. Allegretto
- Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto
- Pelléas et Mélisande, Op. 80: III. Sicilienne. Allegretto molto moderato
- Pelléas et Mélisande, Op. 80: IV. Molto Adagio (La Mort de Mélisande)
- Pelléas et Mélisande, Op. 80: I. Prélude. Quasi Adagio
- Pelléas et Mélisande, Op. 80: Chanson de Mélisande
- Pavane in F-sharp minor, op. 50
- Symphony No. 5 in C minor, Op. 67: III. Allegro
- Symphony No. 5 in C minor, Op. 67: II. Andante con moto
- Suite from The FIrebird - King Kastchei's Dance
- The Rite of Spring - The Sacrifice - Glorification
- Suite from The Firebird - Finale
- The Rite of Spring - Introduction
- The Rite of Spring - The Sacrifice - Sacrificial Dance
- Suite from The Firebird - Firebird's Dance
- The Rite of Spring - The Sacrifice - Mystic Circles
- The Rite of Spring - Wise Elder's Procession
- Suite from The Firebird - Princesses' Round
- The Rite of Spring - Mock Abjuction
- The Rite of Spring - Round Dances
- Suite from The Firebird - Lullaby
- The Rite of Spring - Games of Rival Tribes
- The Rite of Spring - Young Girls' Dances
- The Rite of Spring - The Sacrifice - Ancients Ritual
- Suite from The Firebird - Firebird's Variation
- The Rite of Spring - The Sacrifice - Introduction
- The Rite of Spring - The Sacrifice - Summoning the Ancients
- Suite from The Firebird - Introduction
- The Rite of Spring - Adoration of the Earth
- The Rite of Spring - Dance of the Earth
- Pavan For A Dead Princess
- Bolero
- La Valse
- Printemps
- Fétes
- Prelude To The Afternoon Of A Faun
- Symphony No. 4 in B-Flat Major, Op. 60 : Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 - IV. Allegro ma non troppo
- Symphony No. 4 in B-Flat Major, Op. 60 : Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 - I. Adagio - Allegro vivace
- Symphony No. 4 in B-Flat Major, Op. 60 : Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 - II. Adagio
- Symphony No. 4 in B-Flat Major, Op. 60 : Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 - III. Allegro vivace
- Symphonie fantastique, op. 14 : IV. Marche au supplice