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Bartók; Pierre Boulez Songtexte

Boulez A‐Z: Bartók (Compilation)

Songtexte von Bartók; Pierre Boulez - Boulez A‐Z: Bartók

  1. 4 Orchestral Pieces, Sz. 51: I. Preludio (von Chicago Symphony Orchestra, Pierre Boulez)
  2. 4 Orchestral Pieces, Sz. 51: II. Scherzo. Allegro (von Chicago Symphony Orchestra, Pierre Boulez)
  3. 4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato (von Chicago Symphony Orchestra, Pierre Boulez)
  4. 4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso (von Chicago Symphony Orchestra, Pierre Boulez)
  5. Concerto for Orchestra, Sz. 116: I. Introduction. Andante non troppo – Allegro vivace (von Chicago Symphony Orchestra, Pierre Boulez)
  6. Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando (von Chicago Symphony Orchestra, Pierre Boulez)
  7. Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo (von Chicago Symphony Orchestra, Pierre Boulez)
  8. Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto (von Chicago Symphony Orchestra, Pierre Boulez)
  9. Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto (von Chicago Symphony Orchestra, Pierre Boulez)
  10. Dance Suite, Sz. 77: I. Moderato (von Chicago Symphony Orchestra, Pierre Boulez)
  11. Dance Suite, Sz. 77: II. Allegro molto (von Chicago Symphony Orchestra, Pierre Boulez)
  12. Dance Suite, Sz. 77: III. Allegro vivace (von Chicago Symphony Orchestra, Pierre Boulez)
  13. Dance Suite, Sz. 77: IV. Molto tranquillo (von Chicago Symphony Orchestra, Pierre Boulez)
  14. Dance Suite, Sz. 77: V. Comodo (von Chicago Symphony Orchestra, Pierre Boulez)
  15. Dance Suite, Sz. 77: VI. Finale. Allegro (von Chicago Symphony Orchestra, Pierre Boulez)
  16. 2 Pictures, Sz. 46: I. In Full Flower (von Chicago Symphony Orchestra, Pierre Boulez)
  17. 2 Pictures, Sz. 46: II. Village Dance (von Chicago Symphony Orchestra, Pierre Boulez)
  18. Hungarian Sketches, Sz. 97: I. Evening in Transylvania (von Chicago Symphony Orchestra, Pierre Boulez)
  19. Hungarian Sketches, Sz. 97: II. Bear Dance (von Chicago Symphony Orchestra, Pierre Boulez)
  20. Hungarian Sketches, Sz. 97: III. Melody (von Chicago Symphony Orchestra, Pierre Boulez)
  21. Hungarian Sketches, Sz. 97: IV. Slightly Tipsy (von Chicago Symphony Orchestra, Pierre Boulez)
  22. Hungarian Sketches, Sz. 97: V. Swineherd’s Dance (von Chicago Symphony Orchestra, Pierre Boulez)
  23. Divertimento for Strings, Sz. 113: I. Allegro non troppo (von Chicago Symphony Orchestra, Pierre Boulez)
  24. Divertimento for Strings, Sz. 113: II. Molto adagio (von Chicago Symphony Orchestra, Pierre Boulez)
  25. Divertimento for Strings, Sz. 113: III. Allegro assai (von Chicago Symphony Orchestra, Pierre Boulez)
  26. The Miraculous Mandarin, Sz. 73: Introduction. Allegro (von Chicago Symphony Orchestra, Pierre Boulez)
  27. The Miraculous Mandarin, Sz. 73: 1st Decoy Game. Moderato (von Chicago Symphony Orchestra, Pierre Boulez)
  28. The Miraculous Mandarin, Sz. 73: 2nd Decoy Game (von Chicago Symphony Orchestra, Pierre Boulez)
  29. The Miraculous Mandarin, Sz. 73: 3rd Decoy Game. Sostenuto (von Chicago Symphony Orchestra, Pierre Boulez)
  30. The Miraculous Mandarin, Sz. 73: The Mandarin Enters. Maestoso (von Chicago Symphony Orchestra, Pierre Boulez)
  31. The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro (von Chicago Symphony Orchestra, Pierre Boulez)
  32. The Miraculous Mandarin, Sz. 73: The Tramps Leap Out. Sempre vivo (von Chicago Symphony Orchestra, Pierre Boulez)
  33. The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin’s Head Appears. Adagio (von Chicago Symphony Orchestra, Pierre Boulez)
  34. The Miraculous Mandarin, Sz. 73: Again, the Frightened Tramps Discuss How to Eliminate the Mandarin. Agitato (von Chicago Symphony Orchestra, Pierre Boulez)
  35. The Miraculous Mandarin, Sz. 73: The Body of the Mandarin Begins to Glow with a Greenish Blue Light. Molto moderato
  36. The Miraculous Mandarin, Sz. 73: She Resists No Longer – They Embrace. Più mosso – Vivo (von Chicago Symphony Orchestra, Pierre Boulez)
  37. Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo (von Chicago Symphony Orchestra, Pierre Boulez)
  38. Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro (von Chicago Symphony Orchestra, Pierre Boulez)
  39. Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio (von Chicago Symphony Orchestra, Pierre Boulez)
  40. Music for Strings, Percussion & Celesta, Sz. 106: IV. Allegro molto (von Chicago Symphony Orchestra, Pierre Boulez)
  41. Cantata profana, Sz. 94: I. Molto moderato
  42. Cantata profana, Sz. 94: II. Andante
  43. Cantata profana, Sz. 94: III. Moderato
  44. The Wooden Prince, Sz. 60: Introduction (von Chicago Symphony Orchestra, Pierre Boulez)
  45. The Wooden Prince, Sz. 60: 1st Dance. Dance of the Princess in the Forest (von Chicago Symphony Orchestra, Pierre Boulez)
  46. The Wooden Prince, Sz. 60: 2nd Dance. Dance of the Trees (von Chicago Symphony Orchestra, Pierre Boulez)
  47. The Wooden Prince, Sz. 60: 3rd Dance. Dance of the Waves (von Chicago Symphony Orchestra, Pierre Boulez)
  48. The Wooden Prince, Sz. 60: 4th Dance. Dance of the Princess with the Wooden Doll (von Chicago Symphony Orchestra, Pierre Boulez)
  49. The Wooden Prince, Sz. 60: 5th Dance. The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance (von Chicago Symphony Orchestra, Pierre Boulez)
  50. The Wooden Prince, Sz. 60: 6th Dance. She Tries to Attract the Real Prince with Her Seductive Dancing (von Chicago Symphony Orchestra, Pierre Boulez)
  51. The Wooden Prince, Sz. 60: 7th Dance. Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way (von Chicago Symphony Orchestra, Pierre Boulez)
  52. Piano Concerto no. 1, Sz. 83: I. Allegro moderato – Allegro (von Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez)
  53. Piano Concerto no. 1, Sz. 83: II. Andante (von Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez)
  54. Piano Concerto no. 1, Sz. 83: III. Allegro molto (von Krystian Zimerman, Chicago Symphony Orchestra, Pierre Boulez)
  55. Piano Concerto no. 2, Sz. 95: I. Allegro (von Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez)
  56. Piano Concerto no. 2, Sz. 95: II. Adagio – Più adagio – Presto (von Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez)
  57. Piano Concerto no. 2, Sz. 95: III. Allegro molto (von Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez)
  58. Piano Concerto no. 3, Sz. 119: I. Allegretto (von Hélène Grimaud, London Symphony Orchestra, Pierre Boulez)
  59. Piano Concerto no. 3, Sz. 119: II. Adagio religioso (von Hélène Grimaud, London Symphony Orchestra, Pierre Boulez)
  60. Piano Concerto no. 3, Sz. 119: III. Allegro vivace (von Hélène Grimaud, London Symphony Orchestra, Pierre Boulez)
  61. Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: I. Assai lento – Allegro molto
  62. Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: II. Lento ma non troppo
  63. Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: III. Allegro ma non troppo
  64. Violin Concerto no. 1, Sz. 36: I. Andante sostenuto (von Gidon Kremer, Berliner Philharmoniker, Pierre Boulez)
  65. Violin Concerto no. 1, Sz. 36: II. Allegro giocoso (von Gidon Kremer, Berliner Philharmoniker, Pierre Boulez)
  66. Viola Concerto, Sz. 120 (Compl. Serly): I. Moderato – Lento parlando (von Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez)
  67. Viola Concerto, Sz. 120 (Compl. Serly): II. Adagio religioso – Allegretto (von Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez)
  68. Viola Concerto, Sz. 120 (Compl. Serly): III. Allegro vivace (von Yuri Bashmet, Berliner Philharmoniker, Pierre Boulez)
  69. Violin Concerto No. 2, Sz. 112: I. Allegro non troppo (von Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez)
  70. Violin Concerto No. 2, Sz. 112: II. Andante tranquillo (von Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez)
  71. Violin Concerto No. 2, Sz. 112: III. Allegro molto (von Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez)
  72. Rhapsody no. 1 for Violin and Orchestra, Sz. 87: I. Lassú. Moderato (von Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez)
  73. Rhapsody no. 1 for Violin and Orchestra, Sz. 87: II. Friss. Allegretto moderato (von Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez)
  74. Rhapsody no. 2 for Violin and Orchestra, Sz. 90: I. Lassú. Moderato (von Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez)
  75. Rhapsody no. 2 for Violin and Orchestra, Sz. 90: II. Friss. Allegro moderato (von Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez)
  76. Bluebeard’s Castle, Sz. 48: Prologue – Opening Scene: a. Megérkeztünk (von Chicago Symphony Orchestra, Pierre Boulez)
  77. Bluebeard’s Castle, Sz. 48: Opening Scene: b‐c. Ez a Kékszakállú véra?
  78. Bluebeard’s Castle, Sz. 48: Opening Scene: d‐e. Nagy csukott ajtókat
  79. Bluebeard’s Castle, Sz. 48: Door 1. The Torture Chamber. Jaj! Mit látsz? Mit látsz? Láncok, kések
  80. Bluebeard’s Castle, Sz. 48: Door 2. The Armory. Mit látsz? Százkegyetlen szörnyü fegyver
  81. Bluebeard’s Castle, Sz. 48: Door 3. The Treasury. Oh, Be sok kincs! Oh, Be sok kincs!
  82. Bluebeard’s Castle, Sz. 48: Door 4. The Garden. Oh! virágok! Oh! ilatoskert!
  83. Bluebeard’s Castle, Sz. 48: Door 5. The Kingdom. Ah! Lásdez az én birodalmam
  84. Bluebeard’s Castle, Sz. 48: Door 6. The Pool of Tears: a. Csendes fehér tavat látok
  85. Bluebeard’s Castle, Sz. 48: Door 6. The Pool of Tears: b. Az utolsót nem nyitom ki
  86. Bluebeard’s Castle, Sz. 48: Door 6. The Pool of Tears: c. Tudom, tudom, Kékszakállú
  87. Bluebeard’s Castle, Sz. 48: Door 7. The Wives. Lásd a régi aszszonyokat

Mehr Songtexte

  1. Viola Concerto, Sz. 120 (Compl. Serly): I. Moderato – Lento parlando
  2. Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: II. Lento ma non troppo
  3. Viola Concerto, Sz. 120 (Compl. Serly): II. Adagio religioso – Allegretto
  4. The Miraculous Mandarin, Sz. 73: The Body of the Mandarin Begins to Glow with a Greenish Blue Light. Molto moderato
  5. Viola Concerto, Sz. 120 (Compl. Serly): III. Allegro vivace
  6. Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: III. Allegro ma non troppo
  7. Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: I. Assai lento – Allegro molto

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