André Previn Songtexte
A Streetcar Named Desire: Act 3, Scene 4. I can smell the sea air (Blanche)
A Streetcar Named Desire: Act 2, Scene 2. I'm Not a Boy, She Says (Mitch)
The Love I Long For
Geboren am 06. April 1929, Gestorben am 28. Februar 2019
Gruppen
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André Previn and His Pals Shelly Manne & Red Mitchell
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André Previn and His Quartet
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The André Previn Trio
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The Roth Trio
The Subterraneans (Soundtrack)
- Main Title (Why Are We Afraid?)
- Source No. 1 (Guido's Blackhawk)
- Two by Two / Leo and His Mama
- Bread and Wine
- Coffee Time
- A Rose and the End
- Should I
- Look Ma! No Clothes!
- Things Are Looking Down
- Analyst / I'm Leo / Yuri and Leo
- Balloon (Like Blue)
- Alarm Clock (Raising Caen)
- Leo and Mardou
- Main Title / New Prologue
- Spaghetti Factory
- Source No. 2
- Togetherness
- Trip to the Moon
- Leo in Bar
- Roxanne at Ariel's
- Red Drum Blues
- What Do You Need / I Want to Wait / Eyes to Split / Yuri Asleep
- The Square's Pad
- Red Drum Blues (alternate)
The Warner Edition - Complete HMV & Teldec Recordings (Compilation)
Shankar: Concerto for Sitar and Orchestra
- Concerto for Sitar and Orchestra: 1. First movement: Rāga Khamāj - Chhed - Aochār Alap - Jor - Gat and Tān in Teentāl (16 Beats)
- Concerto for Sitar and Orchestra: 2. Second movement: Rāga Sindhi Bhairavi - Chhed and Chalan - Gand and Tān in Dadra (6 Beats) - Gat and Tān in Kaharva (8 Beats)
- Concerto for Sitar and Orchestra: 3. Third movement: Rāga Adanā - Chhed - Drut Gat, Tān and Jhālā in Ektal (12 Beats)
- Concerto for Sitar and Orchestra: 4. Fourth movement: Rāga Mānj Khamāj - Chhed and Chalan - Gatr and Tān in Chānchar (14 Beats) - Drut Gat, Tān and Jhālā in Teentāl (16 Beats)
- Concerto for Sitar and Orchestra (rehearsal): First movement (von Ravi Shankar)
- Concerto for Sitar and Orchestra (rehearsal): Third movement (von Ravi Shankar)
- Concerto for Sitar and Orchestra (rehearsal): Fourth movement (von Ravi Shankar)
Gershwin: Rhapsody in Blue / An American in Paris / Piano Concerto in F major
- Rhapsody in Blue
- An American in Paris (von London Symphony Orchestra, André Previn)
- Piano Concerto in F major: I. Allegro (von London Symphony Orchestra, André Previn)
- Piano Concerto in F major: II. Adagio - Andante con moto (von London Symphony Orchestra, André Previn)
- Piano Concerto in F major: III. Allegro agitato (von London Symphony Orchestra, André Previn)
Prokofiev: Alexander Nevsky
- Alexander Nevsky, Cantata, op. 78: I. Russia Under the Mongolian Yoke (von London Symphony Orchestra, André Previn)
- Alexander Nevsky, Cantata, op. 78: II. Song about Alexander Nevsky (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Alexander Nevsky, Cantata, op. 78: III. The Crusaders in Pskov (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Alexander Nevsky, Cantata, op. 78: IV. Arise, ye Russian People (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Alexander Nevsky, Cantata, op. 78: V. The Battle on the Ice (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Alexander Nevsky, Cantata, op. 78: VI. The Field of the Dead
- Alexander Nevsky, Cantata, op. 78: VII. Alexander's Entry in Pskov (von London Symphony Chorus, London Symphony Orchestra, André Previn)
L.S.O. Gala Concert: Elgar, Bernstein, Vaughan Williams, Enescu
- Cockaigne (In London Town), Concert Overture, op. 40
- Candide: Overture (von London Symphony Orchestra, André Previn)
- Fantasia on “Greensleeves” (von London Symphony Orchestra, André Previn)
- Romanian Rhapsody no. 1 in A major, op. 11 (von London Symphony Orchestra, André Previn)
Walton: Belshazzar's Feast / Improvisations on an Impromptu of Benjamin Britten
- Belshazzar's Feast, Oratorio: I. “Thus spake Isaiah” (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Belshazzar's Feast, Oratorio: II. “If I forget thee, O Jerusalem”
- Belshazzar's Feast, Oratorio: III. “By the waters of Babylon” (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Belshazzar's Feast, Oratorio: IV. “Babylon was a great city”
- Belshazzar's Feast, Oratorio: V. Praise ye the God of Gold “”
- Belshazzar's Feast, Oratorio: VI. “Thus in Babylon the mighty city” (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Belshazzar's Feast, Oratorio: VII. “And in the same hour, as they feasted”
- Belshazzar's Feast, Oratorio: VIII. “Then sing aloud the God our strength” (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Belshazzar's Feast, Oratorio: IX. “The trumpeters and pipers are silent” (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Belshazzar's Feast, Oratorio: X. “Then sing aloud the God our strength” (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Improvisations on an Impromptu of Benjamin Britten: I. Lento - Movendo (von London Symphony Orchestra, André Previn)
- Improvisations on an Impromptu of Benjamin Britten: II. Vivo - Più animato poco a poco (von London Symphony Orchestra, André Previn)
- Improvisations on an Impromptu of Benjamin Britten: III. Moderato (von London Symphony Orchestra, André Previn)
- Improvisations on an Impromptu of Benjamin Britten: IV. Scherzando - Giocoso (von London Symphony Orchestra, André Previn)
Tchaikovsky: The Nutcracker (Act I) (1972)
- The Nutcracker, Ballet, op. 71: Minature Overture (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act One. No. 1 The Decoration of the Christmas Tree (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act One. No. 2 March (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act One. No. 3 Children's Galop and Entry of the Parents (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act One. No. 4 Arrival of Drosselmeyer (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act One. No. 5 Grandfather's Dance (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act One. No. 6 Scene: Clara and the Nutcracker (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act One. No. 7 Scene: The Battle (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act One. No. 8 Scene: In the Pine Forest (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act One. No. 9 Waltz of the Snowflakes (von Ambrosian Singers, London Symphony Orchestra, André Previn)
Tchaikovsky: The Nutcracker (Act II) (1972)
- The Nutcracker, Ballet, op. 71: No. 10 Scene: The Kingdom of Sweets (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: No. 11 Scene: Clara and the Prince (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: No. 12 Divertissement. Chocolate: Spanish Dance (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: No. 12 Divertissement. Coffee: Arabian Dance (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: No. 12 Divertissement. Tea: Chinese Dance (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: No. 12 Divertissement. Trepak: Russian Dance (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: No. 12 Divertissement. Dance of the Reed Pipes (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: No. 12 Divertissement. Mother Gigogne (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: No. 13 Waltz of the Flowers (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: No. 14 Pas de deux (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Variation I: Tarantella (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Variation II: Dance of the Sugar Plum Fairy & Coda (von London Symphony Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: No. 15 Final Waltz and Apotheosis (von London Symphony Orchestra, André Previn)
Tchaikovsky: 1812 Overture / Marche slave / Romeo and Juliet, Fantasy Overture
- 1812 Overture, op. 49 (von London Symphony Orchestra, André Previn)
- Marche slave, op. 31 (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Fantasy Overture, TH 42 (von London Symphony Orchestra, André Previn)
Brahms: Piano Quintet in F minor
- Piano Quintet in F minor, op. 34: I. Allegro non troppo
- Piano Quintet in F minor, op. 34: II. Andante - Un poco adagio
- Piano Quintet in F minor, op. 34: III. Scherzo (Allegro)
- Piano Quintet in F minor, op. 34: IV. Finale (Poco sostenuto - Allegro non troppo - Presto non troppo)
Mendelssohn: Violin Concerto / Bruch: Violin Concerto no. 1
- Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - (von Itzhak Perlman, London Symphony Orchestra, André Previn)
- Violin Concerto in E minor, op. 64: II. Andante - (von Itzhak Perlman, London Symphony Orchestra, André Previn)
- Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace (von Itzhak Perlman, London Symphony Orchestra, André Previn)
- Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato - (von Itzhak Perlman, London Symphony Orchestra, André Previn)
- Violin Concerto no. 1 in G minor, op. 26: II. Adagio - (von Itzhak Perlman, London Symphony Orchestra, André Previn)
- Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico (von Itzhak Perlman, London Symphony Orchestra, André Previn)
Rachmaninov: Symphony no. 2
- Symphony no. 2 in E minor, op. 27: I. Largo - Allegro moderato (von London Symphony Orchestra, André Previn)
- Symphony no. 2 in E minor, op. 27: II. Allegro molto (von London Symphony Orchestra, André Previn)
- Symphony no. 2 in E minor, op. 27: III. Adagio (von London Symphony Orchestra, André Previn)
- Symphony no. 2 in E minor, op. 27: IV. Finale (Allegro vivace) (von London Symphony Orchestra, André Previn)
Beethoven: Symphony no. 5 / Prometheus, Overture
- Symphony no. 5 in C minor, op. 67: I. Allegro con brio (von London Symphony Orchestra, André Previn)
- Symphony no. 5 in C minor, op. 67: II. Andante con moto (von London Symphony Orchestra, André Previn)
- Symphony no. 5 in C minor, op. 67: III. Scherzo (Allegro) - (von London Symphony Orchestra, André Previn)
- Symphony no. 5 in C minor, op. 67: IV. Finale (Allegro) (von London Symphony Orchestra, André Previn)
- Prometheus, op. 43: Overture
Shostakovich: Symphony no. 8
- Symphony no. 8 in C minor, op. 65: I. Adagio (von London Symphony Orchestra, André Previn)
- Symphony no. 8 in C minor, op. 65: II. Allegretto (von London Symphony Orchestra, André Previn)
- Symphony no. 8 in C minor, op. 65: III. Allegro non troppo (von London Symphony Orchestra, André Previn)
- Symphony no. 8 in C minor, op. 65: IV. Largo (von London Symphony Orchestra, André Previn)
- Symphony no. 8 in C minor, op. 65: V. Allegretto (von London Symphony Orchestra, André Previn)
Walton: Symphony no. 2 / Portsmouth Point, Overture / Scapino, Comedy Overture / Lambert: The Rio Grande
- Symphony no. 2: I. Allegro molto (von London Symphony Orchestra, André Previn)
- Symphony no. 2: II. Lento assai (von London Symphony Orchestra, André Previn)
- Symphony no. 2: III. Passacaglia: Themes, Variations, Fugato and Coda (Scherzando) (von London Symphony Orchestra, André Previn)
- Portsmouth Point, Overture (von London Symphony Orchestra, André Previn)
- Scapino, Comedy Overture (von London Symphony Orchestra, André Previn)
- The Rio Grande , Secular Cantata for Alto Soloist, Mixed Chorus, Piano, Brass, Strings and Percussion
Prokofiev: Peter and the Wolf (English Narration) / Britten: The Young Person's Guide to the Orchestra (English Narration)
- Peter and the Wolf, op. 67: Presentation of the Characters and Their Musical Motive
- Peter and the Wolf, op. 67: Early one morning
- Peter and the Wolf, op. 67: “Look out!” shouted Peter
- Peter and the Wolf, op. 67: No sooner had Peter gone…
- Peter and the Wolf, op. 67: So now, this is how things stood…
- Peter and the Wolf, op. 67: Just then… The hunters came out of the woods
- Peter and the Wolf, op. 67: Just imagine the triumphant procession
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: I. Theme (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: II. Woodwind (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: III. Brass (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: IV. Strings (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: V. Percussion (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VI. Full Orchestra (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VII. Flute and Piccolo (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: VIII. Oboes (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: IX. Clarinets (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: X. Bassoons (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XI. Violins (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XII. Violas (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIII. Cellos (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIV. Double Basses (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XV. Harps (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVI. Horns (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVII. Trumpets (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XVIII. Trombones and Bass Tuba (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XIX. Timpani and the Rest of the Percussion (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34 “Variations and Fugue on a Theme of Purcell”: XX. Fugue (von Benjamin Britten)
Prokofiev: Peter and the Wolf (German Narration) / Britten: The Young Person's Guide to the Orchestra (German Narration)
- Peter und der Wolf, op. 67: Vorstellung der musikalischen: Themen. Der Vogel (Flöte) - Die Ente (Oboe) - Die Katze (Klarinette) - Großvater (Fagott) - Der Wolf (Hörner) - Peter (Streicher) - Gewehrschüsse (Schlagzeug)
- Peter und der Wolf, op. 67: Die Geschichte: Peter auf der Wiese - Der Vogel - Peter und der Vogel - Die Ente - Ente und Vogel…
- Peter und der Wolf, op. 67: Der Vogel fliegt auf den Baum - Die Katze überlegt - Großvater kommt aus dem Haus - Peter hat keine Angst - Großvater bringt Peter heim
- Peter und der Wolf, op. 67: Der Wolf kommt - Die Katze springt auf den Baum - Die Ente schnattert aufgeregt - Der Wolf fängt die Ente
- Peter und der Wolf, op. 67: Die Ente ist gefressen - Katze und Vogel sitzen auf dem Baum… während der Wolf gierig lauert - Peter beobachtet alles und holt ein Seil - Der Vogel ärgert den Wolf - Zornig schnappt der Wolf nach dem Vogel… aber fängt ihn n ...
- Peter und der Wolf, op. 67: Gerade da kommen Jäger aus dem Wald und schießen - Peter ruft: „Schießt nicht!”
- Peter und der Wolf, op. 67: Triumphzug… Peter und der Vogel sind stolz - Und wenn man ganz genau hinhört…
- The Young Person's Guide to the Orchestra, op. 34: Ansprache und Erklärung - Theme A (Großes Orchester) (von Benjamin Britten)
- The Young Person's Guide to the Orchestra, op. 34: Thema B (Holzbläser) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Thema C (Blechbläser) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Thema D (Streicher) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Thema E (Schlagzeug) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Thema F (Großes Orchester) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation A (Flöte/Piccoloflöte) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation B (Oboe) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation C (Klarinette) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation D (Fagotte) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation E (Violine) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation F (Viola) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation G (Violoncello) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation H (Kontrabaß) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation I (Harfe) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation J (Horn) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation K (Trompete) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation L (Posaune/Tuba) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Variation M (Schlagzeug) (von London Symphony Orchestra, André Previn)
- The Young Person's Guide to the Orchestra, op. 34: Fuge (großes Orchester - Thema in den Blechbläsern) (von Benjamin Britten)
The Dicky Bird & the Owl: Victorian Songs and Ballads
- The Dicky Bird & the Owl (von Arthur Sullivan)
- The Trumpeter (von J. Airlie Dix)
- Annabelle Lee (von Henry Leslie)
- The Catch of the Seasons (1904): Cigarette (von Herbert Edgar Haines)
- Tom Bowling
- Saved from the Deep (von Arthur W. Marchant)
- The Lily of Killarney: Act I. “The moon hath raised her lamp above” (von Sir Julius Benedict)
- Excelsior! (von Michael William Balfe)
- Come into the Garden, Maud
- The Arab's Farewell to His Steed (von John Blockley)
- The Lark Now Leaves His Wat'ry Nest (von John Liptrot Hatton)
- The Death of Nelson (von John Braham)
- Geneviève de Brabant: Gendarmes' Duet
Prokofiev: Romeo and Juliet (Acts I & II beginning)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 1. No. 1 Introduction (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 1. No. 2 Romeo (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 1. No. 3 The Street Awakens (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 1. No. 4 Morning Dance (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 1. No. 5 The Quarrel (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 1. No. 6 The Fight (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 1. No. 7 The Prince Gives His Order (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 1. No. 8 Interlude (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 9 Preparing for the Ball (Juliet and the Nurse) (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 10 Juliet as a Young Girl (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 11 Arrival of the Guests (Minuet) (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 12 Masks (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 13 Dance of the Knights (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 14 Juliet's Variation (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 15 Mercutio (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 16 Madrigal (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 17 Tybalt Recognizes Romeo (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 18 Departure of the Guests (Gavotte) (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 19 Balcony Scene (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 20 Romeo's Variation (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act I, scene 2. No. 21 Love Dance (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 1. No. 22 Folk Dance (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 1. No. 23 Romeo and Mercutio (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 1. No. 24 Dance of the Five Couples (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 1. No. 25 Dance with the Mandolins (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 1. No. 26 The Nurse (von London Symphony Orchestra, André Previn)
Prokofiev: Romeo and Juliet (Acts II conclusion & III)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 1. No. 27 The Nurse Gives Romeo the Note from Juliet (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 2. No. 28 Romeo with Friar Laurence (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 2. No. 29 Juliet with Friar Laurence (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 3. No. 30 The People Continue to Make Merry (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 3. No. 31 Folk Dance (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 3. No. 32 Tybalt Meets Mercutio (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 3. No. 33 Tybalt and Mercutio Fight (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 3. No. 34 Mercutio Dies (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 3. No. 35 Romeo Decides to Avenge Mercutio's Death (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act II, scene 3. No. 36 Finale (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 1. No. 37 Introduction (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 1. No. 38 Romeo and Juliet (Juliet's Bedroom) (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 1. No. 39 The Last Farewell (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 1. No. 40 The Nurse (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 1. No. 41 Juliet Refuses to Marry Paris (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 1. No. 42 Juliet Alone (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 1. No. 43 Interlude (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 2. No. 44 At Friar Laurence's (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 2. No. 45 Interlude (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 3. No. 46 Juliet's Bedroom (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 3. No. 47 Juliet Alone (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 3. No. 48 Morning Serenade (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 3. No. 49 Dance of the Girls with the Lilies (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, scene 3. No. 50 At Juliet's Bedside (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, Epilogue. No. 51 Juliet's Funeral (von London Symphony Orchestra, André Previn)
- Romeo and Juliet, Ballet, op. 64: Act III, Epilogue. No. 52 Death of Juliet (von London Symphony Orchestra, André Previn)
Ravel: Piano Trio / Shostakovich: Piano Trio no. 2
- Piano Trio in A minor, M. 67: I. Modéré (von Maurice Ravel)
- Piano Trio in A minor, M. 67: II. Pantoum (Assez vif) (von Maurice Ravel)
- Piano Trio in A minor, M. 67: III. Passacaille (Très large) (von Maurice Ravel)
- Piano Trio in A minor, M. 67: IV. Finale (Animé) (von Maurice Ravel)
- Piano Trio no. 2 in E minor, op. 67: I. Andante
- Piano Trio no. 2 in E minor, op. 67: II. Allegro non troppo
- Piano Trio no. 2 in E minor, op. 67: III. Largo
- Piano Trio no. 2 in E minor, op. 67: IV. Allegretto
Mozart: Piano Concertos nos. 17 & 24
- Piano Concerto no. 17 in G major, K. 453: I. Allegro - Cadenza
- Piano Concerto no. 17 in G major, K. 453: II. Andante - Cadenza
- Piano Concerto no. 17 in G major, K. 453: III. Allegretto
- Piano Concerto no. 24 in C minor, K. 491: I. Allegro - Cadenza
- Piano Concerto no. 24 in C minor, K. 491: II. Larghetto
- Piano Concerto no. 24 in C minor, K. 491: III. Allegretto
Holst: The Planets
- The Planets, op. 32: Mars, the Bringer of War (von London Symphony Orchestra, André Previn)
- The Planets, op. 32: Venus, the Bringer of Peace (von London Symphony Orchestra, André Previn)
- The Planets, op. 32: Mercury, the Winded Messenger (von London Symphony Orchestra, André Previn)
- The Planets, op. 32: Jupiter, the Bringer of Jollity (von London Symphony Orchestra, André Previn)
- The Planets, op. 32: Saturn, the Briger of Old Age (von London Symphony Orchestra, André Previn)
- The Planets, op. 32: Uranus, the Magician (von London Symphony Orchestra, André Previn)
- The Planets, op. 32: Neptune, the Mystic
Bartók: Violin Concerto no. 2
- Violin Concerto no. 2, Sz. 112: I. Allegro non troppo (von Itzhak Perlman, London Symphony Orchestra, André Previn)
- Violin Concerto no. 2, Sz. 112: II. Andante tranquillo (von Itzhak Perlman, London Symphony Orchestra, André Previn)
- Violin Concerto no. 2, Sz. 112: III. Allegro molto (von Itzhak Perlman, London Symphony Orchestra, André Previn)
Britten: Sinfonia da Requiem / Four Sea Interludes / Passacaglia
- Sinfonia da Requiem, op. 20: I. Lachrymosa (Andante ben misurato) (von London Symphony Orchestra, André Previn)
- Sinfonia da Requiem, op. 20: II. Dies irae (Allegro con fuoco) (von London Symphony Orchestra, André Previn)
- Sinfonia da Requiem, op. 20: III. Requiem aeternam (Andante molto tranquillo) (von London Symphony Orchestra, André Previn)
- Four Sea Interludes, from Peter Grimes, op. 33a: I. Dawn (Lento e tranquillo) (von London Symphony Orchestra, André Previn)
- Four Sea Interludes, from Peter Grimes, op. 33a: II. Sunday Morning (Allegro spiritoso) (von London Symphony Orchestra, André Previn)
- Four Sea Interludes, from Peter Grimes, op. 33a: III. Moonlight (Andante comodo e rubato) (von London Symphony Orchestra, André Previn)
- Four Sea Interludes, from Peter Grimes, op. 33a: IV. Storm (Presto con fuoco) (von London Symphony Orchestra, André Previn)
- Passacaglia, from Peter Grimes, op. 33b (von London Symphony Orchestra, André Previn)
Shostakovich: Symphony no. 6 / Prokofiev: Lieutenant Kijé
- Symphony no. 6 in B minor, op. 54: I. Largo (von London Symphony Orchestra, André Previn)
- Symphony no. 6 in B minor, op. 54: II. Allegro (von London Symphony Orchestra, André Previn)
- Symphony no. 6 in B minor, op. 54: III. Presto (von London Symphony Orchestra, André Previn)
- Lieutenant Kijé, Symphonic Suite, op. 60: I. The Birth of Kijé (Andante assai) (von London Symphony Orchestra, André Previn)
- Lieutenant Kijé, Symphonic Suite, op. 60: II. Romance (Andante - Allegretto) (von London Symphony Orchestra, André Previn)
- Lieutenant Kijé, Symphonic Suite, op. 60: III. Kijé's Wedding (Allegro fastuoso) (von London Symphony Orchestra, André Previn)
- Lieutenant Kijé, Symphonic Suite, op. 60: IV. Troika (Moderato) (von London Symphony Orchestra, André Previn)
- Lieutenant Kijé, Symphonic Suite, op. 60: V. The Burial of Kijé (Andante assai) (von London Symphony Orchestra, André Previn)
Tchaikovsky: Manfred Symphony
- Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante (von London Symphony Orchestra, André Previn)
- Manfred Symphony, op. 58: II. Vivace con spirito (von London Symphony Orchestra, André Previn)
- Manfred Symphony, op. 58: III. Andante con moto (von London Symphony Orchestra, André Previn)
- Manfred Symphony, op. 58: IV. Allegro con fuoco (von London Symphony Orchestra, André Previn)
Beethoven: Symphony no. 7
- Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (von London Symphony Orchestra, André Previn)
- Symphony no. 7 in A major, op. 92: II. Allegretto (von London Symphony Orchestra, André Previn)
- Symphony no. 7 in A major, op. 92: III. Presto (von London Symphony Orchestra, André Previn)
- Symphony no. 7 in A major, op. 92: IV. Allegro (von London Symphony Orchestra, André Previn)
Prokofiev: Symphony no. 5
- Symphony no. 5 in B-flat major, op. 100: I. Andante (von London Symphony Orchestra, André Previn)
- Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato (von London Symphony Orchestra, André Previn)
- Symphony no. 5 in B-flat major, op. 100: III. Adagio (von London Symphony Orchestra, André Previn)
- Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso (von London Symphony Orchestra, André Previn)
Tchaikovsky: Sleeping Beauty (Prologue & Act I)
- Sleeping Beauty, Ballet, op. 66: Introduction (Allegro vivo - Andantino) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 1 March (Moderato) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 2 Dance Scene (Moderato con moto) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 3 Pas de six: Introduction (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 3 Pas de six: Adagio (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 3 Pas de six: Variation I: The Fairy of the Crystal Fountain (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 3 Pas de six: Variation II: The Fairy of the Enchanted Garden (Allegro) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 3 Pas de six: Variation III: The Fairy of the Woodland Glades (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 3 Pas de six: Variation IV: The Fairy of the Songbirds (Moderato) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 3 Pas de six: Variation V: The Fairy of the Golden Vine (Allegro molto vivace) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 3 Pas de six: Variation VI: The Lilac Fairy (Tempo di valse) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 3 Pas de six: Coda (Allegro giusto) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Prologue: The Christening. No. 4 Finale (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act I: The Spell. No. 5 Scene (Allegro vivo - Moderato) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act I: The Spell. No. 6 Waltz (Allegro: Tempo di valse) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act I: The Spell. No. 7 Scene (Andante) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act I: The Spell. No. 8 Pas d'action: Rose Adagio (Andante - Adagio maestoso) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act I: The Spell. No. 8 Pas d'action: Dance of the Maids of Honour and the Pages (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act I: The Spell. No. 8 Pas d'action: Aurora's Variation (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act I: The Spell. No. 8 Pas d'action: Coda (Allegro giusto) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act I: The Spell. No. 9 Finale (von London Symphony Orchestra, André Previn)
Tchaikovsky: Sleeping Beauty (Act II)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 10 Entr'acte and Scene (Allegro con spirito - Un poco più tranquillo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 11 Blind Man's Buff (Allegro vivo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 12 Scene: Dances of the Courtiers: Scene (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 12 Scene: Dances of the Courtiers: Dance of the Duchesses (Minuet: Moderato con moto) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 12 Scene: Dances of the Courtiers: Dance of the Baronesses (Gavotte) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 12 Scene: Dances of the Courtiers: Dance of the Countesses (Allegro non troppo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 12 Scene: Dances of the Courtiers: Dance of the Marchionesses (Allegro non troppo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 13 Farandole: Scene (Poco più vivo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 13 Farandole: Dance (Allegro non troppo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 14 Scene: Prince Florimund and the Lilac Fairy (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 15 Pas d'action: Pas d'action: Aurora and Florimund (Andante cantabile) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 15 Pas d'action: Aurora's Variation (Allegro con moto) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 15 Pas d'action: Coda (Presto) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 16 Scene (Allegro agitato) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 17 Panorama (Andantino) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 18 Entr'acte (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 19 Symphonic Entr'acte (The Sleep) and Scene (Andante misterioso) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act II: The Vision. No. 20 Finale: The Awakening (Allegro agitato) (von London Symphony Orchestra, André Previn)
Tchaikovsky: Sleeping Beauty (Act III)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 21 March (Allegro non troppo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 22 Polonaise: Procession of Fairy-Tale Characters (Allegro moderato e brillante) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 23 Pas de quatre: Introduction (Allegro non tanto) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 23 Pas de quatre: Variation I: The Golden Fairy (Allegro: Tempo vi valse) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 23 Pas de quatre: Variation II: The Silver Fairy (Allegro giusto) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 23 Pas de quatre: Variation III: The Sapphire Fairy (Vivacissimo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 23 Pas de quatre: Variation IV: The Diamond Fairy (Vivace) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 23 Pas de quatre: Coda (L'istesso tempo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 24 Pas de caractère: Puss-in-Boots and the White Cat (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 25 Pas de quatre: Introduction (Adagio) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 25 Pas de quatre: Variation I: Cinderella and Prince Charming (Allegro: Tempo di valse) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 25 Pas de quatre: Variation II: The Bluebird and Princess Florine (Andantino) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 25 Pas de quatre: Coda (Presto) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 26 Pas de caractère: Red Riding Hood and the Wolf (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 26 Pas de caractère: Cinderella and Prince Charming (Allegro agitato - Tempo di valse - Vivace assai) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 27 Pas Berrichon (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 28 Pas de deux (Aurora and Florimund): Entrée (Allegretto - Allegro moderato) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 28 Pas de deux (Aurora and Florimund): Adagio (Andante non troppo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 28 Pas de deux (Aurora and Florimund): Variation I: Florimund (Vivace - Prestissimo) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 28 Pas de deux (Aurora and Florimund): Variation II: Aurora (Andantino) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 28 Pas de deux (Aurora and Florimund): Coda (Allegro vivace) (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 29 Sarabande (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 30 Finale and Apotheosis: Finale (Allegro brillante: Tempo di mazurka) - (von London Symphony Orchestra, André Previn)
- Sleeping Beauty, Ballet, op. 66: Act III: The Wedding. No. 30 Finale and Apotheosis: Apotheosis (Andante molto maestoso) (von London Symphony Orchestra, André Previn)
Berlioz: Overtures: Le Corsaire / Béatrice et Bénédict / Le Carnaval romain / Benvenuto Cellini / Les Francs-juges
- Le Corsaire, Overture, op. 21, H. 101 (von London Symphony Orchestra, André Previn)
- Béatrice et Bénédict , H. 138: Overture (von London Symphony Orchestra, André Previn)
- Le Carnaval romain, Overture, op. 9, H. 95 (von London Symphony Orchestra, André Previn)
- Benvenuto Cellini, op. 23 , H. 76: Overture (von London Symphony Orchestra, André Previn)
- Les Francs-juges, op. 3 , H. 23a: Overture (von London Symphony Orchestra, André Previn)
Holst: The Wandering Scholar / The Perfect Fool, Ballet Music / Egdon Heath
- The Wandering Scholar, op. 50: “When boughs are green in April” (Louis, Alison)
- The Wandering Scholar, op. 50: “Ho there, old dog” (Louis, Alison)
- The Wandering Scholar, op. 50: “The most beautiful piece” (Alison, Philippe)
- The Wandering Scholar, op. 50: “The time, then, was well chosen” (Philippe, Alison)
- The Wandering Scholar, op. 50: “Someone is coming!” (Alison, Philippe, Pierre)
- The Wandering Scholar, op. 50: “Before that I was twenty” (Pierre, Philippe)
- The Wandering Scholar, op. 50: “So learned a clerk” (Alison, Philippe, Pierre)
- The Wandering Scholar, op. 50: “Heigho, a pretty knave!” (Alison, Philippe)
- The Wandering Scholar, op. 50: “He'll lie all day in the sun” (Louis, Pierre, Alison)
- The Wandering Scholar, op. 50: “As I was walking” (Pierre, Louis, Alison)
- The Wandering Scholar, op. 50: “Monster! Villain!” (Louis, Pierre, Alison)
- The Perfect Fool, Ballet Music, op. 39: I. Andante (von London Symphony Orchestra, André Previn)
- The Perfect Fool, Ballet Music, op. 39: II. Dance of Spirits of Earth (von London Symphony Orchestra, André Previn)
- The Perfect Fool, Ballet Music, op. 39: III. Dance of Spirits and Water (von London Symphony Orchestra, André Previn)
- The Perfect Fool, Ballet Music, op. 39: IV. Dance of Spirits of Fire (von London Symphony Orchestra, André Previn)
- Egdon Heath, op. 47 (von London Symphony Orchestra, André Previn)
Orff: Carmina Burana
- Carmina Burana, cantiones profanae: Fortuna Imperatrix Mundi: O Fortuna
- Carmina Burana, cantiones profanae: Fortuna Imperatrix Mundi: Fortune plango vulnera
- Carmina Burana, cantiones profanae: I. Primo Vere: Veris leta facies
- Carmina Burana, cantiones profanae: I. Primo Vere: Omnia Sol temperat
- Carmina Burana, cantiones profanae: I. Primo Vere: Ecce gratum
- Carmina Burana, cantiones profanae: Uf dem anger: Tanz (von London Symphony Orchestra, André Previn)
- Carmina Burana, cantiones profanae: Uf dem anger: Floret silva
- Carmina Burana, cantiones profanae: Uf dem anger: Chramer, gip die varwe mir
- Carmina Burana, cantiones profanae: Uf dem anger: Reie - Swaz hie gat umbe - Chume, chum, geselle min!
- Carmina Burana, cantiones profanae: Uf dem anger: Were diu werit alle min
- Carmina Burana, cantiones profanae: II. In Taberna: Estuans interius
- Carmina Burana, cantiones profanae: II. In Taberna: Olim lacus colueram
- Carmina Burana, cantiones profanae: II. In Taberna: Ego sum abbas
- Carmina Burana, cantiones profanae: II. In Taberna: In taberna quando sumus
- Carmina Burana, cantiones profanae: III. Cour d'amours: Amor volat undique
- Carmina Burana, cantiones profanae: III. Cour d'amours: Dies, nox et omnia
- Carmina Burana, cantiones profanae: III. Cour d'amours: Stetit puella
- Carmina Burana, cantiones profanae: III. Cour d'amours: Circa mea pectora
- Carmina Burana, cantiones profanae: III. Cour d'amours: Si puer cum puellula
- Carmina Burana, cantiones profanae: III. Cour d'amours: Veni, veni, venias
- Carmina Burana, cantiones profanae: III. Cour d'amours: In trutina
- Carmina Burana, cantiones profanae: III. Cour d'amours: Tempus est locundum
- Carmina Burana, cantiones profanae: III. Cour d'amours: Dulcissime
- Carmina Burana, cantiones profanae: Blanziflor et Helena: Ave formosissima
- Carmina Burana, cantiones profanae: Fortuna Imperatrix Mundi: O Fortuna
Joplin: The Easy Winners
- The Rag-Time Dance (von Itzhak Perlman, André Previn)
- The Easy Winners (von Itzhak Perlman, André Previn)
- Bethena (A Concert Waltz) (von Itzhak Perlman, André Previn)
- Magnetic Rag (von Itzhak Perlman, André Previn)
- The Strenuous Life (Rag-Time Two-Step) (von Itzhak Perlman, André Previn)
- The Entertainer (von Itzhak Perlman, André Previn)
- Elite Syncopations (von Itzhak Perlman, André Previn)
- Solace (A Mexican Serenade) (von Itzhak Perlman, André Previn)
- Pine Apple Rag (von Itzhak Perlman, André Previn)
- Sugar Cane (A Rag-Time classic Two-Step) (von Itzhak Perlman, André Previn)
Rachmaninov: The Isle of the Dead / Symphonic Dances
- The Isle of the Dead, op. 29 (von London Symphony Orchestra, André Previn)
- Symphonic Dances, op. 45: I. Non allegro (von London Symphony Orchestra, André Previn)
- Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) (von London Symphony Orchestra, André Previn)
- Symphonic Dances, op. 45: III. Lento assai - Allegro vivace (von London Symphony Orchestra, André Previn)
R. Strauss: Viere Letzte Lieder / Lieder
- Vier Letzte Lieder (Four Last Songs), TrV 296: I. Frühling (von Richard Strauss)
- Vier Letzte Lieder (Four Last Songs), TrV 296: II. September (von Richard Strauss)
- Vier Letzte Lieder (Four Last Songs), TrV 296: III. Beim Schlafengehen (von Richard Strauss)
- Vier Letzte Lieder (Four Last Songs), TrV 296: IV. Im Abendrot (von Richard Strauss)
- Freundliche Vision, Op. 48 No. 1 (von Richard Strauss)
- Morgen, op. 27 no. 4 (von Richard Strauss)
- Meinem Kinde, Op. 37 No. 3 (von Richard Strauss)
- Befreit, op. 39 no. 4 (von Richard Strauss)
- Zueignung, Op. 10 No. 1 (von Richard Strauss)
André Previn's Music Night
- André Previn's Music Night Signature Tune (von London Symphony Orchestra, André Previn)
- Orb and Sceptre, Overture (von London Symphony Orchestra, André Previn)
- L'Apprenti sorcier (The Sorceror's Apprentice) (von London Symphony Orchestra, André Previn)
- Adagio in G minor (von London Symphony Orchestra, André Previn)
- Hänsel und Gretel: Overture (von London Symphony Orchestra, André Previn)
- La Valse, M. 72 (von London Symphony Orchestra, André Previn)
- Slavonic Dance No. 9, op. 72 no. 1 (von London Symphony Orchestra, André Previn)
- Jennie, Lady Randolph Churchill (TV series theme music)
Rachmaninov: Symphony no. 1 in D minor
- Symphony no. 1 in D minor, op. 13: I. Grave (von London Symphony Orchestra, André Previn)
- Symphony no. 1 in D minor, op. 13: II. Allegro animato (von London Symphony Orchestra, André Previn)
- Symphony no. 1 in D minor, op. 13: III. Larghetto (von London Symphony Orchestra, André Previn)
- Symphony no. 1 in D minor, op. 13: IV. Allegro con fuoco (von London Symphony Orchestra, André Previn)
Home, Sweet Home: Victorian Songs and Ballads, Vol. 2
- Flow Gently, Deva
- The Lute Player
- My Snowy-Breasted Pearl
- Pansy Faces
- Once Again
- The Diver
- Listen to the Convent Bells
- Watchman, What of the Night?
- Home! Sweet Home!
- Creep-Mouse
- Yes! Let Me Like a Soldier Fall
- Will-o'-the-Wisp
- I'll Sing Thee Songs of Araby
- The Wee Cooper o'Fife
Berlioz: Symphony fantastique
- Symphony fantastique, op. 14: I. Rêveries - Passions (von London Symphony Orchestra, André Previn)
- Symphony fantastique, op. 14: II. Un bal (Valse) (von London Symphony Orchestra, André Previn)
- Symphony fantastique, op. 14: III. Scènes aux champs (von London Symphony Orchestra, André Previn)
- Symphony fantastique, op. 14: IV. Marche au supplice (von London Symphony Orchestra, André Previn)
- Symphony fantastique, op. 14: V. Songe d'une nuit de sabbat (von London Symphony Orchestra, André Previn)
Rachmaninov: The Bells / Vocalise (orch. version)
- The Bells, op. 35: I. Allegro ma non tanto
- The Bells, op. 35: II. Lento
- The Bells, op. 35: III. Presto (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- The Bells, op. 35: IV. Lento lugubre
- Vocalise, op. 34 no. 14 (Orchestral version) (von London Symphony Orchestra, André Previn)
Mozart: Concerto for Two Pianos, K. 365 / Piano Concerto no. 20
- Concerto for Two Pianos in E-flat major, K. 365: I. Allegro
- Concerto for Two Pianos in E-flat major, K. 365: II. Andante
- Concerto for Two Pianos in E-flat major, K. 365: III. Rondo (Allegro)
- Piano Concerto no. 20 in D minor, K. 466: I. Allegro (Cadenza Beethoven) (von André Previn, London Symphony Orchestra)
- Piano Concerto no. 20 in D minor, K. 466: II. Romance (von André Previn, London Symphony Orchestra)
- Piano Concerto no. 20 in D minor, K. 466: III. Rondo (Allegro assai) (Cadenza Previn) (von André Previn, London Symphony Orchestra)
Haydn: Symphonies nos. 88 & 96 “The Miracle”
- Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro (von London Symphony Orchestra, André Previn)
- Symphony no. 88 in G major, Hob. I:88: II. Largo (von London Symphony Orchestra, André Previn)
- Symphony no. 88 in G major, Hob. I:88: III. Menuetto (Allegretto) (von London Symphony Orchestra, André Previn)
- Symphony no. 88 in G major, Hob. I:88: IV. Finale (Allegro con spirito) (von London Symphony Orchestra, André Previn)
- Symphony no. 96 in D major, Hob. I:96 “The Miracle”: I. Adagio - Allegro (von London Symphony Orchestra, André Previn)
- Symphony no. 96 in D major, Hob. I:96 “The Miracle”: II. Andante (von London Symphony Orchestra, André Previn)
- Symphony no. 96 in D major, Hob. I:96 “The Miracle”: III. Menuetto (Allegro) (von London Symphony Orchestra, André Previn)
- Symphony no. 96 in D major, Hob. I:96 “The Miracle”: IV. Finale (Vivace assai) (von London Symphony Orchestra, André Previn)
Tchaikovsky: Piano Concerto no. 1 / Liszt: Piano Concerto no. 1
- Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (von Horacio Gutierrez, London Symphony Orchestra, André Previn)
- Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I (von Horacio Gutierrez, London Symphony Orchestra, André Previn)
- Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (von Horacio Gutierrez, London Symphony Orchestra, André Previn)
- Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso (von Horacio Gutierrez, London Symphony Orchestra, André Previn)
- Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio (von Horacio Gutierrez, London Symphony Orchestra, André Previn)
- Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace - Allegro animato (von Horacio Gutierrez, London Symphony Orchestra, André Previn)
- Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato (von Horacio Gutierrez, London Symphony Orchestra, André Previn)
Tchaikovsky: Swan Lake (Acts I & II)
- Swan Lake, Ballet, op. 20: Introduction (Moderato assai) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 1 Scene (Allegro giusto) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 2 Waltz (Tempo di valse) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 3 Scene (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 4 Pas de trois: I. Intrada (Allegro) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 4 Pas de trois: II. Andante sostenuto (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 4 Pas de trois: III. Allegro semplice - Presto (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 4 Pas de trois: IV. Moderato (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 4 Pas de trois: V. Allegro (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 4 Pas de trois: VI. Coda (Allegro vivace) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 5 Pas de deux: I. Tempo di valse (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 5 Pas de deux: II. Andante - Allegro - Molto più mosso
- Swan Lake, Ballet, op. 20: Act I. No. 5 Pas de deux: III. Tempo di valse (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 5 Pas de deux: IV. Coda (Allegro molto vivace) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 6 Pas d'action (Andantino quasi moderato - Allegro) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 7 Subject (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 8 Dance with Goblets (Tempo di polacca) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act I. No. 9 Finale (Andante) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act II. No. 10 Scene (Moderato) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act II. No. 11 Scene (Allegro moderato - Allegro vivo) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act II. No. 12 Scene (Allegro) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act II. No. 13 Dances of the Swans: I. Tempo di valse (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act II. No. 13 Dances of the Swans: II. Moderato assai - Molto più mosso (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act II. No. 13 Dances of the Swans: III. Tempo di valse (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act II. No. 13 Dances of the Swans: IV. Dance of the Little Swans (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act II. No. 13 Dances of the Swans: V. Andante - Andante non troppo - Allegro
- Swan Lake, Ballet, op. 20: Act II. No. 13 Dances of the Swans: VI. Tempo di valse (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act II. No. 13 Dances of the Swans: VII. Coda (Allegro vivace) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act II. No. 14 Scene (Moderato) (von London Symphony Orchestra, André Previn)
Tchaikovsky: Swan Lake (Acts III & IV)
- Swan Lake, Ballet, op. 20: Act III. No. 15 Scene (Allegro giusto) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 16 Dance of the Guests and the Dwarfs (Moderato assai - Allegro vivo) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 17 Scene: Entrance and the Waltz of the Special Guests (Allegro - Tempo di valse) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 18 Scene (Allegro - Allegro giusto) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 19 Pas de six: Intrada (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 19 Pas de six: Variation I (Allegro) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 19 Pas de six: Variation II (Andante con moto) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 19 Pas de six: Variation III (Moderato) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 19 Pas de six: Variation IV (Allegro) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 19 Pas de six: Variation V (Moderato - Allegro semplice) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 19 Pas de six: Coda (Allegro molto) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. Pas de deux (additional number): Introduction
- Swan Lake, Ballet, op. 20: Act III. Pas de deux (additional number): Variation I (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. Pas de deux (additional number): Variation II (Allegro) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. Pas de deux (additional number): Coda (Allegro molto vivace) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 20 Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. Russian Dance (Cadenza - Andante semplice - Allegro vivo) (additional number)
- Swan Lake, Ballet, op. 20: Act III. No. 21 Spanish Dance (Allegro non troppo: tempo di Bolero) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 22 Neapolitan Dance (Allegro moderato - Andantino quasi moderato) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 23 Mazurka (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act III. No. 24 Scene (Allegro - Valse - Allegro vivo) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act IV. No. 25 Entr'acte (Moderato) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act IV. No. 26 Scene (Allegro non troppo) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act IV. No. 27 Dance of the Little Swans (Moderato) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act IV. No. 28 Scene (Allegro agitato - Allegro vivace) (von London Symphony Orchestra, André Previn)
- Swan Lake, Ballet, op. 20: Act IV. No. 29 Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso) (von London Symphony Orchestra, André Previn)
Rachmaninov: Symphony no. 3 / Aleko (Excerpts)
- Symphony no. 3 in A minor, op. 44: I. Lento (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo (von London Symphony Orchestra, André Previn)
- Symphony no. 3 in A minor, op. 44: III. Allegro (von London Symphony Orchestra, André Previn)
- Aleko: Intermezzo (von London Symphony Orchestra, André Previn)
- Aleko: Women's Dance (von London Symphony Orchestra, André Previn)
Mendelssohn: A Midsummer Night's Dream
- A Midsummer Night's Dream, Incidental Music, op. 61: Overture, op. 21 (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 1 Scherzo (Allegro vivace) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 2 Melodram and March of the Elves (L'istesso tempo - Allegro vivace) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 3 Song with Chorus: “You spotted snakes” (Allegro ma non troppo) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 4 The Spells (Andante - Allegro molto) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 5 Intermezzo (Allegro appassionato) - Allegro molto comodo (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 6 “What Hempen Homespuns” (Allegro - Allegro molto - Andante - Allegro molto) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 7 Notturno (Con moto tranquillo) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 8 The Removal of the Spells (Andante - Allegro molto - Con moto tranquillo - Allegro molto) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 9 Wedding March (Allegro vivace) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 10 Fanfare (Allegro comodo) - Marcia funebre (Andante comodo) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 11 A Dance of Clowns (Bergamasca. Allegro di molto) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 12 Wedding March Reprise (Allegro vivace) (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Incidental Music, op. 61: No. 13 Finale: “Tro' this house give glim'ring light” (Allegro di molto) (von London Symphony Orchestra, André Previn)
André Previn's Music Night II
- Russlan and Ludmilla: Overture (von London Symphony Orchestra, André Previn)
- Adagio for Strings , op. 11 (von London Symphony Orchestra, André Previn)
- The Three Cornered Hat, Ballet (Excerpts): The Neighbors (von London Symphony Orchestra, André Previn)
- The Three Cornered Hat, Ballet (Excerpts): The Miller's Dance (von London Symphony Orchestra, André Previn)
- The Three Cornered Hat, Ballet (Excerpts): Final Dance (Jota) (von London Symphony Orchestra, André Previn)
- Prélude à l'après-midi d'un faune , CD 87
- The Banks of Green Willow (von London Symphony Orchestra, André Previn)
- Emperor Waltz, op. 437 (von London Symphony Orchestra, André Previn)
Goldmark: Violin Concerto no. 1 / Sarasate: Zigeunerweisen
- Violin Concerto no. 1 in A minor, op. 28: I. Allegro moderato (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Violin Concerto no. 1 in A minor, op. 28: II. Andante (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Violin Concerto no. 1 in A minor, op. 28: III. Moderato - Allegretto (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Zigeunerweisen, Op. 20 (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
Sibelius: Symphony no. 2
- Symphony no. 2 in D major, op. 43: I. Allegretto (von Pittsburgh Symphony Orchestra, André Previn)
- Symphony no. 2 in D major, op. 43: II. Tempo andante ma rubato (von Pittsburgh Symphony Orchestra, André Previn)
- Symphony no. 2 in D major, op. 43: III. Vivacissimo (von Pittsburgh Symphony Orchestra, André Previn)
- Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato (von Pittsburgh Symphony Orchestra, André Previn)
Shostakovich: Symphony no. 5
- Symphony no. 5 in D minor, op. 47: I. Moderato - Allegro non troppo
- Symphony no. 5 in D minor, op. 47: II. Allegretto
- Symphony no. 5 in D minor, op. 47: III. Largo
- Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo
Shostakovich: Symphony no. 4
- Symphony no. 4 in C minor, op. 43: I. Allegretto poco moderato - Presto - Tempo I
- Symphony no. 4 in C minor, op. 43: II. Moderato con moto
- Symphony no. 4 in C minor, op. 43: III. Largo - Allegro
Poulenc: Concerto in G minor / Concert champêtre
- Concerto in G minor, FP 93 for Organ, Strings and Timpani: I. Andante - Allegro giocoso
- Concerto in G minor, FP 93 for Organ, Strings and Timpani: II. Andante moderato
- Concerto in G minor, FP 93 for Organ, Strings and Timpani: III. Tempo allegro, molto agitato
- Concerto in G minor, FP 93 for Organ, Strings and Timpani: IV. Très calme - Lent
- Concerto in G minor, FP 93 for Organ, Strings and Timpani: V. Tempo de l'allegro initial
- Concerto in G minor, FP 93 for Organ, Strings and Timpani: VI. Tempo de l'introduction - Largo
- Concert champêtre, FP 49 for Harpsichord and Orchestra: I. Allegro molto - Adagio - Allegro molto
- Concert champêtre, FP 49 for Harpsichord and Orchestra: II. Andante (Mouvement de sicilienne)
- Concert champêtre, FP 49 for Harpsichord and Orchestra: III. Finale (Presto)
Rodrigo: Concierto de Aranjuez / Fantasía para un gentilhombre
- Concierto de Aranjuez, for Guitar and Orchestra: I. Allegro con spirito (von Ángel Romero, London Symphony Orchestra, André Previn)
- Concierto de Aranjuez, for Guitar and Orchestra: II. Adagio (von Ángel Romero, London Symphony Orchestra, André Previn)
- Concierto de Aranjuez, for Guitar and Orchestra: III. Allegro gentile (von Ángel Romero, London Symphony Orchestra, André Previn)
- Fantasía para un gentilhombre, for Guitar and Small Orchestra: I. Villano y ricercare (Adagietto - Andante moderato) (von Ángel Romero, London Symphony Orchestra, André Previn)
- Fantasía para un gentilhombre, for Guitar and Small Orchestra: II. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto - Adagio) (von Ángel Romero, London Symphony Orchestra, André Previn)
- Fantasía para un gentilhombre, for Guitar and Small Orchestra: III. Danza de la Hachas (Allegro con brio) (von Ángel Romero, London Symphony Orchestra, André Previn)
- Fantasía para un gentilhombre, for Guitar and Small Orchestra: IV. Canario (von Ángel Romero, London Symphony Orchestra, André Previn)
Duparc: Mélodies / Chausson: Poème de l'amour et de la mer
- Phydilé (von Henri Duparc)
- la vie antérieure (von Henri Duparc)
- le manoir de rosemonde (von Henri Duparc)
- au pays où se fait la guerre (von Henri Duparc)
- l'invitation au voyage (von Henri Duparc)
- Poème de l'amour et de la mer, op. 19: I. La Fleur des eaux (Calme) (von Dame Janet Baker)
- Poème de l'amour et de la mer, op. 19: II. Interlude (Lent et triste) (von Dame Janet Baker)
- Poème de l'amour et de la mer, op. 19: III. La Mort de l'amour (Vif et joyeux - Sombre et solennel - Lent et triste) (von Dame Janet Baker)
Messiaen: Turangalîla-Symphonie
- Turangalîla-Symphonie: I. Introduction (von Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn)
- Turangalîla-Symphonie: II. Chant d'amour I (von Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn)
- Turangalîla-Symphonie: III. Turangalîla I (von Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn)
- Turangalîla-Symphonie: IV. Chant d'amour II (von Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn)
- Turangalîla-Symphonie: V. Joie du sang et des étoiles (von Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn)
- Turangalîla-Symphonie: VI. Jardin du sommeil d'amour (von Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn)
- Turangalîla-Symphonie: VII. Turangalîla II (von Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn)
- Turangalîla-Symphonie: VIII. Développement de l'amour (von Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn)
- Turangalîla-Symphonie: IX. Turangalîla III (von Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn)
- Turangalîla-Symphonie: X. Final (von Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn)
Dvořák: Cello Concerto / Rondo for Cello
- Cello Concerto in B minor, op. 104: I. Allegro
- Cello Concerto in B minor, op. 104: II. Adagio ma non troppo
- Cello Concerto in B minor, op. 104: III. Finale (Allegro moderato)
- Rondo in G minor, for Cello and Orchestra, op. 94 (von Paul Tortelier, Northern Sinfonia of England, André Previn)
Brahms: Vier Ernste Gesänge / 10 Lieder
- Vier Ernste Gesänge (Four Serious Songs), op. 121: I. Denn es geht dem Menschen
- Vier Ernste Gesänge (Four Serious Songs), op. 121: II. Ich wandte mich un sahe an alle
- Vier Ernste Gesänge (Four Serious Songs), op. 121: III. O Tod, wie bitter bist du
- Vier Ernste Gesänge (Four Serious Songs), op. 121: IV. Wenn ich mit Menschen
- Ständchen, op. 106 no. 1
- Auf dem Kirchhofe, op. 105 no. 4
- Gestillte Sehnsucht, op. 91 no. 1
- Geistliches Wiegenlied, op. 91 no. 2
- Therese, op. 86 no. 1
- Wie melodien zieth es mir, op. 105 no. 1
- Sappische Ode, op. 94 no. 4
- Der Jäger, op. 95 no. 4
- Regenlied, WoO 23
- Vergebliches Ständchen, op. 84 no. 4
Prokofiev: Symphonies nos. 1 “Classical” & 7
- Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro (von London Symphony Orchestra, André Previn)
- Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto (von London Symphony Orchestra, André Previn)
- Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotte (Non troppo allegro) (von London Symphony Orchestra, André Previn)
- Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale (Molto vivace) (von London Symphony Orchestra, André Previn)
- Symphony no. 7 in C-sharp minor, op. 131: I. Moderato
- Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto (von London Symphony Orchestra, André Previn)
- Symphony no. 7 in C-sharp minor, op. 131: III. Andante espressivo (von London Symphony Orchestra, André Previn)
- Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace (von London Symphony Orchestra, André Previn)
Haydn: Symphonies nos. 94 “Surprise” & 104 “London”
- Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile - Vivace assai
- Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (von Pittsburgh Symphony Orchestra, André Previn)
- Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuetto (Allegro molto - Trio)
- Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Allegro di molto (von Pittsburgh Symphony Orchestra, André Previn)
- Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro
- Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante
- Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto (Trio)
- Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale (Spiritoso)
Mahler: Symphony no. 4
- Symphony No. 4 in G major: I. Bedächtig, nicht eilen (von Gustav Mahler)
- Symphony no. 4 in G major: II. In gemächliger Bewegung. Ohne hast (von Gustav Mahler)
- Symphony No. 4 in G major: III. Ruhevoll (Poco adagio) (von Gustav Mahler)
- Symphony no. 4 in G major: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden” (von Gustav Mahler)
Britten: A Spring Symphony
- A Spring Symphony, op. 44: Part One. I. Introduction: Shine Out (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part One. II. The Merry Cuckoo (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part One. III. Spring, the Sweet Spring (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part One. IV. The Driving Boy (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part One. V. The Morning Star (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part Two. I. Welcome, Maids of Honour (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part Two. II. Waters Above! (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part Two. III. Out on the Lawn I Lie in Bed (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part Three. I. When Will My May Come (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part Three. II. Fair and Fair (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part Three. III. Sound the Flute! (von London Symphony Orchestra, André Previn)
- A Spring Symphony, op. 44: Part Four. Finale: London, to Thee I Do Present (von London Symphony Orchestra, André Previn)
Mendelssohn: Symphony no. 4 “Italian” / Overtures: The Hebrides, Ruy Blas, A Midsummer Night's Dream
- Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (von London Symphony Orchestra, André Previn)
- Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (von London Symphony Orchestra, André Previn)
- Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato (von London Symphony Orchestra, André Previn)
- Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello (Presto) (von London Symphony Orchestra, André Previn)
- The Hebrides, Overture, op. 26 (von London Symphony Orchestra, André Previn)
- Ruy Blas, Overture, op. 95 (von London Symphony Orchestra, André Previn)
- A Midsummer Night's Dream, Overture, op. 21 (von London Symphony Orchestra, André Previn)
Ravel: Boléro / Daphnis et Chloé, Ballet Suite no. 2 / Pavane pour une infante défunte
- Boléro , Ballet, M. 81 (von London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet Suite no. 2, M. 57: I. Lever du jour (von London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet Suite no. 2, M. 57: II. Pantomime (von Peter Lloyd, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet Suite no. 2, M. 57: III. Danse générale (von London Symphony Orchestra, André Previn)
- Pavane pour une infante défunte, M. 19 (von London Symphony Orchestra, André Previn)
Elgar: Variations on an Original Theme “Enigma” / Vaughn Williams: The Wasps, Overture / Fantasia on a Theme by Thomas Tallis
- Variations on an Original Theme “Enigma”, op. 36: Theme: Andante (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 1: C.A.E. (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 2: H.D. S-P (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 3: R.B.T. (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 4: W.M.B. (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 5: R.P.A. (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 6: Ysobel (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 7: Troyte (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 8: W.N. (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 9: Nimrod (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 10: Intermezzo: Dorabelle (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 11: G.R.S. (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 12: B.G.N. (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 13: Romanza * * * (von London Symphony Orchestra, André Previn)
- Variations on an Original Theme “Enigma”, op. 36: Variation 14: Finale: E.D.U. (von London Symphony Orchestra, André Previn)
- The Wasps, Aristophanic Suite, Overture (von London Symphony Orchestra, André Previn)
- Fantasia on a Theme by Thomas Tallis (von London Symphony Orchestra, André Previn)
Mendelssohn: Piano Trio no. 1 / Schumann: Piano Trio no. 1
- Piano Trio no. 1 in D Minor, op. 49: I. Molto allegro ed agitato
- Piano Trio no. 1 in D Minor, op. 49: II. Andante con moto tranquillo
- Piano Trio no. 1 in D minor, op. 49: III. Scherzo (Leggiero e vivace)
- Piano Trio no. 1 in D minor, op. 49: IV. Saltarello (Allegro assai appassionato)
- Piano Trio no. 1 in D minor, op. 63: I. Mit Energie und Leidenschaft
- Piano Trio no. 1 in D minor, op. 63: II. Lebhaft, doch nicht zu rasch
- Piano Trio no. 1 in D minor, op. 63: III. Langsam, mit inniger Empfindung
- Piano Trio no. 1 in D minor, op. 63: IV. Mit Feuer
Goldmark: Symphony no. 1 “Rustic Wedding”
- Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: I. Hochzeitmarsch (Variationen. Moderato molto) (von Karl Goldmark)
- Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: II. Brautlied (Intermezzo. Allegretto) (von Karl Goldmark)
- Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: III. Serenade (Scherzo. Allegro moderato scherzando) (von Karl Goldmark)
- Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: IV. Im Garten (Andante) (von Karl Goldmark)
- Symphony no. 1 in E-flat major, op. 26 “Rustic Wedding”: V. Tanz (Finale. Allegro molto) (von Karl Goldmark)
Sibelius: Violin Concerto / Sinding: Suite for Violin
- Violin Concerto in D minor, op. 47: I. Allegro moderato (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Violin Concerto in D minor, op. 47: II. Adagio di molto (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Suite for Violin and Orchestra, op. 10: I. Presto (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Suite for Violin and Orchestra, op. 10: II. Adagio (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Suite for Violin and Orchestra, op. 10: III. Tempo giusto (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
Debussy: Images for Orchestra / Prélude à l'après-midi d'un faune
- Images for Orchestra, CD 118a: I. Gigues (von London Symphony Orchestra, André Previn)
- Images for Orchestra, CD 118a: II. Iberia: 1. Par les rues et par les chemins (von London Symphony Orchestra, André Previn)
- Images for Orchestra, CD 118a: II. Iberia: 2. Les Parfums de la nuit (von London Symphony Orchestra, André Previn)
- Images for Orchestra, CD 118a: II. Iberia: 3. Le Matin d'un jour de fête (von London Symphony Orchestra, André Previn)
- Images for Orchestra, CD 118a: III. Rondes de printemps (von London Symphony Orchestra, André Previn)
- Prélude à l'après-midi d'un faune (von Peter Lloyd, London Symphony Orchestra, André Previn)
Shostakovich: Symphony no. 13 “Babi Yar”
- Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: I. Babi Yar
- Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: II. Humor
- Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: III. In the Store
- Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: IV. Fears
- Symphony no. 13 in B-flat minor, op. 113 “Babi Yar”: V. A Career
R. Strauss: Don Juan / Till Eulenspiegels lustige Streiche / Tod und Verklärung
- Don Juan, op. 20 (von Wiener Philharmoniker, André Previn)
- Till Eulenspiegels lustige Streiche, op. 28 (von Wiener Philharmoniker, André Previn)
- Tod und Verklärung, Op. 24 (von Richard Strauss)
Berlioz: Grande Messe des morts (Requiem) (beginning)
- Grande Messe des morts (Requiem), op. 5 H. 75: I. Requiem et Kyrie - Introitus
- Grande Messe des morts (Requiem), op. 5 H. 75: II. Dies irae - Prosa
- Grande Messe des morts (Requiem), op. 5 H. 75: III. Quid sum miser
- Grande Messe des morts (Requiem), op. 5 H. 75: IV. Rex tremendae majestatis
- Grande Messe des morts (Requiem), op. 5 H. 75: V. Quaerens me
Berlioz: Grande Messe des morts (Requiem) (conclusion)
- Grande Messe des morts (Requiem), op. 5 H. 75: VI. Lacrymosa
- Grande Messe des morts (Requiem), op. 5 H. 75: VII. Offertorium
- Grande Messe des morts (Requiem), op. 5 H. 75: VIII. Hostias
- Grande Messe des morts (Requiem), op. 5 H. 75: IX. Sanctus
- Grande Messe des morts (Requiem), op. 5 H. 75: X. Agnus Dei
Korngold: Violin Concerto / Conus: Violin Concerto
- Violin Concerto in D major, Op. 35: I. Moderato nobile (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Violin Concerto in D major, op. 35: II. Romanze (Andante) (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Violin Concerto in D major, op. 35: III. Finale (Allegro assai vivace) (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Violin Concerto in E minor: I. Allegro molto - Andante espressivo (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Violin Concerto in E minor: II. Adagio (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
- Violin Concerto in E minor: III. Cadenza - Allegro subito (von Itzhak Perlman, Pittsburgh Symphony Orchestra, André Previn)
Previn: A Different Kind of Blues
- Look at Him Go (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- Little Face (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- Who Reads Reviews (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- Night Thoughts (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- A Different Kind of Blues (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- Chocolate Apricot (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- The Five of Us (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- Make Up Your Mind (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
Gershwin: Porgy and Bess, A Symphonic Picture / Second Rhapsody / Cuban Overture
- Porgy and Bess , A Symphony Picture (von London Symphony Orchestra, André Previn)
- Second Rhapsody , for Piano and Orchestra
- Cuban Overture (von London Symphony Orchestra, André Previn)
Previn: It's a Breeze
- It's a Breeze (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- Rain in My Head (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- Catgut Your Tongue (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- It's About Time (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- Quiet Diddling (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- A Tune for Heather (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- Bowing and Scraping (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
- The Red Bar (von Jim Hall, Shelly Manne, Red Mitchell, Itzhak Perlman, André Previn)
Ravel: Daphnis et Chloé
- Daphnis et Chloé, Ballet, M. 57: Première partie: une prairie à la lisière d'un bois sacré. Introduction (Lent) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Première partie: une prairie à la lisière d'un bois sacré. Danse religieuse (Modéré) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Première partie: une prairie à la lisière d'un bois sacré. Scène (Un peu plus lent - Mouvement du début - Vif) (von London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Première partie: une prairie à la lisière d'un bois sacré. Danse générale (Vif) (von London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Première partie: une prairie à la lisière d'un bois sacré. Scène (Moins vite) (von London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Première partie: une prairie à la lisière d'un bois sacré. Danse grotesque de Dorcon (Très modéré - Pesant - Plus animé - Plus modéré) (von London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Première partie: une prairie à la lisière d'un bois sacré. Danse légère et gracieuse de Daphnis (Assez lent - Plus animé) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Première partie: une prairie à la lisière d'un bois sacré. Scène - Danse de Lyceion - Arrivée des pirates (Un peu retenu - Animé - Vif - Lent - Libre) (von London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Première partie: une prairie à la lisière d'un bois sacré. Nocturne (Lent - Très libre - Très modéré - Plus lent - Modérément animé - Très animé - Lent) (von London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Première partie: une prairie à la lisière d'un bois sacré. Danse lente et mystérieuse des nymphes (Modéré - Lent et très souple de mesure) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Deuxième partie: le camp des pirates. Interlude (Lent) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Deuxième partie: le camp des pirates. Introduction (Lent) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Deuxième partie: le camp des pirates. Danse guerrière (Animé et très rude) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Deuxième partie: le camp des pirates. Danse suppliante de Chloé (Modéré - Animé - Lent) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Troisième partie: même décor que la première partie. Introduction (Modéré) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Troisième partie: même décor que la première partie. Lever du jour (Lent) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Troisième partie: même décor que la première partie. Pantomime (Lent - Très lent - En animant - Lent) (von London Symphony Orchestra, André Previn)
- Daphnis et Chloé, Ballet, M. 57: Troisième partie: même décor que la première partie. Danse générale (Bacchanale) (von London Symphony Chorus, London Symphony Orchestra, André Previn)
Ravel: L'Enfant et les sortilèges
- L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. Introduction (L'Enfant, Maman) (von London Symphony Orchestra, André Previn)
- L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « Votre serviteur humble, bergère » (La Bergère, le Fauteuil, l'horloge comtoise, l'Enfant, Chorus) (von London Symphony Orchestra, André Previn)
- L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « How's your mug? » (La Théière, la Tasse chinoise, l'Enfant, le Feu, Chorus) (von London Symphony Orchestra, André Previn)
- L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « Oui, c'est elle, ta princesse enchantée » (La Princesse, l'Enfant) (von London Symphony Orchestra, André Previn)
- L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part One: The House. « Deux robinets coulent dans un réservoir » (Le Petit vieillard, l'Enfant, les Chats) (von London Symphony Orchestra, André Previn)
- L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part Two: The Garden. Musique d'insectes, de rainettes / « Ah ! Quelle joie de te retrouver, jardin » (Chorus, l'Enfant, l'Arbre, la Libellule, le Rossignol, les Rainettes, la Chauve-souris) (von London Symphony Orchestra, André Previn)
- L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part Two: The Garden. « Sauve-toi, sotte ! Et la cage ? La cage ? » (L'Écureuil, la Rainette, l'Enfant) (von London Symphony Orchestra, André Previn)
- L'Enfant et les sortilèges, Lyric Fantasy in Two Parts, M. 71: Part Two: The Garden. « Ah ! C'est l'enfant au couteau ! » (Chorus, l'Enfant) (von London Symphony Orchestra, André Previn)
Shostakovich: Symphony no. 10
- Symphony no. 10 in E minor, op. 93: I. Moderato
- Symphony no. 10 in E minor, op. 93: II. Allegro
- Symphony no. 10 in E minor, op. 93: III. Allegretto - Largo - Più mosso
- Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro - l'istesso tempo
R. Strauss: Eine Alpensinfonie
- Eine Alpensinfonie (Alpine Symphony), op. 64: I. Nacht - (Night) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: II. Sonnenaufgang - (Sunrise) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: III. Der Anstieg - (The Ascent) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: IV. Der Eintritt in der Wald - (Entering the Forest) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: V. Wanderung neben dem Bache - (Wandering by the Brook) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: VI. Am Wasserfall - (Waterfall) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: VII. Erscheinung - (Apparition) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: VIII. Auf blumige Wiesen - (In Flowery Meadows) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: IX. Auf der Alm - (On the Alpine Pasture) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen - (Through Thicket and Undergrowth on the Wrong Path) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XI. Auf dem Gletscher - (On the Glacier) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XII. Gerfahrvolle Augenblicke - (Dangerous Moments) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XIII. Auf dem Gipfel - (On the Summit) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XIV. Vision - (Vision) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XV. Nebel steigen auf - (Mists Rise Up) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XVI. Die Sonne verdüstert sich allmählich - (The Sun Grows Dark) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XVII. Elegie - (Elegy) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XVIII. Stille vor dem Sturm - (Calm Before the Storm) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XIX. Gewitter und Sturm - (Thunderstorm) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XX. Sonnenuntergang - (Descent) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XXI. Ausklang - (Sunset) (von Richard Strauss)
- Eine Alpensinfonie (Alpine Symphony), op. 64: XXII. Nacht (Night) (von Richard Strauss)
Prokofiev: Cinderella (Acts I & II beginning)
- Cinderella, Ballet, op. 87: Act I. No. 1 Introduction (Andante dolce) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 2 Dance with the Shawl (Allegretto) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 3 Cinderella (Andante dolce) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 4 The Father (Andantino) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 5 The Beggar-Woman (Adagio) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 6 The Sister's New Clothes (Vivo) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 7 The Dancing Lesson (Allegretto) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 8 Departure for the Ball (Vivo) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 9 Cinderella Dreams of the Ball (Andante dolce) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 10 Gavotte (Allegretto) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 11 The Beggar-Woman Returns (Adagio) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 12 Spring Fairy (Presto) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 13 Summer Fairy (Andantino sognando) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 14 Grashoppers and Dragonflies (Vivace con brio) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 15 Autumn Fairy (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 16 Winter Fairy (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 17 Interrupted Departure (Vivo) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 18 Clock Scene (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act I. No. 19 Cinderella's Departure for the Ball (Allegro espressivo) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 20 Court Dance (Andante grazioso) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 21 Passepied (Allegretto) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 22 Cavaliers' Dance (Bourreé: Allegro pesante) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 23 Skinny's Variation (Allegretto) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 24 Dumpy's Variation (Allegretto capriccioso) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 25 Court Dance (Andante grazioso) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 26 Mazurka and Entry of the Prince (Allegro) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 27 Dance of the Prince's Companions (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 28 Mazurka (Allegro ma non troppo) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 29 Cinderella's Arrival at the Ball (Allegro - Andante) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 30 Grand Waltz (Allegretto) (von London Symphony Orchestra, André Previn)
Prokofiev: Cinderella (Acts II conclusion & III)
- Cinderella, Ballet, op. 87: Act II. No. 31 Promenade (Allegro tranquillo) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 32 Cinderella's Variation (Allegro grazioso) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 33 The Prince's Variation (Andante con brio) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 34 The Guests Take Refreshment (Moderato) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 35 Duet of the Sisters with Their Oranges (Allegro con brio) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 36 Pas de deux: The Prince and Cinderella (Adagio) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 37 Waltz-Coda (Allegro espressivo) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act II. No. 38 Midnight (Allegro moderato) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 39 The Prince and the Shoemakers (Allegro scherzando) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 40 First Galop (Presto) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 41 Temptation (Moderato - Allegretto) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 42 Second Galop (Presto) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 43 Orientalia (Andante marcato) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 44 Third Galop (Allegro marcato) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 45 Cinderella Awakes (Andante dolce) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 46 The Morning After the Ball (Allegretto capriccioso - Moderato - Vivo) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 47 The Prince's Visit (Vivace) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 48 The Prince Finds Cinderella (Adagio passionato) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 49 Slow Waltz (Adagio) (von London Symphony Orchestra, André Previn)
- Cinderella, Ballet, op. 87: Act III. No. 50 Amoroso (Andante dolcissimo) (von London Symphony Orchestra, André Previn)
Debussy: La Mer / Trois Nocturnes
- La Mer, CD 111: I. De l'aube à midi sur la mer (von London Symphony Orchestra, André Previn)
- La Mer, CD 111: II. Jeux de vagues (von London Symphony Orchestra, André Previn)
- La Mer, CD 111: III. Dialogue du vent et de la mer (von London Symphony Orchestra, André Previn)
- Trois Nocturnes, CD 98: I. Nuages (von London Symphony Orchestra, André Previn)
- Trois Nocturnes, CD 98: II. Fêtes (von London Symphony Orchestra, André Previn)
- Trois Nocturnes, CD 98: III. Sirènes
Mozart: Arias
- “Vorrei spiegarvi, Oh Dio!”, K. 418
- “Exsultate, jubilate”, Motet, K. 165
- Il re pastore, K. 208: Act II. Rondo: “L'amerò, sarò costante”
- “Basta, vincesti… Ah, non lasciarmi”, K. 486a
- “Un moto di gioia”, K. 579
- “Ch'io mi scordi di te… Non temer, amato bene”, Scena and Rondo, K. 490
- “Misera! Dove son… Ah! Non son io”, K. 369
Saint-Saëns: Piano Concertos nos. 2 & 4
- Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 2 in G minor, op. 22: III. Presto (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato - Andante (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
Ravel: Valses nobles et sentimentales / Le Tombeau de Couperin / Alborada del gracioso / Rapsodie espagnole / Pavane pour une infante défunte
- Valses nobles et sentimentales, M. 61: I. Modéré (von Royal Philharmonic Orchestra, André Previn)
- Valses nobles et sentimentales, M. 61: II. Assez lent, avec une expression intense (von Royal Philharmonic Orchestra, André Previn)
- Valses nobles et sentimentales, M. 61: III. Modéré (von Maurice Ravel)
- Valses nobles et sentimentales, M. 61: IV. Assez animé (von Maurice Ravel)
- Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime (von Royal Philharmonic Orchestra, André Previn)
- Valses nobles et sentimentales, M. 61: VI. Assez vif (von Royal Philharmonic Orchestra, André Previn)
- Valses nobles et sentimentales, M. 61: VII. Moins vif (von Royal Philharmonic Orchestra, André Previn)
- Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent) (von Royal Philharmonic Orchestra, André Previn)
- Le Tombeau de Couperin, M. 68a: I. Prélude (von Royal Philharmonic Orchestra, André Previn)
- Le Tombeau de Couperin, M. 68a: II. Forlane (von Royal Philharmonic Orchestra, André Previn)
- Le Tombeau de Couperin, M. 68a: III. Menuet (von Royal Philharmonic Orchestra, André Previn)
- Le Tombeau de Couperin, M. 68a: IV. Rigaudon (von Royal Philharmonic Orchestra, André Previn)
- Miroirs, M. 43 no. 4: Alborada del gracioso (von Royal Philharmonic Orchestra, André Previn)
- Rapsodie espagnole, M. 54: I. Prélude à la nuit (von Royal Philharmonic Orchestra, André Previn)
- Rapsodie espagnole, M. 54: II. Malagueña (von Royal Philharmonic Orchestra, André Previn)
- Rapsodie espagnole, M. 54: III. Habanera (von Royal Philharmonic Orchestra, André Previn)
- Rapsodie espagnole, M. 54: IV. Feria (von Royal Philharmonic Orchestra, André Previn)
- Pavane pour une infante défunte , M. 19 (von Royal Philharmonic Orchestra, André Previn)
Tchaikovsky: The Nutcracker (Act I) (1986)
- The Nutcracker, Ballet, op. 71: Miniature Overture (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act I. No. 1 The Decoration of the Christmas Tree (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act I. No. 2 March (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act I. No. 3 Children's Galop and Entry of the Parents (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act I. No. 4 Arrival of Drosselmeyer (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act I. No. 5 Grandfather's Dance (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act I. No. 6 Scene: Clara and the Nutcracker (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act I. No. 7 Scene: The Battle (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act I. No. 8 Scene: In the Pine Forest (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act I. No. 9 Waltz of the Snowflakes (von Royal Philharmonic Orchestra, André Previn)
Tchaikovsky: The Nutcracker (Act II) (1986)
- The Nutcracker, Ballet, op. 71: Act Two. No. 10 Scene: The Kingdom of Sweets (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 11 Scene: Clara and the Prince (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 12 Divertissement: Chocolate: Spanish Dance (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 12 Divertissement: Coffee: Arabian Dance (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 12 Divertissement: Tea: Chinese Dance (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 12 Divertissement: Trepak: Russian Dance (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 12 Divertissement: Dance of the Reed Pipes (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 12 Divertissement: Mother Gigogne (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 13 Waltz of the Flowers (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 14 Pas de deux (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 14 Pas de deux: Variation I: Tarantella (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 14 Pas de deux: Variation II: Dance of the Sugar Plum Fairy (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 14 Pas de deux: Coda (von Royal Philharmonic Orchestra, André Previn)
- The Nutcracker, Ballet, op. 71: Act Two. No. 15 Final Waltz and Apotheosis (von Royal Philharmonic Orchestra, André Previn)
Brahms: Ein deutsches Requiem
- Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (von Royal Philharmonic Orchestra, André Previn)
- Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (von Royal Philharmonic Orchestra, André Previn)
- Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (von Royal Philharmonic Orchestra, André Previn)
- Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen, Herr Zebaoth!” (von Royal Philharmonic Orchestra, André Previn)
- Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (von Royal Philharmonic Orchestra, André Previn)
- Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (von Royal Philharmonic Orchestra, André Previn)
- Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben” (von Royal Philharmonic Orchestra, André Previn)
Saint-Saëns: Piano Concertos nos. 3 & 5
- Piano Concerto no. 3 in E-flat major, op. 29: I. Moderato assai - Più mosso (Allegro maestoso) (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 3 in E-flat major, op. 29: II. Andante (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 3 in E-flat major, op. 29: III. Allegro non troppo (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 5 in F major, op. 103 “L'Egyptien”: I. Allegro animato (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 5 in F major, op. 103 “L'Egyptien”: II. Andante - Allegretto tranquillo quasi andantino (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 5 in F major, op. 103 “L'Egyptien”: III. Molto allegro (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
Walton: Viola Concerto / Violin Concerto
- Viola Concerto (1961 revised version): I. Andante comodo (von William Walton)
- Viola Concerto (1961 revised version): II. Vivo, con molto preciso (von William Walton)
- Viola Concerto (1961 revised version): III. Allegro moderato (von William Walton)
- Violin Concerto (1943 revised version): I. Andante tranquillo (von William Walton)
- Violin Concerto (1943 revised version): II. Presto capriccioso alla napolitana - Trio (Canzonetta) - Tempo I (von William Walton)
- Violin Concerto (1943 revised version): III. Vivace (von William Walton)
Saint-Saëns: Piano Concerto no. 1 / Wedding Cake / Rhapsodie d'Auvergne / Allegro appassionato / Africa
- Piano Concerto no. 1 in D major, op. 17: I. Andante - Allegro assai (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 1 in D major, op. 17: II. Andante sostenuto quasi adagio (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Piano Concerto no. 1 in D major, op. 17: III. Allegro con fuoco (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Wedding Cake, Caprice-valse, op. 76 (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Rhapsodie d'Auvergne, op. 73 (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Allegro appassionato, op. 70 (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
- Africa, Fantaisie, op. 89 (von Jean‐Philippe Collard, Royal Philharmonic Orchestra, André Previn)
André Previn - A Memoir
- Introduction and Overview
- BBC Television Series
- Background preceding career as conductor, and early conducting career
- Appointment as Principal Conductor of the London Symphony Orchestra
- Qualities and achievement as Principal Conductor of the London Symphony Orchestra
- Classical and Jazz Pianist
- Composer for Theatre and Television Drama
- Breadth of Orchestral Repertoire
- Public Following, Personality, Legacy, and Conclusion