Alfred Brendel Songtexte
Der Tanz in der Dorfschenke, S. 514 "Mephisto Waltz no. 1"
Geboren am 05. Januar 1931
Beethoven: Piano Concerto N°3 & 4
Piano Concerto No. 3 in C Minor, Op. 37 (Ludwig van Beethoven)
- Allegro con brio (von Vienna Pro Musica Orchestra)
- Largo (von Vienna Pro Musica Orchestra)
- Rondo (von Vienna Pro Musica Orchestra)
Piano Concerto No. 4 in G Major, Op. 58 (Ludwig van Beethoven)
Complete Philips Recordings (Compilation)
J.S. Bach: Italian Concerto in F major, BWV 971 / Ich ruf zu dir, Herr Jesu Christ, BWV 639 / Prelude (Fantasy) in A minor, BWV 922 / Chromatic Fantasia and Fugue in D minor, BWV 903 / Nun komm, der Heiden Heiland, BWV 659 / Fantasia and Fugue in A mi ...
- Italian Concerto in F major, BWV 971: I. [Allegro]
- Italian Concerto in F major, BWV 971: II. Andante
- Italian Concerto in F major, BWV 971: III. Presto
- Ich ruf zu dir, Herr Jesu Christ, BWV 639
- Prelude (Fantasy) in A minor, BWV 922
- Chromatic Fantasia and Fugue in D minor, BWV 903
- Nun komm, der Heiden Heiland, BWV 659
- Fantasia and Fugue in A minor, BWV 904
Haydn: Piano Sonata in C minor, Hob. XVI:20 / Piano Sonata in E-flat major, Hob. XVI:49
- Sonata in C minor, Hob. XVI:20: I. Moderato
- Sonata in C minor, Hob. XVI:20: II. Andante con moto
- Sonata in C minor, Hob. XVI:20: III. Finale: Allegro
- Sonata in E-flat major, Hob. XVI:49: I. Allegro
- Sonata in E-flat major, Hob. XVI:49: II. Adagio e cantabile
- Sonata in E-flat major, Hob. XVI:49: III. Finale: Tempo di menuetto
Haydn: Piano Sonata in E minor, Hob. XVI:34 / Piano Sonata in B minor, Hob. XVI:32 / Piano Sonata in D major, Hob. XVI:42 / Fantasia in C major, Hob. XVII:4 / Adagio in F major, Hob. XVII:9
- Sonata in E minor, Hob. XVI:34: I. Presto
- Sonata in E minor, Hob. XVI:34: II. Adagio
- Sonata in E minor, Hob. XVI:34: III. Vivace molto, innocentemente
- Sonata in B minor, Hob. XVI:32: I. Allegro moderato
- Sonata in B minor, Hob. XVI:32: II. Menuet: Tempo di menuet
- Sonata in B minor, Hob. XVI:32: III. Finale: Presto
- Sonata in D major, Hob. XVI:42: I. Andante con espressione
- Sonata in D major, Hob. XVI:42: II. Vivace assai
- Fantasia in C major, Hob. XVII:4
- Adagio in F major, Hob. XVII:9
Haydn: Piano Sonata in C major, Hob. XVI:48 / Piano Sonata in D major, Hob. XVI:51 / Piano Sonata in C major, Hob. XVI:50
- Sonata in C major, Hob. XVI:48: I. Andante con espressione
- Sonata in C major, Hob. XVI:48: II. Rondo: Presto
- Sonata in D major, Hob. XVI:51: I. Andante
- Sonata in D major, Hob. XVI:51: II. Finale: Presto
- Sonata in C major, Hob. XVI:50: I. Allegro
- Sonata in C major, Hob. XVI:50: II. Adagio
- Sonata in C major, Hob. XVI:50: III. Allegro molto
Haydn: Piano Sonata in E-flat major, Hob. XVI:52 / Piano Sonata in G major, Hob. XVI:40 / Piano Sonata in D major, Hob. XVI:37 / Andante con variazioni in F minor, Hob. XVII:6
- Sonata in E-flat major, Hob. XVI:52: I. Allegro
- Sonata in E-flat major, Hob. XVI:52: II. Adagio
- Sonata in E-flat major, Hob. XVI:52: III. Finale: Presto
- Sonata in G major, Hob. XVI:40: I. Allegretto e innocente
- Sonata in G major, Hob. XVI:40: II. Presto
- Sonata in D major, Hob. XVI:37: I. Allegro con brio
- Sonata in D major, Hob. XVI:37: II. Largo e sostenuto
- Sonata in D major, Hob. XVI:37: III. Finale: Presto, ma non troppo
- Andante con variazioni in F minor, Hob. XVII:6
Mozart: Piano Sonata no. 8 in A minor, K. 310 / Piano Sonata no. 14 in C minor, K. 457 / Piano Sonata no. 13 in B-flat major, K. 333
- Sonata no. 8 in A minor, K. 310: I. Allegro maestoso
- Sonata no. 8 in A minor, K. 310: II. Andante cantabile con espressione
- Sonata no. 8 in A minor, K. 310: III. Presto
- Sonata no. 14 in C minor, K. 457: I. Molto allegro
- Sonata no. 14 in C minor, K. 457: II. Adagio
- Sonata no. 14 in C minor, K. 457: III. Allegro assai
- Sonata no. 13 in B-flat major, K. 333: I. Allegro
- Sonata no. 13 in B-flat major, K. 333: II. Andante cantabile
- Sonata no. 13 in B-flat major, K. 333: III. Allegretto grazioso
Mozart: Piano Sonata no. 11 in A major, K. 331 / Adagio in B minor, K. 540 / Nine Variations on a Minuet by Jean-Pierre Duport, K. 573
- Sonata no. 11 in A major, K. 331 "Alla Turca": I. Tema con variazioni
- Sonata no. 11 in A major, K. 331 "Alla Turca": II. Menuetto
- Sonata no. 11 in A major, K. 331 "Alla Turca": III. Alla turca: Allegretto
- Adagio in B minor, K. 540
- Nine Variations on a Minuet by Jean-Pierre Duport, K. 573
Mozart: Piano Sonata no. 3 in B-flat major, K. 281 / Piano Sonata no. 4 in E-flat major, K. 282 / Piano Sonata no. 18 in D major, K. 576 / Fantasia in C minor, K. 396
- Sonata no. 3 in B-flat major, K. 281: I. Allegro
- Sonata no. 3 in B-flat major, K. 281: II. Andante amoroso
- Sonata no. 3 in B-flat major, K. 281: III. Rondeau: Allegro
- Sonata no. 4 in E-flat major, K. 282: I. Adagio
- Sonata no. 4 in E-flat major, K. 282: II. Menuetto I-II
- Sonata no. 4 in E-flat major, K. 282: III. Allegro
- Sonata no. 18 in D major, K. 576: I. Allegro
- Sonata no. 18 in D major, K. 576: II. Adagio
- Sonata no. 18 in D major, K. 576: III. Allegretto
- Fantasia in C minor, K. 396
Mozart: Piano Sonata no. 15 in F major, K. 533/494 / Fantasy in D minor, K. 397 / Piano Sonata no. 8 in A major, K. 310 / Piano Sonata no. 9 in D major, K. 311
- Sonata no. 15 in F major, K. 533/494: I. Allegro
- Sonata no. 15 in F major, K. 533/494: II. Andante
- Sonata no. 15 in F major, K. 533/494: III. Rondo: Allegretto
- Fantasy in D minor, K. 397
- Sonata no. 8 in A minor, K. 310: I. Allegro maestoso
- Sonata no. 8 in A minor, K. 310: II. Andante cantabile con espressione
- Sonata no. 8 in A minor, K. 310: III. Presto
- Sonata no. 9 in D major, K. 311: I. Allegro con spirito
- Sonata no. 9 in D major, K. 311: II. Andante con espressione
- Sonata no. 9 in D major, K. 311: III. Rondeau: Allegro
Mozart: Rondo in A minor, K. 511 / Piano Sonata no. 11 in A major, K. 331 / Piano Sonata no. 17 in B-flat major, K. 570 / Piano Sonata no. 10 in C major, K. 330
- Rondo in A minor, K. 511. Andante
- Sonata no. 11 in A major, K. 331: I. Tema con variazioni
- Sonata no. 11 in A major, K. 331: II. Menuetto
- Sonata no. 11 in A major, K. 331: III. Alla turca: Allegretto
- Sonata no. 17 in B-flat major, K. 570: I. Allegro
- Sonata no. 17 in B-flat major, K. 570: II. Adagio
- Sonata no. 17 in B-flat major, K. 570: III. Allegretto
- Sonata no. 10 in C major, K. 330: I. Allegro moderato
- Sonata no. 10 in C major, K. 330: II. Andante cantabile
- Sonata no. 10 in C major, K. 330: III. Allegretto
Mozart: Piano Sonata no. 12 in F major, K. 332 / Piano Sonata no. 13 in B-flat major, K. 333 / Piano Sonata no. 14 in C minor, K. 457 / Adagio in B minor, K. 540
- Sonata no. 12 in F major, K. 332: I. Allegro
- Sonata no. 12 in F major, K. 332: II. Adagio
- Sonata no. 12 in F major, K. 332: III. Allegro assai
- Sonata no. 13 in B-flat major, K. 333: I. Allegro
- Sonata no. 13 in B-flat major, K. 333: II. Andante cantabile
- Sonata no. 13 in B-flat major, K. 333: III. Allegretto grazioso
- Sonata no. 14 in C minor, K. 457: I. Molto allegro
- Sonata no. 14 in C minor, K. 457: II. Adagio
- Sonata no. 14 in C minor, K. 457: III. Allegro assai
- Adagio in B minor, K. 540
Mozart: Fantasia in C minor, K. 475 / Piano Sonata no. 15 in F major, K. 533/494 / Piano Sonata no. 4 in E-flat major, K. 282 / Rondo in A minor, K. 511
- Fantasia in C minor, K. 475
- Sonata no. 15 in F major, K. 533/494: I. Allegro
- Sonata no. 15 in F major, K. 533/494: II. Andante
- Sonata no. 15 in F major, K. 533/494: III. Rondo: Allegretto
- Sonata no. 4 in E-flat major, K. 282: I. Adagio
- Sonata no. 4 in E-flat major, K. 282: II. Menuetto I-II
- Sonata no. 4 in E-flat major, K. 282: III. Allegro
- Rondo in A minor, K. 511. Andante
Mozart: Piano Concerto no. 5 in D major, K. 175 / Piano Concerto no. 6 in B-flat major, K. 238 / Concerto no. 10 for Two Pianos in E-flat major, K. 365
- Concerto no. 5 in D major, K. 175: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 5 in D major, K. 175: II. Andante ma un poco adagio (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 5 in D major, K. 175: III. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 6 in B-flat major, K. 238: I. Allegro aperto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 6 in B-flat major, K. 238: II. [Andante un poco adagio] (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 6 in B-flat major, K. 238: III. Rondeau: Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for 2 Pianos and Orchestra (no. 10) in E-flat major, K. 365: I. Allegro (von Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for 2 Pianos and Orchestra (no. 10) in E-flat major, K. 365: II. Andante (von Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for 2 Pianos and Orchestra (no. 10) in E-flat major, K. 365: III. Rondeaux: Allegro (von Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Concerto no. 7 for Two Pianos in F major, K. 242 “Lodron” / Piano Concerto no. 8 in C major, K. 246 “Lützow” / Piano Concerto no. 11 in F major, K. 413
- Concerto no. 7 in F major, K. 242 “Lodron”: I. Allegro (von Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 7 in F major, K. 242 “Lodron”: II. Adagio (von Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 7 in F major, K. 242 “Lodron”: III. Rondeau: Tempo di menuetto (von Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 8 in C major, K. 246 “Lützow”: I. Allegro aperto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 8 in C major, K. 246 “Lützow”: II. Andante (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 8 in C major, K. 246 “Lützow”: III. Rondeau: Tempo di menuetto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 11 in F major, K. 413: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 11 in F major, K. 413: II. Larghetto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 11 in F major, K. 413: III. Tempo di menuetto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme” / Piano Concerto no. 12 in A major, K. 414 / Rondo in A major, K. 386
- Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: II. Andantino (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: III. Rondeau: Presto - Menuetto: Cantabile - Tempo primo (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 12 in A major, K. 414: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 12 in A major, K. 414: II. Andante (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 12 in A major, K. 414: III. Allegretto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Rondo for Piano and Orchestra in A major, K. 386 (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Piano Concerto no. 13 in C major, K. 415 / Piano Concerto no. 17 in G major, K. 453 / Rondo in D major, K. 382
- Concerto no. 13 in C major, K. 415: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 13 in C major, K. 415: II. Andante (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 13 in C major, K. 415: III. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 17 in G major, K. 453: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 17 in G major, K. 453: II. Andante (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 17 in G major, K. 453: III. Allegretto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Rondo in D major, K. 382: I. Allegretto grazioso (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Rondo in D major, K. 382: II. Adagio (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Rondo in D major, K. 382: III. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Piano Concerto no. 14 in E-flat major, K. 449 / Piano Concerto no. 15 in B-flat major, K. 450 / Piano Concerto no. 16 in D major, K. 451
- Concerto no. 14 in E-flat major, K. 449: I. Allegro vivace (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 14 in E-flat major, K. 449: II. Andantino (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 14 in E-flat major, K. 449: III. Allegro ma non troppo (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 15 in B-flat major, K. 450: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 15 in B-flat major, K. 450: II. [Andante] (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 15 in B-flat major, K. 450: III. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 16 in D major, K. 451: I. Allegro assai (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 16 in D major, K. 451: II. Andante (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 16 in D major, K. 451: III. Allegro di molto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Piano Concerto no. 18 in B-flat major, K. 456 / Piano Concerto no. 19 in F major, K. 459
- Concerto no. 18 in B-flat major, K. 456: I. Allegro vivace (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 18 in B-flat major, K. 456: III. Allegro vivace (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 19 in F major, K. 459: I. Allegro vivace (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 19 in F major, K. 459: II. Allegretto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 19 in F major, K. 459: III. Allegro assai (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Piano Concerto no. 20 in D minor, K. 466 / Piano Concerto no. 21 in C major, K. 467
- Concerto no. 20 in D minor, K. 466: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 20 in D minor, K. 466: II. Romance (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 20 in D minor, K. 466: III. Rondo [Allegro assai] (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 21 in C major, K. 467: I. [Allegro] (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 21 in C major, K. 467: II. Andante (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 21 in C major, K. 467: III. Allegro vivace assai (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Piano Concerto no. 22 in E-flat major, K. 482 / Piano Concerto no. 23 in A major, K. 488
- Concerto no. 22 in E-flat major, K. 482: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 22 in E-flat major, K. 482: II. Andante (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 22 in E-flat major, K. 482: III. Allegro [Rondo] (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 23 in A major, K. 488: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 23 in A major, K. 488: II. Adagio (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 23 in A major, K. 488: III. Allegro assai (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Piano Concerto no. 24 in C minor, K. 491 / Piano Concerto no. 25 in C major, K. 503
- Concerto no. 24 in C minor, K. 491: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 24 in C minor, K. 491: II. Larghetto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 24 in C minor, K. 491: III. [Allegretto] (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 25 in C major, K. 503: I. Allegro maestoso (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 25 in C major, K. 503: II. Andante (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 25 in C major, K. 503: III. [Allegretto] (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Piano Concerto no. 26 in D major, K. 537 “Coronation” / Piano Concerto no. 27 in B-flat major, K. 595
- Concerto no. 26 in D major, K. 537: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 26 in D major, K. 537: II. [Larghetto] (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 26 in D major, K. 537: III. [Allegretto] (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 27 in B-flat major, K. 595: I. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 27 in B-flat major, K. 595: II. Larghetto (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto no. 27 in B-flat major, K. 595: III. Allegro (von Alfred Brendel, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Piano Concerto no. 20 in D minor, K. 466 / Piano Concerto no. 24 in C minor, K. 491
- Concerto no. 20 in D minor, K. 466: I. Allegro (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 20 in D minor, K. 466: II. Romance (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 20 in D minor, K. 466: III. Rondo. Allegro assai (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 24 in C minor, K. 491: I. [Allegro] (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 24 in C minor, K. 491: II. Larghetto (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 24 in C minor, K. 491: III. [Allegretto] (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
Mozart: Piano Concerto no. 22 in E-flat major, K. 482 / Piano Concerto no. 27 in B-flat major, K. 595
- Concerto no. 22 in E-flat major, K. 482: I. Allegro (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 22 in E-flat major, K. 482: II. Andante (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 22 in E-flat major, K. 482: III. Allegro - Andantino cantabile - Primo tempo (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 27 in B-flat major for Piano, K. 595: I. Allegro (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 27 in B-flat major for Piano, K. 595: II. Larghetto (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 27 in B-flat major for Piano, K. 595: III. Rondo: Allegro (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
Mozart: Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme” / Piano Concerto no. 25 in C major, K. 503
- Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: I. Allegro (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: II. Andantino (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: III. Rondeau: Presto - Menuetto: Cantabile - Tempo primo (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 25 in C major, K. 503: I. Allegro maestoso (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 25 in C major, K. 503: II. Andante (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 25 in C major, K. 503: III. [Allegretto] (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
Mozart: Piano Concerto no. 12 in A major, K. 414 / Piano Concerto no. 17 in G major, K. 453
- Concerto no. 12 in A major, K. 414: I. Allegro (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 12 in A major, K. 414: II. Andante (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 12 in A major, K. 414: III. Rondeau: Allegretto (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 17 in G major, K. 453: I. Allegro (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 17 in G major, K. 453: II. Andante (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
- Concerto no. 17 in G major, K. 453: III. Finale: Allegretto (von Alfred Brendel, Scottish Chamber Orchestra, Charles Mackerras)
Mozart: Piano Concerto no. 12 in A major, K. 414 arr. for Piano and String Quartet / Piano Quartet no. 2 in E-flat major, K. 493
- Concerto no. 12 in A major, K. 385p: I. Allegro (von Alban Berg Quartett, Alfred Brendel)
- Concerto no. 12 in A major, K. 385p: II. Andante (von Alban Berg Quartett, Alfred Brendel)
- Concerto no. 12 in A major, K. 385p: III. Allegretto (von Alban Berg Quartett, Alfred Brendel)
- Piano Quartet no. 2 in E-flat major, K. 493: I. Allegro (von Alban Berg Quartett, Alfred Brendel)
- Piano Quartet no. 2 in E-flat major, K. 493: II. Larghetto (von Alban Berg Quartett, Alfred Brendel)
- Piano Quartet no. 2 in E-flat major, K. 493: III. Allegretto (von Alban Berg Quartett, Alfred Brendel)
Mozart: Ch'io mi scordi di te ... Non temer, amato bene, K. 505 / Fantasia and Sonata in C minor, K. 475/457
- Ch'io mi scordi di te... Non temer, amato bene, K. 505
- Fantasia in C minor, K. 475
- Sonata no. 14 in C minor, K. 457: I. Molto allegro
- Sonata no. 14 in C minor, K. 457: II. Adagio
- Sonata no. 14 in C minor, K. 457: III. Allegro assai
- Ch'io mi scordi di te... Non temer, amato bene, K.505
Beethoven: Piano Sonata no. 1 in F minor, op. 2 no. 1 / Piano Sonata no. 2 in A major, op. 2 no. 2 / Piano Sonata no. 4 in E-flat major, op. 7
- Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro
- Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio
- Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto
- Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo
- Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace
- Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato
- Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo: Allegretto
- Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo: Grazioso
- Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio
- Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione
- Sonata no. 4 in E-flat major, op. 7: III. Allegro
- Sonata no. 4 in E-flat major, op. 7: IV. Rondo: Poco allegretto e grazioso
Beethoven: Piano Sonata no. 3 in C major, op. 2 no. 3 / Piano Sonata no. 5 in C minor, op. 10 no. 1 / Piano Sonata no. 6 in F major, op. 10 no. 2 / Piano Sonata no. 8 in C minor, op. 13 “Pathétique”
- Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio
- Sonata no. 3 in C major, op. 2 no. 3: II. Adagio
- Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo: Allegro
- Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai
- Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio
- Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto
- Sonata no. 5 in C minor, op. 10 no. 1: III. Finale: Prestissimo
- Sonata no. 6 in F major, op. 10 no. 2: I. Allegro
- Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto
- Sonata no. 6 in F major, op. 10 no. 2: III. Presto
- Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio
- Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile
- Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo: Allegro
Beethoven: Piano Sonata no. 7 in D major, op. 10 no. 3 / Piano Sonata no. 9 in E major, op. 14 no. 1 / Piano Sonata no. 10 in G major, op. 14 no. 2 / Piano Sonata no. 11 in B-flat major, op. 22
- Sonata no. 7 in D major, op. 10 no. 3: I. Presto
- Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto
- Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto: Allegro
- Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo: Allegro
- Sonata no. 9 in E major, op. 14 no. 1: I. Allegro
- Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto
- Sonata no. 9 in E major, op. 14 no. 1: III. Rondo: Allegro commodo
- Sonata no. 10 in G major, op. 14 no. 2: I. Allegro
- Sonata no. 10 in G major, op. 14 no. 2: II. Andante
- Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo: Allegro assai
- Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio
- Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione
- Sonata no. 11 in B-flat major, op. 22: III. Menuetto
- Sonata no. 11 in B-flat major, op. 22: IV. Rondo: Allegretto
Beethoven: Piano Sonata no. 12 in A-flat major, op. 26 / Piano Sonata no. 13 in E-flat major, op. 27 no. 1 / Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight” / Piano Sonata no. 15 in D major, op. 28
- Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni
- Sonata no. 12 in A-flat major, op. 26: II. Scherzo: Allegro molto
- Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un eroe
- Sonata no. 12 in A-flat major, op. 26: IV. Allegro
- Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante - Allegro - Tempo I
- Sonata no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace -
- Sonata no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione -
- Sonata no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace - Tempo I - Presto
- Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
- Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto
- Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato
- Sonata no. 15 in D major, op. 28 (“Pastoral”): I. Allegro
- Sonata no. 15 in D major, op. 28 (“Pastoral”): II. Andante
- Sonata no. 15 in D major, op. 28 (“Pastoral”): III. Scherzo: Allegro vivace
- Sonata no. 15 in D major, op. 28 (“Pastoral”): IV. Rondo: Allegro ma non troppo
Beethoven: Piano Sonata no. 16 in G major, op. 31 no. 1 / Piano Sonata no. 17 in D minor, op. 31 no. 2 / Piano Sonata no. 18 in E-flat major, op. 31 no. 3 / Piano Sonata no. 19 in G minor, op. 49 no. 1
- Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace
- Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso
- Sonata no. 16 in G major, op. 31 no. 1: III. Rondo: Allegretto
- Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): I. Largo – Allegro
- Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): II. Adagio
- Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): III. Allegretto
- Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro
- Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo: Allegretto vivace
- Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto: Moderato e grazioso
- Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco
- Sonata no. 19 in G minor, op. 49 no. 1: I. Andante
- Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro
Beethoven: Piano Sonata no. 20 in G major, op. 49 no. 2 / Piano Sonata no. 21 in C major, op. 53 “Waldstein” / Piano Sonata no. 22 in F major, op. 54 / Piano Sonata no. 23 in F minor, op. 57 “Appassionata”
- Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo
- Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto
- Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio
- Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione: Adagio molto -
- Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo: Allegretto moderato - Prestissimo
- Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto
- Sonata no. 22 in F major, op. 54: II. Allegretto
- Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai
- Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto
- Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo
Beethoven: Piano Sonata no. 24 in F-sharp major, op. 78 / Piano Sonata no. 25 in G major, op. 79 / Piano Sonata no. 26 in E-flat major, op. 81a “Les Adieux” / Piano Sonata no. 27 in E minor, op. 90 / Piano Sonata no. 28 in A major, op. 101
- Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile - Allegro ma non troppo
- Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace
- Sonata no. 25 in G major, op. 79: I. Presto alla tedesca
- Sonata no. 25 in G major, op. 79: II. Andante
- Sonata no. 25 in G major, op. 79: III. Vivace
- Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: I. Adagio - Allegro (Lebewohl)
- Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: II. Andante espressivo (Abwesenheit)
- Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: III. Vivacissimamente (Das Wiedersehn)
- Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
- Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen
- Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegro ma non troppo)
- Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig (Vivace alla marcia)
- Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) -
- Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro)
Beethoven: Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier” / Piano Sonata no. 30 in E major, op. 109
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: II. Scherzo: Assai vivace
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo - Allegro risoluto
- Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I
- Sonata no. 30 in E major, op. 109: II. Prestissimo
- Sonata no. 30 in E major, op. 109: III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung)
Beethoven: Piano Sonata no. 31 in A-flat major, op. 110 / Piano Sonata no. 32 in C minor, op. 111 / Andante favori in F major, WoO 57
- Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile, molto espressivo
- Sonata no. 31 in A-flat major, op. 110: II. Allegro molto
- Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Arioso dolente - Fuga: Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga
- Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato
- Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile
- Andante favori in F major, WoO 57
Beethoven: Piano Sonata no. 1 in F minor, op. 2 no. 1 / Piano Sonata no. 2 in A major, op. 2 no. 2 / Piano Sonata no. 3 in C major, op. 2 no. 3
- Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro
- Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio
- Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto
- Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo
- Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace
- Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato
- Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo: Allegretto
- Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo: Grazioso
- Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio
- Sonata no. 3 in C major, op. 2 no. 3: II. Adagio
- Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo: Allegro
- Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai
Beethoven: Piano Sonata no. 4 in E-flat major, op. 7 / Piano Sonata no. 15 in D major, op. 28 / Piano Sonata no. 20 in G major, op. 49 no. 2
- Sonata no. 4 in E-flat major, op. 7: I. Allegro molto e con brio
- Sonata no. 4 in E-flat major, op. 7: II. Largo, con gran espressione
- Sonata no. 4 in E-flat major, op. 7: III. Allegro
- Sonata no. 4 in E-flat major, op. 7: IV. Rondo: Poco allegretto e grazioso
- Sonata no. 15 in D major, op. 28 (“Pastoral”): I. Allegro
- Sonata no. 15 in D major, op. 28 (“Pastoral”): II. Andante
- Sonata no. 15 in D major, op. 28 (“Pastoral”): III. Scherzo: Allegro assai
- Sonata no. 15 in D major, op. 28 (“Pastoral”): IV. Rondo: Allegro ma non troppo
- Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo
- Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto
Beethoven: Piano Sonata no. 5 in C minor, op. 10 no. 1 / Piano Sonata no. 6 in F major, op. 10 no. 2 / Piano Sonata no. 7 in D major, op. 10 no. 3
- Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio
- Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto
- Sonata no. 5 in C minor, op. 10 no. 1: III. Finale: Prestissimo
- Sonata no. 6 in F major, op. 10 no. 2: I. Allegro
- Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto
- Sonata no. 6 in F major, op. 10 no. 2: III. Presto
- Sonata no. 7 in D major, op. 10 no. 3: I. Presto
- Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto
- Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto: Allegro
- Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo: Allegro
Beethoven: Piano Sonata no. 8 in C minor, op. 13 “Pathétique” / Piano Sonata no. 9 in E major, op. 14 no. 1 / Piano Sonata no. 10 in G major, op. 14 no. 2 / Piano Sonata no. 11 in B-flat major, op. 22
- Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave — Allegro di molto e con brio
- Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
- Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo: Allegro
- Sonata no. 9 in E major, op. 14 no. 1: I. Allegro
- Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto
- Sonata no. 9 in E major, op. 14 no. 1: III. Rondo: Allegro commodo
- Sonata no. 10 in G major, op. 14 no. 2: I. Allegro
- Sonata no. 10 in G major, op. 14 no. 2: II. Andante
- Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo: Allegro assai
- Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio
- Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione
- Sonata no. 11 in B-flat major, op. 22: III. Minuetto
- Sonata no. 11 in B-flat major, op. 22: IV. Rondo: Allegretto
Beethoven: Piano Sonata no. 12 in A-flat major, op. 26 / Piano Sonata no. 13 in E-flat major, op. 27 no. 1 / Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight” / Piano Sonata no. 19 in G minor, op. 49 no. 1
- Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni
- Sonata no. 12 in A-flat major, op. 26: II. Scherzo: Allegro molto
- Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d'un eroe
- Sonata no. 12 in A-flat major, op. 26: IV. Allegro
- Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante — Allegro — Tempo I
- Sonata no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace —
- Sonata no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione —
- Sonata no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace — Tempo I — Presto
- Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
- Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto
- Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto
- Sonata no. 19 in G minor, op. 49 no. 1: I. Andante
- Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro
Beethoven: Piano Sonata no. 16 in G major, op. 31 no. 1 / Piano Sonata no. 17 in D minor, op. 31 no. 2 / Piano Sonata no. 18 in E-flat major, op. 31 no. 3
- Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace
- Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso
- Sonata no. 16 in G major, op. 31 no. 1: III. Rondo: Allegretto
- Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): I. Largo — Allegro
- Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): II. Adagio
- Sonata no. 17 in D minor, op. 31 no. 2 (“The Tempest”): III. Allegretto
- Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro
- Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo: Allegretto vivace
- Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto: Moderato e grazioso
- Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco
Beethoven: Piano Sonata no. 21 in C major, op. 53 “Waldstein” / Piano Sonata no. 22 in F major, op. 54 / Piano Sonata no. 28 in A major, op. 101 / Andante favori in F major, WoO 57
- Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio
- Sonata no. 21 in C major, op. 53 “Waldstein”: II. Introduzione: Adagio molto —
- Sonata no. 21 in C major, op. 53 “Waldstein”: III. Rondo: Allegretto moderato — Prestissimo
- Sonata no. 22 in F major, op. 54: I. In tempo d'un menuetto
- Sonata no. 22 in F major, op. 54: II. Allegretto
- Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo)
- Sonata no. 28 in A major, op. 101: II. Lebhaft. Marschmäßig (Vivace alla marcia)
- Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) —
- Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro)
- Andante favori in F major, WoO 57
Beethoven: Piano Sonata no. 25 in G major, op. 79 / Piano Sonata no. 24 in F-sharp major, op. 78 / Piano Sonata no. 27 in E minor, op. 90 / Piano Sonata no. 23 in F minor, op. 57 “Appassionata”
- Sonata no. 25 in G major, op. 79: I. Presto alla tedesca
- Sonata no. 25 in G major, op. 79: II. Andante
- Sonata no. 25 in G major, op. 79: III. Vivace
- Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile — Allegro ma non troppo
- Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace
- Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
- Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen
- Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai
- Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto
- Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo
Beethoven: Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier” / Piano Sonata no. 26 in E-flat major, op. 81a “Les Adieux”
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: II. Scherzo: Assai vivace
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo — Allegro risoluto
- Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: I. Adagio — Allegro (Lebewohl)
- Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: II. Andante espressivo (Abwesenheit)
- Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: III. Vivacissimamente (Das Wiedersehn)
Beethoven: Piano Sonata no. 30 in E major, op. 109 / Piano Sonata no. 31 in A-flat major, op. 110 / Piano Sonata no. 32 in C minor, op. 111
- Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo — Adagio espressivo — Tempo I
- Sonata no. 30 in E major, op. 109: II. Prestissimo
- Sonata no. 30 in E major, op. 109: III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung)
- Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile, molto espressivo
- Sonata no. 31 in A-flat major, op. 110: II. Allegro molto
- Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo — Arioso dolente
- Sonata no. 31 in A-flat major, op. 110: III. Fuga: Allegro, ma non troppo — L'istesso tempo di Arioso — L'inversione della Fuga
- Sonata no. 32 in C minor, op. 111: I. Maestoso — Allegro con brio ed appassionato
- Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile
Beethoven: Variations and Fugue in E-flat major, op. 35 “Eroica” / 6 Bagatelles, op. 126 / 6 Ecossaises, WoO 83 / 6 Variations on an Original Theme in F major, op. 34 / 5 Variations on “Rule Britannia” in D major, WoO 79 / 6 Variations on “Nel cor più ...
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Introduzione col basso del Tema
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation I
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation II
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation III
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation IV
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation V
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation VI-VII
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation VIII
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation IX
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation X
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation XI
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation XII
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation XIII
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Variation XIV-XV
- Variations and Fugue in E-flat major, op. 35 “Eroica”: Finale: Alla fuga
- 6 Bagatelles, op. 126: No. 1 Andante con moto
- 6 Bagatelles, op. 126: No. 2 Allegro
- 6 Bagatelles, op. 126: No. 3 Andante cantabile e grazioso
- 6 Bagatelles, op. 126: No. 4 Presto
- 6 Bagatelles, op. 126: No. 5 Quasi allegretto
- 6 Bagatelles, op. 126: No. 6 Presto - Andante amabile e con moto - Tempo I
- 6 Ecossaises, Woo 83: No. 1
- 6 Ecossaises, Woo 83: No. 2
- 6 Ecossaises, Woo 83: No. 3
- 6 Ecossaises, Woo 83: No. 4
- 6 Ecossaises, Woo 83: No. 5
- 6 Ecossaises, Woo 83: No. 6
- 6 Variations on an Original Theme in F major, op. 34: Thema: Adagio
- 6 Variations on an Original Theme in F major, op. 34: Variation I
- 6 Variations on an Original Theme in F major, op. 34: Variation II: Allegro ma non troppo
- 6 Variations on an Original Theme in F major, op. 34: Variation III: Allegretto
- 6 Variations on an Original Theme in F major, op. 34: Variation IV: Tempo di menuetto
- 6 Variations on an Original Theme in F major, op. 34: Variation V: Marcia: Allegretto
- 6 Variations on an Original Theme in F major, op. 34: Variation VI - Coda: Allegretto
- 5 Variations on “Rule Britannia” in D major, WoO 79: Thema: Tempo moderato
- 5 Variations on “Rule Britannia” in D major, WoO 79: Variation I
- 5 Variations on “Rule Britannia” in D major, WoO 79: Variation II
- 5 Variations on “Rule Britannia” in D major, WoO 79: Variation III
- 5 Variations on “Rule Britannia” in D major, WoO 79: Variation IV
- 5 Variations on “Rule Britannia” in D major, WoO 79: Variation V - Coda
- 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Thema [Andantino]
- 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation I
- 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation II
- 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation III
- 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation IV
- 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation V
- 6 Variations on “Nel cor più non mi sento” in G major, WoO 70: Variation VI
Beethoven: 7 Bagatelles, op. 33 / Rondo in C major, op. 51 no. 1 / Allegretto in C minor, WoO 53 / 11 Bagatelles, op. 119 / 6 Bagatelles, op. 126 / Bagatelle in B-flat major, WoO 60 / Bagatelle in A minor, WoO 59 “Für Elise”
- 7 Bagatelles, op. 33: Andante grazioso, quasi allegretto
- 7 Bagatelles, op. 33: Scherzo: Allegro
- 7 Bagatelles, op. 33: Allegretto
- 7 Bagatelles, op. 33: Andante
- 7 Bagatelles, op. 33: Allegro, ma non troppo
- 7 Bagatelles, op. 33: Allegretto quasi andante
- 7 Bagatelles, op. 33: Presto
- Rondo in C major, op. 51 no. 1
- Allegretto in C minor, WoO 53
- 11 Bagatelles, op. 119: No. 1 Allegretto
- 11 Bagatelles, op. 119: No. 2 Andante con moto
- 11 Bagatelles, op. 119: No. 3 À l'allemande
- 11 Bagatelles, op. 119: No. 4 Andante cantabile
- 11 Bagatelles, op. 119: No. 5 Risoluto
- 11 Bagatelles, op. 119: No. 6 Andante - Allegretto leggiermente
- 11 Bagatelles, op. 119: No. 7 Allegro ma non troppo
- 11 Bagatelles, op. 119: No. 8 Moderato cantabile
- 11 Bagatelles, op. 119: No. 9 Vivace moderato
- 11 Bagatelles, op. 119: No. 10 Allegramente
- 11 Bagatelles, op. 119: No. 11 Andante, ma non troppo
- 6 Bagatelles, op. 126: No. 1 Andante con moto
- 6 Bagatelles, op. 126: No. 2 Allegro
- 6 Bagatelles, op. 126: No. 3 Andante cantabile e grazioso
- 6 Bagatelles, op. 126: No. 4 Presto
- 6 Bagatelles, op. 126: No. 5 Quasi allegretto
- 6 Bagatelles, op. 126: No. 6 Presto - Andante amabile e con moto - Tempo I
- Bagatelle in B-flat major, WoO 60
- Bagatelle in A minor, WoO 59 “Für Elise”
Beethoven: 33 Variations on a Waltz by Diabelli in C major, op. 120
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Tema: Vivace - Variation I: Alla marcia maestoso
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation II: Poco allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation III: L'istesso tempo
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation IV: Un poco più vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation V: Allegro vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VI: Allegro ma non troppo e serioso
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VII: Un poco più allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VIII: Poco vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation IX: Allegro pesante e risoluto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation X: Presto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XI: Allegretto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XII: Un poco più moto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIII: Vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIV: Grave e maestoso
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XV: Presto scherzando
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVI: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVII: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVIII: Poco moderato
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIX: Presto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XX: Andante
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXI: Allegro con brio - Meno allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXII: Allegro molto (alla “Notte e giorno faticar” di Mozart)
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIII: Allegro assai
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIV: Fughetta: Andante
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXV: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVI: (Piacevole)
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVII: Vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVIII: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIX: Adagio ma non troppo
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXX: Andante, sempre cantabile
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXI: Largo, molto espressivo
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXII: Fuga: Allegro - Poco adagio
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXIII: Tempo di minuetto moderato
Beethoven: Piano Concerto no. 1 in C major, op. 15 / Piano Concerto no. 2 in B-flat major, op. 19
- Concerto no. 1 in C major, op. 15: I. Allegro con brio (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 1 in C major, op. 15: II. Largo (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 2 in B-flat major, op. 19: II. Adagio (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
Beethoven: Piano Concerto no. 3 in C minor, op. 37 / Piano Concerto no. 4 in G major, op. 58
- Concerto no. 3 in C minor, op. 37: I. Allegro con brio (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 3 in C minor, op. 37: II. Largo (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 4 in G major, op. 58: I. Allegro moderato (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 4 in G major, op. 58: II. Andante con moto (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 4 in G major, op. 58: III. Rondo: Vivace (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
Beethoven: Piano Concerto no. 5 in E-flat major, op. 73 “Emperor” / Fantasia in C minor, op. 80
- Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo: Allegro (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Fantasia in C minor, op. 80: I. Adagio
- Fantasia in C minor, op. 80: II. Finale: Allegro – Meno allegro – Allegro molto – Adagio ma non troppo – Marcia, assai vivace -
- Fantasia in C minor, op. 80: II. Allegro - Allegretto ma non troppo (quasi Andante con moto) - Presto
Beethoven: Piano Concerto no. 1 in C major, op. 15 / Piano Concerto no. 4 in G major, op. 58
- Concerto no. 1 in C major, op. 15: I. Allegro con brio
- Concerto no. 1 in C major, op. 15: II. Largo
- Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando
- Concerto no. 4 in G major, op. 58: I. Allegro moderato
- Concerto no. 4 in G major, op. 58: II. Andante con moto
- Concerto no. 4 in G major, op. 58: III. Rondo: Vivace
Beethoven: Piano Concerto no. 2 in B-flat major, op. 19 / Piano Concerto no. 3 in C minor, op. 37
- Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio
- Concerto no. 2 in B-flat major, op. 19: II. Adagio
- Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro
- Concerto no. 3 in C minor, op. 37: I. Allegro con brio
- Concerto no. 3 in C minor, op. 37: II. Largo
- Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro
Beethoven: Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”
- Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro
- Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
- Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo: Allegro
Schubert: Piano Sonata no. 4 in A minor, D. 537 / Piano Sonata no. 13 in A major, D. 664
- Sonata no. 4 in A minor, D. 537: I. Allegro ma non troppo
- Sonata no. 4 in A minor, D. 537: II. Allegretto quasi andantino
- Sonata no. 4 in A minor, D. 537: III. Allegro vivace
- Sonata no. 13 in A major, D. 664: I. Allegro moderato
- Sonata no. 13 in A major, D. 664: II. Andante
- Sonata no. 13 in A major, D. 664: III. Allegro
Schubert: Piano Sonata no. 14 in A minor, D. 784 / Piano Sonata no. 15 in C major, D. 840 / Piano Sonata no. 16 in A minor, D. 845
- Sonata no. 14 in A minor, D. 784: I. Allegro giusto
- Sonata no. 14 in A minor, D. 784: II. Andante
- Sonata no. 14 in A minor, D. 784: III. Allegro vivace
- Sonata in C major, D. 840 “Reliquie”: I. Moderato
- Sonata in C major, D. 840 “Reliquie”: II. Andante
- Sonata no. 16 in A minor, D. 845: I. Moderato
- Sonata no. 16 in A minor, D. 845: II. Andante, poco mosso
- Sonata no. 16 in A minor, D. 845: III. Scherzo: Allegro vivace - Trio: Un poco più lento
- Sonata no. 16 in A minor, D. 845: IV. Rondo: Allegro vivace
Schubert: Piano Sonata no. 17 in D major, D. 850 / Piano Sonata no. 18 in G major, D. 894
- Sonata no. 17 in D major, D. 850: I. Allegro vivace
- Sonata no. 17 in D major, D. 850: II. Con moto
- Sonata no. 17 in D major, D. 850: III. Scherzo: Allegro vivace
- Sonata no. 17 in D major, D. 850: IV. Rondo: Allegro moderato
- Sonata no. 18 in G major, D. 894: I. Molto moderato e cantabile
- Sonata no. 18 in G major, D. 894: II. Andante
- Sonata no. 18 in G major, D. 894: III. Menuetto: Allegro moderato
- Sonata no. 18 in G major, D. 894: IV. Allegretto
Schubert: Piano Sonata no. 19 in C minor, D. 958 / Piano Sonata no. 20 in A major, D. 959
- Sonata no. 19 in C minor, D. 958: I. Allegro
- Sonata no. 19 in C minor, D. 958: II. Adagio
- Sonata no. 19 in C minor, D. 958: III. Menuetto: Allegro
- Sonata no. 19 in C minor, D. 958: IV. Allegro
- Sonata no. 20 in A major, D. 959: I. Allegro
- Sonata no. 20 in A major, D. 959: II. Andantino
- Sonata no. 20 in A major, D. 959: III. Scherzo: Allegro vivace
- Sonata no. 20 in A major, D. 959: IV. Rondo: Allegretto
Schubert: Piano Sonata no. 21 in B-flat major, D. 960 / 3 Klavierstücke, D. 946 / 11 Ecossaises, D. 781 / Hungarian Melody in B minor, D. 817 / Allegretto in C minor, D. 915
- Sonata no. 21 in B-flat major, D. 960: I. Molto moderato
- Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto
- Sonata no. 21 in B-flat major, D. 960: III. Scherzo: Allegro vivace con delicatezza
- Sonata no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo
- 3 Klavierstücke (impromptus), D. 946: No. 1 in E-flat minor: Allegro assai - Andante - Tempo I
- 3 Klavierstücke (impromptus), D. 946: No. 2 in E-flat major: Allegretto
- 3 Klavierstücke (impromptus), D. 946: No. 3 in C major: Allegro
- 11 Ecossaises, D. 781
- Hungarian Melody in B minor, D. 817
- Allegretto in C minor, D. 915
Schubert: 4 Impromptus, op. 90, D. 899 / 4 Impromptus, op. 142, D. 935 / 16 German Dances, D. 783
- 4 Impromptus, op. 90, D. 899: No. 1 in C minor: Allegro molto moderato - Andante - Tempo I
- 4 Impromptus, op. 90, D. 899: No. 2 in E-flat major: Allegro
- 4 Impromptus, op. 90, D. 899: No. 3 in G-flat major: Andante
- 4 Impromptus, op. 90, D. 899: No. 4 in A-flat major: Allegretto
- 4 Impromptus, op. 142, D. 935: No. 1 in F minor: Allegro moderato
- 4 Impromptus, op. 142, D. 935: No. 2 in A-flat major: Allegretto
- 4 Impromptus, op. 142, D. 935: No. 3 in B-flat major: Theme (Andante) with Variations
- 4 Impromptus, op. 142, D. 935: No. 4 in F minor: Allegro scherzando
- 16 German Dances, D. 783
Schubert: Fantasy in C major, D. 760 “Wanderer” / 6 Moments musicaux, op. 94, D. 780 / 12 German Dances, D. 790
- Fantasy in C major, op. 15, D. 760 “Wanderer”: I. Allegro con fuoco ma non troppo
- Fantasy in C major, op. 15, D. 760 “Wanderer”: II. Adagio
- Fantasy in C major, op. 15, D. 760 “Wanderer”: III. Presto
- Fantasy in C major, op. 15, D. 760 “Wanderer”: IV. Allegro
- 6 Moments musicaux, op. 94, D. 780: No. 1 in C major: Moderato
- 6 Moments musicaux, op. 94, D. 780: No. 2 in A-flat major: Andantino
- 6 Moments musicaux, op. 94, D. 780: No. 3 in F minor: Allegro moderato
- 6 Moments musicaux, op. 94, D. 780: No. 4 in C-sharp minor: Moderato
- 6 Moments musicaux, op. 94, D. 780: No. 5 in F minor: Allegro vivace
- 6 Moments musicaux, op. 94, D. 780: No. 6 in A-flat major: Allegretto
- 12 German Dances, D. 790
Schubert: Piano Sonata no. 17 in D major, D. 850 / Piano Sonata no. 14 in A minor, D. 784
- Sonata no. 17 in D major, D. 850: I. Allegro vivace
- Sonata no. 17 in D major, D. 850: II. Con moto
- Sonata no. 17 in D major, D. 850: III. Scherzo: Allegro vivace
- Sonata no. 17 in D major, D. 850: IV. Rondo: Allegro moderato
- Sonata no. 14 in A minor, D. 784: I. Allegro giusto
- Sonata no. 14 in A minor, D. 784: II. Andante
- Sonata no. 14 in A minor, D. 784: III. Allegro vivace
Schubert: Piano Sonata no. 20 in A-flat major, D. 959 / Hungarian Melody in B minor, D. 817 / 16 German Dances, D. 783 / Allegretto in C minor, D. 915
- Sonata no. 20 in A major, D. 959: I. Allegro
- Sonata no. 20 in A major, D. 959: II. Andantino
- Sonata no. 20 in A major, D. 959: III. Scherzo: Allegro vivace
- Sonata no. 20 in A major, D. 959: IV. Rondo: Allegretto
- Hungarian Melody in B minor, D. 817
- 16 German Dances, D. 783
- Allegretto in C minor, D. 915
Schubert: Piano Sonata no. 19 in C minor, D. 958 / 6 Moments musicaux, op. 94, D. 780
- Sonata no. 19 in C minor, D. 958: I. Allegro
- Sonata no. 19 in C minor, D. 958: II. Adagio
- Sonata no. 19 in C minor, D. 958: III. Menuetto: Allegro
- Sonata no. 19 in C minor, D. 958: IV. Allegro
- 6 Moments musicaux, op. 94, D. 780: No. 1 in C major: Moderato
- 6 Moments musicaux, op. 94, D. 780: No. 2 in A-flat major: Andantino
- 6 Moments musicaux, op. 94, D. 780: No. 3 in F minor: Allegro moderato
- 6 Moments musicaux, op. 94, D. 780: No. 4 in C-sharp minor: Moderato
- 6 Moments musicaux, op. 94, D. 780: No. 5 in F minor: Allegro vivace
- 6 Moments musicaux, op. 94, D. 780: No. 6 in A-flat major: Allegretto
Schubert: Piano Sonata no. 16 in A minor, D. 845 / 3 Klavierstücke, D. 946
- Sonata no. 16 in A minor, D. 845: I. Moderato
- Sonata no. 16 in A minor, D. 845: II. Andante poco mosso
- Sonata no. 16 in A minor, D. 845: III. Scherzo: Allegro vivace - Trio: Un poco più lento
- Sonata no. 16 in A minor, D. 845: IV. Rondo: Allegro vivace
- 3 Klavierstücke (Impromptus), D. 946: No. 1 in E-flat minor: Allegro assai - Andante - Tempo I
- 3 Klavierstücke (Impromptus), D. 946: No. 2 in E-flat major: Allegretto
- 3 Klavierstücke (Impromptus), D. 946: No. 3 in C major: Allegro
Schubert: 4 Impromptus, op. 90, D. 899 / 4 Impromptus, op. 142, D. 935
- 4 Impromptus, op. 90, D. 899: No. 1 in C minor: Allegro molto moderato
- 4 Impromptus, op. 90, D. 899: No. 2 in E-flat major: Allegro
- 4 Impromptus, op. 90, D. 899: No. 3 in G-flat major: Andante
- 4 Impromptus, op. 90, D. 899: No. 4 in A-flat major: Allegretto
- 4 Impromptus, op. 142, D. 935: No. 1 in F minor: Allegro moderato
- 4 Impromptus, op. 142, D. 935: No. 2 in A-flat major: Allegretto
- 4 Impromptus, op. 142, D. 935: No. 3 in B-flat major: Theme (Andante) with Variations
- 4 Impromptus, op. 142, D. 935: No. 4 in F minor: Allegro scherzando
Schubert: Piano Sonata no. 18 in G major, D. 894 / Piano Sonata no. 15 in C major, D. 840
- Sonata no. 18 in G major, D. 894: I. Molto moderato e cantabile
- Sonata no. 18 in G major, D. 894: II. Andante
- Sonata no. 18 in G major, D. 894: III. Menuetto: Allegro moderato
- Sonata no. 18 in G major, D. 894: IV. Allegretto
- Sonata no. 15 in C major, D. 840 “Reliquie”: I. Moderato
- Sonata no. 15 in C major, D. 840 “Reliquie”: II. Andante
Schubert: Piano Sonata no. 21 in B-flat major, D. 960 / Fantasy in C major, D. 760 “Wanderer”
- Sonata no. 21 in B-flat major, D. 960: I. Molto moderato
- Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto
- Sonata no. 21 in B-flat major, D. 960: III. Scherzo: Allegro vivace con delicatezza
- Sonata no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo
- Fantasy in C major, op. 15, D. 760 “Wanderer”: I. Allegro con fuoco ma non troppo
- Fantasy in C major, op. 15, D. 760 “Wanderer”: II. Adagio
- Fantasy in C major, op. 15, D. 760 “Wanderer”: III. Presto
- Fantasy in C major, op. 15, D. 760 “Wanderer”: IV. Allegro
Weber: Konzertstück in F minor, op. 79 / Piano Sonata no. 2 in A-flat major, op. 39 / Mendelssohn: Variations sérieuses, op. 54
- Konzertstück in F minor, op. 79: I. Larghetto affettuoso - Allegro passionato - (von Alfred Brendel, London Symphony Orchestra, Claudio Abbado)
- Konzertstück in F minor, op. 79: II. Adagio - Tempo di marcia - Più mosso - Presto giojoso (von Alfred Brendel, London Symphony Orchestra, Claudio Abbado)
- Sonata no. 2 in A-flat major, op. 39: I. Allegro moderato con spirito ed assai legato
- Sonata no. 2 in A-flat major, op. 39: II. Andante
- Sonata no. 2 in A-flat major, op. 39: III. Menuetto capriccioso: Presto assai
- Sonata no. 2 in A-flat major, op. 39: IV. Rondo: Moderato e molto grazioso
- Variations sérieuses, op. 54
Schumann: Piano Concerto in A minor, op. 54 / Fantasie in C major, op. 17
- Concerto in A minor, op. 54: I. Allegro affettuoso (von Alfred Brendel, London Symphony Orchestra, Claudio Abbado)
- Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso (von Alfred Brendel, London Symphony Orchestra, Claudio Abbado)
- Concerto in A minor, op. 54: III. Allegro vivace (von Alfred Brendel, London Symphony Orchestra, Claudio Abbado)
- Fantasie in C major, op. 17: I. Durchaus fantastisch und leidenschaftlich
- Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter
- Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter
Schumann: Piano Concerto in A minor, op. 54 / Fantasie in C major, op. 17
- Concerto in A minor, op. 54: I. Allegro affettuoso (von Alfred Brendel, Philharmonia Orchestra, Kurt Sanderling)
- Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso (von Alfred Brendel, Philharmonia Orchestra, Kurt Sanderling)
- Concerto in A minor, op. 54: III. Allegro vivace (von Alfred Brendel, Philharmonia Orchestra, Kurt Sanderling)
- Fantasie in C major, op. 17: I. Durchaus fantastisch und leidenschaftlich
- Fantasie in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter
- Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter
Schumann: Kreisleriana, op. 16 / Kinderszenen, op. 15 / 8 Fantasiestücke, op. 12
- Kreisleriana, op. 16: I. Äußerst bewegt
- Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch / Intermezzo I: Sehr lebhaft / Intermezzo II: Etwas bewegter
- Kreisleriana, op. 16: III. Sehr aufgeregt
- Kreisleriana, op. 16: IV. Sehr langsam
- Kreisleriana, op. 16: V. Sehr lebhaft
- Kreisleriana, op. 16: VI. Sehr langsam
- Kreisleriana, op. 16: VII. Sehr rasch
- Kreisleriana, op. 16: VIII. Schnell und spielend
- Kinderszenen, op. 15: I. Von fremden Ländern und Menschen
- Kinderszenen, op. 15: II. Kuriose Geschichte
- Kinderszenen, op. 15: III. Haschemann
- Kinderszenen, op. 15: IV. Bittendes Kind
- Kinderszenen, op. 15: V. Glückes genung
- Kinderszenen, op. 15: VI. Wichtige Begebenheit
- Kinderszenen, op. 15: VII. Träumerei
- Kinderszenen, op. 15: VIII. Am Kamin
- Kinderszenen, op. 15: IX. Ritter vom Steckenpferd
- Kinderszenen, op. 15: X. Fast zu ernst
- Kinderszenen, op. 15: XI. Fürchtenmachen
- Kinderszenen, op. 15: XII. Kind im Einschlummern
- Kinderszenen, op. 15: XIII. Der Dichter spricht
- Fantasiestücke, op. 12: I. Des Abends
- Fantasiestücke, op. 12: II. Aufschwung
- Fantasiestücke, op. 12: III. Warum?
- Fantasiestücke, op. 12: IV. Grillen
- Fantasiestücke, op. 12: V. In der Nacht
- Fantasiestücke, op. 12: VI. Fabel
- Fantasiestücke, op. 12: VII. Traumes-Wirren
- Fantasiestücke, op. 12: VIII. Ende vom Lied
Schumann: Symphonic Studies, op. 13 / Mussorgsky: Pictures at an Exhibition / Liszt: Vexilla regis prodeunt, S. 185 / Weihnachtsbaum Suite, S. 186 - No. 6 Glockenspiel
- Symphonic Studies, op.13: Theme
- Symphonic Studies, op.13: Variation III (Appendix)
- Symphonic Studies, op.13: Étude I
- Symphonic Studies, op.13: Variation I
- Symphonic Studies, op.13: Variation II
- Symphonic Studies, op.13: Étude II
- Symphonic Studies, op.13: Étude III
- Symphonic Studies, op.13: Étude IV
- Symphonic Studies, op.13: Étude V
- Symphonic Studies, op.13: Variation IV
- Symphonic Studies, op.13: Étude VI
- Symphonic Studies, op.13: Étude VII
- Symphonic Studies, op.13: Étude VIII
- Symphonic Studies, op.13: Étude IX
- Symphonic Studies, op.13: Variation V
- Symphonic Studies, op.13: Étude X
- Symphonic Studies, op.13: Étude XI
- Symphonic Studies, op.13: Étude XII: Finale
- Pictures at an Exhibition: I. Promenade
- Pictures at an Exhibition: II. Gnomus
- Pictures at an Exhibition: III. Promenade
- Pictures at an Exhibition: IV. Il vecchio castello
- Pictures at an Exhibition: V. Promenade
- Pictures at an Exhibition: VI. Tuileries
- Pictures at an Exhibition: VII. Bydlo
- Pictures at an Exhibition: VIII. Promenade
- Pictures at an Exhibition: IX. Ballet of the Chickens in their Shells
- Pictures at an Exhibition: X. Samuel Goldenberg and Schmuyle
- Pictures at an Exhibition: XI. Promenade
- Pictures at an Exhibition: XII. The Market-place at Limoges
- Pictures at an Exhibition: XIII. Catacombae (Sepulchrum romanum)
- Pictures at an Exhibition: XIV. Cum mortuis in lingua mortua
- Pictures at an Exhibition: XV. The Hut on Fowl's Legs (Baba Yaga)
- Pictures at an Exhibition: XVI. The Great Gate at Kiev
- Vexilla regis prodeunt, S. 185
- Weihnachtsbaum, S. 186: VI. Glockenspiel
Liszt: Piano Concerto no. 1 in E-flat major, S. 124 / Piano Concerto no. 2 in A major, S. 125 / Totentanz, S. 126 / Csárdás macabre, S. 224 / Valse oubliée no. 1 in F-sharp major, S. 215 / Mosonyis Grabgeleit, S. 194 / Schlaflos! Frage und Antwort, S. ...
- Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - Allegretto vivace - Allegro animato (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 1 in E-flat major, S. 124: III. Allegro marziale animato (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 2 in A major, S. 125: I. Allegro sostenuto assai - Allegro agitato assai (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 2 in A major, S. 125: II. Allegro moderato (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 2 in A major, S. 125: III. Allegro deciso - Marziale un poco meno allegro (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Concerto no. 2 in A major, S. 125: IV. Allegro animato (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Totentanz , S. 126 (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Csárdás macabre, S. 224
- Valse oubliée no. 1 in F-sharp major, S. 215
- Mosonyis Grabgeleit, S. 194
- Schlaflos! Frage und Antwort, S. 203
- Unstern! Sinestre, disastro, S. 208
Liszt: Piano Sonata in B minor, S. 178 / Années de pèlerinage: 2ème année: Italie, S. 161 / R.W.-Venezia, S. 201 / Nuages gris, S. 199
- Sonata in B minor, S. 178: I. Lento assai - Allegro energico
- Sonata in B minor, S. 178: II. Andante sostenuto
- Sonata in B minor, S. 178: III. Allegro energico - Andante sostenuto - Lento assai
- Années de pèlerinage: 2ème année: Italie, S. 161: I. Sposalizio
- Années de pèlerinage: 2ème année: Italie, S. 161: II. Il Penseroso
- Années de pèlerinage: 2ème année: Italie, S. 161: III. Canzonetta del Salvator Rosa
- Années de pèlerinage: 2ème année: Italie, S. 161: IV. Sonetto 47 del Petrarca
- Années de pèlerinage: 2ème année: Italie, S. 161: V. Sonetto 104 del Petrarca
- Années de pèlerinage: 2ème année: Italie, S. 161: VI. Sonetto 123 del Petrarca
- Années de pèlerinage: 2ème année: Italie, S. 161: VII. Après une lecture du Dante: Fantasia quasi Sonata
- R.W.-Venezia, S. 201
- Nuages gris, S. 199
Liszt: Piano Sonata in B minor, S. 178 / Années de pèlerinage: 2ème année: Italie, S. 161
- Sonata in B minor, S178: I. Lento assai - Allegro energico
- Sonata in B minor, S178: II. Andante sostenuto -
- Sonata in B minor, S178: III. Allegro energico - Andante sostenuto - Lento assai
- Années de pèlerinage: 2ème année: Italie, S. 161: I. Sposalizio
- Années de pèlerinage: 2ème année: Italie, S. 161: II. Il Penseroso
- Années de pèlerinage: 2ème année: Italie, S. 161: III. Canzonetta del Salvator Rosa
- Années de pèlerinage: 2ème année: Italie, S. 161: IV. Sonetto 47 del Petrarca
- Années de pèlerinage: 2ème année: Italie, S. 161: V. Sonetto 104 del Petrarca
- Années de pèlerinage: 2ème année: Italie, S. 161: VI. Sonetto 123 del Petrarca
- Années de pèlerinage: 2ème année: Italie, S. 161: VII. Après une lecture du Dante: Fantasia quasi Sonata
Liszt: Années de pèlerinage: 1ère année: Suisse, S. 160 / Isoldes Liebestod, S. 447 / Années de pèlerinage: 1ère année: Suisse, S. 160 - No. 6 Vallée D'Obermann / 10 Harmonies poétiques et religieuses, S. 173 - No. 5 Funérailles
- Années de pèlerinage: 1ère année: Suisse, S. 160: I. Chapelle de Guillaume Tell
- Années de pèlerinage: 1ère année: Suisse, S. 160: II. Au lac de Wallenstadt
- Années de pèlerinage: 1ère année: Suisse, S. 160: III. Pastorale
- Années de pèlerinage: 1ère année: Suisse, S. 160: IV. Au bord d'une source
- Années de pèlerinage: 1ère année: Suisse, S. 160: V. Orage
- Années de pèlerinage: 1ère année: Suisse, S. 160: VI. Vallée d'Obermann
- Années de pèlerinage: 1ère année: Suisse, S. 160: VII. Eglogue
- Années de pèlerinage: 1ère année: Suisse, S. 160: VIII. Le mal du pays
- Années de pèlerinage: 1ère année: Suisse, S. 160: IX. Les cloches de Genève
- Isoldes Liebestod, S. 447 (Piano transcription after Wagner's “Tristan und Isolde”)
- Années de pèlerinage: 1ère année: Suisse, S. 160: VI. Vallée d'Obermann
- 10 Harmonies poétiques et religieuses, S. 173: VII. Funérailles
Liszt: Années de pèlerinage: 3ème année, S. 163 - Nos. 2, 4, 5 & 7 / Fantasia and Fugue on the Theme B.A.C.H., S. 529 / Weinen, Klagen, Sorgen, Zagen, S. 179 / 5 kleine Klavierstücke, S. 192 - No. 3 in F-sharp major / Weihnachtsbaum Suite, S. 186 - No ...
- Années de pèlerinage: 3ème année, S. 163 (excerpts): II. Aux cyprès de la Villa d'Este I (Thrénodie)
- Années de pèlerinage: 3ème année, S. 163 (excerpts): IV. Les jeux d'eau à la Villa d'Este
- Années de pèlerinage: 3ème année, S. 163 (excerpts): V. Sunt lacrymae rerum (En mode hongrois)
- Années de pèlerinage: 3ème année, S. 163 (excerpts): VII. Sursum corda
- Fantasia and Fugue on the Theme B.A.C.H., S. 529
- Weinen, Klagen, Sorgen, Zagen, S. 179 (Variations on Bach's cantata)
- 5 kleine Klavierstücke, S. 192: No. 3 in F-sharp major
- Weihnachtsbaum, S. 186: VII. Schlummerlied
- En rêve, S. 207
- Années de pèlerinage: 2ème année: Italie, S. 161: I. Sposalizio
- Bagatelle sans tonalité, S. 216a
Liszt: 10 Harmonies poétiques et religieuses, S. 173 - Nos. 1, 3, 4 & 7 / La Lugubre Gondola, S. 200 / 2 Légendes, S. 175
- Harmonies poétiques et religieuses, S. 173 (excerpts): I. Invocation
- Harmonies poétiques et religieuses, S. 173 (excerpts): III. Bénédiction de Dieu dans la solitude
- Harmonies poétiques et religieuses, S. 173 (excerpts): IV. Pensée des morts
- Harmonies poétiques et religieuses, S. 173 (excerpts): VII. Funérailles
- La lugubre gondola, S. 200: No. 1
- La lugubre gondola, S. 200: No. 2
- 2 Légendes, S. 175: I. St Francis of Assisi preaching to the birds
- 2 Légendes, S. 175: II. St Francis of de Paola walking on the water
Brahms: Piano Concerto no. 1 in D minor, op. 15
- Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato
- Piano Concerto no. 1 in D minor, op. 15: II. Adagio
- Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo
Brahms: Piano Concerto no. 1 in D minor, op. 15 / Theme with Variations
- Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato
- Piano Concerto no. 1 in D minor, op. 15: II. Adagio
- Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro ma non troppo
- Theme with variations in D minor (Arrangement of second movement of String Sextet no. 1, op. 18): Andante, ma moderato
Brahms: Piano Concerto no. 2 in B-flat major, op. 83
- Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo
- Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato
- Concerto no. 2 in B-flat major, op. 83: III. Andante – Più adagio
- Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso – Un poco più presto
Brahms: Piano Concerto no. 2 n B-flat major, op. 83 / 4 Ballades, op. 10
- Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo
- Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato
- Concerto no. 2 in B-flat major, op. 83: III. Andante - Più adagio
- Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso - un poco più presto
- 4 Ballades, op. 10: No. 1 in D minor
- 4 Ballades, op. 10: No. 2 in D major
- 4 Ballades, op. 10: No. 3 in B minor
- 4 Ballades, op. 10: No. 4 in B major
Schoenberg: Concerto for Piano and Orchestra, op. 42 / Busoni: Toccata: Preludio, Fantasia, Ciaccona, Kind. 287 / Berg: Piano Sonata, op. 1
- Concerto for Piano and Orchestra, op. 42: I. Andante (von Alfred Brendel, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík)
- Concerto for Piano and Orchestra, op. 42: II. Molto allegro (von Alfred Brendel, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík)
- Concerto for Piano and Orchestra, op. 42: III. Adagio (von Alfred Brendel, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík)
- Concerto for Piano and Orchestra, op. 42: IV. Giocoso: Moderato (von Alfred Brendel, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík)
- Toccata: Preludio, Fantasia, Ciaccona, Kind. 287
- Piano Sonata, op. 1
- Concerto for Piano and Orchestra, op. 42: I. Andante
- Concerto for Piano and Orchestra, op. 42: II. Molto allegro
- Concerto for Piano and Orchestra, op. 42: III. Adagio
- Concerto for Piano and Orchestra, op. 42: IV. Giocoso: Moderato
Mozart: Quintet in E-flat major, K. 452 / Beethoven: Quintet in E-flat major, op. 16
- Quintet in E-flat major, K. 452: I. Largo - Allegro moderato (von Hermann Baumann, Alfred Brendel, Eduard Brunner, Heinz Holliger, Klaus Thunemann)
- Quintet in E-flat major, K. 452: II. Larghetto (von Hermann Baumann, Alfred Brendel, Eduard Brunner, Heinz Holliger, Klaus Thunemann)
- Quintet in E-flat major, K. 452: III. Allegretto (von Hermann Baumann, Alfred Brendel, Eduard Brunner, Heinz Holliger, Klaus Thunemann)
- Quintet in E-flat major, op. 16: I. Grave - Allegro ma non troppo (von Hermann Baumann, Alfred Brendel, Eduard Brunner, Heinz Holliger, Klaus Thunemann)
- Quintet in E-flat major, op. 16: II. Andante cantabile (von Hermann Baumann, Alfred Brendel, Eduard Brunner, Heinz Holliger, Klaus Thunemann)
- Quintet in E-flat major, op. 16: III. Rondo: Allegro ma non troppo (von Hermann Baumann, Alfred Brendel, Eduard Brunner, Heinz Holliger, Klaus Thunemann)
Beethoven: Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2 / Sonata no. 4 for Cello and Piano in C major, op. 102 no. 1 / Sonata no. 3 for Cello and Piano in A major, op. 69 / 12 Variations on “Ein Mädchen oder Weibchen” in F major, op. 66
- Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo (von Adrian Brendel, Alfred Brendel)
- Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: I. Allegro molto più tosto presto (von Adrian Brendel, Alfred Brendel)
- Sonata no. 2 for Cello and Piano in G minor, op. 5 no. 2: II. Rondo: Allegro (von Adrian Brendel, Alfred Brendel)
- Sonata no. 4 for Cello and Piano in C major, op. 102 no. 1: I. Andante – Allegro vivace (von Adrian Brendel, Alfred Brendel)
- Sonata no. 4 for Cello and Piano in C major, op. 102 no. 1: II. Adagio – Tempo d'andante – Allegro vivace (von Adrian Brendel, Alfred Brendel)
- Sonata no. 3 for Cello and Piano in A major, op. 69: I. Allegro ma non tanto (von Adrian Brendel, Alfred Brendel)
- Sonata no. 3 for Cello and Piano in A major, op. 69: II. Scherzo: Allegro molto (von Adrian Brendel, Alfred Brendel)
- Sonata no. 3 for Cello and Piano in A major, op. 69: III. Adagio cantabile – Allegro vivace (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Theme: Allegretto (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation I (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation II (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation III (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation IV (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation V (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation VI (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation VII (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation VIII (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation IX (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation X: Adagio (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation XI: Poco adagio, quasi andante (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “Ein Mädchen oder Weibchen” from Mozart's “Die Zauberflöte”, op. 66: Variation XII: Allegro (von Adrian Brendel, Alfred Brendel)
Beethoven: 12 Variations on “See the conqu'ring hero comes” in G major, WoO 45 / Sonata no. 5 for Cello and Piano in D major, op. 102 no. 2 / Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1 / 7 Variations on “Bei Männern, welche Liebe fühlen” ...
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Theme: Allegretto (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation I (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation II (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation III (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation IV (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation V (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation VI (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes,” WoO 45: Variation VII (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation VIII (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes,” WoO 45: Variation IX (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation X: Allegro (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation X: Adagio (von Adrian Brendel, Alfred Brendel)
- 12 Variations on “See the conqu'ring hero comes”, WoO 45: Variation X: Allegro (von Adrian Brendel, Alfred Brendel)
- Sonata no. 5 for Cello and Piano in D major, op. 102 no. 2: I. Allegro con brio (von Adrian Brendel, Alfred Brendel)
- Sonata no. 5 for Cello and Piano in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto (von Adrian Brendel, Alfred Brendel)
- Sonata no. 5 for Cello and Piano in D major, op. 102 no. 2: III. Allegro - Allegro fugato (von Adrian Brendel, Alfred Brendel)
- Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1: I. Adagio sostenuto - Allegro (von Adrian Brendel, Alfred Brendel)
- Sonata no. 1 for Cello and Piano in F major, op. 5 no. 1: II. Rondo: Allegro vivace (von Adrian Brendel, Alfred Brendel)
- 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Theme: Andante (von Adrian Brendel, Alfred Brendel)
- 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation I (von Adrian Brendel, Alfred Brendel)
- 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation II (von Adrian Brendel, Alfred Brendel)
- 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation III (von Adrian Brendel, Alfred Brendel)
- 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation IV (von Adrian Brendel, Alfred Brendel)
- 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation V: Si prenda il tempo un poco più vivace (von Adrian Brendel, Alfred Brendel)
- 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation VI: Adagio (von Adrian Brendel, Alfred Brendel)
- 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart's “Die Zauberflöte”, WoO 46: Variation VII: Allegro, ma non troppo (von Adrian Brendel, Alfred Brendel)
Schubert: Piano Quintet in A major, D. 667 “The Trout”
- Piano Quintet in A major, D. 667 “The Trout”: I. Allegro vivace
- Piano Quintet in A major, D. 667 “The Trout”: II. Andante
- Piano Quintet in A major, D. 667 “The Trout”: III. Scherzo: Presto
- Piano Quintet in A major, D. 667 “The Trout”: IV. Thema - Andantino - Variazioni I-V - Allegretto
- Piano Quintet in A major, D. 667 “The Trout”: V. Finale: Allegro giusto
Schubert: Piano Quintet in A major, D. 667 “The Trout” / Mozart: Piano Quartet no. 1 in G minor, K. 478
- Piano Quintet in A major, D. 667 ”The Trout”: I. Allegro vivace (von Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann)
- Piano Quintet in A major, D. 667 ”The Trout”: II. Andante (von Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann)
- Piano Quintet in A major, D. 667 ”The Trout”: III. Scherzo: Presto (von Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann)
- Piano Quintet in A major, D. 667 ”The Trout”: IV. Thema - Andantino - Variazioni I-V - Allegretto (von Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann)
- Piano Quintet in A major, D. 667 ”The Trout”: V. Finale: Allegro giusto (von Alfred Brendel, Richard Duven, Peter Riegelbauer, Thomas Zehetmair, Tabea Zimmermann)
- Piano Quartet no 1. in G minor, K. 478: I. Allegro (von Alfred Brendel, Richard Duven, Thomas Zehetmair, Tabea Zimmermann)
- Piano Quartet no 1. in G minor, K. 478: II. Andante (von Alfred Brendel, Richard Duven, Thomas Zehetmair, Tabea Zimmermann)
- Piano Quartet no 1. in G minor, K. 478: III. Rondo: Allegro moderato (von Alfred Brendel, Richard Duven, Thomas Zehetmair, Tabea Zimmermann)
Schumann: 3 Romances, op. 94 / Abendlied, op. 85 no. 12 / Adagio and Allegro in A-flat major, op. 70 / Fantasiestücke, op. 73 / 5 Stücke im Volkston, op. 102 - Nos. 2, 3 & 4
- 3 Romances, op. 94: No. 1 Nicht schnell (von Alfred Brendel, Heinz Holliger)
- 3 Romances, op. 94: No. 2 Einfach, innig (von Alfred Brendel, Heinz Holliger)
- 3 Romances, op. 94: No. 3 Nicht schnell (von Alfred Brendel, Heinz Holliger)
- Abendlied, op. 85 no. 12 (von Alfred Brendel, Heinz Holliger)
- Adagio and Allegro in A-flat major, op. 70 (von Alfred Brendel, Heinz Holliger)
- Fantasiestücke, op. 73: No. 1 Zart und mit Ausdruck
- Fantasiestücke, op. 73: No. 2 Lebhaft, leicht
- Fantasiestücke, op. 73: No. 3 Rasch und mit Feuer
- 5 Stücke im Volkston, op. 102 (excerpts): no. 2 Langsam (von Alfred Brendel, Heinz Holliger)
- 5 Stücke im Volkston, op. 102 (excerpts): no. 3 Nicht schnell, mit viel Ton zu spielen (von Alfred Brendel, Heinz Holliger)
- 5 Stücke im Volkston, op. 102 (excerpts): no. 4 Nicht zu rasch (von Alfred Brendel, Heinz Holliger)
Schubert: 14 Lieder
- Auflösung, D. 807 (Mayrhofer)
- Hippolit's Lied, D. 890 (von Gerstenberg)
- Der Einsame, D. 800 (Lappe)
- Wer sich der Einsamkeit ergibt, D. 478 (Harfenspieler I) (Goethe)
- Wer nie sein Brot mit Thränen aß, D. 480 (Harfenspieler III) (Goethe)
- An die Türen will ich schleichen, D. 479 (Harfenspieler II) (Goethe)
- Gruppe aus dem Tartarus, D. 583 (Schiller)
- Herbst, D. 945 (Rellstab)
- Nacht und Träume, D. 827 (von Collin)
- Nachtstück, D. 672 (Mayrhofer)
- Im Abendrot, D. 799 (Lappe)
- Der Wanderer, D. 493 (Schmidt von Lübeck)
- Über Wildemann, D. 884 (Schulze)
- Der Wanderer an den Mond, D. 870 (Seidl)
Schubert: Schwanengesang, D. 957
- Schwanengesang, D. 957: Liebesbotschaft (Rellstab)
- Schwanengesang, D. 957: Kriegers Ahnung (Rellstab)
- Schwanengesang, D. 957: Frühlingssehnsucht (Rellstab)
- Schwanengesang, D. 957: Ständchen (Rellstab)
- Schwanengesang, D. 957: Aufenthalt (Rellstab)
- Schwanengesang, D. 957: In der Ferne (Rellstab)
- Schwanengesang, D. 957: Abschied (Rellstab)
- Schwanengesang, D. 957: Der Atlas (Heine)
- Schwanengesang, D. 957: Ihr Bild (Heine)
- Schwanengesang, D. 957: Das Fischermädchen (Heine)
- Schwanengesang, D. 957: Die Stadt (Heine)
- Schwanengesang, D. 957: Am Meer (Heine)
- Schwanengesang, D. 957: Der Doppelgänger (Heine)
- Schwanengesang, D. 957: Die Taubenpost (Seidl)
Beethoven: An die ferne Geliebte, op. 98 / Schubert: Schwanengesang, D. 957 / Herbst, D. 945
- Applause
- An die ferne Geliebte, op. 98: I. Auf dem Hügel sitz ich spähend
- An die ferne Geliebte, op. 98: II. Wo die Berge so blau
- An die ferne Geliebte, op. 98: III. Leichte Segler in den Höhen
- An die ferne Geliebte, op. 98: IV. Diese Wolken in den Höhen
- An die ferne Geliebte, op. 98: V. Es kehret der Maien, es blühet die Au
- An die ferne Geliebte, op. 98: VI. Nimm sie hin denn diese Lieder
- Applause
- Schwanengesang, D. 957: Liebesbotschaft (Rellstab)
- Schwanengesang, D. 957: Kriegers Ahnung (Rellstab)
- Schwanengesang, D. 957: Frühlingssehnsucht (Rellstab)
- Schwanengesang, D. 957: Ständchen (Rellstab)
- Schwanengesang, D. 957: Aufenthalt (Rellstab)
- Herbst, D. 945 (Rellstab)
- Schwanengesang, D. 957: In der Ferne (Rellstab)
- Schwanengesang, D. 957: Abschied (Rellstab)
- Schwanengesang, D. 957: Der Atlas (Heine)
- Schwanengesang, D. 957: Ihr Bild (Heine)
- Schwanengesang, D. 957: Das Fischermädchen (Heine)
- Schwanengesang, D. 957: Die Stadt (Heine)
- Schwanengesang, D. 957: Am Meer (Heine)
- Schwanengesang, D. 957: Der Doppelgänger (Heine)
- Applause
- Schwanengesang, D. 957: Die Taubenpost (Seidl)
- Applause
Schubert: Winterreise, D. 911
- Winterreise, D. 911: Gute Nacht
- Winterreise, D. 911: Die Wetterfahne
- Winterreise, D. 911: Gefrorene Tränen
- Winterreise, D. 911: Erstarrung
- Winterreise, D. 911: Der Lindenbaum
- Winterreise, D. 911: Wasserflut
- Winterreise, D. 911: Auf dem Flusse
- Winterreise, D. 911: Rückblick
- Winterreise, D. 911: Irrlicht
- Winterreise, D. 911: Rast
- Winterreise, D. 911: Frühlingstraum
- Winterreise, D. 911: Einsamkeit
- Winterreise, D. 911: Die Post
- Winterreise, D. 911: Der greise Kopf
- Winterreise, D. 911: Die Krähe
- Winterreise, D. 911: Letzte Hoffnung
- Winterreise, D. 911: Im Dorfe
- Winterreise, D. 911: Der stürmische Morgen
- Winterreise, D. 911: Täuschung
- Winterreise, D. 911: Der Wegweiser
- Winterreise, D. 911: Das Wirtshaus
- Winterreise, D. 911: Mut
- Winterreise, D. 911: Die Nebensonnen
- Winterreise, D. 911: Der Leiermann
Schubert: Winterreise, D. 911
- Winterreise, D. 911: Gute Nacht
- Winterreise, D. 911: Die Wetterfahne
- Winterreise, D. 911: Gefrorne Tränen
- Winterreise, D. 911: Erstarrung
- Winterreise, D. 911: Der Lindenbaum
- Winterreise, D. 911: Wasserflut
- Winterreise, D. 911: Auf dem Flusse
- Winterreise, D. 911: Rückblick
- Winterreise, D. 911: Irrlicht
- Winterreise, D. 911: Rast
- Winterreise, D. 911: Frühlingstraum
- Winterreise, D. 911: Einsamkeit
- Winterreise, D. 911: Die Post
- Winterreise, D. 911: Der greise Kopf
- Winterreise, D. 911: Die Krähe
- Winterreise, D. 911: Letzte Hoffnung
- Winterreise, D. 911: Im Dorfe
- Winterreise, D. 911: Der stürmische Morgen
- Winterreise, D. 911: Täuschung
- Winterreise, D. 911: Der Wegweiser
- Winterreise, D. 911: Das Wirtshaus
- Winterreise, D. 911: Mut
- Winterreise, D. 911: Die Nebensonnen
- Winterreise, D. 911: Der Leiermann
Schumann: Dichterliebe, op. 48 / Mein Wagen rollet langsam, op. 142 no. 4 / Lehn deine Wang', op. 142 no. 2 / Liederkreis, op. 24 (excerpts)
- Dichterliebe, op. 48: 1. Im wunderschönen Monat Mai
- Dichterliebe, op. 48: 2. Aus meinen Tränen sprießen
- Dichterliebe, op. 48: 3. Die Rose, die Lilie, die Taube, die Sonne
- Dichterliebe, op. 48: 4. Wenn ich in Deine Augen seh'
- Dichterliebe, op. 48: 5. Ich will meine Seele tauchen
- Dichterliebe, op. 48: 6. Im Rhein, im heiligen Strome
- Dichterliebe, op. 48: 7. Ich grolle nicht
- Dichterliebe, op. 48: 8. Und wüßten's die Blumen, die kleinen
- Dichterliebe, op. 48: 9. Das ist ein Flöten und Geigen
- Dichterliebe, op. 48: 10. Hör' ich das Liedchen klingen
- Dichterliebe, op. 48: 11. Ein Jüngling liebt ein Mädchen
- Dichterliebe, op. 48: 12. Am leuchtenden Sommermorgen
- Dichterliebe, op. 48: 13. Ich hab' im Traum geweinet
- Dichterliebe, op. 48: 14. Allnächtlich im Traume seh' ich dich
- Dichterliebe, op. 48: 15. Aus alten Märchen winkt es
- Dichterliebe, op. 48: 16. Die alten, bösen Lieder
- Mein Wagen rollet langsam, op. 142 no. 4
- Lehn Deine Wang', op. 142 no. 2
- Liederkreis, op. 24 (excerpts): No. 9 Mit Myrten und Rosen, lieblich und hold
- Liederkreis, op. 24 (excerpts): No. 5 Schöne Wiege meiner Leiden
Schumann: Dichterliebe, op. 48 / Liederkreis, op. 39
- Dichterliebe, op. 48: Im wunderschönen Monat Mai
- Dichterliebe, op. 48: Aus meinen Tränen sprießen
- Dichterliebe, op. 48: Die Rose, die Lilie, die Taube, die Sonne
- Dichterliebe, op. 48: Wenn ich in deine Augen seh'
- Dichterliebe, op. 48: Ich will meine Seele tauchen
- Dichterliebe, op. 48: Im Rhein, im heiligen Strome
- Dichterliebe, op. 48: Ich grolle nicht
- Dichterliebe, op. 48: Und wüßten's die Blumen, die kleinen
- Dichterliebe, op. 48: Das ist ein Flöten und Geigen
- Dichterliebe, op. 48: Hör' ich das Liedchen klingen
- Dichterliebe, op. 48: Ein Jüngling liebt ein Mädchen
- Dichterliebe, op. 48: Am leuchtenden Sommermorgen
- Dichterliebe, op. 48: Ich hab' im Traum geweinet
- Dichterliebe, op. 48: Allnächtlich im Traume seh' ich dich
- Dichterliebe, op. 48: Aus alten Märchen winkt es
- Dichterliebe, op. 48: Die alten, bösen Lieder
- Liederkreis, op. 39: In der Fremde
- Liederkreis, op. 39: Intermezzo
- Liederkreis, op. 39: Waldesgespräch
- Liederkreis, op. 39: Die Stille
- Liederkreis, op. 39: Mondnacht
- Liederkreis, op. 39: Schöne Fremde
- Liederkreis, op. 39: Auf einer Burg
- Liederkreis, op. 39: In der Fremde
- Liederkreis, op. 39: Wehmut
- Liederkreis, op. 39: Zwielicht
- Liederkreis, op. 39: Im Walde
- Liederkreis, op. 39: Frühlingsnacht
Beethoven: 33 Variations on a Waltz by Diabelli in C major, op. 120
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Tema. Vivace -
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation I: Alla marcia maestoso
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation II: Poco allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation III: L'istesso tempo
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation IV: Un poco più vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation V: Allegro vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VI: Allegro ma non troppo e serioso
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VII: Un poco più allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VIII: Poco vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation IX: Allegro pesante e risoluto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation X: Presto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XI: Allegretto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XII: Un poco più moto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIII: Vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIV: Grave e maestoso
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XV: Presto scherzando
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVI: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVII
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVIII: Poco moderato
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIX: Presto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XX: Andante
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXI: Allegro con brio - Meno allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXII: Allegro molto (alla “Notte e giorno faticar” di Mozart)
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIII: Allegro assai
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIV: Fughetta: Andante
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXV: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVI: (Piacevole)
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVII: Vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVIII: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIX: Adagio ma non troppo
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXX: Andante, sempre cantabile
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXI: Largo, molto espressivo
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXII: Fuga: Allegro - Poco adagio
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXIII: Tempo di minuetto moderato
Beethoven: 33 Variations on a Waltz by Diabelli in C major, op. 120
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Tema: Vivace / Variation I. Alla marcia maestoso
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation II: Poco allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation III: L'istesso tempo
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation IV: Un poco più vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation V: Allegro vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VI: Allegro ma non troppo e serioso
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VII: Un poco più allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation VIII: Poco vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation IX: Allegro pesante e risoluto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation X: Presto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XI: Allegretto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XII: Un poco più moto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIII: Vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIV: Grave e maestoso
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XV: Presto scherzando
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVI: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVII: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XVIII: Poco moderato
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XIX: Presto
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XX: Andante
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXI: Allegro con brio - Meno allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXII: Allegro molto (alla “Notte e giorno faticar” di Mozart)
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIII: Allegro assai
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIV: Fughetta: Andante
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXV: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVI: (Piacevole)
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVII: Vivace
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXVIII: Allegro
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXIX: Adagio ma non troppo
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXX: Andante, sempre cantabile.
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXI: Largo, molto espressivo
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXII: Fuga: Allegro - Poco adagio
- 33 Variations on a Waltz by Diabelli in C major, op. 120: Variation XXXIII: Tempo di minuetto moderato
Beethoven: Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier” / Piano Sonata no. 24 in F-sharp major, op. 78 “For Therese”
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: II. Scherzo: Assai vivace appassionata e con molto sentimento
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto
- Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo - Allegro risoluto
- Sonata no. 24 in F-sharp major, op. 78: I. Adagio cantabile - Allegro ma non troppo
- Sonata no. 24 in F-sharp major, op. 78: II. Allegro vivace
J.S. Bach: Nun komm, der Heiden Heiland, BWV 659 / Haydn: Piano Sonata in G minor, Hob. XVI:44 / Piano Sonata in C minor, Hob. XVI:20 / Beethoven: Piano Sonata no. 31 in A-flat major, op. 110
- Nun komm, der Heiden Heiland, BWV 659
- Sonata in G minor, Hob. XVI:44: I. Moderato
- Sonata in G minor, Hob. XVI:44: II. Allegretto
- Sonata in C minor, Hob. XVI:20: I. Moderato
- Sonata in C minor, Hob. XVI:20: II. Andante con moto
- Sonata in C minor, Hob. XVI:20: III. Finale: Allegro
- Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo
- Sonata no. 31 in A-flat major, op. 110: II. Allegro molto
- Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Arioso dolente - Fuga: Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga
Schubert: Piano Sonata no. 18 in G major, D. 894 / Piano Sonata no. 9 in B major, D. 575
- Sonata no. 18 in G major, D. 894: I. Molto moderato e cantabile
- Sonata no. 18 in G major, D. 894: II. Andante
- Sonata no. 18 in G major, D. 894: III. Menuetto
- Sonata no. 18 in G major, D. 894: IV. Allegretto
- Sonata no. 9 in B major, D. 575: I. Allegro ma non troppo
- Sonata no. 9 in B major, D. 575: II. Andante
- Sonata no. 9 in B major, D. 575: III. Scherzo: Allegretto
- Sonata no. 9 in B major, D. 575: IV. Allegro giusto
Schubert: Piano Sonata no. 20 in A major, D. 959 / Piano Sonata no. 21 in B-flat major, D. 960
- Sonata no. 20 in A major, D. 959: I. Allegro
- Sonata no. 20 in A major, D. 959: II. Andantino
- Sonata no. 20 in A major, D. 959: III. Scherzo: Allegro vivace
- Sonata no. 20 in A major, D. 959: IV. Rondo: Allegretto
- Sonata no. 21 in B-flat major, D. 960: I. Molto moderato
- Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto
- Sonata no. 21 in B-flat major, D. 960: III. Scherzo: Allegro vivace e con delicatezza
- Sonata no. 21 in B-flat major, D. 960: IV. Allegro, ma non troppo
Haydn: Andante con variazioni in F minor, Hob. XVII:6 / Piano Sonata in C major, Hob. XVI:50 / Schubert: Piano Sonata no. 14 in A minor, D. 784 / Piano Sonata no. 15 in C major, D. 840 / Liszt: Isoldes Liebestod, S. 447
- Andante con variazoni in F minor, Hob. XVII:6
- Sonata in C major, Hob. XVI:50: I. Allegro
- Sonata in C major, Hob. XVI:50: II. Adagio
- Sonata in C major, Hob. XVI:50: III. Allegro molto
- Sonata no. 14 in A minor, D. 784: I. Allegro giusto
- Sonata no. 14 in A minor, D. 784: II. Andante
- Sonata no. 14 in A minor, D. 784: III. Allegro vivace
- Sonata no. 15 in C major, D. 840: I. Moderato
- Sonata no. 15 in C major, D. 840: II. Andante
- Isoldes Liebestod, S 447 (Piano transcription after Wagner's “Tristan und Isolde”)
Chopin: Andante spianato and grande polonaise brillante in E-flat major, op. 22 / Mendelssohn: Variations sérieuses. op. 54 / Busoni: Seven Elegies - Nos. 3 & 6 / Beethoven: Piano Sonata no. 28 in A major, op. 101
- Andante spianato and grande polonaise brillante in E-flat major, op. 22
- Variations sérieuses, op. 54
- 7 Elegies (excerpts): No. 3 Meine Seele bangt und hofft zu dir
- 7 Elegies (excerpts): No. 6 Erscheinung
- Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung (Allegretto ma non troppo)
- Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig (Vivace alla marcia)
- Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affeto) - Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro)
Beethoven: Piano Concerto no. 1 in C major, op. 15 / Piano Concerto no. 2 in B-flat major, op. 19
- Concerto no. 1 in C major, op. 15: I. Allegro con brio (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 1 in C major, op. 15: II. Largo (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 2 in B-flat major, op. 19: II. Adagio (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
Beethoven: Piano Concerto no. 3 in C minor, op. 37 / Piano Concerto no. 4 in G major, op. 58
- Concerto no. 3 in C minor, op. 37: I. Allegro con brio (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 3 in C minor, op. 37: II. Largo (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 4 in G major, op. 58: I. Allegro moderato (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 4 in G major, op. 58: II. Andante con moto (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 4 in G major, op. 58: III. Rondo: Vivace (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
Beethoven: Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”
- Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
- Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo: Allegro (von Alfred Brendel, Chicago Symphony Orchestra, James Levine)
Brahms: Piano Concerto no. 1 in D minor, op. 15
- Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato
- Concerto no. 1 in D minor, op. 15: II. Adagio
- Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo
Mozart: Piano Concerto no. 25 in C major, K. 503 / Beethoven: Piano Sonata no. 31 in A-flat major, op. 110 / Schubert: 4 Impromptus, op. 142, D. 935 - No. 1 in F minor
- Concerto no. 25 in C major, K. 503: I. Allegro maestoso
- Concerto no. 25 in C major, K. 503: II. Andante
- Concerto no. 25 in C major, K. 503: III. Allegretto
- Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo
- Sonata no. 31 in A-flat major, op. 110: II. Allegro molto
- Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo -
- Sonata no. 31 in A-flat major, op. 110: IV. Fuga: Allegro ma non troppo
- Impromptu in F minor, D 935 no. 1: Allegro moderato
Mozart: Piano Concerto no. 9 in E-flat major, K. 271 “Jeunehomme” / Piano Sonata no. 15 in F major, K. 533/494 / Haydn: Andante con variazioni in F minor, Hob. XVII:6
- Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: I. Allegro
- Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: II. Andantino
- Concerto no. 9 in E-flat major, K. 271 “Jeunehomme”: III. Rondeau: Presto - Menuetto: Cantabile - Tempo primo
- Andante con variazioni in F minor, Hob. XVII:6
- Sonata no. 15 in F major, K. 533/494: I. Allegro
- Sonata no. 15 in F major, K. 533/494: II. Andante
- Sonata no. 15 in F major, K. 533/494: III. Rondo: Allegretto
Beethoven: Piano Sonata no. 13 in E-flat major, op. 27 no. 1 / 7 Bagatelles, op. 33 - No. 4 Andante / Schubert: Piano Sonata no. 21 in B-flat major, D. 960 / 4 Impromptus, op. 90, D. 899 - No. 3 in G-flat major / J.S. Bach: Nun komm, der Heiden Heilan ...
- Sonata no. 13 in E-flat major, op. 27 no. 1: I. Andante - Allegro - Tempo I -
- Sonata no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace -
- Sonata no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione -
- Sonata no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace - Tempo I - Presto
- Sonata no. 21 in B-flat major, D. 960: I. Molto moderato
- Sonata no. 21 in B-flat major, D. 960: II. Andante sostenuto
- Sonata no. 21 in B-flat major, D. 960: III. Scherzo: Allegro vivace e con delicatezza
- Sonata no. 21 in B-flat major, D. 960: IV. Allegro, ma non troppo
- 7 Bagatelles, op. 33: No. 4 Andante
- 4 Impromptus, op. 90, D 899: No. 3 in G-flat major
- Nun komm, der Heiden Heiland, BWV 659
Great Pianists of the 20th Century, Volume 12: Alfred Brendel I (Compilation)
- Piano Sonata in E minor, Hob. XVI:34: Presto
- Piano Sonata in E minor, Hob. XVI:34: Adagio
- Piano Sonata in E minor, Hob. XVI:34: Vivace Molto, Innocentemente
- Piano Sonata in G, Hob. XVI:40: Allegretto Ed Innocente
- Piano Sonata in G, Hob. XVI:40: Presto
- Piano Sonata in D, Hob. XVI:42: Andante Con Espressione
- Piano Sonata in D, Hob. XVI:42: Vivace Assai
- Piano Sonata in E-flat, Hob. XVI:52: Allegro
- Piano Sonata in E-flat, Hob. XVI:52: Adagio
- Piano Sonata in E-flat, Hob. XVI:52: Finale. Presto
- Fantasia for Piano in C minor, K. 475
- Impromptus, D. 899: No. 1 in C minor: Allegro molto moderato
- Impromptus, D. 899: No. 2 in E-flat major: Allegro
- Impromptus, D. 899: No. 3 in G-flat major: Andante
- Impromptus, D. 899: No. 4 in A-flat major: Allegretto
- Impromptus, D. 935: No. 1 in F minor: Allegro moderato
- Impromptus, D. 935: No. 2 in A-flat major: Allegretto
- Impromptus, D. 935: No. 3 in B-flat major: Thema (Andante) Mit Variationen
- Impromptus, D. 935: No. 4 in F minor: Allegro scherzando
- Fantasiestücke, op. 12: Des Abends
- Fantasiestücke, op. 12: Warum?
- Fantasiestücke, op. 12: In Der Nacht
- Fantasiestücke, op. 12: Ende Vom Lied
Great Pianists of the 20th Century, Volume 14: Alfred Brendel III (Compilation)
- Variations sérieuses, Op. 54
- Konzertstück in F minor, Op. 79: Ia. Larghetto affettuoso - Allegro passionato (von Alfred Brendel, London Symphony Orchestra, Claudio Abbado)
- Konzertstück in F minor, Op. 79: Ib. Adagio - Tempo di Marcia - Più mosso - Presto gioioso (von Alfred Brendel, London Symphony Orchestra, Claudio Abbado)
- Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato
- Piano Concerto no. 1 in D minor, op. 15: II. Adagio
- Piano Concerto No. 1 in D minor, Op. 15: III. Rondo. Allegro non troppo
- Polonaise in F-sharp minor, Op. 44
- Années de pèlerinage: Première année: Suisse, No. 6: Vallée d'Obermann
- Années de pèlerinage: Première année: Suisse, No. 5: Orage
- Totentanz (von Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink)
- Années de pèlerinage: Deuxième année: Italie, No. 1: Sposalizio
- Bagatelle sans tonalité
- Hungarian Rhapsody No. 15 in A minor, "Rákóczy March"
- La lugubre gondola No. 1
- Toccata: Preludio - Fantasia - Ciaccona