Wilhelm Furtwängler Songtexte
Tristan und Isolde: Act II, Scene II. "So stürben wir, um ungetrennt" (Isolde, Tristan)
Tristan und Isolde: Act II, Scene II. "Habet acht! Habet acht!" (Brangäne, Tristan, Isolde)
Tristan und Isolde: Act II, Scene III. "Wohin nun Tristan scheidet, willst du, Isold', ihm folgen?" (Tristan)
Geboren am 25. Januar 1886, Gestorben am 30. November 1954
Wilhelm Furtwängler Conducts Johannes Brahms
- Symphony No.1 in c, Op. 68 - I. Un poco sostenuto; Allegro
- Symphony No.1 in c, Op. 68 - II. Andante sostenuto
- Symphony No.1 in c, Op. 68 - III. Un poco allegretto e grazioso
- Symphony No.1 in c, Op. 68 - IV. Adagio piu andante; Allegro non troppo ma con brio
- Symphony No.1 in c, Op. 68 - IV. Adagio piu andante; Allegro non troppo ma con brio (von Wilhelm Furtwängler & Berlin Philharmonic)
- Symphony No. 2 in D, Op. 73 - I. Allegro non troppo (von Wiener Philharmoniker, Wilhelm Furtwängler)
- Symphony No. 2 in D, Op. 73 - II. Adagio non troppo (von Wiener Philharmoniker, Wilhelm Furtwängler)
- Symphony No. 2 in D, Op. 73 - III. Allegretto grazioso (von Wiener Philharmoniker, Wilhelm Furtwängler)
- Symphony No. 2 in D, Op. 73 - IV. Allegro con spirito (von Wiener Philharmoniker, Wilhelm Furtwängler)
- Symphony No. 3 in F, Op. 90 - I. Allegro con brio (von Berliner Philharmoniker, Wilhelm Furtwängler)
- Symphony No. 3 in F, Op. 90 - II. Andante (von Berliner Philharmoniker, Wilhelm Furtwängler)
- Symphony No. 3 in F, Op. 90 - III. Poco allegretto (von Berliner Philharmoniker, Wilhelm Furtwängler)
- Symphony No. 3 in F, Op. 90 - IV. Allegro (von Berliner Philharmoniker, Wilhelm Furtwängler)
- Symphony No. 4 in e, Op. 98 - I. Allegro non troppo (von Wilhelm Furtwängler & Berlin Philharmonic)
- Symphony No. 4 in e, Op. 98 - II. Andante moderato (von Wilhelm Furtwängler & Berlin Philharmonic)
- Symphony No. 4 in e, Op. 98 - III. Allegro giocoso (von Wilhelm Furtwängler & Berlin Philharmonic)
- Symphony No. 4 in e, Op. 98 - Allegro energico e passionato (von Wilhelm Furtwängler & Berlin Philharmonic)
- Variations on a Theme by Haydn, Op. 56a (von Wilhelm Furtwängler & Berlin Philharmonic)
- Piano Concerto No. 2 in B-flat, Op. 83 - I. Allegro non troppo
- Piano Concerto No. 2 in B-flat, Op. 83 - II. Allegro appassionato
- Piano Concerto No. 2 in B-flat, Op. 83 - III. Andante
- Piano Concerto No. 2 in B-flat, Op. 83 - IV. Allegretto grazioso
- Variations on a Theme by Haydn - Chorale St. Antoni. Andante
- Variations on a Theme by Haydn - Var I. Poco più animato
- Variations on a Theme by Haydn - Var II. Più vivace
- Variations on a Theme by Haydn - Var III. Con moto
- Variations on a Theme by Haydn - Var IV. Andante con moto
- Variations on a Theme by Haydn - Var V. Vivace
- Variations on a Theme by Haydn - Var VI. Vivace
- Variations on a Theme by Haydn - Var VII. Grazioso
- Variations on a Theme by Haydn - Var VIII. Presto non troppo
- Variations on a Theme by Haydn - Finale. Andante
Mehr Songtexte
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- Symphony No. 7 in A major, Op. 92: IV. Allegro con brio
- Symphony No. 5 in C minor, Op. 67: I. Allegro con brio
- Symphony No. 7 in A major, Op. 92: II. Allegretto
- Orchestral Suite in D major, BWV 1068: V. Gigue
- Symphony No. 6 in F major, Op. 68 "Pastorale": I. Erwachen heiterer Gefåuhle bei der Ankunft auf dem Lande. Allegro ma non troppo
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
- Symphony No. 5 in C minor, Op. 67: III. Allegro
- Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo
- Symphony No. 6 in F major, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute. Allegro
- Symphony No. 5 in C minor, Op. 67: IV. Allegro
- Concertante Musik für Orchester, Op. 10: Moderato - Molto Allegro
- Orchestral Suite in D major, BWV 1068: IV. Bourrée
- Orchestral Suite in D major, BWV 1068: II. Air
- Symphony No. 6 in F major, Op. 68 "Pastorale": II. Szene am Bach. Andante molto mosso
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
- Violin Concerto in D major, Op. 61: III. Rondo
- Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia
- Symphonie Nr.2 E-moll: I. Assai moderato
- Symphony No. 5 in C minor, Op. 67: II. Andante con moto
- Symphonie Nr.2 E-moll: IV. Langsam
- Orchestral Suite in D major, BWV 1068: I. Ouverture
- Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
- Orchestral Suite in D major, BWV 1068: III. Gavotte
- Symphony No. 7 in A major, Op. 92: III. Presto
- Symphony No. 6 in F major, Op. 68 "Pastorale": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
- Overture "Leonore" III, Op. 72a
- Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Gewitter, Sturm. Allegro
- Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace
- Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale: Adagio lamentoso - Andante
- Symphonie Nr.2 E-moll: III. Un poco moderato - Allegro
- Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace
- Symphonie Nr.2 E-moll: II. Andante semplice (Tranquillo)
- Violin Concerto in D major, op. 61: II. Larghetto
- Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più Allegro
- Variations on a theme by Joseph Haydn, Op. 56a: VI. Var. V
- Concerto grosso in D minor, Op. 6 No. 10: I. Overture
- Concerto grosso in D major, Op. 6 No. 5: VI. Allegro
- Tannhäuser: Overture
- Variations on a theme by Joseph Haydn, Op. 56a: IV. Var. III
- Variations on a theme by Joseph Haydn, Op. 56a: X. Finale. Andante
- Concerto grosso in D major, Op. 6 No. 5: IV. Largo
- Concerto grosso in D major, Op. 6 No. 5: I. [Larghetto e staccato]
- Overture "Leonore No. 3", Op. 72b
- Variations on a theme by Joseph Haydn, Op. 56a: II. Var. I
- Tristan und Isolde: Isoldes Liebestod
- Symphony No. 4 in E minor, Op. 98: II. Andante moderato
- Concerto grosso in D major, Op. 6 No. 5: III. Presto
- Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
- Variations on a theme by Joseph Haydn, Op. 56a: III. Var. II
- Variationen über ein Thema von Joseph Haydn, Op. 56a
- Triastan und Isolde: Isoldes Liebestod
- Variations on a theme by Joseph Haydn, Op. 56a: VIII. Var. VII
- Overture to "A Midsummer Night's Dream", Op. 21
- Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto
- Variations on a theme by Joseph Haydn, Op. 56a: V. Var. IV
- Die Miestersinger von Nürnberg: Sehr mäßig bewegt
- Overture "Manfred", Op. 115: Rasch
- Götterdämmerung (Trauermarsch): Sehr langsam - Feierlich
- Variations on a theme by Joseph Haydn, Op. 56a: VII. Var. VI
- Concerto grosso in D minor, Op. 6 No. 10: V. Allegro
- Variations on a theme by Joseph Haydn, Op. 56a: I. Chorale St. Antoni. Andante
- Overture "Manfred", Op. 115
- Variations on a theme by Joseph Haydn, Op. 56a: IX. Var. VIII
- Concerto grosso in D major, Op. 6 No. 5: V. Menuet. Un poco larghetto
- Concerto grosso in D major, Op. 6 No. 5: II. Allegro
- Die Meistersinger von Nürnberg: Prélude to Act I
- Tristan und Isolde: Prelude
- Concerto grosso in D minor, Op. 6 No. 10: III-IV. Air. Lentement
- Concerto grosso in D minor, Op. 6 No. 10: VI. Allegro moderato
- Concerto grosso in D minor, Op. 6 No. 10: II. Allegro
- Symphony No. 2 in D major, Op. 73: III. Allegretto grazioso (Quasi andantino)
- Concerto grosso in D major, Op. 6 No. 5: V. Allegro
- Concerto grosso in D major, Op. 6 No. 5: VI. Menuet. Un poco larghetto
- Symphony No. 6 in F major, Op. 68 "Pastorale": I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro ma non troppo
- Symphony No.9 in D Minor, Op. 125 - Allegro Assai Vivace; Alla Marcia
- Symphony No.9 in D Minor, Op. 125 - Allegro Assai
- Symphony No.9 in D Minor Op. 125 - Adagio Molto E Cantabile
- Symphony No.9 in D Minor, Op. 125 - Molto Vivace
- Symphony No.9 in D Minor, Op. 125 - Andante Maestoso; Allegro Energico; Prestissimo
- Symphony No.9 in D Minor Op. 125 - Allegro Ma Non Troppo, Un Poco Maestoso
- Symphony No.9 in D Minor Op. 125 - Presto
- Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro
- Symphony no. 104 in D major, Hob. I:104 "London": I. Adagio - Allegro
- Symphony no. 104 in D major, Hob. I:104 "London": II. Andante
- Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio Da capo
- Symphony no. 104 in D major, Hob. I:104 "London": III. Menuetto & Trio. Allegro
- Symphony no. 39 for Orchestra in E-flat major, K. 543: I. Adagio - Allegro
- Symphony no. 104 in D major, Hob. I:104 "London": IV. Finale. Spiritoso
- Symphony no. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto
- Franz Schubert / Rosamunde - 2 Entr'acte No.3 in B flat
- Franz Schubert / Symphony No. 8 'Unfinished' - 1Allegro moderato
- Franz Liszt / Les Preludes
- Gluck / Alceste - Overture
- Haydn / Symphony No. 94 'Surprise' - Fourth Movement in G major>IV.Adagio cantabile-Vivace assai
- Gluck / Iphigenie en Aulide - Overture
- Haydn / Symphony No. 94 'Surprise' in G major>I.Adagio cantabile-Vivace assai
- Johann Strauss II / Kaiserwalzer, Op.437
- Johann Strauss II & Josef Strauss / Pizzicato Polka
- Mozart / Symphony No. 40 in G minor K550 - II.Andante
- Mozart / Symphony No. 40 in G minor K550 - IV.Finale. (Allegro assai)
- Mozart / Symphony No. 40 in G minor K550 - I. Molto Allegro
- Hector Berlioz / La Damnation de Faust, Op.24 - Marche hongroise
- Carl Maria von Weber / Euryanthe - Overture
- Felix mendelsson / The Hebrides - Overture
- Mozart / Die Zauberflote K620 - Act II "Der Holle Rache"__Wilma Lipp (sopr)
- Franz Schubert / Symphony No. 8 'Unfinished' - 2 Andante con moto
- Carl Maria von Weber / Der Freischutz - Overture
- Otto Nicolai / Die lustigen Weiber won Windsor
- Haydn / Symphony No. 94 'Surprise' in G major>III.Adagio cantabile-Vivace assai
- Mozart / Die Zauberflote K620 - Act I. "O Zitt're nicht"__Wilma Lipp (sopr)
- Haydn / Symphony No. 94 'Surprise' in G major>II.Andante
- Mozart / Symphony No. 40 in G minor K550 - III.Menuetto (Allegretto) & Trio
- Franz Schubert / Rosamunde - 3 Ballet No.2 in G
- Luigi Cherubini / Anacreon - Overture
- Carl Maria von Weber / Oberon- Overture
- Robert Schumann / Manfred
- Franz Schubert / Rosamunde - 1 Overture
- Symphony no. 40 in G minor, K 550: III. Menuetto (Allegretto) & Trio
- Symphony no. 94 in G major "Surprise": IV. Adagio cantabile - Vivace assai
- Symphony no. 40 in G minor, K 550: I. Molto allegro
- Symphony no. 40 in G minor, K 550: IV. Finale (Allegro assai)
- Manfred
- Symphony no. 94 in G major "Surprise": I. Adagio cantabile - Vivace assai
- Symphony no. 94 in G major "Surprise": II. Andante
- Die Zauberflote, K 620: Act I "O Zitt're nicht"
- Symphony no. 94 in G major "Surprise": III. Adagio cantabile - Vivace assai
- The Hebrides: Overture
- Symphony no. 40 in G minor, K 550: II. Andante
- Die Zauberflote, K 620: Act II "Der Holle Rache"
- Symphonie Nr. 5 c-Moll op. 67
- Symphonie Nr. 6 F-Dur op. 68 "Pastorale"
- Symphony No. 2 in D major, Op. 36: IV. Allegro molto
- Symphony No. 2 in D major, Op. 36: III. Scherzo (Allegro) & Trio
- Symphony no. 4 in B-flat major, op. 60: II. Adagio
- Symphony No. 4 in B-flat major, Op. 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro)
- Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
- Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
- Symphony No. 2 in D major, Op. 36: II. Larghetto
- Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio
- Die Meistersinger von Nürnberg: Sehr mäßig bewegt
- Symphonie No.39 Es-Dur KV 543; 4. Finale. Allegro
- Symphonie No.104 D-Dur 'London': 2. Andante
- Symphonie No.39 Es-Dur KV 543; 2. Andante Con Moto
- Symphonie No.39 Es-Dur KV 543: 3. Menuetto - Allegretto
- Symphonie No.39 Es-Dur KV 543: 1. Adagio - Allegro
- Symphonie No.104 D-Dur 'London': 1. Adagio - Allegro
- Symphonie No.104 D-Dur 'London': 3. Menuetto: Allegro
- Symphonie No.104 D-Dur 'London': 4. Finale: Spiritoso
- Tristan und Isolde: Act III, Scene I. "Öd' und leer das Meer!" (Shepherd) / Hirtenreigen auf einer Schalmei / "Die alte Weise" (Tristan, Kurwenal)
- Symphony no. 9 in D minor ‘Choral’ op. 125: III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo
- Symphony no. 94 in G ‘Surprise’: II. Andante
- Symphony no. 3 in E-flat ‘Eroica’ op. 55: IV. Finale: Allegro molto - Poco andante - Presto
- Tristan und Isolde: Act II, Scene III. "Rette dich, Tristan!" (Kurwenal, Tristan, Melot)
- Symphony no. 3 in E-flat ‘Eroica’ op. 55: I. Allegro con brio
- Tristan und Isolde: Act I, Scene V. "War Morold dir so wert" (Tristan, Isolde)
- Fidelio op. 72: Act I, no. 8. Duet "Jetzt, Alter, jetzt hat es Eile!"
- Tristan und Isolde: Act I, Scene III. "Wie lachend sie mir Lieder singen" (Isolde)
- Fidelio op. 72, Act II, Scene I, no. 14 Quartet "Er sterbe!" -
- Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Wer ein holdes Weib errungen"
- Fidelio op. 72: Act I, no. 10. Finale "Nun sprecht, wie ging's?" -
- Symphony no. 6 in F ‘Pastoral’ op. 68: III. Allegro (Merry gathering of the country folk) -
- Symphony no. 40 in G minor, K. 550: I. Molto allegro
- Fidelio op. 72, Act II, Scene I, no. 11 Aria "Gott! Welch' Dunkel hier!"
- Tristan und Isolde: Act III, Scene III. "Tot denn alles! Alles tot!" (Marke)
- Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Heil sei dem Tag" -
- Tristan und Isolde: Act II, Scene I. "Und mußte der Minne tückischer Trank" (Isolde, Brangäne)
- Tristan und Isolde: Act III, Scene I. "Mein Herre! Tristan! Schrecklicher Zauber!" (Kurwenal)
- Tristan und Isolde: Act III, Scene II. "Ich bin's, ich bin's, süßester Freund!" (Isolde)
- Tristan und Isolde: Act I, Scene II. "Frisch weht der Wind der Heimat zu" (Sailor)
- Symphony no. 40 in G minor, K. 550: IV. Finale: Allegro assai
- Tristan und Isolde: Act II. Prelude
- Symphony no. 1 in C minor op. 68: IV. Adagio - Più Andante - Allegro non troppo ma con brio
- Tristan und Isolde: Act II, Scene III. "Als für ein fremdes Land" (Isolde)
- Tristan und Isolde: Act II, Scene II. "So stürben wir, um ungetrennt" (Isolde, Tristan)
- Tristan und Isolde: Act II, Scene II. "Das Licht! Das Licht!" (Tristan, Isolde)
- Tristan und Isolde: Act II, Scene III. "Wohin nun Tristan scheidet, willst du, Isold', ihm folgen?" (Tristan)
- Symphony no. 8 in F op. 93: I. Allegro vivace e con brio
- Tristan und Isolde: Act III, Scene I. "Nein! Ach nein! So heißt sie nicht!" (Tristan)
- Symphony no. 5 in C minor op. 67: I. Allegro con brio
- Tristan und Isolde: Act I, Scene II. "Darf ich die Antwort sagen?" (Kurwenal, Tristan, Crew)
- Symphony no. 6 in B minor op. 74 ‘Pathétique’: II. Allegro con grazia
- Fidelio op. 72, Act II, Scene I, no. 13 Trio "Euch werde Lohn in besser'n Welten"
- Tristan und Isolde: Act II, Scene I. "Hörst du sie noch?" (Isolde, Brangäne)
- Tristan und Isolde: Act III, Scene I. "Isolde noch im Reich der Sonne!" (Tristan, Kurwenal)
- Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VIII (Presto non troppo)
- Symphony no. 7 in A op. 92: IV. Allegro con brio
- Violin Concerto no. 2: II. Andante tranquillo
- Symphony no. 3 in E-flat ‘Eroica’ op. 55: III. Scherzo: Allegro vivace
- Tristan und Isolde: Act I, Scene V. Interlude: Langsam
- Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VI (Vivace)
- Furtwängler's Reputation in the 1940s: Beethoven Symphony no. 5 - III. Allegro - IV. Allegro
- Tristan und Isolde: Act I, Scene V. "Auf das Tau! Anker los!" (Crew, Tristan, Isolde)
- Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation I (Poco più animato)
- Fidelio op. 72: Act I, no. 10. Finale "O, welche Lust!" -
- Tristan und Isolde: Act III, Scene I. "Noch losch das Licht nicht aus" (Tristan, Kurwenal)
- Symphony no. 9 in D minor ‘Choral’ op. 125: IV. Presto - Allegro assai - Presto - Recitativo - Allegro assai - Allegro assai vivace (alla marcia) - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico e sempre ben marcato - Allegro ma ...
- Symphony no. 8 in F op. 93: III. Tempo di menuetto
- Fidelio op. 72: Act I, no. 3. Quartet "Mir ist so wunderbar"
- Tristan und Isolde: Act I, Scene I. "Westwärts schweift der Blick" (Sailor, Isolde)
- Tristan und Isolde: Act I, Scene II. "Mir erkoren, mir verloren" (Isolde, Brangäne)
- Symphony no. 4 in E minor op. 98: I. Allegro non troppo
- Symphony no. 6 in F ‘Pastoral’ op. 68: IV. Allegro (Storm and tempest) -
- Fidelio op. 72, Act II, Scene I, no. 11 Introduction -
- Symphony no. 40 in G minor, K. 550: II. Andante
- Tristan und Isolde: Act I, Scene V. "Nun will ich des Eides walten" (Tristan, Isolde)
- Tristan und Isolde: Act I, Scene III. "Kennst du der Mutter Künste nicht?" (Brangäne, Isolde, Crew)
- Double Concerto in A minor op. 102: III. Vivace non troppo
- Tristan und Isolde: Act III. Prelude
- Tristan und Isolde: Act I, Scene III. "Weh, ach wehe! Dies zu dulden!" (Brangäne, Isolde)
- Symphony no. 3 in F op. 90: II. Andante
- Tristan und Isolde: Act I, Scene III. "O Wunder! Wo hatt' ich die Augen?" (Brangäne, Isolde)
- Symphony no. 2 in D op. 36: II. Larghetto
- Fidelio op. 72: Overture
- Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - Cadenza - Tempo I - Presto
- Symphony no. 3 in F op. 90: I. Allegro con brio - Un poco sostenuto
- Symphony no. 4 in E minor op. 98: II. Andante moderato
- Symphony no. 2 in D major op. 73: II. Adagio non troppo
- Tristan und Isolde: Act II, Scene III. "Wozu die Dienste ohne Zahl" (Marke)
- Double Concerto in A minor op. 102: I. Allegro
- Tristan und Isolde: Act III, Scene I. "Dünkt dich das? Ich weiß es anders" (Tristan)
- Tristan und Isolde: Act I, Scene I. "O weh! Ach! Ach, des Übels, das ich geahnt!" (Isolde, Brangäne)
- Tristan und Isolde: Act I, Scene II. "Hab acht, Tristan! Botschaft von Isolde" (Kurwenal, Tristan, Brangäne)
- Tristan und Isolde: Act II, Scene II. "Unsre Liebe? Tristans Liebe?" (Tristan)
- Tristan und Isolde: Act III, Scene I. "Der Trank! Der Trank! Der furchtbare Trank!" (Tristan)
- Violin Concerto in D op. 77: I. Allegro non troppo
- Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto - Trio
- Symphony no. 3 in F op. 90: III. Poco allegretto
- Symphony no. 7 in A op. 92: II. Allegretto
- Violin Concerto no. 2: III. Allegro molto
- Tristan und Isolde: Act II, Scene II. "Habet acht! Habet acht!" (Brangäne, Tristan, Isolde)
- Symphony no. 2 in D major op. 73: I. Allegro non troppo
- Tristan und Isolde: Act II, Scene III. "Tatest du's wirklich?" (Marke, Tristan)
- Tristan und Isolde: Act I, Scene IV. "Auf! Auf! Ihr Frauen!" (Kurwenal)
- Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation II (Più vivace)
- Tristan und Isolde: Act III, Scene III. "Sie wacht! Sie lebt! Isolde!" (Brangäne, Marke)
- Tristan und Isolde: Act III, Scene III. "Heller schallend, mich umwallend" (Isolde)
- Tristan und Isolde: Act III, Scene I. "Wei sie selig, hehr und milde" (Tristan)
- Hungarian Dances: No. 10 in F major: Presto
- Symphony no. 4 in B-flat op. 60: I. Adagio - Allegro vivace
- Tristan und Isolde: Act III, Scene I. "Kurwenal! He! Sag, Kurwenal!" (Shepherd, Kurwenal)
- Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation III (Con moto)
- Tristan und Isolde: Act III, Scene I. "Mein Kurwenal, du trauter Freund!" (Tristan)
- Fidelio op. 72: Act I, no. 6. March
- Fidelio op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben"
- Leonore Overture no. 3 in C op. 72a
- Symphony no. 5 in C minor op. 67: II. Andante con moto
- Symphony no. 3 in E-flat ‘Eroica’ op. 55: II. Marcia funebre: Adagio assai
- Fidelio op. 72: Act I, no. 9. Recitative "Abscheulicher! Wo eilst du hin?" - Aria "Komm, Hoffnung, laß den letzten Stern"
- Symphony no. 4 in B-flat op. 60: III. Allegro vivace - Trio: Un poco meno allegro
- Symphony no. 7 in A op. 92: I. Poco sostenuto - Vivace
- Fidelio op. 72, Act II, Scene I, no. 14 Recitative "Vater Rocco!"
- Tristan und Isolde: Act II, Scene II. "Doch unsre Liebe" (Isolde, Tristan)
- Symphony no. 2 in D op. 36: IV. Allegro molto
- Fidelio op. 72: Act I, no. 7. Aria with Chorus "Ha! Welch ein Augenblick!"
- Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation VII (Grazioso)
- Fidelio op. 72, Act II, Scene I, no. 15 Duet "O namenlose Freude!"
- Tristan und Isolde: Act III, Scene II. "O diese Sonne! Ha dieser Tag!" (Tristan, Isolde)
- Tristan und Isolde: Act III, Scene I. "Das Schiff? Siehst du's noch nicht?" (Tristan, Kurwenal)
- Piano Concerto no. 5 in E-flat ‘Emperor’ op. 73: II. Adagio un poco mosso
- Tristan und Isolde: Act I, Scene III. "Von seinem Lager blickt' er her" (Isolde)
- Fidelio op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein"
- Symphony no. 1 in C minor op. 68: I. Un poco sostenuto - Allegro
- Violin Concerto in D op. 77: II. Adagio
- Tristan und Isolde: Act I, Scene I. "Brangäne, du? Sag - wo sind wir?" (Isolde, Brangäne)
- Tristan und Isolde: Act II, Scene II. "Isolde! Geliebte! ... Tristan! Geliebter!" (Tristan, Isolde)
- Tristan und Isolde: Act II, Scene I. "O laß die warnende Zünde" (Isolde, Brangäne)
- Hungarian Dances: No. 1 in G minor: Allegro molto
- Tristan und Isolde: Act I, Scene III. "Da Friede, Sühn' und Freundschaft" (Brangäne, Isolde)
- Symphony no. 8 in F op. 93: II. Allegretto scherzando
- Fidelio op. 72, Act II, Scene I, no. 12 Melodrama "Wie kalt ist hier!" -
- Tristan und Isolde: Act II, Scene II. "O sink hernieder, Nacht der Liebe" (Tristan, Isolde)
- Fidelio op. 72: Act I, no. 2. Aria "O, wär' ich schon mit dir vererint"
- Tristan und Isolde: Act II, Scene II. "O eitler Tagesknecht!" (Isolde)
- Symphony no. 9 in D minor ‘Choral’ op. 125: II. Molto vivace - Presto
- Tristan und Isolde: Act I, Scene V. "Du hörst den Ruf?" (Isolde)
- Violin Concerto in D op. 77: III. Allegro giocoso, ma non troppo vivace
- Violin Concerto in E minor, op. 64: III. Allegretto ma non troppo - Allegro molto vivace
- Symphony no. 6 in B minor op. 74 ‘Pathétique’: I. Adagio - Allegro con troppo
- Tristan und Isolde: Act III, Scene I. Hirtenreigen auf einer Schalmei / "Noch ist kein Schiff zu sehn!" (Kurwenal, Tristan)
- Tristan und Isolde: Act II, Scene II. "Einsam wachend in der Nacht" (Brangäne)
- Piano Concerto no. 5 in E-flat ‘Emperor’ op. 73: III. Rondo: Allegro
- Tristan und Isolde: Act I, Scene V. "Was träumte mir von Tristans Ehre?" (Tristan, Isolde)
- Symphony no. 94 in G ‘Surprise’: III. Menuetto: Allegro molto - Trio
- Tristan und Isolde: Act I, Scene III. "Ungeminnt den hehrsten Mann" (Isolde, Brangäne)
- Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Thema. Chorale St. Antoni (Andante)
- Symphony no. 4 in B-flat op. 60: II. Adagio
- Symphony no. 7 in A op. 92: III. Presto - Assai meno presto
- Symphony no. 5 in C minor op. 67: IV. Allegro - Presto
- Violin Concerto no. 2: I. Allegro non troppo
- Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Finale (Andante)
- Symphony no. 6 in B minor op. 74 ‘Pathétique’: III. Allegro molto vivace
- Tristan und Isolde: Act II, Scene III. "Nun, da durch solchen Besitz mein Herz" (Marke)
- Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation V (Vivace)
- Violin Concerto in E minor, op. 64: II. Andante - Allegretto non troppo
- Tristan und Isolde: Act III, Scene III. "Kurwenal! Hör! Ein zweites Schiff" (Shepherd, Kurwenal, Helmsman, Brangäne, Melot, Marke)
- Tristan und Isolde: Act I, Scene III. "O Süße,Traute! Teure! Holde! Goldne Herrin!" (Brangäne)
- Symphony no. 4 in B-flat op. 60: IV. Allegro ma non troppo
- Tristan und Isolde: Act III, Scene I. Hirtenreigen auf einer Schalmei / "O Wonne! Freude! Ha! Das Schiff!" (Kurwenal, Tristan)
- Leonore no. 2 - Overture op. 72a
- Tristan und Isolde: Act I, Scene IV. "Nun leb wohl, Brangäne!" (Isolde, Brangäne, Kurwenal)
- Coriolan - Overture op. 62
- Symphony no. 2 in D op. 36: III. Scherzo: Allegro
- Symphony no. 2 in D major op. 73: III. Allegretto grazioso (Quasi andantino) - Presto, ma non assai
- Symphony no. 9 in D minor ‘Choral’ op. 125: I. Allegro ma non troppo, un poco maestoso
- Tristan und Isolde: Act II, Scene III. "Dies wunderhehre Weib" (Marke)
- Tristan und Isolde: Act I, Scene V. "Ho! He! Ha! He! Am Obermast die Segel ein!" (Crew, Tristan, Isolde)
- Symphony no. 4 in E minor op. 98: III. Allegro giocoso
- Fidelio op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut, hab immer Mut"
- Symphony no. 6 in F ‘Pastoral’ op. 68: II. Andante molto moto (Scene by the brook)
- Symphonic Concerto in B minor: II. Adagio (Sehr langsam)
- Tristan und Isolde: Act II, Scene I. "Der deiner harrt - o hör mein Warnen!" (Isolde, Brangäne)
- Symphony no. 3 in F op. 90: IV. Allegro - Un poco sostenuto
- Symphony no. 2 in D op. 36: I. Adagio - Allegro con brio
- Hungarian Dances: No. 3 in F major: Allegretto
- Symphony no. 6 in B minor op. 74 ‘Pathétique’: IV. Finale: Adagio lamentoso - Andante
- Symphony no. 8 in F op. 93: IV. Allegro vivace
- Tristan und Isolde: Act III, Scene II. "Die Wunde! Wo? Laß sie mich heilen!" (Isolde)
- Tristan und Isolde: Act II, Scene II. "O ew'ge Nacht, süße Nacht!" (Isolde, Tristan)
- Tristan und Isolde: Act II, Scene II. "O nun waren wir Nacht-Geweihte!" (Tristan)
- Symphony no. 4 in E minor op. 98: IV. Allegro energico e passionato
- Tristan und Isolde: Act I, Scene V. "Begehrt, Herrin, was Ihr wünscht" (Tristan, Isolde)
- Tristan und Isolde: Act I, Scene V. "Schnell, den Mantel, den Königsschmuck!" (Brangäne, Chorus, Kurwenal, Tristan, Isolde)
- Tristan und Isolde: Act I, Scene V. "Da du so sittsam, mein Herr Tristan" (Tristan, Isolde)
- Symphony no. 6 in F ‘Pastoral’ op. 68: V. Allegretto (Shepherds' Song. Happy and thankful feelings after the storm)
- Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Du schlossest auf des Edien Grab" -
- Double Concerto in A minor op. 102: II. Andante
- Tristan und Isolde: Act III, Scene III. "Mild und leise wir er lächelt" (Isolde)
- Tristan und Isolde: Act III, Scene I. "Wo du bist? In Frieden, sicher und frei!" (Kurwenal, Tristan)
- Symphony no. 94 in G ‘Surprise’: IV. Finale: Allegro di molto
- Symphony no. 5 in C minor op. 67: III. Allegro
- Tristan und Isolde: Act II, Scene III. "O König, das kann ich dir nicht sagen" (Tristan)
- Tristan und Isolde: Act II, Scene II. "Der Tag! Der Tag" (Tristan, Isolde)
- Tristan und Isolde: Act II, Scene II. "In deiner Hand den süßen Tod" (Tristan, Isolde)
- Symphony no. 2 in D major op. 73: IV. Allegro con spirito
- Symphony no. 1 in C minor op. 68: III. Un poco allegretto e grazioso
- Fidelio op. 72, Act II, Scene II, no. 16 Finale: "Des besten Königs Wink und Wille" -
- Fidelio op. 72: Act I, no. 10. Finale "Ach! Varter, eilt!"
- Symphony no. 6 in F ‘Pastoral’ op. 68: I. Allegro ma non troppo (Awakening of cheerful feelings on arriving in the country)
- Tristan und Isolde: Act II, Scene III. "Verräter! Ha! Zur Rache, König!" (Melot, Tristan)
- Symphony no. 94 in G ‘Surprise’: I. Adagio Vivace assai
- Piano Concerto no. 5 in E-flat ‘Emperor’ op. 73: I. Allegro
- Tristan und Isolde: Act II, Scene II. "Lausch, Geliebter!" (Isolde, Tristan)
- Tristan und Isolde: Act I, Scene V. "Tristan!... Isolde!" (Tristan, Isolde, Chorus, Brangäne)
- Symphony no. 1 in C minor op. 68: II. Andante sostenuto
- Fidelio op. 72, Act II, Scene I, no. 12 Duet "Nur hurtig fort, nur frisch gegraben"
- Variations on a Theme by Haydn op. 56a ‘St Antoni Chorale’: Variation IV (Andante con moto)
- Tristan und Isolde: Act I, Scene IV. "Herrn Tristan bringe meinen Gruß" (Isolde, Kurwenal)
- Tristan und Isolde: Act III, Scene I. Hirtenreigen auf einer Schalmei
- Tristan und Isolde: Akt III, Szene I. "Kurwenal! He! Sag, Kurwenal!"
- Cellokonzert a-moll op. 129: I. Nicht zu schnell
- Tristan und Isolde: Akt I, Szene V. "Tristan!... Isolde!"
- Tristan und Isolde: Akt III, Szene I. "Noch losch das Licht nicht aus"
- Tristan und Isolde: Akt III, Szene I. "Mein Herre! Tristan! Schrecklicher Zauber!"
- Konzert für Violine und Orchester D-dur, op. 61: I. Allegro ma non troppo
- Cellokonzert a-moll op. 129: III. Sehr lebhaft
- Tristan und Isolde: Akt I, Szene II. "Darf ich die Antwort sagen?"
- Tristan und Isolde: Akt II, Szene II. "Habet acht! Habet acht!"
- Hungarian Dances (Excerpts) n° 1 in G minor & n° 10 in F major
- Tristan und Isolde: Akt III, Szene I. "Isolde noch im Reich der Sonne!"
- Rosamunde: D 797: II. Entr'acte
- Tristan und Isolde: Akt III, Szene I. "Öd' und leer das Meer!" / "Hirtenreigen auf einer Schalmei" / "Die alte Weise"
- Romance for Violin and Orchestra no. 1 in G major, op. 40
- Tristan und Isolde: Akt III, Szene I. "Hirtenreigen auf einer Schalmei; O Wonn! Freude! Ha! Das Schiff!"
- Tristan und Isolde: Akt III, Szene I. "Wo du bist? In Frieden, sicher und frei!"
- Konzert für Violine und Orchester D-dur, op. 61: II. Larghetto - attacca
- Cellokonzert a-moll op. 129: II. Langsam
- Tristan und Isolde: Akt II, Szene III. "Rette dich, Tristan!"
- Konzert für Violine und Orchester D-dur, op. 61: III. Rondo. Allegro
- Tristan und Isolde: Akt III, Szene I. "Das Schiff? Siehst du's noch nicht?"
- Rosamunde: D 797: III. Ballet music
- Tristan und Isolde: Akt III, Szene I. "Hirtenreigen auf einer Schalmei; Noch ist kein Schiff zu sehn!"
- Symphony No. 4 in e, Op. 98 - III. Allegro giocoso
- Symphony No. 2 in D, Op. 73 - IV. Allegro con spirito
- Symphony No. 2 in D, Op. 73 - III. Allegretto grazioso
- Symphony No. 3 in F, Op. 90 - I. Allegro con brio
- Symphony No. 4 in e, Op. 98 - Allegro energico e passionato
- Symphony No. 3 in F, Op. 90 - III. Poco allegretto
- Symphony No. 3 in F, Op. 90 - II. Andante
- Variations on a Theme by Haydn, Op. 56a
- Symphony No. 2 in D, Op. 73 - II. Adagio non troppo
- Symphony No. 3 in F, Op. 90 - IV. Allegro
- Symphony No. 4 in e, Op. 98 - II. Andante moderato
- Symphony No. 4 in e, Op. 98 - I. Allegro non troppo
- Symphony No. 2 in D, Op. 73 - I. Allegro non troppo
- Symphony No. 9 in D minor, Op. 125 "Choral" - III. Adagio molto e cantabile
- Der Freischütz, Op. 77 - Overture
- Il barbiere di Siviglia - Overture
- Orchestral Suite No. 3, BWV 1068 - II. Air
- Parsifal - Act III - Karfreitagszauber
- Lohengrin, Act. I - Prelude
- Götterdämmerung - Prolog - Orchestra (after the Norns)
- Götterdämerung, Act III, scene 3 - O ihr, der Eide ewige Hüter
- Götterdämmerung - Act I, scene 3 - Altewohntes Geräusch
- The Hebrides Rehearsal
- Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik" - II. Romanze. Andante
- Die Walküre, At III - scene 1 - " Schütz mich un helft in höchster Not !"
- Symphony No. 9 in D minor, Op. 125 "Choral" - IV. Finale - Andante maestoso
- Der Freischütz, Op. 77 - Act III. Prelude
- Symphony No. 5 in C minor, Op. 67 - IV. Allegro - Presto
- Tristan un Isolde - Act III - Isoldes Liebestod
- Parsifal - Act I - Prelude
- La Damnation de Faust, Op. 24 - Marche hongroise
- Hungarian Dances, No. 1 in G minor
- Symphony No. 5 in C minor, Op. 67 - III. Allegro
- Egmont, Op. 84 - Overture
- Hungarian Dances, No. 10 in E major
- Götterdämmerung - Prolog - Mehr gabst du, Wunderfrau
- Götterdämerung, Act II, scene 4 - Glaub, mehr zürnt es mich als dich
- Die Walküre, At III - scene 3 - "Leb wohl, du kühnes, herrlichs Kind!"
- Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik" - III. Menuetto. Allegretto - Trio
- Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik" - I. Allegro
- Götterdämerung, Act III, scene 3 - Mein, Erbe nun nehm' ich zu eigen
- La gazza ladra - Overture
- Die Walküre, At III - scene 2 - "Hörtet ihr nicht, was ich verbrach"
- Götterdämerung, Act II, scene 4 - Gegrüsst sei, teurer Held
- Götterdämerung, Act II, scene 4 - Einene Ring sah ich an deiner Hand
- Götterdämmerung - Prolog - O heilige Götter
- Symphony No. 5 in C minor, Op. 67 - II. Andnate con moto
- Symphony No. 5 in C minor, Op. 67 - II. Andante con moto
- Götterdämerung, Act II, scene 4 - Betrug Betrug
- Götterdämerung, Act II, scene 5 - So soll es sein
- Rosamunde, D. 797 - Ballet No. 2
- Symphony No. 9 in D minor, Op. 125 "Choral" - IV. Finale - "O Freunde, nicht diese Töne..."
- A Midsummer Night's Dream, Overture, Op. 21
- Götterdämmerung - Prolog - Zu neuen Taten, teurer Helde
- Götterdämmerung - Act I, scene 3 - Welch banger Traüme Mären
- Symphony No. 9 in D minor, Op. 125 "Choral" - I. Allegro ma non tropo, un poco maestoso
- Die Fledermaus - Overture
- Tristan und Isolde, Act. III - Isolde Liebestod
- Rosamunde, D. 797 - Entracte No. 3
- Symphony No. 9 in D minor, Op. 125 "Choral" - IV. Finale - End
- Götterdämmerung - Act I, scene 3 - Höre mit Sinn, was cih dir sage
- Die Walküre, At III - scene 2 - "Wo ist Brünnhild, wo di Verbrecherin?"
- Götterdämmerung - Act I, scene 3 - Jetzt bist du mein
- Götterdämerung, Act III, scene 3 - Grane, mein Ross, sei mir gegrüsst
- Die Walküre, At III - scene 3 - "War es so schmählich, was ich verbrach"
- Götterdämmerung, Act II - Siegfried's Funeral March
- Götterdämerung, Act III, scene 3 - Starke Scheite schichtet mir dort
- Till Eulenspiegels lustige Streiche, Op. 28
- Götterdämmerung - Act I, scene 3 - Blitz und Gewölk
- Götterdämerung, Act II, scene 5 - Vertraue mir, betrog'ne Frau
- Götterdämerung, Act II, scene 4 - Helle Wehr Heilige Waffe
- Götterdämerung, Act III, scene 3 - Schweigt eures Jammers jauchzenden Schwall
- Götterdämerung, Act III, scene 3 - Fliegt heim, ihr Raben
- Rosamunde, D. 797 - Overture
- Aufforderung zum tanz (orch. Berlioz "Invitation à la valse")
- Die Walküre, At III - scene 1 - "Hojotoho ! Heiaha !"
- Symphony No. 5 in C minor, Op. 67 - I. Allegro con brio
- Götterdämerung, Act II, scene 5 - Un dort trifft ihn mein Speer
- Tristan un Isolde - Act I - Prelude
- Tristan und Isolde, Act. I - Prelude
- Till Eulenspiegels Rehearsal
- Die Walküre, At III - scene 3 - "In festen Schlaf verschliess' ich dich"
- Symphony No. 9 in D minor, Op. 125 "Choral" - IV. Finale - Alla marcia
- Symphony No. 9 in D minor, Op. 125 "Choral" - II. Molto vivace
- Le nozze di Figaro, K. 492 - Overture
- Die Walküre, At III - scene 3 - "Lodge, hör! Lausche hieher!"
- Symphony No. 9 in D minor, Op. 125 "Choral" - IV. Finale - Beginning
- Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik" - IV. Rondo. Allegro
- Die Walküre, At III - scene 3 - "So tatest du, was so gern zu tun ich begehrt"
- Die Entführung aus dem Serail, K. 384 - Overture
- Slavonic Dance in A-flat major, Op. 46 No. 3
- Brandeburg Concerto No. 3 in G major, BWV 1048 - III. Allegro
- Brandeburg Concerto No. 3 in G major, BWV 1048 - I.
- Götterdämmerung - Act I, scene 3 - Brünnhild Ein Freier kam
- Götterdämerung, Act II, scene 5 - Welches Unholds List
- Götterdämerung, Act II, scene 4 - Brünnhild, die hehrste Frau
- Götterdämerung, Act III, scene 3 - Wie Sonne lauter strahlt mir sei Licht
- The Hebrides, Op. 26 "Fingal's Cave"
- Götterdämerung, Act II, scene 4 - Heil dir, Gunther
- Symphony No. 6 in B minor, Op. 74 "Pathétique" - IV. Adagio lamentoso - Andante
- Symphony No. 6 in B minor, Op. 74 "Pathétique" - I. Adagio - Allegro non troppo
- Symphony No. 6 in B minor, Op. 74 "Pathétique" - II. Allegro con grazia
- Symphony No. 6 in B minor, Op. 74 "Pathétique" - III. Allegro molto vivace
- Die Walküre, Act III - scene 3 - "So tatest du, was so gern zu tun ich begehrt"
- Die Walküre, Act III - scene 3 - "War es so schmählich, was ich verbrach"
- Die Walküre, Act III - scene 3 - "Lodge, hör! Lausche hieher!"
- Die Walküre, Act III - scene 3 - "In festen Schlaf verschliess' ich dich"
- Die Walküre, Act III - scene 2 - "Hörtet ihr nicht, was ich verbrach"
- Die Walküre, Act III - scene 2 - "Wo ist Brünnhild, wo di Verbrecherin?"
- Die Walküre, Act III - scene 1 - " Schütz mich un helft in höchster Not !"
- Die Walküre, Act III - scene 1 - "Hojotoho ! Heiaha !"
- Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai
- Die Walküre, Act III - scene 3 - "Leb wohl, du kühnes, herrlichs Kind!"
- Symphonic concerto for piano and orchestra in B minor - II. Adagio solenne
- Symphony No. 7 in E major - II. Adagio
- Alceste - Overture
- Symphony No. 6 in F major, Op. 68 "Pastoral" - III. Merry gathering of the country folk
- Symphony No. 6 in F major, Op. 68 "Pastoral" - IV. Storm and Tempest
- Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale" - Theme. Andante
- Symphony No. 6 in F major, Op. 68 "Pastoral" - II. Scene by the brook
- Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale" - Finale. Andante
- Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale" - VI. Vivace
- Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale" - I. Poco più animato
- Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale" - VIII. Presto non troppo
- Violin Concerto in D major, Op. 61 - III. Allegro
- Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale" - II. Più vivace
- Violin Concerto in D major, Op. 61 - I. Allegro ma non troppo
- Symphony No. 6 in F major, Op. 68 "Pastoral" - I. Awakening of happy feeling on arriving in the country
- Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale" - IV. Andante con moto
- Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale" - III. Con moto
- Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale" - VII. Grazioso
- Violin Concerto in D major, Op. 61 - II. Larghetto
- Symphony No. 6 in F major, Op. 68 "Pastoral" - V. Sheperd's Song. Happy and thankful feelings after the storm
- Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale" - V. Vivace
- Má Vlast: II. Vltava
- Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio: Un poco meno allegro
- Symphony no. 2 in D major, op. 73: III. 12086-1
- Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio
- Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: I. Largo. Molto allegro
- Götterdämmerung: Act III, Scene 3: Immolation Scene. “Grane, mein Ross, sei mir gegrüsst” (Brünnhilde)
- Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro
- Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto
- Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio
- Symphony no. 2 in D major, op. 73: II. 12083-1
- Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: II. Menuetto
- Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo - Allegro vivace
- Symphony no. 2 in D major, op. 73: I. 12082-1
- Götterdämmerung: Act III, Scene 3: Immolation Scene. “Mein Erbe nun nehm'ich zu eigen” (Brünnhilde)
- Symphony no. 2 in D major, op. 73: III. Allegretto grazioso. Quasi andantino - Presto ma non assai
- Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
- Götterdämmerung: Act III, Scene 3: Immolation Scene. “Starke Scheite schichtet dort” (Brünnhilde)
- Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
- Serenade in B-flat major, for 13 wind instruments, K. 361 “Gran Partita”: III. Adagio
- Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
- Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai: first side
- Manfred, op. 115: Overture
- Symphony no. 2 in D major, op. 73: I. 12080-1
- Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation I. Poco più animato
- Tristan und Isolde: Act II, Scene 2. “O eitler Tagesknecht” (Tristan, Isolde)
- Tristan und Isolde: Act II, Scene 2. “So starben wir, um ungetrennt” (Tristan, Isolde, Brangäne)
- Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VIII. Presto non troppo
- Tristan und Isolde: Act II, Scene 2. “Lausch, Geliebter!” (Tristan, Isolde)
- Götterdämmerung: Act III. Siegfried's Funeral March (Play-through - test recording)
- Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo
- Die Walküre: Act III, Scene 2. “Hörtet ihr nicht, was ich verhängt?” (Wotan, Walkyries)
- Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Gefühle bei der Ankunft auf dem Lande. Allegro non troppo
- Matthäus-Passion, BWV 244: Second Part. No. 68 Recitative: “Desgleichen schmäheten ihn auch die Mörder”
- Serenade in C major, op. 48: III. Elegia (Elegy). Larghetto elegiaco (Play-through - test recording)
- Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Theme. Andante
- Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation V. Vivace
- Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro
- Die Walküre: Act III, Scene 1. “Schützt mich und helft in höchster Not!” (Brünnhilde, Sieglinde, Walkyries)
- Die Walküre: Act III, Scene 2. “Wo ist Brünnhild', wo die Verbrecherin?” (Wotan, Brünnhilde)
- Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm. Allegro
- Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam
- Tristan und Isolde: Act II, Scene 3. “O König, dass kannich dir nicht sagen” (Tristan, Isoldee, Melot)
- Tristan und Isolde: Act II, Scene 1. “Hörst du sie noch?” (Isolde, Brangäne)
- Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach. Andante molto moto
- Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VI. Vivace
- Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation II. Più vivace
- Die Walküre: Act III, Scene 3. “Leb wohl, du kühnes, herrliches Kind!” (Wotan)
- Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo
- Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation III. Con moto
- Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm. Allegretto
- Tristan und Isolde: Act III, Scene 1. “Dünk! dich das? Ich weiß es anders” (Kurwenal, Tristan)
- Die Walküre: Act III, Scene 1. “Hojotoho! Heiaha!” (Walkyries)
- Leonore Overture no. 2, op. 72a
- Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation IV. Andante con moto
- Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Variation VII. Grazioso
- Variations on a Theme by Haydn, op. 56a “St. Antoni Chorale”: Finale. Andante
- Die Walküre: Act III, Scene 3. “In festen Schlaf verschliess' ich dich” (Wotan, Brünnhilde)
- Die Walküre: Act I, Scene 3. “Winterstürme wichen dem Wonnemond” (Siegmund, Sieglinde1)
- Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto
- »Rapsodie Espagnole« - »Prélude À La Nuit«
- Symphony No. 7, Op. 92 - III. Presto - Assai meno presto
- Hungarian Dances (excerpts) - No. 3 In F Major (Allegretto)
- »Mouvement Symphonique No. 3«
- Symphony No. 7 - III. Scherzo: Sehr Schnell
- Symphony No. 7, Op. 92 - IV. Allegro con brio
- Symphony No. 4, Op. 36 - I. Andante Sostenuto. Moderato Con Anima
- Symphony No. 7 - II. Adagio: Sehr Feierlich Und Langsam
- Symphony No. 4, Op. 36 - II. Andantino In Modo Di Canzona
- Hungarian Dances (excerpts) - No. 10 In F Major (Presto)
- Serenade No. 10 »Gran Partita«, KV 361 - IV. Menuetto: Allegretto & Trio I & II
- Serenade No. 10 »Gran Partita«, KV 361 - V. Romanze: Adagio
- Serenade No. 10 »Gran Partita«, KV 361 - VI. Thema: Andantino Con Variazioni
- Symphony No. 2 - II. Andante Semplice
- Symphony No. 7, Op. 92 - II. Allegretto
- Hungarian Dances (excerpts) - No. 1 In G Minor (Allegro Molto)
- Violin Concerto, Op. 47 - I. Allegro Moderato
- Serenade No. 10 »Gran Partita«, KV 361 - II. Menuetto
- Symphony No.8 »Unfinished« - I. Allegro Moderato
- Songs for voices and orchestra - »Waldseligkeit« Op. 49 No. 1
- Songs for voices and orchestra - »Verführung« Op. 33 No. 1
- Symphony No. 2, Op. 73 - II. Adagio Non Troppo
- Serenade No. 10 »Gran Partita«, KV 361 - VII. Rondo: Allegro Molto
- Symphony No. 2, Op. 73 - III. Allegretto Grazioso (Quasi Andantino)
- Piano Concerto No. 4, Op. 58 - II. Andante Con Moto
- Piano Concerto No. 4, Op. 58 - I. Allegro Moderato
- Symphony No. 7, Op. 92 - I. Poco sostenuto. Vivace
- »Rapsodie Espagnole« - »Habanera«
- Symphony No. 4, Op. 60 - II. Adagio
- Violin Concerto, Op. 47 - III. Allegro Ma Non Tanto
- Symphony No. 2 - III. Un Poco Moderato. Allegro
- Piano Concerto No. 4, Op. 58 - III. Rondo: Vivace
- Symphony No. 2, Op. 73 - I. Allegro Non Troppo
- Songs for voices and orchestra - »Liebeshymnus« Op. 32 No. 3
- Symphony No. 4, Op. 36 - III. Scherzo: Allegro
- Symphony No. 4, Op. 60 - IV. Allegro ma non troppo
- »The Moldau« (Vltava)
- »Nocturnes« for Orchestra (excerpts) - II. Fêtes
- Symphony No. 2 - I. Assai Moderato. Allegro. Molto Allegro
- Violin Concerto, Op. 47 - II. Adagio Di Molto
- »Rapsodie Espagnole« - »Feria«
- Symphony No. 7 - IV. Finale: Bewegt, Doch Nicht Zu Schnell
- Symphony No.8 »Unfinished« - II. Andante Con Moto
- »Der fliegende Holländer« (The Flying Dutchman) - Overture
- Symphony No. 2 - IV. Langsam. Moderato Andante. Allegro Molto
- »Der Ring des Nibelungen: Die Walküre« Act III (The Valkyrie) - Walkürentritt (Ride Of The Valkyries)
- Serenade No. 10 »Gran Partita«, KV 361 - I. Largo. Allegro Molto
- Serenade No. 10 »Gran Partita«, KV 361 - III. Adagio
- »Rapsodie Espagnole« - »Malagueña«
- Symphony No. 4, Op. 60 - III. Allegro Vivace
- Symphony No. 4, Op. 60 - I. Adagio. Allegro vivace
- Symphony No. 4, Op. 36 - IV. Finale: Allegro Con Fuoco
- Symphony No. 7 - I. Allegro Moderato
- »Nocturnes« for Orchestra (excerpts) - I. Nuages
- Songs for voices and orchestra - »Winterliebe« Op. 48 No. 5
- Symphony No. 2, Op. 73 - IV. Finale: Allegro Con Spirito
- Don Giovanni, KV 527, Erster Akt, Zweite Szene: Orsù, spicciati presto
- Die Hochzeit des Figaro, KV 492, Ester Akt: Muntere Jugend
- Don Giovanni, KV 527, Zweiter Akt, Epilog: Questo è il fin
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Io deggio ad ogni patto
- Don Giovanni, KV 527, Zweiter Akt, Erste Szene: Eh via, buffone, non mi seccar!
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Come mai creder deggio … dalla sua pace
- Die Hochzeit des Figaro, KV 492, Ester Akt: Nur vorwarts, ich bitte
- Konzert für Klavier und Orchester d-Moll, KV 466: III. Rondo
- Die Hochzeit des Figaro, KV 492, Ester Akt: Er lebe!
- Don Giovanni, KV 527, Zweiter Akt, Fünfte Szene: Don Giovanni, a cenar teco
- Don Giovanni, KV 527, Erster Akt, Fünfte Szene: Ecco il birbo che t'ha offesa!
- Don Giovanni, KV 527, Zweiter Akt, Epilog: Or che tutti, o mio tesoro
- Die Hochzeit des Figaro, KV 492, Ester Akt: Bravo, mein gnäd’ger gebieter
- Don Giovanni, KV 527, Zweiter Akt, Erste Szene: Amico, che ti par?
- Don Giovanni, KV 527, Erster Akt, Zweite Szene: Ah! Chi mi dice mai …udisti? Qualche bella
- Die Hochzeit des Figaro, KV 492, Ester Akt: Will der herr graf
- Don Giovanni, KV 527, Erster Akt, Erste Szene: Ma qual mai s'offre
- Mozart Piano Concerto No 24 in C Minor KV 491. 1 Allegro (Cadenza Tan)
- Die Hochzeit des Figaro, KV 492, Ester Akt: Funfe, zehne
- Don Giovanni, KV 527, Erster Akt, Vierte Szene: Presto, presto, pria ch'ei venga
- Die Hochzeit des Figaro, KV 492, Ester Akt: Noch ist nicht alles verloren
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Là ci darem la mano
- Die Hochzeit des Figaro, KV 492, Ester Akt: Was soll denn die komödie?
- Konzert für zwei Klaviere und Orchester Es-Dur, KV 365: II. Andante
- Konzert für klavier und orchester nr. 22 es-dur, kv 482: Ii. Andante
- Don Giovanni, KV 527, Zweiter Akt, Zweite Szene: Mi tradi quell'alma ingrata
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Alfin siam liberati
- Don Giovanni, KV 527, Erster Akt, Erste Szene: Fuggi, crudele
- Don Giovanni, KV 527, Zweiter Akt, Zweite Szene: Dunque quello sei tu
- Die Hochzeit des Figaro, KV 492, Ester Akt: Basilio, schnell hole Figaro!
- Don Giovanni, KV 527, Zweiter Akt, Zweite Szene: In quali eccessi, o numi
- Konzert für zwei Klaviere und Orchester Es-Dur, KV 365: III. Rondo: Allegro
- Die Hochzeit des Figaro, KV 492, Ester Akt: Nun vergiß leises Flehen
- Don Giovanni, KV 527, Zweiter Akt, Fünfte Szene: Che gido è questo mai?
- Die Hochzeit des Figaro, KV 492, Ester Akt: Ouvertüre
- Don Giovanni, KV 527, Erster Akt, Erste Szene: Lasciata, indegno … leporello, ove sei?
- Don Giovanni, KV 527, Zweiter Akt, Erste Szene: Ah taci, ingiusto core!
- Serenade nr. 13 G-Dur, KV 525 „Eine kleine Nachtmusik“: III. Menuett: Allegretto. Trio
- Serenade nr. 10 B-Dur für 13 Bläser, KV 361 „Gran partita“: IV. Minuetto: Allegretto. Trio 1 & 2
- Don Giovanni, KV 527, Erster Akt, Erste Szene: Ouvertüre
- Don Giovanni, KV 527, Erster Akt, Vierte Szene: Tra quest'arbori celata
- Die Hochzeit des Figaro, KV 492, Ester Akt: Wie, was hör' ich?
- Don Giovanni, KV 527, Erster Akt, Vierte Szene: Batti, batti, o bel masetto
- Serenade nr. 13 G-Dur, KV 525 „Eine kleine Nachtmusik“: I. Allegro
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Fin ch'han dal vino
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Mi par ch'oggi il demonio si diverta … non ti fidar, o misera … povera sventurata!
- Die Hochzeit des Figaro, KV 492, Ester Akt: Sollt' einstens die Gräfin
- Don Giovanni, KV 527, Erster Akt, Vierte Szene: Bisogna aver coraggio
- Die Hochzeit des Figaro, KV 492, Ester Akt: Ich weiß. nicht, was ich bin
- Don Giovanni, KV 527, Zweiter Akt, Zweite Szene: Di molte faci Il lume
- Don Giovanni, KV 527, Erster Akt, Fünfte Szene: Venite pur avanti
- Don Giovanni, KV 527, Erster Akt, Fünfte Szene: Trema, trema, scellerato!
- Konzert für Klavier und Orchester d-Moll, KV 466: II. Romanze
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Fermati, scellerato! … ah, fuggi il traditor
- Serenade nr. 10 B-Dur für 13 Bläser, KV 361 „Gran partita“: VII. Rondo: Allegro molto
- Don Giovanni, KV 527, Zweiter Akt, Erste Szene: Vedrai, carino
- Don Giovanni, KV 527, Zweiter Akt, Epilog: Ah! Dov'è il perfido?
- Don Giovanni, KV 527, Zweiter Akt, Vierte Szene: Calmatevi, idol mio!
- Don Giovanni, KV 527, Zweiter Akt, Fünfte Szene: L'ultima prova dell'amor mio
- Don Giovanni, KV 527, Erster Akt, Fünfte Szene: Riposate, vezzose ragazze
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Giovinette, che fate all'amore
- Serenade nr. 10 B-Dur für 13 Bläser, KV 361 „Gran partita“: VI. Thema: Andantino & Variationen
- Konzert für klavier und orchester nr. 22 es-dur, kv 482: Iii. Allegro
- Die Hochzeit des Figaro, KV 492, Ester Akt: Sag, was hast du denn da zu messen?
- Serenade nr. 13 G-Dur, KV 525 „Eine kleine Nachtmusik“: IV. Rondo: Allegro
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Don ottavio … son morta!
- Die Hochzeit des Figaro, KV 492, Ester Akt: Nun wohl, so hör und schweige!
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Or sai chi l'onore
- Don Giovanni, KV 527, Zweiter Akt, Zweite Szene: Mille torbidi pensieri
- Don Giovanni, KV 527, Zweiter Akt, Dritte Szene: Ah, ah, ah, questa e buona
- Don Giovanni, KV 527, Zweiter Akt, Vierte Szene: Non mi dir, bell'idol mio
- Don Giovanni, KV 527, Zweiter Akt, Fünfte Szene: Già la mensa è preparata
- Die Hochzeit des Figaro, KV 492, Ester Akt: Und sie konnten warten
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Ho capito, signor sì!
- Don Giovanni, KV 527, Zweiter Akt, Zweite Szene: Il mio tesoro intanto
- Die Entführung aus dem Serail: Ouvertüre
- Don Giovanni, KV 527, Zweiter Akt, Vierte Szene: Crudele? Ah no, mio bene!
- Konzert für zwei Klaviere und Orchester Es-Dur, KV 365: I. Allegro
- Konzert für Klavier und Orchester Nr. 22 Es-Dur, KV 482: I. Allegro
- Don Giovanni, KV 527, Erster Akt, Erste Szene: Non sperar, se non m'uccidi
- Don Giovanni, KV 527, Zweiter Akt, Dritte Szene: O statua gentilissima
- Don Giovanni, KV 527, Zweiter Akt, Erste Szene: Zitto… Lascia ch'Io senta… ottimamente
- Serenade nr. 10 B-Dur für 13 Bläser, KV 361 „Gran partita“: V. Romanze: Adagio
- Don Giovanni, KV 527, Erster Akt, Vierte Szene: Protegga il giusto cielo
- Die Hochzeit des Figaro, KV 492, Ester Akt: Stille, man kommt
- Serenade nr. 13 G-Dur, KV 525 „Eine kleine Nachtmusik“: II. Romanze: Andante
- Don Giovanni, KV 527, Zweiter Akt, Fünfte Szene: Da qual tremore insolito
- Don Giovanni, KV 527, Zweiter Akt, Erste Szene: Deh! Vieni alla finestra
- Die Hochzeit des Figaro, KV 492, Ester Akt: Fahr' hin, du alte Törin
- Don Giovanni, KV 527, Erster Akt, Vierte Szene: Masetto… senti un po'…
- Don Giovanni, KV 527, Erster Akt, Zweite Szene: Chi è llà?
- Don Giovanni, KV 527, Erster Akt, Dritte Szene: Manco male, è partita
- Die Hochzeit des Figaro, KV 492, Ester Akt: Süße Rache
- Don Giovanni, KV 527, Erster Akt, Erste Szene: Notte e giorno faticar
- Don Giovanni, KV 527, Erster Akt, Zweite Szene: Madamina, il catalogo è questo
- Don Giovanni, KV 527, Zweiter Akt, Erste Szene: Metà di voi qua vadano
- Don Giovanni: Atto I. Ouverture
- Don Giovanni: Atto II. “L’ultima prova dell’amor mio”
- Don Giovanni: Atto II. “Il mio tesoro intanto”
- Don Giovanni: Atto I. “Venite pur avanti”
- Don Giovanni: Atto I. “Batti, batti, o bel Masetto”
- Don Giovanni: Atto II. “Amico, che ti par?”
- Don Giovanni: Atto II. “Mille torbidi pensieri”
- Don Giovanni: Atto II. “Ah taci, ingiusto core!”
- Don Giovanni: Atto II. “Vedrai, carino”
- Don Giovanni: Atto II. “O statua gentilissima”
- Don Giovanni: Atto I. “Manco male, è partita”
- Don Giovanni: Atto I. “Non sperar, se non m’uccidi”
- Don Giovanni: Atto II. “Da qual tremore insolito”
- Don Giovanni: Atto II. Epilogo “Ah! Dov’è il perfido?”
- Don Giovanni: Atto II. Epilogo “Or che tutti, o mio tesoro”
- Don Giovanni: Atto II. “Zitto… Lascia ch’io senta… Ottimamente”
- Don Giovanni: Atto I. “Ma qual mai s’offre”
- Don Giovanni: Atto I. “Masetto… Senti un po’…”
- Don Giovanni: Atto II. “Metà di voi qua vadano”
- Don Giovanni: Atto I. “Or sai chi l’onore”
- Don Giovanni: Atto II. “Crudele? Ah no, mio bene!”
- Don Giovanni: Atto I. “Come mai creder deggio” … “Dalla sua pace”
- Don Giovanni: Atto I. “Fin ch’han dal vino”
- Don Giovanni: Atto II. “Di molte faci il lume”
- Don Giovanni: Atto I. “Ho capito, signor sì!”
- Don Giovanni: Atto II. “Calmatevi, idol mio!”
- Don Giovanni: Atto I. “Trema, trema, scellerato!”
- Don Giovanni: Atto I. “Orsù, spicciati presto”
- Don Giovanni: Atto I. “Don Ottavio … son morta!”
- Don Giovanni: Atto I. “Ecco il birbo che t’ha offesa!”
- Don Giovanni: Atto I. “Riposate, vezzose ragazze”
- Don Giovanni: Atto II. “Eh via, buffone, non mi seccar!”
- Don Giovanni: Atto I. “Lasciata, indegno” … “Leporello, ove sei?”
- Don Giovanni: Atto II. “Non mi dir, bell’idol mio”
- Don Giovanni: Atto I. “Madamina, il catalogo è questo”
- Don Giovanni: Atto I. “Mi par ch’oggi il demonio si diverta” … “Non ti fidar, o misera” … “Povera sventurata!”
- Don Giovanni: Atto I. “Là ci darem la mano”
- Don Giovanni: Atto I. “Io deggio ad ogni patto”
- Don Giovanni: Atto I. “Chi è là?”
- Don Giovanni: Atto I. “Alfin siam liberati”
- Don Giovanni: Atto I. “Fuggi, crudele”
- Don Giovanni: Atto II. “Già la mensa è preparata”
- Don Giovanni: Atto II. “Che grido è questo mai?”
- Don Giovanni: Atto I. “Ah! Chi mi dice mai” … Udisti? Qualche bella"
- Don Giovanni: Atto II. “Mi tradì quell’alma ingrata”
- Don Giovanni: Atto II. “Deh! Vieni alla finestra”
- Don Giovanni: Atto II. Epilogo “Questo è il fin”
- Don Giovanni: Atto I. “Notte e giorno faticar”
- Don Giovanni: Atto II. “Don Giovanni, a cenar teco”
- Don Giovanni: Atto I. “Giovinette, che fate all’amore”
- Don Giovanni: Atto II. “In quali eccessi, o numi”
- Don Giovanni: Atto II. “Ah, ah, ah, questa e buona”
- Don Giovanni: Atto I. “Tra quest’arbori celata”
- Don Giovanni: Atto I. “Fermati, scellerato!” … “Ah, fuggì il traditor”
- Don Giovanni: Atto I. “Protegga il giusto cielo”
- Don Giovanni: Atto II. “Dunque quello sei tu”
- Don Giovanni: Atto I. “Bisogna aver coraggio”
- Don Giovanni: Atto I. “Presto, presto, pria ch’ei venga”
- Konzert für Klavier und Orchester d-Moll, KV 466: I. Allegro
- Konzert für Klavier und Orchester Nr. Es-Dur, KV 482: III. Allegro
- Konzert für Klavier und Orchester Nr. Es-Dur, KV 482: II. Andante
- Das Rheingold: Scene 3: Nibelheim hier (Loge)
- Don Giovanni: Atto primo, seconda scena. Aria: “Madamina, il catalogo è questo” (Leporello)
- Don Giovanni: Atto primo, prima scena. Introduzione: “Notte e giorno faticar” (Leporello)
- Don Giovanni: Atto primo, terza scena. Recitativo: “Fermati scellerato!” (Donna Elvira / Zerlina / Don Giovanni) / Aria: Ah, fuggi il traditor!” (Donna Elvira)
- Don Giovanni: Atto secundo, terza scena. Duetto: “O statua gentilissima” (Leporello / Don Giovanni)
- Don Giovanni: Atto secundo, quinta scena. Epilogo: “Or che tutti, o mio tesoro” (Donna Elvira / Zerlina / Don Ottavio / Masetto / Donna Anna / Leporello)
- Don Giovanni: Atto secundo, seconda scena. Recitativo: “Dunque quello sei tu” (Zerlina / Donna Elvira / Don Ottavio / Masetto) / Aria: “Ah, pietà, signori miei!” (Leporello) / Recitativo: “Ferma, perfido, ferma!” (Donna Elvira / Masetto / Zerlina / Do ...
- Don Giovanni: Atto primo, terza scena. Duetto: “La ci darem la mano” (Don Giovanni / Zerlina)
- Don Giovanni: Atto primo, terza scena. Aria: “Ho capito, signor sì” (Masetto)
- Don Giovanni: Atto secundo, quinta scena. Epilogo: “Questo è il fin” (Donna Elvira / Zerlina / Don Ottavio / Masetto / Donna Anna / Leporello)
- Don Giovanni: Atto primo, quinta scena. Finale: “Riposate, vezzose ragazze” (Don Giovanni / Leporello / Masetto / Zerlina)
- Don Giovanni: Atto secundo, seconda scena. Aria: “Mi tradi quell’alma ingrata” (Donna Elvira)
- Don Giovanni: Atto secundo, seconda scena. Recitativo: “Di molte faci il lume” (Leporello / Donna Elvira) / Sestetto: “Sola, sola in buio loco” (Donna Elvira / Leporello / Don Ottavio / Donna Anna / Zerlina / Masetto)
- Don Giovanni: Atto primo, terza scena. Aria: “Or sai chi l’onore” (Donna Anna / Don Ottavio)
- Don Giovanni: Atto secundo, prima scena. Aria: “Vedrai, carino, se sei buonino” (Zerlina)
- Don Giovanni: Atto primo, prima scena. Introduzione: “Lasciala, indegno!” (Commendatore / Don Giovanni / Leporello) / Recitativo: “Leporello, ove sei?” (Don Giovanni / Leporello / Donna Anna)
- Don Giovanni: Atto primo, terza scena. Recitativo: “Manco male, e partita” (Don Giovanni / Leporello / Zerlina / Masetto)
- Don Giovanni: Atto secundo, prima scena. Recitativo: “Zitto, lascia ch’io senta!” (Don Giovanni / Masetto / Zerlina)
- Don Giovanni: Atto primo, terza scena. Recitativo: “Don Ottavio, son morta!” (Donna Anna / Don Ottavio)
- Don Giovanni: Atto secundo, prima scena. Duetto: “Eh via, buffone, non mi seccar!” (Don Giovanni / Leporello) / Recitativo: “Leporello! / Signore?” (Don Giovanni / Leporello)
- Don Giovanni: Atto primo, prima scena. Duetto: “Fuggi, crudele, fuggi” (Donna Anna / Don Ottavio)
- Don Giovanni: Atto primo, seconda scena. Recitativo: “Chi è la?” (Donna Elvira / Don Giovanni / Leporello)
- Don Giovanni: Atto secundo, prima scena. Serenato: “Deh vieni alla finestra” (Don Giovanni) / Recitativo: “V’è gentle anna finestra” (Don Giovanni / Masetto)
- Don Giovanni: Atto primo, prima scena. Recitativo: “Ma qual mai s’offre” (Donna Anna / Don Ottavio)
- Don Giovanni: Atto secundo, quinta scena. Finale: “L’ultima prova dell’amor mio” (Donna Elvira / Don Giovanni / Leporello)
- Don Giovanni: Atto primo, quarta scena. Finale: “Tra quest’arbori celata” (Zerlina / Don Giovanni / Masetto)
- Don Giovanni: Atto secundo, terza scena. Scena: “Ah, ah, ah, questa è buona” (Don Giovanni / Leporello / La Statua)
- Don Giovanni: Atto secundo, quinta scena. Finale: “Da qual tremore insolito” (Don Giovanni / Coro di Diavoli / Leporello)
- Don Giovanni: Atto primo, quinta scena. Finale: “Trema, trema, scellerato” (Donna Anna / Zerlina / Donna Elvira / Don Ottavio / Masetto / Don Giovanni / Leporello)
- Don Giovanni: Atto secundo, quinta scena. Epilogo: “Ah dov’è il perfido?” (Donna Elvira / Zerlina / Don Ottavio / Masetto / Donna Anna / Leporello)
- Don Giovanni: Atto primo, terza scena. Recitativo: “Mi par ch’oggi il demonio” (Don Giovanni / Don Ottavio / Donna Anna) / Quartetto: “Non ti fidar, o misera” (Don Giovanni / Don Ottavio / Donna Anna / Donna Elvira) / Recitativo: “Povera sventurata!” ...
- Don Giovanni: Atto secundo, seconda scena. Recitativo: “In quali eccessi” (Donna Elvira)
- Don Giovanni: Atto primo, seconda scena. Recitativo: “Orsù, spicciati presto” (Don Giovanni / Leporello)
- Don Giovanni: Atto primo, quinta scena. Finale: “Venite pur avanti” (Leporello / Don Giovanni / Donna Anna / Donna Elvira / Don Ottavio / Masetto / Zerlina)
- Don Giovanni: Atto primo, quarta scena. Finale: “Bisogna aver coraggio” (Donna Elvira / Don Ottavio / Donna Anna / Leporello / Don Giovanni)
- Don Giovanni: Atto secundo, quinta scena. Finale: “Già la mensa è preparata” (Don Giovanni / Leporello)
- Don Giovanni: Atto secundo, prima scena. Trio: “Ah taci, ingiusto core!” (Donna Elvira / Leporello / Don Giovanni)
- Don Giovanni: Atto primo, terza scena. Aria: “Finch’han dal vino” (Don Giovanni)
- Don Giovanni: Atto secundo, seconda scena. Sestetto: “Mille torbidi pensieri” (Donna Elvira / Leporello / Don Ottavio / Donna Anna / Zerlina / Masetto)
- Don Giovanni: Atto secundo, prima scena. Aria: “Metà di voi qua vadano” (Don Giovanni)
- Don Giovanni: Atto primo, quarta scena. Aria: “Batti, batti, o bel Masetto” (Zerlina) / Recitativo: “Guarda un po’” (Masetto / Don Giovanni / Zerlina)
- Don Giovanni: Atto primo, terza scena. Coro: “Giovinete che fate all’amore” (Zerlina / Coro / Masetto)
- Don Giovanni: Atto primo, quarta scena. Finale: “Protegga il giusto cielo” (Donna Anna / Don Ottavio / Donna Elvira)
- Don Giovanni: Atto secundo, quarta scena. Recitativo: “Calmatevi, idol mio!” (Don Ottavio / Donna Anna)
- Don Giovanni: Atto secundo, quinta scena. Finale: “Che grido è questo mai?” (Don Giovanni / Leporello)
- Don Giovanni: Atto secundo, prima scena. Recitativo: “Amico, che ti par?” (Don Giovanni / Leporello / Donna Elvira)
- Don Giovanni: Atto primo, seconda scena. Aria: “Ah, chi mi dice mai” (Donna Elvira / Don Giovanni / Leporello)
- Don Giovanni: Atto primo, quarta scena. Recitativo: “Masetto, senti un po’” (Zerlina / Masetto)
- Don Giovanni: Atto secundo, quinta scena. Finale: “Don Giovanni, a cenar teco” (La Statua / Don Giovanni / Leporello)
- Don Giovanni: Atto primo, quarta scena. Finale: “Presto, presto, pria ch’ei venga” (Masetto / Zerlina / Don Giovanni / Coro)
- Don Giovanni: Atto primo, terza scena. Recitativo: “Io deggio ad ogni patto” (Leporello / Don Giovanni)
- Don Giovanni: Atto primo, quinta scena. Finale: “Ecco il birbo che t’ha offesa!” (Don Giovanni / Leporello / Donna Anna / Donna Elvira / Don Ottavio)
- Don Giovanni: Atto primo, terza scena. Recitativo: “Alfin siam liberati” (Don Giovanni / Zerlina)
- Don Giovanni: Atto primo, terza scena. Recitativo: “Come mai creder deggio” (Don Ottavio) / Aria: “Della sua pace” (Don Ottavio)
- Don Giovanni: Atto primo, prima scena. Introduzione: “Non sperar, se non m’uccidi” (Donna Anna / Don Giovanni / Leporello)
- Don Giovanni: Atto secundo, seconda scena. Aria: “Il mio tesoro intanto” (Don Ottavio)
- Symphony No. 1 / Große Fuge
- Symphony No. 5 (1926) — Wilhelm Furtwangler Speaks About Music — Discussions & Intervlews
- Symphony No. 5 • Overture to "Egmont"
- Overtures & Orchestral Music
- Violin Concerto • Symphony No. 4
- Sinfonia Domestica • Don Juan / Overture to "Der Frelschütz"
- Symphony No. 8
- Symphony No. 9
- Symphony No. 7
- Symphony in D Minor
- Symphony No. 4 "Romantic" / Rapsodie Espagnole
- Symphony No. 5
- Symphony No. 2
- Overture to "Die Zauberharfe" • Symphony No. 9 "Great"
- Symphonies Nos. 7 & 8
- Coriolan Overture • Symphonies Nos. 4 & 5
- Symphony No. 4 "Romantic"
- Piano Concerto • Cello Concerto
- Symphony No. 6 "Pathétique"
- En Saga / Till Eulenspiegel / Daphnis et Chloé – Suite No. 2
- Symphony No. 88 / Manfred Overture • Symphony No. 4
- Don Juan • Metamorphosen / Symphonische Metamorphosen
- Symphony No. 39 / Symphony No. 9 "Great"
- Violin Concerto • Overture "Leonore II" / Overture to "Euryanthe"
- Orchestral Suite No. 3 / Concerti Grossi, Op. 6: No. 5, No. 10 (1944, 1950) / Overture To " Alceste"
- Corlolan Overture [WP] / Symphony No. 2 [LPO]
- Piano Concerto No. 4 • Symphony No. 7
- "Haydn" Variations • Symphony No. 3 / Symphony No. 8 "Unfinished"
- Symphony No. 2 / Overture "Leonore Ill"
- Piano Concerto No. 2 / Symphony No. 39
- Symphony in D minor / Symphony No. 1 "Spring"
- Don Giovanni [Salzburg Festival, July 1954]