Sir Adrian Boult Songtexte
Symphony No. 3 in E-Flat Major, Op. 97, "Rhenish": III. Nicht schnell
Geboren am 08. April 1889, Gestorben am 24. März 1983
Symphony No. 8 / Symphony No. 9
- Symphony No. 8 In D Minor: I. First Movement: Fantasia (Variazioni Senza Tema) (von Ralph Vaughan Williams)
- Symphony No. 8 In D Minor: II. Second Movement: Scherzo Alla Marcia (von Ralph Vaughan Williams)
- Symphony No. 8 In D Minor: III. Third Movement: Cavatina (von Ralph Vaughan Williams)
- Symphony No. 8 In D Minor: IV. Fourth Movement: Toccata (von Ralph Vaughan Williams)
- Symphony No. 9 In E Minor: I. First Movement: Moderato Maestoso (von Ralph Vaughan Williams)
- Symphony No. 9 In E Minor: II. Second Movement: Andante Sostento (von Ralph Vaughan Williams)
- Symphony No. 9 In E Minor: III. Third Movement: Scherzo (Allegro Pesante) (von Ralph Vaughan Williams)
- Symphony No. 9 In E Minor: IV. Fourth Movement: Andante Tranquillo (von Ralph Vaughan Williams)
Mehr Songtexte
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used only in The Kingdom: The New Faith (Christianity)
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto theme quoted from The Dream of Gerontius
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto theme quoted from The Light of Life
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used for abstract ideas: The Gospel
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used for abstract ideas: The Church
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used for the principal characters: Christ, the man of sorrows
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: General Introduction
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used for the principal characters: Judas
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used for the principal characters: St. Peter
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used for the principal characters: The Beatitudes
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used only in The Kingdom: The Real Presence (Christ)
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Introduction to the Apostles and the Kingdom
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used for the principal characters: The spirit of the Lord
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used only in The Kingdom: In the name of Jesus Christ
- The Apostles and the Kingdom: An Illustred Introduction by Adrian Boult: Motto themes used for the principal characters: Christ's loneliness
- The Music Makers Op. 69 (1986 Digital Remaster): And Therefore To-Day Is Thrilling* Dame Janet Baker/Frederic Jackson/Sir Adrian Boult 4:27 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Sanctus Fortis, Santus Deus (Gerontius) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 5:20 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Praise to the Holiest (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 7:56 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: The Sound Is Like the Rushing of the Wind (Soul) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 0:17 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Softly and Gently (Angel) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 7:02 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Jesu Maria, I Am Near to Death (Gerontius) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 3:05 £
- The Music Makers Op. 69 (1986 Digital Remaster): We Are the Music Makers Dame Janet Baker/Frederic Jackson/Sir Adrian Boult 1:57 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Praise to His Name! (Angel) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 1:36 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: They Sing of Thy Approaching Agony (Angel, Soul) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 0:51 £
- Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Kyrie Eleison (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 2:07 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Rouse Thee, My Fainting Soul (Gerontius) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 0:51 £
- The Music Makers Op. 69 (1986 Digital Remaster): We, in the Ages Lying Dame Janet Baker/Frederic Jackson/Sir Adrian Boult 3:58 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Novissima Hora Est (Gerontius) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 1:22 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: I Went to Sleep (Soul of Gerontius) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 5:54 £
- The Music Makers Op. 69 (1986 Digital Remaster): Great Hail! We Cry to the Comers* Dame Janet Baker/Frederic Jackson/Sir Adrian Boult 8:58 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: It Is the Restless Panting of Their Being (Angel) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 0:18 £
- The Music Makers Op. 69 (1986 Digital Remaster) (Moderato E Nobilmente) Dame Janet Baker/Frederic Jackson/Sir Adrian Boult 3:29 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Proficiscere, Anima Christiana (Priest) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 2:02 £
- The Music Makers Op. 69 (1986 Digital Remaster): For We Are Afar With the Dawning Dame Janet Baker/Frederic Jackson/Sir Adrian Boult 2:37 £
- Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: I See Not Those False Spirits (Soul, Angel) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 3:29 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Take Me Away (Soul) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 3:41 £
- The Music Makers Op. 69 (1986 Digital Remaster): They Had No Vision Amazing* Dame Janet Baker/Frederic Jackson/Sir Adrian Boult 3:20 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Jesu! By That Shuddering Dread (Angel) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 4:23 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Thy Judgement Now Is Near (Angel, Soul) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 2:33 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Low-Born Clods of Brute Earth (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 2:01 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Glory to Him (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 0:32 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: But Hark! A Grand Mysterious Harmony (Soul) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 0:58 £
- The Music Makers Op. 69 (1986 Digital Remaster): With Wonderful Deathless Ditties Dame Janet Baker/Frederic Jackson/Sir Adrian Boult 1:41 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: All Hail! My Child (Soul, Angel) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 6:30 £
- The Music Makers Op. 69 (1986 Digital Remaster): But We, With Our Dreaming and Singing Dame Janet Baker/Frederic Jackson/Sir Adrian Boult 3:31 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: The Mind Bold and Independent (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 2:19 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Be Merciful, Be Gracious (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 0:39 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Be Merciful, Be Gracious (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 2:59 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Rescue Him, o Lord (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 1:56 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: I Can No More; For Now It Comes Again (Gerontius) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 2:41 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Go in the Name of Angels (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 5:01 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Praise to the Holiest (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 3:15 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: And Now the Threshold (Angel) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 0:24 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Lord, Thou Hast Been Our Refuge (Chorus) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 1:55 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: My Work Is Done (Angel) Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 3:06 £
- The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Prelude Nicolai Gedda/Helen Watts/Robert Lloyd/London Philharmonic Choir/John Alldis Choir/New Philharmonia Orchestra/Sir Adrian Boult 9:38 £
- The Music Makers Op. 69 (1986 Digital Remaster): A Breath of Our Inspiration Dame Janet Baker/Frederic Jackson/Sir Adrian Boult 4:00 £
- Die Meistersinger von Nürnberg: Overture
- Tragic Overture, op. 81
- Der fliegende Holländer: Overture
- Piano Concerto No. 24 in C minor, K 491: III. Allegretto - Cadenza (by Previn)
- Piano Concerto No. 24 in C minor, K 491: I. Allegro - Cadenza (by Hummel)
- Die Walküre: Ride of the Valkries
- Götterdämmerung: Siegfried's Funeral March
- Piano Concerto No. 24 in C minor, K 491: II. Larghetto
- The Birds: Bridal March
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: The spirit of the Lord
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Introduction to the Apostles and the Kingdom
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: Christ's loneliness
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: The Beatitudes
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used only in The Kingdom: The New Faith (Christianity)
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto theme quoted from The Light of Life
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for abstract ideas: The Church
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: Christ, the man of sorrows
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: St. Peter
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for abstract ideas: The Gospel
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used only in The Kingdom: In the name of Jesus Christ
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto theme quoted from The Dream of Gerontius
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used only in The Kingdom: The Real Presence (Christ)
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: General Introduction
- The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: Judas
- The Sanguine Fan, Ballet, Op. 81 - II. Pan Enters Piping, Then Curls Up to Sleep
- Chanson de Matin" & "Chanson de Nuit" - No. 1 Chanson de Nuit
- Introduction and Allegro, for String Quartet & String Orchestra in G Major, Op. 47 - III. Allegro (Fugue)
- Falstaff, Symphonic Study for Orchestra in C Minor, Op. 68 - IV. Falstaff's March
- The Sanguine Fan, Ballet, Op. 81 - VI. Three Shepherdesses Bring Gifts for Pan
- Falstaff, Symphonic Study for Orchestra in C Minor, Op. 68 - II. Eastcheap - Gadshill - The Boar's Head
- Chanson de Matin" & "Chanson de Nuit" - Elegy, for String Orchestra, Op. 58
- Cello Concerto in E Minor, Op. 85 - II. Lento - Allegro Molto
- The Sanguine Fan, Ballet, Op. 81 - XI. Echo, Sans Disguise, Runs Back to Pan; They Embrace Madly and Run Off; The Girl Kneels by Her Prost
- Falstaff, Symphonic Study for Orchestra in C Minor, Op. 68 - V. Harry's Progress
- The Sanguine Fan, Ballet, Op. 81 - IX. Echo, Now Disguised as a Mortal, Captivates the Young Man
- Cello Concerto in E Minor, Op. 85 - I. Adagio - Moderato
- The Sanguine Fan, Ballet, Op. 81 - V. Echo Awakes Pan, Who Falls in Love With Her; They Dance Til Exhausted
- Falstaff, Symphonic Study for Orchestra in C Minor, Op. 68 - IV. Interlude - Gloucestershire
- Introduction and Allegro, for String Quartet & String Orchestra in G Major, Op. 47 - II. Allegro
- The Sanguine Fan, Ballet, Op. 81 - The Youn Man Declares His Passion for the First Girl and Is Blindfolded; A Quarrel
- Violin Concerto in B Minor, Op. 61 - I. Allegro
- The Sanguine Fan, Ballet, Op. 81 - X. Pan Rouses And, Full of Jealous Wrath, Pursues the Young Man; Thunder and Lighning; The Young Man
- Violin Concerto in B Minor, Op. 61 - II. Andante
- The Sanguine Fan, Ballet, Op. 81 - VII. The First Girl and the Young Man Enter, She Angry, He Pleading; Thunder
- Chanson de Matin" & "Chanson de Nuit" - No. 2 Chanson de Matin
- Violin Concerto in B Minor, Op. 61 - III. Allegro Molto
- Cello Concerto in E Minor, Op. 85 - III. Adagio
- Cello Concerto in E Minor, Op. 85 - IV. Allegro - Moderato - Cadenza - Allegro Ma Non Troppo - Adagio - Allegro Molto
- The Sanguine Fan, Ballet, Op. 81 - VIII. Echo Snatches Pan's Pipes and Tempts the Young Man
- Falstaff, Symphonic Study for Orchestra in C Minor, Op. 68 - III. Dream (interlude)
- Introduction and Allegro, for String Quartet & String Orchestra in G Major, Op. 47 - I. Moderato
- The Sanguine Fan, Ballet, Op. 81 - IV. Two Girls Enter Gaily, the Young Man Returns the Fan Which the First Girl Has Dropped
- The Sanguine Fan, Ballet, Op. 81 - I. A Glade
- The Sanguine Fan, Ballet, Op. 81 - III. A Young Man Enters, Awaiting Someone
- Falstaff, Symphonic Study for Orchestra in C Minor, Op. 68 - I. Falstaff and Prince Henry
- Violin Concerto in B minor, op. 61: II. Andante
- Cello Concerto in E minor, op. 85: III. Adagio
- Cello Concerto in E minor, op. 85: II. Lento: Allegro molto
- Falstaff, Symphonic Study for Orchestra in C minor, op. 68: I. Falstaff and Prince Henry
- Falstaff, Symphonic Study for Orchestra in C minor, op. 68: II. Eastcheap: Gadshill: The Boar’s Head
- The Sanguine Fan, Ballet, op. 81: II. Pan Enters Piping, Then Curls Up to Sleep
- The Sanguine Fan, Ballet, op. 81: III. A Young Man Enters, Awaiting Someone
- Introduction and Allegro, for String Quartet & String Orchestra in G major, op. 47: III. Allegro (Fugue)
- Falstaff, Symphonic Study for Orchestra in C minor, op. 68: V. Harry’s Progress
- The Sanguine Fan, Ballet, op. 81: I. A Glade
- The Sanguine Fan, Ballet, op. 81: The Youn Man Declares His Passion for the First Girl and Is Blindfolded; A Quarrel
- The Sanguine Fan, Ballet, op. 81: VII. The First Girl and the Young Man Enter, She Angry, He Pleading; Thunder
- Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Cadenza - Allegro ma non troppo - Adagio - Allegro molto
- Falstaff, Symphonic Study for Orchestra in C minor, op. 68: IV. Interlude: Gloucestershire
- Chanson de Matin” & “Chanson de Nuit”: no. 1 Chanson de Nuit
- The Sanguine Fan, Ballet, op. 81: VIII. Echo Snatches Pan’s Pipes and Tempts the Young Man
- Violin Concerto in B minor, op. 61: I. Allegro
- Falstaff, Symphonic Study for Orchestra in C minor, op. 68: III. Dream (interlude)
- Falstaff, Symphonic Study for Orchestra in C minor, op. 68: IV. Falstaff’s March
- The Sanguine Fan, Ballet, op. 81: VI. Three Shepherdesses Bring Gifts for Pan
- Chanson de Matin” & “Chanson de Nuit”: Elegy, for String Orchestra, op. 58
- Cello Concerto in E minor, op. 85: I. Adagio: Moderato
- The Sanguine Fan, Ballet, op. 81: IV. Two Girls Enter Gaily, the Young Man Returns the Fan Which the First Girl Has Dropped
- The Sanguine Fan, Ballet, op. 81: X. Pan Rouses And, Full of Jealous Wrath, Pursues the Young Man; Thunder and Lightning; The Young Man
- The Sanguine Fan, Ballet, op. 81: V. Echo Awakes Pan, Who Falls in Love With Her; They Dance Til Exhausted
- Violin Concerto in B minor, op. 61: III. Allegro molto
- The Sanguine Fan, Ballet, op. 81: XI. Echo, Sans Disguise, Runs Back to Pan; They Embrace Madly and Run Off; The Girl Kneels by Her Prost
- Introduction and Allegro, for String Quartet & String Orchestra in G major, op. 47: I. Moderato
- Chanson de Matin” & “Chanson de Nuit”: no. 2 Chanson de Matin
- Introduction and Allegro, for String Quartet & String Orchestra in G major, op. 47: II. Allegro
- The Sanguine Fan, Ballet, op. 81: IX. Echo, Now Disguised as a Mortal, Captivates the Young Man
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: General introduction
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ’s Loneliness
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Light of Life
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The New Faith (Christianity)
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Spirit of the Lord
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Judas
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: St. Peter
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: In the name of Jesus Christ
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Beatitudes
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: Introduction to The Apostles and The Kingdom
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Dream of Gerontius
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Gospel
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Church
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The Real Presence (Christ)
- The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ, the Man of Sorrows
- Piano Concerto no. 24 in C minor, K. 491: 1st Movement: Allegro - Cadenza (by Hummel)
- Serenade no. 1 in D, op. 11: VI. Rondo. Allegro
- Symphony no. 3 in F, op. 90: IV. Allegro
- Symphony no. 3 in F, op. 90: III. Poco allegretto
- Symphony no. 2 in D, op. 73: II. Adagio non troppo
- Symphony no. 35 in D, K. 385 ‘Haffner’: IV. Finale. Presto
- Symphony no. 35 in D, K. 385 ‘Haffner’: III. Menuetto
- Symphony no. 41 in C, K. 551 ‘Jupiter’: IV. Molto allegro
- Variations on a Theme by Haydn, op. 56a: III. Più vivace
- Serenade no. 2 in A, op. 16: II. Scherzo. Vivace
- Serenade no. 2 in A, op. 16: V. Rondo. Allegro
- Serenade no. 2 in A, op. 16: III. Adagio non troppo
- Götterdämmerung: Dawn and Siegfried’s Rhine Journey
- Die fliegende Holländer: Overture
- Parsifal: Act III. Transformation Music
- Variations on a Theme by Haydn, op. 56a: V. Andante con moto
- Brandenburg Concerto no. 1 in F, BWV. 1046: III. Allegro
- Brandenburg Concerto no. 4 in G, BWV. 1049: I. Allegro
- A Faust Overture
- Variations on a Theme by Haydn, op. 56a: X. Finale. Andante
- Variations on a Theme by Haydn, op. 56a: VI. Vivace
- Symphony no. 2 in D, op. 73: III. Allegretto grazioso (Quasi andantino – Presto ma non assai)
- Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
- Brandenburg Concerto no. 4 in G, BWV. 1049: III. Presto
- Die Walküre: Ride of the Valkyries
- Academic Festival Overture, op. 80
- Symphony no. 6 in F, op. 68 ‘Pastoral’: V. Allegretto (Shepherds' Song. Cheerful and thankful feelings after the storm)
- Symphony no. 41 in C, K. 551 ‘Jupiter’: I. Allegro vivace
- Serenade no. 1 in D, op. 11: II. Scherzo. Allegro non troppo & Trio. Poco più moto
- Serenade no. 2 in A, op. 16: I. Allegro Moderato
- Parsifal: Act I. Prelude
- Symphony no. 4 in E minor, op. 98: III. Allegro giocoso, poco meno presto – Tempo I
- Variations on a Theme by Haydn, op. 56a: VIII. Grazioso
- Symphony no. 2 in D, op. 73: IV. Allegro con spirito
- Variations on a Theme by Haydn, op. 56a: I. Theme. Andante (Chorale: St. Anthony)
- Serenade no. 1 in D, op. 11: III. Adagio non troppo
- Serenade no. 1 in D, op. 11: I. Allegro molto
- Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato
- Brandenburg Concerto no. 6 in B flat, BWV. 1051: I. (Allegro)
- Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
- Variations on a Theme by Haydn, op. 56a: II. Poco più animato
- Symphony no. 41 in C, K. 551 ‘Jupiter’: II. Andante cantabile
- Variations on a Theme by Haydn, op. 56a: VII. Vivace
- Brandenburg Concerto no. 3 in G, BWV. 1048: III. Allegro
- Tannhäuser: Overture
- Variations on a Theme by Haydn, op. 56a: IV. Con moto
- Brandenburg Concerto no. 6 in B flat, BWV. 1051: III. Allegro
- Symphony no. 4 in E minor, op. 98: II. Andante noderato
- Symphony no. 3 in F, op. 90: I. Allegro con brio
- Brandenburg Concerto no. 3 in G, BWV. 1048: II. Largo
- Symphony no. 2 in D, op. 73: I. Allegro non troppo
- Brandenburg Concerto no. 3 in G, BWV. 1048: I. Allegro moderato
- Parsifal: Act III. Prelude
- Tristan und Isolde: Prelude to Act I
- Brandenburg Concerto no. 4 in G, BWV. 1049: II. Andante
- Lohengrin: Prelude to Act III
- Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
- Siegfried Idyll
- Brandenburg Concerto no. 6 in B flat, BWV. 1051: II. Adagio ma non tanto
- Siegfried: Forest Murmurs
- Tristan und Isolde: Prelude to Act III
- Brandenburg Concerto no. 1 in F, BWV. 1046: I. (Allegro)
- Symphony no. 41 in C, K. 551 ‘Jupiter’: III. Menuetto. Allegretto & Trio
- Symphony no. 6 in F, op. 68 ‘Pastoral’: III. Allegro (Happy gathering of country folk)
- Parsifal: Act III. Good Friday Music
- Die Zauberflöte, K. 622: Overture
- Tannhäuser: Grand March
- Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro – Meno allegro
- Das Rheingold: Entry of the Gods into Valhalla
- Serenade no. 1 in D, op. 11: V. Scherzo. Allegro
- Symphony no. 6 in F, op. 68 ‘Pastoral’: I. Allegro ma non troppo (Awakening of pleasant feelings upon arriving in the country)
- Die Ruinen von Athen, op. 113: No. 4 Marcia alla turca
- Parsifal: Act I. Transformation Music
- Lohengrin: Prelude to Act I
- Symphony no. 1 in C minor, op. 68: IV. Adagio – Piu andante – Allegro non troppo, ma con brio – Piu Allegro
- Symphony no. 35 in D, K. 385 ‘Haffner’: I. Allegro con spirito
- Serenade no. 1 in D, op. 11: IV. Menuetto I – Menuetto II
- Symphony no. 6 in F, op. 68 ‘Pastoral’: II. Andante molto mosso (Scene by the brook)
- Rienzi: Overture
- Die Ruinen von Athen, op. 113: Overture
- Symphony no. 35 in D, K. 385 ‘Haffner’: II. Andante
- Symphony no. 6 in F, op. 68 ‘Pastoral’: IV. Allegro (The storm)
- Variations on a Theme by Haydn, op. 56a: IX. Presto non troppo
- Die Meistersinger von Nürnberg: Prelude to Act III
- Coriolan Overture, op. 62
- Brandenburg Concerto no. 1 in F, BWV. 1046: II. Adagio
- Götterdämmerung: Siefried’s Funeral March
- Die Meistersinger von Nürnberg: Prelude to Act I
- Serenade no. 2 in A, op. 16: IV. Quasi menuetto
- Symphony no. 3 in F, op. 90: II. Andante
- Symphony No. 4 in D Minor, Op. 120: I. Ziemlich langsam; Lebhaft
- Symphony No. 3 in E-Flat Major, Op. 97, "Rhenish": V. Lebhaft
- Symphony No. 3 in E-Flat Major, Op. 97, "Rhenish": I. Lebhaft
- Le carnaval romain, Op. 9 (Roman Carnaval)
- Symphony No. 1 in B-Flat Major, Op. 38, "Spring": IV. Allegro animato e grazioso
- Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam
- Rob Roy Overture (Intrata di Rob-Roy MacGregor), for orchestra, H.54
- Les Francs-Juges, opera, H. 23a (fragments); Overture
- Symphony No. 3 in E-Flat Major, Op. 97, "Rhenish": III. Nicht schnell
- Benvenuto Cellini, opera, H. 76a, Op. 23; Overture
- Waverley, Op. 1
- Symphony No. 1 in B-Flat Major, Op. 38, "Spring": III. Scherzo. Molto vivace; Trio I-II
- Symphony No. 2 in C Major, Op. 61: I. Sostenuto assai; Allegro ma non troppo
- Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace
- Overture to Béatrice et Bénédict, opera, H. 138; Overture
- Symphony No. 3 in E-Flat Major, Op. 97, "Rhenish": IV. Feierlich
- Symphony No. 1 in B-Flat Major, Op. 38, "Spring": I. Andante un poco maestoso; Allegro molto vivace
- Symphony No. 2 in C Major, Op. 61: II. Scherzo. Allegro vivace
- Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo
- Le Corsaire, overture for orchestra, H. 101 (Op. 21)
- Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft
- Symphony No. 4 in D Minor, Op. 120: IV. Langsam; Lebhaft
- Symphony No. 1 in B-Flat Major, Op. 38, "Spring": II. Larghetto
- Symphony No. 3 in E-Flat Major, Op. 97, "Rhenish": II. Scherzo. Sehr mäßig
- Le roi Lear Overture, Op. 4
- Overture "Intrata di Rob-Roy MacGregor", H. 54
- Overture "Waverley", op. 1, H. 26
- Overture "Le Roi Lear", op. 4, H. 53
- Wand of Youth Suite No.1 Op.1a: III Minuet (Old Style)
- Three Bavarian Dances Op.27: III The Marksman - Allegro Vivace
- Wand of Youth Suite No.1 Op.1a: VI Slumber Scene
- Polonia Op.76
- Wand of Youth Suite No.2 Op.1b: IV Fountain Dance
- Wand of Youth Suite No.2 Op.1b: I March
- Wand of Youth Suite No.1 Op.1a: II Serenade
- Wand of Youth Suite No.1 Op.1a: VII Fairies and Giants
- Russian Easter Overture, Op 36
- Wand of Youth Suite No.2 Op.1b: III Moths and Butterflies (Dance)
- Wand of Youth Suite No.2 Op.1b: VI Wild Bears
- Meditation from the Light of Life Op.29
- Wand of Youth Suite No.1 Op.1a: IV Sun Dance
- Symphony 3 in A minor: Lento - Allegro moderato
- Wand of Youth Suite No.2 Op.1b: V The Tame Bear
- Wand of Youth Suite No.2 Op.1b: II the Little Bells (Scherzino)
- Wand of Youth Suite No.1 Op.1a: I Overture
- Triumphal March from Caractacus Op.35
- Symphony 3 in A minor: Adagio ma non troppo
- Three Bavarian Dances Op.27: I The Dance - Allegretto Giocoso
- Wand of Youth Suite No.1 Op.1a: V Fairy Pipers
- Symphony 3 in A minor: Allegro
- Three Bavarian Dances Op.27: II Lullaby - Moderato